#you can trust me with your favorite characters

[qqueenofhades]

THE EMPIRE OF BONES is here!

It's serious Fuck It, What The Hell Hours, and so here it finally is, another of my original novels for your (hopeful) reading pleasure. This is a big fat fantasy novel filled with all the things I love:

Complex and detailed historically-inspired settings

Lots of political and magical intrigue

Explorations of war, slavery, empire, history, memory, magic, power, religion, family, and destiny

Diverse and flawed characters

Extremely sassy djinni (if you’ve read Bartimaeus by Jonathan Stroud, then you know)

IDIOT GAYS. Like, this baby can fit all kinds of moronic homosexuals. I cannot stress enough how many queers there are and how many of them are very, very stupid. Many of them cannot use their words and avoidable mishaps ensue.

Based (loosely) on my fic The Key of Solomon, so if you've read that, you'll like this.

@silverbirching has described it thus: "It's like. Everything I want in a book. Basically a queer magic political thriller set in an alternate-universe Roman Empire. Carthaginian noblewoman gets embroiled in a conspiracy against the 400-year-old immortal emperor and finds the Ring of Solomon. Gay Jewish boy makes incredibly terrible romantic decisions while pretending to be a wizard. There are two empresses and they are the worst and probably my favorite characters."

Buy it here:

Amazon: Kindle | Paperback

Lulu: Paperback | Hardcover

If you have enjoyed my many, many fics for various fandoms over the years, my political and historical writing/general internet presence, if you're on the hunt for something new to read, trust my taste in books, or just want to think about something the hell else for a while, I hope you'll consider checking it out. There is also a sequel in the works, assuming my muse ever returns to me after Hell Year, so yes.

[maladaptiveobsession]

“Magic pocket pussy”

Synopsis: DOL NPCS acquiring a magical pocket pussy synced to you.

Contains: afab!gn!reader, discipline, multi penetration, noncon, overstimulation, somnopihlia, toys

Words: 588

A/N: I only differentiated yandere!sirris from his normal conterpart as he is the only character I can imagine having drastically different behavior for this particular prompt. You can’t convince me Gwylan isn’t cooking up magic (probably illicit substance as well) in his shop. Something about them feels underlined with nefarious intent. I’d like to flesh out this concept with some characters at some point; there’s so much nuance and potential.

Abuses the hell out of it

With access to your cunt at all times, your pussy will be consistently puffy and raw from abuse. He’s stuffing you with cock whenever the urge strikes, torturing you with toys when his dick can’t keep up with his libido. He purposely teases you at inconvenient times. Watching you struggle to maintain composure in public is his favorite pastime. Most nights you wake up to the feeling of an invisible cock dragging along your gummy walls. If for whatever reason he can’t torment you at night, the pocket pussy is being stuffed with a vibrator so you wake up drenched in the morning. He’ll insert random objects throughout the day of various sizes and shapes, all to watch you squirm. Sometimes he’ll cram the largest dildo he can find inside to see you waddle around town in discomfort. He’s likely to fill the silicone hole with a dildo or vibrator of some sort—possibly both or even multiple of each—and then fuck you for real with the toys still inside. Really though, seeing your reactions is his favorite part of all. While your real pussy will always reign supreme, there’s a charm to watching you break apart without even actually touching you. The fleshlight is just so convenient.

➥ Anxious Gaurd, Briar, Kylar, C!Sydney, Leighton, Morgan, Quinn, Scarred Inmate, Whitney, Wren, yan!Sirris

Generally only when you’re not available

He doesn’t usually care for toys (why bother when he has you), but this one is an exception. It’s hardly a replacement for the real thing, but he can at least admit the convenience is alluring. It’s not all too often it gets used, but there are times when he misses you and can’t resist. It’s just so easy to punish you for being away for too long or simply to remind you of them. He could always just shove a vibrator inside and forget about it if he feels like it. Watching you fall apart without touching you proves enjoyable, as well. There’s a possibility he could even order a custom dildo, a replica of his length, to stuff the silicone cunt with, so you seek them out sooner. No chance you can forget about him when you can’t even sit. This opens the possibility of double stuffing you using only their dick. The longer you avoid them, the less patience and willpower they’ll have, therefore being less likely to wait.

➥ Alex, Avery, Bailey, Black Wolf, Eden, Great Hawk, Gwylan, Harper, Landry, Methodical Gaurd, Niki, Relaxed Gaurd, Remy, Veteran Gaurd, Zephyr

Only once in a moment weakness

He’s rather unlikely to use any toy, let alone a magical onahole. Just owning the thing feels like a breach of trust, but they can’t risk having it fall into anyone else’s hands. It sits in a drawer, hidden away until he eventually forgets about it. It’s not until he’s humping a pillow in the pitch dark of his room that he remembers it exists. He’ll scold himself, suddenly too ashamed to feel horny. Days will go by, constantly plagued by curiosity. When he finally concedes, apologies will spill from his lips as he rocks his hips into the silicone. It feels so good, and he wonders if you’re feeling the same. More than that, he wonders if the real thing—the real you—feels this good. His orgasm is the most intense he’s ever felt, electricity taking over him and his essence flooding the silicone imitation of you. The post-nut clarity is potent, mortifying. He’ll avoid you for some time after that, unable to even look you in the eye for even longer. Shame creeps along his spine like a parasite, vowing never to lose control like that again. Below the guilt, desire grows and bites at his willpower. Who knows how long it’ll be before he gives in again?

➥ Charilie, Darryl, Doren, P!Sydney, Jordan, Mason, Mickey, River, Sam, Sirris, Winter,

Bonus

The likely creator of said pocket pussy

➥ Gwylan

[blackenedsnow]

Hello! I love your writing and I hope you're having a good day/night! Could you do Sonic dating someone with social anxiety and is also an introvert? I struggle with social anxiety myself and have a hard time speaking up sometimes, especially with new people. Sonic is a comfort character of mine that I'd think would do his best to help their anxious partner in situations where they're overwhelmed. Take your time write this! No pressure at all!❤️

sonic dating a reader with anxiety ; headcanons

WARNING: Anxiety

PAIRING: Sonic the Hedgehog x Reader

NOTE: Thank you so much for trusting me with this request! I poured a lot into Sonic’s support here. Remember, there’s no pressure to be anything other than yourself here. Take care, and know you’re never alone in this! ❤️

Sonic had always been able to talk to anyone without a second thought, so it took him a little while to fully grasp the extent of your social anxiety.

At first, he’d notice that you’d freeze up or look uncomfortable when around new people, or that you’d stay in the background at gatherings.

But once he understood, it clicked for him in a big way.

The idea of his favorite person being scared or overwhelmed really tugged at his heart, and he made a silent promise to help in every way he could.

Whether it’s a small gathering with his friends or a larger event, Sonic keeps you close, always aware of your comfort level.

If he sees you start to withdraw or tense up, he’ll step in smoothly.

Sometimes it’s with a joke to defuse the situation, sometimes with a quick distraction, or just a comforting hand on your shoulder as if to say, “I’ve got you. You’re not alone.”

Sonic is very perceptive of when things start to become too much for you.

If you’re at a crowded place and he notices you’re feeling uneasy, he’ll lean in with a gentle,

“Wanna go somewhere quieter?”

If you nod, he’ll flash you a reassuring smile, and in an instant, he’ll whisk you away to a quieter corner or outside where you can catch your breath.

He’s never pushy, always giving you the option to leave if that’s what you need.

Sonic has a knack for knowing when to use his lighthearted, playful approach to help lift the weight off your shoulders.

Sonic quickly picked up on the times when speaking up felt impossible for you.

If you’re at a restaurant and struggling to order or around others who are dominating the conversation, he’ll step in for you without missing a beat.

“Hey, can we get a little more space here?” or “Mind if we let my amazing partner share their thoughts?”

His casual way of giving you room to express yourself makes things a bit easier, knowing he’s on your side.

Sonic’s always hyper-aware in crowded spaces.

He’s like a human (or, well, hedgehog) shield, positioning himself so you’re buffered from the hustle and bustle.

He’ll keep you close, sometimes holding your hand tightly, or if you’re really nervous, he’ll even wrap his arm around you protectively.

Sonic’s not usually one for PDA, but he’ll make an exception to help you feel safe and grounded.

Sonic celebrates your small victories, knowing how much courage it takes.

Whether it’s speaking up in a group, meeting a new friend, or even just making it through a social outing, he’ll always be there with a proud smile, a high-five, or a quick

“You did awesome, I’m so proud of you!”

It’s never over-the-top or embarrassing—just Sonic’s way of reminding you that every step counts.

Sonic knows that sometimes, you just need to be alone to recharge.

He doesn’t take it personally; in fact, he admires how self-aware you are about your own needs.

If you let him know you need a day to yourself, he’ll give you space without hesitation.

But of course, he’ll check in with a quick text like,

“Hope you’re doing okay! Take all the time you need. Catch you soon, alright?” so you know he’s thinking of you.

When Sonic senses your anxiety building up, he’ll subtly try to get you laughing, often with something silly just to lighten the mood.

He’s not afraid to make a fool of himself if it means you’ll feel a little less tense.

Sonic doesn’t shy away from asking if you’re okay when he notices you’ve been unusually quiet or down.

His usual upbeat tone softens a bit as he gently checks in,

“You seem a little off—wanna talk about it?”

He’s a great listener, and even if you find it hard to talk about your feelings, he’ll give you all the time you need, never rushing or judging.

Even though Sonic will step in when you need it, he also encourages you to find ways to work through your social anxiety at your own pace.

He’ll suggest small steps, always patient and gentle, understanding that it takes time.

“Wanna try saying hi to Knuckles on your own today?” he’ll ask with an encouraging grin.

He’s proud of every little step you take.

Above all, Sonic’s love for you is constant, patient, and kind.

He never makes you feel ashamed or like you’re a burden.

He sees your social anxiety as a part of you, not something that defines you.

To him, you’re amazing just as you are, and he’s always there, ready to support you no matter what.

[sonjalikestodraw]

Slay the Princess Ask Game! :] 1. (Explore) What's your favorite Chapter?

2. (Explore) If you have a least favorite Chapter, then how would you go about changing it?

25. (Explore) What’s a moment in the game that emotionally destroyed you?

@ultranova75 asked: "Whats your favorite chapter? (Haven't seen anyone do the slay the princess ask game to you so I'll do it myself >:3)"

(asks from this) 1. The Wild, hands down. I have played most, but not all, variations in Pristine Cut, and I'm still processing those, so they're hard to rank. But Wild, she is the heart of the game to me. This chapter brings out all the best in each Voice and deepens all characters present. The way she embodies the longterm relationship metaphor and how many different ways you can end this codependency for something more earnest, or soar high into unity, always fire-forged by strife and love, is so deliciously open to all interpretions. Playing this feels different every time, in a good way.

And! Networked's ending made me trust Shifty even more in hindsight, because of that peek into absolute reality not being a fluke, but proven to be present throughout the game's reality.

2. I can't think of one right now, tbh. They're all satisfying in their own way. Some just cater more to my taste than others.

25. Many did, but off the top of my head: The Sleeping Mound's response to "You have been kinder to me than anyone else I've met. Why?/Thank you."

"Why wouldn't I be kind to you? You are the only thing I know that isn't me."

Every time, man. Every time, I tear up or cry out. The way the singing swells in Movement 3, the way she gently challenges my distrust and grim expectations, the way she heightens my faith in humanity.... I was stunned into a long silence the first time I experienced it in my first playthrough and I never stop wanting to hear her say that ever since.

If only people could operate from this assumption, all the time. If only. If only I could afford to be this soft, as I would like to be, all the time.

[explodingchantry]

A review of Veilguard from a long time, die hard fan of Dragon Age

When the review embargo on Veilgurd was lifted, I found it hard to take any review at face value. Dragon Age is unfortunately the one series I am very pretentious about, and I can’t trust reviews from people who aren’t huge Dragon Age fans like I am and who don’t hold the same views as me -- those views being, to keep it short, that Anders was right and justified, that he is one of the most tragic characters in the entire series, that he is a hero, that Bioware’s writing can be shockingly biased at times in the wrong ways, and that Inquisition is really not that good at all. These opinions have a lot of weight in whether I will listen to someone about Dragon Age matters. And I haven’t see a proper review from someone like this -- though granted as soon as the game came out I locked down and refused to look at anything in fear of spoilers lol. 

This review will be spoilers free, and there will be an addition at some point with all the spoilers and what I think about specific story details, because I have so much to say. 

The TL;DR? It’s a good game. If you like Dragon Age like I do, you’ll like it. If you open your heart to it, you’ll love it. It was made with love. 

This will be divided in section based on people’s biggest worries about the game and how much I have to say about each of them.

The art direction

Honestly I was a defender of the art style as soon as the trailers started coming out and my opinion has not changed lol. Dragon Age was never exactly known for its graphics - Origins and DA2 look… okay. And Inquisition was fine for its time but has aged like the most rotten milk you could find. Its environments are still pretty, but its characters, man… I’m sorry, it just hasn’t aged well. Frostbite engine did not help Bioware in this case. They’ve spoken about how it was a new engine for them and how they struggled with it and it shows. 

This game? Oh boy, yeah, no, I can believe they got a handle of Frostbite now. It is breathtaking. The environments are crafted so meticulously and with so much love, the lighting is beautiful and that’s even without RTX (because I’m in the AMD gang and can’t splurge on Nvidia lol). Many many times I would stop and go into photo mode either to take screenshots or to just admire the world around me. I’d spam screenshot in cutscenes, too. The character animations are good, especially the facial expressions -- though the body animations remain a tad stiff, like everyone’s got a broom up their ass and forgot their spine can bend and move. It’s not that big of a deal, but I did notice it a couple times. 

You can tell Bioware had fun both with character design and with the environments, now that they’re free of Ferelden’s basic medieval england looking ass. You grow attached to the beautiful and lively environments. Treviso has got to be my favorite, but there’s a lot for everyone in there. 

And no, the smoother art style does not make the game less dark. If anything, some of the enemy redesigns really help make the game scarier. The first time I was faced with the blight in game, even though I’d seen it in all of the promotional screenshots and trailers -- I was horrified and sickened by just how gross they made it look (and sound.). I promise you, you shouldn’t be scared of that. 

The emotional moments sold well even “in spite of” the art style. I don’t know, it’s hard for me to even understand people’s worries about that. Not everything’s got to be hyper-realistic, ya’ll. 

The combat system

That IS one thing I was a tad worried about, when we first saw it. It looked good, but it was definitely a departure from what we were used to. 

Honestly, to sell my point, we have to look at the previous games’ combat system. I don’t actually know if there’s a specific name for this style aside from, idk, “CRPG combat” lol. I like to refer to it as MMORPG combat because you mostly see it in MMOs now, I feel. Your character cycles through a bunch of basic combat animations for basic attacks, and has a lot of abilities to throw in combat which can synergise which each other. DAO had the best system, but DA2 felt best to play due to the updated and dynamic animations and faster paced combat. DAI had the weakest both due to the way they overhauled the classes (especially mages) and made us lose fan-favorite specialisations (spirit healer and blood mage) with not much in exchange. It was simplified and a bit sluggish, in my opinion. It missed the strategy imposed by DAO as well as the punch from DA2. 

And of course, there’s the battle tactics. You get to basically program companion AIs and can chain some really, really good combos with them. It’s really fun once you get the hang of it, but let’s be real: very few people did. Very few people actually used them, as good of a system as it was. 

This combat system… has aged a tad, unfortunately. It doesn’t fit today’s gaming landscape, but even if it did… It would need more to land, I think, if they kept it as it was. Something to make it feel less sluggish, more intense, more involved. Make the attacks FEEL like they land and hit and hurt the enemy. Because the harsh truth is, although DAO has the most in depth combat system of all of the games -- it also has numerous popular mods to skip combat entirely. 

Combat in Veilguard feels really, really good. When I first started I often found myself grinning, going “oh HELL yeah” at the screen, because it felt so good. I almost raised the difficulty a few times because I wanted combat to last longer because it just felt so damn good. I do wish it was a bit deeper, especially in the case of combos, but it remained nonetheless fun to cycle through abilities and companions depending on the area and type of enemies I was fighting. It feels more action-y, but it isn’t a damn hack n slash like I’ve seen people say lol. Have none of these people ever heard of the term action RPG or what. Because that’s what Veilguard is. It’s an action RPG and there’s nothing wrong with that. 

I think Bioware always kind of wanted to move towards this, as well. Since DAO, Dragon Age felt like it kept its combat system not because it was the most fitting for the games Bioware wanted to make, but because they “had to”. Because it was right for the genre. Because it’s what players expect. Because they’d get backlash if they didn’t. But they finally decided to change it, and I think it’s right, for Veilguard. I think Bioware had fun making this system, and it is very much extremely fun to play. 

My only wish is for spirit healer and blood mage specialisation to come back, and for companion leveling up to have been deeper and more varied. They basically have set abilities that you level up and though you can change some aspects of them, that’s it. But it remains a good system. I liked it. I genuinely have really enjoyed fighting in this game and will be exploring all classes and specialisations thoroughly in my next replays, as well as exploring every difficulty. 

The writing

It’s fine. It’s brilliant, at times. Cringy, at others. And you want to know a secret?

You could say that about every god damn Dragon Age game, lol.

I’ve recently -- as in, very recently -- replayed the whole series in preparations for Veilguard. Not only did it have cringe-worthy moments in all games, but some even made me grimaces. DAO is staggeringly misogynistic both for its time and for its setting: You are told in the character creator that men and women are equal in Thedas only to constantly face outward sexism at every turn. It’s shocking. As for DA2, it’s weirdly mean spirited. It calls a lot of its characters crazy and makes fun of them for the meanest fucking reasons. It has a character who fights for his people’s freedom approve of you when you give another character over to a slaver, for fuck’s sake lol. It is very mean. This one is the most “product of its time” of all three, because DAO was misogynistic even for its time lol. And DAI… well, DAI is bland and lacks depth and feeling ina almost everything lmfao. 

Veilguard holds your hand a lot, especially in the beginning, and kind of babies you at times. It also suffers from painful expository moments. Thing is, I feel for Bioware: They have three games and dozens of side media’s worth of lore to explain to you, and have to keep in mind not only that some players will have never heard of Dragon Age, or that some have only played the games and never touched the side media, or that they played the games a whole DECADE ago and can’t remember shit. It’s hard. I would’ve done better lol but it IS difficult. I feel for them. 

Some things are a little less excusable, like the game REALLY holding your hand through a couple puzzles and through the fact that you need to focus on companions and do their quests etc. A part of me wonders if it came out of playtesting, or something. It definitely took me out of it a little bit, not gonna lie. It felt quite jarring. 

There’s a couple other things, like having far too much telling in places. I’d also have liked to do some of the cool stuff my Rook does in cutscenes within actual gameplay, lol. And there were beats where I was left thinking “... that’s it?”, which is never good. 

The codex entries are great and interesting though. Only game in the franchise where I read every single codex entries I found (AND I FOUND ALMOST ALL OF THEM!!!!). A lot of them are fascinating, but more are just very sweet or funny, and they help build the characters and the world. 

And my god, those characters are ALIVE. I truly understand when Bioware said they really put emphasis on the companions. There are so many cute banters, a lot of which you can catch in the lighthouse, as well as little scenes that mostly serve to humanise the companions and make them feel alive. Not only that, but you also get attached to a lot of NPCs -- and I do mean a lot. Each faction has NPCs I cared for deeply, and you always just get to visit them and talk to them, even if it’s just them saying a line or two of dialogue at you. It still helps to build a relationship with them, and care for them. And your companions interact with them sometimes, too! And they have history! It makes the world genuinely feel so much more alive and makes you feel so much more involved than you were in DAI! They manage to transform from pixels on a screen there to give you quests to actual characters with rich lives and feelings that you want to see succeed.

I romanced Lucanis and he is by far my favorite of the companions, but I love all of them. This means it’s the first game in the series where I genuinely really love all the companions. There was always one, maybe two, in each game whom I didn’t care much about or which pissed me off -- but they’re all immensely likeable here, and I care so much about not only my Rook’s relationship to them, but their relationships to each other. And there’s so many little banters, notes, and codex entries which helps further their bond and makes them feel like roommates. It’s very sweet and enjoyable.

I also love my Rook a lot. I played mostly as a sarcastic Rook who was very impulsive and wasn’t afraid to speak their feelings out. There are times you can express genuine fear, hurt, or anger at certain NPCs or situations, and the line delivery really carries it. They felt alive and involved, so much more than the Inquisitor ever did. My Rook has a personality, and not only that, but the way the factions were integrated was really nice. I played as an elven mage grey warden, and each of those bits came up a lot. I’m a bit miffed that you don’t get to choose whether you were dalish or city elf, and more miffed that the game/npcs try to explain dalish lore at you even when you put a wholeass vallaslin on your character, but aside from that I’m rather pleased with the integration of the faction. I imagine some factions (lords of fortune) got the shorter end of the stick - but playing as a grey warden was deeply rewarding in this game. Rook can make comment about it in dialogue, in banter, and other characters mention it too. I got to discuss the joining with another warden, and my Rook commented a few things about their time in the order. And it made my friendship with Davrin mean so much more, too. It also made every plot point involving the wardens hit like a TRUCK. 

And my god, do some of the missions in this game hit like a truck. The villains are believably terrifying. This isn’t Corypheus 2.0. I hadn’t felt this level of dread in Dragon Age since DAO. Some missions especially have rocked me to my core, and some of them I consider to be absolute masterpieces (Weisshaupt, my god Weisshaupt. My favorite mission in any Bioware game, period.) I wish the last boss had been scarier and stronger, though. I felt it did fall short in regards to that. Funny enough a lot of the side bosses were harder than main bosses. That was a bit sad. But yes, Elgar'nan and Ghilan'nain feel like gods that you are facing. It is so much better than DAI in that regard.

The game does make you care deeply about everything happening, I can promise you that. And it manages to make even vehement Solas haters like him. I used to be a Solas hater back in 2014/2015, though I did mellow out over my replays. By my last Inquisition replay I did come around to him and was just mildly annoyed at how popular he was because I still found him overhyped, mostly because he suffered from DAI’s bland writing. But Veilguard makes you care for him, and elicits a lot of strong reactions towards him. He’s made me cheer, and also made me feel extreme anger, and then a lot of sympathy. He’s a marvelously complex character and one of Bioware’s best. He went from being one of my least favorite characters to one of my favorites - potentially even top 10 material. This is high praise for me lol. 

The matter of bringing choices in is…. Well, not gonna lie, a few events I was like “hm, no this wouldn’t happen in my world state” or “oh I wish they took in account past choices for this scene/plot point”. It remains an extremely baffling choice from Bioware and I remain really pissed off about it, lol. 

The Inquisitor was fine. I’m not attached to the Inquisitor, so I’m not able to make many comments about them. I’ve seen other people who ARE attached feel happy about their inclusion, so I’d go with that. There were a few nice moments. 

Act 3 is absolutemy amazing, also. It's engaging and terrifying and broke my heart several times. I do not cry easily but I was left sobbing and whimpering at Bioware lmfao. Granted, it was my first playthrough, and my emotions were heightened by having a new Dragon Age game after so long. But I do think Act 3 is just... really, really good. It gets the point of the game across very well, too.

The lore

This… is where the game falls short the most, for me. 

Don’t get me wrong: we get a LOT of new lore and a lot of it is insanely satisfying when you’ve been in the trenches for a decade and had tons of theories. A lot of discoveries left me buzzing with thoughts, new theories, ideas, and excitement. It was exhilarating. 

But there’s many points where, as a guy who just casually reads the lore books for fun, I was left saying “uh, no, that’s not true” to “that doesn’t make any fucking sense”. Mostly, a lot of my issues comes with the integration of the politics of the game. Dragon age has always been a political series, in the sense that the politics of Thedas are just as important as any threat we face in the game. And for like 15 years, the north was built up in a certain way -- and in many aspects, Veilguard does deliver. In others, it feels like it glosses over very important lore, or just tries to gaslight you into thinking you were wrong all along. Some of it is clever recontextualising that I did appreciate, considering all the lore we DO know is in universe, which means biased by the areas we learn the lore from. But there are a few times where the lore breaks took me out of the game and felt very immersion breaking.

Unfortunately I can’t go to much further into this without spoiling anything, but it’s definitely where I was the most disappointed. It’s small things, it’s always small things, but it’s definitely made me either raise my eyebrows or be very disappointed at times. I’ve already spoken about a bit of it in previous posts, and need to write something lengthy about magic specifically. Just beware that if you are insane about the lore, it is where the game will fall short at points. But it will also offer you amazing lore in turn, so you know. It’s a balancing act. 

It feels like the writing has mellowed out in this aspect. It makes me wonder how different the past games would be, if written by these people. How different this game would've been, if it was written by past writers. Only game where I've gone "wait why am I not getting hate crimed right now".

Also the secret post credit scene sucks entire ass and ruins everything lmfao I am ignoring it entirely.

There’s obviously a lot more I want to say about many things. I want to talk about Lucanis, about Taash, about Emmrich, about Harding -- about everyone, really. But that’ll be for further, spoiler-full posts. 

I’ll also save some more in depth review for a later post because I wanna go play dolls in the character creator again.

[llemon-soda]

i dislike them...

[soupmanspeaks]

You know what

In celebration of a common CC W

Here's some rare Soup art of the boy

[sleepy-crypt1d]

people dont write wheatley mean enough, ive decided. like, he's an asshole. that's a huge part of his character. YES he is also pathetic and a fucking loser who i could drop kick.

that's why he's an asshole.

he's mean and self-centered and uncaring because that is how he has always been treated.

he frequently calls you brain dead, he throws out the idea of turning you in to GLaDOS' so he can live, he spends a full minute insulting children and calling manual laborers stupid - because that's how he's been treated. he was made to be stupid, he was abandoned by his creators because they didn't care, and then he's insulted time and time again by being called a moron when, if you actually look at the game from his perspective, he's the one who's did all the work!!

he has been kicked, insulted, almost killed and ignored his entire life no SHIT he's more than happy to turn those exact same actions onto other people without any sort of care for their feelings. no one's ever cared for his?? so why should he??

people either have him as a stammering uwu little baby who's either completely helpless or a creep or they make him super over confident when he's neither. yes, he stutters and yes there are times he's embarrassed but that's because he overthinks and has a hard time putting things into words. he is fucking terrifying, yes, but it's not because he's confident. it's because he's willing to do anything just to prove he can.

wheatley is so mischaracterized it hurts and it makes me so upset. this game has been out for ten years and i need my guy to be seen as the actual nuanced character he is.

[sketchy-scribs-n-doods]

i need a little notes section to be added to all block list functions in social media bc my goldfish memory having ass don't always remember why i blocked someone

see i looove blocking ppl and curating my online experience with wild abandon, but that means it can be anything from 'this person is a fucking terf' to 'this person is harmless but has annoying opinions about fictional characters i like' to 'this person once said mango was disgusting and i took it personally'

so now tumblr or whatever is telling me i have a mf blocked and i gotta sit there and wonder if they're a bigot or just have bad opinions on cheesecake

[remember-ur-alive]

CHAT I MISS MY S^W YA0I

[drifloonz]

The multiple miki thing might be because Miki could've been based on Charizard M and that thing is known for cloning itself.

Tbh i cant fault shadowmalerenamon for completely changing doors open when rewriting it. Having missingno be the main antagonist was miles better than how Steve was in the original.

( mention of suicide ig )

i respectfully disagree . i see where you're coming from but i think all of the rewritten strangled... duology i guess bc strangled red itself never got one

( thank fucking god to be honest. it needs No change. although at the same time its kind of funny it never got one bc its the most popular one and going more into him as a Person if smr didnt fuck it up would be nice ... but im too attached to my own interp based off of his canon implications to care about what smr kind of has to give. and he already did that in og strangled red, to a degree, although it focuses on the tragedy there is character stuff to be extrapolated from the implications of the story if youre very deeply ill. like me. )

- is a lot less character-focused, at least on steven specifically, and is focused on explaining or rewriting shit that never needed to be explained or rewritten. it is a revisit and reinterpretation of the story, that to me, is just purely kind of . Not good or fun to read. and the new shit it introduces is fucking stupid imo. steven being banished by the town instead of... fucking. killing himself ( especially specifically by cop. that's lame and way more boring + FUCK THE POLICE !!! + It feels out of character for steven he would just do it himself like actually. Also yk. hanging yourself is narratively thematic and ironic. ) or whatever goes so much harder .

guy who loves his town and home region and wanting to be a role model and wanting to be cool so badly being driven mad and then the entirety of kanto, his homeland, forsaking him and walling him off goes crazy . Also because it implies they're scared of him to some degree which also makes me go crazy as an implication.

[ more put below bc i love to fucking yap about strangled red and how much i dont like the rewrites ]

i Will not step down from 'the rewrites arent good' . Doors open is mostly bad because stevens characterization is garbage. even though its random and from left field ( why the fuck is he in sprout tower ) it couldve been handled well if it was written better characterization-wise.

also i supposed the 'M charizard makes sense. not. not really i don't actually think smr thought that through. if he did, which he couldve because she is named #'M# in Strangled Red, cool, but i still think it's just to make the "miki" name thing with 4 party members he has. which is cool admittedly. it's just that i hope it is never explained why he has 4. and it never has since, doors open rewrite didnt do anything with that thank god.

and bc he wouldnt have any other mon other than miki post-incident and afaik that thing only replaces existing partymembers, and steven canonically releases all his team in SR + pokemon avoid him. but yea. Doors open i treat as a 'spinoff' in a sense bc nothing from it really makes sense when properly thought through, and its basically there to make the lost silver crossover i feel. also, yk, he literally says "Never." in strangled red when you press switch on 'M / missingno/revived/whatever you want to call miki post revival. its kind of out of character for canon-compliant steven to have anything other than miki post-incident for these 3 reasons - i only made a team for him post incident bc im autistic about pokemon and pokemon teams so that was for fun.

basically it makes more plotholes and questions than not the more strangled reds plot stuff tries to be explained or added upon esp in the remakes which i think are not fun reads if you like steven as a character anyways. and also bc strangled and doors open in the ogs are easter eggs. trying to explain what is supposed to be an in universe easter egg in pokemon would obviously be kind of a lesson in futility. not. not exactly but at least in the way smr does it.

strangled makes sense, you just go to his fucking house and hes there. yea. doors open is like. Yea hes in johto now. dont ask. but its also easily explainable as... He just fucked off to johto. For what reason? idk. hates kanto bc theyve forsaken him and banished him to the Woods, just wanted fresh air i guess, or just for fun. these are all more plausible reasons.

iirc the rewrite doesnt even say why hes there and if it does the reason is convoluted and not needed. i think its just 'hes a ghost hallucination... thing??? following the mc which is the most boring route to go for with steven and the most uninspired thing ever, and missingno was not the antagonist just a plot device in the og story Why are we focusing on it so much.' and its still a plot device in the rewrites! it isnt explained ( good the explanation would be kind of awful ) and i cant see any good way to explain missingno other than the way i do as a fun idea. which is biased but the 'failed clone of mew number 3' is a fun idea.

this is an insane ramble from a deranged person. if you can't tell i fucking love steven as a character and smr does him dirty except in strangled red, really. strangled... is fine but bc he barely talks in that one and when he does its like. yea. that checks out.

no hate to you btw none of it was directed at you specifically just smr and strangled reds various canons. you just gave me an excuse to ramble about how much i dislike the remakes tbh. I fucking LOVE analyzing why i hate things esp involving steven bc hes not greatly written by his og creator and not often greatly written by the fandom either .

[transyourgenderhere]

Your favorite characters are trans, by the way.

[protagonistscum]

realized one of my top favorite ship dynamics is leader and their trusted right hand/servant/knight/protector

[percki]

they don’t talk about the dopamine rush you feel when your favorite person says ‘oh i’ve never seen that’ and you are ecstatic simply because you cannot wait to show them

[oatmealaddiction]

Okay but the weirdest thing about the whole "Brotherhood is better you should skip 03" discourse that's become commonplace now, it sort of forgets the world Brotherhood came out in and why you should watch the original Fullmetal Alchemist. When Brotherhood came out, the original Fullmetal Alchemist was one of the most beloved and most watched animes of all time. Brotherhood assumes you the audience have already seen it because of course you have, everyone has seen it, so it skips important information and speeds the story up because it doesn't want to bore you with things you already know. Have you ever wondered "hey why does the first episode of Brotherhood kind of suck, and why am I being introduced to like 50 new characters, and why are they acting like I know what the hell an alchemist is?" It's because Brotherhood thinks you've seen 03.

The first 7 or so episodes of Brotherhood constitute dozens of chapters in the manga, and the first 25 or so episodes of the original Fullmetal Alchemist. The Nina Tucker episode in Brotherhood, in FMA 03 takes up nearly three episodes. Yoki gets a backstory in 03 and it's genuinely one of the best episodes and taken directly from the manga and Brotherhood glosses over it because: duh, you've already seen it. And so if you skip the original you miss out on dozens of really great character building episodes like Ed and Al meeting Hughes for the first time and getting to spend a whole episode helping him free a train from terrorists, or Ed and Roy having a duel that expands on the relationship they have, or episodes where the brothers just help out random people in towns before the major story gets going.

The original also paces itself quite a bit better than Brotherhood and is more in line with the mangas storytelling. In the manga we don't find out about The Gate until nearly two dozen chapters in, and the same goes for the original anime. Like, that's a twist reveal in those stories, and it's weird that the most watched series is the one where they tell you all about The Gate in the first two episodes because they assume you've already seen the original show.

What's more, people don't know that Hiromu Arakawa helped write for the anime while she was still in the middle of writing the manga, and as a result was inspired to write scenes in Brotherhood that the anime did first. That scene of Edward getting impaled by a falling beam? Directly inspired by a similar scene in the original anime. There's a lot of little instances of that and they're great when you can recognize parallels and things in Brotherhood that are direct references to the original anime, but people don't notice any of that anymore. Because the original anime is just an automatic skip these days, and it's a bummer because people don't realize what a giant it was back before Brotherhood was released. They treat it as *bad,* not realizing it was one of the most beloved anime of its time and the problems people take issue with have a lot more to do with personal taste than any kind of actual flaw in the writing. Brotherhood was never meant to dethrone it, and the original anime was always supposed to be part of the viewing experience which is why those first few episodes of Brotherhood are so fast paced. So like, please stop telling people Fullmetal Alchemist 2003 is a skip, or it's bad, or you don't need it because Brotherhood is better. Regardless if you think Brotherhood is better or not, the original wrote Brotherhood's check. It was huge, it was beloved, and Brotherhood is *banking* on the knowledge you've seen all of it and loved it. And trust me when I say there is so much to love about the original series. It's still my favorite branch of the FMA franchise, and it's worth your time, I promise you.

[spacedlexi]

okay fine !!!! be the change you wish to see in the world or whatever 🙄

i desperately need to be part of an active violentine server. this would fix me i think