#you don't have to consume the stuff you don't like

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[renthony]

On "Consuming Content"

Every now and then a post crosses my feed that follows the vein of, "you have to do things other than consume media or else you'll be a dumb person who doesn't know anything about how the real world works and does nothing but pointless fandom stuff."

I hate those posts for three major reasons, not counting the inherent ableism and classism of "you must have approved Smart People hobbies or else you're worthless" rhetoric:

You don't know what people do or talk about outside of what you see on their social media. Responding to fandom communities on a fandom-driven website as if all these people are one-note cardboard cutouts of people is asinine. In many cases this genre of post feels like repackaged 2012 tumblr "not like other girls" and hipster discourse. Yes, yes, you think you're better than everyone else on this website because your hobbies are less mainstream, more morally pure, and have greater intellectual merit, we get it.

What do you even mean by consuming content? As someone who purposely avoids using the phrase "consuming content" because I find the term too vague to be useful, please be more specific. Are you including every single form of media engagement and art enjoyment? Are you just talking about mainstream TV and film? What about novels? Plays and scripts? Nonfiction books and instruction manuals? Do you mean to imply that going to a book club is a worthless non-hobby? Are you including academic reading? Are you including going to the art museum? Going to the theatre, concerts, or other performances? Taped liveshows? Watching sports events on TV? Are you including news media? Are you including YouTube tutorials about how to do various tasks, crafts, or other hobbies? Are you including trade magazines? Are you including industry publications in various fields? What constitutes "content," and what constitutes "consuming" in this discourse? Define it. "Consuming content" is a nothing phrase that people use to mean multiple different things depending on what they, personally, judge as valid media. It's a buzzword at best, and when the same buzzword can be used to describe both "idly scrolling social media" and "reading and discussing a book," it's a meaningless phrase.

As an artist and author, if engaging with media is bad and worthless, am I supposed to conclude that making it is equally worthless? If "consuming content" is a bad, lazy, worthless, fake hobby, what makes creating art a worthwhile pursuit? If I am constantly being told as an artist that engaging with media isn't a worthwhile pursuit in its own right, and the people who want to engage with my art are just brainless fandom losers, what incentive do I have to make that art anymore? Furthermore, to everyone reading this paragraph and thinking, "that's not what content creation is," I refer you to bullet #2: If the phrase "make content" can be used to mean "low-effort posts made to advertise cheap and useless products" as well as "being a novelist" or "getting a gig as a writer on a TV show," it's a meaningless phrase.

None of that is even getting into issues such as the way influencers are preyed on by both brands and targeted harassment from trolls. Influencer culture has major issues, but boiling those issues down to "stupid vapid young people who are too lazy to make real art or get real jobs" (which is a mindset I see frequently online) is unhelpful. So many people pursue influencer deals because they're living in poverty but are skilled at various social media and advertising related tasks, and just like any worker, they're being exploited because they need to eat. Labor rights for influencers are a huge topic that entertainment industry unions have been actively discussing and working toward. (Related links for further info: [x] [x] [x] [x])

"Consuming content is not a hobby" is a worthless statement unless you define what you mean by both "consuming" and "content." Quite frankly, you also need to define "hobby," because if you're putting requirements on what is and isn't allowed to be a "real" hobby, you mostly just seem like you're moving goalposts and defining "worthwhile hobby" as "hobby I, personally, think is good." Use more specific language to articulate your actual problems with the entertainment industry, the art world, influencer culture, or whatever else you're actually upset by.

Media and fandom can involve any number of enriching, satisfying hobbies that take up a perfectly acceptable and healthy space in someone's life. If you aren't into it, go find hobbies you do like and stop policing how other people spend their precious free time in this nightmare hellscape of a world.

[kerubimcrepin]

Liveblog: Wakfu Season 2 (episodes 13-16)

Episode 13 - The Night of the Thirsters

Proof Amalia and Joris are not close friends number 829342345: if she knew the alcohol he drinks and what he considers "a clean environment to live in" she'd get scared.

WoT twitter would kill Amalia.

I know it's more likely that both alcoholic and non-alcoholic bamboo milk exists, but the thought of everyone being a-ok with Yugo underage drinking makes me giggle for some reason. Ruel would fucking do that.

Are your villains 1. indestructible, 2. want to consume something that could theoretically fix them, 3. in the process, inflict a fate worse than death upon their victim, who 4. becomes one of them?

...Necromes were a missed opportunity. Shoulda called them Wakfu Thirsters instead.

Episode 14 - The Voice Thief

It's always sad to see the way the world has been devastated by Ogrest's Chaos.

FUCK FUCK FUCK FUCK FUCK FUCK!!!!!!!!!!!!!!!!!!!

...This says:

Her singing is so cute!

She is now fully bamboo milk-pilled. GOOD.

New Krosmoz music lore: We already know that vinyls and their players exist, as well as the fact that rock music exists (due to the fact that The Blues of a Hypermage (parody of the IRL song The Blues of a Buisinessman) exists).

Now we have the confirmation that metal bands are real.

Also, electric guitars are also real.

Mics are also real. (I am totally not noting all of this down because I want to write a "Joris, Kerubim, and Atcham go to karaoke" scene in one of my fics in the future, nuh-uh...)

Hummina hummina hummina bazooooooooing! eyes pop out AROOOOOOOOGA! jaw drops tongue rolls out WOOF WOOF WOOF WOOF WOOF WOOF WOOF WOOF WOOF WOOF WOOF WOOF WOOF WOOF WOOF.

It's very rare to see, within the show, characters who differ from their usual class skin and hair colours, which is a shame. (I am 99% sure this is an iop due to his clothes and his hair pointing upwards)

Text behind Eva: rien ne sert de payer il faut en fuir / there is no point in paying, you have to run away

Text behind Amalia is too shielded to transcribe fully.

This is written in Brakmarian. It says:

This means that, metal music is stereotypically a Brakmarian form of music (big news: spoon found in kitchen)

I usually don't point this sort of stuff out but, man, this tavern is really well off. Not only is there a lot of food, there are also huge hot baths...

Also, once again, canalization and running water are real in this setting.

I choose to believe that this bubble thing is the Krosmoz equivalent of vaping because it's funny.

[blushing] Would!

Jpop is real in this setting, and someday, I will be able to prove to you, that Joris is a fan of it, using some proof besides "well ecaflips are kind of japanese-coded sometimes" and "it just makes sense."

Good rooms in taverns like these not only have hot baths but also fruit, candles, and drinks... [starts writing down "Joris, Kerubim and Atcham go to an expensive tavern and start talking about some convoluted topic, with vivid descriptions of delicious fruit-eating, how good the wine is, and how soft the bubbles in the bath are" in my fic self-indulgent scene ideas document. I can live my vacation fantasies vicariously through those three men]

Of course metal music from Brakmar is about the fact that the apocalypse caused inflation and that it's Good.

This says:

ourse

olle

m al

venu

Episode 15 - Wabbit Island

Hhh she is a very good artist.

[guy who is insane voice] This means that if I ever want to use the expression "canary in a coalmine" in a fic it'll be "tofu in a coalmine" instead.

The word Sayonara exists in Krosmoz which implies that some sort of fantasy Japanese is real. Big win.

Episode 16 - The Cursed Fountain

:(

While I usually talk a lot about character parallels between Yugo and Joris (these men who had to grow up far too fast will someday commit acts which no human being can be forgiven for in the name of goodness—-) there is a lot to be said about parallels betwen Eva and Joris.

They're both artistic, kind people who try to appear logic-driven (and sadly, they are both basically the wranglers/babysitters of their entire adventuring groups).

[marshmallowprotection]

I keep seeing headcanons and imagines about us/self-inserts being like..;;; always on Unknown's lap or being held there by him as like a comfort thing (I think?) or just to chill there with him

But like ;;;

I wholeheartedly know that they're are all just requests and stuff and it seems to be an idea accepted by so many people and how they like to imagine being with Unknown

But like;;

Me personally, I just. I just...don't like it..(??)

It just makes me uncomfortable for some reason and actually kinda scares me a little, the thought of being just;; grabbed and held? And;; on his lap??

It wouldn't be something I'd want to do, I mean. ;;

So I guess

Is there like..;; anything else I could do with him that wouldn't involve being so close?

See, when I thought of that concept years ago and I started working with it in my writing, it wasn't meant to be perceived as a comfort in the beginning. It was a power play. It was meant to make you feel as uncomfortable as it sounds. Unknown took you from the apartment as a knee-jerk reaction to the fact that you didn't know how to listen to him.

What's the very best way to make you feel uncertain of yourself in a situation where you have no control?

Well, in Unknown's rationale, that's to make you see what he's doing with no escape. This can be particularly even more unsettling if you were close to the RFA. Unknown's not a morally sound person, he's driven by apathy and revenge, and there's a reason why he's not the one with the route. To be able to capture his heart would take you a long time, and that kind of story arc isn't one you can complete in a mere cycle of 11 days, even for a game like MM which does it best to speed-run what would take months already.

This isn't meant to be seen as a good thing, not by any means. I don't always write the unsettling parts because I like to focus on the parts that come later once his walls are down, but this is just one of those things that people like to talk about with Unknown. What would he do in a situation where he has his assistant? He won't do what Ray does. I can affirm that. Ray wanted you to be with him and Unknown didn't want you like that.

The concept changes when we explore the foundation of these ideas.

It's not supposed to sound appealing at first. Though, it becomes a point of comfort for many people because not only does this make you vulnerable, it forces Unknown to be vulnerable as well. You can hear the sound of his every heartbeat, the way his hands twitch, and feel how his body strains itself every step of the way. At some point, it's impossible for him to maintain the air of unsettling fear. You're first when it comes to witnessing this man at his worst.

I understand that it makes you feel uncomfortable, though. That's not everyone's cup of tea. I hope you know that this is just one concept a lot of Unknown fans lot to navigate but it's not a definitive of who he is as a person. We don't know what Unknown would do with someone as his assistant, and there's just things that we've agreed on as a fan collective over the years that have shaped how we write him as your boss.

Just because some fans write him doing this doesn't mean you have to write him doing that, and it certainly doesn't mean you have to imagine something that makes you uncomfortable.

I'm glad you reached out to say something because you're afraid that this concept means Unknown would pointedly make you feel bad and that's not good when you're hunting for fluff. You don't have to like it. That's down to personal preference! You should request stuff from us imagine blogs with the things you're into! I know that my mutuals will be more than happy to write you stuff like I am.

The last thing any of us wants to make someone feel left out.

When it comes to Unknown's proximity, it's hard for me to tell you that he'll leave you with your own personal space. Even in the game, his voice is a whisper that gets louder the closer he gets to you, and that implies that he will get closer to you if he thinks it would be to his benefit to cage you like an animal. But, by that, I mean, the worst you can deal with is him whispering in your ears, pushing you against the wall to laugh at your fear-stricken face, or circling you when you try to explain how you did something.

He doesn't have to pin you to his lap to prove that he's got the upper hand.

But, if you're looking for a comfort thing as opposed to trying to find something that doesn't unnerve you like the lap stuff, I suppose you could be subjected to hand-holding. He's not big on cuddling or stuff like that. But, let's see, I don't think he's immune to holding your hand while you sit on opposite ends of the couch. He hates proximity until it benefits him somehow. Sitting with you is a big thing for him, so if it brings you comfort, he'll stargaze with you when he's got time for a break. Apart but together.

This kind of overlaps later on with him as SE Saeran pushes away most physical contact outside of parallel play and sitting together. Because SE Saeran is just Unknown after the Secret Ending. They hold onto the same ideals, the only difference is that there's no more elixir and anger to drive his ideals.

[biggest-gaudiest-patronuses]

got a worm nibbling my brain. can someone help me find a piece of obscure media?

webcomic/indie comic from the 2010s. basically a sci-fi short story about a young girl (with red hair?) who was being raised by scientists as part of an experiment. she receives a haircut/has her head shaved, in preparation for her annual brain scan/testing. it is revealed that while her body is human, her "brain" is artificial, made of computer implants throughout her skull and spine. at some point her biological mother (also a scientist on the same campus?) encounters her and is repulsed, viewing her as a machine who has murdered her daughter.

it was very poignant and it bruised my heart and i can NOT find it anywhere

[deep-space-lines]

okay but like. I just had the weirdest thought about that ‘don’t look I’m naked’ comic. Which is that that’s essentially the same thing Adam and Eve did after they ate the fruit of knowledge of good&evil. So I feel like the theological implications of that could kneecap Gabe if he doesn’t think V1 is a being with free will.

yeah ok. i dunno man. is this anything

((side note. this isn’t necessarily meant to be in-character or story-accurate or take place at any particular point in time, just a way to explore some Thoughts. i was also imagining more that V1’s words aren't actually spoken, more like Gabriel’s more articulate interpretation of whatever garbled mechanical noise V1 is using to communicate. I think an angel could do that.))

and then they fucked nasty the end

[alsojnpie]

dishes are forever

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[forecast-rain]

books.

[justa-snake]

The thing that's annoys me most about JH erasers is the fact Y'ALL DON'T COMMIT.

I WANNA SEE COMMITMENT.

New existed. And songs he wrote? GONE. Songs he sings in? It's just the instruments during his part. Photos? There's not a red one? There was never a red one! Interviews? Odd they just go silent for a bit randomly. Ect

Commit.

[volcanicsleep]

we watched all* turtle media! here's our ranking list!

*we would watch shows from the beginning until we lost interest, then we'd jump ahead in the series and repeat until we had a good overall impression of the show (we mostly cared about characterization and relationship dynamics).

the rankings are not indicative of objective or subjective quality. it's just based on how much we enjoyed them

the rise movie

rottmnt

tmnt (1990) + tmnt II: secret of the ooze [watch together. its a complete experience]

TMNT (2007)

tmnt (1987)

turtles forever

tmnt (2003)

tmnt batman movie

first bay movie

tmnt flash forward

tmnt III [nigh unwatchable]

tmnt (2012) [had to drop it after 4th episode for mental health safety]

honorable mention: turtle odyssey

[emahriel]

sometimes i (unfortunately) read ppl's takes regarding a game and i realize wow, some people really just played like two games in their lives and act like they know everything about the entirety of the video game industry.

[alicornze7]

-EMERGENCY INTERRUPTION POST/hj-

idc if it’s 4 days late have this April Fools special!!

this took longer than it should but it’s more of a treat for myself so win-win

I don't actually have an official persona so have this lil’ guy I made in 6th grade instead (he's gonna represent me until I design my actual sona)

Close-ups :

this drawing single-handedly destroyed my workflow

-we will return to our regular posting schedule shortly-

[hollowwish]

I like live streams but I wish they were not the main form of mcyt content. Or at least not starting to become that. Like it....really is not a sustainable way to do every single smp you ever make. A lot of people don't have time to catch streams and barely have time to watch vods as well (and most people only watch 1-5 streamers. Imagine watching MORE.) LIFE SERIES is a challenge for me and lots of others to get through, let alone several 2-7 hour long livestreams.

Plus some people are gonna stop watching because they're only there for the lore and they'd rather save time than skim through several streams just to find it yk? After a certain point condensing them down into 15-30 (maybe 40) minute videos and making lore summaries is a necessity or your gonna lose viewers. (ESPECIALLY if you have a large cast meaning more characters to impact each other and the plot)

Idk I follow a lot of streamers and there's like...less than 10 who I have ever/would sit through a full stream from them, lore happening or not.

[lieutenantselnia]

I currently have to write a thesis, work on the biggest project in my entire study programme and will have to start preparing for my bachelor's exam at some point, and my brain thinks now it's a good time to get back into Red Dead Redemption 2👍

[the-down-upside-finch]

I'm Bored and Want to Talk About My Characters

Gonna ramble about Stained Integrity characters because I've been working on the revision draft a lot lately.

The theme(?) this time around is "What do these characters like to eat?"

Clover: Like most Elmalians, she’s a fan of really strong flavors—especially spicy foods. But her favorite thing to eat is probably raspberry pie.

LeRoy: Give this man a slice of buttered toast and he'll be happy. Sandwiches are okay, too—but there can't be too many things in it. Literally just put a slice of cheese between some bread. It doesn’t even have to be toasted.

Laurie: Apples are his go-to snack, core and all.

Mirak: Well-seasoned rice is his favorite thing to eat, but it can't have any other textures mixed into it. (Just let him have a bowl of nothing but rice!!!)

Myrna: Lemon poppy seed muffins are her true weakness. She also really likes granola.

Hunter: Enjoys a good baked potato. He also likes soup, but only if it’s thick soup.

Francis: Depends on the day and his mood, but he’s a big fan of anything with crabs.

Finnigan: This man is an enigma. I'm the author and have no idea what his favorite food is. I do know that his favorite drink is cranberry wine, though.

Malina: Her sweet tooth might be the end of her someday. She’ll dump an entire cup of sugar into her oatmeal for it to be "edible." Sweet breads (specifically cinnamon flavors) are her favorite.

Blaine: He's a sucker for tomato basil soup.

Karic: The least picky eater you will ever meet. If you gave him a handful of grass and told him it was food he would 100% just eat it. (He's also way too lazy for cooking so. Yeah.)

Nigel: He's a bit of a pasta/noodle fiend—especially garlic noodles. He actually likes cooking (and he's good at it) so the other knights usually try everything to get him to share.

Qa'loë: (This is going to sound weird without context of lore/the world but anyways--) They like sour citrus wisp flavors the most but also will spring for mint with lavender every once in a while.

...That took more brain power than I thought it was going to HAHA--