#you are all so damn real for that

[kronosveritas]

Hello chat I’ve finally returned (with more Lavernius Tucker for all of your Lavernius Tucker needs)

I need to color this but I also suck at adding color to sketches so we will see 💀🩵 I adore him though.

The boy. >:)

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[theellipelli]

panel redraw of falst and dainix from @comicaurora because they make me sick. sick with thousands of diseases. theyve caused irreparable damage to my psyche

[phibsies]

glacier thing that came to mind

[beeduoo]

i really like that one tiktok

[triglycercule]

alright,,,,,is this newyears gift,,,,,, i dont no. but maybe it's late enough that i'll be able to forget that i drew this 😁😁😁😁 mttpoly doodles. whoever sees this sees this

[bakudekublogblog]

kacchan is standing before him, openly weeping, childishly professing he wanted a forever with him and Izuku is like ?? kacchan haha do you have brain damage ?? horikoshi when I fucking catch you

[sergle]

I always think it's funny when I see one of those posts from someone going I can't BELIEVE people talk about Ghibli films as aesthetic comfort sweet soft movies, these movies are about DARK FUCKED UP subject matter and heavy topics like DEATH and WAR and then you can scroll a little further and you can see reblogged clips from Ghibli movies of slow pans across sprawling meadows and beautifully rendered alien fauna or cozy villages with the most beautiful piano score played over it, sandwiched between moments of genuine human compassion and connection, quiet sequences of people performing mundane tasks, and I'm like yeah man that's crazy, definitely people are crazy if they associate these things w their corresponding movies. personally, I sit down to watch Kiki's Delivery Service stone-faced as I meditate on the Loss Of Innocence and I don't experience any other parts of the movie. only the serious bits. I don't reblog a single aesthetic gifset from the movie because then that means I would be Missing The Point

[fallofthecelestial]

Okay. Since we're going over all the takes on Mr. X at this point.. What if his powers really don't have a backside. What if (the state of) his normal life is the backside.

What if his normal life is akin to that of heroes where he has to pretend to be something he's not and follow rules that the people who control his life came up with to further their own goals. What if he can only be free of other people's beliefs and expectations when he's a hero.

What if in reality he truly is like everyone else. The other heroes. The ordinary people. All those who work themselves to the bone, who are tired and overworked and sick of all the exploitation...

What if when he's in the form of the number one hero.. when he becomes the most sought after product on the hero market..

Is when he gains the freedom to truly be himself

[maythedreadwolftakeyou]

perhaps my most #cancelable videogame take i can post on this website is i think that the kind of people who say that anyone who picks the "morally wrong" or "mean" options in video game dialogue should, as a player, feel bad about their own choices/morals in real life. is that those people are just another flavor of the kind of dudes who play Disco Elysium and get mad for not being rewarded for picking the facist options. both of these groups are reducing games to "a thing I want to agree with me and everyone else who doesn't either suffers or does not have the option to play a character who behaves otherwise" rather than "a medium where you get to (or even Have to) explore different kinds of characters in order to experience the full depth of the story and characters in it."

When I want to pick options in a game that are mean, negative, arrogant, or ignorant, it's because I want to explore what would push a character into becoming that kind of person. Sometimes I want to see how the NPC characters who I-The-Player like/agree with react to someone who is fundamentally different from them. I think it's GOOD actually when the narrative allows you to push limits and especially when it has the option to then punish you for it in some way, such as losing options/routes later on, or companions straight up abandoning you for your choices. It DOES often make me deeply, viscerally uncomfortable to make choices in a game that are so counter to my own, but it means I get to experience that discomfort in an isolated environment and also think about what it means, what would push the character or even yes a real person into actually feeling those things. And I get to play with what ways the narrative could challenge them/make them grow over the course of the game--or on the other side, it can let me make a character who does start off more open/accepting but let the events of the narrative push them into being more reactively closed-minded instead.

I like that we have invented a medium where you can play a game multiple times and experience it differently depending on the character you play as. Books and TV and movies are all static--the greatest draw of games to me is the ones that are responsive, that can tell a slightly different story every time--when other characters in the game respond differently to you because of it, or some paths open up and others don't. And so yes it did disappointment me when a franchise that previously had these elements, Dragon Age, did not include them in the most recent installment. I don't think games should have options where you get to just hit a button to say something racist with no consequences or exploration into why a character would do that. but like, if i can only ever play a game as an upstanding person who is morally right all the time in basically the same flavor for every dialogue. I only get to truly play that game Once, you know? And I only get to see the way the companions react to someone they like and trust. And never really go deeper than that.

So like... I just sit and think about the scenes you can get in Inquisition. with Cassandra breaking down, because she fears she placed a would-be tyrant at the head of a powerful organization--that she searched and searched and chose wrong. Of Varric who is desperate to convince you not to become a monster, like the last person he feels betrayed him. Vivienne intentionally pissing you off because she wants to see how far you'll go when angered, how much she has to worry about your reactions. They say so much about the companions, what they fear most, and where they will draw the line. And especially in Inquisition, at these crisis points--you don't have to double down. Your character can have a come-to-Andraste moment where they go "woah... is that really how people see me? is this what i want?" and I think that kind of option can do way more for encouraging actual players to examine the choices they make in stories, more than locking the player into supportive, non-aggressive options does.

now. do i think all games execute these flavors well? no. writers and devs will have their own biases and blind spots, even if they are otherwise well-intentioned. and I don't think the ends of the scale need to extend from "absolute angel" to "horrible bigot", because the real complexity of course lies in the middle. I am not asking for games to let me be bigoted at every turn, what I want is games that let me make the protagonist deeply flawed in one or more ways--fearfully closed-minded to things outside their upbringing, or afraid of change to the status quo, or who want to advance their own aims regardless of consequences to others. I actually agree that the game was correct not to include any options for disrespecting Taash and their personal journey for example, but I do wish... idk maybe that we could have had a scene where if for instance the player character avoided outside-world missions relating to clearing away blight, they could confront us on how this might devastate the natural world and its creatures like dragons, and push us into trying to resolve it. Or in the other direction, if you spend the (currently meaningless) time giving money to background NPCs begging in the cities, Neve could could have a special cutscene thanking you for your attention to people otherwise beneath notice. You know?

And of course not every game can do this, I can write those sentences up there that represent hundreds of hours of dev time, of course they can't do it all. But the prior games usually did have at least a little of this, and that was enough to make me really fall in love. I KNOW the tumultuous development cycle, restarts from scratch, interference from higher-ups all contributed to why Veilguard was unable to hit those same marks this time. And we probably won't ever know how much of the loss of options/reactivity was intention vs a side effect of these things. But I wish people wouldn't frame players who miss these aspects as insane/morally corrupt. When for most of us it's because we genuinely enjoy challenging and exploring these aspects of reality in fiction in a way entirely unlike what we actually support in real life. i fully acknowledge not everyone desires to play this way. and that's fine!!! i am glad people can enjoy doing a "good" run each time that brings them joy. but for me it really limits the potential bounds of my enjoyment i guess. I like media that is complicated and messy and makes me think, and extra so when I get to see how playing that way impacts the greater story around it.

[chronologiical]

me the entirety of the ORT raid

[stevenose]

this isnt high Steve but Steve would absolutely be the Mom Friend of the group and be the sober one. Only one beer for him, he's driving.

But you? Drunk or high, doesn't even matter you're just giggly and staring off into space. He has to wrangle you to get you in the car to leave. Practically just throws you in the back. And you're not sober (of course, you know what you're doing but the next day you'll just say you were drunk if not pretend to not remember). But you wrap your legs around his waist snd practically purr at him "if you wanted me in the backseat of your car Stevie you only had to ask'

this is so good 😭😭😭😭 omg. making him all flustered and he knows this is bad!!! he wants you but has to pull away!!! chastises you, jokingly tells you he’s not that easy, and when you’re weakly pawing at him from behind he’s all huffy. telling you you’d better stop that, that you’ll make him wreck, jokingly says “don’t make me pull over” and you’re like “sounds good to me, steve”

also something about him manhandling …. calling him handsy when he accidentally swipes against your chest and he’s gotta remind you he’s doing this because you’re being insane and it’s not HIS fault where his hands end up… and perhaps manhandling you a little more while scoffing and begging you to just be good so he doesn’t have to take extra measures 😵‍💫

[cowboy-robooty]

im not going to lie i have an illuminati type theory that fanfiction has gotten so fucking bad recently as yet another consequence of the pandemic

[bonefall]

I understand being upset by the moonpaw dog post but i dont think talking about some random teen publicly (on a pretty big fandom blog) as opposed to like, dming them about it, is a very nice thing to do? Would recommend keeping that kinda gossip in dms going forward personally.

??????? "That kinda gossip???"

Saying that it's fucked up that a publicly posted incest joke about how deformed she should look went to the top of the Warrior Cats and Moonpaw tags, is gossip???

TRENDING TAGS?? GOSSIP?

I'm not talking about "some random teen," I have not even dropped a username and been VERY clear I don't want harassment of anyone. During this discussion about wider ableism against Moonpaw, I've directly answered two anons about the contents of a post that was/IS extremely popular to the tune of nearly a thousand notes.

One of those two asks was an anon who only stumbled in to say that the post was funny in a display of SHOCKING tonedeafness, while I was talking about how shitty it is to compare people who are the products of incest to unethical dog breeds, especially in the context of WC. The other was an actual XX/XY chimera who expressed that the extremely popular post hurt their feelings, and when they tried to express discomfort to someone, got told they "probably killed their twin in the womb."

It's not just one rando weenie little blog the minute half of the Tumblr space is openly laughing at a joke about deformed incest kids and hoping Moonpaw dies because she's so "gross." Not nice?? Your feelings are hurt? OTHER people's feelings were ALREADY hurt.

NOTHING about this was "nice" to begin with!

Difference is, when YOU cry me a river, you can build me a bridge, and get right the fuck over it. A person who's the product of incest cries and has to go right back to every shitty banjo-hunchback-hapsburg joke they've heard before, just feeling more unsafe about a space that PRETENDS to care about the abuse they experienced. If you feel guilty about that, maybe you should!

If you were under the impression I was ever "nice" about bigotry, you were mistaken. I don't appreciate calls for ME to be more polite when I'm at a trend of fandom ableism and calling it fucked up. I've named NO names. Sounds like what you ACTUALLY want is for people like me who have a platform to shut up.

[kaprisvn]

Hi!

I'm a little confused about what Y/N works as. To me, they look like a manager, kind of, but they have a staff hat, so I assume that means they're a lower/general employee. Do they work with Sun and Moon directly or do they just see the boys often when they're working?

Sorry if this was asked before!

-An interested anon :))

P.S. you're art style is beautiful <3

You have activated my trap card, dear @chor-reblogs >:)

So, this is something I'm INCREDIBLY glad I got an ask for, as Y/N's role is very plot relevant to the catalyst event of the fic. (In a way...)

To start off, you're actually half-right on the manager idea! In Chasing Stars, every Pizza-Plex employee is meant to have a 'supervisor' for the first month or so - the person they can go to for help or clarification instead of bothering upper management with their plebeian pleas. This supervisor is also meant to give the employee under them their welcoming tour, along with their uniform. The supervisor is always the most experienced (via time there worked) in the same position (ex. food staff, custodian, P&S) as the person they're supervising, and don't actually have much authority over them.

This is how things usually go, HOWEVER, when Y/N was accepted into their role as General Staff, there wasn't anyone else currently in that position (the previous ones 'left' rather quickly. Hm.) This resulted in them not receiving a supervisor, along with a stark lack of instructions. Sucks for them I guess!

But what sucks even more is that shortly after being hired, ANOTHER general staff member joins the team, and since Y/N is technically the most experienced General Staff member... They become her supervisor.

Who is this mysterious girl? Why, Vanessa A. of course!

Vanessa's nickname for the reader in the fic is 'Boss', and despite Y/N trying to correct her that: A. They have have literally no jurisdiction over her and B. That they're just as clueless as she is, she insists upon the name. Even after she gets put on Security duty due to [SPOILER], she keeps term for Y/N. (Interspersed with a more fond nickname that I shall not disclose yet).

Vanessa and the readers relationship is a significant and complicated one that's going to change a lot throughout the fic. In fact, I'd call it the second most important relationship in terms of plot/themes, after the DCA. But overall, I'd say they're... 'good friends'.

As for the last part of your question - which yeesh, sorry for the yap session - the role of General Staff is to do whatever odd jobs are left over after everyone is assigned their work, but more importantly, they can be called on by any animatronic or other staff member that happens to need help with their job. You can basically summon them like your personal butler. Of course, Sun and Moon abuse this ability to the extreme, which means that Y/N ends up working with them very often. (I mean, the daycare just gets so busy and we're so understaffed!! You understand, don't you? And- we finish the work so quick with YOUR help that you may as well stick around awhile longer, right? Management won't care about a few missing minutes... or hours. We won't tell if you don't :) )

(PS. CS! Vanessa's personality is very inspired by @/naffeclipse, because by god I love her interpretation of the character so much.)

EDIT: I don't consider any of this to be a spoiler btw! You learn all of this within the first 2-3 chapters :3

[thatswhatsushesaid]

imagine being so bereft of joy that you cannot stop yourself from leaving this comment on a benign "look at this fun fandom mug my spouse bought me, enjoy this funny personal anecdote to go with it" post

sorry for existing i guess???