#you can also see a bit of how i sketch the shapes of the torso. little bonus ig lmao

[saphushia]

btw. i made this quick guide of some of the natural size and proportion reference points in the human body. of course this all varies even irl, and you can stylize however you want, so ymmv but thought it might be helpful for some folks.

[bara-izu]

Do you have any advice on how to get over lack of skill? I want to do the Astarion Lestate trend but I don't think my skills are ready for it. I have references pictures of Astarion pulled up when I'm working, and even have the game launched so I can turn him if I need to (mostly for the attempts I did at his hair) but everytime I tweaked something or started over nothing looked right. I keep getting frustrated 😭

Hi anon- Sorry this took me a while to get to, i hope you and others can still find this useful! While the basic advise to get over 'lack of skill' is PRACTICE, PRACTICE, PRACTICE! i hope this will help you knowig where to get started with that!

I'm going to put my teacher pants back on, this might be a bit long so buckle up- I'll go over a few areas:

Primitive Shapes

How to Use References

Delete your work (hear me out)

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Primitive Shapes:

This is your foundation. Everything starts with this, and while you may find it boring to think of your art in terms of cubes and spheres- i kid you not it will help elevate your work.

If/when you are stuggling to draw a complicated pose, or a specific perspective, refering back to the form in these basic shapes can really help to simplify your process and help you problem solve.

A chill/silly watch for a more in depth discussion on what i mean / how this can help - Give Pikat's 'Draw boxes (correctly) to improve your art' a watch. They also mention this in the video but @/Uncomfortable on youtube also has some great fundermental videos.

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How to use references.

Okay so references are great 10/10 very useful. But, unless you know WHAT to study from a reference, they can sometimes fall flat of their usefullness.

Anatomy studies are something a lot of us will be recommended as artists, but actually knowing what to pay attention to can boost your confidence in your work. Start with a goal, what do you want to get out of this sketch session? Do you want to get better at understanding the 3D form of a specific part of anatomy? Better at poses? Try to narrow down your learning each session to make it less overwhelming.

In this i'll focus on understanding the form so, lets start with a reference. Linking back to Primitives again, start off by braking down your anatomy into forms. Sketching over the top of your references is totally fine. But make sure you are doing so critically, otherwise it may look like a flat/unnatural trace and you're not really learning from it. Via the first sketch you can see where the primitive shapes fall on the body - think of it like a ball-jointed-doll, hips, knees, shoulders ect are ball socketed whereas arms, legs ect can be made up of tubes. (See the first image, when sketching your tubes, sketch your contour lines too- this can help determind how clothing / hair will fall over the body, and can help you understand the 3D Form.)

A BIG IMPORTANT SIDE NOTE - When using photo references, do be very aware that they may be distorted due to the height of the camera, or camera focal length - (you can see in my sketch i had to edit the torso and head because the reference was a little top heavy)

A few artists/books for some extra reading / reference : - Andrew Loomis (OG for body proportions, books are a little outdated but fundermentals are still useful), - Tenten云画画 (his stylised anatomy breakdowns are very interesting to me) - Anatomy Essentials (I've had this book for years, it covers lots of areas, is a bit complex though, i myself should reread it again 😅

Also, if you can't find a reference for a specific pose, don't be afraid to use 3D programs! Anatomy 360, DesignDoll, Clip Studio, Magic Poser - all nifty options~

SO taking when we've learnt from the primitive forms, you can now try applying that to the Lestrat Picture. (which, granted is a complicated pose, as it also has forshortening and an odd top down perspetive of the bottom character- so don't panic if you don't get it the first time!)

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Final points- Delete your art (hear me out)

What i mean by this is, sometimes reworking the same face over and over again can bog your down. It can make it very difficult to actually see whats wrong. So, get rid of it and start again. (hide the layer/use a different piece of paper, please don't actually bin it (yet))

Next, redraw it. Use what you've learned the first time, and redraw it from scratch. (in this case, that might be just specifically the head, or the hair, or the eyes ect - you don't have to bin the whole thing, but sometimes it can really help give you a new perspective)

Once you've done this, unhide your original, compare, this may help you understand what you were doing wrong the first time. Or if there are areas of one that you like- its an opportunity to combine them as you see fit! :)

On a side note for Astarion's Hair, the lovely @mistercrowbar actually posted a breakdown yesterday! (i use p much the same method so-)

I HOPE this was of some use- do feel free to ask any questions if you've got them! i'll try to answer in a more timely manner next time 😅

[pinkyjulien]

🟨 Appearance Creator Mod Infos Dump

With the release of ACM (Appearance Creator Mod) I wanted to dump some information that might be useful, especially for non-modders that want to play around with it!

(I had no involvement with the making of this mod at all, nor I have any tie with AMM development, just throwing my two cents as a regular user, player and modder)

You'll find some How To, Tutos and other useful heads-up under read more, if you plan on using this mod as a modding tool (sketching up outfits ideas before modding them as custom appearance for your blorbo for example) or simply want to play blorbo dress up!

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First, You might want to get familiar with these suffix, as you will need to identify what part of a character's outfit you wanna swap

▶ Garments Components Names

h0 - Character's head mesh he - Eyes mesh heb - Eyebrows mesh ht - Teeth mesh hx - Head's details meshes (pimples, makeup...) hh - Hair mesh t0 - Character's Body mesh t1 - Torso Inner Garment (T-shirt, Tank top...) t2 - Torso Outer Garment (Vest, Jacket, Hood...) a0 - Character's Arms mesh (Cyberarms...) l1 - Legs Garment (Pants...) s1 - Feet Garment (Shoes, Socks...) i1 - Accessory / Item Garment (Cyberware, Belt, Necklace...)

▶ Garments Rigs Names

ma - Man Average mb - Man Big mc - Man Child mf - Man Fat mm - Man Massive wa - Woman Average waf - Woman Average Fat

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⚠ It's important to note that Garments are NOT automatically refited to the character! You can use a WA garment on a Male NPC but it won't magically fit his shape

⚠ Johnny and Kerry, despite using the MA rig, both have a thinner bodies and most of the garment will float and appear larger on them

⚠ A lot of Garments have their own RIGs and physics, and might T-pose / break upon being swapped on your NPC of choice! For this reason, Hair with physics will automatically break as well

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AMC is a standalone window in game, and not included in AMM main window!

After spawning a NPC, the AMC window should fill up with the spawned entity's garment components (and yes it can get crowded really quick, especially on smaller monitors and resolution)

Yes, It also works on NPVs and NPC+! 🔥

Everything on these windows can be overwhelming especially if you're not familiar with modding, so I'll throw a little example here using Scorpion

First I want to get rid of his hood and vest, without using AMM's custom appearance, using only ACM

In the list, I look for his Vest and his Hood component

We can easily turn them invisible by clicking the "Toggle" button Make sure to also disable any decals, stickers, and additional component (his vest also has a decal component, see in the screenshot)

The little icon next to a component's name indicate it has been edited in some way

I'll now switch his tank top for something else

Click on "Select From List" next to the "Mesh Path" of the desired component (in Scorpion's case, t1_060_ma_tank__corset) Open up the "Torso" list, and you'll be able to click on any of the listed t1 and t2 garments!

⚠ As mentioned above, garments doesn't magically refits on characters; Scorpion use the Man Average body and rig, anything that isn't a "ma" garment won't fit him correctly!

⚠ Another thing to be aware of is that a lot of garments's might break around the collar area! However if you plan on using this same mesh in an outfit, don't let that scare you, as it's easily fixable in blender

Export your desired mesh and look for the "NeckCollar_JNT" bone and simply rename it to "Neck" (blender will put some numbers next to it but that's fine, ignore that)

I'm going to switch to Valentin here to showcase how to deal with potential clipping 🤏 Since Valentin's body is customized, bit chubbier, he always needs refiting

Let's say you swapped your character's top for something else but part of his torso clips out

To put my boys titas away, I'll look for his body component (t0)

Click on "Chunk Mask" to open the garment's submeshes list

Garment's meshes are broken down in multiple submeshes that can be easily chunkmasked (disabled) at will to deal with clipping! This is why NPC usually don't even have a full body mesh when taking off their clothes, they are chunkmasked to avoid clipping :D

I will disable the Submesh 1 by unchecking the "1" box

Don't be afraid to click on multiple box and see what gets chunkmasked on different meshes! You won't break anything 👌

aaand for now that's about all I can think of that might be confusing for users- tho if you have question don't hesitate to ask on this post, to reblog or to come into DMs!

[suffarustuffaru]

Looking at your past art has me really loving your drag king Natsumi, do you have any more thoughts on them? I'd love to hear them. Also just your genderbend ideas in general. They are very interesting!

for future reference, here is where i drew some drag king natsumi + sapphic ottosuba :) i definitely plan on making more genderbend au content in the future thats for sure! :o i have another older art post on this here also (i am. too lazy to find it rn but its there somewhere!!) but i have some in depth thoughts about fembaru for sure yes :3 ty for finding my genderbend ideas interesting!! :D !! id be happy to talk about them more :o

im gonna start with outward design stuff / gender presentation first!! :D bc in my head, afab subaru probably looks almost exactly the same. in general, canon subaru’s most likely at least a little androgynous (and i think he probably is judging off of how much he passes as the opposite sex!!), and we know hes got his dad’s spiky black hair and his mom’s mean eyes and general facial shape, has a long torso, that sort of thing, so i think afab subaru would look similar :o

plus i like to treat fembaru as basically just the mirror/foil/inverse of canon amab subaru anyway, so yep natsumi schwartz is gonna be her male persona!! canon amab subaru was mistaken as a girl when he was a child, and he also went to high school (iirc it was high school but at the very least he was about the same age he is during arc 1) for three days as natsumi yes and passed for three days. iirc he would put on the girl’s uniform and wig and stuff on the way to school and out of his parents’ view and then put on the male uniform and take off the wig before he got home!! plus you know he’d generally practice makeup most likely and wig styling and all sorts of things in private.

so definitely afab subaru is doing similar stuff but in the opposite direction now—looking more masc and presenting as a boy. while amab subaru can put on and take off a wig, in my head, afab subaru would probably have to have shorter hair. so one day she just got a haircut thats short enough to where she could style it masculinely but longer enough to where it could still be kinda considered feminine enough!!

im not 100% sure how to draw her hair yet but in my earlier post and a few of my sketches it kinda looks like either a long mullet/wolfcut or a messy bob :3 i think you could probably say that her hair looks more like a wacky bob when shes more feminine and a wolfcut when shes styling it more masculinely?

(^^ my take on fem wrathbaru is here also LMAO)

i also base my fembaru design off of canon natsumi!! with the side bang (though i sometimes draw it on the wrong side akdnd)!! meanwhile fembaru’s male natsumi would have canon amab subaru’s hair :) (which you can see in my earlier post as well!!)

(i like this illustration actually <3)

i also like to hc that on top of subaru wanting to look and act more like his dad in canon, he did also kinda want to resemble his mom when hes presenting more femininely :o also for genderbend aus it depends on whether you ONLY want to genderbend subaru or if you wanna genderbend everyone along with subaru too, that sort of thing. i like to play with both possibilities :o

but in general, i like the idea of subaru either way trying to honor both her mom and dad. maybe to subaru her mom is what an ideal woman should be perhaps, and her dad is the ideal man, bc subarus parents are her biggest role models, so she tries to emulate both at different points in her life. she tries to be the perfect soft sweet girl like her mom and it doesnt work. she leans into being a bit of a delinquent and it doesnt work. then she cuts her hair and learns to present more masculinely and tries to copy her dad only to fail again. :((( then she gets isekaied……

i feel like afab subaru might get a bit more shit for getting into trouble too :(( or for being too loud. shes not very traditionally ladylike, i think!! boys will be boys and of course your daughter takes after you, kenichi, but dont you think shes a little too rough around the edges now?

anyway otherwise in general, i also like the idea that over the course of each arc in the fantasy world, subaru grows her hair out!! and once its long enough she can put it into a ponytail like her mom again :,)))

(male rem is here too <3)

also i like to give fembaru the maid dress instead of the butler outfit!!! probably not with the garter and stuff but 😭😭 its a pretty dress and fembaru should get to express herself both masculinely and femininely :3 in my head, i think subaru would be shy bc AGHH THIS DRESS IS SO REVEALING THERES NO WAY ID LOOK GOOD IN THIS IM NOT PRETTY AT ALL and rem and ram (genderbent or not) are probably like nonsense just try the dress. its your uniform to work here. and subaru does and huhhhh. maybe i dont look half bad ? :,) (bc of course subaru’s insecurities either present themselves the same or slightly different when genderbended). and of course when rem and ram warm up to subaru eventually ram can be like “you dont look as bad as i thought youd look” or something and rem can be like “subaru-kun youre very beautiful anyways!!!! <3”

and also i do think subaru would cut her hair a bit again or style it different for natsumi adventures later in arc 7 <3 just to have that symmetry again. the situation probably might go a little different but yep this is how id handle it 👍

and of course you can give subaru the canon natsumi hair bow sometimes when shes feeling fancy :3

OKAY and now im gonna talk about more character stuff!! lets talk about subarus whole thing with isekai and genre savviness and all that.

one of canon subaru’s many many Many parts making him up as a character and making up his story in general is a deconstruction of the isekai genre!! power fantasy and characters being cardboard cutouts for the male mc to triumph without a struggle—that sort of thing. but afab subaru is a female lead now, and female isekai is different.

id have to do way more research into this and watch more female isekai and shoujo and stuff (ive been Really wanting to watch im in love with the villainess…… someday i will…..). buuut from what ive noticed so far it seems like for male lead isekai the fantasy here is the Power and Prestige, but female lead isekai’s fantasy seems to be the Romance!! not that you cant have OP abilities in female lead isekais and not that every isekai is 100% the same of course. but that seems to be the common tropes from what ive seen so far? male isekai protags have girls throwing themselves at him as trophies, female lead isekais have their male romantic interests and the evil evil villainesses are defeated somehow and perfectly out of the way <3 the fantasy is that youll be loved by The One—the perfect boy(s) <3

and i think amab subaru is less likely to check out much female lead isekai but i think itd be fun if afab subaru would probably focus on female lead isekai but also a bit on male lead isekai as well!! she wants that absolute path to glory AND love. (and ahahhahahaha please ignore the gazillion ikemen anime figurines in her room hahahahahhahhahahahah AND DEFINITELY IGNORE THE SILVER HAIRED ONES. ESPECIALLY THE ONLY GIRL FIGURINE SHE HAS THATS BEEN GATHERING DUST UNDER HER BED—)

but also bc i think amab subarus more likely to go nah i wont look at girly media while maybe afab subarus like godddddddd i want instant OP abilitiessssssssssss and godddddddd i want hot girls around m—WHAT. WHAT. WHO SAID THAT WHO SAID THAT—

anyway so subaru gets isekaied and shes like SWEEETTT A NEW BEGINNING AWAY FROM NOT BEING ABLE TO MEET EXPECTATIONS HAHAHAHAHA IM THE ISEKAI PROTAG!!! THIS IS AWESOME!!! (is about to get her shit rocked). and shes like ooooh do i have any abilities (nope) and oooohhhhhh shit do i have a villainess. AM I THE VILLAINESS???? no way right. anyway lol wheres the ikemen who’ll ill marry one day. the ikemen that falls in love….. with a commoner……… like myself teehee… and they get married…… and the villainess is CONQUERED….

anyway so what im saying is. ………….fembaru is a femcel. AND a pick me. AND a disaster bisexual. you could practically imagine a vine boom after each of those.

i think the biggest most important to me with genderbend aus is keeping the humanity of the characters the same the best i can!! and fembaru is STILL subaru, of course shes fucking cringe!! of course shes got a heart of gold but its under layers of cringe!!! of course shes a nerd who doesnt have any friends at first and trips and stumbles through all the shit being thrown her way!!

also if male subaru is bi then so is fem subaru okay. we’re equal opportunity here. and also amab subaru has issues with his masculinity and uhhhh slight things with women (see: his boob comments in season 1…….. subaru i love you but cmon man). so. afab subaru i think has got a terrible case of internalized misogyny / homophobia / PROBABLY SOME COMPHET TOO LMFAO 😭😭

i think general plot beats (whether its only genderbending subaru or genderbending everyone) goes mostly the same but again, slight differences. im gonna go with only subaru being genderbent atm bc thatd have more differences i think :o

yes ok so subaru’s gonna see reinhard and go GASPPP oh my god. pretty ikemen. ohhhhhh oughhhhh hes so pretty. hes clearly main lead material… ohhhh what do i do ive never talked to people in so long and hes so PRETTY FUUUCKKKKK BUT I DONT WANNA BOTHER HIM EITHER AND PUT HIM IN DANGER. um um um um mmumimimm HE CLOSED THE DISTANCE BETWEEN US TOO???? what the hell what the fuck what the fuck shit shit um think THINK SUBARU THINK YOU HAVE CHARM RIGHT?? YOU CAN DO THIS. YOU CAN CHARM A HOT GUY. ARGGHHH— *explodes*

but also subaru sees emilia and gets that “do i wanna be her or be with her” feeling 😭😭 bc emilias so….. cute…. pretty… and NICE TOO?? WITH A FUN PERSONALITY??? SHIT SHES GOT EVERYTHING!! she went out of her way to save me 🥺🥺 and im just dragging her down 😔😔 BUT FUCKKKK I HATEEEE HOW GOOD SHE IS. and then :,)))) theyre both dying in the warehouse… and the first time subaru feels the touch of another girl in a more intimate light is her and emilia holding hands as they die…………….

SO YEAH THEN SUBARU RBDS :,,)))) so like. do you get what im saying. emisuba and remsuba and satella are subaru’s first sapphic heartbreaks and heartaches. muahahaha!!!! insert more evil laughter here!!!! bc since subarus a girl her relationships with emisuba and remsuba are definitely gonna be perceived (both by other people and rem emilia subaru) more so as friendships first and foremost.

so….. subarus getting the codependent homoerotic teenage friendship bright and early HAH. but i cannot blame her!! i too would go insane if i was put in a new unfamiliar world and i met this cute girl i was both jealous of and a little into and then we both died and the last thing i felt was searing pain and her soft fingertips!!! i too would go insane if i thought this maid was my friend but then she tortured me and—and—

but yeah you know how amab subaru has his whole weird complex bromances with reinhard and julius and otto?? now itll be like that but with emilia (the julius and reinhard…) and rem (the otto….). emilias the girl subaru’s having “do i wanna be her or be with her” weird rivalry shit with (subaru’s internalized misogyny probably also adding to this bc Obviously theyre rivals) and rem’s the girl who brutally betrays subaru personally (worlds worst homoerotic teenage friendship breakup of all time 😭😭) but then she later becomes subaru’s loyal best friend???? crazy shit.

and like emilia and rem are totaaally villainesses in subaru’s way (except emilias sweet af and misjudged by the entire world and subaru doesnt have the heart to fight rem and also shes chugging copium and trying not to think about failed loops. or about her gay feelings). toxic yuri is toxic yuri-ing. subaru doesnt wanna be explicit about it….. emilia isnt sure of her feelings other than stuff like caring a lot abt subaru… and rem is. Rem. so theyre all in gay situationship limbo HAH.

also as an afab person too rip subaru for also having periods while the whole world is ending on repeat 😭😭 LMFAOO. im sure theres medieval fantasy remedies though (and rem is 1000% spoiling subaru on her period)

also no one can tell me that echidna and rem WOULDNT still be into subaru as much as they are in canon. subaru regardless of gender fascinates echidna and her greed. subaru regardless of gender is someone rem will grow very very attached to. and if anything, rem would get way more bold with afab subaru.

bc the thing with female relationships is that i feel like theres a higher level of intimacy that you gotta go to for it to be considered more romantic or homoerotic. with guys it could be like holding hands and other people might be like WOAH THATS GAY, but if girls do the same thing its like aww youre such good friends. i think rem would take advantage of her and subaru being the same sex and she’d probably keep trying like “hey um um wanna cuddle together?? in the same bed?? and bathe together teehee?? i can help do your hair and dress you up? and make lots of cute dresses for you ? :) <3 🥰 and i can even massage your bo—I MEAN YOUR BACK. YOUR BACK!!” or it’ll be like. rem gets a little too happy that her and subaru’s periods get synced up or something 😭😭 shes Not Normal (and unfortunately subarus probably a little too into that)

also unfortunately the other time a girl touched subaru intimately was satella squeezing her heart :(((( and hahahah between that and rem and emilia and later echidna…. ohhhh poor subaru and her terrible toxic yuri 😭😭 her sapphic experiences and experiences with women have not been 1000% great.

but also of course subaru is so very not normal. you have the canon typical “lol every memory is a good one <3 even rem torturing me teehee <33” and also i just think itd be funny if you as an audience is lead to believe subarus jealous of emilia and rem’s boob sizes and no. no shes just gay. shes GAY.

and stuff like everything going on with julius and otto gets recharacterized too. bc subarus a girl and the guys are guys its probably gonna get perceived more both in and out of universe in a more. Quite Literally Straightforward light. esp bc subaru’s still gonna be into reinhard and julius lbr HAH.

i want arc 3 to still be an absolute fucking disaster with fembaru. let fembaru be flawed and ugly!!!! so in my au thoughts here itd be like. subaru feels jealous and threatened by lots of people. emilia, though its subsided a bit after becoming friends and after learning a bit more abt emilia as a person. but also i think subaru could feel so so jealous of the royal candidates!! esp crusch priscilla anastasia even though subaru will 1000% think theyre bitches at first during arc 3. bc theyre such strong determined women who seem way more confident than subaru herself is…. and also im sure there’ll be complex thoughts from her on felix too bc crossdressing… gender presentation… is a complex thing for subaru.

and subaru with julius is like. “get away from emilia!!!! shes mine!!! shes MY best friend that im homoerotically codependent on and obsessive of!!!! and also youre just trying to steal reinhard’s ikemen male lead spot huh!!!!! bastard!!!! (i hate that youre so pretty too)” and everything of course blows up in subaru’s face. im sure at some point in the story subaru might get slutshamed for having all these connections to people and romantic threads (especially since shes afab) but also its like. wow shes such a stupid girl lol causing a racket.

and uh being a man beating up a girl looks a little worse due to gender roles and stuff but lot of the knights are still gonna want to go after subaru and julius is still gonna want to save subaru. :,,)))) arc 3 emisuba breakup….. worlds worst sapphic breakup of all time…. and later rem will be the one that got away also :(((((

but yeah i think in general this subaru’s connections would be a little more. subtexty with the girls bc she’d be more hesitant to be explicit. but a bit more explicit with the guys bc itll be easily perceived as romantic in and out of universe. and of course subaru i think will be flustered in different ways between the girls vs guys—with the girls its OHH GOD I CANT BE GAY I CANT BE GAY NOOOOO I HAVE A RIVALRY!!! IM SO JEALOUS OF THEM!! BUT. BUT I LIKE THEM!! OHH GOD. with the guys its OH NO. GOOD LOOKING GUYS???? FML. FML!!!!! WHERES MY MAIN CHARACTER CHARM??? HOW DO I TALK TO GUYS???? JULIUS STOP MAKING FUNNOF ME!!! >:(((

also brief note on otto bc things are probably gonna go different here qkdnd. like i definitely am of course of the opinion that otto fell in love with subaru. in every damn arc in every damn main route otto side content hes getting unhinged over subaru in a way that i think makes a little less sense if you dont view it as otto just Not Being Normal About Subaru in a perhaps vaguely homoerotic way. Possibly? Maybe? Schrodinger's relationship blues.

but subarus afab now!! and ottos still a guy!!! and reinhard and julius are friendly with subaru right, but at around arc 4 things they dont show explicit romantic interest. (i think arc 5-6+ julisuba and juliemisuba would be 👀👀👀 though.) but otto?? in a universe where subaru is a girl??? well now its more acceptable for him to be grow openly head over heels for subaru. but also its probably also more pathetic bc now its probably gonna be more obviously taken by others as otto having a Romantic crush on subaru. regardless of whatever otto's feelings are.

and subarus had her arc 3 development right. but here its like. you wanted a male character who’d fall in love with you and be loyal to you and do Anything for you???? here you go!!! but also given otto is Like That and gets worse by arc 7-8 i think hes gonna seem a bit more sinister. not that canon otto with canon subaru isnt sinister but theres different connotations to male otto paired with female subaru. bc it sort of follows straight dark romance rules, right, with the cunning possessive male love interest and the female protagonist…

i doubt anything explicit would go on between otto and subaru in an au like this bc 1. otto and his avoidant attachment LMFAO and 2. subaru and her issues also and 3. subaru in main route is Not as into otto to the same extent or degree otto is HAH.

and fembarus probably like. i think itd be funny if she was a little disappointed otto wasnt a girl 😭😭😭 but then later hes weird about crossdressing and shes like why dont you wanna do it huh 👁👁👁👁 why are you weird about it 👁👁👁👁 im staring at your glass closet right now—

and also its like. “WHY ARE YOU THE FIRST BOY TO ACTUALLY BE IN LOVE WITH ME WHAT???” which i think is hilarious but i also think it could be fascinating in terms of playing with gender!! bc otto may want to be in control of things, but hes also so subservient to subaru anyway. otto and subaru are both androgynous; otto can pass as a girl and subaru can pass as a boy. if you wanna simplify things further you could also explain this as—otto is a man who looks like a woman who’s pledged his servitude to a woman who looks like a man. very intriguing imo!!

but of course ottosuba power dynamics are Always shifting over and over like a game of tug of war, but the most common thing is that otto will bow his head to subaru but under the surface ottos trying to be in charge. that sort of thing!! and the idea of male otto servicing female subaru is an idea rezero ao3 seems to like also but :,) lets just say its not fully to my taste haha :,,))

and otto is definitely not gonna beat up subaru’s ass so easily this time around bc itd look so bad and he’d know that lmfao 😭😭

but i think theres a lot of potential to play around with gender roles and such with all of these dynamics!! im very passionate about making my genderbend au ideas as wild and layered as possible :o !!

this is all my main ideas atm (and id love to draw stuff like more drag king natsumi or fem reinsuba :) ) but yes i hope this all makes sense :D !! thanks for reading this far and thanks for the ask!!

[theartingace]

kind of a weird question, but... how do you figure out the proportions for your centaurs? I've been trying to draw a centaur OC of mine but every time i try the human body looks like a weird size in comparison to the horse body...

@snamorta asked:

Question! Do you have any advice on how to draw Centaurs? I've recently fallen in love with them but I'm having a hard time drawing one. Thank you, and I absolutely adore your art!

Grouping these together because without getting into specifics of drawing the hardest parts of both a human body and a horse and then smashing them together.. the hardest part of making a centaur look right -is- the proportion!

I also have a hard time consistently nailing the proportion of human to horse halves, and even now frequently have to lasso and shrink the human torso early in the drawing process! So if you're drawing digitally, don't be afraid to really chop up and rearrange your drawing early on until it feels right! But if you're working traditional or still having trouble visualizing them- hopefully this helps!

For guides on how to draw all the various bodyparts in more detail, I highly recommend The Etherington Brothers and their 'How to Think When you Draw' guides, I really like the way they break down shapes and structures of all kinds of subjects! Including horses and human upper bodies! They do a better job than I ever could showing how I think about anatomy and shapes, ect.

Basically a more detailed text/image described version of the infographic below the readmore!

Overall the best way to maintain general proportions for centaurs is to make a right angle over the withers/hip region and see if each arm of the angle is roughly even in length! Another way to check is to check the height of the human hip, it should fall very roughly about 2/5ths of the total height of the centaur.

These are very rough approximations that I have figured out from my years of drawing centaurs, but playing around those figures will give you various types of centaurs! With pushing the human torso a little larger and making the horse legs a little shorter you will get an individual that feels pony-sized, and making the horse body and legs a little longer you can make something that feels more like a clydesdale!

One last way i often check to see if a sketch is feeling balanced early on is to picture the human torso with normal legs! If the hooves are falling right around where human feet would be, those are either some short legs or the horse body is too small! Generally for an average centaur the height will be a bit taller than a human of the same proportion! I hope that makes sense 😅

[petricorah]

Thanks for the ask, @strrwbrrryjam ! i'm flattered that you think I do a good job of that, because I'm still learning! (and I also struggle heavily with proportions. I have to resize my heads and arms so, so much...)

I'm afraid I don't have any secrets. I think the answer is to just practice, over and over again. But specifically, this is what I try to focus on as I'm learning:

references

quick practices - 30 second to 5 minute studies that help with getting a full scope of the shape and energy of the body, not meant to be perfect

studies - deep dives into certain anatomical structures (videos linked below)

Below the cut is how I use references go from this to this:

References:

Use a bunch of references! Pictures you take, stock images, from shows--practice real people. Even if your style is heavily stylized, it all starts from an understanding of anatomy.

How I Use a Reference When I Struggle With Proportions:

The first step I take while looking at a reference is to just draw a very loose sketch with a line of action that goes then entire length of the piece, and I try to section it out. I find if I don't think about the body as a whole, and just start drawing a head, the head will be way bigger than the rest of the image. So my first step is just really boxy and basic, just to get all appendages on paper. My first pass could look like this:

Okay, not bad. But the right arm is going way too far down--the forearm is really long. The head is too big for the style I want, and the left arm is at a 90 degree angle, unlike the picture. But, I have the general scope of everything on the page, so it's easier to adjust and look at the full picture!

Then, I try to focus on landmarks. I look at where certain body parts fall in the reference. For instance, Blackbeard's right elbow doesn't reach his belt, so his elbow shouldn't be near his waist. I can tell that his left arm is closer to being straight than at a right angle, and I can see that his head isn't as big on his shoulders as I have. I can also look at the negative space and see that the gaps between his right arm need to be smaller. So my next pass might look like this:

(I don't usually draw on the reference image, and I just "draw" the lines in my mind, but the for sake of things...)

Now it's looking a bit closer!

The next is the harder part. It's making things shapes, and is closer to the lineart stage. I try to follow curves, separate the chest from the torso, get the angle of the shoulders and head, etc. I have some video links at the end that explain this step much more in def.

You may notice that the head angle is a bit different than the image, and the shoulders are a bit lower. Sometimes, following a reference image completely either doesn't fit your style or, in some cases, the more accurate drawing following a reference can actually look "wrong" (anatomically) when drawn. Figure out what works best for you, and for the message you're trying to get across in the piece!

[sliiiight flashing in timelapse]

And here is the final timelapse, with a little refining and polishing of the anatomy. Not everything is completely accurate to the reference image, but I've created a believable image in the likeness.

I hope this helped! This was a quick and dirty post of something I'm still learning. Here are some youtube tutorial artists, resources, and books that I use to learn!

Youtube:

-ModerndayJames has lots of videos on creating shapes and understanding anatomy, and placing people in perspective. He has a lot of free videos, and then some cheap ones on gumroad that go more into it.

-Proko has lots of videos on anatomy!

Practice Resources:

-Pose Maniacs - figures in different poses. You can move the camera around to see different angles.

-QuickPoses has images for figure drawing and quick gesture drawing! You can even have different timers.

Books:

Morpho Series. There used to be the one on "Fat and Skin Folds" that was a free PDF download that was on tumblr for a while, but I don't believe the books are that expensive.

Taco's Books, published by Lezhin. This is heavily anime styled, but talks a lot about anatomy, and is a great resource!

[writer-of-worlds]

If you don't want unwanted art advice feel free to delete this ask ^^"

You do not suck at art! You simply haven't used the right step.

You seems to go right into copying your reference, but before copying, you should *understand* your reference. What I mean is that you should break it down! Your reference is great because it already do a big part of the job by turning complex anatomy into simple shape, but it's not the only part of breaking it down: you should also try to understand the proportion, angle of your shape and once you learnt a bit more about drawing how the shape works in 3d for example.

• To understand the proportion, you need to compare different part of the body with each other. For example if you take your character torso + belly, you'll see it's the same length as their legs + hips!

• To understand the angle, you need to understand how each part of your character bodies is bending. For example, if you compare the left leg you draw compared to your reference, you'll see the reference is much straighter!

To do so I really recommend you take your reference and draw on it. To understand proportion, you can for example make two box of equal size one for the torso + belly and one for legs + hips. Or to understand angle, you can for example draw line following each body parts angle.

Once you understood the reference, you shouldn't go right into drawing but rather make a sketch with construction line. See how you divided your character in two boxes? Well, now you can draw those two boxes before drawing the body! Now, when you'll draw torso + belly and legs + hips, you assure they will be equally sized so your drawing will look more like the reference :)

This is only a very simple explanation of construction like but I hope it can help you! I wish I could use picture in anon to show you directly but if you ever wants some I can share without anon.

Oh, this advice is definitely wanted, thanks so much anon!!!

Aaaah, I see I see. I plan on going back to it, but will do it traditionally, since I don't have the right equipment for it (and my laptop is ancient. Took half an hour to install WACOM haha), so I assume it's the same traditionally right?

Thanks so so much for the advice anon! :D I feel more confident in this (and please, share a pic! If you want me to answer it privately, just let me know! Alternatively, IIRC, I just drag and drop the picture and it works on anon, or even copy paste the picture and put it there on anon on mobile. That's what I remember doing before!)

[leidensygdom]

Ur strength is definitely color and line work. Something I would say needs some work is definitely your full body drawings and poses. Your poses are always static and rigid and (especially when in motion) it takes me a moment to figure out what the character is supposed to be doing. Your anatomy is fine, its the stiffness of the over all pose thats the issue. It makes your pieces lack energy and any real umph. Your beautiful use of color and line usually covers for this but for me (someone who also struggles with this) it pops out like a sore thumb.

To practice, id suggest doing gesture drawings (1 minute sketches of action poses) to really understand how the body moves fluidly and to practice capturing that energy. Id also suggest doing 5-10 minute studies of full body figures in which you specifically observe how the pose affects the distribution of weight. How the torso curves in relation to the pose (your torsos are often very vertical and stiff) and how their muscles, fat, and clothing stretch, bulge, or fold depending on the pose.

Try to keep things loose during these studies and focus on capturing the energy of the pose over perfect anatomy. Focusing on anatomy can often be a distraction and can actually detract from capturing the fluid movement of a pose when you are first learning. You dont want to be thinking about anatomy during a 1 or 5 or 10 minute study if that is not what you are trying to learn.

While doing gesture drawings, its important that you move fast and dont get hung up on details. Get the line of action in there and the general shapes of the figure. Focus more on the movement of the figure over anatomy or details. Feel the rhythm in the pose and do your best to capture it. Id suggest doing 10 or 20 of these at a time. Sites like Line of Action are great for studies like this.

For 5-10 minute studies you want to build on the rhythm you developed during the 1 minute studies. Again, you want to focus on the movement of the pose over the details. Keep shapes simplified and force yourself to think in the abstract. A vibe i get from looking at ur art is that you get focused on the small details while losing sight of the big picture (might be wrong bout this but its something i also struggle with lolol) so during studies its important to keep ur mind on the bigger picture. Focusing in on small details adds to the stiffness of a piece as instead of one singular piece, it’s made of many smaller pieces. Idk if that makes sense lololol. Id do 1 hour of these 5-10 minute studies.

But yea id say this is really the main thing holding you back right now. Once you figure out how to capture the rhythm and energy in a pose id say ur golden lololol good luck! I hope this helps XD

oh gods yeah I need to whip some referencing for poses and specially dynamism, I tend to make things a bit too stiff. I think I cornered myself into making very static poses since I do a lot of character ref oriented work, and showing the design and outfits is a priority over the dynamism, and like, I need to get working on that.

It sucks to realize how I've let social media performance guide a bit on what I draw and I practice. People like their fullbody character designs with a grey background, and I've let a lot of What Isn't That fall apart, and it's bad! I gotta get better!

I need to find a way to maybe get a way to do these practices and still post it, bc even when I've done them, they stay in a folder and never get to see the light of the day. (Also, I saw the other ask and I'm gonna check that one soon! I struggle so much finding good refs for that!)

[jenuinedog]

Sorry if this is is a weird question, but how do you draw so many different shapes and poses so fluidly?

(I have a drawing style based on realism and I'm having a lot of trouble finding ways to adapt to different poses and expressions in a way that makes sense to me)

Not weird at all!  A lot of my process is breaking things down into simple shapes and making silly mental notes to myself like “ the middle finger is usually always longer than all the other fingers” and “ overlap this line here to make the arm bend look more believable” fjhgsdjhfsdgf

Now, I could spend time drawing out the musculoskeletal structure of everything and all the joints and where everything goes, but that’s extremely boring to me and i’m impatient. So I opt for simple color blocking the silhouettes of shapes. Just enough so I know what I can manipulate, and how. Besides, you can always add details later. Focusing on details immediately is the quickest way to get frustrated, no matter what kind of style you have. Take. Your. Time!!!!

The way I approach it is similar to tweening in animation, or the intermediate frames between two key frames. Y’know, those frames you see when you pause something and the character looks stretched out/disfigured ? Those frames are what create more movement. Same can be applied to the drawing process! Lets look at this lil doodle here:

Sure, the subtle stretch of the circle shows decently enough that these two both have the circle, and want it, and don’t want each other to have it, but it doesn’t really feel like it, does it? buuuuuuuuuuut..

If we stretch it a lil bit and emphasize the STREEEETCH (and the effect of it on the poses respectively), it looks a lot more exaggerated, which makes it more fluid. You get a better sense of the tug of war between these two. Who will win? Will the circle stay in one piece?? Did these two ever learn the concept of sharing???? What matters is you can see the movement a lot more clearly.  Especially in tandem with the first doodle. There WILL be a victor here.

You can apply this to basically any shape! Once you break down your shapes, see how they fit with the movement of what you’re drawing. Stretch and squish and squeeze as needed. Combining curves with straights aids in bringing more movement by allowing some contrast to show where the stress of the movement is the highest/most influential. OH also...

DRAW THROUGH YOUR SHAPES!!! This helps you follow the form a bit easier, which will lead to more coherent movement throughout your drawings!

You can see where i’ve  kept the initial lines and where i’ve drawn the back of the head and how it feeds into the neck, which then feeds into how I “attach” the shoulders to the torso. This also provides consistency, which I find is super helpful in guiding me to where the “flow” of the pose is going or more prominent. You can (sorta) see where I made the right eye slope a bit upwards to follow the contour of the purple circle I used for the initial headshape. The distortion makes it look more dynamic, even when there isnt any real movement going on here. It provides depth and feel and a sense of where these shapes are sitting in relation to other shapes.

(its a messy sketch, but hopefully you can see where I was goin’ with it LOL).

Learning to abuse foreshortening is also a good way to get some fluidity in your poses/expressions. The whole concept relies on making a deal with perspective to elongate, overlap, and compress shapes to “fit” within the composition. It might also help to try figuring out which edges and contours are more important to your composition, and accentuate them as well!

I hope this helps aid you somewhat in your quest to figuring out how to make sense of things in your style, n good luck! <:

[bogusbyron]

do you have any suggestions of websites to use for drawing references or tips for anatomy? i love your art and im obsessed with how you draw bodies

Ohh thankyou so much! Ive been practicing relentlessly trying to figure out anatomy lately so I'm glad its paying off !!!!

Honestly i dont use any websites in particular? It depends on what im drawing. I save refs in various places, whereever i see them. I've got #art refs here on tumblr, a refs folder on instgram but the main one i use is pinterest. If nothing else I'll usually just google.

Admittedly i do also look at, um, not the safest for work sources for some references. Vintage gay mags, that sort of thing . Style-wise i find Tom of Finland the most fun to look at especially when it comes to torsos and the like. Huge guy tits ftw . (Dont look him up if you've got someone standing next to you).

Ive got some websites saved that are specifically for refs (like referenceangle) but i dont really use them. I find pics from pinterest are enough, and if i need a specific head angle i'll just take a picture of my own head ¯\_(ツ)_/¯

As for anatomy tips? Urm.. i'm still working on that myself if i'm honest. From what ive gathered though, overthinking it is where it starts looking a bit wrong. Starting with sketching loose shapes really helps your intuition with proportions, figuring out if something looks wrong or not. Its really important to study anatomy, and don't stick to what other people tell you you have to do, its all up to whats comfortable to you personally.

For a while now ive looked at different artstyles and how they draw bodies and its only recently ive actually looked at like real models . I find studying stylised cartoons help because you can kinda learn how far you can shape something before it starts looking weird. It entirely depends on your own artstyle and processes .

Also: don't be afraid to trace references. I used to stave off it but i found its very handy to help you learn shapes and muscle memory for how to draw them in the future without references, which i think is important

I'm not an expert and i just draw for fun so i havent done much serious studies and whatnot . Hope this makes sense? Or helps at all . 🙏🙏

[no-parking-here]

Hello! Do your think you could do a body tut? I have trouble with proportions and stuff and you're real good at them

ofc and thank u 🫶🫶 this is definitely smth I feel I still struggle with but here’s some things I do to help and how I generally sketch- using a drawing of dally to demo (everything under the cut bc it’s gonna be long lol)

First always use a reference (not those drawing templates I swear they will mess u up more- use photos) I stunted my art growth for so long bc I just refused to use one- it also curbs the need to do (what I think are) boring (yet helpful) anatomy studies- plus it’s a good comparison for proportions when seeing ur art vs the pose in the photo

Second thing I find really helpful is larger pencil strokes, which is not to say never use smaller movements, but most of the time my pose will come out cleaner and less stiff when I avoid small movements as it means there’s no confusion where a part starts or ends- essentially trust in large pencils strokes and large shapes 🫡

I will say when I was first tryna figure out proportions I was using shapes (mainly rectangles tbh) to dictate how large the forearm for example for be compared to the legs or head I chicken scratched sm, but after a good bit of practice it will be ingrained in ur mind when smth looks wrong and what that part it is

Now for how I go abt drawing

this is generally how I start- and it’s so simple but using lines of action for every ‘motion’ whether it be the torso turning one way or a person leaning is so helps- it tends to lessen stiffness in my drawing

I go off of the head and motion by using shapes/lines to get the base of the torso and limbs- just keeping in mind the reference and stuff like that the legs should be abt half of ur body- then I truly flesh out the torso and legs using the lines for their placement- and often times I’ll use a ‘u’ shape to dictate joint placement (shoulders r off the torso, elbow and knee in the middle of its respective limb)

As for the shape of the legs and arms the only advice I can give is draw a lot and vaguely understand human anatomy and one day it’ll magically make sense (ik this isn’t helpful but if it ain’t the truth)

then ARMS !!! I find it’s easier to wait on doing arms so I make sure they don’t reach too far down the leg or in general too big compared to the legs (ignore dally’s right arm it’s covered by pb later- you’ll see)

Then this is the biggest jump- I almost completely erase my drawing using a kneaded eraser- when I’m unhappy when a pose or how something is looking I sometimes repeat drawing the pose itself multiple times- changing limb sizes and shapes etc. until I’m happy with it and add clothing

Never be afraid to restart and plus I find my second or third attempt always looks cleaner and better proportioned- then in the final pic u can see the difference between how I start vs end with pb sitting to the side

ik this was kinda a yap sesh and idk how helpful it will be but I hope it has helped some and if u have any questions my inbox is always open lmao

[revilleaj]

Art update & 3D Robodi model images

It has been quite a while since I've last really done anything online. I've been heavily burned out and tired constantly since at least December or so (I have done drawings in months prior, but I have never posted them publically). I still do not have a new computer, even though I have enough money (about £1k) to buy the parts or even an entire computer, but there are other factors in life that need more attention being put towards right now.

I'm still in the midst of trying to get a job (damn required experience and driving license listings!), and drawing right now is bottom priority. It feels like a chore and it's not fun when I have rusted from not drawing in so long (making so many mistakes really sets off my anger problems). I really do not like being pressured into trying to do things, and I have been experimenting with 3D, but only to an extent.

So, with that said, I am going to put making newer drawings on hold for an indefinite amount of time until I feel motivated enough to draw. I'm not done with art entirely and I never will be, but I think I really shouldn't pressure myself as if art is some kind of requirement in life. I've been also having drawing tablet issues, and I noticed there's a small crack in my Huion that I haven't been able to use almost ever since I had it (thankfully the thing still works, and the crack is near the top, only half getting on the drawing area).

I may also finally add some images to my empty DeviantArt account. As much as I do not like that website nor its community, I think it would work if I just put my favorite drawings I've worked on there, specifically ones up until the end of 2023. All of the really old and weaker art (mostly from 2018 and 2020, and anything from 2017) I won't be reposting, as they no longer reflect me, and have not done so for a very long time.

-----

Now, for the second topic of this post, and in a much better light; the 3D Robodi model. I'm sure I've talked about this years ago on Twitter. Back in 2020, when I was still in my first year of university, I worked on a 3D model of one of my characters named Robodi, using Cinema 4D. It was never finished, but I did learn quite a bit when working on it. Here's some newer screenshots of him, now that I've managed to pick back up an older version of C4D (I do not like the 2022 UI layout change):

This is the last version of the model to not be animated, from May 2020. The image is rendered using the Sketch & Toon shader with the Standard renderer. A few options were altered to remove unnecessary outlines.

The model in the renderer itself; right is the objects list, bottom are the materials (vertex colors and textures, some with C4D specific features).

The last ever version of this specific model from September 2021, with the FOV heavily reduced to improve the depth. A single black thin cube was added between the eyes to create a fake extra outline. A bit of a hacky effect; I did not know how to do inverted normals, in fact I don't think I knew that was how most computer games handled outlines.

The very first saved version of the model, in Cinema 4D's editor, made earlier in May 2020. The pieces have default names and are not parented, some materials are not added yet, and the shapes are noticeably bigger, especially the base of the head and the torso.

I once experimented with "realistic" materials and shading (including the dreadfully slow Global Illumination), which doesn't make the most sense for a cartoon character. Here you can see the unit plate on the back of his head, which I don't think I have ever shown before. The camera may look close here, but it's actually extremely far away with a very low FOV (dubbed Super-Telescope). Some textures are no longer in the project files, so this looks slightly off from how it did back in 2020.

In October 2021, I went back to the older May 2020 model and decided to try and remake it. I realized that using one mesh and extruding it works a lot better with the Sketch & Toon shader, as it does not create unnecessary outlines when the default shader options are left the way they are. The lines in the middle of the eyes and nose are from the shader, rather than a black material cube. Of course, it would be more wise to just duplicate each mesh, enlarge them and invert the normals while applying a pitch black texture to them. I abandoned the model shortly after the progress I made here, and I am not sure why. Maybe I was burned out and lost interest.

I should probably try to attempt making a 3D model of him again and some others, now that I know a lot more than I did nearly 4 years ago (yeah, can you believe it has also been nearly 6 years since my Reville character was created? Robodi was first created in mid-2019; almost 5 years ago! Good things take time and care). It will be a difficult task, but I'll make sure to export whatever I make to a .FBX model, so that it doesn't get lost to C4D licensing Hell. Hopefully, that would make the models work in Blender and such (the materials will have to be baked into textures however, instead of being separate C4D ones. At least .FBX doesn't use an external material file unlike .OBJ, which I and others have had issues with). Maybe I could use them for rotoscoping or somethin'.

Here's hoping to me eventually finding motivation, losing my tiredness, and getting a job with stable income alongside continuing to work on my passion projects, no matter how much time has past since the day I first thought of them. I want to keep doing things, not resting in bed most of my days. Too bad winter is freezing cold where I live, and I suffer from mild hypothermia...

[lindsayschrctrillstrion]

Character Redesign before Poster

These are the silhouettes i put together. with my previous design i felt the character looked too strong for their normal form. with these silhouettes my intention was to give Aregaiate more of a lean and agile like build, similar to that of your typical feline. using this idea of speed and agility, i put together a few poses of him in frozen moments of fast movement like where he is actively in battle or stealthy. due to his character leaving his post to go into a city, he has to not be noticeable and blend in with his surroundings.

ive decided on drawing my redesign using a combonation of these two poses where it combines his stealthiness and readiness to fight.

to reflect on this, they do feel all quite silly looking but i didnt really take a ton of time to put together these silhouettes. i rather used a thick brush and made blobs of the character and their main parts of their design.

i began my drawing using my brush and putting together a wireframe or skeleton for the position of the limbs and body of where i want them to be facing.

i then broke down the limbs and body into simple shapes as can be seen in the hands and arms and added and removed parts of the shapes to connect everything together. at this point i wasnt to thoughtful about how the shape, position and proportion of the arms, hands and torso but following this i found great challenge

comparing this image to the drawing above, you can see where i took the reference into the drawing with the position, proportion and shape of the head. the markings on the eyes and above were inspiration to add to the design also.

i then put together the extra parts of the characters accessories and tools. at this point i didnt realise it wasnt so great in terms of the placement due to it blocking out core parts of the sihouette. later on i had this revelation.

i then created another layer combing the two layers together of the outfit and the character with refined detail. i felt with the sketch the face looked a little too soft so i went with adding detail and gruntiness to the face to make him appear more fierce. the Pauldron (Shoulder Armour) was a bit of a challenge to get the perspective and shape right as you can see how it was designed below.

this was the inspiration for the Pauldron (Shoulder Armour) as i wanted to make the design more accurate to the time period and the setting being somewhere around Mongolia, Kazakhstan and Russia.

i then drew around the rest of the body and adjusted the rotation and size of the chest as it just felt off to me when compared to the sketch.

once i finished the 2nd refinement sketch you can see what parts i changed and kept the same such as the position of the arm holding the Dagger and slightly adjusting the leg placement. i also moved the head forward. i did find quite a bit of struggle with the torso and arm holding the dagger as i kept on changing it and it just didnt really feel right to me as i felt they were too bendy or too straight.

i moved onto the final lineart where most things were kept the same and just refined aside from the placement of the legs and the hand position. i did try at a reference image but i found just looking at my own hand and how i would hold something in the position i wanted would look like.

this is the reference image i used but ended up moreso drawing just from looking at my hand.

using the magic selection tool, creating a new layer, hitting select>modify>expand and expanding to 3 px before having the layer below the line art layer selected and hitting alt+return to fill.

during the process of the value fill section, i forgot to add the cape and hood part of the design and put it along the side that didnt have so much going on in terms of silhouette as the other side has the dagger, holster, hood and the pauldrons.

this is the reference i used for the cape, its details and shadow

i then finished filling all the parts of the drawing and putting each section into individual layers

these are all the layers i have for each part of the drawing, i achieved the hue saturation by clicking on the half filled circle icon

i then clicked on this icon to have the lightness only apply to one layer

i then hit colorize and adjusted each layer to the value i desired

following the steps i took above, i suited each layer to the desired value

i then grouped the many layers and dragged the newly made group down to the plus symbol as seen above in the bottom right corner and creating two extra groups for two more variations of value choices.

using a variation of values where some had elements lighter than other versions of the same element (such as the cape seen from darkest to brightest). i felt the middle one stuck with me the most and even my peers felt the same way and believed it was the most balanced values.

i settled with the middle one and moved onto the colour stage

this was the first version of the colour palette i adjusted using the same display for the lightness adjustment where i changed the hues and saturation. i was intent of making the colours desaturated in line with the character and the story it is set in.

i then lined up the different variations of the colour palettes and look towards my peers to see what they liked the most which seemed as to be the 3rd one as the 1st one felt a little unatural and almost too evil kind of look. i wanted this character to have passion and a firey nature but not to the point of sadistic evil. so i feel the 3rd one balanced the red to yellow elements with the blue cloak and pauldron

this is the chosen colour palette

[ijustwant2write]

Hands-Benedict Bridgerton x Reader

(GIF credit to @imaginethisimaginethat​)

MASTERLIST

Summary: Hands are every artists worst nightmare, it’s always best to have a real model for help.

Characters: Benedict Bridgerton x Reader

Meanings: (Y/N)=Your name

Warnings: Fluff, fluff, fluff, slight smut

                                         *~*~*~*~*~*~*~*~*~*~*~* 

Benedict was frustrated as he crumpled up another piece of paper from his sketch book, angrily throwing it towards the bin, only for it to mock him as it bounced off the rim. He let out a big huff, staring the the blank book in his lap. He lightly tapped his pencil against his head, as if it would help him suddenly be able to draw. And what did he want to draw? A hand.

Hands seemed to be the bane of his existence when it came to his artwork. He couldn't understand why they were so hard to draw. How could he capture every emotion and bit of soul of a person when he drew a pair of eyes, but the hands he drew looked like a twisted and wilting tree? Perhaps he had been staring at the pages for too long, he thought, rubbing at his eyes.

"Benedict?" his wife's voice called out down the hall.

This instantly lifted his spirits, carelessly dropping the book and pencil onto the table before following the sound of his (Y/N)'s angelic voice. She was facing away from him when he spotted her, quickly approaching from behind and wrapping his arms around her torso. She squealed at first, startled at the gesture until she realised it was Benedict.

"You gave me a fright." she laughed, her eyes scrunching up and smile widening as he peppered kisses on her neck, it tickled.

He let go of her to spin her around, wanting to see her beautiful face."I'm sorry, I had to take the opportunity."

"I am only joking with you my love." she beamed."I have missed you today."

He leaned his head down, slowly kissing her."I have missed you more."

He took her hand, guiding her to the front room and to the lounger big enough for the two of them. (Y/N) was pulled into his chest as they snuggled up, feeling content now that they were reunited.

"How was your ladies lunch?" Benedict asked, pressing another gentle kiss to her head.

“It was lovely, darling. I haven't seen some of my friends in so long. Lily is getting married soon, we should be receiving invites any day, and I could not believe how big Fleur has become with child!"

"Isn't the baby due soon?"

"Yes, they believe it will be a boy."

Benedict's arm that was wrapped around her waist subconsciously made it's way to her stomach."Perhaps we too will be in the same situation in the near future."

"Only if we keep trying." she cheekily glanced up at him.

"We will try for as much and for as long as we like." he whispered into her ear, sending shudders down her spine.

(Y/N) took a shaky breath before speaking."Nothing else eventful happened today, just a group of women gossiping around tea and cakes."

"It still sounds like a nice day." he hadn't meant to sound so down.

"Oh, has something happened today?" (Y/N) sat up to look at him.

He smiled at her concern."No, nothing darling."

"Something is on your mind, or it was bothering you before I came home."

"You do make all my stress melt away."

"Enough with the sweet compliments my love. Tell me."

He looked at her, not wanting to take attention away from their blissful moment. It wasn't as if his problem was the end of the world, he was acting like a child if anything. However, his wife would only worry until he told her. He too sat up straighter, holding her hands.

"I just...got frustrated with how I drew today." he explained.

"Oh Ben," (Y/N) sadly smiled,"what were you struggling with?"

"I could not for the life of me draw a hand. Or even a finger. Or a fingernail!"

She brushed away some hair dangling in front of his forehead."I can understand why they are hard to draw."

"You do?"

"Well, everyone's hands are different. Some are small, some are big, there are thin ones where you can see the bones protruding, then there are those which you can't; people also have different nail lengths and shapes, and not to mention all of the life lines and any scarring or marks that may adorn them."

"Which explains why I was struggling."

"Practice can sometimes take time. What we're you copying from?"

He hesitated to answer."Memory. I looked at my own hands too but that didn't work."

"You needed a life model."

"Yes."

"Well now you have one."

"Hm?"

"Well who better to model for you than your own dear wife?"

They grinned at each other as (Y/N) stood, pulling Benedict to stand too. She quickly pecked his lips, then gestured for him to lead the way. He had a firm grip on her hand, hoping he wouldn't embarrass himself and would somewhat succeed at his next attempt.

(Y/N) noticed the pile of balled up paper in or surrounding the bin. She felt sad for a moment, knowing he was so passionate about his work and that this was just a tiny hurdle in his pursuit to artistry. (Y/N) pressed down on Benedict's shoulders, making him sit in the chair behind him. She handed him his book and pencil before pulling a chair up in front of him.

"How would you like me?"

Benedict smirked.

(Y/N) playfully rolled her eyes."My hands."

He had tried to hold back a laugh but couldn't. Although (Y/N) was also trying not to laugh, she let it out as she jokingly smacked him his his book.

"I'm sorry." Benedict only just managed to say.

The couple tried to calm themselves, becoming poised again. Benedict relaxed back into the chair, studying (Y/N) and how he thought she could help, yet his mind was still clouded by the suggested topic they had just laughed about.

"Rest your elbow on the table." he instructed. (Y/N) did so."Now lift your lower arm and just have a relaxed hand."

(Y/N) watched Benedict as he decided whether it was right or not. She had been holding in a breath until his pencil hit the paper, trying to relax into the pose. Why was she suddenly feeling hot under her dress? She could feel her skin burning, and it crept up from her chest, to her neck, to her face. It wasn't as if she hadn't been under his intense and alluring gaze before, especially in...other situations together, so why was her husband studying and drawing her so intimidating?

Benedict admittedly didn't want to draw his wife in that moment. He wanted something more to do with her body, not jot it down on a piece of paper. He noticed how she was slightly squirming in her seat, she couldn't hold eye contact for more than two seconds. She was flustered, exactly how he liked her; he liked knowing that he still had an effect on her, and she certainly did on him. Although he could have thrown the damn book across the room without a second thought, he wondered how long he could play this out for, even if it was painful for him too.

They both sat in complete silence, the scraping of the lead on the paper was the only sound in the room. Though Benedict could have sworn he heard (Y/N)'s breathing getting sharper.

"Is it going well my love?" her throat was unexpectedly dry.

"Yes. I think you were right, I just needed the right model." he proudly put down his pencil, turning around the book with a smile.

(Y/N) lowered her hand, smiling when she saw how well he had done."Oh Benedict! It's perfect, you had no need to doubt yourself."

"It's just like you said," he set down the book, leaning forward to once again hold her modelling hand,"every hand is different. I see these delicate hands everyday, and yet, there was so much I didn't know about them."

His fingers were slowly caressing her hand, tickling her as he ran his fingertips around it in no particular pattern.

"Hm?" she could only just make out.

"You have a freckle here that I did not notice. You have quite long life lines, if I were a palm reader, you would be receiving very good news. And your ring fits ever so perfectly onto your finger."

He placed a very tender kiss to her hand, and (Y/N) melted. As he raised his head, their faces were only just apart, which Benedict changed, kissing her just as gently as he had kissed her hand. His hand slipped to hold the back of her head, but there was no list or urge to start this, it was steady, it was almost teasing but in the best way possible. They couldn't deny that they had a burning love for one another, and they weren't afraid to show it.

"You are the most beautiful thing I have ever drawn and set eyes upon, (Y/N) Bridgerton." he breathed out.

"I love you."

"I love you." he stood, raising (Y/N) to her feet.

With hands tightly clasped again, they actually took their time walking to their chambers, gazing into each others eyes so much that it was a miracle they were walking in a straight line. This wasn't naughty, or sinful, or just a want, this was love, and love could be shown in the biggest and smallest gestures.

[clambuoyance]

do you have any methods for bodily proportions and making poses less stiff with drawing?

Ahshsjaja I’ve actually been super dissatisfied with my poses and proportions lately but I’ll try my best…

I guess first, I start with a sketch that I try to make sure has weight to it, if that makes sense (See how the blue line is not a straight line). Everyone has a different style and different characters will have different proportions, but generally I make the torso just a bit longer than the head, while each part of a limb is about the size of a head or less. My sketches are usually divided into: head with a cross to mark middle, collarbone area, torso, hips, arm and leg appendages, but for people trying to get better I suggest trying to look at more muscles/sections of the body

Also, I try to use shape language (but I need practice) so using a variety of squares, triangles, and circles helps make something more interesting. Like the character below is meant to give Square vibes

And as a general rule for adding dynamic elements and preventing stiffness is to avoid parallel lines. With parallel lines, the viewer’s eye is less likely to move around the pose/piece and thus less “dynamic”. It doesn’t have to be poses either, it can be the lines of the whole piece, or the lines of a single part of the pose like the arm.

And whenever you’re in doubt, use a reference! You can even trace over em to get an understanding of how the proportions should work, then try again on your own while adding your own artistic flair.

Anyways, I’m not a professional and there’s so much about this I could say, but for getting better at proportions look at real people and study them, and then look at your favorite artists to see how they push these proportions in interesting ways, and then try it yourself! Ofc, the most important thing though is to make sure you’re having fun 👍 hope this helped somewhat

[miss-bvnny]

It's my birthday so I can finally be cringe legally. So, here's some bits and pieces of something that I've been playing with off and on since about June. As I sit here and finish off the last of my birthday sushi, I ask myself what I'd regret more: NOT sharing something I'm admittedly proud to have slaved over played around with for the last few months, OR the fact that this basically spells out how I'm a LeFou stan. Oh well. There's only one way to find out.

''One evening, whilst being dragged along on a hunting trip with his self-absorbed meathead of a stepbrother, LeFou gets lost and ends up at a mysterious castle forgotten by time, hiding a secret far more mysterious and peculiar than anything anyone's seen before. But at the same time it is, in every way possible, a tale as old as time.''

There's a whole lotta words to be said about all of this junk, so I'll put it under a readmore for the convenience of all. Please don't be mean to me about my interests.

Sketches 1 and 2 - First (Left) and final (Right) pass of Beast!Nicole

I was very tense in life and about this entire idea when I first started to dip my toes into it, and that definitely translates into my first try at drawing Beast!Nicole. Much like the Beast in the original 1991 Disney classic that has luckily never been turned into an ugly abomination of a live action cash grab remake, I tried to mix several animals in her design. She's got the lower half and tail of a wolf, upper torso of a lion, and her head...where it gets messy. I've always loved the designs of the hyenas in The Lion King, so I drew inspiration from Shenzi for her neck and part of her head. Her mouth/muzzle however is based on some of those cursed photoshops of horses with wolf teeth:

I can remember I'd JUST come back from seeing a special showing of Kung Fu Panda 2 the morning I drew the very first one of Nicole, and I've always LOVED Boss Wolf. I think you can see just a BIT of inspiration from his body shape looking at her. It probably comes across a bit better in the final when I cleaned her up somewhat. I hate looking at that first one so much, actually. It's so unforgivably clunky. BUT I did get the hang of her with time, hence the second pass. Wanna know a fun fact? Those colors were originally just something I kinda slapped together as placeholders. But...I grew pretty attached to them, so they stayed. There is...almost a month between her initial test and her final, btw.

Sketch 2 - Expression test/me having some fun

Yeahhh there was a time when I had no idea how far I was gonna actually try and go with this stuff, so I just kinda...played with it. Beast!Nicole is a treat to draw, so I jumped at any excuse to sketch her. Where the Beast in the movie had to learn to be bit more of a gentleman and control his temper, Nicole is...prone to impatience and outbursts under extreme stress. In this AU, she was forced to take the throne at a young age after the death of the previous king and queen. Going from a teenager to a ruler almost overnight weighed heavily on her, and she's got a short fuse. The night o the party in which the enchantress cursed her was a result of her breaking down and not thinking. I know there's debate in some places about whether or not the enchantress was right to curse an 11 year old prince for denying entry to a stranger, so...I tried to make this version a bit more...ambiguous on who's at fault. Maybe Nicole was being hasty, and maybe the enchantress was wrong to condemn a teenager to Eternal Fursuit just for trying to abide by stranger danger rules. IDK.

Side note - I can't help but imagine that in her Beast form, Nicole sounds like April Winchell. Think prime angry Sylvia from Wander Over Yonder.

Sketch 3 - Smiledog.jpg ''And give him an elegant, ladylike smile!!''

I wanted her to be unsettling. LITERALLY so unsettling. She;s got a horse mouth with canine teeth, I can't imagine that puts a warm feeling in anyone's heart at all. I also just really wanted to redraw that smile scene as an excuse to draw a lot of teeth.

Remember how I said Nicole's got BAD trust issues? Most of that comes from the memory of having suitors, possible consorts, and foreign princes trying to woo and flirt. They were suffocating, and it left her with a lot of lasting bad impressions. Wouldn't call it outright sexism on her part, just...caution based on experience. To the point where the rest of the enchanted objects heard that only true love's kiss could break the spell and they all went ''Hahaha we are so fucked'' Took them forever to even begin to fathom the idea that this LeFou guy MIGHT maybe be the one to break it???

But...in the end, they work together because...they're not typical of what the world expects from them. In MY headcanon, which ignores and disowns any and all alleged ''Live action remakes from 2017'' that may or may not include ''Josh Gad'', LeFou is Gaston's yougner step brother. A headcanon, I might add, that was inspired by @wreckham and their Balto rewrite where Star is Steele's younger brother. What does that have to do with Gaston and LeFou? Well:

A weird hill to die on headcanon-wise, but I'll take it. Anyway, Nicole is a huge terrifying beast. A practical manifestation of how awkward and out of place she felt as a young princess trying so hard to fit into a role she ascended to before her time (Honestly, Nicole is just Twilight Sparkle's bookworm tendencies and lack of social skills mixed with the intimidating aura of Vitani and Sergeant Calhoun. Kiiiiind of a mess). She isn't small and lovely and fair like a young princess should be. MEANWHILE, LeFou is the young brother to the ''town hero'' and...that's kinda hard to measure up to. He's not the huge hulking man that's traditionally sought after. *COUGH* *COUGH*

They sort of...find a connection over this topic. Nicole likes him because he's nothing like the rich stuffed shirts that always flexed their looks and wealth to try and win her heart, and LeFou likes that she doesn't care if he's not a big and tough guy. Every Furry girlboss needs a short king.

Sketch 4 - ''THAT HURTS!!''

TBH the thing about this was...there WERE a few scenes I felt...REALLY obligated to try. The Ballroom scene WAS one of those, but unfortunately you won't see that one, since its over tumblr's photo size limit. Kinda happy about that, since it looks...less than great. Where was I? Oh yeah. Uhhhh this is one of my favorite scenes from the movie so I ABSOLUTELY wanted to give it a shot with these two. Sketches 4-6 are all drawn directly into screenshots from the movie because I was NOT about to try and redraw those backgrounds. God this movie is GORGEOUS but soooo intricate and i am only a little creature who scares easily. Also, I had OTHER things that were hard to draw that I was more focused on. Wanna know what those things were?! LEFOU. I don't know if I'm bad at diverse faces or maybe he's just genuinely a little tricky, but GOD I still have a hard time drawing him. Assume every sketch of LeFou here in this post took me three hours minimum. That's why most of these are of him and Nicole. My deal with myself was that if I at least gave him a good college try, I could ALSO have fun drawing Nicole, who is WAY easier. I mean I'm...getting a LITTLE better at him, but still. He was NOT east the first few times.

Nicole's snarly face in this one was so fun to draw. I looked at a lot of Nala during the chase scene with Pumbaa, and Sabor fighting Tarzan to get her teeth right. Hilariously, I also looked at Steele.

Sketch 5 - ''It's obvious there's a spark between them..''

''You are a strange sight

Some new kind of wonder

With good hidden under

I'm sure that it's true.''

A theme song??? Is for me??? Is for my silly little drawings???

Sketch 6 - Nicole's hour in the fursuit is over

THat's right I KEPT her in the dress for the final fight in this AU. Why??? I DON'T KNOW I wanted to. Maybe it was a reference to the ''running from a T Rex in high heels'' scene in Jurassic World. Maybe it was me trying to convey how Nicole has finally come to own the ''princess'' she never thought she could be. I DON'T KNOW. OH. and by the way. her dress is loosely inspired by the one @Johannathemad drew here

Sketch 7 - A most peculiar Mademoiselle

I was looking at these by @davidgilson and they were SO cute I....KINDA wanted to give something similar to it a shot. That tiny LeFou is going to make me fucking scream he is SO small

You guys wanna know a really embarrassing fact? So...LeFou is voiced by Jesse Corti, right? Who ALSO provided the signing voice for Charlie in All Dogs Go To Heaven 2. So....AHEM and COUGH maybe Ive been listening to these a lot while I draw LeFou and Nicole. What of it.

Um....that's all for now, but....Hopefully there might be some more on the horizon. I've been...kinda burnt out and tired as a result of some work drama lately, but...I have more sketches and ideas with this AU I'd like to do. It's been...really fun to play with, honestly. i had a GREAT birthday tho, and...I think it was more than appropriate that I shared this today <3