#i need to make a lot of posts about this whole thing like not just rivers edge
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stellardeer · 6 hours ago
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I feel like a lot of people in various reblog chains of this post have kinda lost the plot, so I'm reblogging this version to bring the emphasis back on the AI "detectors".
Whether something like Grammarly is considered AI or not is a little irrelevant, but most people consider using a spelling/grammar checker to not "count" as AI (despite the fact that you may be able to write out a bunch of nonsense and have Grammarly correct it over and over until it passes as a sentence)
And what a teacher will generally use an AI detector for is to check if the student wrote the paper or prompted an AI to give them a paper. As far as I know, Grammarly can't finish your entire document for you based on prompts (but I haven't used it so feel free to correct me) so I feel like a lot of the notes trying to argue whether it counts as AI or whether auto correct is useless now are just getting away from the point this point was supposed to be making:
You can't trust an AI detection software to accurately predict whether something was AI generated.
And part of the reason for that is that AI-detection software could ALSO be considered a form of AI. It is limited both by the dataset being fed to it to determine whether something is or isn't AI, and by any biases of the human who programmed it. If the programmer writes a program that says "look for anything that isn't perfect English and flag it as AI", they are showing that they don't trust anything written in broken English. I'm not sure why it might flag a word like "devoid", but if the AI detector is looking for patterns amongst known AI samples and the word "devoid" comes up a lot, it might just assume that any text using the word "devoid" has a higher chance of being AI generated.
Let's go back to the Both Of These Are Bad part.
It shouldn't need explaining why AI detectors falsely flagging ESL writers' works as AI is just bad and just contributing to systemic racism, so let's talk about the ways in which it can be harmful to native English speakers.
As stated above, it's interesting that an AI detector might flag words that seem "complex", while much of mainstream writing is trending towards simplification, for better or for worse. It could mean that since a lot of non-AI writing is so simplistic, anything that deviates from that is considered abnormal. Or it could, again, just be a programmed bias of the author of the program. I think this is more the point that thebibliosphere might have been trying to make, not that Grammarly specifically is evil AI that's making everyone write bad, but that a larger cultural shift to more simplistic language is happening and when things like Grammarly tell you to simplify your phrases or an AI detector tells you that your essay was AI generated because you used a big word, it's encouraging this simplification at a much faster rate than if human editors and teachers were directing their writers/students to do so.
Grammar software is perfectly optional for professionals, of course, but if a student is going to fail a class because their essay can't pass an AI detector, well, they can't really opt out of that. They have to change their wording to something that might not be as vibrant as what they originally wrote, or risk failing and potentially worse action depending on a school's plagiarism policies. It's essentially going to train kids to write in specific ways to get around it, and they might not understand why their paper was flagged or what AI even is yet, they're just going to assume that their writing was wrong and needs to be fixed. And let's not assume that only the kids writing their own essays are doing this, either. If kids can write a whole paper using AI and then change a couple of words so that it passes the detector, they're going to do that too!
Again, the point here is that the AI detectors are not infallible, often make racist assumptions, and cannot be the only method used to check whether something was AI generated.
I don't really have a good conclusion because I don't have the answer to this problem, because it goes beyond students in a classroom and you won't always get a document history to check. I just felt like this post was losing it's direction and I needed to clarify it for my own sanity.
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redflowersociety · 17 hours ago
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Saying “I Love You” for the first time. - Mouthwashing HC
These are written with the pretense that… THEY LIKE U BACK!! (Except for Swansea cause he’s married…sorri) THIS WAS SO PAINFUL CAUSE I WAS WRITING THEM IN PARAGRAPHS AND THEN… boom. 1000+ words lost. Never writing on tumblr again, rookie mistake. Anyways, enjoy!! Promise next post will be higher effort
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Curly (Pre-Crash)
He’s quick to make a teasing comment on your unprofessionalism, confessing to your captain and all. But he’s honestly super flustered and trying not to grin like a kid on Christmas Day.
He takes a moment to sit with it. It’s likely that you two would have made advances toward each other for a while, as Curly is the type to take things slow if he’s serious. After a year of pining, you two were finally dating! But hearing those words from your lips brought him to such happiness because he knew you meant it unconditionally, without expecting anything from him.
After this instance, it became common practice for both of you to remind the other of your love. Curly had never been a “words-of-affirmation” kind of guy, but this was an exception. “I love you” turned into his favorite phrase, as it was the perfect way to release the tension building in his heart from just how badly he had fallen for you.
Curly (Post-Crash)
He honestly couldn’t believe that you could stomach looking at him, let alone still sit with romantic feelings for him. It brought him to tears when he heard it, unable to comprehend how somebody could show him such boundless affection and care. He wasn’t used to unconditional love.
He forced himself through the immense pain to slur the words back, and that’s when you began to cry. He forced it out again and again, until you convinced him through pleading not to speak. You knew how much it hurt him, so you assured him that knowing was enough. You didn’t need the reassurance.
Upon your return to Earth, Curly not only had surgeries to make his face a little more structurally sound, but he had attended speech therapy to make up for the years he spent in near silence. One of the first things he learned was your name, and then “I love you.” It brought you to tears hearing it again for the first time in so long. It was okay though, as he could hold you in his scarred arms as long as you needed to cry it all out.
Daisuke
At first, he thought you were being silly. “Aww, I love you too,” he giggled. It wasn’t until you spoke up again with a more serious tone that he realized, and you swear you’d never seen a man turn red so fast. He was so taken aback, asking you at least five times if you were serious and if you were sure. Once his nerves were satisfied, he returned the gesture.
“I love you too. Like a lot, a lot. Soooo much. Like, I really thought I was tweaking out or something from like, the way my whole body would go numb around you and my brain would get fuzzy-“ his drawn out explanation on how his romantic feelings for you overwhelmed him made you laugh. Within the next day, you two were dating.
Even before you two got together, Daisuke ranted to anybody who would listen about just how perfect you were. Now? Oh, man. Swansea has been really considering throwing him out into space after hearing about your confession for the twentieth time from his loud-ass mouth.
Anya
It was honestly a relief to her that you had said something first. She had been trying her best to stay professional, but seeing you all the time, your smile and laugh, the way you spoke passionately about what you loved; it made it harder every day as she fell further for you. You were one of the first people she grew close to on the Tulpar, and the first she went to when Jimmy… did what he did. The trust between you both was ample and strong.
She was quick to say it back, like it was a breath of air she’d been holding in way too long and needed out. You two laughed from the sheer relief on her face, teasing her thoroughly about it. She didn’t hesitate to grill you right back for being the one who confessed first. It shut you up pretty fast. You both agreed within the hour to start dating!
There were mixed reactions among the crew. Some extremely supportive, and then some straight up bitter and resentful (Jimbo). Jimmy began to treat you especially cruelly, and you refused to stand by and let it happen. Curly also helped to defend you when he could, seemingly coming to his senses about Jimmy’s behavior. You could tell that Anya felt intense guilt for your pain, but you assured her that it wasn’t her fault. It was your decision to date her knowing everything you did. You were happy by her side. She certainly cried over that privately, completely enamored.
Swansea
Swansea is married, so he knew to take your words in a familial sense. He didn’t return it, saying something like, “You’d better kid. With all I do for you.” But when you him on his lonesome in the utility room? Yeah, he smiled about it.
f you had a bad childhood due to your parents, Swansea could tell pretty quick. He never considered it his problem, but even still, he took you under his wing with Daisuke. He wanted to give you guidance in the ways he knew how. You deserved that, at least. He would go out of his way to help you when you needed, mostly with solving practical problems. He had never been the most emotionally aware, but he tried with you. He figured even if he couldn’t assist you much, it’d be good practice for his daughter on the way.
That’s not to say he never had any advice. He struggled to comfort, but he was quick to pick up on your mistakes and told you the blatant truth. You appreciated that, even if he was harsh at times, cause it helped you become a better person.
Jimmy
Your confession was certainly an ego boost, but nothing past that. He couldn’t believe that you could say something like “I love you” to someone like him without there being pity behind it. Even still, he returned the gesture because he knew that getting with you would make you so much easier to use. He took the opportunity.
The entire crew, aside from you two, were completely flabbergasted when they found out you two were together. Swansea was quick to ask “Why,” hoping to understand the reason behind such a horrible decision on your part. He didn’t get a good answer from you. Anya felt such pity for you, sure that a good person like you had been manipulated into that position. Even still, she couldn’t help you without putting herself in danger, so she kept her distance.
After the crash, Jimmy took out all his frustrations on you in private through abuse: sexual, physical, verbal, and however else he felt in the moment. Nobody was confused when you started wearing more covering clothes beneath your uniform. Swansea was the only one to really step up against Jimmy when he found that he was hurting you. You had to beg Swansea not to kill Jimmy for that alone, and even still, jimmy got a beating. Daisuke checked on you as much as possible, worrying constantly for your well being. Curly found your relationship to be one more thing to feel guilt over, as he once again couldn’t do a single thing to protect somebody from him.
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logansargeantsbabymom · 3 days ago
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I Said Back Off
Franco Colapinto x Fem!Reader, Lando Norris x Fem!Reader, Franco Colapinto x Lando Norris
Angst
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The world only saw Lando Norris, the quick-witted Formula 1 driver. They didn’t know about the side of him I knew—warm, caring, fiercely protective. Our relationship had been a secret for almost a year, something we wanted to keep safe from the prying eyes of the public and the pressures of the racing world. But I never expected someone to test the strength of our hidden romance as Franco Colapinto did.
The paddock was buzzing after Williams announced that Franco would be replacing Logan Sargeant. Franco had a boyish charm, that easygoing confidence that made him instantly likable. I was happy to see him get his shot in Formula 1, and I had no reason to think he’d be anything other than friendly. But from day one, he turned his attention to me in a way that was impossible to ignore. At first, I brushed it off as him trying to make an impression, especially as he didn’t know about Lando and me. But as his flirtation intensified, it became harder to ignore—and harder for Lando to tolerate.
One afternoon, I was in the paddock waiting for Lando to finish a debrief when Franco walked over, wearing his Williams team shirt and a lazy, almost arrogant grin.
“Y/N,” he greeted, giving me a once-over that felt more invasive than flattering. “You look stunning today. I bet you bring good luck to whoever you’re with.”
I laughed politely, shifting uncomfortably. “Thank you, Franco.”
He leaned in, lowering his voice. “I mean it. I’ve noticed you around, and let’s just say… I’m determined to make sure I see a lot more of you. Maybe a date after the race?”
I tried to play it off with a polite smile, but it felt slimy. “I don’t think that’s a good idea.”
He laughed, not at all deterred. “Why not? I’ve got plenty to offer, Y/N.”
The unsettling feeling in my stomach grew as Franco took a step closer, his eyes raking over me. I had a sinking feeling he wasn’t used to hearing the word “no.”
I was relieved when Lando finally emerged from his meeting. He took one look at Franco standing so close to me, and his whole expression changed. His jaw clenched, eyes darkening, and he strode over, positioning himself protectively between Franco and me.
“Is there a problem here?” Lando asked, voice tense.
Franco’s smile only widened as he shrugged. “No problem at all, mate. Just getting to know Y/N a bit better. Can’t blame a guy for being interested in a beautiful girl.”
Lando’s hand tightened around my waist, his jaw ticking with restrained anger. “Maybe you should focus on your driving, Franco. Y/N’s not interested.”
Franco gave him a dismissive look, his smirk unwavering. “That’s funny, Norris. Just because you say she’s not interested doesn’t mean it’s true. I think she deserves to make her own choice.”
I could practically feel the fury radiating off Lando as he squared up to Franco, not bothering to hide his protectiveness anymore. “Back off, Colapinto. I’m only going to say this once.”
Franco laughed, clearly amused. “Touchy, aren’t we? I didn’t know she was already spoken for. But tell me, Norris… are you sure you’re giving her everything she needs? Because I’m willing to bet I could do better.”
Lando’s fists balled at his sides, and it took every ounce of restraint I had to pull him away before things got physical. “Lando, it’s not worth it. Let’s go,” I said softly, trying to defuse the tension.
Reluctantly, he let me guide him away, though I could feel his entire body still wound tight with anger. Once we were alone in his driver’s room, he paced back and forth, struggling to calm down.
“Who does he think he is, talking to you like that?” Lando muttered, his voice sharp with frustration. “He’s just a rookie. No one even knows his name, and he thinks he can just… just take you from me?”
I moved closer, placing a calming hand on his shoulder. “Lando, he doesn’t know about us. That’s why he’s acting this way. Just ignore him. He’ll get over it.”
But Lando shook his head, his expression hard. “I don’t care. I don’t care if he knows or not. I don’t want him near you.”
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Race day arrived, and Lando seemed more tense than usual. Even as he prepared to get into the car, his eyes kept flicking over to me, as if making sure I was out of Franco’s reach. I tried to stay out of sight to avoid more confrontation, but Franco didn’t make it easy. Just before the race started, he found me in the garage, that same smirk on his face as he strode over.
“You know, I’m still serious about that date, Y/N,” he said smoothly, grabbing my hand before I could pull it away. He brought it to his lips, holding my gaze in a way that felt more like a challenge than a gesture of admiration. “Imagine the life we could have together. You don’t have to settle for second place.”
“Franco,” I said firmly, pulling my hand back. “I’m not interested.”
But he only chuckled. “That’s not the vibe I’m getting.”
Before I could respond, Lando caught sight of the scene from across the garage. His eyes blazed with fury as he marched over, grabbing Franco by the shoulder and yanking him back.
“I warned you, Franco,” Lando growled, his voice low and dangerous. “Stay. Away. From. Her.”
Franco just laughed, clearly reveling in Lando’s anger. “Calm down, Norris. You’re making a scene. What, scared of a little competition?”
“Competition?” Lando’s voice dropped even lower, almost a whisper. “I’ll show you competition.”
With that, he turned on his heel, stalking off toward his car without another word. I knew he was furious, but I couldn’t shake the feeling that this wasn’t the end of it.
The race was brutal. Lando drove with a relentless aggression I hadn’t seen before, overtaking at every opportunity, refusing to yield an inch of space. When he finally closed in to lap Franco, I held my breath, watching as he drew dangerously close, almost forcing Franco off the track. Then, in a split second, Franco’s car veered off-course, spinning out and crashing into the barriers. The gasps around me were drowned out by the sound of metal grinding against concrete.
The cameras caught every second of it, but I knew immediately: it hadn’t been an accident. Lando had pushed him, and Franco’s car was totaled. Word quickly spread that Franco had injured his wrist, an injury that would keep him off the track for weeks.
When I finally found Lando after the race, I couldn’t hold back any longer. “Lando, tell me you didn’t do that on purpose.”
He looked at me, eyes still blazing with the same anger I’d seen earlier. “He was asking for it, Y/N. I warned him. He wouldn’t leave you alone, and then he had the nerve to say he could treat you better? I wasn’t going to stand for that.”
I stared at him, torn between anger and an unsettling sense of pride. “But Lando… you could’ve seriously hurt him.”
He pulled me close, his expression softening just slightly. “I’d do anything to protect you, Y/N. I can’t stand the thought of anyone else thinking they have a claim on you. I won’t let anyone take you from me.”
My heart softened, even though I knew he’d crossed a line. “Lando, you can’t just—”
But before I could finish, he kissed me, right there in the open, in front of cameras and crew. Our secret was no longer hidden; he was making it known to everyone, Franco included, that I was his.
As the days passed, Lando’s apology came in small gestures—a handwritten note slipped into my bag, flowers on my doorstep, a quiet apology over dinner. He promised me he’d try to control his temper, and slowly, I forgave him. Because, in the end, there was no denying that he’d done it out of love, fierce and unyielding, a love I couldn’t resist.
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bringthekaos · 2 days ago
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I'm excited for your thoughts on the new season if/when you share them
It has legit taken me 3 days to come to terms with Act 1. Enough to be able to speak about it. Gunna apologize in advance for the wall of text, and I’m hiding it under a break for spoiler reasons. Also prefacing with these are all just my opinions. All are free to disagree with me and RB with discussions/theories etc. just don’t be a dick about it, I’m not engaging in any discourse.
Ok. So. I have mixed feelings, and I’m aware that this is because I don’t have the whole story yet. So this is all contingent on how the rest of the season plays out.
First and foremost, I’m… wildly swinging back and forth between love and disappointment for Viktor’s arc. So first the negative, and I’ll try to keep it brief because a lot of people have already expressed this and I don’t need to be beating that particular dead horse.
Viktor has had his agency, his bodily autonomy, his original ideas and nearly everything that made him Viktor stripped away. Nothing so far has been his choice. And while this could have worked just fine for an original character, he wasn’t. So there is a massive disconnect between what this character was/should have been. In League, it was all his choice (albeit with a healthy dose of mental illness thrown in, but still). AND it was very heavily suggested that many of the augmentations he performed weren’t as extensive as he lead everyone to believe (namely the controlling/dousing of his emotions). But it appears that whatever the Hexcore did to him, it’s real. He is clearly having a difficult time accessing his emotions, and if he can feel anything, it is limited to the point of him being completely stoic. And the thing with stoic characters is that you obliterate any emotional payoff for the audience. It’s very hard to make an audience feel an emotional connection to a character’s story arc when they themselves don’t feel anything (I have a theory about this though, but I’ll address it a little later in this post). And then there is the issue of Blitzcrank. Blitz was Viktor’s whole world, after his exile. How are they going to swing that? Like, I’m not even asking for Blitz to be in Arcane (that would be great, but I really don’t think they have time). But I stg if they take Blitz away from Viktor, make them someone else’s invention (my suspicion is Heimer or he finds the idea in Sky’s journal)… I’m sorry but no. This was Viktor’s idea, Viktor’s genius. I will genuinely be extremely upset if they take that from him too.
Then there is the whole situation with Sky. First, this girl was fridged. She was nothing but a plot device and continues to be just that. It feels hollow and forced, especially now that he’s hallucinating her as some sort of penance for what he did. (I have seen the prevalent theory that it’s the Hexcore using her image and his guilt to manipulate him, given that it “ate” her, and we have seen it “manipulate” him before when it punished him for trying to destroy it). But back to Sky—he barely acknowledged that poor girl. The reason for that can be argued, whether it’s because he’s gay or because he was just so wrapped up in his one-track minded research. But regardless, there just wasn’t enough setup between those two for this whole thing to have as much weight and meaning as I think it’s supposed to. Honestly to me (TO ME) it reeks of comphet. It feels like that random woman they threw at Poe Dameron to No Homo him. I’m not even asking for Jayvik canon. But the creators were well aware of this ship, after all it’s the second most popular ship in this show and it’s been around since 2012 when Jayce was literally created for Viktor. I’m asking for the bare minimum here—that it’s left open-ended as it was in League, open for interpretation.
Last negative I have is the whole Viktor Jesus thing. The first problem is I am pretty violently agnostic, and messiah narratives have never spoken to me. I don’t enjoy them, they feel weak. The whole “ordained by a higher power” thing is just… stale. Especially when this character originally had no higher power, he gave it to himself through his own hard work and ingenuity. Honestly, Viktor’s original arc is about as far from a Jesus allegory as you can possibly get. And I am absolutely terrified that they’re going to end said Jesus arc the way you’d expect—with him dying for it. Which leaves the moral of his story “disabled man should have just accepted that he was going to die despite the fact that it was the oppression and xenophobia of Piltover that left him out to dry, without proper health care, accessibility, equality, or equity that lead to his terminal diagnosis to begin with.” Which is a very oppressor-centric narrative and we do not need another one of those.
Sorry, I know I said I’d keep the negatives brief, and that was… not. My bad. But moving on!
I’m not saying I didn’t enjoy it, I did. I am working to embrace this new Viktor narrative and work it into my brain in a way that doesn’t ruin the ship for me. So without further ado, the positives.
Jayce.
Jayce.
Jayce.
I’d have to go back and time it, but it feels like he got more screen time in this first act than the entirety of the first season combined, and his character shined for it. It humanized him in ways season one never did. He’s caring, he’s devoted, and he loved Viktor! No matter what kind of love you think it is, it proves he loved Viktor without a doubt. He carried Viktor several city blocks to the lab to save him, and then YES, he broke his promise about the Hexcore because he couldn’t stand the thought of losing him!
And he’s funny! (The scene where he picks up the regular sized hammer in the fight against Renni and made that “this is ironic” face?? And then basically the entire interaction with Ekko? The hand me a tome thing, and then when he basically pulled this when Ekko suggested “so this is all your fault cuz you pissed off the Arcane”:
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GOD that shit was great. Jayce’s personality just shined, and maybe it’s too much to hope, but maybe this will douse a little of the hate. Because instead of being a subtle hint at all of those things being true about him, it’s now overt. And when people lack media literacy, the hints have to be overt.
And th-the. The h. The HUG SCENE. I don’t think I will ever emotionally recover from that scene. Starting with Viktor who, despite being clearly emotionally—I dunno, vacant I guess—sounded so lost and scared when he said “what am I?” For me, it was whispers of that scene from The Last Unicorn: “what have you done to me?” And my poor sweet Jayce, who clearly hasn’t left this damn lab except to go to Cassandra’s memorial. Sleeping on the desk and bleeding through his bandages because he doesn’t want to spend a moment away from Viktor while he “recovers.” And his euphoric response when he finds Viktor alive, when he realizes he hasn’t lost him. And I OWE HIM AN APOLOGY, goddamn. I said in a post that “Jayce will not understand.” I thought that was how Arcane was gunna start the divorce. But Jayce genuinely did not care, as long as his lover friend was alive. And just… Jayce being so affectionate through this entire scene. The hug obviously, but also blurting things he thought he’d never get to say to Viktor—“I’m resigning from the council, my place was always here in the lab with you.”
And… the hug itself. I know we’re all analyzing it frame by goddamn frame, but I see exactly what everyone else sees—there is a moment where Viktor very subtly smiles. But it’s gone in an instant, and it turns bittersweet. LOOK AT HIM.
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There is something there, it’s just buried. Deep beneath the surface. It seems to say “I want this, I have wanted this for so long.” But then he realizes something, something I don’t think we’re meant to understand yet. Maybe that he doesn’t feel anything about it anymore, and he recognizes that this should upset him and it doesn’t. Or perhaps it’s something more along the lines of “it’s too late.” Whatever it is, I think this is the exact moment he knows he has to walk away. Because he knows he’ll cave to the affection, he said it himself. (Which is another thing entirely. His voice changes when he says that. Something in him is reacting to that word. Maybe he’s fighting against it, or maybe he’s fighting to get it back. But something made him almost growl that word.)
Which leads me to my final thought (for this post anyway, cuz it’s turning into a novel); Viktor is still in there. He can still feel things, I just think they’re extremely muted by whatever the Hexcore did/continues to do to him, or he has to fight to express them. Because he also smiled at the hallucination of Sky after he “cured” Huck. And if he feels nothing, he wouldn’t have been “joyous” at the thought of her being proud of him, approving of the good things he’s trying to do in her memory. He wouldn’t crave that validation, that vindication from her. So I’m hopeful that we start to see this shell crack a little, especially if those visions of Sky are the Hexcore manipulating him through guilt. It will start to erode him, no matter how stoic he has become. And literally the only thing I’m clinging to is that Jayce will see this and try to pull him out. “He’s still in there and I have to save him.” And that maybe it’ll start to work.
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lastoneout · 2 days ago
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As someone who is on a mood stabilizer(lamotrigine, in fact) what's happening to the people in these screenshots is not what happens to the average person who has hobbies and fandom-adjacent interests. My meds have never stopped me from loving with my whole chest, instead they simply give me the ability to balance my intense love of things with my real life wants and needs in a healthier way. They give me the ability to stop playing Minecraft before I give myself a migraine, or stop thinking about my OTP long enough that I can make a phone call and actually focus during it, that sort of thing. I don't stop having hyperfixations, I just am able to have one and also have a functional life too.
But these people were clearly missing something important in their lives that's place was filled by a truly unhealthy obsession(or like. had mold poisoning. that person is an outlier dw). They use the word hyperfixation but like, I don't think that's really what's going on. This isn't a bog standard hyperfixation on like Hero Academia or WWDITS, these were obsessions with real living celebrities, and fandoms for celebrities tend to take a dive into conspiratorial thinking and vague cult-y behavior REAL fast. Like, I mean, you can be a fan of a celebrity or band and be normal about it ofc, but I see the conspiratorial thinking pop up a lot more and faster in fandoms for real people. Genuinely combing over every single thing Taylor Swift has ever done or said 500 billion times to compile a dissertation on how she's been subliminally telling her fans for years now that's she's gay and attacking everyone who says otherwise because they don't get it and are just homophobes and like, fucking stalking and threatening her ex-boyfriends and spending every spare moment of every day posting about it with other people who are doing the same....that's not healthy. That's not a normal special interest or hyperfixation. That's clearly someone who is missing something crucial in their lives, be it connection with other people or stable brain chemistry or a community, and filling that hole with something similar but extremely dysfunctional shared with a community of people who are also unhealthily obsessed and thus promote and encourage unhealthy fixations and conspiratorial thinking at the expense of every single part of the rest of their lives. This is on the same level as like, someone's grandma who has always kinda been convinced Elvis' death was faked and in 2016 accidentally fell down the Q Anon rabbit hole, not someone who thinks about their blorbos holding hands before they fall asleep at night and is begging for someone to ask them about the tv show they're from so they can info-dump.
And like yeah fandoms can get you like that too, I've gotten too deep before and fallen in with conspiratorial thinking(almost always around ships tbh) and whenever I get out I feel pretty ashamed of letting that free dopamine and validation roller coaster make me act like someone I'm not, and ofc some fans will stalk and harass the people behind their favorite show or movie for ship validation or write up massive conspiracy boards about how "xyz ship is def endgame trust us see we connected the dots and we will destroy the lives of anyone who disagrees including the people who make the damn show" like I was at Phoenix Comic Con the year Andrew Hussie got mobbed(but not in the mob!! thankfully I didn't get caught up in all that!!), I know how fandoms can be, but overall what's happening in these images isn't something the average fan needs to worry about. If you aren't writing conspiracy boards about celebrities sexualities or an OTP and harassing the celebrities/creators about it, sending death threats to real people who disagree with your theory or like other ships, and spending every spare second of every day posting and talking about them to the point that you literally, physically, don't have time or energy for anything else then you don't need to worry about meds making you not like your favorite webcomic as much anymore. What these people are going through is framed through the lens of fandom, but was far closer to going to a Flat Earth Convention in terms of actual behavior and outcomes.
Your meds shouldn't make you stop liking things entirely. When I think about not liking things I genuinely loved as much as I used to I get a little sad because I miss them, when I think about getting riled up because I believed a show runner was specifically trying to spite ME I feel embarrassed, and I'm glad I stopped doing it and moved on to things that actually make me happy and aren't borderline conspiracy theories. That's the difference. These people aren't sad, they are straight up happy to be out, talking about how it's wild to look at the insane things they believed, and putting focus on how their lives are better now. They clearly don't miss these things because they've moved on. Or, in the case of the BTS person and probably the swifties, they still do like the artist or actor or band, they just aren't Obsessed(tm) with them to a truly unhealthy, world-view altering degree anymore. They can still love these artists and actors without that obsessive love taking over their entire lives.
So nah. The average fan does not need to worry about meds doing this to you. These people were outliers in unhealthy situations that improved when they got the things they were missing. That's almost certainly not what's going to happen to you.
(But also yeah even if you do find your interests changing, that's not always a bad thing. Interests change, we find new things to love all the time, it doesn't invalidate the joy we found and friendships we made to recognize that now we want to post about a different show or movie or comic. That's just how life is, we change.)
And if you don't like the way meds make you feel, you can tell your doctor and stop taking them. There are some meds out there that make me into a zombie that no longer cared about anything at all. And so I stopped taking them, told my doctor, and we worked something else out. Don't be afraid of change, but also, if it sucks hit the bricks.
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rmadridcore · 12 hours ago
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NSFW Alphabet
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Pairing: Jude Bellingham x Reader
Requested
Word count: 2.3K
Warning: Smut! (Minors DNI)
Author’s note: Another request I had on my list that came just in time lmao 🤍 Enjoy, anon!
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A = Aftercare (what they’re like after sex)
Aftercare with Jude is practically a ritual. No matter how intense the moment, he makes sure you end the night feeling cherished and at ease. He’s meticulous — cleaning you up with a warm cloth, whispering soft reassurances as he gently wipes away any lingering mess. If he’s gone rough, you’re guaranteed a warm bath where he’ll tenderly wash every inch of you, his touch as gentle as his words, massaging your skin with care. Jude gets extra affectionate afterward; he wants to be close, savoring the post-intimacy warmth with his arms wrapped tightly around you. For him, holding you is almost like another way of saying "I love you" and he needs you to feel that just as deeply.
B = Body part (their favorite body part of theirs and also their partner’s)
On you, Jude is truly torn. He adores your eyes, especially how they’re filled with love, but also how they look when he’s making them roll back. Then there’s your hair — soft and fragrant, perfect for his hands to pull when he’s got you on all fours or on your knees. Naturally, he’s captivated by your body, your curves, but if he had to pick a favorite, it’s your lips. Those soft, inviting lips that kiss him tenderly, speak words of love, and do...other things that drive him crazy. The way your lips look wrapped around him or just lightly kissing his fingers, or how they brush over his sensitive spots; it’s irresistible.
For himself, it’s between two: he loves his hands, for what they can do to you — massaging, exploring, or lifting you closer when you’re arched back. And, well, his other favorite…take a lucky guess. But those hands of his? They’re his pride and joy when it comes to you.
C = Cum (anything to do with come, basically)
Jude’s favorite place to is definitely inside you. It’s like he’s on another level when he feels your warmth around him, holding him close — he loves how intimate and possessive it feels, and nothing compares to hearing you ask for it. That alone drives him wild. But if he’s feeling extra smug, he’ll finish on you, usually your face. He loves seeing his release on your lips or the stray drops on your lashes, and the way you look with him still covering you leaves him in awe.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
Jude loves marking you, even if he rarely admits it. Knowing the hickeys he left are hidden away on your thighs or chest makes him feel smugly possessive. When he’s in a more playful mood, though, he’ll leave them somewhere visible and watch you try to hide them the next day. Seeing you subtly covering up the spots, his love bites just barely hidden, makes him lose his mind.
E = Experience (how experienced are they? do they know what they’re doing?)
Jude’s had his fair share of experiences, he’s learned a lot over time and he definitely knows what he’s doing. But with you, he’s dedicated to learning you — he’s incredibly observant and pays attention to all the tiny details about what you like. Every sigh, every shiver, he notes it down mentally, building a whole guide to pleasing you specifically. His experience shows, but he doesn’t coast on it, he’s always looking to make each moment even better, to discover new ways to make you feel good. He’s invested in making every time together feel like it’s just for you.
F = Favorite position (this goes without saying)
He loves anything that lets him see you. Whether it’s missionary, or having you on his lap facing him, or you riding him, Jude is addicted to watching you. Seeing your face flushed and eyes struggling to stay focused on him? It’s everything he wants. The way your expression changes when he’s deep inside you, seeing every little reaction up close — it just drives him to keep going, to watch you unravel bit by bit under his touch.
G = Goofy (are they more serious in the moment? Are they humorous etc.)
Jude’s mood is flexible, sometimes he’s lighthearted, laughing softly and whispering silly things to make you giggle. Other times, he’s intensely focused, his full attention on you, dead serious about making you feel every inch of his passion. But no matter the mood, his smugness is always there; he can’t help those teasing remarks and that cocky grin, even at the height of intimacy.
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
He is definitely a man who takes pride in keeping himself well-groomed. His hair on top is always styled and maintained, and it’s no different down below. He keeps everything tidy and natural, making sure he’s clean and presentable for you.
I = Intimacy (how are they during the moment? the romantic aspect)
With Jude, it’s all about intimacy. He knows that true intimacy is about genuine connection, and he feels that connection with you. His favorite moments are when he’s as close to you as possible, his gaze holding yours if you can keep your eyes open long enough. He’s deeply romantic, telling you all the things he adores about you as he kisses down your body. His intensity and passion grow when he’s with you — nothing matters more to him than making you feel cherished and loved.
J = Jack off (masturbation headcanon)
Jude likes to jack off, obviously. Who doesn’t? When you’re not around, he’ll definitely take matters into his own hands, but he much prefers if you’re on the other end of a phone or FaceTime call with him. If that’s not possible, he has a stash of Polaroids he’s snapped of you, his favorites that he keeps hidden away to help him out when he needs it. To him, nothing compares to the real thing, but he’ll make do when he’s missing you.
K = Kink (one or more of their kinks)
This man has the most obvious praise kink. When you tell him how good he’s making you feel or how much you love what he’s doing to you, it’s all he needs to melt into a mess. The more you praise him, the more he ramps up his efforts, practically obsessed with hearing your approval. There are moments when your compliments even make his cheeks heat up, and that vulnerability drives him to work harder, making him practically feral in his need to satisfy you.
L = Location (favorite places to do the do)
While he’s up for a lot as long as you two have privacy, his favorite place will always be the bed. It’s where he can fully take his time, exploring you without limits. The bed gives him the freedom to do whatever he pleases with you.
M = Motivation (what turns them on, gets them going)
It’s honestly everything about you, he’s helplessly attracted to every detail. However, nothing drives him crazier than seeing you in his jersey, with his name and number on the back. He can’t get over the sight of “Bellingham” and “5” emblazoned across your shoulders; it’s a powerful reminder that you’re his, and he’s yours. If you wear it around the house, you’re almost guaranteed to end up pinned against a wall, bent over a counter, or pulled onto his lap as he can’t resist making the most of the moment.
N = No (something they wouldn’t do, turn offs)
He’s quite open-minded and loves experimenting with new things together, but he has hard boundaries, and bringing other people into your sex life is a firm no. He’s fiercely protective over your bond and can’t even stomach the idea of sharing you with anyone else. Naturally, anything that might hurt or make you uncomfortable is off the table; that goes without saying.
O = Oral (preference in giving or receiving, skill, etc.)
Jude’s mouth was made to worship you — or so he often tells you with a smirk. He’s got serious skill, and he knows how to use it. When he’s between your thighs, it’s his favorite place, and he’s almost desperate as he laps you up, savoring every moment like it’s his last. He’s obsessed with making you come on his tongue and has to physically restrain himself from keeping his mouth on you for hours.
As for you going down on him, that’s a whole different high. Seeing you on your knees, with that gleam in your eyes and your tongue teasing him, brings him to his limit almost instantly.
P = Pace (are they fast and rough? slow and sensual? etc.)
His pace varies with his mood, and he loves mixing it up. If he’s been yearning for you all day or feeling a bit possessive, he can get lost in a faster, rougher rhythm, his need for you overpowering everything else. But when the moment’s tender, like on your anniversary or after he’s missed you, it’s slow, steady, and dripping with affection. Every thrust is measured, intimate, filled with soft kisses, whispered promises, and hand-holding. He knows exactly when to be soft or rough, and it keeps things electric between you.
Q = Quickie (their opinions on quickies, how often, etc.)
Though quickies can be fun, Jude doesn’t favor them. He loves savoring every moment and finds it hard to rush through it; he’d much rather have the time to build up and bring you to the edge slowly. For him, foreplay is essential, and when he doesn’t have the time for all that care and buildup, he’s usually happier waiting until you can fully enjoy each other. That way, the anticipation only makes everything feel even more intense.
R = Risk (are they game to experiment? do they take risks? etc.)
You and Jude are both open to some risks, but you two tend to prioritize safety and privacy. The thrill is there, but he’d never want you both to risk getting caught in any real trouble. However, that doesn’t mean he’s a complete angel: he’s sneaked a hand under your dress at a fancy dinner, given you that mischievous smile, or pressed his hand over your mouth in rooms where you could easily be overheard. Those little thrills are more than enough for him, and they make every private moment afterward even more cherished.
S = Stamina (how many rounds can they go for? How long do they last?)
Jude’s stamina is borderline legendary. He’s trained as a top athlete, and while he’s only human, you might be convinced he’s superhuman with how long he can last. He has a strict rule of making you cum at least once before he even thinks of reaching his own high, ensuring you’re completely taken care of. He’s always ready to go for more rounds than you might expect, coaxing you to “give him one more,” until you’re out of breath and only his name remains on your lips.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
He enjoys keeping things interesting, so he has a few favorites like handcuffs, a blindfold, and a vibrator for when he’s in the mood to tease. But more than anything, he loves relying on his own body, his hands, mouth, and everything in between, to make you scream his name. He believes his personal touch is more satisfying than any toy could ever be.
U = Unfair (how much they like to tease)
Jude is, without a doubt, the king of teasing. This is because he has learned all the tiny, almost unnoticeable things that turn you on and he exploits them like a motherfucker. He’ll make you flustered with a single look, drag out the anticipation until you’re practically begging, and won’t even touch you until he knows you’re fully aching for him. He loves seeing you on edge, desperate, and completely at his mercy.
V = Volume (how loud they are, what sounds they make, etc.)
He knows how much you enjoy his sounds, so he doesn’t hold back. His deep, husky grunts, the way he moans in that accent, and his whispered, filthy words keep you coming undone. He’s vocal because he knows his sounds drive you wild, and he loves to let you know exactly how good you make him feel.
W = Wild card (a random headcanon for the character)
He’s got a thing for mirror sex. He loves watching you watch yourself as he has his way with you, making you see just how needy and beautiful you are. It’s a game for him — if you close your eyes or look away, he’ll slow his pace and tease you until you’re back to looking at the reflection. It’s a control thing, and he absolutely relishes seeing you struggle to keep your eyes open.
X = X-ray (let’s see what’s going on under those clothes)
“Impressive” doesn’t quite do him justice. Jude’s perfectly large and proportional, the kind of fit that has you thinking about him hours after he’s left. When he’s fully hard and deep inside you, it’s a feeling you never get used to, almost as if he’s about to split you in half.
Y = Yearning (how high is their sex drive?)
Jude’s sex drive is fairly high, almost perpetually ready to show you how much he loves you. If he’s not dealing with major stress from his career, he’s pretty much down anytime, anywhere. Just a hint of flirtation or a touch from you is often all it takes to get him started.
Z = Zzz (how quickly they fall asleep afterwards)
As much as Jude loves sleep, he never nods off until he knows you’re completely settled. Watching you fall asleep in his arms, seeing your breathing slow and your face at ease — it gives him his own kind of peace. Once he’s sure you’re comfortable and content, then he lets himself drift off, happy to have you curled up beside him.
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myokk · 1 day ago
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Hi! I'm still feral for these two, would you mind giving us some art of them in their later years together!?
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Hello angel!!!!
Sorry it’s taken so long to respond🫶🫶 but I wanted to draw some new art for this ask💓
We have: Sebastian and Eloise trying out their new fancy camera with a selfie, pictures of them with their daughter, and finally…idk I just always felt like this drawing is when they’re a bit older💓
I want to take this ask as an opportunity as well to talk a little about how I imagine their future (I have no chill & you can ignore this and just enjoy the art if you want😇).
I am a COMPLETE pantser - I never know how a chapter’s going to end when I start writing it (I always just have a few scenes I know I need to include to keep the plot moving forward). Although I have different *big* scenes I’m always writing towards, and themes/plot elements I’m always foreshadowing (shout out to @elliecutte for catching *almost* all of my hints and appreciating my general no chill😆), IM STILL NOT 100% SURE HOW I WILL END THINGS !!! 😳 I have a lot of endings I see as possible, and I think soon it will become more clear to me what will work the best💓
HAPPY ENDING:
Eloise and Sebastian become Unspeakables. I have a LOT of thoughts on this profession that could be its OWN post, and I feel like Unspeakables are generally specialized in one or two departments, but as their interests/research change they also change.
Eloise becomes an Unspeakable in the Mind and Death departments, with the occasional foray into Time. Her ancient magic is connected with all of these things (my version of AM is NOT like the game) & the Department of Mysteries is one of the only places that gives her any useful information about these things. Plus she thinks too much (it IS her hobby after all😆💓) and is very introverted so a hermit job like this is a perfect fit.
Sebastian becomes an Unspeakable as well, but I feel like it takes him a long time to specialize in anything, if he ever does. I just feel like becoming an Unspeakable is the adult equivalent of sneaking into the Restricted Section🥹🫶
They grow old together (I won’t explain TOO much) & have a lovely little family🥹 at least one daughter that they both dote on. Sebastian had an amazing childhood (idyllic until it wasn’t), and wants to give his daughter the same, and Eloise works hard to make sure their daughter feels the love that she never had growing up🥺
When Sirius is burned off the family tree, Eloise and Sebastian take him in🥹🫶 (they’re like 100 years old but WIZARDS LIVE LONGER…) The same happened to her all those years ago, and she wants him to know that his whole family hasn’t abandoned him.
Eloise LOVED her nieces - Bellatrix, Andromeda, and Narcissa - when they were younger, but as Voldemort becomes more powerful & people realize WHAT he’s doing, she has to separate herself from them. Her heart breaks seeing Bellatrix go mad, and seeing Narcissa engaged to a Malfoy out of obligation😔 (iykyk)
I haven’t thought any more about happy ending but I think it’s fun to think about how their future story might weave in with the actual canon events, ESPECIALLY since Eloise is a Black🥹💓
SAD ENDING:
After Sebastian gets his hands on Slytherin’s relic, it really starts to consume him and makes him even MORE obsessive than his natural tendencies - I imagine it similarly “talking” to him like Slytherin’s locket/horcrux did in Deathly Hallows (😳)
Eloise is deathly afraid of the changes she’s seeing in Sebastian and steals it from him (he would never willingly give it to her ESPECIALLY if it starts to feel like a precious item to him)
BUT the relic triggers the latent Black Family Madness in her - the madness that afflicts almost every woman in her family since…🤭 - and she herself starts to lose touch with reality. Her body and soul are already destroying themselves between the curse and the ancient magic inside of her, and the relic is what triggers it in her.
Sebastian becomes an Unspeakable, focusing on the Mind, in a desperate attempt to find a cure for his Eloise🥺
He never gives up his research, and sometimes when he comes home she is lucid and they talk about his research - otherwise, he just loves and takes care of her.
(He’s never successful in finding a way to reverse what he feels he caused in the first place - his ambition and single-mindedness is, to him, the reason why all of this happened)
Honestly who knows if I end their story either of these ways😌 I just love thinking of AUs and different endings and I have a few others I’ve considered as well!!! And whatever endings I don’t write will be immortalized on this blog and in my art as well🙏
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becausebuckley · 3 days ago
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michelle's buddie fic recs: week 45!
what a week... i'm greatly enjoying all of the post-8x06 buddie fic (many more recs to come!) and took some time to revisit old favourites, which can be found in previous rec lists. enjoy!
this is a mix of fics with all ratings, so some include NSFW content. please take a look at both the ratings and the fic tags before reading! some might also contain spoilers for season 8.
if you come across something you like in this list, remember to show some love to the author by leaving kudos and a comment!
all that we need | not1_2write | 26.4k | M
When Buck buys a Powerball lottery ticket he doesn't think much beyond his need for change to air up his tire. He forgets all about the ticket until word spreads that the winning ticket was sold in LA and hasn't been claimed yet and pretty much dismisses it. After all, there's no way he won the lottery. Turns out no, he really did win the Powerball, to the tune of 295 million dollars and just in time for Christmas. He's going to make sure the 118 has the best Christmas of their lives. And just maybe he'll have a good one too. idk about all of you but i do dream about winning the lottery regularly (way too often for someone who's never bought a ticket, that's for sure). this is such a lovely look at what buck would do with a whole lot of money <3
i take this magnetic force of a man | playinginthunderstorms/@playinginthunderstorms | 9k | M
Turns out, he isn’t actually afraid of commitment. He’s just afraid of committing to the wrong thing, or the wrong person. Ana, obviously, had been a mistake, because he hadn’t been ready, and he’d put other people’s expectations above his own wants and needs. With Marisol, he’s done the same thing. Moved too fast, doing what he thinks is the right thing according to who? His parents? For Chris’s benefit? Again, pushing past his own comfort, discarding any doubt because it doesn’t fit like… Like Buck. blanket rec for one of my favourite authors who has been posting incredible fics lately!! this one in particular is so beautifully written and so romantic and just so very buddie <3
if i need to rearrange my particules i will for you | thelikesofus/@thelikesofus | 7.9k | GA
Eddie catches a cold and Buck takes care of him while having a minor, non-platonic emotional crisis. this is definitely influenced by the fact that i've been ill myself but wow truly nothing hits as hard as buddie taking care of each other when one of them isn't feeling well. the bed sharing in this is so good <3
let me | facewithoutheart/@facewithoutheart | 1.6k | T
Eddie doesn't think he needs romance. Buck, respectfully, disagrees. AKA the fic where Buck picks Eddie up and kisses him breathless against a wall. and buck is so right for doing that!! i love it when buck turns eddie to jello <3 so lovely!
second child, restless child | lesbianrobin/@lesbianrobin | 23k and counting| M
how Evan and Maddie make it out of Pennsylvania, and Buck and Maddie build a family. okay so listen these past few weeks i've been doing this thing where i only rec finished fics, and every time i scroll through my ao3 history for these rec lists, i come across this one and go oh i wish i could rec this already. and then i realised wait it's my rec list i can do whatever i want, and so then i did. anyway, mind the tags for this one, but wow are you in for a treat here! i love the character dynamics (chim is brilliant in this!! and maddie!!) and i'm so so excited to see the rest of this fic unfold <3
said that i was fine, said it from my coffin | justhockey/tumblr | 7.3k | T
And it doesn’t matter that he feels like he’s dying. Like the version of himself that he’s always been is suddenly a stranger to him - just a mask he’d spent his entire life hiding behind, without ever even realising he was wearing it. It doesn’t matter that Eddie is…that he’s gay. Because he knows - as surely as he knows that the sun will rise again tomorrow - that the only person he has ever, and will ever, truly love is Buck. And Buck isn’t his to love. another blanket rec for an author who's been posting incredible fics!! this one in particular has such brilliant eddie characterisation and i just devoured it the second i got that little ao3 email hehe
there's no place like home-spun | icewhisper | 4.1k | GA
Buck has spent most of his life trying to find something to settle fidgeting hands and the restless need for a home. He found the key to the latter when he was thirteen. He finds the former in a cozy home on South Bedford Street with two of his favorite people. (AKA the Buck-crochets fic that literally no one asked for.). this fic makes me want to learn how to crochet. i am the least crafty person ever and i have like minus time but just know that if two weeks from now i'm posting about yarn and crochet hooks and whatnot, it's all thanks to this fic. i love buck who crochets so very much <3
you get your dreams for free | llovely/@butchdiaz| 14.9k | T
five times buck and eddie cuddle drunk and one time they cuddle sober. buddie bed sharing my absolute favourite. i read this late at night curled up under three blankets and it hit just right <3
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symphonyofmars · 2 days ago
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There was something I wanted to add as i saw people arguing back and forth (and this might be against my better judgement): but I believe the first post I saw referenced Bell Hooks, and then I later saw someone else say that the use of her quote was bullshit. The quote had to do with being compassionate towards men, and then the person responding said that wasn't what the quote is about (iirc, it's been a few days and my sense of time is not great) but having read The Will to Change (which I believe the quote was taken from), that's exactly what it was about.
[adding a read more because this became much longer than I intended it to be]
The book discusses how the patriarchy hurts not just women, but ALSO men, and how it's so much harder to rehabilitate men from it because: they think they stand something to gain from cramming themselves into the box they're supposed to fit into, and, many of them just have no idea that their life could even be different. That they could be an artist if they want to, they could dance if they want to, they could go into childcare if they want to or grow their hair long or write poetry or paint their nails-- that there are no "boy colors" and "girl colors", that there are no "men's jobs" and "women's jobs", that they could just do what they want because it makes them happy. They don't even know that being happy is more important than filling their sociological niche that someone else has carved out for them. It reminds me when I learned the story of Siddhartha Gautama when I was little, and that he had no idea that poverty, sickness, and suffering even existed because he had never been outside the palace walls and, not that I'm saying every man can achieve nirvana in an afternoon (or even in a lifetime), sometimes someone who knows what's outside the walls has to let you know that there is even something beyond the walls.
Which is also not to say that women need to be doing all the work for men. I spent ten years trying to disabuse a man of the "things he has to do to be manly" and it ended with him breaking up with me and joining a trad christian cult.
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Some men (like my ex) are just extremely resistant to change because change is terrifying, but they also have this sense of Sunk Cost Fallacy, where if they were doing this thing the whole time and it's not working, then what were they wasting their time on?? (I feel like you see this with a lot of evangelical/trad Christians as well, where the idea that they might have been wrong is so scary that they double down on their beliefs in the hope that it will work out for them.)
But, there are also men like a book reviewer I was watching a few days ago (whose name I don't know), who admitted that he really had no idea women were catcalled as much as we say we are, until he was grocery shopping with his girlfriend and she went into the next aisle (literally like five feet away, just with the wall of food between them) and he heard a man catcall her. Like, the second she walked away from him and she no longer obviously belonged to him (in the mind of horrible men like her catcaller) she was suddenly fair game to be harassed in public. And he said that he never didn't believe his girlfriend, but to witness something makes it so much more real. To use my "wall" metaphor another way: he and so many men are still inside the palace, experiencing what they think is the same life others experience, while women are outside of the walls, struggling. The incident of hearing his girlfriend (who is an adult women and who shouldn't need him constantly around as protection from horrible men) being treated like an object while she's by herself was like someone grabbing his hand and pulling him outside the walls without even asking if he wanted to go, showing him a truth that can only be experienced by someone who is not him.
Back to Bell Hooks because there was something I wanted to add: yes she does say that it is at least partly the job of feminists to help to deprogram men. Men, as a group, have been brainwashed to think that they have to be The Provider, The Protector, The Leader, and not all of them are good at providing, protecting, or leading. Maybe some of them want to do the things I mentioned before like care for others (in the way we would describe as "maternal" and attribute to women), maybe they want to create art or do crafts or other things not considered "traditionally masculine", and that's not even taking into account that the "traditional idea" of a man is to be constantly wanting sex, and that men could never be sexually assaulted because they're in a constant state of wanting to fuck (obviously this is a lie; anyone can be sexually assaulted, and not everyone wants to fuck). You can't just take a dog who was taught only to fight and put it in a house of children, it won't know how to act around them and might attack them: it needs to be rehabilitated first.
And Bell Hooks does note, that the problem with trying to deprogram men comes from how they're raised. I'd like to submit this video about men and empathy, since I've already typed a bunch:
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When I was reading The Will To Change and I got up to the part about her dad, I realized how different my dad is. And, because you don't get to choose your parents, I consider myself very lucky that my dad has always been unconditional in his love. For a moment I almost found this strange because his older brother was the "golden child" and his younger brother was "the baby", so he should have been somewhat neglected because they always got more affection from their parents, but I think it's because he was the favorite of his four girl cousins who would take him everywhere and fight over him (even now, he's the one they're excited to see and they shittalk the other two lol). So, I have a sneaking suspicion that the only reason he didn't end up shitty like his brothers, is because when he was a child he had four girls who were showing him what unconditional love was like and that you don't need to meet the criteria of your niche in order to receive love.
Which, I have to thank them for, because it's so much easier not having to decide whether or not I want to talk to my own parents as an adult because they've gone Fox News Insane. Both my parents will actually ask me about things they don't understand - like trans rights, queer rights in general, voting (I made them a paper of who/what to vote for for the election since the props always need extra research), geopolitical things - and I've even caught my dad making fun of conspiracy theorists and the thinking that trans women are ruining sports (he's a big sports guy and he mostly watches women's bball because he likes that they actually have to play as a team in a team sport). Life is a lot easier when both parents have empathy and don't have to be convinced to care about others.
And I think that's why the OG post I saw quoted Bell Hooks, because the "we need to rehabilitate men otherwise we can't have the feminist future we want" contingent of feminism never really took off; there was one-- I believe they were originally called "Meninists" as in "men who are feminists" and I've seen a picture of them from a parade in the 70s, but it died out because they were fighting such an uphill battle trying to convince other men to join. So now, we have more women who are independent and who have de-centered men from their lives, but also a bunch of men who were never rehabbed and who don't know their life doesn't need to revolve around "being a man." Being a man means being strong, it means being able to provide, it means being attractive; and the Tates and Fresh and Fits and all the other scam artists of the world sell them this on steroids: buy my book and you WILL be hot, you WILL be a millionaire, you WILL have women who want to fuck you...
Never mind that those guys are probably on actual steroids, they only have that money from scamming other men, and many of them have been found to hire escorts (which, there's nothing wrong with hiring sex workers, but there's a difference between selling the idea that you'll be so charismatic that women will throw themselves at you and having to hire a sex worker because your personality is so bad that no one wants to go near you.)
They're selling a false ideal to men who don't even know it's false in the first place.
But going back to Ms Hooks again: she did talk a great deal about how we need to raise our boys (as a society). She talks about how the whole thing of telling a nine-year old "Take care of your mother" is an insane notion, because he's nine and he can't do anything, and she's an adult woman who is actually the caretaker; and about how boy babies are treated so differently even to the point of "baby boys should not cry as much as baby girls". Like, the gender requirements are there before they can even talk, no wonder they're so damaged and hard to convince of anything later in life.
Reads with Rachel and her husband, Carlos, had two really good discussions about masculinity; one about real masculinity vs performed masculinity as they compared two books about being a man:
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As Rachel says after Carlos complained about being made fun of for cleaning his nails after working on his car ("I work an office job and I have cleanliness standards"): "It's not enough for you to know how to work on a car, you also have to be dirty in order to be the manliest man."
The other is in the context of talking about how Patrick Rothfuss isn't the feminist he thinks he is because he still wants the women around him to perform femininity so he can perform masculinity and feel like "a big strong man" before going into a general discussion about masculinity (from about 9:01 to 53:55):
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Together they ask a really good question (pardon me if I don't remember it verbatim): "Why does it take someone acting in a particular role for you to feel like a man?" And it's easier for Carlos to be able to deal with that question, because he started deconstructing from the patriarchy when he was 25 (he said he's 32 at the time of that video). It's something he and Rachel have done together as they learn and grow and live their lives together, him deconstructing from the patriarchy and her deconstructing from her fundamentalist christian upbringing (which is basically just The Patriarchy, but More, and +God.) And they've done this because they came to realize their upbringing was wrong, and they didn't want to raise their sons to be saddled with the same baggage that they both grew up with that made their lives worse.
So yeah, I forgot where I was going with this anymore since finding the one video took so long. The majority of men are resistant to changing their mind and it's because they were raised to be unemotional and not care about others but, sometimes, if maybe you've been friends with someone a while and take the time to explain something in a way they understand, you can change someone's mind. Story time:
I was a mod for a streamer for about a month and a half roundabouts January to February of this year (I ended up leaving because trying to get a bunch of randos to behave was stressful - esp since the streamer's rules weren't clear - and I ended up not really liking the streamer as a person). One person in the discord said that they hated the phrase "It's not my job to educate you" because it was condescending. I defended it as people being tired of having to explain shit to people just because they're black or trans or a woman but a bunch of people latched on and started saying anti-left things, which was weird because the streamer and his discord were supposed to be leftist (it's part of why I left, he was just weirdly antagonistic towards leftist ideals despite calling himself a leftist and he was attracting some *ahem* weird types). Anyway, a day goes by and a trans person comes in and says something like "I don't think I should have to explain my existence to random people on the street just because I decided to go outside," and a bunch of people descended on them, telling them they were wrong, and I'm pretty sure they ended up leaving the server.
[Like, the original group-agreed-upon argument came down to "I shouldn't have to google things or look up books to read or do my own work to discover anything new about the world, I should be able to demand of a random person's time and energy, even though I'm not giving off the vibe of someone who is actually ready to listen" and when I pointed out that people know when someone is and is not ready to listen, the streamer himself asked me how I knew and I was like like "do you think that I, a woman in her 30s, is somehow incapable of being able to discern intent?" Most women and queer folk KNOW who's a bad actor before they open their mouth, the idea that any of us wouldn't was just wildly ignorant.]
I complained to my friend (who I had met in the server) that the streamer was wrong and everyone's reaction was bullshit and, at first, he agreed with the position that a trans person should be prepared to debate people on their own rights if they deign to step outside their home. I countered with "You know, [streamer] doesn't it get it because he's a straight white man. He's the default. Other straight white men already know what it's like to be a straight white man so they have no questions for him. But to be trans or otherwise queer or a woman or any other person outside of a white man, is to have people question whether you have a right to be where you are. Trans women I've known have told me that they've had complete randos ask them if they've had bottom surgery and just-- how is that their business? People act so invasive towards non-straight non-white non-men in a way that no one does towards straight white men that they literally just can't understand what it's like to have your existence questioned just because you went outside. Asking a stranger if they've had bottom surgery is LITERALLY sexual harassment, and no one would ever walk up to someone like [streamer] and ask him like, "How big is your dick?" or something of a similar nature because that's just insane behavior, but when it's a trans person or a woman, it's suddenly okay? Like why do you think that is?" And my comparison to how white men are treated vs everyone else, and my stance that asking a stranger if they've had bottom surgery is sexual harassment (it is, no one needs to know about your genitalia) got through to him and he agreed with me. Awhile later I even heard him saying something similar to someone else about a situation that was similar and taking up the stance that I had given him.
So like... yeah, I probably wouldn't do that for a random man on the internet who is determined to hate me, but I can do it for a friend who I know might be receptive to what I have to say to him, and help steer him away from opinions that could end up dragging him down the wrong path.
As this post's OP said: "it's not saying you HAVE to do it! it's saying you CAN do it!"
It's up to you if you want to try effecting the people around you, but if they've dug in their heels that much then it's okay if you want to leave and not speak to them again. Just know that, it's only so hard for you because they were brainwashed since birth to think the way they think and that's REALLY hard to undo. And that's not a pass, that's just the reason why this is so fucking hard for the rest of us (when they're adults and harder to reason with because they're so invested) and also, the reason why mothers of sons need to maybe rethink how they're raising them. Like, don't raise them with "boy colors" and "girl colors" raise them with "colors." Dance isn't something a girl does, it's something a body does. Women don't cook because cooking is a woman's thing, people cook because they want to eat. And... I'll be honest, I've known a few women who are just so mean to their husbands in a "why can't you be a real man?" way, and I just DON'T see how that makes him want to be a better person, but then again, those woman probably need as much deprogramming as their husbands do since they just keep reinforcing something that (she may not even be aware) is hurting them both.
So yeah, sorry if this was a bit rambling, but seeing people fight back and forth for the past week and seeing people take up some really... Mad Max-ian, like, ultra-anarcho-capitalist positions of "we shouldn't help any man at all, fuck em!" was really weird when it was being said by people who purport themselves as being feminists when feminist ethics is supposed to be more compassionate. There were just a handful of reactions I saw that seemed very "pull yourself up out of the patriarchy by your bootstraps" but like... what if their boots don't have bootstraps? What if they don't even have shoes on? What if they don't even know they could have shoes?
posts about the alt-right pipeline being compassionate towards young men while radical leftists shun and shame them are not fucking saying "the men are becoming violent because feminists are too mean!" and if that is your takeaway you need to get off tumblr until you've better honed your critical thinking skills.
those posts are talking about how effective the language and approach you take in your activism can be. this is literally cult deprogramming 101. if someone is being taken in by a violent or dangerous group, that violent or dangerous group is usually offering them compassion and solace while working hard to convince them everyone else in the world is their enemy. you are under no obligation to coddle or act compassionate toward these men and their violent ideologies, but if you have the means to try, it is something that you can do to make a tangible difference.
radicalized people are often only one loving friend or family member or external voice away from being de-radicalized. of course that is not always the case, but it very often is. a lot of y'all rightfully understand that you do not carry the burden of being that voice, but a lot of y'all also have a lot of internalized ideas about morals and punitive justice and have simply written off these people as deserving of only the worst and not worth saving.
ten years ago, my grandmother was a fox news watching republican who voted red in every election and very well could have fallen down the qanon rabbit hole if not for me and her daughter challenging her compassionately, walking her through hypotheticals that validated her feelings & proving why they were false, & being patient with her despite our extreme division in political ideology. it was frustrating fucking work! but i decided i wanted to do it, because i could see the horizon and i could see me making a difference!
"misogynists have been saying feminists are too mean for years, get new material" that is not the fucking POINT. the point is that you, feminist, can be the compassionate voice that guides your brother, your father, your cousin, your grandfather away from fucking becoming or staying a nazi. you can show them compassion and companionship. you can be the woman they think of when their alt-right bros try to convince them that women are the enemy. and you can choose to crystallize that image of yourself so wholly in their mind's eye as worth protecting that they may very well choose to reject those harmful ideas.
it's not saying you HAVE to do it! it's saying you CAN do it! don't you 'firebomb a walmart' people all love taking change into your own hands? where the fuck is that energy right now, huh?
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sunfyrisms · 1 day ago
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it’s genuinely so sad seeing some people blaming vi for cait leaving her, because it’s exactly what people did with the whole powder situation.
vi was a child when she saw the brutal, horrific end of her brothers and fathers. she was a child, she was hurt, physically and mentally, she lashed out at powder. it is clearly a mistake that she regretted. she looked at her bloodied fist in horror, started crying when she looks at powder, and she left to collect herself. because she was the only one powder has left, and powder was the only one she has left. vander’s last words to her were instructing her to take care of powder. she needed a moment, just a moment, to grieve. but the moment she saw powder is in danger? she immediately got up. she was ready for another fight. she was ready to protect her sister, without hesitation, even after fighting and losing the rest of their family before her very eyes.
i think a lot of people take jinx’s words as an immediate, inherit truth. “you created jinx.” perhaps it’s because jinx herself is the one who said it. but i don’t think vi did that. vi was in prison, as a child, surrounded by violence. constantly beaten, constantly hungry, but she never once forgot about powder. not a day, not an hour, went by that she didn’t think about her little sister. the first thing she does upon getting out of prison is immediately try to find powder. powder may have been traumatized by that fateful night, rightfully so, vi was too, but i don’t think vi created jinx. silco was the one who created jinx. he manipulated her, worsened her mental state, the whole nine yards. i’m not here to discuss whether he loved her because that’s ultimately not what this post is about. what i’m saying is that vi didn’t create jinx, but she blames herself for it anyway. she blames herself for abandoning powder, for not being able to protect her, for her roughness.
it’s so painstakingly obvious she isn’t willing to do that again. she isn’t willing to hurt those she loves. as a result, she’s so soft, so gentle, with caitlyn. she wipes away her tears, holds her, and genuinely sympathizes with her loss. she is able to be there for caitlyn because she has lost people time and time again. she joins caitlyn’s elite force to compensate for her actions (because, again, she openly states she believes she created the monster that is jinx). she becomes the thing she hated most to attempt to right her wrongs, but she still has her morals, she’s growing increasingly uncomfortable with caitlyn’s increasingly violent and cold deposition.
vi is scared of what caitlyn is becoming. she is openly scared of caitlyn, of how unrecognizable her rage and grief is making her. she doesn’t call out caitlyn’s rapidly growing hatred and dehumanization of her own people, not at first. but she’s scared. she’s scared what’s happening to the woman who was shown the reality of what her people face, what’s happening to the woman who genuinely wanted to make a difference, the woman who is ultimately kind as she is naive, the woman who gave away her only means of protection to save vi.
after their battle against jinx and sevika, she voices her concerns. she openly asks caitlyn what’s wrong with her. when she says caitlyn is acting like jinx, she isn’t being cruel. she’s trying to bring caitlyn back to reality. she’s saying “you’re losing yourself and it’s scaring me”. she grabs caitlyn’s arm, but, remembering that she hurt powder, what resulted from that, she immediately loosens her grip, positions her hand so she’s gently holding caitlyn’s wrist. she’s not willing to hurt caitlyn. she wants a productive conversation, she wants to understand, she wants to communicate, she wants caitlyn to understand that she’s becoming something dangerous, and she will do something she will regret.
caitlyn is triggered by vi’s words. she likely, at least subconsciously, resents and blames vi for her mother’s death. vi pleaded with caitlyn not to kill jinx, and caitlyn hesitated, and that resulted in the death of her mother. to be clear, i don’t blame vi for cassandra’s death, because she legitimately had nothing to do with it. but i think caitlyn blames her. she blames her for stopping her a second time, and takes vi’s statement as a direct comparison to her and her mother’s killer. on a surface level, it might have been, but i think it was a warning. it was a warning to caitlyn that her grief and rage were blinding her and she was betraying the morals she held so closely in season one. she’s actively becoming unrecognizable to vi like how jinx is unrecognizable to her, and she doesn’t want that. she doesn’t want caitlyn to lose herself.
in the end, that softness, it doesn’t matter. it doesn’t matter that she tried so hard to go about it differently, to be gentle rather than strong. because caitlyn strikes her in the same place she healed her wounds. caitlyn strikes her with her weapon, looks at her with such obvious contempt and disdain, just like the enforcers she’s encountered her entire life, and vi knows she’s lost her, just like she’s lost everyone. caitlyn is unrecognizable, blinded by her hatred, and vi is alone. she’s left alone after the woman who promised to not change changes so deeply and so badly.
i think that’s the tragedy of vi. she learns from her mistakes, she tries to be gentle, she carries the grief of everyone she loves, and she loves very deeply. however, she can’t save people who don’t want to be saved. she can’t stop people she loves from becoming their worst selves.
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coco-loco-nut · 2 days ago
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High Flyer - Part Two
pairing: charles x reader
summary: no spoilers 🤭
masterlist part one requests open
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You stayed a week extra in Abu Dhabi, not needing to return to Maranello quite yet. You could say that the allure of Ferrari World was too much, and Carlos talked it up to you. It was perfectly silly and probably the best second date you ever had.
The photos of you and Charles post-race were popular among fans, trying to figure out who he is. Then the video dropped, and you found yourself trending in the community once more.
“They are just as fascinated with you as I am,” Charles has said over a video call when talking about it shortly after becoming official.
It takes a lot for you to make the relationship work, strictly timed video calls, staying positive during the periods of time when you don’t get to talk to him, even sending letters back and forth. Somehow it works for you, and you cherish the moments when you get to talk face to face.
The glittering Monaco harbor is behind you as you put your earring in, preparing for the prize giving ceremony. Thankfully it’s not far from your apartment, and you only have to be there for your second place award. You hear a knock on your door and grab your phone, just in case it’s a crazy fan who snuck past the door guards.
“Charles?” you gasp, looking at the man in a suit in front of you, a small suitcase in tow.
“Bonsoir, ma cherie. I heard you are in need of a date tonight?” he smiles as you practically throw yourself on him. Charles holds you tight, savoring the moment.
“How are you here?” you ask in disbelief, the shock distracting you from how good he looks in his dress uniform.
“I got a couple days off. Max helped coordinate the surprise,” Charles reveals, your neighbor and friend pulling through for you.
“I’m so glad you are here,” you catch him off guard by pressing a kiss to his lips, melting into his arms.
“I’m glad I am here too, you look beautiful, and I’ve missed you so much,” he says softly, taking in your Ferrari red dress that fits you perfectly.
“I missed you too, this is much nicer than a video call,” you sigh, not wanting to step out of his embrace, fearing that if you do he will disappear. You know that his assignment is almost up, but you learned that ‘almost up’ means a year.
“I know, but I wouldn’t miss this for anything. I get to celebrate my incredibly talented girlfriend,” he pulls back slightly, aware of the time and that you need to leave soon.
“What if we just don’t go and stay in?” you suggest. Any desire to go flew out the window when you opened your front door.
“No, we will go, you will give your speech, and then as soon as it’s over we can leave. You have me for a couple more days,” Charles kisses you once more, not really helping the whole wanting to stay thing.
You rarely lose physical contact with him on the way over to the ceremony, whether it’s holding his hand, his hand on your waist or leg, or you holding his arm.
“Don’t you two look happy,” Max smiles, proud of himself for the surprise. You and Charles make for a much better looking pair than the fan ship of you and Max. Not to mention, Max is like your brother.
“Thank you,” you whisper as you quickly hug Max. Charles shakes Max’s hand after.
“You may have chosen the most boring event to make your first appearance as a couple at,” Max chuckles, leading the two of you to the bar.
“Well, they wouldn’t let me skip it,” you grumble.
“What are you grumbling about?” Carlos approaches your small group.
“That she couldn’t skip this,” Max says before you can reply. Charles squeezes your hand as you roll your eyes at Max. You take a glass of wine, needing something other than champagne.
“And miss a chance to show off her new boyfriend? I doubt it. Aren’t you glad that the PR team chose me to go to Ferrari World instead of you?” Carlos smiles, knowing that he’s right.
“No,” you lie, “I had to pay to go myself after the race. Charles was the only good part about the media duties,” you slightly lean into your boyfriend.
“Sure. We can both go to the amusement park next year and I’ll pay,” Carlos chuckles, grabbing his drink from the bar.
“Let’s find our seats?” Charles suggests, kissing the side of your head. You quickly find your table, Fred already there to represent the team in the Constructors Championship.
“My sometimes favorite drivers,” Fred jovially greets you and Carlos as if he didn’t see you in Maranello a week ago for a sim session.
The ceremony drags on, you take every opportunity to converse with Charles and your table, but you are subject to hours of awards and speeches. When the night is finally over, you turn down every afterparty invitation thrown your way.
“I am not going to place in the top three next year,” you groan as you slide your heels off. Charles is immediately drawn to the piano that sits in your living room.
“Do you play?” he asks, looking natural behind the keys.
“Not well or often enough, the former renter left it here. I keep it maintained though,” you hum, sitting beside him gently. Charles runs his fingers across the ivory keys, trying to recall a song.
“Well then, let me to the honors,” he smiles, fingers pressing down, easily gliding up and down the keyboard.
“That was incredible, you are incredible,” you say softly afterwards, you’ve never been serenaded before and it’s a turn on.
Charles leans in, capturing you in a kiss. His large, calloused hand rough against your cheek. When you pull away, you lead him to your bedroom, craving all the contact that you missed since you last saw him physically.
The air is charged as he unzips your dress, fingers brushing your bare skin sensually, making you arc into him. Charles brushes your hair off your shoulder and neck, pressing featherlight kisses to the area. Your breaths are shallow, breathless from everything.
“Charles,” you whisper, his name like a prayer on your lips, asking for anything and everything.
“Let me take care of you, ma reine,” he replies, nudging you back towards the bed as your red dress slides off your body. You hands slide up his chest, pausing to push off his suit jacket before they rest on his neck and in his hair.
After a long night, you spend the morning rotting in bed. Charles holds you close as you talk about anything and everything. You take him out on your yacht later in the day, a nice change of scenery.
“I don’t want you to leave tomorrow,” you admit as the sea breeze pushes your hair around.
“I don’t want to either, but I’ve been reassigned to southern France. I’ll get to see you more often,” Charles reminds you. You nod, fighting any tears back at the thought of separating again.
“I know, I just love you,” you bittersweetly smile, a pang in your heart as he pulls you close.
“And I love you,” he says softly, savoring the feeling of your embrace.
You see him a few more times before pre-season testing, visiting him off base and vice versa. The visits were short but worth every moment. Charles calls you when you are leaving dinner after the first day of testing.
“Mon amour, how was testing?” he asks, sweaty from a flight.
“My body is sore, but it was good. I just had dinner with my kids,” you smile, a small pack of drivers behind you.
“Oh, Oscar and Logan are there? Tell yhem hello for me,” Charles smiles.
“Hi Dad, Logan isn’t here,” Oscar smiles, popping into the frame and stealing your phone. You carried the loss of your son deeply, but you don’t blame Charles for forgetting that Logan wasn’t on the grid anymore since you said you were with multiple grid kids.
“You haven’t told him?” Ollie asks, large brown eyes looking sad at his exclusion.
“I just adopted you, kiddo. It’s hard to break the news that he’s now a father to twins and a grandfather,” you laugh, pulling Ollie into a hug. It didn’t take you long to adopt more grid kids, in fact as soon as you got to the paddock Ollie and Kimi came up to you calling you mom. It’s like the cat distribution system. Oscar adopted the new Australian on the grid, citing the Alpine connection, meaning you are a grid grandma. Oscar comes back to you and hands your phone to you.
“We are grandparents?” Charles asks, a little bewildered.
“Yes, funnily enough our grandchild was born at the same time as our twins,”
“Twins?”
“Hi Dad!” Ollie and Kimi say at the same time when you turn the phone to them.
“Hello?” Charles is confused but he does love how you take in the rookies and make them feel at home.
“Sorry, Charles, why don’t I call you when I get back to my hotel?” you smile apologetically, wanting to have time for both of you.
“Of course, call me when you get back,” Charles agrees, no trace of disappointment in his voice. He doesn’t have much to share about his day, especially since he doesn’t have a scheduled flight for a while. Charles watches as the call ends, thankful that he didn’t spoil his surprise.
Testing passes and suddenly it’s the first race of the season. You walk into the paddock, your brood with you. You, Ollie, and Kimi are deep in conversation, confusing Oscar and Jack a bit as you speak in Italian. You’ve already had movie nights that ended with them strewn across your hotel room, and you just know that they will be in and out of your room this season. F1TV already caught Ollie leaning against you taking a nap as you hugged him last season, and they captured Kimi doing something similar during testing.
“Papà,” Kimi says suddenly and you furrow your brows. Jack taps your shoulder and points ahead. Your smile grows as you notice Charles standing ahead, waiting for you. You take off, practically jumping into his arms.
“You’re here,” you grin, barely waiting to kiss him.
“I had to fulfill my WAG duties and meet our children,” he smiles, not letting you out of the hug yet. He utilized his brother Arthur, your reserve driver, to get a pass. Your face was priceless when you first connected the two, it was quite funny how long it took. Apparently sharing a last name and resemblance wasn’t enough until he mentioned it on the phone shortly after Abu Dhabi.
“Get a room,” Oscar makes a face that causes both of you to laugh.
“Oh we will,” you lean into your boyfriend, content to never leave.
“Ewww,” Ollie gags, disgusted at the idea. You and Charles laugh, like proud parents embarrassing your kids.
“That’s Ollie, this is Kimi, our grandson Jack, and you know Oscar,” you point to each boy.
“Nice to meet you all officially,” Charles smiles as he keeps an arm wrapped around your waist.
“Alright kiddos, time for you all to get to your teams. Drive safely,” you part ways with them, itching to get to Ferrari for some private time. Charles insists on getting a coffee before going to your drivers room, and the two of you barely get a second alone before there is a knock on your door. You pull away from Charles, irritation laced in your voice. “I just got here, go away,” you call out before pulling your boyfriend back in.
“I know you are hiding my brother from me,” Arthur’s voice responds causing you to pull away, a slight pout on your lips. Charles quietly laughs, pressing a quick kiss to your lips before he gets up to open the door. Arthur struts in, sitting between you and Charles. You did have the chance to spend time with the Leclercs in their home.
“You know, brother, if you wanted to get with Y/n earlier, you should’ve just asked me. You are lucky I suggested that the media team send her instead of Carlos,” Arthur says and you gasp.
“YOU ARE THE REASON HE GOT FERRARI WORLD INSTEAD?” you practically yell, causing Charles to stifle a laugh. You aren’t mad, well you are but in more of a joking way, sorta.
“She really did not like flying,” Charles clarifies, stretching an arm behind Arthur to play with your hair, a comforting touch.
“At least you met eachother?” Arthur suggests sheepishly.
“He was going to be at the race anyway,” you narrow your eyes.
“You trauma bonded?” Arthur suggests again and your eyes light up.
“Have you ever seen the video of Charles during his hot laps?” you ask, wickedly smiling. Charles looks at you, a mix of panic and curiosity in his eyes.
“No, show me!”
“Nope. That blackmail belongs to me, since you so kindly took away my fun,” you shake your head, locking your phone. Charles lets out a breath of relief, he trusts you completely, but he was worried for a second.
“You’re no fun. You never even adopted me into your grid family,” Arthur pouts as you and Charles lock eyes, shared amusement between you.
“Arthur, why would she adopt you? You are my brother,”
“I don’t know, because she’s the most sought after grid parent. Plus, it’s not like you two are engaged,” Arthur says and you flush with embarrassment and flattery.
“Arthur, you are basically my brother, you don’t need to be my grid kid. You are on the same level as Charles and Carlos,” you are starting to feel like a parent describing something to a young kid.
“I guess that is better. You better mention that when making a family tree video,” Arthur concedes.
“Why don’t we go out for dinner after the second practice session?” Charles suggests, hoping to kill some of the awkwardness.
“I think that’s a great idea. Speaking of, I should start getting ready,” you catch Charles’ unspoken message, hoping to get Arthur out of your room.
“Right, I should do my job too,” Arthur stands up, half expecting Charles to follow, but isn’t surprised when he stays. They can catch up while you drive.
“Finally a moment alone,” Charles grins moving closer to you.
“I wasn’t lying, I do need to get ready,” you say between kisses.
“You need to undress first, and I can help with that,” Charles murmurs against your lips as his hands slide underneath your shirt.
“We are working on limited time,” you point out, brain fogging.
“We go fast for a living, we can do it,” you were a few minutes late for your prep meeting. Arthur gave you a weird look, one that told you he knew what you were up to.
Both Charles and Arthur were glad to have the weekend together, spending time as a family while you raced. Before you knew it, Charles was kissing you goodbye at the airport as you both went to your next stops. His France and yours Saudi Arabia.
What you didn’t expect was Arthur banging on your driver room door as you are prepping.
“I’m in, I’m driving,” Arthur seems to be freaking out a little bit as you let him in, dressed in a Ferrari suit.
“Carlos is out?”
“He’s in the hospital getting surgery. I’m driving a Formula One car,” you process it beside him, remaining much more calm than Arthur.
“Did you call your mom?” you ask, knowing the answer is likely no since he would’ve been in team meetings since he found out. Arthur shakes his head no, so you squeeze his shoulder and grab your phone.
“Y/n, what a surprise. Is everything okay?” Pascale’s voice rings out over the phone.
“I’m sending a jet to you right now, and I’ll send the flight details in a bit. Arthur will drive his first F1 race and you should be here,” you tell her over speaker phone, working everything out starting with the flights.
“Is Arthur with you?” she asks as Arthur peers over your shoulder.
“Hello Maman,” you tune out their conversation as you send her the jet details and start working on hotel rooms for her, Lorenzo, and Charlotte as well as paddock passes. You only really get out of your planning zone when Arthur grabs your phone to hang up and hug you.
“You okay?” you finally ask, knowing he is probably emotionally drained already.
“I can’t wait for you to officially be my sister, and I can’t wait to drive alongside you this weekend,” Arthur says, you gently rub his back to ground him.
“You will do a great job. Let’s get through free practice three and then we can talk about some tricks to make it work for you,” you stand up, grabbing your gear to head to the garage.
You try to help him out as the team gets him adjusted and tested for approval, but you have your own driving to worry about too. It’s very clear to the team that you are looking out for Arthur and want to help him learn the ropes. But when it’s time to get into the car, he is own his own. You do well in your program running, but check in on Arthur periodically via your engineer.
Arthur qualifies well for a rookie, and you start the race second row at P3. He is the first person to greet you in Ferrari after you return from the media gauntlet.
“Congrats on P3,” Arthur smiles, showered and ready to go back to the hotel.
“Thanks! You did pretty well for your first time. Give me like 20 minutes to shower, yeah?” you ask, ready to get some sleep.
“Thanks again for helping me get through today, I see why everyone wants you as their grid mom,” Arthur says, not protesting when you hug him.
“Of course, I want you to succeed,” you reply, excited to see his reaction when his family is waiting at the hotel for him. The team covered their hotel rooms since you booked flights before they could.
“I can’t wait for you to be my actual sister one day,” Arthur yawns, your face Ferrari red at the thought. Of course you thought about it, but having him say it is different, it’s more real.
“Maybe one day,” you say, sliding into your chauffeured car. Arthur gets in beside you, and finds himself as your pillow. You accidentally fell asleep as the car left the circuit. Arthur takes a selfie and sends it to his family group chat as your soft snores fill the car. He scrolls on instagram, killing the rest of the time on the drive, when he sees an edit that the F1 account posted. It is the free practice three timesheet with your last name changed to Leclerc. He sends it to you, knowing you wouldn’t want to be awakened for it even if it is funny.
“Y/n,” Arthur pokes you as you arrive at the hotel.
“Hmm, sorry. You should’ve woke me up once I fell asleep, you don’t have to be my pillow,” you yawn, slightly stretching before getting out of the car.
“Maman,” Arthur hugs Pascale, who is patiently waiting at the entrance for him.
“I’m so proud of you,” she says before stopping you from slipping past. Not that you were going to avoid her, you just assumed she would want privacy with Arthur. “And you, thank you for today. You are a part of this family,” she wraps you in a hug, making sure you know how much your effort was appreciated.
“Of course, you couldn’t miss Arthur’s first race. I’ll let you guys catch up,” you smile, hugging her one last time.
“Can’t have you falling asleep again,” Arthur teases, your smile deceives your joking irritation.
“You won’t let me live that down, will you?” you say, shaking your head. “I will see you in the morning for breakfast,” you bid them goodnight, ready to collapse in the plush hotel bed.
It’s a sight to see, you walking into the paddock with the Leclerc’s (minus Charles) behind you. It’s clear to fans that you have been easily incorporated into the family. Charles watches from afar, having the day off from officer duties. He sends a couple texts, wishing you luck and a few memes from fans based on the post made by F1. You reply when you can, but it’s sporadic.
“Ready to lose?” Max asks you during the drivers parade.
“I should ask you the same. But if it means I don’t have to sit through prize giving again, then yes I am ready to lose,”
“It’s not that bad,”
“You won your third championship, you are used to it. Plus, you hate those events more than me, don’t lie,” you laugh.
“Alright, that is fair,” Max relents. He ends up winning, but you climbed a position and took P2. You won’t hear the Italian anthem this week, but you sing it in your head on the podium as you get your trophy. The teams energy is infectious, even for P2. Arthur meets you in the motorhome, holding a phone to your face.
“Congrats, mon amour,” Charles says, a proud smile on his face.
“I drove okay, Arthur drove well though! Points in his first race,” you smile, accepting hugs from Lorenzo and Charlotte. Pascale stole Arthur’s phone, taking Charles away from you.
“Any recommendations for dinner?” Lorenzo asks, ready to celebrate.
“A few. Will you two come out tonight to celebrate?” you ask, adjusting the suit that hangs at your waist.
“Someone has to stay with Pascale, but I know Arthur will party tonight,” Charlotte politely turns down the offer.
“I will, I heard Max always sets up good parties,” Arthur is excited to celebrate with the grid.
“Expensive parties, you are lucky I’m picking up the tab for you,” you laugh, Arthur’s phone being placed in your hand.
“You look tired, call me when you get to your room,” Charles smiles sympathetically.
“Will do, love you,” you smile back, handing the phone to Arthur as you make your way to your driver room. True to your word, you call him once you shower and change. It takes another twenty minutes on the phone for Arthur to bang down your door, reminding you that you have a family dinner to get to.
“Enjoy dinner, I love you,” Charles says before hanging up.
The season flys after that, especially when Ferrari begins to get very competitive again, putting more pressure on you and Carlos.
Charles got leave approved to go with you to the prize giving, both of you deciding to make a mini vacation out of it. The night before, you go to a small Parisian restaurant for an early dinner then a sunset walk along the Seine.
“What was your favorite part of the season?” Charles asks, wrapping an arm around you.
“Hmm, maybe winning Miami, or finally getting more consistent at the end of the season. The PR team would want me to say the trip in Abu Dahbi they arraigned for Carlos and I since I publicly complained that only he went to the Ferrari World last year,” you ponder the question, not having thought about it. You and Carlos had a blast, and it made both of you think of taking trips to amusement parks during winter break. “What was yours?”
“That graphic of you with my last name,” Charles reveals with a smile, he still makes you blush like a schoolgirl.
“That was a good choice,” you see something on the other side of the river and take a step away to get a close look.
You turn towards him to point it out and that’s when you find him on one knee.
“I’ve been waiting since the start of the season to ask you this. I knew during testing that you were the one and that I would marry you, then when everything in Saudi Arabia happened, it confirmed it more. You are my everything, and my forever. Will you marry me?” Charles asks, watching you tearfully nod.
“Yes,” you nod, watching him slide on the ring. Charles is beaming as he pulls you in for a kiss.
“Forever,” you whisper your promise against his lips.
“What if we get married tonight?” Charles asks, the thought springing into his mind.
“Tonight? Why not,” you grin, a rush of adrenaline going through you.
“We will have to wait for the paperwork, but I’m sure we can find a priest,” Charles kisses you, as he mentally plans it.
“Let’s find the nearest church, maybe the priest is a Ferrari fan,” you wink. The priest was, and was more than happy to marry you despite no wedding certificate. Your families were ecstatic, especially when you both promised to have a formal wedding during summer break.
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y/n_leclerc husband appreciation post 🥰❤️
comments are limited
carlossainz55 when did this happen???? we are discussing this tomorrow at prize giving (congrats i guess?)
y/n_leclerc we will tell you everything then!
charlesleclerc Je t'aimerais pour l'éternité ❤️
y/n_leclerc pour l’éternité❤️
arthurleclerc getting engaged and married on the same day is so you coded, proud to be your brother
charlesleclerc we will celebrate when we get home
y/n_leclerc proud to have you as my unofficial official brother 🫶
scuderiaferrari congrats! (admin is sad that we weren’t invited)
maxverstappen1 👍
y/n_leclerc 👍
oscarpiastri no invite 😭 congrats mom and dad
jackdoohan ^ getting eloped 🙅‍♂️ cool
olliebearman ^ he finally did it though!
kimiantonielli ^ i guess sometimes your soulmate isn’t a car
y/n_leclerc you all are grounded
logansargeant congrats! come visit soon!
y/n_leclerc we will try! you are welcome here anytime too 🫶
f1 we so manifested this in Saudi Arabia 👀
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sulumuns-dootah · 17 hours ago
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Assigning WHB demons plants/flowers based off the vibes: Abyssos
⟡ Masterlist ⟡
A/N: I think I need to start attending some botany classes again bc from the way these post are turning into me rambling about plants i can tell I miss it :D
─── ⋆⋅☆⋅⋆ ───
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Nepenthes rajah
I don't think this plant has a common name, but if it did it would be smth like Rat/Mouse eating pitcher plant
Bc that's exactly what the plant does
It's just big enough for the small rodent to climb into and never see the light of day again
This also probably explains why I picked it for Beel
I mean, he literally eats angels whole
(I find pitcher plants really cool bc they're literally just a pitchers filled with digestive fluid, but they're not necessary carnivorous - some life off of animal droppings or insects)
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Venus flytrap - Dionaea muscipula
At first i was gonna include maybe some other pitcher plant or completely different plant...
But then again, Bael is literally catching the King of flies on daily basis
Idk why, but looking at pics of the open leaves is really calming to me
Having them is kinda cool bc sometimes you just walk past and see one of their leaves closed bc it caught a fly and you'll feel kinda proud of your little baby for catching something
From my experience they don't close when you give them dead one, though
They might also be a bit harder to keep alive...
Mine made it few months, but then bloomed and died shortly after I cut the flower off (similar thing also happened to my friend who specialises in succulents and carnivorous plants so I don't think I did anything wrong)
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Poison Ivy - Toxicodendron
At first I was thinking I'll give Stolas something bird-named, but I really wantd somethinig that looks harmless, and the moment you mess with, you're in for a lot of pain
And this plant baby delivers
I've never had the misfortune of meeting it, but I haver heard the stories
For those who don't know: Contanct wiht the plant gives you a nasty rash, sometimes with some blisters
Interestingly, looking it up on wikipedia, there's even what would happen if you smoked or eaten it....
As if you'd wanna do that after getting a rash just touching that thing
(You skin is pretty much reacting to the oil on the leaves, so after you come to contact make sure to wash it off or you'll spread it on other things too)
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Hypoestes
I can only talk about this moody beauty from experience since there isn't much info online
From what I've found there's about 150 scpecies in this family
Doesn't require much sunlight, but needs water
And oh boy, the amount of water...
The reason why I picked this plant for Amon is how easy it is for the leaves to start drooping
Just like him being constantly tired
But oh boy, the drooping... One minute she looks good and then two minutes later she's on the verge of death
It's not good to have planters just sitting in water bc of the risk of mold, but this one might just need it
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Common Ivy - Hedera Helix
Originally I wanted to go again with a plant based off his animal form, but then while writing for Amon, I saw normal Ivy
The ultimate Dark Academia plant that looks so good growing around anything
It's perfect for a demon they sometimes call Class President
I really love Common Ivy bc of how much you can use her for
Amazing use for Ivy is putting her into floral arrangements and the amazing thing is that it'll mostly keep its color as long as it's not left out in the rain or your glue gun set on too high temperature
Fun fact: The leaves of the plant are different on normal branches from the branches with a flower
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random-meme-bot · 1 day ago
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God I really need to do something with Trisanity because I swear to God it, Surge & Kit with Nina Cortex just works too well and I can't believe nobody else sees my vision.
Putting a cut here because I know I'm going to ramble a lot.
Like, they are such perfect reflections of each other I'm amazed they aren't even from the same franchise.
All of them were "adopted" by an evil scientist at a young age point of which they were implanted with the idea that they were evil and that's all they will ever be.
None of them have a real motivation as to why they hate the main characters, why does Surge/Kit hate Sonic & Tails, because without them Starline wouldn't have created them, why does Nina want to defeat Crash & Coco, to prove that she can do what her uncle is unable to do.
All three of them were made cyborgs as both a way of controlling them and enhancing their abilities.
The main difference which makes the idea of these three interacting so interesting, is that while Surge & Kit started to doubt Starline's lie and turned against him when he dismissed their origins as useless information, Nina completely accepted it.
And, as cliche as this might sound, the reason why Nina's brainwashing worked while Surge's & Kit's didn't is because Surge & Kit were made what they were as an act of spite while Nina was made as an act of love.
Starline adopted/kidnapped/created 2 kids and made fake vage back stories which he implanted into them and then trained and hypnotize them in order to turn them into Sonic & Tails in the least amount of time posible.
On the other hand, Neo Cortex is Nina's biological uncle and he started to take care of her after the rest of the Cortex family died in a fire (that Cortex may or may not have caused), Nina grew up thinking that the Cortex were a long line of evil scientists instead of a circus family not because Cortex brainwashed her, but because he feels ashamed of their origins and whishes that his family would've supported his dream of becoming a scientist, he replaced Nina's hands with robotic ones programmed to crush any animal they come into contact out of fear that her love of animals would've moved her away from the path of evil, while also making said arms incredibly versatile as positive reinforcement, and in the same vein as Cortex rewriting their origins, he sent Nina to the Academy of evil, an school Cortex himself studied in and claims to have fond memories of.
Nina wasn't made evil to serve as weapons like Surge & Kit, she was made evil because Cortex wanted to give her the life he wishes hed had, which is why Nina never questioned Cortex, because unlike Starline, he didn't rush the process.
Starline made vague backstories for Surge & Kit which made them question why they do what they do, while Cortex rewrote their entire family history to the point of making fake paintings of his parents, Starline turned Surge & Kit into cyborgs to make them easier to control and improve their abilities but never told them about it making them question why they are able to resist massive damage with no problem, while Cortex turned Nina into a cyborg under the premise that he was giving her an upgrade, Surge & Kit were trained reclusively making them question why they don't have any memories prior to meeting Starline, while Nina was trained in an school alongside other similar students...
Surge & Kit grew up in an environment full of holes that made them question everything and then made them forget they even asked, while Nina grew up in an environment expertly crafted to make her believe that that was the norm, that it was stupid to even ask questions.
Going back to the original post this whole thing started with, All three of them got molded by the hands of an evil mastermind, destroyed and rebuilt, manipulated and controlled when they tried to gain their own autonomy, and the idea that they are evil is rooted so deep into their minds they can ever hope to figure out what they actually want and live a normal life.
The difference being that Nina doesn't know, she doesn't know she was molded by Neo, she thinks that's the same mold as any other Cortex, she doesn't know she was destroyed and manipulated away from liking animals, she thinks it is a side effect of her metal hands (which is also implied she got really young so she might not even remember having normal hands), she doesn't question what she wants or if she will ever live a normal life because for her she's already living a normal life doing what she wants, what evey other member of the Cortex family wanted, the same thing that any other person she's ever interacted with wanted.
And here's where things get interesting, because they all represent a different side of where they could go.
Surge & Kit represents a path in which Nina met someone who had been in a similar situation to her, someone who actually allowed her to for the first time since she has memory, pet an animal without harming it, someone who made her question everything. A path in which Nina joins them as the Knuckes of the group and all three break free from the paths created for them and are able to do their own thing.
While Nina represents, a path in which Surge & Kit met someone who had been in a similar situation as them, someone who for the first time actually cared about them and saw them as family, someone who would offer them the chance of not having to question anything again. A parh in which Surge & Kit joins them as Crash's & Coco's counterparts and all three embrace the lie and live as villains.
(There's also the whole Surge & Kit having trust issues with Cortex because he reminds them too much of Starline while Cortex originally hates them but grows to appreciate them as Nina, Surge & Kit reminds him of himself, N.Brio & N.Gin when they were students at the academy of evil, which I won't go into detail because, this is already as long as it is [sorry OP, I know this was about Metal Sonic and I completely derailed it out of nowhere with an essay.])
There is genuinely so much you could do with this trio and so many ways you could take the story I genuinely feel like a crazy conspiracy guy because it's so clear I can't be the only one who sees this right‽‽‽
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Anyway sorry again OP, I really need to make an actual post about this instead of rambling in the replies.
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ooftale · 2 days ago
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This game, god I love this game
ok so Im copying and pasting the rant for the game from my Insta under the cut + the alt vers, PLEASE Im just expressing my love for the game in it but it's too late for me to rewrite the whole thing
I wish Tumblr would let me post with music like Insta,,, this is a zillion times better with the "Niko and the World Machine" song gah
God this game is a masterpiece though, OK if u wanna read more do it under here:
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OKAY here's the rant!!
oh my god i fucking LOVE THIS GAME SO MUCH. I SWEAR. I CANNOT FUCKING EXPRESS. MY LOVE. FOR THIS GAME. Almost a year has passed since my first One Shot Post (doesn't apply to Tumblr, last One Shot post here is more recent) and almost a year has passed since my first playthrough
It wasn't really a blind playthrough, iirc i already knew lots of stuff about the story, ending and even the solstice run itself, too, it was already part of my interests to an extent, but I didn't know or remembered the details, and experiencing it myself still felt like a fully blind Playthrough (gotta again thank my shitty memory too), and was it freaking beautiful,,, plus, i finished it around xmas time, which is like my fave period of the year, so!! I still remember i got a photo of the TV while I was playing, there were gorgeous purple lights, both from LEDs and both from the game, since it was becoming dark outside, with little xmas lights around,, gah this game holds such a special place in my heart, I don't think any other game captured my love as much as this one, SURE, Im a big lover of many MANY games, and this one isn't even the first indie rpg i ever got into (hello Undertale and deltarune), and while those are very special to me as they're some of my first interests, OneShot is just a whole another type of special, a special special if you will
And recently I've seen my friend play it blind for the first time, and as I was (Awesomely) backseating, I got to basically relive it, in a way, and I always get a little phase for it after reseeing content of it, so here I am, drawing one of my personal favorite portions of the game! Sorry for the unusual type of rant I did this time, but I just. Argh. This game, dammit
Also fun fact, so many things about this game, from the 2014 version, to songs, to imagery, to scenes, freak me so much out or make me feel so weird I feel like I need to puke
Gotta love it
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nadas-dirthalen · 3 days ago
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A Veilguard Achievement Icon Opened My Eyes on 15 Years of Lore... but Was I Right?
PART TWO: What Veilguard Did Narratively, and What That Tells Us Going Forward
[ 1 ]
Hello again, friends and travellers. Now that I've beaten Dragon Age: the Veilguard, I wanted to go through all those 30,000 words of predictions that I wrote in the ~11 days leading up to its release. I'd seen an achievement icon that pieced together a lot of Dragon Age lore for me.
But, I hadn't played Veilguard. All I had was the footage from September 19, the achievement list, and anything else BioWare had released.
So... was I right? And if so, how much was I right about?
This is your warning:This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.
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(my davrinmance is going great as i try and collect every codex, thanks for asking!)
Today's Discussion: to Understand Dragon Age, We Must Understand Its Writing.
Before I can go any further on why I think the way that I think, or why I imagine the story might take us in certain directions, it's essential that you all understand where I'm coming from. Veilguard, like any game, is a piece of art. Its bones are built with similar narrative structures to novels (though not identical, and that's important!). To make sense of what's to come, we must examine Veilguard's bones the same way.
I've seen a lot of people wondering why, for instance, the Inquisitor is not Veilguard's protagonist. I've seen people lamenting the fact that there were not on-screen clarifications of popular lore theories. Before this series goes any further, I need to say my piece about why I believe that it was essential that Veilguard was written as it was, and why its writing does in fact help us better predict Dragon Age's path forward moreso than even Inquisition.
That said, today I hope to cover:
What Veilguard Demanded of BioWare's Writing Team, and Why
The Protagonist: Why Rook's Perspective Matters
The 3 Act Structure: Our Lens
The Companions: Paths to Our Answers — and Future Games
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What Veilguard Demanded of BioWare's Writing Team, and Why
Let's get this out of the way right away: it has been 10 years since Inquisition. And, like it or not, that means one gigantic thing for BioWare: if they wanted to have any hope of making more Dragon Age, they needed to bring in new players and resuscitate the interest of many old players who did not stay in the fandom the whole time. They didn't—and couldn't—write Veilguard specifically for you or I, people of Tumblr. If they did, it would've pleased us... and then cost them so much money that we'd never get any more Dragon Age.
That doesn't just mean modernizing the game's aesthetics, or providing a glossary in its Codex. It means they would have to balance all of the following (just at a glance):
Managing the learning curve in general. Not even I looked in the glossary as I played. Me, supreme enjoyer of all codices ever. It's just not something most players are ever going to do, as much as it the lore is such a fundamental part of the game in general. That means simplifying terms where possible — elven gods in place of Evanuris, for example — but also trimming down what would have to necessarily reference past games. Only a tiny fraction of the fanbase has played Inquisition in the last 3 years, nevermind this year.
Recontextualizing the lore. That does not mean rebooting it, it means situating all we have learned so far in a framework that fits all we have learned so far. Much of what we learned about the Evanuris seemed, for so long, to be totally separate for the things we knew about the blight and Blights. Veilguard needed to show us how those things relate, and to do so in a fresh context that would allow everyone to develop new understanding.
Pushing us one step past Inquisition's knowledge. Veilguard, after reframing the lore, had to leave us a path for new lore, and increased understanding. I think the devs put it really well when they say that their aim is to give us some answers, but leave us with even more questions. More on that later, and in future posts.
Updating Thedas' ethos. Let's face it. It has been 15 years since Origins came out. The things that were more typical of scifi/fantasy (SFF) then are just not the same now, and would not be perceived by 2024 players in the same way as by those who started Origins in 2009. The world has changed; our cultural understandings are broadening and need to continue broadening. BioWare is doing a good thing by incorporating things like nonbinary identities into Veilguard, and it is good that Veilguard is progressing the world of gaming in that way, especially considering its success. (This is also, I wager, why we choose an Archon out of two choices who want the same thing, rather than leaving that open to a more "evil" option).
Dislodge older fans from their Solas headcanons to get everyone old and new to the same confusion and potential distrust. Hear me out. Everyone who's stayed since Inquisition has beliefs about Solas. Even me, who got here in March of this year, whose fic reads overly soft now because I just didn't know Solas' grander plan until 48 hours before Veilguard came out. Everyone has had headcanons for so long that everyone has had time for their opinions of Solas to cement themselves. In order for Veilguard to work as a story, they had to debunk what everyone thought they knew: both lovers and haters of the famously controversial egg. By breaking down our existing beliefs, the devs open up essential curiosity from the players as to who—and what—Solas really is, which propels us through the narrative and has us absorbing information.
And this curiosity? It is why Veilguard could not have the Inquisitor as its protagonist. To keep us curious as players (and "readers" of the lore), BioWare needed a new protagonist.
Specifically, they needed Rook.
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The Protagonist: Why Rook's Perspective Matters
Here's the thing. The protagonist is not just the face of the game. They are our vehicle to understanding that game. The plot follows their wants and responds to their understanding. What they don't know, what they want to know, is what makes up our every objective. Their emotional journey through the game is our emotional journey through the game. Following it, going after the things that matter to our protagonist, is how the entire game (including its lore) takes shape in our minds.
That's why it's essential that they don't know everything—especially after a ten year interim between games.
Veilguard's plot and twists proved that the Inquisitor did not know everything. They, in fact, knew less than half of everything. If we had kept them as the protagonist, all of our knowledge and curiosity would be shaped by the Inquisitor's understanding: a wrong understanding. We could constantly be fighting with what we think the Inquisitor should know, what should be true because we had seen it through the Inquisitor. We would be set up to be at odds with the very events of the game. Rook is a blank slate, barring a few key tonal indicators, and that blank slate allows for us to fit all previous lore into its new, recontextualized shape that I mentioned above. (Again, note that I am not saying rebooted.)
That, and Rook has multiple motivations. The Inquisitor is focused largely on stopping or saving Solas; Rook is charged with figuring everything out as it is happening to them in real time with almost no context or experience, AND stopping or saving Solas. The Inquisitor has existing allies and resources; Rook does not. Rook must build their own campaign from the ground up, and that means the player is building their own experience from the ground up. Their allies, abilities, and home base, yes, but also their knowledge. Discovering things at the same pace as Rook, with a similarly urgent drive to do so, keeps the game from infodumping at us. It keeps the reveals evenly spaced, but also immediately interesting to the player.
And best of all? Rook allows the writers to do what they want to Solas without breaking his dynamic with the endless sea of Inquisitors (or, at least, with way less risk of doing so). We needed to have our theories about him broken down and rebuilt as players; to do that to the Inquisitor would damage an entire sea of headcanons. We'd never get the Solavellan ending we wanted, for instance, if Solas had played mind games with Lavellan for that many months. And if Solas didn't do those things, if he'd been wholly defanged, he would have lost his appeal and importance in the narrative. He wouldn't be the Dread Wolf in the ways that matter to Veilguard.
It's important, then, that Rook has just the slightest bit of backstory. They care about their allies. They are not a potential political force like the Inquisitor. They have many options to be impulsive. Every single Rook has rebelled against authority. Every single one has a stubborn streak. BioWare put all those qualities there on purpose, because Solas uses every single one, in every single Rook, as a tool. That was all essential for his character development in this game! At the same time, they couldn't do that with the Inquisitor as protagonist, because after 10 years, no two Inquisitors are similar enough to predict/script their actions and responses in that way.
Those twists are perhaps the most important tool for forward momentum in the game. The more they keep us guessing, the more we'll play and seek new information, the more we'll learn. Which brings me to...
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The 3 Act Structure: Our Lens
Like I said: BioWare couldn't just infodump at us in Veilguard. It wouldn't be interesting to even half the fans that stayed, these ten years. To keep us engaged as players, they had to string the lore through a series of engaging events. Keep the momentum up, so we would not be lazily looking over codices, but chasing new knowledge and understanding. It all had to be emotionally relevant and resonant to keep us caring, because very few people play games they don't care about.
Veilguard, like a lot of written art, follows the three act structure. Though there are a lot of variants on the more precise beats, they all broadly follow the same-ish path.
Hook: The opening image. In Disney movies, this is the song where the character sings about all the things they want in their journey, and what they truly need is only implied. It gives an opening note for the theme by showing what the character lacks, and what they might need to gain before defeating the final villain. In Veilguard, this is our prologue, centered entirely around Varric: the big red herring where we see that Rook is out of their depth, opting to push over a support beam rather than take on the Dread Wolf. Off-screen, it is also the background information about Rook, showing us who they are and what they want before we play.
Inciting Incident: The event that kicks off the main plot. In DA:tV, there's a big collection of these (because every companion needs one; we'll get to that). The first big one is, of course, the failed ritual. The death Rook doesn't see. The Evanuris are freed, but Rook has only half the information.
First Plot Point: "Plot Point" means "big/defining decision" in writer-speak. This is the moment the protagonist decides to go forth on their adventure. In video games, this is more or less determined for you, but you have the option to flavour this moment in Veilguard. You can choose how to tell Solas that you'll do what he wants: either by appeasing him or angering him. You do the same for Neve and Harding afterward, and then again in Arlathan and D'Meta's Crossing. You state that you're doing this, no matter what it takes.
First Pinch Point / "The Setback": "Pinch" means "twist" in writer-speak. It's the first time the narrative is shaken up, and is also usually the first time we see the true scope of the villain. In Veilguard, the first big twist has been called "the Setback" by some of the devs (notably, I heard it at a panel in September). For Veilguard, this is Weisshaupt. We see the true scope of Ghilan'nain's horrors, but we also see the first BIG hints (outside of Varric) that Solas is manipulating us—because he really doesn't seem to hate the Wardens as much as Inquisition enjoyers like myself expected. This event concludes act 1.
"New World" / "Fun and Games": The devs have remarked that they wanted to see the tone of their setback (Weisshaupt) threaded through the rest of the game, and we do: through Davrin and Lucanis' banter, through the reflections on the consequences of Weisshaupt, through every character struggling with their confidence and identity after that point, through the blight getting worse and worse and worse. That's what the New World is: the characters getting used to new circumstances after that first big twist. The Fun and Games are the slow and steady recovery from the twist, warming and solidifying formerly tenuous relationships. This is where we do a lot of companion and faction quests.
Midpoint: In a narrative that ends in a victory (so most games ever), the midpoint is a false victory. We think we've nailed something, only for something else to happen that begins to seed doubt in the protagonist's capability and/or ability to solve the plot. For Veilguard, this is the blighted dragon fight: we think we've got Ghilan'nain, but then Elgar'nan shows up and demonstrates that Rook is in so, so over their head.
Second Pinch Point: The second twist. The villain's identity is crystal-clear, and by now we've definitely interacted with the villain more directly. This is Arlathan, Elgar'nan's mind-trap—and Solas' "rescue" of Rook, showing his duplicity in full. Elgar'nan notably says a line about not falling for Fen'Harel's tricks again, and it foreshadows what we will see of Solas.
Disaster / Crisis: This is the event that triggers the protagonist's downward spiral. Not a twist (necessarily), but a catastrophe. In Veilguard's case, it's both: the Ghilan'nain fight leaves one companion dead-dead and another presumed dead. Then, the twist: Solas using Rook's sharply felt regret to pull his gambit and swap places with them. A series of events that literally had me gasping so frequently I got dizzy. Thanks, BioWare :) Many people say that this event, or something between this event and the "All is Lost" beat, conclude act 2. For games, the pacing is sometimes different, as is the cutoff mark, because otherwise the third act has the potential to be very short.
"All is Lost" / The Dark Night of the Soul: It's exactly as the name suggests: all has been lost. The protagonist doubts themself completely. It seems like nothing more can go wrong, and like nothing might ever go right again. The protagonist is at a loss for how to move forward. In Veilguard? Varric is dead. Davrin/Harding is dead. Bellara/Neve is dead. Rook is literally trapped not only in their regret, but in a reflection of Solas' regret. And to get out, they'll need...
"The Epiphany" / Second Plot Point: "Plot point" means "big/defining decision" in writer-speak, as stated above. Only this one contains more layers than the first. This is where the thematic statement of the piece comes out: the lesson that the protagonist must learn is stated, clearly, for all of us to see. It is the thing that picks them up off the ground, giving them strength to face the climax and the danger it promises. In Veilguard, this is Varric saying to Rook, "Have you learned nothing here?" and reminding both Rook and player that he chose this; Rook's companions chose this; we cannot blame ourselves for the actions of others. We cannot carry grief for other people, or we'll drown in it. Sound like any other character we know?
Climax: The big fight! But also, the big moment where the theme is shown to be the narrative key. In every ending of Veilguard, Rook being Solas' perfect mirror is the key to winning the day against the Dread Wolf. It just depends on what facet of Solas Rook chooses to mirror: the trickster, the nasty combatant, or the person who was haunted by their own failings and lost companions.
Resolution: Narrative threads are tied up, or a promise is made to tie up those loose ends in future installations. Veilguard's credits do both of those things. :)
Why am I telling you all of this? Because the lore must follow that skeleton. Every reveal we get must fit into both the timing and the feeling of those events. It would not fit to suddenly drop everything about the Titans right after Rook gets to the Lighthouse, which is why those enemies you need to kill to get the last memories are level 30-40. It would not fit to uncover everything about the blight's origin before Weisshaupt. If they forced us into that as players, all the casual fans and new players would duck out, feeling overwhelmed.
Even for us older fans, narrative structure shapes significance. You can tell a lot about a codex's overall importance and tone just by understanding where you find it, and when. That's why the Trespasser codices carry so much weight, even the ones about the Evanuris' actions that we don't see on screen at all: they are at the bitter end, and so they carry all the bitterness, longing, and mourning of that ending. Without the context of Trespasser, they mean less.
This is also why Veilguard paces its companion quests this way, not allowing you to complete them until later in the game. Every companion has something to teach us, and BioWare wanted to give each companion's narrative the weight it deserved.
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The Companions: Paths to Our Answers — and Future Games
Anyone who's played Inquisition knows that companion quests shape entire facets of the lore in individual games, as well as set us up for the trajectory of the next games. Just look at Solas and Cole: together, they shaped our whole understanding of spirits in Veilguard. They set us up to ask all the right questions about not only spirits being bound as demons (Solas' quest), but about spirits being able to manifest in physical shape (Cole's quest). Together, their narrative conclusions foreshadowed much of the Evanuris' reveals in Veilguard: that they were spirits who could manifest into corporeal shape, and that they had the ability to ask others to manifest—and then bind them.
Again, these quests are paced throughout Inquisition's main plot. You cannot do their before Skyhold, and you cannot do them after the cutoff of (I believe) the Temple of Mythal. Inquisition forces you to see those quests' endings in the exact right spot: sometime around the midpoint (Adamant/WEWH), but before the disaster/dark night (the Temple of Mythal). They do that so you will feel that those things are significant.
Veilguard does the same thing. Every companion has a facet of the lore attached to it, but you cannot follow those threads to their conclusions at the beginning of the game. The game won't let you, because the moments need to be spaced out properly and carry the necessary emotional weight. Not all of their quests promise speculative material for future games in the same way, because some explain the context of the current game (Varric, in DAI, accomplished both with the red lyrium content, for instance; Leliana, meanwhile, dealt with the theme of faith in DAI and did not promise future speculation).
These concepts will all get far more attention in due time, but in short, here's what I think is associated with each companion:
Harding: Titans! But also, angry titans, and the difference between "angry titan" and "source of blight." In the same vein, what the dwarves should do going forward, and where they should place the titans in their culture.
Neve: The soul of Veilguard; her narrative is very current to DA:tV, in my early understanding. But she brings forth a lot of nuance to the themes of regret, and what that regret looks like on a smaller scale (a city, rather than a world). She does a lot of work in showing us that regret is regret, no matter the scale, and that the work we do to do better matters, no matter the scale. Additionally, her personal quest foreshadows Solas' use of blood magic against us being more than we thought by showing off Aelia's puppets, suggesting to us (tonally) that Rook may be Solas' puppet.
Bellara: The Forgotten Ones!! Anaris! Also, the place of ancient elvhenan in the future of Thedas, and what the elves should do/feel going forward.
Lucanis: I think they were going for some Forgotten One/Forbidden One hints, judging by some notes from the Ossuary and some banter between Lucanis and the others. This needs more dissection. Lucanis sort of does both what Bellara and Neve do: the Forgotten Ones, and also the heart of Veilguard's theme, with a lot of found family vibes thrown in.
Davrin: The blight itself, and the future of the blight without any archdemons left to cause capital-B Blights. Thedas' path to healing its nature.
Emmrich: The nature of what spirits are. I need to go screencap more specifics, but I swear this necromancer has referenced the difference between spirit and human soul and has stumbled upon saying that the two might not be so different at least once. Also, the Formless One centers around the Necropolis, and I'm thinking "spirits seeking bodies" and this whole idea of unlife/undeath is going to be explored later.
Taash: Remember how I said BioWare needed an ethos update? I think we see that most predominantly in Taash, whose entire personal quest is an examination of the values and priorities of different cultures, as well as the place of gender and gender ideology in Thedas. We saw this with Dorian and Krem in DA:I, but Taash modernizes that conversation (10 years has changed a lot!) and brings it front-and-center. At the same time, their existence is referencing (potentially) the Scaled Ones, and showing us that the kossith (Qunari) might have far more ties to Evanuris shenaniganry than we thought—and that those shenanigans did not happen on Thedas, but potentially far across the sea. (Neve and Lucanis accomplish this, also, with the Shadow Dragons and Crows, but not to the degree that Taash does).
This is why the companion quests MATTER, and (at least partially) why the game asks you to complete these quests or suffer consequences in the finale.
You know what else happens, upon completion of these companion quests?
You get codices. In Dragon Age, they are the threads that tie the seemingly disconnected pieces of the plot together, and that's on purpose. This time, they automatically unlock upon completing different stages of companion quests—and as far as I can tell right now, days after completing the game for the first time, the ones revealed later DO contain spicier hints about future lore than those revealed earlier.
And between ALL of these things—the demands Veilguard's timing placed on Bioware, the need for Rook as a protagonist, and the structure for every companion's quests—I think BioWare did an amazing, genius job with their narrative. Yes, I have seen some of the art book content, and yes, it would have been so cool to have those things, but... I truly do not think BioWare needed them, as close as I would have held cameos like Cole to my heart.
From a lore perspective? They knocked it out of the gods-damned park with Veilguard. They did an amazing job with each of their quests, and I promise: there is no shortage of juicy lore to be found in Veilguard. Now that I've inflicted an outline of what I know about stories upon you, I promise: all of this serves as context for everything I look forward to saying in future posts.
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If you got this far, thank you, as always!
This series is going to take a turn toward what I noticed in Veilguard, how I feel that Veilguard adds to my theories (or perhaps debunks some of them), and where I think the series is going to go from here. But in order to write all that properly and miss as little as possible (even though, in November 2024, with no wiki or transcripts, I am guaranteed to miss things), I need to keep playing the game and keep reading the codices I find.
Stay tuned for the next instalments, though I cannot say how quickly they will come after this. <3
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junktastic · 2 days ago
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Hi everynyan,
Some of you will remember that I was taking names/addresses to send out free stickers in September. I am almost done sending them out now, so here's a quick update on that.
The Good!
I like this a lot! It's fun to do. For reference, I'm printing, laminating, and cutting these myself at home, so I'm learning a lot about my machine. I like being in charge of the quality control, I like doing the logistic work. Idk. It's fulfilling to me.
It's also really delightful to see names on the list who I've known of for a long time. Old and new faces, people all over the world, I love seeing people adopt a catgirl. :3 And for free! I'm by no means making a lot, but being able to provide something fun and physical to the people who enjoy my art for free is just! Wow!
The Bad!
Everything that could have gone wrong during this process did, which is why they're going out so late. The at-home manufacturing process was relatively simple but the materials kept being funky, or I'd do something wrong, so I'd have to toss something that I'd completely fucked up, OR I'd just miscount how much stuff material I had left. It's been a pain in the butt, so I'm glad it's done and that I've learned so much from it. I ALMOST FORGOT, I DESTROYED ONE CUTTING MAT MAKING THAT ROGER STANDEE FOR MY WEDDING LOL SO I HAD TO SPEND TIME CONDITIONING THE NEW CUTTING MAT! UGH!
There's also: the money. I know it's gauche to talk about it, but doing this was pretty expensive. I live in Canada now, and most of the letters were going out of Canada, so that postage added up. Materials cost, time, it's a pretty good chunk of change, but I didn't go broke so I want to do it again.
The Other?
I definitely want (and plan) to do this again very soon. I'm talking within this month. I'm making Christmas cards! I've already set money aside for this so it's all good, and it involves less at-home manufacturing since I can just reach out to a local print shop.
I know some people were wary of the google form, but I can't really find a better alternative at this time. MailChimp has had at least one major information leak in 2024 alone, so I am not sure where else to turn for collecting addresses at this time. I had a few people who did not give me towns/zip codes, and the street address would have three or four towns in that state alone with that address. Since I didn't collect e-mail addresses, I didn't have any way to reach out to entrants about this. If you don't see your sticker in the next few weeks, this might be why! I also plan on adding a checkbox just to confirm that the person requesting the sticker is over 18, NOT because I plan on sending anything saucy, but I know what it's like to be a teen with parents who open you mail, an I don't want to cause problems for anyone because Mom and Dad think fairies are satanic or something.
Most people I've talked to about all of this have really emphasized that I need to reopen my Patreon. I'm not saying anybody is wrong on this, but it just makes me feel so uncomfortable. I think anyone who's followed me for a while has seen me try and fail to do art full time or, hell, even have a schedule for something, and I've failed every time. I'm so scared of failing people again. How can I ensure that I'm producing things on time, to a standard I am happy with, that anyone willing to support me (in this economy?) would also be happy with? It will probably happen, but I'm just so... Plus, with all honesty, I have a commission backlog that I need to finish first! I'm bad at the business part of this whole thing, I think. I'm a blue-collar labourer in my heart.
That's my update! I wish you all well, please stay safe and take care of yourself and those around you. I'll post again when I'm collecting addresses for the Christmas cards.
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