#you basically start the game with a boss fight

[kinghijinx22]

Why Silent Hill 3 is my big favorite- a terrifying horror game about woman's experiences and the fears that come from existing as a woman in a patriarchal society

Silent Hill 3 is probably my favorite Silent Hill game and one of my favorite games of all time, and it has a story and themes that I've always really vibed with. It tells a remarkably progressive story for it's time that handles some intense themes that are still relevant even today, about experiences that a lot of woman go through and the fears that come from existing as a woman in a patriarchal society, what it's like having your own agency and bodily autonomy taken away from you, forced pregnancy and sexual assault, how harmful patriarchal societies are and this game really getting into the religious flavor of patriarchy in particular.

It's an incredibly scary game that uses a feminine sort of horror to great effect, with the design of the other world being as bloody as it is and the monster designs being representative of this. I mean there is a type of creature that are literally supposed to look like fetuses that start getting bigger throughout the game as the birth of God draws near and the giant worm boss for lack of a better way of putting, literally being a giant penis. I think the main complaint that I hear from people about this game is how slow the story is in the first half of the game, but I think the whole getting home late at night as a young woman contributes a lot to what this game is saying. And I absolutely love how this game ends with Heather literally aborting God and fighting it as the final boss, symbolizing her fully taking control of her life and rejecting all of the harmful expectations that were forced onto her. Main antagonist Claudia is such a tragic character though, someone who was so brainwashed by town's religion into think that someone HAS to give birth to God so hard that she did it herself and she suffered for it.

Also while not as intentional considering when it was written and they probably couldn't even write about this stuff if they wanted to, something that I think is worth noting is that I've heard from a lot of trans people who relate to this game as well and I can really see it. Considering it's about people who Heather knows from a past life, coming back to remind her of that past life and forcing it onto her, and Claudia referring to Heather as Alessa could be interpreted as deadnaming Heather. But yeah I've always really loved and connected with this game for how well it handles it's themes about woman's experiences and I think it's really cool how many trans people have been able to relate to it with those specific experiences as well.

Another of my favorite things about Silent Hill 3 is the main character Heather, because she really is one of the coolest characters that I've always really related to. Her struggles are incredibly relatable, but she's also inspiring in how she overcomes them and is always so confident. In fact I appreciate how her and her father subvert societal gender roles in opposite directions, with Heather being as confident and extroverted as she is, probably more then any other Silent Hill protagonist and willing to stand up to all of the men in the story like Douglas in the beginning, Vincent and Leonard, along with all of the monsters she has to fight. And Harry being a single parent who is as gentle and caring as he is, with his one track mind of looking as his daughter, he's kind of both a father and a mother in that way, and also being as physically weak as he is and the opposite of a action hero. She also easily has the most personality of any Silent Hill protagonist, like this girl is overflowing with charisma and is even a little jokey. In fact another detail that I like is how much personality comes through in her examine dialogue, where you actually get to hear her thoughts on everything instead of just basic observation "this is a thing" that the other games in the series do. Heather has opinions on everything, but how she's feeling throughout the game is also conveyed. The dialogue of her observations in the first half of the game has a much more playful and hopeful tone to it, but after Harry dies she becomes much more pessimistic, can only see the negatives in everything and just doesn't seem to care anymore.

Heather is an incredibly well written and nuanced character, and I'll be honest that this is the game I least want to see be remade because I know that they would find a way to fuck up the writing of her character and handling of the themes of this game. Even after the Silent Hill 2 remake being as good as it is, one of Blooperteams biggest flaws is being incapable of handling anything to do with woman's experiences or perspective. SH2 used to be my fav, but I came to realize that it was mostly just because it was the popular one and that I vibe a lot more with SH3 and 4. Especially because SH2 tells a story about misogyny but makes it all about the perpetrator rather then the victim, unlike Silent Hill 3 which does actually tell the story of someone on the receiving end of that type of violence and objectification. SH3 and 4 are my personal favorites, 3 because Heather is best protagonist and I really appreciate it's themes which are handled perfectly, and SH4 because it has a really cool narrative and horror concepts. I know opinions on SH4 are really split, and while I think there are some gameplay things that are jank, I love it's story and premise so much.

[foxstens]

i’ve experienced three bosses so far and they were all really fucking cool

[what-is-it-to-be-pk-esque]

My partner finally finished BG3 but has no idea that his ending was actually bad cause he was a pro-Vlaakith githyanki who rode off with Lae'zel but got NO EPILOGUE where Withers points out y'all died im 😭😭😭

they have no idea what happened with Gale or anyone else (who was still alive) after flying away 🙃🙃🙃

[hecksupremechips]

re: udg reblog,

clearly the solution to “oh i love this but i don’t think anyone should play it” is to write a fic with only the good parts and none of the bad parts but then you have this big empty space where the bad parts were so you just make something up that seems vaguely believable

that seems like a normal thing normal people do right?

RIGHT?

It’s always correct and totally won’t ever lead to agony as you look at the canon and scream because my god how are you supposed to salvage something this stupid why are you doing this you used to be so normal and not care oh god why does attacking the little girl make her pants fly off oh god why is delta a character

[designernishiki]

well. finished yakuza 5.

[girlbob-boypants]

If I had to describe D2's multiplayer design I would say it's "intentionally designed to create hateful people and only the fact that sometimes people are nice changes that"

[daylighteclipsed]

Ohh you only get 3 HP in the cuphead game fights because porcelain breaks super easily…

[vounoura]

assuming they're not gonna pull a hard left turn out of nowhere again like in DD1 (tho I would really enjoy it if they did), but if they play the whole 'fated to fight the dragon' thing straight in this one I'll be a little disappointed

[thehumanwiki]

hi and welcome to

✨bullshit that has ACTUALLY happened somewhere in the Pokémon franchise✨

-a teenaged boy runs away from home because of his abusive mom only to join a crime gang funded by his abusive mom.

-the player character is given a smartphone by and with direct contact to God.

-a man cosplaying God (the same God you got a phone from) attacks you with a demon banished to another dimension.

-a suicide cult led by an evil snowflake kills like one hundred other protagonists.

-there is an entire elemental typing consisting of abused and evil Pokémon that is super effective against everything else.

-the player falls into an alternate world and one of their friends is immediately arrested for playing sports.

-in the thrilling sequel, a bunch of ghosts kidnap children in their amusement park in the Shadow Realm.

-now that I think about it there are like three different games where the player character starts by falling from the sky.

-the protagonist of the TV adaptation has died like seven times, been crucified in Paris, watched several apocalypses, and has watched SO many people die in front of him, and I don’t think he’s brought it up like, ever.

-in one game, you can go on a crusade to brutally conquer the entire continent.

-the player of one game is part of a time loop caused by a magic turtle that indirectly kills one of their friend’s mother. Or father. Depends on the version.

-the player’s adoptive father is possessed by the personification of hate and sends them directly to Hell, then tries to do it again when they get out.

-the mafia’s plan for getting their boss back after he left is to violently hijack a radio station and ask really nicely.

-a space agency’s plan for stopping a meteor form colliding with the earth is to open a wormhole to another dimension. this plan is stopped by a woman in a torn cape who destroys their equipment and robs them.

-the protagonist’s father had a godlike clone fuse his consciousness with a mouse, and fights a man who fused his own consciousness with an alien.

-the one a cult leader chose to be king of his new religion is an abused autistic boy with green hair and wearing a baseball cap.

-you literally rob people’s Pokémon in one game and you’re still the good guy. …is there a gender neutral version of “good guy?”

And now for a BONUS ROUND!

✨shit that has gone down in the Pokémon manga adaptation alone!✨

-terrorists blow up an ENTIRE port city!

-one protagonist spent two years trapped in a Dream Realm™.

-you think that’s bad? TWO protagonists are trapped in the depths of space for like six months!

-you think THAT’S bad?! FIVE protagonists are turned into stone for an indefinite time period!

-a little orphan girl is hypnotized and trapped in a suit of armor.

-they crucify the gym leaders???

-one boy is whipped in the face with a chain used to subjugate the Gods Of Time And Space and he’s literally fine.

-a father punches his son in the face and hurls him down a staircase. The American translation censors this as a lightning strike.

-this same son fell into the ocean because of an earthquake like five chapters after he was introduced.

-one of the current protagonists is basically Wednesday Addams.

-two protagonists were kidnapped by birds and raised by a supervillain.

-two villains try to destroy the environment of an entire country, cause an apocalypse, and are stopped by being trapped in a flying car which crashes.

-a mysterious supervillain saves them— SOMEHOW— and makes them fight to the death for a suit of armor. The one that survives causes the apocalypse AGAIN but dies.

-they both get brought back from Hell to save the world, and after that’s over, they turn to dust and go back to Hell.

-the supervillain who saved them the first time also summons like ten gods and dips out, never to be seen again.

In other words Pokémon is weird (affectionate).

[inbarfink]

Any analysis of how Undertale deals with Pacifism and how it tries to guide the Player towards it has to take a deep look at Papyrus. Because Papyrus is the one character in the game who will never kill, the one actual ‘True Pacifist’ in the game’s main cast. 

I mean, the Player can be an even bigger Pacifist. Papyrus does still FIGHT, and the Player can get through an entire run without draining a single sliver of HP. But… they can also be the world’s biggest murderbastard and literally stab reality to death. 

Toriel would very much like to not kill, but she is also fully capable of doing so.

Same with Asgore, but he has a lot more actual blood on his hands. Undyne and Mettaton are both fully 100% willing to kill to accomplish their goals. Sans is non-violent in most runs because he’s too lazy and depressed to do anything, and when he is motivated into actions - it is in the form of a FIGHT to the death. Alphys… the timeline is a bit fuzzy cause both she and Mettaton love lying so much, but it seems like she did sincerely add deadly weapons to Mettaton cause killing humans would make him more 'useful' and then had second thoughts once she developed a parasocial relationship with the Human Child and THEN she and Mettaton started hatching their little play-acting plan. I think??

With Papyrus there is NONE of this ambiguity, we know for sure - no matter what timeline or what may come - The Great Papyrus will always choose MERCY.

And the interesting thing about that is on a Meta-Sense, Papyrus is a very rare example of the game giving MERCY towards the Player. 

Because the game starts out being really obtuse with the Sparing mechanic and how it works. If you want to be a Pacifist in Undertale from the get-go, you’re gonna have to work for it. You're gonna have to figure it out on your own and commit to it and believe that it's possible. It's basically a test of your own belief in non-violence and your moral integrity. Then, the RUINS end with the Toriel boss battle - in a way, that’s probably the hardest Sparing puzzle in the whole game. And it’s very very easy to accidentally kill her. (I’d almost say that’s the intention of the battle, to try to goad the Player into Resetting so they can see how the game remembers across RESETs)

And then we have Papyrus, and it’s not just that his ‘Sparing Puzzle’ is something as simple as outlasting him and letting him run out of dialogue - and it’s not just that he’s the only boss that will just give up and let you continue if you lose to him enough times. it’s also that, just as Papyrus is the only boss incapable of accidentally killing the Player - he’s also the only boss that the player is incapable of accidentally killing.

(Okay, fine, to be pedantic, there’s also Asgore)

I mean, the Player can certainly kill him if they want to - but draining Papyrus’s HP just makes him skip through his battle dialogue right to the end of it. It’s designed in such a way that, no matter what Route you're on and no matter what approach you take with Papyrus - you will always end up on this screen.

Unlike basically any other Monster in this game, including the major boss battle just before him - you can’t kill Papyrus accidently. You can't kill him without also having Sparing him as an option. The game kinda treats killing Papyrus as one of the Worst Things You Can Do because killing Papyrus will always be a deliberate, considered action done to a person who will not kill you and who has stopped wanting to FIGHT and has extended a hand of Mercy. With the game clearly communicating what you need to do to Spare him at that moment.

And that means that - even if you killed before, even if you don’t have the patience of a True Pacifist, even if you spent all this time in the game without even trying to engage with the Sparing mechanic… as long as you don’t want to be a Huge Rat Bastard, the game is basically gifting you with the very very easy option to not be. Being a Pacifist in Undertale is usually a challenge - a puzzle to be solved, a test to pass. But as long as you aren’t intentionally trying to be the Worst Person - the game is basically giving you Papyrus. 

If you accept his Mercy, you are accepting the game’s Mercy. That sort of benefit-of-the-doubt assumption that maybe all of the LOVE you might have accumulated so far was all due to honest mistakes or panic or an attempt in self-defense. That you still deserve this one chance to prove that you are not intentionally, maliciously cruel - or at least not like the Worst Person in the World. Even if you did kill before, you still deserve at least one friend.

And Sparing Papyrus leads you to his wonderful Hangout/Dating Sequence and to his Phone Calls and they all add so much wholesome charm to the Undertale experience and no matter what happens Papyrus will always think the best of the Player and he will always trust them and it also makes Sans also kinda your buddy by default. And more than just adding a little bit of wholesome charm into even the more LOVE-filled Playthroughs, I think this is meant to try and incentivize these players into trying out the Mercy mechanic a bit more.

Whatever it’s, like, for future playthroughs or Resetting the game right there to try a True Pacifist Run right there and then or just trying to be a little kinder for the rest of this current playthrough - especially since there’s an emphasis about the close friendship Papyrus has with the upcoming boss Undyne, and to a lesser extent with his idol and next-next boss battle Mettaton. It’s like “well, if you didn’t figure out how to spare before, this is how you do it? And isn’t it nice to have a friend? Isn’t it nice to not have to kill this lovable skeleton man? You should do this more often wink wink nudge nudge!”

And it’s like… all of Papyrus’ loved ones care about him so much but they also look down on his pacifism. They see his inability to kill and desire to make friends as simple naivete and that’s why all tend to hide the truth from him all the time. About what will happen to the Human he will capture, about what his new Human friend might’ve done, about the fact that they view him as so naïve. 

They admire it on some level, that’s why they want to protect it, but they also see it as a weakness which is why they want to protect it by lying to him all the time. But, you know, Undyne says that if Papyrus goes into battle he’ll be ‘ripped into little smiling shreds’ and that is certainly what happens every time a Player chooses to refuse Papyrus’ Mercy and the game’s Mercy and press that FIGHT button…

But have you thought about all the times that doesn’t happen? All the careless or violent players who were offered that skeletal hand of friendship, accepted it and then carried that offered kindness forward for the rest of the game? All the players motivated to do good for the sake of their buddy Papyrus? All the Murder Routes stopped because the player just didn’t have it in them to kill someone who believes in them so earnestly?

Like, no, it’s not a surefire thing - especially since Papyrus has so much less narrative power than the Actual Unkillable Time God that is the Player. But it happened, and it happened many many times to many players. Papyrus offered Mercy, the game offered Mercy. And much like Frisk’s Pacifism, it comes from a place of seeing the honest goodness in your ‘enemy’ and can inspire them to become a better person - this little sparkle of goodness being passed forwards. 

And I think that’s beautiful, even if it didn’t happen in every timeline. Any potential future where Papyrus’ kindness can have such an effect on the Player and thus the entire trajectory of the Underground validates his kindness and pacifism on some level - even if there are also always the potential worlds that it backfires completely. 

And there’s also one other way in which the Great Papyrus Proves Pacifism Pays. One that is a bit more practical, perhaps. And one that Papyrus himself is not even aware of. 

Papyrus’ boss battle can be a surprisingly challenging one specifically because he is the only one who doesn’t kill the Player.

Like there is a reason why Papyrus will just offer you to skip his Fight after you lose to him three times, because if he didn’t do that - there’s an honest risk that the Player can get stuck in a much stuckier way than anywhere else in the game. 

Because, like, for basically any other character in the game, being killed is the Worst Thing that could ever happen to them. For everyone except the actual Player Character because we are an Actual Unkillable Time God and dying is nothing more than a minor annoyance that sets you back to your last SAVE Point. So, leaving aside Papyrus’ admirably kind intentions - there is not much material difference from the Player’s perspective between getting Captured and getting a more traditional GAME OVER. Except…

Except getting Captured does not undo everything that happened in your inventory during the battle. In every other Undertale battle, if you use all of your items but still lose - the GAME OVER at least means you get your stuff back. But because Papyrus doesn’t kill you, any healing item you’ve used during the battle is still used. I have watched so many Undertale Let’s Players waste all of their valuable items on their first Papyrus battle and then have to face him again without them and thus do even worse in their second go… and then their third go... and thankfully then Papyrus offers them to skip the fight.

And while that technically can be circumvented by just manually closing the game and opening it back again on their pre-battle SAVE Point, a lot of players are gonna reflexively Save over it if they pop over to the Shop or the Snowed Inn before their second attempt at the battle. If Papyrus didn’t offer that chance to skip his battle, it could’ve easily become a softlock situation for a huge chunk of players - because he doesn’t kill the Player.

Most of Undertale deals with the value of non-violence from a standpoint of morality and kindness and personal connections. Since most people do die when they get killed. But when dealing with an Unkillable Time God like the Player, Papyrus proves that not-killing might actually be the most practical solution.

Of course, it doesn’t seem like Papyrus is aware of any of this. From his perspective, he is just offering genuine mercy to a being just as ephemeral as he is. But it accidentally turned into one of the most effective methods of blocking the Player’s way… at least he didn’t offer us an opt out so soon after that. 

And it’s interesting when comparing him to how his brother Sans - one of the few people actually aware of the existence of SAVEs and RESETs - deals with the Player. Because the Sans boss battle at the end of the Murder Route is entirely based on the concept that death is nothing but an annoyance to the Player. Sans is less trying to kill the Player (the way Undyne the Undying did), he is simply trying to annoy the Player into a ragequit. But he is still killing the Player.

Now imagine a Sans battle where he has all of his usual annoying tricks, but also instead of killing you - he captures you just like his brother would’ve in a happier timeline. And while it’s not a fool-proof plan to stop the Player in their tracks - he could very easily stick them in that sort of softlock situation where they have to battle him again and again without any Healing Items. Forcing them to either abandon the game or RESET the whole world back the way it was - just like Sans wants them too. 

But instead, by killing the Player, he is just allowing that perfect second-third-fourth-fifth-sixth-try where they get all of their Stuff back. And he does actually knows that. And why doesn’t he do that? (Speaking here from an in-universe character study perspective. Obviously the Doylist answer is that the game doesn’t want to Softlock you even in the most deliberately-frustrating part of the game).

Maybe, even though he intellectually knows that killing the Player will be of no help - he still does it because he wants to. Because he just wants to get back at the evil murderous monster that took his brother from him and destroyed his entire world even if he knows it’s actually ineffective. And this thirst for bloodshed is, ironically, blinding him from a new exciting way to actually practically stop that murderous bastard who is themself motivated entirely by bloodshed. 

Maybe he just can’t do something like that. Reducing an enemy to exactly one HP and then stopping is not a feat anyone else in the game is capable of pulling off - even the ones who would obviously use such a thing (like Toriel or a Player with a Pacifist intentions). Maybe it’s something that requires a lot of hard practice and discipline and carefulness, that Sans never thought to put in because he didn’t see it as a useful skill the way Papyrus did. 

Maybe that wouldn’t have worked anyways. After all, and that’s something I kinda touched on in a previous Overly Long Rambly Hot Take - Sans’ War of Attrition against the Player is greatly helped by the fact he can’t remember every single previous try and so he can’t get exhausted the way the Player can get. Obviously, without a GAME OVER induced RESET that will not apply. Which is especially notable because… Sans’ laziness is literally what brings him down at the end of that Boss Battle. 

So maybe, while Papyrus, as long as you decline his offer to skip the battle, is capable of offering just the same Battle as before over and over and over again.... It’s possible that Sans just won’t be able to pull off two or three or more battles of the same intensity and difficulty in a row without a RESET to undo his own exhaustion. 

But I think it’s at least worth considering the option, y’know? That after all this time of viewing Papyrus’ kindness as sweet-and-yet-kinda-foolish-naïveté - that exact viewpoint made Sans overlook the perfect solution to dealing with his little Murderous Time God problem. Cause he just never considered that while killing might be fully morally justifiable in this situation and very very satisfying, that does not necessarily mean it is actually the most practical solution. And that maybe, in a weirdly twisted way, Pacifism WAS the answer.  

[yandereforme]

Yan Batfam x Singer! Single mom! Martha lookalike! Reader

( I know it’s a lot but they are all important to the plot)

Part 1:Beginnings and first encounters

You are Bruce’s bio daughter. Your mom, who didn’t know who the father of her kid was, gave you up to your aunt to be raised by them, but you didn’t know until your adoptive parent’s funeral that you weren’t their biological daughter. You had twins recently with a shitty ex of yours who you broke up with not long before the funeral after he tried to hurt your daughter for crying.

After the funeral, where you learn that your bio mom wasn’t sure who your bio dad was, but that she knew he lived in Gotham, you decide to move to Gotham. In part due to your biological father, in part due to avoiding your ex(who had refused to be listed on the birth certificate since you gave birth during a break in your relationship), and in part due to the basically free house your bio mom had owned in Gotham. So, you moved with the twins to an abandoned, slightly dilapidated house just outside of Crime Alley, and got yourself to work.

You got a job at the Ice berg Lounge, in part due to there being an opening, and in part due to you helping two women who worked there who apparently worked right under Mr. Cobblepot?

You quickly got a reputation as a singer with a knack for knowing just what song fit a customer. It was a bit of a game between you and the other workers, where they would point out a person and you would sing a song based on their vibes. You always managed your hit home with your songs, leading to you becoming one of the most popular performers at the Iceberg Lounge.

That’s what leads to Red Hood coming in one night. He had heard about you from a few of his men, and wanted to know what all the hype was about.(This take place after the Red Hood arc, where he has already been established as a crime boss and the Batfamily know his identity, but he hasn’t made up with any of them)

Cobblepot asked you to sing a song for Red, and pointed him out to you. You knew who he was, you were just outside his area, and honestly you kind of liked what he was doing for the community, so you were willing to preform, even offering to sing two songs about him(something you had only done a few times with regulars who you really liked.

Jason accepted. You started off with You’re Gonna Go Far, Kid by The Offspring. You didn’t usually do a lot of rock songs, but that song resonated with you when you looked at him.(Jason loved the song. It was angry but fighting music, and your voice was really good. He understood why so many of his men praised your music(he just couldn’t understand why you looked so familiar))

The next song was different. You didn’t usually sing two songs, and the few times you did, people tended to vary reactions, from shock to anger to accidentally setting off a break down. But you had promised. You just hoped Red Hood wouldn’t hate you for the next song(you didn’t understand why it felt so right to sing the next song, when it didn’t seem like a Red Hood song, but you didn’t want to question it now.)

Then, you sang Good for you by Olivia Rodrigo, and everyone froze. (Jason didn’t know how you knew this anger of his. How did you know how he felt about Bruce replacing him? How did you know?) No one understood the song, especially when the recipient was a murderous crime boss, but they didn’t interrupt.

After you finished the song, you looked at Red Hood. He was sitting ramrod straight. You couldn’t see his face, but his posture was very tense. Slowly, he stood up, and walked to the stage. You didn’t know what you expected, but it wasn’t for him to drop $200 in your tip jar, and leave without a word.(Jason’s head was spinning. The green wasn’t invading, but it surrounded the edges of his vision. He needed to leave. He had to come back again, probably as a civilian, but for now, he needed to leave.)

After that, you got even more visitors, and a raise in your salary. You even made a new friend, Jason, and you were even starting to consider sending your kids to daycare instead of a baby sitter(you wouldn’t do that. You liked your arrangement with the street kids, where you would pay them in food and cash to watch your kids during the day. You liked taking care of them, but they needed to feel like they were doing stuff for you, so you didn’t make a fuss.)

Then, the Joker got out of Arkham.

Edit: I hope you guys enjoy this. This will probably be a series. I’ve had this idea for ages but never got around to it before now. This isn’t related to my Bruce or Jason series, which I will do, but I just wanted to finally put the on here. Please comment any suggestions for the kids names, or what you want to see next!

[im-totally-not-an-alien-2]

It started back when he was 16.

His parents found out about him and Vlad thanks to the fruitloop being an idiot and practically outing them both. Danny was so lucky that he had planned for a situation like this. He had go-bags ready with a few changes of clothes, a thermos, some weapons, a star projector, lots of money from Sam and enough medical supplies to make a hospital jealous.

It was a good thing too, after crippling the GIW and destroying all the gear they and the Fentons had they destroyed their research and everything ghost related. Vlad at this point was already dead so he wasn't much of a concern.

Dannys had landed in an alley in a new dimension, only problem now was the parting shot his mother gave him on his back. Due to the placement of it Danny couldn't reach to treat it properly and he didn't know anyone in this dimension who could help him.

Thats when his ghost sense went off. He groaned, hoping he wouldn't have to fight a new ghost in this state when a man in a red helmet (Mask?) walked up to him and motioned for peace.

"I'm not going to hurt you." The man said gently, "I just wanna look at that injury, maybe help."

Danny stared at him. He didn't feel anything off about the guy and Danny prided himself on being a good judge of character. "Okay." He scooted himself around so his back was exposed to the stranger.

"Wow, you're really not from around here." Danny stiffened, had he been tricked? The man made no moves to hurt him, just got to work tending to his wound. The man was swift, and aside from the slight sting of an ointment he didn't recognize there was no pain at all.

Once Danny was all patched up the guy made to leave, "Wait!" Danny called out and the man halted, "Who are you?" The man turned his head to look back at him, still facing away from him, "Red Hood."

As it turned out, Red Hood was the new up and coming crime lord who everyone was talking about. He came seemingly out of nowhere and was making a lot of waves in Gothams underbelly. Gotham...so this was Dannys new haunt.

Danny wanted to protect it but...he wanted to protect Red Hood even more. So when he heard about Red Hood forming a gang he made a decision. He gathered up materials to make his own supervillian outfit- basically an all black outfit with a long hooded coat and combat boots- and to add the finishing touch he put on a all white gas mask that he had made himself, complete with a voice modulator, night vision, heat vision, etc. If Hood ever wanted him to prove it was him he could make his mask glow using his ghost powers. Not that it was needed. Hood seemed to be able to sense him in a similar way that Danny could but in a much much smaller range.

With that being said, hoods men didn't trust him at first, which was fair considering he just started randomly appearing at their operations and helping them out...by force usually. They weren't sure what to make of him but Danny didn't want to go through the usual goon enlistment process as Hood would want to know his name and face and everything else and Phantom was...well a phantom.

Danny liked to hide, even in plain sight. He couldn't deny the little game of cat and mouse they had was fun. Hood would try to follow him home or track him or get him to take off the mask and Phantom would dodge his attempts every time.

It took a while, but Red Hood did eventually come to trust him, going so far as to make Danny his right hand man after 3 years of working together, though that may also be because he had rarely failed any of the tasks Hood had given him.

Maybe thats why he never told any of the bats about him. He had picked up that there was something between Hood and the bats but he never could figure out what it was without prying into his bosses personal life. Still, it was rather shocking when Red Hood showed up one day with a large red bat symbol splayed across his chest.

It also made him look at how freaking chiseled his boss was. He couldn't count how many times he had to drag his eyes away from his abs and chastise himself for thinking that way.

Danny was in love with a man whos face he would never see. But that was fine. He was happier standing by this man's side and yearning than he ever was back in Amity and it wasn't like Hood knew his face or name either.

-----------

He felt like a halfa though an incomplete one. He had a core but it felt hollow, like the soul was forcibly removed somehow and only emotions remained. Hood gained a bad reputation for flying into a monstrous rage but was always calm when Danny was near, a fact that even Red Hood himself seemed to pick up on.

Hood began to fall for his second in command pretty quickly, always trying to feed him and take care of him (as is his love language) while Danny was openly obsessed with assuring Hoods safety and well being even going so far as to use his powers (that no one knows about) to overshadow a computer and hack into the bats systems to make sure Hood was okay after a prolonged period of him being MIA.

The bats are freaked but Danny being Danny gets lucky and they always seem to miss his trail by a hair. Lucky ghost.

Things start going sideways when Fenton tech starts showing up in this new dimension only for Danny to find out his parents have remade the portal and are looking for him. The bats are being hunted by his parents and and the now rogue government agency the GIW. Danny tries to explain things to Hood without compromising his own secrets but once the newest Robin gets captured and Hood freaks Danny puts everything on the line to go rescue the stabby bird.

[charaznablescanontoyota]

"marn i missed sgdq 2024 what should i watch"

hi i decided i'm doing another one of these. it's been a minute. this past week was summer games done quick, an annual speedrunning marathon raising money for doctors without borders and also a great way to get into watching speedrunning. a lot of their content is tailored towards being both clearly explained and fun to watch for an audience outside the speedrun community, so you can jump in with basically no knowledge besides “this person is gonna play a game really fast”.

gdq has the full week's worth of vods up as a playlist on their channel, but here are some runs that i personally think you should check out:

ken griffy jr presents mlb by peanut butter the dog: look it's a dog playing baseball. i don't know what else to tell you.

the entire silly block: speedrunners get up way too early in the morning/late at night to play games that feel like a fever dream. some of the commentators are going on 24 hours of no sleep. it's brilliant. my personal highlights of what i've seen so far are stuart little 2, mad panic coaster, city bus simulator race, and the golf it wrong hole only race that the players dressed up as golfers for

alan wake 2 alan%: alan wake clips through walls and generally has a bad time while a bunch of gamers call him a sopping wet catboy. the runner for this one is really charismatic and it's very funny to see staff rushing to open up the pit as soon as we sing starts (yes they do the dance of course they do the dance). i just love joyful runs of horror games man

super mario 64 blindfolded randomizer: what if you played mario 64 blindfolded and also the stars were in completely random locations. and also you had to do it very very fast.

kingdom hearts 2 critical any%: every kh2 speedrun i've ever seen is a work of art and this one is no different. some of the boss fights go down so fast you will literally miss them if you look away for a minute. and also two of my favorite runners are on couch commentary!

balatro showcase: genuinely made me rethink how i'm playing some of the balatro decks. also great commentary and just fun all around despite (or perhaps partially because of) the absolute struggle session going on with plasma deck in the beginning

super mario world kaizo relay: kaizo is a shorthand term for a game hacked to its absolute limits of difficulty that often requires strict precision of movement and can punish the player for thinking they're smarter than it. in this segment, two teams of 4 very very good mario runners race to complete 8 kaizo levels they've never seen before in their lives

mario maker 2 troll level race: i always like the mario maker races for the same reason i like the kaizo relays. i love watching two speedrunners thrown blindly into the shit have to make up strategies on the fly via trial and error (and error, and error, and error, and...)

kirby air ride race: two high level kirby air ride speedrunners race for an actual physical title belt. the trash talk game happening here is of the insane variety that only two very skilled people who truly respect each others' talents at their game of choice can provide

kaizo mario galaxy: what if mario galaxy hated you even more than usual and would stop at nothing to kill you. also most of the commentators are only familiar with the vanilla game and their reactions to the added-in bullshit are hysterical

tony hawk pro skater 1, 2, 3, and 4: i fell asleep watching this and woke up in a cold sweat to the sound of a bunch of people singing superman by goldfinger. good run

super mario rpg remake: this was the finale block and it's just great to see a bunch of people who really really love the original mario rpg get to hang out and talk about how good it is and also watch a world record level player absolutely stunt on the game

halo 3 four-player co-op legendary: dudes rock

[sunaluv]

hey!!! big big fan! your writing is amazing!

what if you did a you should come get your man but instead make it ‘you should come get your reader’

i just want to see characters get jealous basically lol. hope you’re doing well !!

🗣️getting rid of my drafts, drop some more prompts in my inbox.

Pairings: kaiser, reo

———————

KAISER

as the game ended and the fans started to filter out of the stadium, you hung back waiting for your boyfriend. now that the seating area was almost empty, kaiser could finally talk to you.

he called out to you as he jogged over. “did you enjoy the game, my love?” you took his outstretched hand and climbed onto the field.

“of course I did,” you swung your interlocked hands. “you were amazing as per usual.”

the two of you chatted aimlessly, walking around the field as kaiser started to come down from his post-game high.

"alright, I'm gonna go freshen up and get my stuff," he kissed the back of your hand. "wait for me?"

you nodded, eyeing the man as he vanished down the hall.

"i can feel you staring!" he called without looking back, making you chuckle.

deciding to be useful, you gathered kaisers left belongings off the bench and started to make your way towards the stadium exit.

"you kaiser's girl?" a voice from behind you.

startled, you turned around to see a guy dressed in the ubers uniform. you don't recognise him and you've met all your boyfriend's teammates, so you deduced that this guy is probably a rookie in training.

"that's me," you smiled politely, "can i help you with anything?"

"you sure can help me with something," he smirked, rubbing his chin. "for starters, you can tell me how that egomaniac managed to bag a gorgeous girl like yourself,"

how he managed to both complement you and diss you (indirectly) you found quite fascinating, but you weren't having any of it.

"he was a real sweetheart." emphasis on the sweetheart. "I'm sure if you use a more friendly approach you can get whoever it is your looking for."

the guy clearly didn't seem to get the hint. "so you're into nice guys, huh. why are ya' with michael then. guy's an ass."

"'guy' also thinks you should show a little more respect to your superiors, rookie."

smirking, you turned around to find your knight in shining armour eyeing the rookie with a smirk.

"my fault boss," his attitude was nonchalant. "keep a tight leash on this one though, or else i might get tempted again."

he smirked, trying to barge shoulders with kaiser as he passed, grunting under his breath when he didn't move an inch.

"you should go fight him, defend my honour." you nudged his side once he was out of earshot.

he chortled loudly, "you're such an instigator, I'm not fighting him."

"you'll do it if you love me?" you questioned blinking up at him with innocent eyes. the things you would do you see michael throw hands with someone.

his big hand pushed your face away from him. "ill do you one better and make his training with the ubers unbearable, how does that sound, hmmmm?"

a pout formed on your lips as you sighed. "...ill take it i guess."

REO

the clock has just passed midnight, but the party your boyfriend had invited you to was at its peak. enjoying the buzz of the alcohol that was once in your empty glass, you headed over to the bar.

"hey," you flagged the bartender down, "could i get a refill on this please?

the neon blue lights of the bar made the sparkle in his eye more evident when he caught sight of you.

"whatever the pretty lady wants," he brushed his fingers against yours when taking your glass. "what can i do for you?"

the brief contact and the intense eye contact quickly fought off the oncoming buzz. "the pretty lady is taken, but she is willing to forget about this if she could get a pornstar?" you offered.

"oh you can get a pornstar alright," he winked. "give me a sec, sweetheart."

alarm bells rang in your head as his back was towards you, meaning your glass was out of sight.

there was no way in hell you were gonna drink whatever he put in front of you.

he returned a short while after, sliding your drink across the bar.

"you know, if you wanted, i could give you another pornstar you'll really enjoy." he pulled back your glass when you reached out for it.

"no thanks. boyfriend." your smile came tight and fake.

"come onnnn, princess," he smiled wider. "aren't you having so much fun at this party? spend the night with me and i can make sure you can get into all the exclusive parties you want."

"she'll pass." came mikage's voice from your side. he wrapped an arm around you, in an attempt to smooth your tense muscles as he dragged the glass back over with two fingers.

the bartender's face hardened, "the lady can speak for herself, thanks bro."

"m' not your bro." reo's brows furrowed. "you're making my girl uncomfortable, did you put anything in her drink?"

the guy shook his head wordlessly, prompting reo to sip the glass.

"wait, what if-"

"don't worry, sweetheart," his hand dropped to stroke your thigh comfortingly. "it's clean, but I'm sorry this happened to you. i should've noticed sooner."

you relaxed with his touch, "it's not your fault, reo. sometimes people can't handle rejection."

"i'm right here ya know?"

two pairs of eyes stared the guy down, one neutral, one daring.

rolling his eyes, mikage turned to face the guy. "between you and me, you might need to find another bribe to pull ladies with because i can tell you now this will be the last gig you'll ever do."

the guy gulped under reo's intense gaze.

"alright man, in understand the ladys' taken, you don't need to go threatening my job."

"you threatened your won job once you tried it with her,"

you placed a hand on his arm as a reminder to be rational.

"i'm sorry baby," he pecked your forehead. "you ready to go home?"

you nodded.

[oflorelei]

My Problem is:

That it's a let down. Listen I am not mad or horrible dissapointed over that Radahn is there (although sigh i wished we would have gotten that Age of Abundance/Compassion man). I am not mad that he is apparently a puppets and that miquella is apparently the villain from the shadows. I'm mad that they hyped this DLC up so hard, using Miquella's character, which they know to be shrouded in mystery and HYPE, made it appear that we may have the chance to join him/get betrayed by him, made people belief he SPECIFALLY seeks out the tarnished or multiple tarnished at once (to help him?)- that he is the central figure of this DLC when he is not. And thats not an underestimation.

Miquella, most fearsome of the Empyreans, the 'father' of the Halligtree, beloved by near all, who "[...]wields love to shrive clean the hearts of men. (There is nothing more terrifying.)" - does not even have his own bossfight.

No, he is basically just a cape for a boss we already fought to a DLC that costs 40€. He is in the promotion arc, he is said to be a central figure, he is said to be the fearsome empyrean of all. One thing he isnt? Apparently worth the time of day.

I am ok with Miquella being turned into a villain, I am not ok with Miquella being turned into a joke.

There were so so many roads they could have taken with him, he was PROMISING in every regard.

Want to make him a Villain? Fine the reason can be:

=> Manipulation/Enchanting for people to love him (to ensure someone will always look out for him)

-not absolutely evil per say- and it makes sense that someone who is stuck in the body of a child might want to count on many people rather then one person to protect them = it is his weapon to wield affection

- still takes away free will, even consent to some degree

=> Formless mothers influence

- do i even need to explain this one lmao

- already thousands of theories before this DLC thought that miquella might have been negatively influenced by her- especially when so many things in this Game revolve around blood and the power of it

=> "for the greater good" ahh ending

- 'the means justify the end' mentality (maybe even allign with the manipulation and enchanting)

-would be a similar situation to ranni and could mirror it- not the best but also not horrible

=> St. Trina is Miquella's Radagon

- Miquella splitting slowly with the golden order & turning his back to the easier path & planning behind the shadows to change how Things have been? Yeah maybe St. Trina could have been to Miquella what Radagon was to Marika (a guard dog, keeping her checked (sry but i genuinely believe Radagon returned bc Marika started to stray)).

-could also have explored how marika had to deal with it & her relationship to her other self => player could maybe decide who they wished to serve

=> the curse drives mad

- being stuck in the body of a child when you are a grown adult mentally is pure eldritch horror imo, it is not only physically but chances are high it could cause deeper psychological issues

- when grief drove marika mad it can drive miquella mad to that despite everything he does, being so prodigal, does not help and helplessness of it all too

- bc no one can help and no one can understand him

- he is stuck in a body that is his, and yet its the body of a past him, something he should have outgrown, something that belongs to the past- and (IMO) he can not fight truly in his body, not even to defend himself- having to constantly rely on people for your protection when you are an incredible independent creature? Horrible

- while not the most climatic- would it be truly unthinkable that miquella maybe just..gave up? That it drove him mad with grief to realize he spends his life searching for a cure that might not even exist?

- again thats more then a 'what if' then realistic like the rest of the list but i just love the horror adult mind child body

Want to make him a good guy? Fine the reason can be:

=> He is described so. He knew that he would be the next god & took responsibility.

- Miquella created the Haligtree, feed by his OWN blood (which takes far longer and more energy then just using bodies) or all that are rejected by the golden order, he is compassionate & kind. He is protective and by gods above he does want to help, he does break away from the golden order when he realizes they are not what they seem

-With ranni not wanting to become the successor and Malenia cursed with the rot it only leaves Miquella open, he would have been aware of it

- He is already a 'big' brother, caring for malenia, caring for all who were considered Misfits such as the Albinauric & Misbegotten, providing a sanctuary and hope

- Miquella is described as kind, as compassionate someone who basically does wish to bring a change and is ready to self sacrifice for the better

There are many more but guys im so so tired and need to nap. In short: its incredible to me how you can make a Character that had potential for all possible sides (good, evil, inbetween) so bland, his arc and journey feel like white toastbread, his relationship to his beloved sister malenia seems fake, he doesnt appear to be an adult trapped in a body of a child but as simply put an idiot who is all about "me me me me" & then doesnt even get a bossfight.

Im not mad it was written, i am made there was zero thought or reasoning put behind it, when there were so so many options to make it good. Its sorta fascinating that somehow no one likes this ending, not the Radahn Fans, Nor the Miquella or Malenia Fans..idk man. Having feelings about this.

Also im really bummed we didnt get a cutscene were the tarnished touches Miquella's arm to travel like- man.

Also sorry for the grammar/spelling or maybe even logic errors i just needed to vent ngl

[artbyblastweave]

Heroify: Kingpin

Compared to some of the other characters people have sent in today this is like shooting monkeys in a barrel!

Part of the reason Fisk is such a good Daredevil villain is that he's already got a lot of the basic elements you need to make a street-level hero work- the will, the drive, the protectiveness, the territoriality, and the quote-unquote "badass normal" peak human fighting ability that, let's not fuck around here, is absolutely a superpower even if the chickenshit writers won't directly admit to that. It's just that he uses those abilities to be a crime boss rather than to fight crime bosses. To put himself in charge of his childhood bullies instead of fighting his bullies. A classic case of "If only he'd used his immense capacity for interpersonal violence for good." What would make him stand out from all the other heroes in his niche is his propensity for Empire-building, his complete inability not to build up some kind of organization from scratch, and what that impulse might look like in a superheroic context.

I'm imagining that his initial schtick is that of a Bully Hunter. After getting ripped and wiping the floor with his childhood bullies-or maybe this is one of the versions who offed his own father for beating on his Mother- he embraces the specific high of the "pick on someone your own size" routine, and he becomes The Big Man, the guy you go to when you need somebody who's been getting away with something for a while cut down to size. Upstairs neighbor is beating his wife and kid senseless, and nobody does anything because his brother's a cop? Call The Big Man. Real Estate Baron's using his connections to try to muscle out the residents of a tenement? The Big Man's gonna pay them a visit. Boss at the diner's withholding your paychecks and getting away with it because you're undocumented? You get where this is going. He usually doesn't kill people- not out of any particular code, but out of a combination of pragmatism and sadism. He's smart enough to engineer situations in a way that he can claim self-defense or frame someone's tumble down the stairs as an unfortunate accident or rely on the unexamined illegality of whatever his target was doing to prevent them from getting the police involved. He's got a bit of a financial cushion, as well, because all of this is actually his side gig- he's still a very successful, if not as cutthroat, local businessman, because hospitalizing domestic abusers doesn't pay the bills. As a power move, he does most of this under his own name- he's got a "costume" in the form of the distinct suit, and a nominal codename, but part of the bit, part of the point he's making, is that he's slightly better at weaseling out of the consequences of his actions than the people he targets. Always a bigger fish, after all. Power is relative. His thematic niche is distinct from Daredevil's abstract sense of idealized justice. It's not Frank Castles mechanical eye-for-an-eye approach. It's about the satisfaction of leaving a certain category of wrongdoer alive, so that they can remain very, very afraid.

Of course, since his entire bit is that he keeps putting untouchable assholes in fullbody casts, the attempts on his life start stacking up- First it's Ed the domestic abuser and his buddies from the bar coming around for a rematch, and then goon squads, then hand ninjas, then low-rent supervillains- and because The Big Man toes the line of being an actual superhuman, he's usually winning these things, and coming out ahead in the PR game for beating down a bunch of costumed thugs attacking his Perfectly Legitimate Art Gallery- but it's a pain that his office keeps getting firebombed. And this is where you start to reap the benefits of having done under-the-table favors for hundreds of people all over New York- The Big Man has a network now. The Big Man knows guys who knows guys, some of whom owe him favors, some of whom are just really afraid of him coming back for round two. The Big Man can pull together a hundred guys with crowbars and hammers on a day's notice, if he happens to need something like that. If he doesn't know someone with a backdoor into Tombstone's fortified penthouse or Hammerhead's mansion, if he doesn't know someone with incriminating information on Silvermane or Norman Osborn, well. He knows their cousin. And once he thinks to begin leveraging this? If the people escalating things have specific addresses, by the end of the week they very likely don't.

It's not as if he eliminates all criminal activity. He's not even interested in doing so. Like half the painting's he's selling are really convincing forgeries. But things hit a point where there's simply a hard practical limit on how imperial a supercriminal's ambitions in New York can become, how domineering, how visible to the man on the street, before The Big Man decides it's time to make a point and starts calling people, who in turn start calling people.