#you actually see it performed in the episode

[rootspiral]

Agatha All Along deep dive: episode 4 part 4

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7])

agatha once again protecting billy with her whole body.

"I didn't think it was real! I thought it was me, that it's my fault that I can't keep a job, that everything I touch turns to shit! That I couldn't save her!"

The poison drips through (yes I love Succession). Generational curse, generational trauma. The pain of who knows how many centuries of parents and grandparents and great-grandparents times a thousand. It's like a boulder that you're carrying around on your shoulders, and you can't see it and you can't put a name to it, how could you? How can you possibly know why your mother drank herself stupid, why your grandmother abused her children? You were born yesterday and drank all that poison without knowing what it was, you let it take it over and you walk around spreading it to the world.

And amidst all the pain, alice only ever chose to blame and hurt herself and she was always gentle to others. her biggest regret is not having been able to save her mom! you know why alice never turned into a villain like agatha? because her mom loved her. as simple and as that. lorna was so ill-equipped to save alice, she didn't know what she was up against, she was in a world of pain herself. and she went above and beyond to show her child how infinitely precious and loved she was.

oh wow, I usually say I'm crying as a figure of speech, but I am crying for real thinking about this.

lilia who has lived so long and experienced her big share of suffering, knowing all too well what alice is going through. there's so much compassion in her voice

jen stubbornly refusing to care about anything but her own pain, which is actually a very human way to respond to trauma? it's like she's at a crossroads and it's up to her to choose whether she goes back to being the force of good she used to be, or whether she goes down agatha's same path. I say it's up to her because it ultimately is, but she was so lucky finding this coven and community at such a crucial moment. agatha didn't have any of it.

no! don't apologize, you beautiful, generous soul! the sense of guilt and inferiority complex is real

agatha's face when billy is attacked

she starts running toward him even before alice

but when she gets there she freezes and lets alice go check on him

when she sees he's fine, she sighs and collapses against the door, clutching her chest.

lilia is really starting to get attached to everyone, and throughout her life love and loss have always been inherently linked. she already knows she's going to lose them.

okay jen refusing to leave the circle is still funny, I'll give her that

through all this rio has been watching and studying agatha, she always does. she knows that her diabolically smart wife loves to be in charge and come up with plans. she's being encouraging!

look at how small alice is! she's been helping and consoling billy just a moment ago, despite being miserable herself.

first of all, that's hilarious, so jot that down. second of all, you know agatha is so relieved she has to put on a show instead of doing something icky like, idk, sitting in a circle and talking about their feelings. and look at rio at the drums, she's already put all the clues together as well

oooh, she's doing the thing! she's detectiving! agatha harkness ladies and gentlemen, her hobbies are women, murder and puzzles.

and who gives her the solution? who has had millennia to study and commiserate human love and grief? she says it and she looks at agatha so pointedly.

The song that's so irrevocably linked to Nicky's memory, the song that she's been desecrating and using as a means to kill. A mother took it and poured all her love into it and made it pure again. Agatha has to live with that now, and you know that's going to take root inside her and affect her no matter what

this whole performance is patti going I might be singing backup again but watch me be a total diva about it

I LOVE YOU PATTI LUPONE

you'd think that alice should sing lead vocals here, seeing as it's her trial and her mom's song and all. WELL THINK AGAIN

the massive ego agatha has, honestly. you gotta respect that.

the feeling when you are the only normal person in a group of total hooligans. did I already say how gorgeous sasheer looks in that outfit? no I didn't. you are an apparition, sasheer.

but I want the song to have its own separate entry so hold on tight, brb

go to episode 4 part 5

[eponymous-rose]

Some (many) thoughts on Arcane s2 while it's still fresh in my mind:

(tw: discussion of fictional depictions of suicide)

I'm gonna do some nitpicking here, but only because I really did like it overall - I think for me s1 was a solid 10/10 and this season was an 8.5/10, so I'm certainly looking forward to rewatching it! The animation was a big step up from s1's incredible work, the music was great, the performances were fantastic. I do think the overall writing/story fell down a bit, though.

It's weird, because my go-to when character arcs feel rushed is to want more episodes, but I don't think that necessarily would have solved my issues with this season.

Cait turned on Ambessa on a dime - we love to see it, but I think we maybe needed a few more overt hints of her discomfort with her position, maybe a sense of wrongness in their adoptive relationship and some parallels with Jinx & Silco given what Vi says early on ("why are you the one acting like her?"). Ambessa believes her daughter to be lost, and Cait has lost a mother - they were certainly playing on that substitution, but the eventual turn, while fun, felt a bit quick and unearned. I saw someone joke about the word "Cupcake" flipping Cait back like a sleeper agent, but that's kinda how abrupt things felt.

I think Mel's plot largely hung together okay, although it was pretty disconnected from everyone except Ambessa - would've loved to have seen some acknowledgement that Cait was filling her shoes as Daughter for a while there.

Isha was sweet and I liked the parallels with the Powder-Vi relationship (LOVED Jinx running with the pink chalk and Isha with the blue), but I think the sacrifice metaphor got a little muddled. The parallels with Powder charging in and killing everyone around her, versus Isha charging in and saving everyone but herself felt a little forced and I struggled to see how they served the greater narrative. The whole point of Powder's failure was a messy combination of bad luck, overcompensating for what she perceived as a lack of confidence in her, etc. Isha had Jinx's confidence on her side, I guess, and now of course we have the foreshadowing of Jinx dying to save someone else, which she's been trying to do since Act II.

Suicide was a pretty heavy concept throughout the first season. We had the parallels of Jayce and Viktor, we had the little-remarked-upon moment where Viktor hesitates before cutting the wire on Jinx's bomb. I actually think this season did pretty well with those two (although I'll talk about a couple things that irked me below), but the concept that we can't escape the things that we've done and we instead have to find salvation in those around us felt kind of contrary to Jinx's finally finding a way to die for her sister. I don't know that Jinx's story was necessarily supposed to feel satisfying or complete, but without another season there's not much to dig through there.

And that brings up the main reason I don't think more episodes would have resolved my quibbles with this season: it was pretty prone to overexplaining. To me, one of the most exceptional things about that first season was how little it explained. You had these gorgeous, evocative flashes of Vander trying to kill Silco, Silco stabbing him and fleeing into the night, and that's all we needed! That's it! We didn't need to know the specifics, we didn't need more backstory than that - the whole point of the season was that these kids are trying to make their own stories, and these guys have set the stage and are in the process of bowing out. Much as I loved the glimpses this season into the past generation's adventures, it felt like it was pinning something down that was more effectively left to the imagination.

There were also some weird fumbles with discussions of disability, especially in that last episode. I loved so much of what season one did with it - the older generation of Zaunites almost all had some form of disability due to the way they'd been systematically poisoned and their constant exposure to danger, and that was a really in-your-face way to challenge the early "why can't we all get along" stuff. And so much of Viktor's and Jayce's arcs are tied in with the sense of time running out and how Heimerdinger's long-term goals are incompatible with helping the people suffering right now. But instead we get this weird "you didn't like your imperfections so you tried to eliminate all imperfections", which doesn't quite ring true.

We just fundamentally didn't get to a resolution that I think was heavily implied, especially in Act II. "No one in power is innocent" is a great, raw line, but we didn't really see it play out. Instead, we have everyone stopping from othering each other in order to band together against an even bigger Other. As a side note, I don't think that Sevika's ending is meant to be a positive thing - we see from the skeptical looks of others that she's got a long road ahead. The revolution we saw coming just sort of fizzled out, and I think it's still on the horizon, which makes things feel incomplete.

There were also a lot of notes that repeated instead of echoing or harmonizing. We had variations on the theme of Vander dying three different times. We had Vi being unable to kill her sister several times. The repetition felt a bit like it was filling time instead of moving things forward the way s1's plot kept pushing.

This season is also the first time I felt the hand of League of Legends Canon shoving the plot into place. We knew Vi was heading for that enforcer uniform, but after the initial conflict it sometimes felt more like we just unlocked a new skin for the character. The Vander-as-Warwick stuff was kind of silly and out of left field, although it was executed pretty well and certainly pulled at the ol' heartstrings. Ekko getting his time abilities was fun and impacted the final fight, but I feel like we were missing something there as well that I'm having a harder time putting my finger on. Some of Viktor's lines felt designed to make the League players in the audience go "HE SAID THE THING". And I hate the feeling of setting up the Next Installment in the Cinematic Universe, probably just because I'm exhausted with Marvel stuff - I'd love for an adaptation like this to be able to really and truly stand on its own.

Overall, it just felt less like the characters were driving the story and more like they were ticking off boxes, which is just something that any good finale has to contend with one way or another.

Anyway, that's a lot of nitpicking. Fundamentally, this felt almost like it was a really strong fic that did a surprisingly good job of wrapping everything up and was stunningly put together in places... but still lacked the spark of the original.

Stuff I loved: Vi/Cait getting a pretty strong arc and certainly the first lesbian sex scene I've ever seen in a TV-14 cartoon. Animation and score was stunning. I did love the what-if of episode 7 - something I've been waiting for them to acknowledge is that literally everything that happens in the show follows from that one break-in during episode one. I actually think Vi and Jinx's reunion and reconciliation felt earned.

I'm curious how I'll feel on subsequent rewatches - the first time I watched s1, I remember being blown away but not in a "this is the best thing ever" way, and it wasn't until the second time that it really clicked for me.

[vinspiration-book]

The Divination Trial

Can I just gush for a minute about how good a metaphorical device for divination that Lilia's trial is? Because it is honestly a masterclass in allegory.

In traditional tarot, the suit of Swords represents the element of Air, which represents knowledge, thought, intelligence, and communication. Like a sword, thought and speech can be used to cut things. They can hurt: a slur or insult. They can attack: a debate, argument, lies. They can defend: evidence, support, truth. They can delineate sides: This is this, that is that. They can identify enemies (a sword pointed at you) or friends (a hilt offered to you): Them, Us. They set boundaries of time: Now, Then.

So the swords dangling above Lilia's trial are both metaphorical and literal looming knowledge. Lilia has the gift of foreknowledge: She knows the future. And that knowledge has, throughout her life, hurt her. The sword was too sharp, and she got cut whenever she tried to use it. So she "put it away," and stopped looking.

With each card placed down in the trial, a piece of knowledge is revealed--and a sword falls. The knowledge is "released" from the future hanging ominously above, and it can now hurt someone.

It is significant that during the trial, two swords almost do hit someone.

Agatha, when she is dealing, releases a sword that almost kills Billy. Knowledge is Agatha's weapon, even more than magic is. She knows the truth about Billy and the Road and has previously been very careful using that truth on him, even as she tries to manipulate the situation to her advantage. But in this scene, she is reckless and impatient--like the basement scene in Wandavision, she thinks she finally has Billy alone in his hex, and she's ready to push boundaries to get a response. She knows that divination is not actually a con--she already saw Lilia do it for real in episode 2. But Billy's imagination has painted her as the Wicked Witch in this trial, so she does what she does best and leans into the performance, trying to push Billy's mind into whatever it's going to do next to the Road.

And what does Agatha's manipulation of knowledge do? It almost kills Billy, with a literal metaphor sword falling straight at him.

The second sword that almost hits someone is Lilia reading for Billy. Now this is interesting, because Lilia has fanned the cards out on the table and is having Billy pick up the cards. As a divination practice, this is not necessary--the diviner can pick out the cards for the querent and still get the same result. By putting the cards on the table and letting someone else handle them, Lilia has metaphorically taken her hands off the knowledge. She hasn't yet learned her lesson, that is is her job and her calling to see these things. Letting someone else pick is "safer" because then she, herself, is not "responsible" for the knowledge that gets revealed; she's just interpreting the card, not picking it. But this is just another reflection of what her Maestra is trying to teach her: Lilia's task is to see, not to control, and by letting Billy pick his own cards, she's still trying to control the outcome by avoiding having a hand in it.

So Billy places down the "The Path Behind" card, and without even seeing what it is, the sword it releases almost kills Lilia. And the irony is--Lilia already knows! She already knows what the path behind Billy is! She saw it at William's bar mitzvah, and now the sigil is broken so she knows again. But because she wants to be hands-off still, the knowledge she already knows almost kills her. It is only her covenmate looking out for her--Agatha, the sharpest sword in the drawer!--that saves Lilia from herself, and needing covens is another truth that Lilia is turning away from.

The lesson is clear: Swords will never not be sharp. Knowing the future will never not hurt. Accepting people into your life in a coven will also never not hurt, especially when you can see their end before you even begin. But if Lilia can't learn to live with the pain of knowing--or accept help from a coven in dealing with it--it will kill her. Even if she refuses to look--with the ceiling descending--the knowledge will still kill her. Her being killed is inevitable. You cannot know the future without knowing endings, including your own. Knowing--not changing--the future is the power. And we see this play out allegorically! As soon as she starts reading for herself, pulling her own cards, accepting this power of knowledge, the swords stop falling individually but the ceiling also starts descending again. So the knowledge is inevitable, but seeing the information doesn't have to hurt if you handle it correctly and have support.

This makes it all the more poignant when the tower is turned upside-down. The knowledge is no longer looming overhead, but is now underfoot, clear and obvious. But that doesn't remove its danger. It only changes how you must deal with it. So Lilia hangs on to the table--the site of her most powerful act of divination--and that brief moment of hanging on is still an act of control. But this time, the knowledge that she will die has empowered her. It no longer scares her. And her job is to see, not to control. So she lets go. She accepts it, lets gravity pull her to the knowledge, and allows the knowledge of death to pierce her, both literally and metaphorically.

This is what divination is. This is what it means to be a Divination Witch.

And this is just a brilliant, brilliant piece of writing that needs to win all the awards.

[saxandviolins77]

I have a feeling most people don't actually care for Bonecrusher's character, so I made a little post talking about what I find interesting about him.

Enjoy 😙.

I know for a fact that Hook, Mixmaster, and Scavenger are the most popular out of the Constructicons and that's fine, but I feel most people don't really KNOW what makes Bonecrusher interesting as a character.

OK, I'll be fair here and say that most of his substantial character traits come from obscure stuff or are not developed, but his most obscure bio is used on his TFwiki description... so... Not that hidden.

Take his Sunbow writer's guide page, for instance. It establishes that he is destructive and brutish, but more importantly than that, his job is a performance to him, an art form if we can put it this way. That already paints a whole different picture of him. Yes, he is violent, but he's also a self-proclaimed artist.

Even in the cartoon, Bonecrusher doesn't act like a thug (I hate this word), as most people and IDW2019 portray him. He's surprisingly stoic (yeah, I didn't take it from nowhere). He's violent, sure, but he's also dedicated to the task at hand. Take G1's "The Autobot Run", an episode that feels like the writer was faithful to the guides. In said episode, while Long Haul is the one wanting to fight directly, Bonecrusher comes and admonishes him, talking about how the device they are building will "wreck those Autobots good," as he puts it. (Bonecrusher has sparingly appearances and lines in G1, but most of those lines are of him being violent or him just going about his work day.)

This for me is the cream of the crumb of Bonecrusher's canonical characterizations, directly from Transformers: The Ultimate Guide by Simon Furman himself. Aside from that, this book has some pretty innovative things for the Constructicons; the fact that this was written by the same person who wrote the Dreamwave bios makes it feel like a natural expansion of what's already established. Though, for whatever reason, Furman focuses a lot on the "survival of the fittest" part of Boner, like, I know... '86 Movie! But C'mon!

(The Dreamwave bio was omitted due to redundancy.)

Now, in my personal opinion, you can see a pretty interesting base for a character. A perfectionist who expresses his desire for perfection by violently destroying everything he considers flawed. A performance artist in his own right.

The only thing I outright reject from Canon is the fact that he has a 3 in intelligence and a meager 6 in skill. Well, color me fucking surprised! He must be a very shitty DEMOLITIONS SPECIALIST. I sound petty, but I simply feel he shouldn't be dumb as bricks ( I also don't need him to be Hook levels of smart.) Keep him a brute, but a competent brute who actually does his job well. (take this with a grain of salt; I have a very weak suspension of disbelief when it comes to jobs not being portrayed accurately.)

Either way, I just wanted to shine a light on what I like about the Boner guy. Have a fine day/evening/night. 🥱

[lurkingshan]

Every You Every Me

The Final Story (Part 2)

Time to finish this! [Edit from the future: I did not like this finale, so there's your warning!]

Ngl once the reveal was done and we were just in a bl about two annoying actors with a bad relationship this got less interesting. Still love the narrative device of this being about an actor pair across shows, though, that was clever. I just wish this actual story about Pun and Inn was better.

Part of my issue with this final plot is I still don't even know why Inn broke up with Pun in the first place. I don't really know what Inn's supposed to be apologizing for, other than this vague idea that he was self-absorbed. Meanwhile we actually did see Pun shut Inn out of his career decisions which directly affect him, so this one-sided apology feels weird.

I also don't love the connection they drew here between their personal and professional relationships, like they couldn't do their jobs if they weren't getting along. We know actors can act through a ton of BTS strife and still turn in good performances (EarthMix MLC divorce era, anyone?).

Like, why is Pun sobbing this hard after dumping Inn? Why dump him if he's still this attached?? Why ditch him for a new partner without ever discussing it? I don't really get Pun's deal here.

"Years later" well that's nice and vague, thanks chyron.

Why are the bad actor side pair here in this film? We saw them together and they were terrible, it was part of the plot!

Suddenly, a flashback? Inn is drunk so it's def time for a bl white towel sponge bath.

I am... so confused. When did this drunken heart to heart take place? Before or after the dramatic breakup? And why would they have to wait years to be together? But Pun assumed Inn didn't even remember??

Okay so if I have pieced this together right, they had this drunken convo the same night we saw them out with their friends, then wrapped the show, then had a dramatic breakup despite having already had this conversation and Pun knowing that, but Inn didn't remember/thought it was a dream, and they just didn't speak for years until Inn showed up with the flowers. This is so convoluted and I am just baffled over here.

Anyway, I guess they're gonna get married now even though they have a really bad and non communicative relationship. Sure!

Quite a choice to skip any physical intimacy scenes for the "real" couple after all that. I don't think I like it.

What a mess of a final episode. It's so strange that they went to the trouble of coming up with this interesting and creative narrative and executed it pretty well only to falter on coming up with a basic romance arc to finish the story well. I'm disappointed this didn't end stronger so I could recommend it to people. Ah well, at least Mick and Top are a good pair; their chemistry did a lot of the heavy lifting. And it was fun watching the shows within the show and puzzling out what was going on. I'm glad they tried something different even if they didn't land it in the end.

[staticvoidzz]

Ok, uhh here’s a small deep dive into a silly headcanons and I’ll spilt it to make it more organized

HAZEL

Hazel, from the beginning has been shown to have a huge admiration for her older brother, Antony. It’s her driving motivation as a character in the first few episodes. Not to mention she sounded rather blue when she mentioned that she moved ACROSS THE COUNTRY from Antony and he can’t really visit since he’s a college student. Hazel, from the start loved her older brother, when she ever got upset about being alone in a completely new area, she keeps on telling herself that Antony visiting her will make it all worth it. Then Antony couldn’t visit do to a massive storm and he’s not able to catch up until the holiday break, which was months from now, this obviously makes Hazel very upset and she tries to hide it by being “mature”, Hazel immediately decided to run away to visit Antony herself, because she feels seen by her brothers presence, she feels comfortable and confident with him.

And yes, her parents also keep her company, they also unintentionally ignore her wants and needs to the point where Hazel sees Antony as her “parental figure” Hazels need to see Antony got so strong, it triggered Cosmo and Wanda’s powers, fairies who were in retirement at the moment, Hazel wish turned her into a literal fly and she just flies away, not even knowing where the airport is. Cosmo and Wanda chased her and tried to convince her that they could help her, but it wasn’t until Hazel was about to die in a gifted Venus fly trap, she had a conversation with a ant, who spend lots of time away from her ant colony, after that, Hazel was convinced that Her brother can do things on her own, as she can to. Hazel then becomes a human and a Godchild to Cosmo and Wanda, and she decides to take a day one step at a time….but stuff like this just doesn’t disappear, does it? Hazels made a new friend, Jasmine,

One day, Hazel suggested to Jasmine that they watch scary movies, because that’s what her and Antony did, But when Jasmines resented the idea, due to her dislike of horror, Hazel made the wish to make her fearless, which actually got her fears out and they are now there own beings, So, now Hazel has to right her wrong by making Jasmine face her own fears. Then, Jasmine got possessed by the consumption of fear, and it taunted Hazel, pointing out the obvious “manipulation” and the way “Hazel used Jasmine for her own needs.” Digging into her fears, which is “Afraid of Starting something New, so you try to repeat the past.” Hazel, was finally to face her own fear with support and she recognized her mistakes, and suggested they do something else they would both find fun. Eventually, Winn, The cool skateboarder kid, Joined in on Hazels and Jasmines friendship, becoming a friendship trio.

Some, time later, They all decided to take a quiz and when they scored a zero, Hazel went into a spiral and just assumed that Winn and Jasmine don’t know her well enough and secretly hate her, so Into her mind we go! It was all good,until she got into her embarrassing secrets, she tried to hide it, but that caused her to let her mind worm loose, which fed off her negative thoughts. Her deepest conflict is that her friends aren’t actually her friends and that they don’t care about her, it’s not until Hazel remembered what her mom said about not letting negativity control her, she’s eventually able to control it and get back with her friends. In a similar situation,

Hazel went into crisis about which class she should sign up for, Band or Orchestra. Since Winn and Jasmine are on both sides and that they are enemies, so Basically if Hazel decides one thing, she’s silently saying “I don’t like you and I prefer this.” And Hazel obviously doesn’t want that, so she gets musical talent and a clone of herself to make Jasmine and Winn happy, but it’s no use, they still fight and Hazel accidentally took away music, which is bad—because they can’t perform. So, Hazel decided to come up with a plan with the help from the help of the Nmusic Fairy, in which music was temporarily restored in order for Hazel to prove that she can get the band and orchestra kids together as one,

and she succeed as being their conductor of sorts, after the show, backstage, Hazel asked her parents if they sent the video to Antony (because he was going to see it via video) But Antony already showed up and watch the show live, he appears with roses and happy to see Hazel. Hazel was estatic, immediately jumping onto his arms and on the verge of tears, she was so happy to see her brother after so long. She even used to rule free wish so that her friends (family included) will remember fairies.

Hazels inner conflict are letting something go and the fear of losing something she care. She doesn’t want to lose anything again, but she has a good support system with Her mother, Cosmo and Wanda, Antony and Herself. She’s able to maturely handle the situation after she messed things up, because of that support system.

(Ok I was going to add Dev, but I’ve been typing for over an hour straight And my fingers are starting to hurt. I have a lot to say about Dev as a character regarding this head canon, but I hope for now, this’ll do. I’m still pretty new to analyzing, so I hope I did a good job :3)

Another HeadCanon (That’s Kinda a Projection but Shh)

Both Dev and Hazel have attachment issues, I’ll probably go on a deeper dive if I feel like it

[leo-is-a-loser]

Ok i love darren and i love blaine but why does it sound like hes stuck in a little box when he's singing bills bills bills?

[the-woman-upstairs]

Really beholden to the idea that at least part of why Louis was fascinated with Daniel initially was because of his project of interviewing citizens of San Francisco, documenting their stories and voices, in much the same way Louis was trying to do with his photography in Paris.

[mastersoftheair]

on the point of including black people in the show (or any period show), a lot of the outrage can sometimes come across as performative to me. it's one thing to feel upset about how little screentime black characters get compared to white characters (a valid criticism, believe me, I Know! give me an hour and i could talk your ear off about how this constantly annoys me as a black person who's damned to enjoy period pieces), but it's another to Only get upset while not actually creating content for said black characters, Especially when fandom (not just hbo war, but in general) is famous for taking Extremely minor characters and creating entire worlds with them, to the point where you wouldn't know they're minor characters at all until you check out the source yourself. richard macon, alexander jefferson, and robert daniels each have only 20 or less posts about them (at the time of publishing this post). in my own fandom experience (within fandoms both big and small and old and new, whatever), i've seen more content (posts, art pieces, analyses, fics, etc) made for minor white characters in less than a mere week's time (it's not a competiton lol i'm just giving a perspective here). so idk. obviously, there's nothing anyone here can do about a show that's already been filmed and released. we got what we got. thas it. at least in the great wide world of fandom, you can actually do something about it, turning the big into small. there's precedent for that. otherwise it just feels like complaining for the sake of complaining

[doctor-who-war-doctor]

Just finished episode 4 of The Penguin and sorry... Penguin who? Give me 4 more episodes of just Sofia Falcone please and thank you. Absolutely exilerating yet terrifying, I love it.

[rickybaby]

The Ricciardo factor applies

[comradecowplant]

LMAO after all the backlash, the Pretty Little Liars reboot retconned Imogen giving her baby to Aria & Groomer 🤣 #bullyingworks

[wrynnindoubt]

So

The new doctor who is godawful.

[quietwingsinthesky]

prev post I don’t want to bother op with this but. that is why s5 lucifer is so good too.

[novelconcepts]

This show is incredible, and has so many scenes that are just haunting.

[priestfrommidnightmass]

someone recently posted a list of all the movies riverdale episodes are named after and now i cannot stop thinking about how episode ONE. very first number ONE was named after rivers edge like. that is such a superbowl for my brain and now i want to rewatch and pick apart who’s supposed to be who. who is supposed to be the keanu reeves? the ione skye? more importantly, the crispin glover?