#you do not even have to draw them you can just write the basic concept

[study-diaries]

How To Study Anything At 10x Speed

This is not a bs guide, these are some tips that have actually worked for me and they can work for you too. The thing is, it's fairly really easy. I have sometimes managed to prepare for a test before 15 mins by just reading through it. It's fascinating if you break it down.

Mindset Change

A mind set change is everything. If you think it is easy. The topic will be more bearable. If you think it's tough, it's going to be more tough. So, first thing is first. Be open. You are not dumb, you can easily understand everything if you just remove the concept of "It is too hard or boring"

I once heard that the subject isn't boring, you are bored. So, change your thought process. Start with, "I can handle this"

Break It Down

Not your chapter. I mean the topic itself. Line by line if you have to. I did this exact thing for accounts whenever i had to do ratios. It was a pain. An unwanted pain. I couldn't understand anything. But i sat down one day and read every single line of the textbook for that topic. I made what i call "Line Visuals". This is simple.

You read a paragraph => You don't understand anything.

Read every line => Draw it

Understand the key terms used there

And then draw a single visual representation for that entire topic.

I'll guarantee you, you will understand it. Review it once a day for a week and then once a week.

Story Method

People remember stories more than normal facts or random pieces of data. Stories allow you to link different facts together and make it easier for you to process.

The easiest way to do this is using "FTF" (First, Then, Finally).

First, the main character (you or anyone else you imagine) will start on a journey. That's scene one. You will need to associate some points to this scene. This will mostly include the overall concept. Basic understanding.

Then, the main character will face a problem. This will include all the major questions revolving around the topic.

Finally, the main character will find the answers. Let's break it down more.

What i love about this is that it can be used for sudden test/ pop quizzes because all you need to do is just remember the story.

If you want to read more about it, check out: How To Study Using The "Story Method"

Use Mnemonics

Learn with this. It helps you to remember easily. Make catchy phrases to remember points/facts. These are like the building blocks of studying anything. Stick small notes to your books writing the phrases beside the topic so the next time you want to revise it, it's easy.

Connect Similar Topic

Connect all your related subjects. Everything in school is somehow connected. I usually used to connect economics and business studies concepts. Sometimes even computers so... Connect them.

Active Recall

Active recall is like the number one tip i'd recommend. It's easy and most of you probably do it already. You just have to keep revising and testing yourself at the materials periodically. It's easy and effective.

Teach What You Learn

You learn the most when you teach. I had taken my friends for this. Study and teach it to them. This helps because you have to have a clear understanding of the material first rather to teach them and you may end up with some important feedback. Your friends might ask a specific question you didn't know the answer to and now all of you are trying to perfect yourself with the material.

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Additional Tips:

Tips for understanding complex topics

How To Self Study

Tips To Study Concept-Oriented Subjects

How To Study For Longer Hours

How To Study Multiple Subjects

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I hope it helps! :)

By the way, all of these tips are from my previous posts. But honestly this is what i do to actually study faster. It actually works for me and i hope it works for you too :)

__________________

[aggressively-crying]

If you ever get really bored try coming up with a list of creatures for a hypothetical mon catcher game.

Really cannot recommend this enough, even if you have no intention to make a mon game ever.

[tiktowafel]

do you ever think about how all you used to draw when you were 10 was ponies and that you should still know how to do that, then get an idea and proceed to draw something like these in nearly one sitting and it turns out better than any drawing you've done in the entire past month

sooo anyway does anyone have cutie mark or pony name ideas for them?? lol

[keezybees]

HOW DO YOU DRAW SO FAST OMGGGG

I worked really hard on it tbh haha. A few years back I went through a long period of intense perfectionism where I slowed down to a crawl (like five comic pages in 4 months). I finally decided that that wasn't working for me, and so I started implementing my motto: shitty is better than incomplete!

Basically it's about the idea that it's more important to me to get the ideas and stories out there than it is for them to be perfect. I have a lot of stories I want to tell, and there's only so much time for me to tell them. It helps to remind myself of this as much as possible!

As for technical tricks, I do a few things that really help:

Draw a lot! Practice is truly one of the number one ways to improve speed, as annoying as it is to accept

I don't zoom in too far

I only use 1 brush at 1-2 sizes for inking (outside of specialized stuff like stippling)

I put hard limits on a lot of stuff--how much shading I do (if any), or what shape my comic panels are (only squares, no diagonals or weird shapes), for example

My characters (comic characters especially) all have pretty simple designs and outfits

I write down every idea for an illustration that I have, even if I'm not ready to tackle it yet. That way when I have a chance to sit down, I've got a whole list ready to go and I'm not waffling around in the concept stage

Finally, I've learned to accept my imperfections as a neat part of my art! It's not easy, and I slip back into bad habits sometimes, but I try my best to see every misplaced mark or color that bleeds outside the line as proof that a human hand made this. I don't spend a lot of time correcting mistakes or painstakingly trying not to make them.

Here's an example from Hello Sunshine, where if looks fine from far away, but if you zoom in a bunch, you can see all kinds of little "mistakes." gaps in the ink and color, the line of Alex's ear doesn't match up, very sketchy linework where their faces meet, haha.

But then when you zoom out even a little bit, you a) don't notice those things nearly as much, and b) I think it gives it a kind of traditional charm. Just because you CAN use ctrl-z doesn't mean you HAVE to.

Anyway I hope that helps!!

[elementroar]

Analysis behind the backstory and personal story arcs of A.B.A. and Paracelsus (part 1)

Sorry for the people who waited. Technical and real life delays and all that. On the positive, I happened to run into new resources in the past two days that have helped lining up the facts easier.

Anyway, I originally wanted to compress all the lore into a single post, but I find it’s so much more massive once you really dig into the analysis between the story across multiple mediums, the in-game animations and interactions etc. To make this more readable for you all and to make creating these posts faster, I’m going to separate them up into parts that focus on different facets of their relationship and lore as I progress through them.

This first part goes into their origins, and I hope this big post helps to thoroughly explain who/what A.B.A. and Paracelsus are, their backstories prior to STRIVE, and my own analysis sprinkled on top. I want to try to keep the info/lore dump minimal and focused, so if I mention a character without elaborating, I’ll leave a link but if I’m not elaborating more, it’s because they’re not relevant to A.B.A/Paracelsus' stories that much.

Related links:

Analysis of Paracelsus' initial bloodlust and its longlasting effects on A.B.A (Part 2)

This is the "Why ABA and Paracelsus can feel horny" lore/theory post

Flament Nagel - Paracelsus’ true form theory

The Red King and White Queen alchemical concept in A.B.A and Paracelsus’ relationship

The beginning with A.B.A.

First off, to introduce their individual origins, it’s easiest to start with A.B.A. She’s a homunculus, an artificial lifeform created by a scientist in his mansion, which was located in the mountains of a region called Frasco or Flask. But before she was ‘born’, her creator had been taken away by the military for his skills in creating artificial life, and so A.B.A. woke up alone.

Despite this, within the 10 years she spent alone in the mansion she was able to learn to read, write, and even create some alchemical magic (seen in some of her attacks in games before -STRIVE-). It’s assumed either she was created with a set of memories and skills, or she naturally learns very quickly. It’s probably due to reading leftover journals and research materials that she even learnt her creator’s name was Paracelsus.

Technically, A.B.A. could’ve left the manor quite easily, there was even a village not far from them. However, she understood that she knew nothing about the world outside and was scared to leave the safety of the manor by venturing outside to explore the unknown world. But she did yearn for freedom and to leave Frasco, so she took to fixating on keys, which she found fascinating in being able to unlock doors to different places.

In the last bit of her 10 years in Frasco, A.B.A would accidentally cross paths with the hidden the demon axe Flament Nagel (which she would later rename to ‘Paracelsus’ in honour of her creator, or just cos that’s the only other name she actually knew).

What’s a demon axe doing here anyway?

So what is Paracelsus? He is what’s known as a magical foci, which are objects or even people that get a soul or a collection of memories/emotions/desires attached to them, which eventually leads to them gaining sentience and often supernatural abilities. They draw from the Backyard, which is basically where the information that makes up all reality is stored in the Guilty Gear world, and also the source of magic. This is the origin of ‘demons’ within the GG world, like Paracelsus.

The story of how Paracelsus/Flament Nagel ended up in Frasco actually involves the ancient Nightwalker (technically not a vampire but he's basically a vampire without the bad stuff) known as Slayer.

Now Slayer is this incredibly old, incredibly strong vampire Nightwalker, who nonetheless is a very nice guy who doesn’t need to feed on regular people because his wife, Sharon, is a deathless woman that he can feed on indefinitely without worrying about her dying.

Because of his immense age (AFAIK he’s the oldest of the main GG cast) and overwhelming power (he always holds back in-game), he has very insightful observations of Paracelsus and A.B.A.

The following screenshots are excerpts taken from the English transcript (available here) translated from the Night of Knives Vol.2 audio drama CD (you can listen to it here), and are from the perspective of Slayer recounting his encounters with Paracelsus and A.B.A.

Sometime near the end of the 100 year long war between Gears and humans known as the Crusades, Slayer was roaming a battlefield and came across a mountain of corpses of both Gears and humans. In the middle of it was a wandering blood covered warrior that was swinging an axe wildly. After confronting the man, Slayer realized that it was the axe that was the true master, the man had already lost his mind and was under its full control.

That axe called itself Flament Nagel aka the Flaming Nail, or the Sanguine Gale. I'll still be referring to him as Paracelsus at this point in time though.

Now magical foci start off simple-minded, only repeating small word fragments, and evolve over time to become more intelligent and sapient. At this point, young Paracelsus was a demon axe who had just gained sentience on that battlefield. Hot-headed and hungry for blood, and wanting to prove his combat superiority, he challenged Slayer and got curb stomped. Slayer was disappointed in how primitive Paracelsus still was in mind and soul, so he left him there to rust.

However eventually, Paracelsus was picked up from that battlefield and was sent to the alchemist Paracelsus, creator of A.B.A. We don’t know if the alchemist knew what the demon axe was, or whether he even requested him specifically for research. But the alchemist ultimately didn’t let Paracelsus out, not letting him take control over him and hiding him somewhere in the depths of his mansion.

(Inaccurate information removed, updating with A.B.A.'s JP GG World entry from XRD)

It would be after A.B.A.’s 10 year long isolation that she decided for reasons unknown, to leave the mansion and explore the outside world. By pure chance, she comes across Paracelsus, who because kinda resembled a key, she immediately picked up and she fell in love with him and decided they were married from then on.

Becoming her key

It's always been known that Paracelsus has some form of empathic abilities, and that he could tell that A.B.A. was fixated on keys and assumed the shape of a giant key to entice her to wield him. This was also the first ‘manipulation’ that Paracelsus admitted he had done to A.B.A. during their heart-to-heart talk.

It’s been further clarified in this recent interview, that it wasn’t so much Paracelsus deliberately taking the form of a key to attract ABA, but because ABA had been so heavily fixated on keys that she saw Paracelsus as a key straight away. That image she had of him as a key seemed to immediately imprint itself on him the moment she touched him, because of his true nature as “an axe (that) transforms into the owner’s image” of what his wielder wants him to be.

Slayer actually did mention this was likely the case over 20 IRL years ago in the audio drama CD, when he observed Paracelsus behaviour with A.B.A. in their second encounter.

Because A.B.A. never sees Paracelsus as a weapon, Paracelsus began to change to fit her ideal of what she saw him as, to become something more than just a weapon, and allowing Paracelsus to truly change and evolve physically and emotionally.

It’s important to note, Paracelsus isn’t bound to his wielder, and he doesn’t HAVE to allow this to happen either. Despite being dragged around by A.B.A. and acting like he has no autonomy; he actually has all the power to stop her from the start.

As Slayer notes, Para still has the power to completely take over A.B.A. 's mind and force her to do what he wants if he is truly unhappy. However he has never even threatened A.B.A. with this ability, and if not for Slayer knowing his past, no one would know Paracelsus actually can do this.

Whether consciously or subconsciously, Para was becoming more than just a demon axe from the moment he met A.B.A., and in his heart of hearts, he was begrudgingly accepting of his then situation-ship with her.

Fast forward to STRIVE and it's shown that he still continues to evolve to fulfill her 'vision' of what he is. When described as becoming more key-like, it's more obvious when you place both his old and new design side-by-side.

Notably, the blade part of his axe form has gotten smaller by STRIVE, just as he has sworn off violence and bloodshed by STRIVE.

It's even shown in how A.B.A. wields him., especially when Para partially possess or influences A.B.A. in his Muroha mode in the old games (mechanically this is the Jealous Mode in STRIVE). A.B.A. would wield him like a proper 'axe' blade-first in XX/ACCENT CORE. In STRIVE, since A.B.A. is now the dominant one in Jealous Rage mode, she doesn't wield him like an axe and now wields him by...bashing his head into people.

(Also I'll be going over the in-game animations and what they convey in a future post, don't you worry! You can view the comparison compilation here first.)

This even is shown in how A.B.A. uses Paracelsus as an actual key in her Overdrive "Keeper of the Key", which is a new move for her.

If we go further, I have speculated in this semi-crack theory that due to A.B.A. also interjecting her ideal of Paracelsus being her spouse over the years, that him actually 'reacting' to her advances now could also be an example of his evolution.

Even if he's trying REAL hard not to.

Hope this was an enjoyable read, let me know if you have any suggestions for improving readability or other stuff. Feel free to ask me questions through the inbox in the mean time that I'm working on the next part.

The next part is going to be analyzing and comparing Paracelsus' XX/ACCENT CORE Muroha mode to STRIVE's Jealous Rage mode, which has quite a bit of detail from comparing their effects on A.B.A. in in-game sprites/animations, plus how it reflects on the change in their power dynamics between games.

Edit: Part 2 available here

[theshiftingwitch]

What to do when nothing is working

I see you're spiraling again.

Mhm, what's gotten you in a rut this time?

"I've been trying to manifest this thing/person/opportunity for months now and nothing is happening! I'm so fucking tired."

Valid.

Your emotions are valid.

Your frustration is valid.

You're allowed to feel down when everyone else is seeing great results and you are seemingly doing everything right and still having nothing to show for it.

It fucking sucks! I get it.

We have all been there.

Allow me to tell you what to do when things get bleak and you don't know what to do anymore.

Step n°1: take a few steps back.

You're way too invested in the problem to see the solution. Begin by walking away from all of it. Not forever, obviously. Not for months or years, just for however long it takes you to recenter yourself. It could be minutes, it could be days, you decide.

Go back to the basics.

We get caught up in methods and techniques and challenges and saturation sessions that our vision gets clouded and we miss the bigger picture. So take a few steps back, and like a scientist frustrated with the results of their experiment or an author suffering from a writer's block, you too should go back to the drawing board.

Look up the definitions.

What is the law of assumption?

What is reality shifting?

What is manifesting?

Keep them short, each definition should be exactly 1 (ONE) sentence. Don't overwhelm the system.

Step n°2: regulate your nervous system.

Now that you have a basic, simple, and easy understanding of the core concepts of this experiment, you need to get your body on board.

Losing your shit every time something goes awry means you're stuck in fight or flight. Your nervous system is fried, and you can't function properly without a fine-tuned motherboard.

Regulate.

What does that look like?

• Box breathing (inhale for 4, hold for 4, exhale for 4)

• Humming (it works okay?!)

• Walking, dancing, sitting in the sun, moving your body and getting out of your own head.

• Taking a cold shower (only if things are dire, don't get sick and blame me!)

• Screaming into a pillow (don't scare the neighbors)

• journaling (get your feelings and thoughts out of your mind and on paper)

You can do this over the course of a couple of days (preferably every day for the rest of your life, you want to be in tune with your body.)

Step n°3: Stop over-consuming.

You're scrolling on Tumblr, digging through Twitter, obsessed with TikTok (yikes on bikes) and you're listening to every guru and coach and expert on the planet. You know what that creates?

Noise.

Unnecessary, confusing, overwhelming noise that is drowning out the one voice you should be listening to.

Yours.

Your intuition knows what's up. She can guide you to the easiest, fastest way to get everything you want, you have to listen to her.

Step n°4: relax.

If you've done your homework as given to you in step 1, then you truly understand the law now. What you desire is already yours, right? You have it because that's your assumption and assumptions do not need proof (that's how an assumption works!) so even if you're not seeing any proof, you still have it. Right?

And what does the person who has all of their desires do?

Chill.

Lounge on a tropical beach. Drink mimosas or dry Martinis or bloody Mary (can you tell I'm an expert at this?) read a book, watch a tv show, hang out with your friends, make shopping lists, do your makeup/hair, go for walks, talk to the nymphs, make friends with the fae (do not give them your real name!) create a work of art, write, sing, dance, make love, share your thoughts, scream, squeal, live!

You came here to live.

And finally, I will leave you with this.

You are god.

You are love.

You are peace.

You are all that you desire because none of it would exist without you.

You are the creator.

You are everything.

Return back to yourself.

Happy manifesting ❤️

[kissagii]

it's finals season, and nishinoya desperately needs a savior

cw: gender neutral reader, 2k words, reader is a bit of a nerd and noya is smitten, both are a little dense, i didn't proofread this nearly enough.

Nishinoya Yuu cannot fail high school. At least, not if he wants to go to the Tokyo training camp and meet the funny guys from Nekoma again. As it stands, the only obstacles between Noya and going to camp are the steadily approaching final exams - exams that he hasn’t spent nearly enough time studying for.

That’s how he found himself here: not-so-casually asking (read: begging) for help studying.

“But I can’t fail these exams!” He half-yells, smacking his hands dramatically onto your desk, “I’m too cool to fail! And I want to go to camp!”

You sigh, not thrilled to have the libero drawing so much attention to you, especially in the middle of the school day. But his pleas are pitiful - and bound to get annoying if left unanswered for too long - so your only real option is to offer whatever assistance he needs.

“Sure, I’ve got time, what do you need?” You offer, hoping desperately that you sound relatively nonchalant. You had grown fond of him as first-year classmates, and now being in separate classes made any opportunity to spend time with him one worth taking. Even if it ended in studying with Nishinoya Yuu, a man not exactly known for being studious. Loudness aside, he's a good guy: caring (at times overbearingly so), observant (but never when he needs to be), and unendingly passionate about his interests (and very little else). And undeniably attractive, though you’d never tell him that. It would go straight to his head.

His face lights up as soon as the offer is made. “You’re amazing! An angel sent from the heavens to help me go to camp!”

“Yeah, yeah, alright, now what subjects are giving you the most trouble?” You say, heart fluttering at the subtle words of appreciation. 

“Math. And physics, but that’s basically just math but more evil. Oh, and English. And history. And writing.” His expression shifts from joy to a pout with each subject, brows knitting together as he realizes just how inept (and uncool, he’s probably thinking) he is.

“Noya, you just listed every subject, that’s way too much,” You laugh, “But I’ll see what I can do. Give me a day to prepare?”

“Just try not to miss me too much!” Noya says as he jumps excitedly, waving to you as he walks backward out of the room. He waves the entire way until he walks back-first into the doorframe, letting out a squawk of surprise and continuing proudly like nothing ever happened.

This boy is going to be the death of you.

Exactly 24 hours after his first visit, Noya bounds into your classroom and over to your desk again. Despite expecting his visit this time, you’re caught off guard by his punctuality and higher-than-usual energy. 

“It is I, Nishinoya Yuu, Guardian Deity of Karasuno!” He announces, dropping into a neighboring desk.

“Yeah, I know that, Noya.”

“Hmph, but it’s more fun to do that,” He huffs, poking at the papers you have lined up on your desk, “What’s all this? For me?”

You stack up all the papers, creating a thick packet, and hand them to him. He loses interest the moment he realizes that the ridiculous-looking stack is indeed for him, mortified by the concept of having to do all of that. He pays minimal attention as you explain everything he’s supposed to do - something about the order of the subjects versus the tests, the problem difficulties, and suggested pacing - instead choosing to focus on something far more interesting. 

The way certain subjects make your eyes light up more than others. The way you tilt your body to face him as you talk. The way your lips move with each word. How much he wishes he could grab your face and kiss you.

And, ultimately, that which brings his attention back - the reward system. Your method of motivating him to put effort into his practice.

“The rewards are indicated with symbols, the key is at the back, and you don’t have to take any reward you don’t want. I’ll be here to check your work and help you with the harder ones, does that sound good? Oh, and no getting answers from your teammates. You’ll only get prizes for your own work.” 

“All this? really? These rewards better be good,” He sticks out his bottom lip, thumbing the papers, itching to flip straight to the back and see what he might have a chance at acquiring. 

You laugh, shooing him out of the chair he sits in, “Yeah, yeah, I’m sure you’ll like one or two of them. Now go get working, deal with your prizes when you have an actual chance at earning them.”

“Hey! At least let me try to get motivated!” He whines, making a point to struggle to carry the twenty-or-so pages in his hands, “I might never forgive you for this!”

Though he acts offended, the moment he’s out of your sight his posture straightens and he hurries to his classroom. Only there does he set down the papers and fumble to the back, finding the Prize Key at the very end.

♤ - 1 sticker (assorted themes)

Who do you think he is? A first grader? Though he has to admit, the concept is cute.

♧ - Snack coupon

Now this, this is good - he could use them to barter with the team… if he could convince himself to not hoard them.

♢ - 10 minutes letting you show off at practice

Finally, you’ll come through on your promise of visiting him at practice!!

☆ - Bento Box

So you had been paying attention to how he always ogled your food during lunch hour. Oh, Tanaka is gonna be so jealous.

♡ - Kiss

He rereads the single word again. And again. He blows away nonexistent eraser shards; wipes the paper with his sleeve; traces his finger over the word. And still, there it is, inked directly onto the paper, completely intentional. Kiss.

Frantically he flipped through the packet, searching for the problem sets marked with a heart. Just what would he have to do to earn the sweetness of your lips against his? He’d do just about anything, really, he’d craved your affection since midway through first year.

Nishinoya Yuu would do anything to kiss you just once - even a physics problem so brutal even the most genius of his classmates might shy away from it.

“Ok, fess up, which one of you gave Noya answers to his study work?!” You shout, storming into Karasuno’s volleyball gym as the team begins their practice. The underclassmen’s confused stares hardly dent your frustration with the team and whichever of them was insolent enough to go directly against your request.

Ennoshita winces, smiling bashfully. “Well… I didn’t help him, exactly. He just told me to check his work and it was right, I didn’t give away any answers.”

Noya smiles proudly from across the gymnasium, “See! I’m perfectly capable of doing physics on my own!”

“Suga? Daichi? Is this true?” You ask, turning to the reliable third-years on the team, who you’re sure were there to witness Noya’s breakthrough.

“Mhm,” Suga nods, “And he went skipping to first period like a little girl.”

“I do not skip!” Noya insists.

The first years giggle amongst themselves, clearly amused by the dispute. Though, in their shoes, you probably would’ve laughed too.

“No, you were skipping,” Daichi adds bluntly. Noya’s jaw drops, insulted.

“I do not- Oh, fine, whatever, maybe I skipped a little. But see, I didn’t get answers from anyone, I solved the problem by myself! So therefore I deserve my reward!”

So maybe he did solve the problem on his own. So maybe he did spend all night working on that one near-impossible problem just to get the reward. So maybe he does want to kiss you.

“Alright, alright, I accept it, you solved the problem yourself. Good job. Call me when you’re done with practice, you’ll get your reward then.” You say resignedly, turning to leave the club room.

“No, don’t make me wait so long! I gave you the problem at lunch, you’re so mean to me!” Noya calls after you.

As you leave, a redheaded first-year (Hintata, if you correctly remembered Noya's ramblings about his teammates) whispers to you: “I think he’s in love with you.”

Thank the heavens that your back was turned, because your flustered expression would’ve made your crush on the libero painfully obvious to all in the room. 

But oh how you hoped that first year was right.

Only minutes after the end of practice, Noya found you behind the gymnasium. Still sweaty and haphazardly changed, he jogged to you excitedly. 

“I’m here now! Now don’t tell me I sat on the sidelines through morning practice for nothing, Daichi was ready to kill me,” He said, breathing slightly heavier than usual but still energetic.

“Have you just been pretending to be stupid this whole time?” You ask, “I spent days making that problem for a different study group, days, doing everything I could to make it impossible. I gave it to you as a joke, more than anything, I didn’t think you’d actually solve it.” 

Noya inhales sharply, looking down to the ground. “So, the part about… the kiss… was that a joke too?” He begins stepping back, feeling a fool for getting his hopes up so high. Frustrated and confused, he begins running his mouth like he always does, muttering about being a fool, being hopeless, the evilness of your schemes, and having wasted his energy and time in search of something he would never get.

“Noya, shut up,” You say, but he pays you no mind. “Yuu!” 

The one lesson he needs to learn is how to quiet down, and you know he won’t learn it on his own. You grab him by the cheeks and pull his lips to yours, cutting him off mid-sentence, kissing him right there behind the gymnasium as night descends upon the city. When you part he remains speechless, cocoa-brown eyes darting between your eyes and lips.

“It was a joke because I didn’t think you’d want it,” You murmur, letting a hand slide into his sweaty but somehow still soft hair. “If I had known this was what you wanted I would’ve let you kiss me as many times as you wanted.” 

Noya leans into your hand, as if making sure that you’re actually there, actually touching him. Gently you bring your foreheads to touch, a silent reminder that you are indeed real. “You're more than just a friend to me, Yuu, and in every moment that you’re silent I’ll remind you.”

“Ehehe, guess I’ll just never speak again,” He laughs cheekily, stealing another kiss, quick and playful. 

You pull back, but don’t move your hand away. What an idiot, snapping from speechless to silly in such a quick moment, and absolutely desperate for affection to boot. And yet this dramatic idiot had you absolutely smitten and wanting to kiss him over and over until evening turned to night turned to morning.

“You didn’t earn that one, Yuu! I guess I’ll have to cut your showoff time rewards by half,” You tease, poking the tip of his nose with your finger. It’s a ridiculous facade on your part - he’d never have to earn a kiss from you, just ask and you’d gladly give it to him. But the way his face twisted yet again, horrified by your mock threat, was too cute to pass up.

“Half?!” He scoffs, “I guess I’ll have to be extra flashy for my sunshine!” 

“Sunshine? Since when am I your sunshine?”

“I dunno, since now? Come on, it’s cute!”

Sunshine it is, then. Though if either of the two of you is the sunshine, you’re sure it must be him, because his giddy grin is easily the most beautiful thing you’ve seen in your life.

:)

[colourstreakgryffin]

This may be a rather weird ask/request to attempt but I love how you write and figured I'd tried!

If you can, may I request an Alastor x reader (your choice on romantic or platonic) based around the whole concept of "an unstoppable force meets an immovable object". Basically always smiling Alastor meets a sinner who self proclaims that they can't smile and Alastor does everything in his power to make them smile once.

If you can't do it, I completely understand!

Oooh! Okay. Okaaay! I can try this out. It may be a bit odd and I can see whatcha mean. Reader/Leitora doesn’t smile, Alastor tries to make them smile but it just doesn’t work. If that’s what you mean, I get it! And it’ll be platonic since you know, easy for this situation! Sorry but I can’t write a lot here so it’s kinda short…

Alastor- Smile, my Dear

Alastor has never felt so stunted yet so interested in the same time… you don’t smile, he has never seen a single bit of a grin on you. A brand new Hotel client that has even admitted openly you don’t smile. He has only ever seen such a neutral deadpan or a straight-up scowl

And he doesn’t like that at all… he doesn’t like it

“Come now, darling. Why always the frown? You’d look so much better with a smile”

You just ignore his ‘request’ and continue frowning… how wonderful. Not only does he have one annoying non-smiler, he now has two and that drives him up the wall…

Alastor does subtle but obvious tricks to make you smile, making you say specific phrases that’d always illicit a smile upon saying, giving out bad dad jokes when least suspected. Many things and all fail, which frustrates him but he is too much of a stubborn prideful man to quit

Alastor wonders why you even decline smiling. What’s wrong with smiling? Did somebody suck all the happiness out of you or something. There has be a reason behind it and he’ll dig it out of you one day

Alastor always does things for you. He gives you food, he gets you unimportant items, he does all of this to see he can draw out, even the smallest grin and whilst, he is confident he’ll succeed everytime… he doesn’t and it drives him mad

Alastor is enamoured just by your lack of grins. He doesn’t love you but he is in love with the challenge and the work of making you smile. Even threatening does nothing, you don’t respond to even him threatening to harm you if you don’t smile

How is even it possible?

Nevertheless, Alastor won’t give up and he will keep trying until he wins but he is unaware that you’re not budging against his attempts

“Look, my dear. Isn’t that funny? Hmm… you’re laughing but you’re not smiling… that’s so odd”

[gonetoforks]

Introducing; Yuichi Usagi-Cuddles!

There’s a slight typo in his basic character bio, (first, grey image) other than “yuich,” his family in America lives in the part of the hidden city under Jersey. He lives in Jersey. He’s a Jersian. So in terms of leosagi, it’s gonna be an enemies-to-lovers comedy-of-errors muahahahaha!!

More (a LOT more) info about him as his own guy under the cutoff :D ⬇️

Basically; He’s a silly guy! I feel like his kinda buffoonish, embarrassing personality in canon is simultaneously PERFECT for Rise’s writing style & grievously underrated in fanon depictions. So he’s this clownish type of character, haha.

Okay, time to go hyperfixation mode.

Adhd & his stubborn attitude;

He has ADHD! Executive function issues makes it hard for him to start tasks & manage himself, so he relies on his teams (the Mad Dogs when he’s training & the Rise equivalent to his canon friend group on his own time) to not only instruct him, but also hold him accountable & keep him on task. He’s body-doubling without even realizing it.

Although, he resents the things he does to accommodate his disability. He doesn’t notice that doing the things he does genuinely helps or why so he thinks he’s using them as a crutch because of incompetence. Every time he gets stubborn and ignores the things he needs to do, he crashes and burns. When he was new in town with no teacher & no friends who liked martial arts, he became a huge sad sack until the kraang invasion.

His character arc is about being able to rely on other people & accommodations. That relying on a bit more help than other people doesn’t make you incompetent, choosing to seek out the support you need so you can do your best is the true mature thing to do. I was inspired by canon Yuichi’s struggles with paying attention and Rise’s themes of cooperation. (& also my own experience with adhd and learning with executive function issues & junk)

Relationships w/ the turtles;

The Mad Dogs agree to let him like, intern with them? So he can see what it’s like to be a vigilante, they offer him advice and they occasionally go on low to mid-tier missions with his help. They take him on cause they think more heroes and allies out there, the less work they have to do haha. Also, one of the writers mentioned a season 3 would have them adjusting to being ~official heroes,~ I think this would be them trying to be “real.”

He’s closest friends with Mikey out of the whole group! (Adhd solidarity) Then it goes Donnie -> Raph -> and finally Leo (for now muahaha)

I tried to give Leosagi an interesting dynamic with constructing his character like this; They have similar insecurities from drawing self-worth from technical capabilities that they can develop past together, but Leo is clever and calculating about it vs Yuichi being rash and impulsive. So like smart x stupid but they’re the same actually.

His Family in Jersey;

He speaks english fluently because he’s visited his American family frequently his whole life, they’re very close. He has an accent though since he mainly speaks Japanese.

I haven’t fleshed out this concept enough, but I think members of his jersey/Cuddles half of the family would be spoofs of characters from the original yojimbo comics, implied to be reincarnations? Except Miyamoto ofc. (i’ll explain later..)

Reusing the ninja orphans plotline from the original show, his family utilizes their cute appearances to run an orphanage too. They wonder why this Chizu lady is constantly showing up with unhoused children, but they’re just grateful they’re safe now.

Everyone in his family HATES Mrs. Cuddles, they all think she’s in prison and are happy about it. She might’ve given him that scratch on his face.

Additional;

He is gay.

Thank you for your time.

[cripplecharacters]

Alright, I'm just gonna bite the bullet. Worst that can happen is I make a fool of myself. I've been working on superhero stories, versions of the same universe since I was in 8th grade and what I want more than anything is to modernize superheroes, create a world where they act for all people's social good and take representation to the highest level I can think of. From your position of expertise, what can I do with the creation of disabled characters that would buck the trend, do some good, and show a good side. The non-prosthetic and non-corrected for disability rep in the genre is basically nil, I have no ideas and nothing to draw on. I guess I just wanna know what disabled audiences might like to see for once in their lives.

Hello!

Disabled superheroes are awesome. There's really few of them but the ones that we do have are often really important to us - you can look at the reactions to Sun-Spider being first introduced to the Spiderverse, back then I couldn't open my fridge without seeing that one panel where she explicitly says she has hypermobile Ehlers-Danlos.

Here are a few suggestions of what I'd like to see in the superhero genre:

Superheroes with facial differences. Comics love to use us for their ugly disfigured evil villains but not much else unfortunately. I'd kill for a superman type hero who saves people with a smile and a facial difference on his face. Especially for superhero stories that are geared towards kids and teens, we just desperately need something to help with shifting the public perception of people with facial differences from "evil and ugly" to "people that can be awesome". A hero with burn scars, with Treacher Collins syndrome, Bell's palsy, neurofibromatosis... anything.

Superheroes who use disability aids (and still need them when doing their job). Sun-Spider is an awesome example, she swings from her crutches and has a spider wheelchair. That's cool as hell. But even a less in-your-face aid would be great. A superhero flying above the city with her ankle-foot orthoses visible would go really hard. Also, superheroes who are concerned on how much these things cost and try their best to make sure they're still functional while they save the city.

Heroes with different causes of their disabilities. The vast majority of morally good disabled characters were involved in An Accident or some sort of Attack that disabled them. That's not bad or wrong at all, but I think in media is kind of oversaturated with this specific portrayal when a lot of people have progressive or congenital conditions. We need more stories that show those who were born disabled as heroes equal to those who were born abled and spent most of their lives abled. Superheroes with cerebral palsy, chromosomal disorders, congenital rubella, achondroplasia, all the disabilities that tend to get ignored despite so many people having them. Same for really common chronic illnesses, diabetes or COPD are criminally underrepresented.

Disabled superheroes that aren't saints because of their disability. This is the whole "disabled person can do no wrong" trope that appears sometimes. I'm mentioning it since superheroes are more "perfect" than most characters in other genres, so try to not make it so the disabled ones can do no wrong. Disabled people can still make mistakes that are their fault, make poor decisions, or just simply be angry sometimes.

When there's no active superhero action going on, show the normal human parts of the disabled experience. Depending on the demographic you're writing for it would be different things, but there are some fairly universal concepts like inaccessibility, microaggressions, or just boring things like the prosthetic leg no longer fitting well after the character gained some weight. If your characters are from the US, don't be afraid to mention that their insulin costs are barely affordable with their superhero pay. Show how the common everyday kind of ableism affect them when they're in civilian mode. This will make it much more authentic to disabled readers.

These are my suggestions, and I hope they are helpful. My last advice is to have multiple disabled characters, and in different roles. Maybe a character with ALS can no longer do superhero fighting, but he can still be a wonderful parent. Maybe the character with Usher syndrome is more interested in the hero than being a hero themselves (disabled heroes in relationships!). Maybe the character with phocomelia can't be a hero yet because she's six, but she can train hard to be one when she's older. Keep it varied, have them come from different life situations and have different goals just like abled characters do.

I hope this helps,

mod Sasza

[study-diaries]

Tips To Study Concept-Oriented Subjects

I've always struggled with this. Everything is concept oriented but there are only a few that come to mind when i think about this topic. Maths. Physics. Chemistry. Economics. Accountancy. These honestly eat our heads so here are a few tips of how i study them.

Practice everyday

These subjects require practice. Most of these require a deep understanding of topics, so that's why practice it daily. Every single day.

Basic Concepts Are Your Weapons

The basic foundation must be strong because that's how you build your pillars. Understand the ground so you can build your pillars on it. You should have the foundations like the back of your hands.

Maintain a notebook for formulae and theory

Keep a separate book for all basic concepts, another book for formulae and another book for your notes. When you have to revise, you have all the materials and they're organised.

Maintain a separate notebook for concepts

The main concepts are everything in these subjects. If you get your foundations strong then viola, you're all done. Maintain one book that is fully concept based. Everything that is related to the foundations are supposed to be in that book.

Past question papers

Past Question Papers = Grade Booster. The thing about past papers is that they're literally indicators of how you exam would be. They tell you crucial elements of your whole syllabus. Important chapters, topics and repeated questions. You practice papers and you can automatically see how beneficial they really are. If you want to know how to use practice papers. Click here.

Do it. Just do it

For a procrastinator like myself, let me tell you. It is hard. Even now, i'm writing this instead of studying like a normal human being who would when there are high school finals going on so let me just say this. Get up and do it for sometime. Just some time and you'll automatically get invested in it. It may take some time but it will happen eventually. I personally just do it due to fear. I don't really wanna fail my exams so align your goals with some kind of emotion so it gets you going.

Watch videos

This is like the interest booster. You may not realise but when your teacher teaches you the subjects, it gets awfully boring and confusing. When you learn it through videos and visuals on YouTube, you know what it is, you know additional details and it sticks to you. So, watch and try not to get distracted. Period.

Break It Down

Not your chapter. I mean the topic itself. Line by line if you have to. I did this exact thing for accounts whenever i had to do ratios. It was a pain. An unwanted pain. I couldn't understand anything. But i sat down one day and read every single line of the textbook for that topic. I made what i call "Line Visuals". This is simple.

You read a paragraph => You don't understand anything.

Read every line => Draw it

Understand the key terms used there

And then draw a single visual representation for that entire topic.

I'll guarantee you, you will understand it. Review it once a day for a week and then once a week.

____________________________

Hope this helps!!! :))

[exaflux]

BTAS pre-production stuff/official designs and artstyle stuff

Don't mind the title, I'm a bit naff at titling things...

I'm sure people have made posts about it before, but just in case there's anyone that doesn't know, there's official documents on BTAS floating around the net. Things covering episode writing, bios, a bunch of art that animators would have used. Whole lot of stuff.

I've seen people ask questions/have discussion on things like imitating the style/character heights/other general things. These documents are all official and might be helpful so, hey, might as well share for those not in the know.

Gonna keep it short (I'll provide some links so you can check out for yourself as there's a lot I won't cover) but I'll outline some stuff that catches my eye (first bit is about pre-production and ideas they had, second bit is stuff about how they went about drawing/designing the characters)

Pre-production

In animation, it's standard to have a thing called a writer's bible, also called an animation bible. They include everything from plot synopsis, character/concept art, character bios, episode ideas, basically the whole nine yards. These are used mainly in the early stages to pitch ideas and get projects greenlit, but are also kept around as a handy shortform thing to summarise the whole project as much as possible.

As it turns out, the BTAS writer's bible has been extensively documented! There's a PDF of it actually! And if you don't want a PDF, there's a website that covers all the contents too.

As per writer's bibles, it has a ton of their ideas and direction they wanted to take with the show, from episode structure to joke writing right down to how much settings should be able to change per-episode. There's a whole lot of art too! Here's a snippet about some of the changes they wanted to make with the Dark Knight himself:

And just for fun let's also leave some info about how they approached writing Bruce Wayne:

Anyway! On a more interesting topic- some of the rogues. The bios of most of the rogues are included, as are some art of earlier designs. Riddler looks like a sleezy car salesman and Joker is kinda just missing his lips and has stripy pants is seems.

Also of note: in some alternative timeline somewhere we could have had Calendar Man and Gentleman Ghost in BTAS...

As for character heights... The height chart is sectioned into "head" height for Batman's head. The uppermost line is Batman's height, so Batman is 8 Batman heads tall. While it can be hard to make out some of the character heights due to the poses, it'd be safe to guess that you do take poses into account on the height chart. Two-Face is shorter on the chart than Harvey is for example but you'll notice that Two-Face's art shows his head tilted down slightly, so Two-Face isn't actually shorter it's just his pose.

You'll notice these characters are uncoloured. The colour palettes featured are an interesting point that deserve their own post. I'll touch on them another time.

Style Guides / Character Sheets

Style guides tell animators how to correctly draw characters. Can also be applied for things like backgrounds and props and the likes though, whatever feels needed to be noted to keep consistency even if other people are drawing the characters.

Character sheets are character sheets. 'Nuff said. These just show off a character looks from different angles. Expression sheets showing how character emote, art on full-body posing and sheets on hand poses are things that also tend to be covered in animated productions.

Can be found here and here. A lot of overlap in the art shown between the two links but they're absolutely full of character sheets and turn-arounds. There's definitely a lot more design documents I've seen about in other places, but alas, I can't track them down for the life of me.

Here's some highlights:

(When Twoface blinks only his good eye closes completely. His injured eye only partially closes)

("John Crane")

Some early character art:

~~~

If you made it this far then congrats here's some Batmen for your troubles

[crazysodomite]

what is it like to be kind of popular/getting people interested in your own ideas and not fan art?

I don't think I'm popular *looks behind my back fearfully* 😨

Here's the thing. A lot of people post things and just expect people to find them and interact with them. To some people it works. But a lot of the time there's no way for people to even find your stuff or engage with it.

A lot of people go into fandom tags to look for art and writing, but not a lot of people just scroll the "oc" or "art" or "writing" tags aimlessly.

I'm not like. A social media expert 😼 or whatever. I don't know anything about anything ♥️ I literally just do whatever weurd things i want and that's it

Here's some things I can advise:

If you have ocs.... Please feel free to actually talk about them in detail, share your thoughts on them in detail, write actual info and profiles on them. Don't be shy to do this bc there's no way for someone to engage with your ocs if they don't really understand who you're talking about except the names 😭... Feel free to like link their info in your pinned or their toyhouse profiles or whatever... !!!! A lot of the times I follow someone and they ask to engage with their ocs, and I want to, but I literally just don't understand who they're taking about... Or I see someone talking about their ocs in very vague terms but I can't actually find who they're talking about.... (Not that you have to do this do whatever you want ... I'm not the boss of you ♥️ it's just something id like to see) And also don't be shy to actually remind people who you're talking about bc people who haven't been following you for a long time won't know. I think this is simpler for me because my concepts/characters are very basic/shallow and easy to understand. Taur who is a bee, taur who is a bath, etc... Is Inherently understandable and doesn't have any deep lore

👆 this applies to everything in general not just ocs. Talk about art. Talk about your own art. Talk about what you love in the art of others. Talk about your plans and concepts and ideas. Talk about your projects. Share with the world 🌍 🌍 🌍

Don't be shy to talk about your things. I think some people are anxious about seeing people unfollowing them. I personally use xkit to hide my followers on pc and actively avoid looking at my follower count on mobile... Because idgaf ♥️. If someone doesn't like what I post they're Nothing to me. I post about taurs and weird things basically every day. What do I have to lose? My dignity as a Tumblr blogger? Genuinely like just share whatever thoughts or concepts or doodles or drawings you want without being like "aww nobody wants to see this". Honestly I also do this because I don't have friends to talk about concepts and stuff with so your mileage may vary. Maybe you don't want to post. Maybe you worldbuild with your friends. Then maybe you can share the results of that worldbuilding and thoughts, that's good too.

Self reblog your stuff 😭 even old stuff. Self reblog your stuff and then elaborate on it further with your thoughts. Dig up old concepts and do things with them. Its okay to do this. Not everyone sees your stuff when you first post it... !

Actually engage with others. Others are more likely to see you and engage with you when you do the same to them. If you never interact with anyone else's art why would others interact with yours. And unfortunately posting stuff and expecting people to just stumble upon it is not a very good strategy...

[centrally-unplanned]

Japanese website Forest Page is shutting down ~today, a tragic loss of "Heisei otaku memories", as so many are calling it. Launched in 2003, Forest Page was a "Geocities for mobile", a site that hosted user-created websites and gave them tools to allow non-coders to make them. In practice, it became one of the premiere places for fanfiction in Japan, with the stories hosted on author-created sites.

It wasn't quite the Fanfic.net of Japan, as for one the Japanese fandom just never centralized quite the way the 2000's western one did, instead being spread out over a half dozen or so sites. But additionally, it wasn't initially popular for fanfic so much as cell phone fanfiction, because in 2000's Japan the "cell phone novel" was a specific thing. These websites were being made for flip phones, not smartphones, and not only would people read them on those phones, they would often write them. None of that was very conducive to the creation and consumption of a "traditional" novel; so starting in the 2000's Japanese writers started making stories fit for the medium, namely:

Very short

A huge focus on dialogue and inner thoughts, with no/minimal description or scene detail

Using a limited POV of a specific character

Often employing the medium-as-message, like using emojis, structuring the story as IM's or emails, etc.

Also they all had huge gaps between lines, I'm not really sure what that is about:

Probably for readability on the phone given the small screen size? But it was absolutely part of the genre. A few of these novels actually made it big, got movie adaptations, people wrote articles about the "cultural phenomenon", it was the 2000's so Hiroki Azuma had a take on it of course, and so on. It slotted neatly into the vibe of the time of technology changing culture, paralleling discourse around otaku in the same era.

In fanfic those trends met up, and anyone familiar with fanfiction probably read that list of traits of the cellphone novel and thought "oh, this is perfect for fanfiction". Skipping out on description? I don't need it, I know what they look like already. Focus on conversation and POV? Perfect for shipping fics. Short lengths? Yeah, we are shortcutting to the good stuff, that is the point. Mirroring trends in the west, Forest Page's userbase was ~95% female, and the most common content on the site was romantic or edgy-dramatic stories in the franchises you'd expect. The closure page linked above actually summarizes the site's history by year, and lists the biggest fandoms:

Which is exactly what I would expect from a female otaku fanfiction website. Congrats to Pirates of the Caribbean for making it though, freeaboo's represent.

I do think the fact that the site was a website hoster as opposed to a fic hoster did align with the way the Japanese fandom was more "creator focused" and embraced the media mix more. There were "fic circles" a la doujin circles who made their own pages, people would make fanart, fan video games, and so own to host alongside it, and all of it was centralized to the creator; it made following them-as-a-person just a little bit easier. Most websites were simple text, but others did have the full Geocities experience:

Something that was somewhat common were basic visual novel concepts where the reader could make choices, or even insert their own name so they would be the "MC" of the story:

(Dream novels are in fact their own thing in Japan) My understanding is the site was quite popular through the 2000's and into the 2010's, though over time the "cellphone novel" as a concept fizzled out. People got smartphones, more people got PCs, and the constraints didn't make sense anymore - you can read ebooks and normal websites on your phone now after all. You can probably draw a line between these kind of stories and the webfiction/light novel boom of the late 2000's/2010's, something that was equally born on the internet, that streamlines the novel to "shortcut to the good stuff" but without the need to fit on a flip phone's screen. Though I will admit my own understanding of their histories shows them more as two sides of the same "youth demand for new literature" coin.

In 2017 Forest Page launched Forest Page Plus, a new service fully optimized for the smartphone era; but it did not transfer over all the old content, starting the clock ticking on the original Forest Page. My understanding is that in June they announced Forest Page was officially closing down; and from what I have gathered from reminiscing writers on twitter, they did not provide any easy, one-touch way to save any of the content, so people are archiving Wayback Machine links or sharing tips on how screenshot-save stories (I think the rub is they gave people a way to transfer content to FP+, but most don't want to do that, as places like Twitter & Pixiv are the content kings of this era).

As of tomorrow I would bet the large majority of the content will be gone; quite sad given both the quantity of stories there and how many got sometimes millions of readers. I am sure most of the biggest stories are archived at least, but particularly the early stuff was a very ephemeral genre, one that doesn't make sense to revisit once you aren't a 16 year old teen writing and reading fics on a flip phone in between classes. Which means another legion of the ghosts of the Wired is being born today. May we pour one out for a fellow online community that lived and died!

[sociopathicartist]

Heya! I was wondering if you could do UT, US, and UF Sanses and if they would prefer boobs, butts, or legs with their S/O??

Btw I absolutely LOVE your writing smmsjfhfjg

hey! sorry i took longer to get to this. i got another request for this same exact topic a day or two after yours, so to whoever requested the same thing, i’m doubling yours with this one since they were the same request.

also, these headcanons will be short since the request is short. thank u for requesting :3

Headcanons below the cut since this is mature !!

UT, UF, & US preference headcanons

-

Undertale Sans - (classic) -

So, as for Sans, I feel like despite his love for thighs- your thighs, and how easy they are to hold onto and trace patterns into your soft skin, he’d probably be a fan of boobs. The concept is just so odd to him, almost funny. What do you mean they’re just… there? And what do you mean they can make milk? What the fuck? Besides the funny concept of them, he just likes how soft they are. They’re warm, and he likes to lay his skull on them whenever you guys cuddle since they’re practically built-in pillows. That basically sealed the deal for him. He’s also the perfect height for boob hugs ;3

‘Sans, I told you, breastmilk only happens whenever you give birth, and we can’t even reproduce since we’re different species, so no, they will not leak.’

‘okay. can you shoot the milk out like laser beams?’

-

Underfell Sans - (fell) -

I feel like it’s almost painfully obvious that he’d probably be an ass guy. They just look nice, they compliment your legs, and holy shit does it look good if you wear any skintight dresses or outfits. He also likes that they’re not painful like he’s heard boobs can be sometimes, so he doesn’t have to worry if he wants to grab onto you or give you a smack anytime you bend over to get something, just to snicker at your scoff and unamused expression whenever you whip your head to look at him.

‘sweetheart, don’t give me that look. i barely touched ya.’

‘Sans, we are in walmart. Control yourself.’

-

Underswap Sans - (Blue) -

It was an internal battle to think about what this man would like. Unlike Fell where I feel like his preference would be obvious, or Classic where it just made sense since the concept of boobs is funny to him, I really couldn’t tell since Blue isn’t vulgar or suggestive in any way. After a long mental debate, I feel like he’d be a fan of thighs. While he likes every inch of you and thinks you’re beautiful everywhere, he just really likes being able to rest his hand on your thigh whenever he drives, or putting sunscreen on them whenever you both go out swimming. The skin on your thighs just looks so nice, very visually appealing to him for some reason. He also likes that while it can be a bit suggestive for him to trace his hand along your thighs, it isn’t always that way, and he can just mindlessly rub his hand up and down your leg while you’re watching a movie without any further intentions, unlike your other body parts.

‘Did- Did you draw the solar system on my leg???’

‘WHOOPS. IT WAS AN ACCIDENT.’

‘How do you accidentally draw the entire solar system?!’

[thebiscuitlabryinth]

First and foremost, Welcome back!! I'm so happy to see and hear from you again!!!

Secondly, I'm curious since you said you've been writing a very long time, but do you have any tips for less experienced writers(like myself)? Your writing is incredible and has frankly inspired me to try my hand at it, but figuring out where to start is proving to be a challenge for me..

I'm happy to be here!! I'm not sure how helpful my tips will be, since i've never been asked for advice before and i never kept strict tabs on my own development, but i'll do my best!!

The first hurdle is always finding motivation and inspiration to write, and unfortunately that hurdle will always pop up regardless of how long you've been writing. The only tip I can give for that is to write for yourself! I've said it before, but my driving force for writing is usually because I want to read it back myself. Specifically, I mean this in terms of concepts, AUs - anything you get an idea for, even if it's silly or self-indulgent, go for it! Writing fanfics is a great way to develop writing skills, partly because you already have character templates to work with so you can focus on the act of writing itself rather than crafting a whole new character, and partly because you're usually already pretty passionate about it right off the bat! Plus, as long as the fandom isn't too small, there's always other fans to draw inspiration from.

It's gonna feel clunky and that's okay! A lot of my earliest works were collections of short scenes cobbled together with a dozen scene breaks - elegant transitions can come later. The most important thing is to write at all, and get comfortable with using the language. The overarching flow is secondary to the individual scene.

Similarly, don't set the bar too high in terms of length or complexity or you'll get discouraged. Writing stamina is something you have to build up! I started off barely managing to write one-shots of 1,000 words at most, and now I'm capable of novel-length stories. We all have to start small!

Focus on the basics to begin with. Specifically, dialogue and movement, because those are the framework of writing a scene, like how a script primarily has lines and stage movements with only brief setting and supplemental descriptions. Detailed description is fun, we all know I love it, but it stagnates if you don't have a good grasp on dialogue and action to move it forward, if that makes sense. Once you feel comfortable with them, you can play around with more elaborate description, and eventually it'll all come naturally!

Now, this one might be a more biased one since, full disclosure, I'm an English Language and Literature student, but I'll mention it anyway: develop your interest in language itself. This is just from personal experience, but I think once you start to appreciate the use of words themselves rather than just the end goal of the story, it makes you love the process of writing itself, and that, in itself, makes you keep writing! Things like vocabulary and rhythm - when I stumble on a word I really like in a passage, I'll usually reread it a couple times to remember it, and reading aloud is good for getting a sense of pacing and a sense of the words themselves. All my fics go through at least one dramatic reading by me before I consider them good to be posted! If you like a work, try and figure out what it is about the language itself you like, and then you can try and replicate it later on.

and that's all i have for now! all this said, writing is a very personal thing, so I don't think there's really a right or wrong way to do it as long as words are getting on the page. like most things involving creativity, you have to keep trying until you find a method most comfortable for you. i know that can be the most infuriating thing to hear, but all you can really do is keep pushing forward and eventually you'll get there!