#you and me chapters

[bardofavon]

not to be controversial bc I know this is like…not in line with shifting opinions on fanfic comment culture but if there’s a glaring typo in my work I will NOT be offended by pointing it out. if ao3 fucks up the formatting…I will also not be offended by having this pointed out…

‘looking forward to the next update’ and ‘I hope you update soon!’ are different vibes than a demand, and should be read in good faith because a reader is finding their way to tell you how much they love it. I will not be mad at this.

‘I don’t usually like this ship but this fic made me feel something’ is also incredibly high praise. I’m not going to get mad at this.

even ‘I love this fic but I’m curious about why you made [x] choice’ is just another way a reader is engaging in and putting thought into your work.

I just feel like a lot of authors take any comment that’s not perfectly articulated glowing praise in the exact manner they’re hoping to receive it in bad faith.

fic engagement has been dropping across the board over the last several years, and yes it’s frustrating but it isn’t as though I can’t see how it happens. comment anxiety can be a real thing. the last thing anyone wants to do is offend an author they love, and that means sometimes people default to silence.

idk where I’m going with this I guess aside from saying unless a comment is outright attacking me I’m never going to get mad at it, and I think a lot of authors should feel the same way. ESPECIALLY TYPOS PLZ GOD POINT OUT MY TYPOS.

[atissi]

i don't really like when people say dungeon meshi is accidentally good autistic representation, because while i understand not wanting to make conclusions without explicit confirmation from the author, there's always the weird assumption that non-western authors somehow don't know about things like neurodivergency/queerness/etc. (on top of the assumptions that east asian authors are somehow more naive or oblivious to "western" social issues).

given that dungeon meshi started being published in 2014, it's not really a "work belonging to its times"—it's as contemporary as any other media we discuss on this site, which means it should be fair to assume it engages with contemporary topics (and at the very least, you shouldn't say that the representation is accidental with so much confidence)

but anyways, the chapter "perfect communication" in ryoko kui's "terrarium in a drawer" is some of the most straightforward autistic representation I've seen, and from now on I'm going to assume that laios's character writing is absolutely intentional in that regard:

[poorly-drawn-mdzs]

Hey now, Let her cook!

[stemmmm]

the scene people keep screaming about from chapter 5 of theseus' guide

[red-archivist]

SOMEONE APOLOGIES-JON'ED MY LOCAL BOOKSHOP'S POST-IT WALL i'm going to get you

[peanutseagle]

tea time with the bestie

[ruporas]

and together we set out on a journey to find treasure! (id in alt)

[belatalbotgf]

i think what i love about daniel molloy so much is he's just a fucking freak. all these 100+ year old vampires with insane lives and backstories and daniel is just some guy who's a fucking weirdo who got pulled into it somehow. "i like kissing. And snuggling with dead things, yes, hold me." yeah I'm sure you do freakazoid

[goomyloid]

i hope everyone got home safe

[bumblebeebats]

As much as i love Dungeon Meshi, i do think that given Ryoko Kui's attention to realistic worldbuilding there ought to be a companion series called Dishes Meshi where they spend 2hrs washing and drying and packing away. Alll the goddamnfuck dishes they just made

[akanemnon]

That's two jailbreaks in one day!

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[egophiliac]

we were fucking ROBBED

[pleucas]

we breathe, eat, fall in love and die

[poorly-drawn-mdzs]

Soup solves everything.

[calmlb]

something about Dazai being comfortable enough around Chuuya to be vulnerable and let him see his genuine reactions (especially his genuine shock) as he processes out loud is SO SO IMPORTANT TO ME

plus Chuuya not being shocked to see the genius at work tells us this isn’t the first time he’s seen Dazai actively figuring things out in real time…

the way Chuuya knows Dazai's nervous habits— noticing that Dazai is worried, and subtly checking on him. the way Dazai drops his facade in favor of putting all of his focus into the mental game at hand is such an obvious sign of trust & closeness for someone like Dazai, whose facade is his main form of defense

how they interact with each other in the downtimes when there’s nobody watching…

all i can think is, look how far they’ve come since they were 16 when Dazai couldn’t trust anyone with his plans. how even now, Dazai is always putting up his “all according to plan” front, even with the agency. how Chuuya is the one person we’ve seen him truly drop the mask around, and Chuuya doesn’t bat an eye. even their banter is ongoing, but subdued.

soukoku and their subtle displays of intimacy will be the death of me 💔

[forgettable-au]

END OF CHAPTER ONE

FORGETTABLE-AU (Page 65-72)

* Time to put this puzzle together.

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