#yet. even in all his power he is so passive and loving that he doesn’t step on a stool and present himself in authority.. or in any kind of

[picnicbask3t]

despite technically being one, i don’t usually call herald a god, it’s much more fitting to call him the universe… or even his own multiverse. in truth he should be called god of the communion, because it is there he has actual ‘believers’... whereas in the normal world he doesn’t really have followers or worshippers that treat him as an idol… (speaking in canon) (though I guess a lot of acts the world does speaks to him in praise or remembrance, just never directly. they do not know the god they worship /hj)

[cixteenyne]

i nEED more izu content and you are the best of the best so i needed to come to you

personally, the thing that i think gets over looked about midoriya is that

1: he’s strong as fuck??? (gets me so weak in the knees heaven knows)

2: BLACK. WHIP.

jesus christ he’s just!!!!!!!!!!!!!!!!!! i think he’s so neat i want him to do things to me

anyways, smutfic about him coming home to reader after she’s been a brat to him all day & him being such a sweet & loving dom but also that type of menacing & powerful hero he is. he loves his s/o to no end, but will not hesitate to put her in her place!!! wow my stomach turns just thinking about it

basically, brat tamer izuku, using blackwhip. i’m so down bad for him it hurts

I remember getting this ask and salivating at it, yet I had no idea how to write and interpret it into a full blown post instead of just a thirst and I just didn’t feel like posting (I meant it when I said I’m barley consistent). SOOO in April 1, no, this isn’t an april fools joke!! I bring you, angry izuku ..

Warning(s): vulgar wording (yk how we do), restraints, mean izuku/passive aggressive, manhandling, inappropriate use of black whip, brat taming, slight intimidation if you squint, Fem reader. Halfway proofread…😒

‘Patient and Gentle’

Izuku had been so sweet to you all day, so caring and soft and understanding- he always had been, so it’s just to say he’s being himself as per usual. But, you. You.

Just so snide today, snappy little thing.

What did he do? He doesn’t know- he doesn’t care to know, he won’t listen to you if you try to explain, well- he will; just won’t let it linger. He’s past that.

You’re past that.

He sighed as he walked into the room, the door shutting softly behind him despite the off energy he had around him.

He doesn’t move from his spot, his hand still resting against the door as his head peers behind him. To you. He just gazes for a while, only a while before- clip! Another snappy remark, it was just ‘clip, clip, clip’ with you today, that’s all he could portray it as.

Something like a… like a-

“oh, that’s weird.”

Or a short ‘clip!’ Of a

“whatever.” In a certain tone a- cadence, if you will.

Why were you speaking this specific way to him. And why was it pissing him off so.. damn.. much…?

He still looking at you, yet at some point he’s turned around a tuned out whatever snide remark you’re sure to have made by now. His eyes keep traversing from one point to another, each point having something to do with you.

A short question of; ‘is there a problem?’

Is there?

“I don’t know.” A shrug from you. And a back fucking turned.

It makes his blood simmer to an 8 on a stove.

His footsteps are light yet foreboding as they advanced toward you, to you standing so.. he can’t even find the words, how does one stand in indifference? That must be it.

He’s in your personal space now, he’s smiling so sweetly at you; the way he always had, so patient and gentle. Yet his words are cracked with the tone, clashing with the way they dance out of his lips.

“Is there a problem..?” Is there? He needs to know, he had asked you a question, he wanted an answer. He didn’t ask for an ‘I don’t know.’ He asked for an explanation. Did you not understand that?- or, were you being a dumb whore on purpose?

You shook your head, not meeting his eyes. There was no problem. so, what the hell is your deal today?

“Speak up, baby..”

“No..”

you shook you head again. It was mumbled out, maybe due to his body smothering yours, but at least it was in words.

“Then what’s wrong, baby? Yr’ you acting like that.. hm?”

He whispered to you, talking you down as if you were a kid experiencing anger for the first time. His faux sad expression was beginning to make you feel silly. Good. That’s was good.

You look away- or you try to, yet his face follows yours, not letting you escape his eyes.

“Don’t- no, you don’t do that. You look at me. ‘K..? I don’t like that.”

He really didn’t. And you knew that. He looked a little disappointed too, shame. What a shame, yet you were shameless.

He sighed, a click of his teeth as he let silence permeate the room.

A cold solid-? A chilly.. rope.. it slid around your neck, slowly and purposefully. It’s grip tightening with no intent to let go. There was a tug on it, forcing you the look up at him.

Black whip. He activated it and was using it as a leash, he thought it was fitting. Act like a bitch, get treated like one. ‘S only fair.

“Izu’s a little mad okay..? And he’s sorry… but- he needs to teach his girl… m’kay..?”

You stood in place, slightly defiant, yet not outright. So he tugged. Hard. And you stumbled out of place.

“C’mon.. T’ the bed.. s’right there..” a slow step forward, then the rest followed suit, she was hoping for a smooth walk over to the bed, but she was pushed so meanly by him.

He didn’t say anything as he bullied her with such a sweet face. Always so patient and gentle. Even when he’s not.

He rolled the black whip in his hands, his quirk tightening around him as he tugged your neck back, getting on top of you. He had pushed you onto your tummy. He even got down low next to your ear to taunt you like a bully.

“Izu has to do this okay..? Keep his girl good. ‘Zuku doesn’t like disobeying whores. He doesn’t like mean girls.”

Being so mean to him all day. Whore. How dare you. But don’t worry, he loves you so much, he’s willing to teach you himself- just how he likes his girls.

He reached around under your hips and undid your button. And a ‘ziiiip!’ Oh, it was foreboding. Your body was heating up, it was like an oven with no limit.

Your pants were being pushed down, and you keened. A whine at being exposed to casually as he shushed you.

“Shhh.. shh, lemme take it off.. all of it.”

Your pants couldn’t hit the floor before his hands were always working off your shirt, as he let black whip go for a while to get it off.

Yet his hands were right back on it. Harsher, no bra. truly a whore.

He filled his palm with your breast, the soft supple flesh making him groan, a grind of his hips into your ass. He was going to fucking ruin you for this.

His breathing was hot and heavy against your neck, making goosebumps rise and quicker across your skin.

His hands began snaking again, from your breast, to your tummy, your hips, the inside of your panties. Your pussy. So, so.. wet already.

And then he was dragging them down your laps and kicking them away. His finger just playing with your pussy for a while, two finger sliding down the crevices, a palm cupping it whole and rubbing, and a single finger on your clit. Slowly rubbing and pinching, tapping.

His lips kissing your neck so sweetly. So patient and gentle.. a suck across your skin. And moan and a whine, it only made him harder.

He stops his playing- his rubbing and you whine again, disappointed, and it makes him smile a little more sweetly, or cruelly, he can’t tell himself at this point, he just knows he loves watching that sweet face of yours contort.

Black while fluctuates and another tendril seeps out and bind your arms, forcing them to your back. Your pussy drips at the strain in your shoulders.

He hadn’t taken anything off yet, and he didn’t plan too! He didn’t need to. He undid his belt, slowly. Letting the ‘clink!’ And the ‘dink!’ Of the metal fill your ears. Letting you anticipate.

His bulge is almost painful, the strain of it is almost good, yet it still annoys him- having it be let free was heavenly.. his green was deep yet still so sweet, a whine in his voice that never quite went away even as it deepened with age..

His cock bobbed up and as it fell back down, heavy under its own weight, the tip tapped your ass, leaving it to ripple. The sight made him keen yet it dipped into a moan as his own hand wrapped around his aching dick. It drooled precum.

Black whip flickered as his mind was muddled with pleasure, yet his control of it was impressive despite the situation. He wasn’t number one for nothing.

“He’s gonna teach you.. ‘kay..? Fuck… look so good baby… if you weren’t such a mean slut today-.. I’d be a little gentle..”

the way he spoke was as if he ran a marathon, and his voice always had the undertones of a whine.

He pushed his hand to his shirt, as if the action took everything in him- and began to unbutton it in a hurry, he felt stuffy in the article of clothing and he needed it off- or atleast open.

He tightened black whip, wrapping his hand in it further to force you into an arch, stroking his cock and lining it up with your pussy, cunt dripping with arousal.

The tip tapped against the entrance, then it pushed in, and in, and stretched, each inch was fucking delicious. Your eyes rolled and you bit your lip, and he heard it- he didn’t like it, if that angry tug of black whip was anything to go by.

He couldn’t help but slam the rest of it in, making you yelp. His grunts are uncontrollable and he doesn’t care. he whines behind you as his tip just leaks and leaks inside of you, yet he hadn’t cum yet.

Just made it more slippery and the sounds -god, the sounds- the sloppy and wet sounds of his cock driving into you cunt wasn’t drowned out by your combined moans.

He kept it tugged in your little leash as he keeps thrusting, his voice raw with pleasure and still a bit of irritation.

You still had upset him earlier, he had every right to take it out on you. You’re his girl.

He hips sped up, this thrusts got harder and your legs would have given out if his hips weren’t keeping you in place. Fucking his anger into you, and yours out of you.

He pulled your leash up and forced you to your feet, your back flush against his chest as she kept fucking you, going and going and fucking going, you couldn’t barley think- let alone stand. Fucking you like a rag doll was all he planned on doing.

His hand went to your front, and began to play with your clit, rolling it under his finger, making you dizzy, you moans increasing and you felt yourself tremble. You were about to cum, he knew it.

You always came first, that wouldn’t change, even if you were mean, and he was angry, he was going to take care of his girl, let her cum all she wants.

And you did, you came around him and squeezed his cock like it was a lifeline. Her pussy fluttering around him.

But he wouldn’t stop until he was finished too. Your body was pushed back onto the bed, the black whip disintegrating as he took his own hands and used them to restrain you instead. He pushed his hips deep into yours in slow yet aggressive thrusts. He was going to cum, fill you, he was going to teach you just what your place was and to never forget it.

“Fuck..! Fuck!”

And two deep thrusts was all he had left before he burst with thick ropes of cum into your pussy. Your tummy being filled with warmth and your eyes tilting into your head as they closed in exhaustion.

He stilled and let him empty itself before smiling so sweetly at you.

“Does my baby feel better..?”

He asked, just as sweetly as he always has. Maybe you’d learn something this time around.

“M..hm.”

He mumbled into your ear as he settled his chest against your back;

“Good.. don’t forget what ‘Zuku taught you today.. ‘Kay..?”

So patient and gentle.

(Don’t copy my stuff pookie, bitches with juicy pussy DONT copy works.. but you can still reblog… daddy appreciates those.)

[la-pheacienne]

After the avalanche of bad takes inspired by got and hotd I would just like to say that the point of asoiaf is not "feudal power corrupts" and it is not "no one can save Westeros because feudalism bad". I would like to remind you what the function of feudalism in the story actually is, as stated by GRRM:

The medieval setting has been the traditional background for epic Fantasy, even before Tolkien, and there are good reasons for that tradition. The sword has a romance to it that pistols and cannon lack, a powerful symbolic value that touches us on some primal level. Also, the contrasts so apparent in the Middle Ages are very striking -- the ideal of chivalry existed cheek by jowl with the awful brutality of war, great castles loomed over miserable hovels, serfs and princes rode the same roads, and the colorful pageantry of tournaments rose out of a brown and grey world of dung, dirt, and plague. The dramatic possibilities are so rich. ( Source)

Now his notorious statement about Aragorn's tax policy (as much as I vehemently dislike that statement concerning Tolkien, it is still very insightful for GRRM's work) :

Ruling is hard. This was maybe my answer to Tolkien, whom, as much as I admire him, I do quibble with. Lord of the Rings had a very medieval philosophy: that if the king was a good man, the land would prosper. We look at real history and it’s not that simple. Tolkien can say that Aragorn became king and reigned for a hundred years, and he was wise and good. But Tolkien doesn’t ask the question: What was Aragorn’s tax policy? Did he maintain a standing army? What did he do in times of flood and famine? And what about all these orcs? By the end of the war, Sauron is gone but all of the orcs aren’t gone – they’re in the mountains. Did Aragorn pursue a policy of systematic genocide and kill them? Even the little baby orcs, in their little orc cradles? (Source)

Moral relativism right? Nihilism, pessimism, every symbol is doomed to fail, every effort for a better future is doomed to fail because the feudalist structure is inherently rotten. Should we even try then? What is the point in showing a ruler genuinely try? If every leader is doomed to fall victim to external opposing forces and/or corruption or other moral flaw, what is the point in trying? Let's see another statement by GRRM where he explains what asoiaf is actually about:

"In a very basic level winter is coming for all of us. I think that’s one of the things that art is concerned with: the awareness of our own mortality. “Valar morghulis” – “All men must die”. That shadow lies over our world and will until medical science gives us all immortality… but I don’t think it makes it necessarily a pessimistic world (...) the important thing is that love, compassion and empathy with other human beings is still possible. Laughter is still possible! Even laughter in the face of death… The struggle to make the world a better place… We have things like war, murder and rape… horrible things that still exist, but we don’t have to accept them, we can fight the good fight. The fight to eliminate those things.There is darkness in the world, but I don’t think we necessarily need to give way to despair". (Source)

The combination of these statements speaks for itself to someone who has read GRRM's work: the sword has a romance that pistols lack, the dramatic possibilities of the medieval setting are rich, ruling is hard, we can fight the good fight, we should not give way to despair. From that to "No one can save Westeros" the distance is huge and the endpoint is extremely deceptive and also deeply reactionary. If no one can save Westeros, then there is no point in trying to save Westeros. Characters that try to save Westeros, or Essos, or the Wildlings, or anything bigger than their own ass, are not morally superior to others that just benefit from the current status quo or passively tolerate/enable it, since no one can actually do shit and every effort is doomed to fail. Yet this goes directly against the point of asoiaf that can be summed up in the phrase: "ruling is hard". It is hard alright, but the thing is, someone has to do it. Whether that someone has been chosen by the people, or by the gods, or by destiny, or by circumstances, and regardless of the political system that allowed them to yield that power, the point is that someone has power ad hoc at any given time, and power equals responsibility. What do you do with it? How do you govern? How do you choose between two equally grievous alternatives? Who do you listen to? Who do you trust? How can you learn? What if everything you've been told was a lie? How do you move on from there? What if the promises you made contradict each other? What if you fail? How do you live with the guilt, how do you go on? How do you instigate a structural change? What if you try to do that and people die? What if you try to do that and it kills you? Was it worth it? How do you use the power you have? How do you fight the good fight? What makes a fight good?

"Feudalism bad" and "no one can save Westeros" are not just incredibly uninspired catchphrases, they are something much worse: a very nice way of avoiding to answer the real, hard, uncomfortable questions that are the driving force of asoiaf, and a very neat way to justify those who tolerate, enable or reinforce the status quo. Coincidentally, these questions remain the same in every single political system. They are universal. That's why this is a good, relevant, applicable story, that's why we give a fuck even if the context is foreign to us. So spare us the moralizing bullshit please, and thank you for coming to my Ted Talk.

[unordinary-diary]

So I have a question about Arlo’s powers that you might have the answer to

Do you know what the bleeding is all about? Like when he starts coughing up blood after his barrier breaks. Does he just like straight up start bleeding internally or something?

Anyway I love this blog sm you are giving me the unO content I crave

Ah, thank you! Yes, I absolutely have the answer. In fact, I’m going to take this opportunity to make a post that was already floating in my head.

Arlo and Recoil Damage

First, to answer your question in a literal sense, yes. It’s definitely internal bleeding. Specifically, damage to his lungs.

It’s also not at all unprecedented for a person to be wounded like this. Every person with a conjuring type ability takes damage when their conjures are damaged.

(Rein in ch. 16)

(Cecile attacking Arlo, ch. 109)

The difference with Arlo, is that his damage happens below the skin. Here’s where it gets juicy.

Symbolism

Arlo’s ability is very symbolic, possibly the most so of anyone in the series. His nigh unbreakable barrier he puts around himself represents his metaphorical walls, and how he keeps everyone at a distance. His passive makes him invulnerable— he gets punched in the face, clawed at, stabbed at, etc, and doesn’t even blink. The only way to hurt Arlo is to break through his barrier. And when his walls are broken down, there’s a wound in his chest. It’s not literal enough to be his heart that bleeds, but it’s very close.

There’s also something that’s been kicking around in my head for awhile—

“You’re the strongest one out of all of us here right now. You can try to brush this whole thing off... but to the rest of us, it’s still scary. If even you can’t protect yourself, what can the rest of us do?” — Remi, Ep. 61.

I remembered the line being “When people as strong as you show fear, it scares the rest of us.” However, that must have come from a different scene and I won’t track it down.

It’s plain and simple: High tiers have been taught their whole lives to bottle things up.

This is also seen reflected in Seraphina—

(ep. 20) Granted, the circumstances here are very different, but it’s a similar idea. High tiers showing emotions scares people.

So they bottle them up...

… until they explode.

(Ep. 106)

The judgment Arlo and Seraphina face is very similar. Seraphina rejects these expectations before the story starts, but Arlo has yet to do so. He is very much like the Seraphina we see in flashbacks.

All of this is to say: it is significant that his barrier wounds are internal. The little bit of blood we can see is mainly there so the audience knows he’s injured— but otherwise? Barrier cracks aren’t an injury that people can really see. Recoil damage is typically reflected as scratches, so his internal wounds are both unique, and symbolic of the way he hides his feelings.

[mydearyanderes]

Yandere! Welcome Home Neighbors Headcanons | Part 1!

Headcanons of how all the neighbors in Welcome Home would act as Yanderes!

Characters: Barnaby, Eddie, Frank, and Howdy!

TW: Threats, suicidal ideation, stalking, workplace harassment 

Barnaby B. Beagle 

It would take a lot for him to become full on obsessed with you

He’d act less like a boyfriend and more like an overprotective father

Barnaby wants you by his side 24/7, no matter what

If you don’t? Well get ready for a lot of a lot of passive aggressive comments about how he “just wants to protective” and how you’re being stuck up

He shrugs off any legitimate concern you have for the relationship, instead just laughing off all of your kvetching, as he calls it

Don’t forget that Barnaby is 8 feet tall

He’d never hurt you, no he’d never dream of it!

However

I can see him not so subtly reminding you how much larger he is compared to you, how he could easily overpower you if he wanted

Hopefully this keeps you in line

As long as you’re on his good side, he’s a great guy! Always laughing and joking with you, doing everything in his power to make sure you are entertained and won’t leave him

Eddie Dear

Oh he’s just so smitten!

Definitely a love at first sight type of guy

Stumbles over all his words when talking to you, you just make him so nervous! 

He respects your personal space, after all he doesn’t want to make you uncomfortable! 

However he doesn’t really understand the concept of emotional space

Eddie will inject himself into any and every activity you get yourself in to

Talking to Frank? Eddie’s there! Relaxing under a tree? Eddie’s there! Sleeping in the privacy in your own home? Eddie’s there.

He’ll send you anonymous love letters, but it’s really obvious who sent them

Because when he gives the letter to you he says things that make it blatant that it was him 

“Oh this guy really seems to like you!” “I haven’t even opened the letter yet...” “O-oh uhm... uh... I went through your mail?”

Terrible at lying

Overall a pretty harmless yandere, just wants your love and attention, even through rather creepy means

Frank Frankly

His yandere tendencies will only show after you two have been dating for a while 

He’ll whisper things here and there, about how your friends can’t be trusted

Barnaby is annoying. Sally is arrogant. Wally is creepy. Poppy is uptight. Etc.

No one is good enough for your attention, for your love

Even Frank battles with the idea that he isn’t good enough for you

You’ll have to spend many late night assuring him that, yes, he is good enough and that, yes, you do really love him

If you ever try to leave, or do anything that doesn’t involve him, he’ll guilt trip you until you stayed

You’re right, Frank is worthless and unworthy of love, you should just go ahead and leave him

If you call his bluff, and you continue to have relationships with others besides him. Or worse, break up with him, he’ll go mad

At first it’s trying to use logic to get you to stay. Then he get’s angry, yelling and throwing things in your direction and threatening to hurt himself. Lastly he’ll collapse to the floor, crying and sobbing until you decide to stay with him again, even for just a bit longer

He’ll repeat this cycle for as long as needed

Howdy Pillar

It starts out as a small crush, then it snowballs into something much, much more sinister 

You know how Barnaby pays for his hotdogs with jokes?

Well for you, you’ll have to do increasingly more and more elaborate things

Howdy does this purely to enjoy your company, even if for just a few minutes longer

It may even get sexual, assuming you two are already in a relationship

He gives you, and only you, ridiculous discounts on items 

Things in the store that you wanted that weren’t in the store are suddenly there now

Even things that you don’t remember telling anyone else that you wanted

He may even hire you as his assistant in his store, so he can rest easy knowing he’s with you most of the day

Soon, it won’t be enough. Howdy wants you around him constantly now. You’re too perfect to only see for a few hours a day

He’ll coerce you into a relationship with him if you two aren’t dating

If you refuse? 

Well, you don’t want to know what Eddie will resort to if you do that

[wlwanakin]

would love to hear your thoughts on this more 🙏

OH TOTALLY!!! there are quite a few angles i toy around with this from, but they’re all rooted in the basic premise of anakin not really knowing how to function in a non-hierarchical relationship because he’s never really had that. he went from one position of subjugation where he had a master to a nicer position of subjugation where he had a master and then he gave that position for a third position of subjugation where he had a master! out of all his important core relationships (sans anidala, i’m not getting into them just yet because this is about how his other relationships might inform that one) his only remotely normal one was his relationship with his mother, which is a relationship he had while they were enslaved. he looks to obi-wan to fill the shmi-shaped void, and obi-wan is his master, and when obi-wan cannot fulfill his emotional needs he turns to palpatine, someone who has utmost authority and is also grooming him and who eventually becomes his master. and these are not dynamics exactly comparable to slavery (early on that is, the sidious + vader dynamic certainly is!), but they are still dynamics with clear power differentials and there’s also the language overlap and that is not good for a young traumatized brain that needs to process things. and all this is gonna inform how he approaches relationships forever.

one idea i like to play with is the idea that anakin sometimes slips into viewing pretty much every relationship as some form of ownership or at least subjugation, there’s just a good kind and a bad kind. and if he’s in a particularly bad place he’ll start viewing his marriage with padmé in those terms. and more typically i think it’d just be a cause of conflict because he starts reading things as demands or misreading her as authoritative or even just thinks too hard about their positions relative to each other and that makes him snappy and defensive in a way that in his brain can slip into power play. but in a more fun and fucked up way i think he sometimes desires a total subjugation under her because it’s familiar and easy and he basically lives for her anyway. cuz like, the thing about being robbed of freedom and autonomy is that if it happens for long enough you just get used to it and accept it even if you do yearn for freedom, and sometimes “freedom” and “being controlled but in a way that’s nice and by the right person” are concepts that easily blur together if your brain is sufficiently scrambled. and whose brain is more scrambled than anakin’s?

where it really gets fun is when you consider vaderdala though, because his time as vader, more specifically palpatine’s treatment of vader, is possibly the most horrifically brain-scrambling experience anyone has ever been through. “total subjugation” doesn’t even sufficiently cover it. it’s a horrific loss of and violation of autonomy to an absurdly evil degree, and it’s one he basically just passively accepts because he has nothing left but that. and all this is being done to him by someone he still loves and cares for (literally the last person he even has to love and care for). so if you give him enough years of that + thinking padmé is dead and then you bring padmé back into the mix you cannot convince he’d know how to go back to having a normal marriage. the way i see it a vaderdala that happens at any point past, say, the 5 year mark of anakin being vader is one where vader essentially views the rekindling of the marriage as a transferred ownership and padmé as his best case scenario master. because after constantly falling into the hands of a new master and then subsequently losing his entire self to such a degree he’s basically just a sadist’s lab rat/attack dog who doesn’t even get to keep his own name i really think he’d just accept that maybe this is just what he’s meant to be and give up. and i don’t think padmé coming back would fix that, i think he’d just put her in an extremely uncomfortable position of basically viewing her as replacement palpatine and putting himself entirely at her mercy because he has genuinely forgotten how to be a person. like at a certain point the holes in vader’s brain are just too fucking big and his approach to love/marriage is basically “being owned but by my wife ❤️ yay ❤️”

[acourtofquietdreamers]

“Elain shouldn’t have to convince anyone that she belongs in the Night Court.” “Elain needs to leave the people that coddle her.” “Elain just needs to give Lucien a chance and she’ll realize he’s perfect for her.”

Elain is often criticized for being passive and not standing up for herself yet some people believe she shouldn’t fight for what she wants and what she believes in. She should just run away. She should just give in to the mating bond and give Lucien a chance. She should continue being passive.

I believe Elain’s growth would be more impactful if she continues down the path we’ve begun to see her go down where she passionately fights for what she wants and doesn’t back down. We may not have Elain’s POV yet, but Elain has made her feelings known on a couple subjects. I’m focusing on Elain’s words only because I do not believe others know what’s best for her.

Elain very confidently declared herself as a member of the Night Court.

When Feyre had offered to let her remain home, Elain had squared her shoulders and declared that she was a part of this court—and would do whatever was needed.

Should Elain abandon her declaration and leave the place she’s begun to build a life in because she looks plain in black? Or because Nesta thinks Spring is made for “someone like her”?

Or should she prove them wrong by earning her place within the court (cue Elain using her powers) and show the claws she’s been hinted to have?

Elain no longer wants to be coddled by her sisters and we see her stand up to them for the first time in ACOSF.

Elain remained in the doorway, her face pale but her expression harder than Nesta had ever seen it. “You do not decide what I can and cannot do, Nesta.”

“Shall I tend to my little garden forever?” When Nesta flinched, Elain said, “You can’t have it both ways. You cannot resent my decision to lead a small, quiet life while also refusing to let me do anything greater.”

Elain cut in sharply, “I am not a child to be fought over.”

But Elain said, “I went into the Cauldron, too, you know. And it captured me. And yet somehow all you think of is what my trauma did to you.”

Should Elain run away from this battle and leave her imperfect relationship with her sisters behind?

Or should she continue to address the issues in their relationship so they can come out stronger?

Elain has made it clear that the mating bond means nothing to her, regardless of others trying to convince her to give the “nice guy” a chance.

“You are his mate. Do you even know what that means?” “It means nothing,” Elain said, her voice breaking. “It means nothing. I don’t care who decided it or why they did—”

“You belong to him.” “I belong to no one. But my heart belongs to you.”

“He brought you a present.” Those doe-brown eyes turned toward me. Sharper than I’d ever seen them. “And that entitles him to my time, my affections?”

“No.” I blinked. “But he is a good male.” Despite our harsh words. Despite this Band of Exiles bullshit. “He cares for you.” “He doesn’t know me.”

Should Elain give in to the pressures of giving her mate a chance? Forget about her dream of a love that would trump even a mating bond?

Or should she fight for a love of her own choosing?

I don’t want Elain to give in. I don’t want her to be passive and let others make decisions for her. I want to see Elain surprise everyone and continue to fight.

[savagewildnerness]

OK, Here we go: S2E7 - I could not prevent it:

SPOILERS

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Random train-of-thought thoughts...

The thing that I find most difficult is that in the books you know nobody deserves death & you know when characters are justified or not justified in their actions or inactions.  But on the TV show I just feel increasingly all-at-sea, especially regarding Lestat seeing as we haven’t had any thing from his own perspective yet and it is just A Lot.

For example, in the books, Lestat does not deserve to die, but Claudia is 100% justified in murdering him… but Louis’ inaction is not entirely justifiable, though it’s understandable and Louis’ passivity and his regret at this is the hinge of the entire novel!  You can understand why Louis has anger towards Lestat and Lestat towards Louis and you understand that the love is more powerful and they always both loved each other.

And you know what characters want: Book-Armand wants Claudia dead from the first second he sees her; Armand & Lestat both want Louis alive more than any thing & Lestat doesn’t want Claudia to die, though if it were the only way to spare Louis he’d do any thing.  And book-Lestat is in an incredibly fragile place both mentally and physically even BEFORE he arrives in Paris.  Book-Lestat literally couldn’t have done the trial the way we saw in E7.

But in the show, all the stuff around memories mean it’s unclear exactly what anyone wants or deserves or is justified or not in in many cases. And sometimes it’s opposite.  Lestat truly does deserve death in the show to a degree he doesn’t in the book at all, which is SUCH a huge alteration.  If you haven’t read the books I can’t articulate the difference it makes.  The fact that Lestat has done absolutely nothing to deserve death in the book HANGS OVER all of the pages where Lestat is not present.  It hangs over Louis and obviously it hangs over the trial!  Louis isn’t thinking about Lestat all the time in the book because he knows he loves him anyway despite everything as Louis hasn’t realised that yet and is only starting to realise it.  He just knows he feels some thing and he knows Lestat was wronged and he misses him.

On the TV show I find it unclear whether Armand actively wants Claudia dead and if so, why?  Or to what degree he needs it?  I can see Lestat doesn’t want to be at the trial, but it isn’t clear whether he could not bear to see Louis die from this episode.  Santiago, confusingly seems to care more about killing Claudia than Louis which makes zero sense…. And I don’t understand the why of everyone.  The clearest character is Madeleine, who simply loves Claudia & that’s it. 

I hope it can all become clearer, but I don’t feel 1 episode is enough for that…?

More notes:

Anyone know what Santiago says to Madeleine?  Clearly hypnotising her, but what does he say?  And why is she hypnotised.  Just because she is irrelevant, so to keep her quiet?

Why would Santiago want to torture Claudia pre-trial more than Louis?  He absolutely despises Louis more!  So it doesn’t make sense to me why it’s Claudia who’d be put in the rat box?

“With additions made by The Vampire Lestat de Lioncourt” added to the play script.  How is this achieved?  Lestat’s telling?  Invading Lestat’s mind?

Incredible acting by everyone

Why did Santiago just go with the audience’s decision for banishment?  

Some kind of DreamStat in Dubai?  It felt that way…

Let’s talk Lestat:

I had expected something similar to Armand’s E3 story-Lestat: a very twisted version so was pleased this episode isn’t that.  Lestat sometimes seems very much his real-self… and at other times he seems like he does’t know what he’s doing… but the times he is his real-self, why doesn’t he scream about the fact that Louis is about to be condemned to death here!?!?!  I mean…. It is exquisite the way Lestat first looks at Louis, with no mercy… then turns away, a broken thing - the acting by Sam.... but like... is Armand in his head the entire time and we just don't know it yet? Some of it must be from Lestat's own volition or he would not be able to go off-script the way he does. The trial feels very different to the books.

It’s an odd mix of what seems very true and what seems total lies - there’s enough of real-Lestat that it feels real a lot of the time, but then it’s a weird mix of sincerity and insincerity crushed against each other and it’s hard to feel from when you can’t entirely tell the boundaries of this…

Lestat’s first speech is obviously scripted and it feels like Lestat is on autopilot almost.  When he says “It’s a story of love, not butchery” I already can’t tell if that’s scripted or if it’s Lestat going off-script?  BUT pointing out Armand’s influence on Nicolas’ death must surely be off-script?

After the “Come to me” bit, where Lestat displaces what he did onto Louis, which is clearly a (scripted) lie Lestat tells, we see Armand looking some way, then Lestat sits & looks exhausted/devastated… I wonder if Armand is mind controlling Lestat there to get him to say that? But it’s very confusing as at other times Lestat is clearly sincere & even goes off-script to be sincere, so it is quite confusing what we are/are not supposed to question…. I also noticed Sam mouths the words of Lestat’s Nicolas story along with Lestat speaking that, so he must have written that part of the script….

Obviously the take down of the homophobic soldier was incredibly satisfying…

I am reminded of when Claudia said the best lies contain truth, but it’s a lot.

At least Daniel knows Armand isn’t telling every thing truthfully…

So!  Let’s get to my least favourite thing - The Drop.  I believe the drop happened after this episode.  I do not see any way it didn’t.  The fight was pretty much as I expected inside.  Though Louis said crueller words than I expected, I guess.

But it seems to me the writers have decided to lessen Lestat’s responsibility in making Claudia, but to up his wronging of Louis - Louis who Lestat NEVER WRONGED!

While in themselves, these changes could be perceived as minor, the impact they have on the characters is massive.

As I say, I do believe the drop happened now.  That off-script apology - I do not see it being taken back or not being real.  That definitely wasn’t Armand making Lestat say that on stage, and in Paris Armand’s book-canon Lestat-drop wouldn’t have happened yet.  The whole feeling of it felt 100% real and a genuine apology.  It is what it is, but for me in terms of the writing it is 100% a mistake because it is a misunderstanding of the essence of Lestat.  Lestat would not do that to Louis.  Specifically, to Louis.  I cannot say it is in any way even in the spirit of Lestat.  And it seems very odd the show is including it because actually they’re emphasising the relationships more than the books so it matters even more in my opinion!  But, I accept that Lestat dropped Louis on the show.  I see no alternative scenario.  The implications of it will carry through Loustat’s entire relationship though and I do not like it.  The ending of Queen of the Damned, if they go with it as written will be SO different in feel as well, which even though that is so far away, makes me sad to even imagine how different it must feel already.

I get why there is an alteration with Claudia due to her being very different from in the books… but in the end I feel this episode should have been all about Claudia and I didn’t think that much about her or feel that much from her because there was so much else I was trying to work out, I suppose?  The biggest feeling was Madeleine choosing her, which was beautiful.  But not big enough.  Claudia deserved more.

Preview for next episode shows Louis seeing Lestat locked up AFTER the trial and with the fire gift, presumably going to kill him.  At first I was panicked that Lestat would *only* be seen locked up after the trial (and I am sure that’s what Armand will tell Louis), but we saw Lestat in that trailer in a different outfit, so we must see him pre-trial locked up too.

Yeah… my brain feels fried.  I did think Lestat would be painted more-the-villain than he was.  But the way things were it feels very confusing.  I couldn’t even guess what percentage of that trial was exactly as it happened and what percentage not…

But anyway, the episode was beautifully acted...

[starnightlover]

Hi. Sorry, I just really feel like complaining. Obviously you can ignore this, I just have nowhere else to word vomit lol. I've been trying to shift since 2019. I've gotten into the void state for like 20 seconds but got too freaked out/excited and lost stability before I could manifest or shift anywhere. I feel like I'm going crazy. I've done the whole thing of pasting sticky notes with affirmations all over my apartment, had meditated for an hour or more a day for weeks at a time, listened to subliminals 24/7 and obvious tried all the classic methods like the raven method, julia method, etc, etc. I've had multiple lucid dreams where I tried to make portals and I've even had a lucid dream (or I guess I shifted) where I saw a "centre" for shifting with a bunch of islands and floating petals that we used as transportation between islands. I got a whole tour by some guide and he showed me other lives I'm currently living. That was like a year ago, and I haven't manifested anything significant or went anywhere since then. I'm going through a really tough time right now. I wouldn't have gone on like this if I didn't believe in it, but I'm just feeling really beaten down. I'm exhausted and frustrated.

Hi lovely, I'm so sorry you feel this way.

It’s understandable. But remember all the lucid dreams you’ve had and the void states that you’ve been in. They’re a reflection of your ability for shifting. You’ve been incredibly close before, and your subconscious mind is capable of doing so. You can take a break if you want, because shifting requires a healthy amount of persistence. Just remember that no matter how long of a break you have, you’ve come really far already. The void state is one step away from shifting. And don’t forget your lucid dream, where you basically saw your ability to change realities. Don’t take my word for granted. Just think about it. You can do it, you do have the abilities, all you have to do is keep going. You can take a small break if you want to rest, but don’t let yourself lose all your progress. Stay determined, stay motivated, don’t lose your abilities. You can do this!!

You’ve come so far, and you’ve been in the final stages. Don’t think about how it’s been years without a single shift. It’s been years where you’ve learned techniques, you’ve learned about yourself, you’ve honed in your shifting abilities. Just because you haven’t shifted in years doesn’t mean you’ve made no progress. This is just the next step in your shifting journey. Go forward. Take that step. Shift like nothing’s stopping you. You’re so close. You’ve had enough time to think about it. You’ve been here, wanting to get to your desired reality for all this time. You haven’t given up on it yet. You’ve kept coming back hoping, trying, dreaming, wanting to shift to the reality you want and finally be with your hard work! Why would you stop now? You owe it to yourself to keep trying. Don’t give up, because it has always been your dream to shift.

Your determination, drive, motivation, and dedication to shifting is so praiseworthy. It's been years since you started this journey, and you haven't given up! You've persisted for this long and you've gotten close so many times, it's almost impossible for you to not have enough abilities to shift realities. Remember all the things you've seen and experienced while trying to shift realities, all the things you've gone through and the efforts of hard work that you've put into shifting realities. Don't give up now. You just have to keep going. You can do it, I believe in you!

Keep going. Don’t stop now.

I mean, just think about it: you possess this incredible power within you to shape your own existence. You're not just a passive observer in the grand theater of life; you're the playwright, the director, and the star actor all rolled into one.

You see, the universe is like this vast, infinite canvas, and you? You're the artist putting forth the brush. Every thought, every belief, every intention you hold is like a stroke on that canvas.

Now, here's the kicker: you have the ability to shift to any reality you choose. It's not some distant, unattainable dream—it's within your awareness right here, right now. Reality-shifting isn't this Herculean task reserved for a select few; it's as easy as changing your mind.

You are the god of your reality, lovely!!! You have the power to shift!!! It's not about waiting for the stars to align or some external force to swoop in and save the day. It's about realizing that the power you seek has been within you all along. So, embrace it. Own it. Know that you are the creator of your own destiny. And when doubts creep in or challenges arise, remember this: you are god, and reality-shifting is as easy as flipping the script. You've got this. After all, you are god.

And remember! You don't actually need specific methods to shift realities; it's about tapping into your innate power as a being that is pure consiousnious not attached to any body, mind, or reality! . Every moment, you're making choices that shift you to a different reality, and reality-shifting to your DR is just as easy! It's just bevomi b aware of it. While methods and techniques can be helpful tools, they're just that—tools! The real magic happens when you tap into your own inner wisdom and intuition, trusting yourself to allow the process to unfold organically. Embrace your innate creativity and intuition, and watch as your reality begins to shift in ways you never thought possible.

Now just remember my love, to keep on visualizing, keep on affirming, and most importantly keep persisting!!!! . And, be gentle with yourself along the way. Shifting may not happen overnight, but each step you take brings you closer to your DR. So hold onto hope, and know that your breakthrough is just around the corner.

[ratsoh-writes]

Hey y’all! Meet our new Underwest characters!! And the au!

To introduce them: Underwest is a Wild West au! These monsters were never trapped behind a barrier, and lived in the deserts and plains of the surface along with humans. Conditions were harsh for every one, but they made do, creating a community of hardy resourceful monsters and humans alike!

Like the name suggests, this au is cowboy themed with a few twists! There are hardly any mammals from this au. The hot desert sun is too much for most furred critters, and certain animals like sheep, wolves and horses never evolved. But other animal species thrived! Namely the reptiles.

In Underwest there are three big domesticated animal groups: herding lizards, raptors and terror birds.

Herding lizards: there are dozens of breeds, but they’re all mostly the same. A six legged desert lizard raised for meat because of its passive nature and the fact that it can eat almost anything and survive off of little water

Raptors: domesticated and wild, not to be confused with the ancient dinosaurs. These are quadruple lizards as large as a horse with long thick legs and the energy to run for hours. They’re carnivorous and domesticated ones are used as herding animals and riding animals

Terror birds: MASSIVE carnivorous birds of prey with wingspans the size of cars. And the bane of every Underwest monster. They snatch up monsters, people and livestock and have crossed over into ebott after the crash as well. They can be tamed however by particularly skilled individuals and can even be taught to take a saddle and fly with riders.

The Underwest monsters don’t have royals as there was never a war between them and the humans in the past. Monsters and humans were divided into traveling family units, chasing water sources and only settling during rainy seasons. They’re believed to be closely related to the farm AUs due to many of the Underwest monsters having earth affinities.

Meet partner and rowdy!!

Partner (Underwest sans)

Partner is a stocky skeleton monster, aged 68 with soft lilac magic. He stands at 5’7 and has a strong thick muscular ecto that he worked hard to achieve. He has a bit of a gap between his front two teeth.

Partner is a very serious monster, he rarely smiles and hearing a laugh from him is like seeing gold fall out of the sky. If duty was a soul trait, he’d have it. He always keeps his promises, even if it kills him. While he can be grumpy and temperamental, he has a soft spot for the gentle and innocent, and is a good protector to any of his loved ones.

Partner works as the sheriff in Goldenvalley, hunting down criminals.as there’s only one police station and it’s a lot of land to cover, he works very hard at his job. On the side he also trains raptors for a bit of extra G.

He’s a very clever fighter which makes up for his rather average magic power. This is reflected in his magic weapon, a whip that when cracked, makes a loud booming noise to frighten. The whip itself doesn’t do much damage

His special ability is that he can see both up and forward. Like he has eyes on the top of his head. When he consciously thinks about it, partner can see the sky even though he may be looking down or forward.

Things he loves: leather goods and clothes, garlic, rustic belt buckles and hat accessories, artisan breads, hunting, telling campfire stories, horror novels, axe throwing, the color blue, clover flowers, country music (go figure)

Rowdy (Underwest papyrus)

Rowdy is a lanky skeleton monster aged 27 with baby blue magic. He has a think but trim ecto and is always covered in scrapes and bruises. He has a bit of a gap between his front two teeth

Rowdy is a cheerful, eager to please and clumsy fellow. He’s been rather sheltered by his mother for most of his life, so some things that may be common sense to most he hasn’t learned yet. He wears his heart on his sleeve and is a delight to be around with how affectionate he is. However he’s very gullible, making partner very protective of him.

Rowdy is partners apprentice, learning the art of training raptors. He’s not partners brother like the others but is actually his younger cousin. Their mothers were sisters. Rowdy only recently left home this last year and a half, so he’s a bit behind in the practical work compared to other monsters his age

Rowdy has very explosive magic which shows in his magical weapon, a boomerang that literally explodes on contact. Unfortunately if it doesn’t hit its target, ot explodes on him when it comes back. He’s working on fixing that

Rowdy’s special ability is double jump! When he’s in the air, he can kick off exactly once to get a second jump!

Things he loves: comedy podcasts and shows, parsnips, the color yellow, fun patterned bandanas, horseback riding, exploring new areas, pop music, line dancing, stew, orange blossoms

Side characters

Belle: the mother of rowdy and the aunt of partner, bell is a skeleton monster aged 400 exactly. Having lost her sister and husband before the crash due to sickness and a bad rain year, she was extremely protective of rowdy. Even after the crash she sheltered him, causing him to run in order to accept the apprenticeship partner offered. Partner and Belle had a huge fight over this and aren’t on speaking terms anymore

Robber: Underwest undyne, and despite the hilarious nickname, shes no criminal but is in fact another sheriff of Goldenvalley, and has a friendly rivalry with partner. She’s still new in her job and goes to him for pointers a lot as well.

Prairie: Underwest alphys, and partners closest friend. She breeds raptors and goes to him to train all of them. She owns a cute plot of land that she raises goats on as her primary source of income. Breeding raptors is a long and tedious job, definitely not something one can easily live off of.

[faithintheunknownsblog]

I loved the post

And what if the reader was also a vampire just as powerful as alucard ?

Genre: Hellsing Au, Fluff, Angst

TW: Blood drinking, violence, guns, fighting, Alucard being a total dick (but since when is that new?)

Anything you can do better, I can do anything better than you~

It’s a- metaphorical- dick fighting competition, no question about it (im sorry not really but i couldn’t resist making an abridged reference)

Anyway-

You two will always be competing on who is better. Which one of you is stronger? Who’s the fastest? Who can endure the most pain? Who is going to win the fight when you two go head to head?

The answer? Neither. Neither of you are ever going to win in a fight against each other.

So instead of fighting each other you have learned how to have fun fighting to see who can do assignments better.

But it wasn’t always like that, it was actually quite the opposite for the first four months of you being part of the Hellsing Organization. Your very existence vexed Alucard because after six centuries of being the greatest vampire of all time he refused to accept being anything less than. All he wanted to do is annihilate you, which you didn’t understand because you were nothing but civil, friendly even. Well that was until you weren’t.

Within a week you accepted the fact that he hated you without any explanation. But for the sake of keeping the peace you suggested the idea of coexisting, and his response made it clear that the offer was off the table when he shot you in the face. So after that day you made it your unlife goal to drive him absolutely insane with the fact that he is no longer the most powerful.

Though you went about it in a passive aggressive way, from then on you tormented him by refusing to ever acknowledge his existence. For those four months you pretend that you never noticed when Alucard shot a hole through your heart, or blew off your head. You would just regenerate and continue on with whatever you were doing like it never happened.

Alucard absolutely hated that. How dare you act as if the most powerful vampire there is doesn’t exist?!

But that’s what you did, until it eventually became too exhausting. The constant fighting had you questioning why this person who knows nothing about you is so angry at you and why is it to the point that he’s always trying to kill you.

You fought and fought and fought your anger, oblivious to the fact that you were at your wits end. You had enough of all the bullying you were being subjected to, without realizing it. All that you were doing was waking up every night just to be Alucard’s punching bag and he was getting no repercussions for his actions. You thought you were fine.

Then you just snapped, all at once, without any warning. One night you saw Alucard and before he even had a chance to notice you entered the room, you. lost. it. and all of Hell almost broke loose.

You never knew your strength until the moment a couch was thrown without you even thinking about laying a finger on it. Your hands never had the chance to touch it and yet, you somehow made the huge piece of furniture fly through the air towards him.

Anything and everything in the living room was about to get destroyed if it wasn’t for Integra being right there to command Alucard to his cellar. Walter instantly restrained you with his thread to keep you from chasing after Alucard because he knew if you two weren’t separated right away the mansion was going to crash to the ground.

Alucard loved that he was able to finally get under your skin enough to break you, but bitter that Integra didn’t let you fight him. He had been dreaming of the day you finally let your rage loose and he wasn’t even allowed to see it.

Once you were calmed you were set free and Integra ordered you to your room as well, without knowing that was a big mistake because now you aren’t leaving it. You shut down because there was no more acting like Alucard hadn’t emotionally damaged you.

Which is exactly what Alucard wanted, he wanted to damage you because now that you couldn’t hold yourself to a high standard. Thus making him the greatest again.

Integra didn’t care much for your emotions until it started affecting your work ethic, you for the past week you never showed up when called upon. That’s when she forced Alucard to go ‘fix’ you, which he didn’t want to do but had no choice. The only thing he could think of how to get you to show up was by forcing you.

The whole ordeal played out like this:

===

You’re lying face down on your pillow, your body completely still as you just keep letting the loneliness and isolation feel like it’s burning a hole in your chest. All you wanted was a friend because what is the point of being immortal if it means being alone.

Alucard enters your room through the wall and looks at your limp body, if you were a mortal he’d assume you were dead. But since you aren’t he can tell that you’re only like this because of him and knowing that fills him with pride. He put you in your place and made sure he was the greatest once more.

If he thought you wouldn’t notice him because he came into your room through the wall he was wrong but it’s not like you cared anyway. Let him be in here, let him try to kill you because he’s not like he can do it anyway.

“Integra is holding a meeting,” Alucard says plainly as if you cared to listen. He somehow thinks that now you’ve broken down you’d be more inclined to listen to him. “So get up and let’s go.”

As soon as you got sent to your room you laid down with your face in your pillow and hadn’t moved from that spot since. That is until now, you stay lying down and the only thing that changes is that you lean your head back then let out a laugh. You find it absolutely hilarious that Alucard thinks you’re going to listen to him. You have a good bit of respect for Integra and didn’t even listen to her when she called upon you for the meeting. So what in the Hell makes him think that you’ll let him order you around?

Alucard is quick to get aggressive, walking over to you and reaches for your head. You don’t fight back as he tightly grabs the hair at the top of your scalp and harshly pulls back so you’re standing on your knees. You tilt your head back so he can see the calm and tranquil look on your face as he threatens you by putting his gun against your chin.

“Do it-” you’re giving Alucard permission, not that it matters because he’ll shoot you if he wants to regardless, “blow my brains out as many times as you need in order to make yourself feel better. Shoot me however many times it takes until you finally accept me, even if it takes another 2106 times.”

That takes Alucard by surprise, he lowers his gun and lets go of your hair then takes a step back. He just stares at you because he doesn’t know how to respond to the fact that you’ve been keeping count of every time he’s tried to kill you over the past four months. After a moment he finally realizes what’s been going on, “that’s why you’ve been silent this whole time?”

You lower your head and sigh, feeling like you should just have kept your mouth shut but you can’t take it back now. You don’t turn your head to look at him as you give your explanation, “not at first… but after awhile, yeah. But I knew there wasn’t a use in saying anything because you wouldn’t stop and I figured I could take it… I guess I was wrong about that.”

Alucard stays silent, thinking about how much of an asshole he’s been, he should have been looking at you as an ally and not an enemy. Now that Alucard realizes that he hopes you can forgive him, he offers his hand for you to take and sincerely says, “I’m sorry, I hope you can forgive me.”

You look into his eyes for any hint of malevolence but don’t see it and decide to trust him. You take his hand and let him help you up, letting go of it once your feet hit the ground. You give him a soft smile and say, “we should get going, don’t want to leave Integra waiting.”

Alucard nods and you two go to the meeting.

===

Which brings you to today; three and a half years after Alucard accepted you as an equal, you two have been best friends and damn near inseparable since. If someone finds one of you two it’s safe to assume that the other is not far behind. You two are so far shoved up one another’s ass that Integra will send both of you on a mission when there is only need for one.

===

You and Alucard make eye contact with one another when Integra calls you to her office, without a word both of you bolt for the door. He gets out first but you quickly get in front by grabbing onto his shoulders and leap over his head to get into the lead. Though that doesn’t last for long because grabs your wrist and pulls you behind him. It’s a whole fight along the way to Integra’s office.

Integra sighs as she can hear you both running through the mansion because it sounds like a herd of elephants. Meanwhile the two of you are laughing your asses off along the way, and she isn’t surprised when both of her office doors are flung open. You and Alucard nearly crash to the floor as you trample each other to get to Integra first.

“I won!” You shout triumphantly, you only think your first because your feet are stabilized on the ground before his are. You burst out laughing because of the sour look on Alucard’s face.

Before Alucard has a chance to say anything, Integra speaks, “I’ve come to accept the fact that you two act like children when you’re around each other but instead of nearly breaking my doors why don’t you two use your powers to go through them?”

“We play fair,” Alucard states. You two act human around each other sometimes without even realizing it, well, as human as you two can get. Then there are times when you two use your powers without realizing it either. It all depends on the day and the situation, like when it comes to racing. When you two are going through a door to get somewhere you don’t think about going through walls after that.

Integra sighs, knowing that she’s going to regret this, “there is a mission.”

You and Alucard look at each other from the corner of your eyes with cocky smirks, time for another competition to begin. After Integra gives you and Alucard all the information needed to set you two loose, you both bolt out of her office at full speed.

Integra can’t help but find it the tiniest bit of amusing because she’s never seen Alucard so lively and it makes her happy for him to have a friend. Especially a friend who can keep up with him.

You and Alucard use powers to get to your target since that’s always the safest- and fastest- option when it comes to missions.

When Integra gets to the scene she sees how it’s an absolute blood bath, that’s how she knew Alucard won the ‘race’ that you two were having. Alucard is always messy with his killings, whereas you are not. You’re a clean killer who makes sure that you leave as much blood to drink as possible.

“You leave nothing for me, asshole!” You shout in annoyance, Alucard always hogs every meal whenever you two go on missions.

Integra sighs upon hearing the squabbling, this is another reason why she hates sending you two on missions together. It’s like when kids get mad at each other for eating the last cookie out of the jar, though it’s mainly you always starting the arguments.

“Be faster next time,” Alucard playfully and wipes a stray bit of blood from his lip with his thumb. He taunts you, saying with a smirk, “there is still some blood on the pavement that you’re free to lick up.”

You go to punch Alucard’s arm but he steps away before you can and when you try again, he steps away again. You go to chase after him but Integra yells for you two.

“Enough!” Integra shouts, making you both stop and walk to her. But you elbow Alucard and he elbows you back, then next thing you know you’re hitting each other. Integra sighs and pulls out her gun, shooting into the sky, “the time for games is over!”

You and Alucard stop for real this time, walking back to Integra without any shenanigans. As you both are standing in front of Integra, she begins scolding the two of you, “this is why I don’t send you two on missions! All you do is play games!”

“We did get the job done, did we not?” Alucard asks, he has a point. You two always get your jobs done and that’s what matters.

Integra growls, she knows there is no point in arguing and she didn’t have the patience for it either. She takes a blood bag out from inside her coat pocket and tosses it to you, “now you can stop acting like a fool.”

You waste no time opening the bag and taking a big sip out of it, this will make your bloodlust subside for a bit but you’re still mad Alucard didn’t share with you. After you gulp down the whole bag you look at Integra and smile wide, “thank you Sir.”

Integra just looks at you in disgust, you might be a good addition to the organization but that still doesn’t keep Integra from seeing you as a grotesque beast like Alucard. You are still a vampire that has consumed many souls like him in order to get as strong as you are, and Integra doesn’t excuse that, “you’re vile.”

You instantly stop smiling, remembering that Integra doesn’t accept you like Alucard does, no one accepts you like Alucard for that matter. You put your head down, “sorry Sir.”

“Get back to the mansion,” Integra demands, she’s dismissing both of you because she has had enough of the two of you and your antics for the night.

Alucard can feel a difference in you so he decides to just walk back to the mansion, with you right by his side. Once you two are out of earshot Alucard asks you, “what’s wrong?”

“Just hate it when I’m reminded that my diet isn’t socially acceptable,” you say in a playful tone. Though it does hurt a bit when you’re looked at like a freak, but not enough to ruin your mood. It’s something that you’ve become used to and let roll off your back whenever it happens.

Alucard says exactly what comes to his mind, “our entire existence isn’t socially acceptable.”

“Yeah, I know but thanks for the reminder,” you roll your eyes. Sometimes Alucard absolutely sucks at comforting you but at least you can always count on him to be honest about a situation. You let out a defeated sigh, “we’re never going to be accepted are we?”

“Most likely not,” Alucard shakes his head. He has already accepted that fact long ago, and is surprised you haven’t as well. “It’s because mortals fear what they know is more powerful than them. If we were of the same strength as them they still wouldn’t accept us, they’d try to kill us regardless.”

“This really isn’t making me feel better, Alucard-” you chuckle because you know everything he said is true, “-I appreciate you trying though.”

Alucard sighs, he wasn’t exactly good with words when it comes to situations like this, “at least I understand you.”

“Yeah,” you look at the ground to hide your blushing face and sweet smile. You’d be lost without Alucard because he’s made being immortal bearable and less lonely. He makes you feel like a kid again, filling your heart with pure joy and you always feel like you’re on cloud nine whenever you’re with him. Though your playful nature tends to hold you back from sharing such things but- for some odd reason- tonight is different. Maybe it’s the full moon or maybe it’s because you’re still coming down from the adrenaline high you got from the mission. You don’t know. But whatever it is, it makes tonight the night you’re finally ready to voice what you’ve been holding back for years, “hey Alucard?”

“Hm?” Alucard got lost in his own thoughts as well during the silence. You aren’t the only one who’s been holding back a confession that could make or break everything you have with each other.

You don’t stop walking, you don’t even look at him because with how nervous you currently are, doing that will make the situation too intimate for you liking. You would rather not see his face if you’re going to get rejected and the idea of ruining everything almost makes you chicken out. But you just take a deep breath and say, “I think that I’ve fallen in love with you over these past few years.”

Alucard nearly faceplants into the dirt path you two were walking because of how abruptly he stops after you confess your feelings for him. Especially because your feelings are as strong as his own, three years really gives someone time to have a spark ignite and evolve into a flame. And you just made the flame explode into a bomb fire that becomes too much for Alucard to handle all at once. All he manages to say is “well then.”

Just like that your heart crumbles into pieces and you want to crawl into a hole. But you can’t so you try to run away from your problems, quite literally. You go to dart at full vampiric speed to the mansion.

Alucard notices the way your feet change stance and realizes what you’re about to do, so before you even get a chance to take a step forward he gets in front of you. He looks down at you, a worried look paints his face and he anxiously asks, “where are you going?”

“Home,” you growl, using anger to mask your overwhelming sadness that’s starting to ache in your chest.

“Why?” Alucard asks, not realizing what he did wrong. It’s been a long time since he was last in love, so the feeling might as well have been brand new to him. Plus he was surprised by your sudden boldness that it caught him off guard and ‘well then’ was the first thing that came to his mind.

“Oh I don’t know! Maybe it’s because I confess that I love you and all you have to say is ‘well then’!” You bitterly shout. At this moment you are too blinded by your broken heart that you forget Alucard isn’t good in situations like this. If you did you would have remembered that Alucard is a bit of a dumbass when it comes to emotions other than violence.

Luckily Alucard understands that your violence is exactly what he’s going to experience if he doesn’t get out of your way. He knows he has to find a way to fix this and fast, “please wait, I didn’t mean to upset you!”

“Well you did!” You state, wanting nothing more than to punch Alucard in his handsome face and beat his wonderful body into a bloody pulp. “Now move!”

“No, let me explain please,” Alucard pleads as you try to push past him and he grabs your wrist when you manage to. He grows frustrated because you won’t listen and roughly pulls you towards him so you’ll face him, angrily saying “will you listen dammit! I’m trying to tell you I feel the same way!”

“Oh-” your attitude immediately changes, your features softening and you stop trying to run away from him. Alucard glares at you as he lets go of your wrist now that you stopped resisting, he’s still a bit irritated with your unreasonable behavior just because you didn’t get the response you wanted.

“Well… you didn’t have to be so mean about it,” you tell him, crossing your arms over your chest and childishly pouting.

Alucard rolls his eyes in annoyance but stops being as frustrated with you, now that you’re no longer being irrationally angry with him. “Well you weren’t listening to me when I was trying to be civil but I shouldn’t be surprised.”

“And what is that supposed to mean?!” You glare at him, acting as if you don’t know exactly what he means.

“Because you never listen,” Alucard rolls his eyes. He wasn’t wrong, you jump to conclusions way too fast and it tends to be a source of a lot of fights you two have had over the course of your friendship.

“Well put yourself in my shoes, I confessed my feelings and got a ‘well then’ in response. That kind of thing hurts,” you admit.

“Because you never listen,” Alucard rolls his eyes. He wasn’t wrong, you jump to conclusions way too fast and it tends to be a source of a lot of fights you two have had over the course of your friendship.

“Well put yourself in my shoes, I confessed my feelings and got a ‘well then’ in response. That kind of thing hurts,” you admit.

“The last thing I’d ever want to do is hurt you,” Alucard says softly, holding out his hand for you to hold and smiles when you take it. He always has an overwhelming guilt from how he treated you at first even though you forgave him and since then he only ever wants to make you happy. Alucard loves to see your smile and your laughter is like music to his ears.

“I know,” you give him a small nod, Alucard isn’t the only one who is hopelessly in love. He’s the first thing you think about when you wake up and the last thing you think about before you fall asleep. “But you sure love to annoy me.”

Alucard scoffs, “that’s rich coming from you.”

“I have no idea what you’re talking about! I’m a perfect angel!” You giggle and there is a slight moment of silence after.

“Yes, you are,” Alucard finally says, admiring the way your eyes sparkle in the moonlight. You don’t understand how true that statement really is to him, you are his angel. He loves nearly every little thing about you and he hates whenever you two fight. He hates whenever you two have to spend prolonged periods of time apart when you're sent out on separate missions.

You blush really hard, not knowing how to respond but you don’t have to give him one because Alucard passionately kisses you. Both of his rest on your hips while you already have your fingers entangled in his hair, it all happens so quickly and naturally that you don’t even notice.

All you can focus on is his soft lips against your own, that send goosebumps across your skin and your heart feels like it’s going to explode out of your chest. This is more than you could have ever imagined.

When your lips do finally part from his, you can’t help but get a bit bashful, which is an emotion you rarely feel. All you can do is look into his eyes and wish that you two could stay in this moment forever. But you start seeing the sky slowly getting lighter as the sun comes closer to rising from behind him. You softly say to him, “we should get back.”

“Indeed,” Alucard nods, letting go of your hips and taking a step back, he knows Integra is probably pissed at both of your absences right now, “and soon.”

You smirk, it’s time for another competition, “race ya!”

“Oh you’re on!” Alucard says with a huge grin.

You both take off at full speed back to the mansion, planning to beat each other to the front door but stopping when you see Sir Integra waiting outside of them. You two are in trouble, which is nothing new when it comes to Integra because you two don’t know how to stay out of trouble when you’re around each other.

Sir Integra can tell by the slight bow of both of your heads that you’re side eyeing each other with smirks on your face. She has honestly given up on trying to tame you so she can get Alucard back under control again because it’ll never work. You’re too much of a free spirit and Alucard can help but try to keep up with you because of the need to still prove he’s better than you even if it’s in an innocent way.

“What took you two so long to get back here?!” Integra angrily asks, knowing that she will only get part of the story because you two love to keep your secrets between each other.

“We were taking a walk and got distracted!” You quickly say before Alucard answers like you always do because he usually sucks at lying to Sir Integra.

Integra looks to Alucard and he gives her a nod, saving both your asses from having to confess every little detail of what actually happened. Integra would ask what you two got distracted by but she currently doesn’t care enough, as long as you two weren’t causing any chaos then she’ll let it go.

Besides, the sun was coming up soon, so with an annoyed sigh Integra waves her hand and says, “just go.”

You and Alucard both chuckle and go to the basement, doing what you usually do, which is hanging out in your room for a few hours before he leaves to go to bed. The reason your cellar is the designated room to hangout in is because you have furniture and appliances in it. Took you a while to convince Integra to let you have your semi-big cellar set up like a single room apartment but you were persistent and she finally gave in.

So you have your bed, dresser, nightstand, lamp, and a desk with a chair on one side of your room. Then you have a loveseat, with an end table that has a lamp on top of it on one side, then a mini fridge with a microwave on top of it on the other side. There is a coffee table sitting in front of the couch with a 48”in (121”cm) tv on top of it with a movie player sitting on the shelf below it. The reason you need to have a movie player is because you don’t get a signal when you’re in a basement, you’re lucky that you at least have outlets and electricity.

“Want to watch a movie?” You ask him while walking over to your dresser that has the movies sitting on top of it because you already know the answer. You two tend to watch a movie to unwind after a mission but sometimes end up talking through the whole thing because you’ve both watched them enough times to quote them word for word.

“Of course!” Alucard says with a smile and sits down on the loveseat, sitting how he always does- sprawled out. He sits very unprofessionally when he’s with you because well… you’re you and he knows he can sit comfortably when he’s with you. He sits with his body sunk into the corner of the loveseat with his legs spread apart and one arm laying across the back of it while the other is hanging off the armrest.

You grab his favorite movie along with a bag of microwave popcorn and go over to the couch, throwing the bag of popcorn in the microwave then putting in the movie. While you wait for the popcorn you grab your pjs and change right in front of him, like you have done a hundred times before now and before you two had feelings for each other.

Alucard was surprised the first time you ever changed in front of him and you told him it was no different from seeing someone in a bikini. So he doesn’t care anymore and is completely unaffected by it, though he has and always will be respectful and never look at you when you’re changing. Even if you’re always covered by a bra and panties.

By the time you’re done changing the popcorn is ready, so you grab it and sit how you always sit when you’re with him. Your body sunk into the other corner of the loveseat and with your legs draping over Alucard’s since his lanky ass self takes up so much goddamn room.

“Y’know,” you start to say after the end credits of the movie start to play and continue talking when Alucard looks over at you. With a playful smirk you say, “as my lover you should give me a foot massage.”

Alucard rolls his eyes but obliges and starts rubbing your feet, shaking his head in disbelief while doing it. He never would have thought he’d do such a thing especially for you. When he looks at the triumphant grin you have on your face he sarcastically says, “you’re spoiled.”

Your grin just gets wider, the idea of getting spoiled by anyone was never in your mind’s orbit. But now you’re being spoiled by the king of vampires, which is something you’re going to take great pride in. And of course you’re also going to reciprocate the gestures whenever you can, but for now you’re just going to bask in the glory of having such an amazing lover. “I have no idea what you’re talking about.”

“Yeah, yeah,” Alucard says sarcastically and continues to rub your feet, “just don’t let it get to your head.”

“Too late, it already has,” you playfully say and move your feet away from him because you were only joking anyway. Then you sit up and give him a kiss on the cheek, “now I know I got you wrapped around my finger.”

“You know, I can leave right now if you want to keep this up,” Alucard states and stands up, clearly not being serious by the smile he has on his face. You are right about the fact that you have him wrapped around your finger. He has been for awhile now, anywhere you go he’ll follow if he’s able, he’d be lost without you.

“Nooo!” You hold onto his arm and pull him back down onto the couch, “I don’t want you to go!”

Alucard laughs and kisses your cheek, “fine, fine, I won’t leave yet.”

“How spoiled would it be if I asked you to stay the day?” You shyly ask with no intentions of doing anything sexual, you just wanted to cuddle up in bed with him and fall asleep in his arms. There were a few times that you’ve accidentally fallen asleep on the couch in the middle of a movie with your legs still propped up on his. Which doesn’t seem like that big of a deal but it is because you need absolute silence in order to sleep. A water droplet could fall from the faucet from your bathroom sink and you’re up on high alert.

So it means something if you’re able to sleep through a movie filled with explosions only when he’s around and wake up as soon as he leaves the room. You might be as powerful as Alucard, but- even with how crazy it sounds- you feel safest when you’re with him.

Alucard smiles and wraps his arms around you to pull you closer. He gives you a kiss on the forehead and softly says, “of course I’ll spend the day with you.”

You smile and get off the couch, holding his hand as you walk over to the bed. Alucard undresses while he waits for you to get situated, but only down to his shirt and pants because he doesn’t want to possibly make you uncomfortable.

Alucard takes your hand when you hold it out to him and gets in bed, letting you lay on top of him with your face buried in the crook of his neck. He wraps his arms around you and the both of you drift to sleep within minutes.

=======

A/N: AH IM SORRY THIS TOOK SO LONG

On a side note there might be an NSFW add on to this and y’all shouldn’t be surprised by that bc I’m a degenerate for this mansss

Also I was mainly focused on chapter three of Red Ink so I haven’t touched the other asks I got. But I promise Imma get to them🥲

[mk-writes-stuff]

Character Profile Tag

Rules: fill out the prompts for an OC

Thanks @illarian-rambling for the tag! Last time I think I did Errant so let’s hear from Dom, the only other character from that story I think is developed enough to do this.

Full name: Dominance

Age: Honestly, I haven’t narrowed this down, but late 20s. Probably 28ish

Gender: cis man

Type of Being: human

Appearance: Dom is tallish but skinny. He has perpetually messy, usually too-long blue hair (it grows in blue naturally), pale skin, and blue eyes. There are a few freckles on his face. He usually dresses in fancy red-and-blue clothing that has a few too many crease lines.

Way of speaking: Dom is pretty soft-spoken. He tends to either not talk at all or talk way too much and way too fast.

Physical characteristics: Constantly in motion. No one has ever seen Dom sit still for more than about a minute - he’s always tapping his fingers or fiddling with his hair.

Occupation: Head of Fourth Station

Family: Honestly, I haven’t really worked this one out yet. I don’t know what happened to his parents or if he has any siblings.

Best friend: Errant, the Head of First Station. He adores her, even though she can be a bit overbearing at times.

Pets: None. Dom couldn’t keep a pet alive if he tried.

Relationships: Dom is madly in love with his husband Cinnabar. They had an arranged marriage and Dom was concerned it wouldn’t work out at first (he’s gay and Cinnabar is a closeted trans man) but they’ve fallen for each other quite hard.

Describe their room: A constant mess, but Dom somehow knows how to find things. Surfaces are littered with things he forgot to put away, and there’s a pile of notecards and other reminders on his night table.

Items in their bag/purse: Again, everything he brought with him one time and didn’t put away

Hobbies: He changes specific hobbies frequently, but is very interested in tech, programming, and robotics. He’s a whiz with machines.

Favourite sport: He isn’t very into sports but doesn’t mind watching football (for the buff men).

Abilities/talents/powers: Dom is incredibly creative, quick-thinking, and a whiz with technology. While disorganized, he’s absolutely brilliant. He might also pick up magic later in the story.

Fears: Anyone finding out that he’s gay or that Cinnabar is trans and tearing his happy life away from him.

Faults: Chronically disorganized and jumping from idea to idea. He’s also shy and pretty passive.

Good points: Brilliant, creative, passionate, and very kindhearted.

What they want more than anything else: Dom just wants to live a quiet, peaceful life with his friends and his husband. Unfortunately for him, the plot :)

This was fun! I love exploring characters more :)

@willtheweaver @finickyfelix @moltenwrites want to play?

[yikes077]

This is just some thoughts I’ve had running around in my head about the system and world-building in Hazbin Hotel.

Something that I’ve been thinking about a lot since I first heard Happy Day in Hell, is a part in the song where Charlie is dancing down the street and there is some side characters that call out “There's an endless trash fire that's burning my soul (hello)/Got a ton of barbed wire to shove in his hole (oh, excuse me)”

This line brought my mind to aspects of Greek Mythology, and in a way how Hell is presented in Catholics as well. In Greek myths, the worst of the worst are given specialized punishments to make them suffer for all eternity (think Sisyphus and his boulder). Sinners and bad people are actively punished for their crimes on earth, which the idea that someone’s soul is forever punished by a trash fire reminded me of.

Rarely in Hazbin Hotel do we see sinners actively being punished. Sure, everyone is miserable in this each-man-for-himself kind of power grapple. Almost all of the characters have some kind of deal that sold their soul and keeps them down and tortured. But… none of the characters are really unhappy. Yes, they are all trapped by their own vices, they have someone holding power over them and theoretically are tortured souls, but if you look at characters like Vox and Alastor, what are their punishments? It’s theorized that Alastor was a serial killer, and it seems like he was gifted with more power and souls then he could ever dream of. Characters like Nifty are living their best lives down here, Sir Pentious and Cherri Bomb are having a blast. Sir Pentious even manages to find love and hope and get to Heaven.

In Catholic school I was taught that Hell is simply a place where you will never feel love, the absent of the love of God or anyone else is pure torture enough. This clearly isn’t the idea in Hazbin because these characters do feel love, they create strong bonds and developed crushes, and God doesn’t seem to exist. In the Bible there are lines about how Hell is filled with moaning and gnashing of teeth, sinners being burned and flayed for all of eternity, yet Hazbin also doesn’t take on the idea of sinners being actively punished either. The punishment of sin is meant to come from God (who again is MIA) and the closest we come to that dynamic is through the exterminations from Adam DickMaster, which aren’t really used for punishment but for population control. Maybe that’s the point - God isn’t around to punish the sinners so they go unchecked and unpunished, letting the devil collect more souls and bring them to evil with him, causing over population and the rest of the issues.

I don’t exactly have a main thought or thesis in my head yet, I’m not even sure if this can go anywhere, but it’s just interesting to see how the writers are making Hell an almost passive punishment of suffering at your own hand. The almost reward that seems to come along with being the worst person is also a really interesting relationship to have as it feel like it takes the idea of punishment away all together.

[blackbirdsinatrenchcoat]

HI I SAW THE FANART OF YOUR OCS AND I LOVE IT, CAN YOU TELL ME ABOUT THEM???

aaaaaaa!!!!! absolutely!!!! thank you for asking!!!! ( in ref to this post ) okAY so they’re all embodiments/deifications of the seasons, Winter is top left, Summer is top right, Spring is bottom left, and you guessed it, Thaw is bottom right. (Autumn would be there but I don’t have its design yet sob.)

Winter: Gender? I Hardly Know Her! sapphic, they/he/she, doesn’t like you and isn’t afraid to say it, nice once you get to know them (you will never know them), definitely does weed, So Tall Literally What The Heck Man, genuinely terrifying, Doesn’t Know, hasn’t heard of a self esteem, survives off of instant ramen and tap water,

Spring: Just A Little Guy, biromantic gray-ace, he/him, nicest dude, all your pets and kids and siblings like him, has not had a full night of sleep since the dawn of time, flowery coffee mug full of hard liquor, places worth in his actions, would be an alcoholic but is too scared to accidentally get violent,

Summer: Prettiest Princess, pan, she/they, smiley, super friendly, pretends to like you but fantasizes about feeding your corpse to the vultures, in denial about everything, 5 3 but has 6ft aura, photographic memory, can bat her eyelashes and get away with murder

Autumn (not here :( ) :That Thing, demiromantic ace, he/it, no clue what is going on, accidentally funny, tries its best to make people like it, fails miserably, Wet Cat, does not believe in self care, incredible chef, like things with instructions cus they’d heard to mess up,

Thaw: Whatever You Want, Baby *wink*, bi demiromantic, xe/he/she, flirty as heck, infinite rizz, “your honor, nuh uh,” tbhkinda mean, passive aggressive about everything, knows exactly what to get people as gifts, really good at reading people,

im dumping the lore under the cut bc i saw the words “ocs” and “tell me” in the same sentence and got a bit too excited

The first three were created by Sun and Moon, but Thaw is an “artificial season”, made by Winter and Spring. They all have full power over their domain, and can create elements of their season. Winter is the patron of cloven animals, that which is already dead, guiding of souls to the afterlife, pottery, mourning, and they were the first season to exist, as they prepare the earth for life to Spring forth. get it. cause you know. Winter and then Spr ok i’m done. Spring is the patron of the beginning of life (as in babies and kids and stuff), guiding new souls into bodies, the waters, music, plant life, reptiles, and all aquatic animals. Summer is the patron of life(as in actual living), creatures of the air(besides bats) and insects, care if they physical body, fertility, and visual art, like paintings n drawings and things that go on a flat surface.

Autumn is a bit different. The 3 previous seasons were made by both Moon and Sun, the former having existing longer than the latter. The Primordials simply came into being, but Moon was first. Cus of a lot of creation myths and stories start with darkness, and then light. So Moon was there, and then Sun. They got bored of sitting and staring at an empty space rock. So they made the Seasons, and gifted them with creation.

It was just the first 3 for a while, but Sun got resentful. Moon was always the one who had the ideas, and executed them, and Sun hated that Moon was loved more by the Seasons, even though Sun was kinder. Sun decided to prove Sun was just as good at creating as Moon, so Sun made Autumn. Autumn was lacking morality, kindness, the ability to communicate, and was basically a shell of what it could have been.

The 3 eventually met Autumn, and since they were gifted with creation, they did their best to ‘fix’ Autumn. And they did, but not perfectly, since only a Primordial is the only being that can make fundamental changes like that. So Autumn is a little odd. It’s still learning how to be ‘human’ but it Knows and it Loves. And that’s all anyone can ask. Autumn is the patron of death(like the actual cease of life), removing of souls from bodies, harvest, all animals with paws, he art of writing in any form, and physical illness.

Thaw, on the other hand, was made by Winter and Spring pretty early on, a little bit before the 3 met Autumn. They got curious about the extent of their creation power, and created the first Lesser, Thaw. Inconveniently for them, Thaw was not created as an adult or even a teen, Thaw came to be as small child, about 4-5 in our years. So imagine two teens trying to raise a baby. Even though Spring is the patron of babies n kids n stuff, Winter stepped up, and tried to parent. Spring ended up taking Thaw at relative age 16, but until then, it was a weird coparenting thing.

Once Thaw was old enough to be independent, he held a lot of resentment for his “parents”, especially Winter. It took a while to reconcile, and his relationship with Winter is still strained, but everyone tries their best. Thaw is the patron of all hibernating animals, musical instruments, sleet and small streams, and all those with complicated families.

As society progresses, the rift between Sun and Moon deepens, and they start fighting, hence the end of the world. To the seasons, it’s like parents divorcing in the messiest way possible and also everyone and everything is dying. So they do their best to protect humanity (cus humans are a thing by then), and life as we know it. While also falling in love and stuff. Also they can’t die until the world is gone so.

And uhhh yeah :3 that’s all i can think of rn, but there’s definitely more except it’s 2am. this entire thing was heavily inspired by Wasteland, Baby! by Hozier, PORTALS by Melanie Martinez, and How to Build an Ocean: Instructions by Bears in Trees. Shoutout Fruit Gummy friend for maybe butterfly effect causing this by introducing me to Bears in Trees and shoutout to that other person who did the shit that causes the breakdown that caused me to put on Bears in Trees to calm down that caused me to have the first inspiration.

thank you for asking, Saturn, genuinely, and when are we scheduling the wedding?

[narukouzumakinamikaze]

More thoughts on blood of Zeus

Was it revealed who cut Herons thread?? It doesn’t make sense for it to be Hades, nor does it make sense for it to be any of the other gods.. was it Gaia who did it because she wanted to release the last titan?

Poseidon is such a weird character in this because he acts like such a bitch.. we get it, he’s scared of Hera. Why is that his only character trait.

While I do like that Hades was motivated by love, he felt incredibly passive. I did say that it felt underbaked, and it’s because a lot of the time the series focused on him, he’s not actually doing anything. Half the season he’s giving exposition to Seraphim to try to convince him. And the other he’s letting Demeter walk all over him.

I also don’t like when they make Hades hate the underworld. If I’m remembering correctly, hades doesn’t actually hate the underworld. He’s pretty okay with it. Instead of having him hate it, just stick to his story with Persephone and wanting her to be with him permanently.

I also feel like Demeter wasn’t given any blame at all in Hades and Persephone’s predicament. She’s the entire reason why they have to split up every six months. So why does it seem like Zeus is being blamed for that, when it’s all Demeter fault. I really want Persephone to cuss her out and tell her how toxic and hypocritical she is.

Zeus’s trial served no purpose. I’m disappointed in Hera for once again allowing herself to be embarrassed by Zeus. But the whole reveal that Hera was the reason Zeus gets to rule the heavens added nothing and went nowhere. What’s the point of this revelation?? That Zeus shouldn’t be the ruler of the heavens??? This trial did absolutely nothing and I don’t understand the point of it.

The funeral games also served no purpose. They said the winner of the games gets Zeus’s ring and a clue to the stone to be the next ruler of Olympus.. so why is it that despite what the games was introduced as, that’s not what they ended up being. Zeus gives Heron the ring and that’s it. These games were pointless. It could have simply just been the gods grieving, but nope.

Speaking of the games, Ive seen people say they feel like Ares character changed. And I can kinda see what they mean. He didnt have much of a character in season 1, but he didn’t seem to be a hostile asshole like he is in season 2. Also, the whole thing with Persephone didn’t feel in character. At all.

I will say that I can understand his anger and hatred of Heron because he’s the result of what happened between his mother and father. I do wish they explored that anger more, and why he’s been so hostile, but they needed an asshole God and Ares fits that bill. Wish they gave him more scenes with Aphrodite as well.

Hera felt off. I don’t like how she allowed the other gods to speak to her that way. Yeah she feels bad but she’s still a powerful god who will not tolerate disrespect. After all they’re all riding for Zeus who was the cause of everything. She should have called them out in following someone who clearly does not care that his actions have consequences and yet they’re upset at her for reacting to his actions..

Herons character continues to be a disappointment. I’m not mad he’s the child of prophesy, I’m just mad he’s bland and boring. There’s nothing interesting about Heron and the series doesn’t do much to make him interesting. It thinks we should care because he’s the son of Zeus.. but Zeus has many sons, so he’s not special in that regard.

And here’s the thing, he could be interesting. They tried to make him a complex character by not wanting to save the men that tried to rape his mother even though other people will die in the process. That’s actually really interesting to explore because it deals with complicated feelings of doing what’s right and doing what you feel is justified. But instead of exploring these feelings Alexia just says some words and those feelings are gone.

The series also tried to make it a point that Heron needs to learn to forgive Seraphim.. the issue with that, is that that is based strictly upon what Gaia is telling Heron to do, not something that Heron wants to do. So it feels fake and phony that he wants to forgive him and wants to save him, because he’s not doing it on his own free will. He’s doing it because someone told him too.

And the thing about Heron and Seraphim, is that I will always be on Seraphim’s side, because he suffered more than Heron ever did. He was 100% right in killing his uncle and his sons. No he didn’t need time give them for what they did. They deserved to die and I’m glad seraphim killed them. I hate stories that says revenge is bad.

And then we get to Herons power.. he really is a Mary Sue lmfao. But they try to force this idea that Heron having this power is scary and he’s scared of being corrupted by it. That would work if we knew anything about Herons personality. Is he the type that can be corrupted? I don’t know because the series didn’t give him a personality.

Now that I think about it, I think they’re trying to parallel him with seraphim… someone pointed that out, and now that I think about it, that’s most likely what they were trying to do.

Problem is, is that it made sense with seraphim. It doesn’t make sense with Heron. At all. Like I said, seraphim suffered more than Heron ever did. His power doesn’t come from having a God for a father. It came out of desperation to survive. Seraphim ate the giants flesh, not because he wanted power, but because he needed that power to survive. Heron was just Born with it, so he never had to actually suffer to gain that power.

Speaking of my favorite character Seraphim.. I said it before but he’s still the most interesting and best written character in the entire show. Even when they forced a love interest on to him, he’s still better written than anyone in the series. Honestly, I think seraphim is their favorite character and they know that seraphim is liked more than Heron so they put all their thinking into his character. Because even when it misses, like with the love interest, it’s still better written than anything going on with Heron.

Anyway, I’m tired of this idea that Seraphim needs to be redeemed. He did nothing wrong and I’ll stand by that. Electra deserved to be killed by him. She was the worst.. nah but seriously, I feel like Seraphim’s actions in the first season wasn’t explored enough for my liking. Why was he going around converting people? What was the purpose of that? Was it the demon blood? Did he want to create his own kingdom? Why was he changing people? Because that never gets answered or explored.

I would have liked if they explained why. They gave him the speech claiming that the world was so messed up that people weren’t free. So why not go into why he was changing people. One of the prominent things about Seraphim’s backstory, is that he ate the giants flesh in order to gain the power to fight back against those who were causing problems. So why not have that be his thing. All those who converted did so because seraphim gave them the power to fight back against their oppressors and the ones who did them wrong. They were all victims of something.

That would be something that Hades would like about seraphim. So why not have that be the thing that bonds them together. The desire to right what’s wrong. Hades whole thing is about being just and fair. So he’ll allow Seraphim to get another chance at life as it’s not fair he died due to the gods meddling. No strings attached to his new life, but Seraphim has to help him with one thing that doesn’t require him much problem.

I would also add a scene of Electra and Seraphim having a talk and why she never once asked Zeus to bring him to her and to call her out on how she pretended she cared, but didn’t do anything to make sure he was alive and well and took Zeus’s word over being a mother. He needs to call her out, because how dare the show say she’s one of the only two people that prayed for him over the women who actually saved him and the one who took care of him.

Heron and Seraphim’s episode could have been done so much better if instead of a forced love interest, it was his caretakers that Seraphim went to go see. It wouldn’t make sense geographically but I would have made it work. This way they can speak about their mothers. Have seraphim reveal part of his backstory to Heron and have heron reveal his and what he had to deal with. How he hates the man who killed his mother but he also has conflicted feelings because that man is his brother. Have seraphim reveal the men who killed his mother were his cousins and that he also killed his uncle who tried to kill him as a baby and that he doesn’t regret what he did, because they deserved it. He asks Heron if he believes Seraphim deserves it, and Heron answers that he doesn’t know, because he knows that a big part of the reason his mother is dead, is because of Hera.

I really love seraphim and I want him to be happy.

The ending was weird. Why was Gaia so mad??? She’s acting like the gods were perfect before and didn’t backstab one another.. Poseidon does it the most. Her reasoning was weird. I feel like she was the real villain and wanted a reason to unleash the titan.

[geekgemsspooksandtoons]

Godzilla 2014 made me believe cinema was real again.

That is...such a weird title and statement. It started off as “This film made me believe cinema was real again.” which is again, still very weird. But after seeing Fast X yesterday, I REALLY wanted to see this film. I have not rewatched it in some years. It’s been an hour since I watched it.

But yeah, Godzilla 2014. The first film in the Monsterverse. A film that is loved or hated by whoever you talk to. But what are my thoughts on it after not seeing it fully I assume for nearly four years.

I was a bit more critical or so years back. But let me just get straight to the point. Because I won’t make this a detailed review (Turns out, it became detailed, I took an hour and nearing two to finish this) and won’t spoil anything despite the film will be ten years old next years. Despite the concerns of how I would feel when I would watch it. Here’s what I think now about the film...

I FUCKING LOVE THIS FILM.

I SHIT YOU NOT.

(Again, this got detailed, there’s more to read in the keep reading option)

Granted, I totally get the criticisms and nitpicks people have towards this film. But to me, this is likely the BEST start to an American Godzilla franchise. And I feel like since I’m older now. I appreciate this film more so now than when I was younger. Mainly because I think my priorities are different. And also again, a film I saw yesterday just...what I watched yesterday. I also planned on watching Godzilla 2014 sometime, but I felt the time was now because oh my God. I needed this.

Again, I totally get the criticisms towards this film. Let me get straight to the point. I really think some of the advertising did not do this film well. Despite how powerful the promotions were. I legit think some of it needed to be different. Because the expectations were high. But also, the main protagonist, Ford Brody.

In all seriousness, even though he’s a passive protagonist, even though he doesn’t seem like it when I look back at it. While Joe Brody’s performance by Bryan Cranston is undeniably powerful. Especially that emotional scene with him and his wife. But I don’t mind Ford, Aaron Taylor Johnson does a good job. Everyone does a good job with the roles they are given. The best ones I think are Ken Watanabe as Ishiro Serizawa and also again, Bryan.

I feel like maybe the best option to me would’ve been to combine the characters of Joe and Ford into one character. Which may be difficult. Or somehow convince the audience in the promos, “No, this isn’t Godzilla vs Walter White. Please don’t expect that.” Because I legit feel like the roles are pretty good in where they are at. I do agree that maybe give more humanizing moments with Ford despite he’s already a fine character. Maybe moments with him family that’s more akin to something like Roy Scheider’s Chief Martin Brody (Amusing they both have the same last names) from Jaws. Maybe a moment similar to this between Ford and Sam. https://www.youtube.com/watch?v=5AiYQtzRD8w

Yet we do have a scene with his family. I’m rambling on, but honestly, none of the human characters are bad.

Maybe Ford could’ve used a character arc to maybe get people invested in his character. But again, none of the characters bothered me. They all do their jobs fine within the story they are in. Now, let’s get to the other parts.

BECAUSE HOLY SHIT. I WISHED I COULD’VE SEEN THIS FILM IN AN IMAX THEATER.

But in all seriousness, with the room I’m sleeping in. It can feel like my own theater room in a way. But seriously, there so much good stuff in this film. Such as the score, its fit so damn well. Even though it may not be the iconic Akira Ifukube theme which they weren’t allowed to use. But it fits damn well with this film.

Let me tell you this and I got to get to this point this. Brian Rogers stressed his and Legendary’s wish was to revive Godzilla in the same fashion Legendary did with Batman. And the influences for Godzilla 2014 were films like Jaws, Alien, and Close Encounters of the Third Kind. With Gareth stating he grew up watching Spielberg films and wanted to do the same thing with this. Along with growing up with early 80′s and late 70′s action films. 

Let me tell you this. Despite whatever issues I may have with this film. But it’s not a whole lot. But let me tell you this, I think they managed to actually do that. They actually did it. Because this film is likely in my list of favorite Godzilla films. I now get what I thought they said they were trying to do “The Dark Knight” of Godzilla. Yet that wasn’t an official quote, I took that Legendary quote wrong of them reviving Godzilla the same way they did Batman. But I must say, they did well on that.

I legit felt excited and happy watching this film. Especially at certain epic moments and the more tense moments. Those were good, this is a legitimate good film. Because I’ll say this, it’s fine some people may find this film boring, and complaining about the fights being at nighttime. Or cutting off away from the fights at times. I totally get that. Do I wish some of that was dealt with differently? Absolutely, but I am fucking happy.

I haven’t even talked about Godzilla and the MUTO’s. I’ll always love Godzilla, the portrayal of him, and all that. He’s a presence when he’s on screen and my God, he is done incredible justice. The “Last Samurai” approach to his character works well here. And despite my strange feelings towards them. But I seem to love the MUTO’s more than ever. Or it’s mainly because I love their uniqueness and how different they are. While they aren’t characters like King Ghidorah, Destoroyah, Gigan or the Gryphon from the original screenplay for TriStar’s Godzilla. But that’s okay, they’re so different and have so many elements that make me appreciate them as characters. Kind or...more so than some of their original concepts. That being Rokmutul and Pterodactyl. But fuck, I would’ve loved those guys too. But again, the MUTO’s make more sense.

There’s so much good stuff in this film. The production value, the directing, again, the score and so much other stuff. But I think I’ve rambled long enough. While I could be overpraising it and the Godzilla franchise has been on my mind lately. Including that ridiculous title I wrote for this post.

But alias, I was legit happy watching this film. And again, now that I’m older, I appreciate this film much more. And I’m someone who loves films like Kong Skull Island and Godzilla KOTM 2019.

This is such a good film.