Fun Sized
Dark!Fairy!Gojo Satoru x reader
Word Count: 2k
Synopsis: You save a tiny fairy. Gojo Satoru decides that you and him belong together, regardless of how little he is and how little you think of him.
(Warnings: Yandere, not many warnings in this one ngl)
The fae are a dangerous bunch. You've heard more than enough stories to be spooked. Sirens will sing beautiful songs before dragging you into the depths. Dragons will burn you to a crisp before a second's thought. Nagas would make sure you were alive until the very end as they feast on your organs. Centaurs would use their powerful legs to stomp yours to mere twigs. Driders would suck your blood until there's nothing left but a husk of your body.
You've never heard anything about fairies. They didn't live in your region. Their lands were high in the mountains, where humans rarely traveled. Also, they were so tiny, according to the books. The biggest seemed to be barely the size of your hand. They were harmless, you concluded. Harmless to humans. Harmless to you.
He had been harmless. At first, you thought it was a cluster of leaves in the stream, but as the current drew it closer, you noticed tiny arms and a tiny face. He was unconscious; you didn't even know if the poor thing was alive.
The Fae are a dangerous bunch, but saving one tiny fairy couldn't hurt, right?
Your guest quickly proved to be a bigger hassle than you initially thought.
When you brought him to your cottage, he laid in a basket of warm linen, asleep for hours near the warm fireplace. The blueberry pie was still hot when you turned around and caught him staring at you.
It was silent for a while, and then you said:
"Do you like sweets?"
That's how your tentative friendship with the other kind started. Gojo Satoru (you later learned his name) was a boisterous thing. He did in fact like sweets, which helped bribe his friendship. You're surprised that he ate so much despite his stature. Did all faires have black holes for stomachs?
He healed up rather quickly. At first, you were afraid that his wings had crumbled due to the prolonged exposure to water. But after stuffing himself full of the blueberry syrup, he smiled widely before flitting out your window.
You thought that would be the end of it, but then he just came coming back.
Apparently, your baking skills left an impact on the small creature. He didn't visit often, but when he did, you would always make sure you had something. Whether it be cookies, brownies, or that blueberry pie he was so fond of. Anything was good enough for Gojo's taste palette.
"In the fae lands," Gojo said when you prodded, "sweets are too sweet. Yours is just enough." You weren't too sure what he meant by that, but you took it as a compliment. You were sure the fae wasn't something who'd give praises so easily.
It's not like you were upset at providing food for your tiny friend. Quite the contrary. You loved it when Gojo visited. You found him fascinating, the way he could fly miles and miles above your head. How tiny he was. The amount of times you had to hold yourself back from squishing him between your fingers because of how cute he was scared you.
And you hoped you were fascinating enough to entertain Gojo. You had to be; you don't know why else he'd keep coming back. Even after gobbling down your cooking, he'd lounge around your home, entertaining you with his stories. You learned of the other magical creatures he was in contact with, the students he taught, and how fond he was of them. You don't know why he was so open about sharing his personal life with you, in the stories fae hated humanity, but you would never complain.
It doesn't click as to why Gojo's so invested in you until he comes out and says it himself.
"Instead of me coming back and forth like this, why don't you just come live with me?" He says, "I would cut down my flying time by a lot."
You stare at him in amusement, sure he's joking. "I'm not sure how I'd fit in your house." You tease. "I'd probably crush all your furniture."
"I can make my house bigger." He announces. "Don't worry 'bout it, just say yes."
You stare at him, slowly realizing that he isn't as amused. He's still smiling, but there's no joke.
"No," you finally say, "I'm not doing that."
He cocks his head surprised as though he's never had someone reject him before.
"What?" He asks, "Why not?"
"Well." You clear your throat. "For one, I'm human, and you're a fairie. I don't think Fae would appreciate a human wandering around in their lands."
"Who cares about all that?" Gojo waves his hands around. "You'll be with me, anyways. It'd be fine."
"I don't get why you're so fixated on the human realm." His mouth turns into a sneer. "It's all so boring. Nothing ever happens. And our magic is much more advanced than yours." It's true. You can't disagree with that. Satoru didn't wear clothes made out of leaves or vines, unlike the common fairy stereotype. His clothing looked much more advanced compared to your loose cotton dresses. A black shirt with intricate buttons and long sleeves. Along with black trousers. You wonder what material could make his suit so shiny.
You laugh at his disgust. At that time, you saw Gojo as a tiny child clutching their mother's skirts, a cute puppy. You hadn't yet taken Gojo Satoru as the threat he was.
"It's because I am human." You say, not offended by his remarks. "So I like being near other humans."
He groans as though your logic makes no sense. "Yuji and the others ask about you all the time, though. They've been dying to meet you."
"You talk to your students about the giant that cooks for you? I'm flattered."
"You're dodging," he warns. You roll your eyes.
"Satoru, I'm not coming to live with you. It'd be too much of a hassle." You finally say. "Besides, you're not my type."
"I'm everyone's type." He argues.
"Not mine." You smile, and then you make your first blunder.
"I like my men a little taller."
He stiffens, and you know you said the wrong thing. Your smile fades as does the cheery energy in your cottage. He says nothing, but he's zipping out your window before you can apologize.
He doesn't return for the longest time. You count the weeks. Guilt weighs on your shoulders, heavy and burdensome. Every day you bake something even tastier than the day before. Not even that is enough to coax him back.
You think you've lost him forever, when he returns on one sweltering summer evening.
"Hi." You blink. He's watching you, sitting idly on the window, kicking his tiny feet.
"Hi." He smiles.
You're happy enough to grab him with one fist and hugging him to your chest, but as always, you stop yourself. Instead, a shy smile rests on your face.
"I'm sorry," you say, "I really am...will you accept an apology pie?"
He grins wider, and you relax.
He eats, and you're grateful. Something you once cherished in your life has finally come back to you. You might not return Gojo's feelings, but you still care for him. You'd rather die than ever hurt him again.
"No, you're right." Gojo surprisingly concedes when you apologize for the third time. "We're too different. It'd never work out. Not as the way you are, right now."
You nod, grateful he's so understanding. "Exactly."
He's finishing up when he announces he brought you a gift.
"I've been working on it for the past few weeks," he cheerily says. "It took a while, but it's finally safe for human consumption."
He takes out a tiny glass bottle filled with something swirling and blue. When he asks you to bring a glass of water, you acquiesce. To your astonishment, when the elixer is poured, the entire water becomes a swirling mass of a color comparable to none other than galaxies. You're so mesmerized by the color, it's enough to stump your voice.
"For you!" He declares. "You've always been cooking for me; thought I might return the favor, just this once."
"What is it?" You ask, amazed by the color. You admire the glance, unaware of the glint in Gojo's eye.
"It's kinda like the wine you have in the mortal realms, but a little less poignant." He gives when you glance at him. "Go on, tell me what you think?"
You're too trusting, and so you make your second blunder.
Once you start, you can't seem to stop. The taste is otherworldly, addicting. You drink and drink, not wasting a single drop. You're breathing heavily once the cup detaches from your lips.
"Amazing." You say before looking at him. His eyes are too wide, but you're too distracted by the taste still on your tongue. "Seriously, what was that? Can I make it here?"
He scratches the back of his head. "Not really, the ingredients are pretty hard to find." He shrugs. "Besides, it's supposed to be a one-time use."
Your eyebrows twist, and then the world sinks.
You're falling. You think you are. You don't really know. Everything feels like it's stretching. The walls of your tiny little cottage get higher and higher and higher. The floor gets more and more warped. You're sinking, sinking through the air. When you scream, nothing comes out. You feel like you're choking because you can't breathe, and then your vision grows black.
The next time you open your eyes. It's still dark, and to your horror, you realize you're buried underneath something.
You panic, clawing and tearing your way out. The material gives away easily. It's fabric. Cotton. But there was so much, an undying ocean of fabric. You lift yourself up from the pile and that's when you realize you're completely naked.
The mountain of cotton you just climbed to the top of was your old dress.
Everything was gigantic—the table, the chairs. The windows seemed endless. The ceiling looked miles above you, and you know what happened, but your brain can't formulate it because it can't be—it just can't be.
There's a flutter of wings. You always thought he was so quiet before. Now, he's all you can hear. Immediately, you wrap your body with the cloth. It's hard to keep still; your body is buzzing with nerves and you still can't understand. You have to force yourself to look at him.
You don't know why you expected shock, guilt, something other than the pure manic glee on his face. Satoru towers above you, head tilted. He bends down, cupping your trembling face in his hand because he's big enough to do that now.
"Just when I thought you couldn't get any more adorable." He coos.
You can see him now. His skin isn't pale, it's borderline translucent. His canines are sharp and pointy. And his eyes. Oh God you've never seen eyes so terrifying before—an endless mass of blue, threatening to swallow you whole.
He wasn't a cute little fairy. He was anything but that.
"Gojo..." You start, heart squeezing. "What did you do.."
You know. He knows. That's why he ignores your question entirely.
"I'm surprised it worked." He says, mainly talking to himself. "Shoko said it might be a dud, and she was so sure of it, that I mostly believed her."
"But now look at you!" He roughly pinches your cheek. "You're the perfect size now."
"Stop." You blubber, pushing his hand off of you. "Don't touch me. Change me back. Change me back."
He frowns. "Why would I do that? You being human-sized was always such a hassle. Lumbering around. Way too loud. Don't get me wrong, I adore you either way." He proclaims like it's something benevolent. "But this has its charm."
He leans forward, and you scuddle backward in fear. His grin widens.
"So, am I tall enough for you, now?"
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I love the way you write Logan, it's so comforting! Can't wait to see more of your work, it's lovely💗
Idk if this would be your thing so feel free to ignore obviously!
How do you think Logan's dynamic would be with a reader having intense intimacy issues, to the point where they struggle to even think about doing anything more than make out with him? I really haven't found any fic like that and I think that you would a concept like that more than justice
I do see him having some intimacy issues himself (traumatized wet cat💀)
this is so sweet, thank you so much! My brain immediately supplied a list of head canons, I hope that you enjoy <3
~ So I am thinking about Logan from the original trilogy for these in particular
~ He definitely has some intimacy issues, more so on the emotional intimacy side than physical intimacy
~That is, until he meets you. You're a professor at the school, and while he can tell you love the young mutants with a large part of your heart, you remain physically distant from them. When the Youngers ones reach for a hug, you meet them instead with a fist bump or a high five. Never cruel, but always setting your boundary.
~The first time you catch him noticing your habit, you expect him to roll his eyes, or hit you with a judgy side eye. Instead, he quirks his head and resumes what he had previously been doing.
~Eventually, the two of you start spending a lot more time together. He will nudge a cup of coffee your way, and ask after you when you have a headache. He never encroaches on your space, despite being quite touchy with the other faculty.
~You spend a week working up the courage to confront him about it, strategizing the best way to ask for the reassurance you want but have trouble asking for. You expect him to blow you off, but when you knock on his door, he ushers you inside and lets you choose where to sit in the room, choosing his seat to be close enough to show he is invested but far enough away for your comfort. It isn't even a conscious thought for him, it's natural.
~You fumble through your question, doing your best to explain your line of thinking, before eventually just spitting out "do you hate me?"
~He is so shocked that he doesn't know what to say for a few seconds, which only makes your anxiety feel worse.
~He takes a few seconds, collecting his thoughts, and then you can see the typical Logan smirk start sparkling in his eye again. "Sweetheart, it's a little hard to hate the person you're acting a fool over". Your eyes practically bug out of your skull, and he chuckles to himself. He is twitching in his seat, and you can tell he is trying his best to not gather you up in his arms.
~You extend a hand out to him, palm upturned. He takes it instantly. He raises your entwined hands halfway towards his mouth, before meeting your eyes and waiting for your reaction.
~You nod, holding your breath and he drops a kiss on the back of your hand, before adjusting so that he can kiss your palm as well.
~When he hears your heartbeat stutter, he is quick to hold your hand again, resting against his knee. He confirms that you feel the same way, insistent on getting verbal confirmation. Your face feels like it is on fire, but you reply in the affirmative. "We are going to take this as slow as you need. I... I care about you so much, and your comfort always comes before anything else."
~You feel a few tears well up, and he moves to wipe them away as they begin to fall. Again, he pauses before actually making contact with your face, waiting for your gentle nod.
~From that day on, you are even more attached at the hip than before. Logan loves knowing that you are with him for more than his body, and he is constantly making sure that you know how much he values you.
~Overall, I just imagine him being very sweet and understanding and taking it as slow as you need. He is protective of you when you meet new people, often coming in between you and others who are not as considerate as he thinks they should be. Definitely sends his protective instincts into a bit of an overdrive, but you also appreciate having the scary dog privilege when you are out in public as well. People are definitely giving you a wider berth than you are used to. You always feels safe and taken care of with him, which is exactly how he wants it to be
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Okay so I’ve spent the last couple days on Twitter (@kacievvbbbb if you wanna join me 👀) just fucking yapping about my new found obsession with the idea that Mihawk not only reads but is an active and well loved contributor to the pirate smut genre all across the blues. And I just needed to bring this to tumble to get more thoughts on it.
Here are mine;
- he obviously writes under a pseudonym would be funny if it was an anagram of like Worlds Strongest Swordsman or something.
- he writes essentially y/n fanfiction but he is always the reader.
- he is heavily perfectionist about his detailing of things like bodice ripping and that has lead to many a fun night for Shanks as he discreetly tries to rest just how exactly a bodice ripping would look and feel. Or if this sex position is even plausible.
-this one was a combined effort between @Dior and myself but he writes all the lovers as much more of an active participant in sex than the pillow princess himself actually is and this is because he thinks he is putting in exactly the same amount of work into sex as Shanks is which is laughable.
-Benn features heavily in alot of these RHP smut books. Benn
-He mostly writes RHP smut but he will branch out to other pirates like Crocodile maybe Doffy 👀. This gives Shanks heart palpitations when he finds out all this smut has been written by Mihawk.
- Mihawk almost kills both himself and Shanks by drowning the first time he finds out that Shanks knows about his little hobby.
- Shanks regularly requests they try something from the book and Mihawk has to stomp down the urge to throttle him. But again Mihawk’s reader is a much active participant in sex than he is and he is not a fan of all this work he has to put in even though he enjoys the results. Shanks is highly amused.
- Shanks for the first time in his life becaomes an avid reader with a habit and this confuses everyone that doesn’t know what he is reading and suffers Benn greatly who does.
- Shanks is lowkey very into the stories where the “reader” has sex with other men. He starts setting plans in motion.
- Mihawk also collects a lot of pirate smut a lot of it is about himself as well and this is his equivalent to jerking off. His next favorite people to read about are of course Shanks, Cricodile he is ashamed of just how much Doflamingo smut he owns. Lowkey maybe some King smut too.
- a contribution from someone on Twitter tha I live is that he also grades said smut about himslef and then sends the notes to the authors.
- he pseudonym is well known and well lived in the community.
-this is infact where more than half of his riches comes from.
- yes he also does read marine porn. He steers clear of anything that even remotely mentions garp tho. His favorite marine to red about is Sengoku I don’t fucking know 😭. I can just imagine him seating in warlord meetings shipping Sengoku with random fucking marines and pirates as he is trying to talk about very serious business
- he sure write the well known and well loved “the red haired emperor & me” series which is published in Morgan’s magazine or whatever and Shanks always seeks him out no matter where he is and fucks him good and hard everytime a new chapter goes out.
- he continues to do this while at Cross Guild Buggy and Crocodile are non the wiser. His crocodile descriptions start to get more detailed a clown pops up every now and again in his writing Shanks might be on the verge of a heart attack.
- shanks is a little too invested in the situation some (Benn) would say.
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this is in a similar vein to an ask you got recently but do you have any tips for those who are interested in sims 4 (or even other games like ts3 and ts2) storytelling? I write fanfiction but I think making sims 4 stories could be a fun venture. Anyway, thank you for your time! I love your stories so very much they're literally my hyperfixation!
Well, that makes two of us because it's literally my hyperfixation. I think I've shared bits of advice before, so some of this might sound familiar, but here are some things I think are important to remember (and I tried to be concise, I swear).
Write the story you want to write. Obviously, it's a great feeling when something takes off and people get invested. But if you pursue an idea only because you think Simblr will like it, you probably won't be inspired for long and it'll probably show. I've been very lucky with my story, but it didn't blow up overnight. Early on, I was thrilled to get double digit notes or one reblog or comment and was admittedly disappointed when I put a lot of effort into something and nobody seemed to notice. But I kept going because I was obsessed and wanted to see it through, and that's more true now than ever.
Start with low stakes and allow yourself to evolve. Before I was on Simblr, I made Sims stories with no poses or visual enhancements or fancy editing. I wrote them for myself, and I loved every minute of it, but they also gave me a solid foundation for the kind of storytelling I do now. Even after starting this blog, I eased myself into it. I learned how to use poses and Reshade, then moved on to more advanced editing techniques, then moved on to teaching myself to make poses and very basic CC. If you try to learn it all at once, you're more likely to give up because you're overwhelmed. Take your time and make peace with the fact that perfection isn't possible. Everyone's always learning!
Take advantage of the fact that Sims is a game. Even though I've been a creative writer for most of my life, I don't come up with fully-fleshed, elaborate Sims stories from scratch. It started off with my legacy and not wanting every generation to feel the same. I thought about gameplay I hadn't experienced yet and centered each generation's story around that. Even with HZID, I just wanted to make and play with vampires! That's it! Initially, I used a lot of gameplay to convey Helena's college experiences, and I still try to incorporate it when I can. It can really be a great base to spark your creativity if you don't know where to start.
Don't have a life outside your story. I'm joking. Kind of. I'm not a very social person and I don't like leaving my house if I don't have to. This leaves me with a lot of time for working on story things. Honestly, I could probably stand to work on it less. But for better or worse, I'm doing story-related things most nights and weekends, and even if I'm not doing anything, I'm thinking about it. It's probably mental illness, but we'll just call it passion. At the same time, it's also important to take breaks! If you're feeling burnt out, step away for a while. If you can't make yourself step away completely (raises hand), just edit the script or spin your blorbos around in CAS or something rather than going straight for posing a scene.
Follow and interact with other storytellers. This is probably the most important thing, and as someone who struggles with social anxiety it was the hardest for me to do. But I try to make a point of keeping up with other stories, commenting, and reblogging. Not only will the amazing talent of other writers inspire you, but you're building meaningful connections that make them more likely to want to interact with your story. There's no denying it feels amazing to watch your audience grow. But no one's going to see you if you don't make an effort to be seen, as scary as it can be. So try to be active in the community and support other storytellers the way you want to be supported!
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Hi I’m literally obsessed with this au
I have a couple questions I’m so sorry if I’m bothering you but I’ve been analyzing this comic for way too long
Who is leading mountain to be killed? Who is getting crowned? Why is mountain being killed? Are the rest of the knights/other portraits other ghouls? Who is helping phantom unbury him? Is phantom unveiling him at the end?
I’m so sorry I’m obsessed, your art is amazing and thank you for your time
Thanks for the time and energy you invested into this!!! Wow! I might disappoint you after this haha. But u know! Always analyze and believe in whatever you think it’s the best explanation! I love when ppl have their own understanding of a piece :) that’s why there’s no dialogue
Anyway about the comic…
It supposed to be a simple “once upon a time” kinda thing. A bedtime tell, someone’s small piece of memory, a casual story that’s melancholy. Nobody’s really important, except the little prince and his knight. There’s no deeper meaning other than the lonely prince lost the only person he cares about to a war.
Something about the titan knights is that they don’t care about their identity. Their powers and skills are the things that matters. That’s their identity instead of who that person is under that mask. They are weapons and they like to keep it that way. Meaning that if any one of them dies during the war, a weapon has served its purpose. The others will move on and there’s no sorrow. I don’t want to talk too much about different species lore here it’s a lot…maybe next time :)
However, the two anonymous knights are rather closer to Mountain and Phantom than everyone else. They are also more human-like. They are more sentimental than some others on the team. It’s not anyone’s fault that the titans are this way btw, it’s just how things is. These two knights care about phantom more than the others does spiritually, they kinda understand how close their captain was to the prince and what Mountain meant to him. So they take him to Mount. Usually titans don’t even take the dead body back with them. It’s not like they don’t care, they do, but to them dead body it’s meaningless. No longer serve any purpose. Titans don’t ever grieve, mourn, or anything.
Phantom does. Be glad that he’s even able to contact with the corpse one last time cuz a lot of times soldier’s grave is just an empty tomb. That’s also why he digs. He needs to see it himself in order to let go. He places the veil back to place and sees what he’s familiar with for his whole life. The mere illusion that Mount is still with him.
…
Honestly this whole thing came to me at 2am and I couldn’t stop thinking about it. I feel like its more of a vibe, very vague story and fear of death I didn’t executed it the way I wish I could (skill issue…) anyway my first actual try at drawing comics and it took me 2 miserable weeks(it was okay). I shared this before I have concentrate issue my attention span is short💀…ngl the process it’s challenging and I wasn’t expecting ppl to understand what’s happening or even read it. I didn’t expect myself to finish the whole thing even lol. Glad you like it and look at it with these much appreciation AND letting me know!!! :)) that’s what I was tryna say. 🖤🖤🫶🫶🫶
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i think a lot of people who talk about gristol's lack of a "redemption" miss a very important tie between gristol and the themes of the game -- both those who think he doesn't have the capacity to change, and those few who actually feel like it is an injustice that he wasn't given one. take a read through this post by babycharmander to get a head start on what i mean.
gristol is not irredeemable, in the narrative, solely because of actions. in a series like psychonauts, i think if that were so, it would actually feel out of place. what has gristol done as a character that is worse than oleander, or loboto, or ford cruller? aside from regular psychonauts shenanigans like causing trouble by infiltrating the psychonuats, taking truman's brain, and putting everyone in danger, i would say none of you feel like that's actually "irredeemable" behavior compared to others, no? and so we might turn to his personality -- but, unfortunately, being a shitty person is not "irredeemable" behavior either. psychonauts has dealt with plenty of troublesome people like this. where you start to get somewhere is examining his goals -- gristol has nationalist and facist ideas floating around in his head, but they still are not realized. they are dangerous, yes, but there is a still difference between a child being fed propaganda and a false narrative of those ideas his entire life, now as an adult who still has not had a realization about the entire reality of it, and his adult father that has committed actual crimes resulting in many deaths, as well as other atrocities as the gzar of a country all while teaching his son this is what he should aim to emulate. as such, much of gristol's character is only "what if"s -- "when" he'll be gzar of grulovia. there's a lot he'll say he do, but gristol has not done those things. he might have the potential to, in... well, in his hypothetical world where he even can back to grulovia. but, it has not happened, and will not happen. and that's vital. his mindset is very important to this discussion, especially when it mirrors real world troubles, but what kind of message would it send if you were to say "there is no stopping these harmful seeds of ideas from sprouting, we can only suppress and punish these people". obviously that isn't true! dicussion of paralells to real life harmful ideology is relevant, but i would also say that for gristol as a character, it is much less about all that, and more about himself, in his childish and selfish fantasies of getting everything he wants, and essentially dipping his foot in those things along the way to getting there.
the entire point of that post i linked, that is almost exclusively why gristol is not redeemed at the end of the story. gristol is selfish, and a dangerous individual. but most of all, at this point in time, he does not allow himself to grow and change, and there is only the smallest bit of hope that he's starting to take a step. this specifically contrasts against the other characters in the series who have decided to turn over a new leaf when helped by raz.
gristol is absolutely portrayed as less sympathetic than many characters, because there is truth to it. he's still rich, even now. despite his entire mind being a pity party for himself, you, the player, and raz, see through it. the problems he does have are extremely rich people's problems for the most part, but honestly, where it leaves him makes me pity him quite a bit. regardless of whether or not other things in his past could be considered traumatic (nearly being attacked by soldiers, having to flee his home as a child -- and i would say they are in his eyes, considering that panic attack room), like every other psychonauts character, his past still has an iron grip on his present and future and shapes every single little detail about his character. for the most part, you are absolutely supposed to look at this and go "are you kidding? this is his tragic backstory?!" and it is completely fair to do so. but, to say he went through nothing is not true. because, to gristol, all of that was the end of the world, and that's all it needs to be as a character motivation.
despite everything he's done, gristol is far from a monster. as babycharmander discusses, another theme touched upon is this idea that anyone has the capacity to do harm, which leads into the familiar discussion of "good" vs "evil" people. dehumanizing people who are less than agreeablse, have done otherwise harmful things, and even are abusers, only adds to the inability to self reflect. the struggles of this character at his core are human. they are something i'm sure if you thought about it, you could understand. he was a child who never grew up. things change. he wants his perfect, childhood life back, one where he had no responsibilities, where he could have anything he ever wanted. to go back to when everything was perfect, and nothing was wrong. the epitome of peter pan syndrome. he wants attention and adoration, and things he genuinely had been led to believe that he's entitled to. and who doesn't? it manifests in him being incredibly out of touch and dangerously ambitious, but at it's core, it stems from very common, and very human emotions. gristol is still a child at heart. he's mostly preoccupied with fantasies of being waited on hand and foot, his ponies, and his cotton candy maker and caviar, rather than anything actually ruling a country would entail. he doesn't know anything about nor actually cares for his country and its citizens, only the idealized, rose tinted memories he had of the place, nor what his father has actually done, still believing he took his family and fled because he was a coward, and not because his actions were literally causing the destruction of grulovia and had they had to get out before they were the ones killed. after being isolated from his peers (and likely not actually having any, as royalty) for the first decade of his life, likely detached from his family as well, then once again shut up for years alone in a luxury hotel, it's clear that gristol has a very limited perspective of anyone else's life. gristol does not have a grasp on how to actually interact with people without a royal touch, form relationships, or practice empathy outside of a persona he puts on. i don't think this guy knows how to be a person.
i absolutely love the phrasing of "but there’s one person in this game we could not help" in that post. it's not about redemption, or being capable of it, or whether or not he even deserves it. but, that raz couldn't help him. a big thing about psychonauts 2 is helping people, not fixing them. i don't think gristol is irredeemable as a person. but i do think he's irredeemable for the purpose of this story and what its trying to tell, and rightfully so. because, most of all, raz doesn't have to deal with this. and neither do you, in our reflections of people like this in real life. raz has played his role here. if gristol is not willing to work towards change at this point in time, raz is not going to knock around in his brain until he does. it will not help, especially with how in deep he is. this doesn't mean as a character he is fully incapable of ever coming to terms with his reality. but it means, in the eyes of the narrative, it is not a story that will be told. he is going to have to have a big hand in that himself. and i think that's a very interesting thing to talk about and a great conclusion for what the game discusses.
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