#yes i have anger issues

[puemort]

Neil Josten better than me bc I actually would've punched everyone in the first book I don't even care Andrew cut me open with your knife but I'm gonna punch you, your cousin and kevin in the face first.

[hood-ex]

Punch!!

Detective Comics #513

PUNch!!

Nightwing (Vol. 4) #40

PUNCH!!

Nightwing (Vol. 2) #65

[alexjcrowley]

Slow Horses is like cocaine for people who are addicted to father-son relationship between two fucked up guys who aren't actually related

[memorystormsanctuary]

A fun tag game, and if you can guess what my mental illnesses are from this I won't be surprised. I got slapped in the face with how much I related to Killua the first time I watched Hunter x Hunter, I actually cried a few times. Chuuya was less surprising, but not a fun look in the mirror.

TAG GAME: two fictional characters that make you go "omg it's me!"

randy meeks (scream)

charlie walker (scream 4)

tagging: @taintandviolent @fear-is-truth @am3ricanh0rrorwh0re @marchsfreakshow @slutforgarlogan @slvt4jamesmarch @lacucarachapisser

[the-way-astray]

while i don't believe fitz has anger issues, i don't like the way some of you all in this fandom talk about anger issues. it's not an inherently bad thing to have. plenty of people with anger issues are in loving, healthy relationships and can be amazing people. acting like someone is less deserving of compassion or care or a relationship because they have anger issues is ableist. stop it!!!!

[marzipanandminutiae]

what the fuck. why is it everyone's reaction to scream at girls baking cute pies for getting Trump into office. this seems so ironically counterproductive and blatantly misogynistic

honestly I feel like it's because striking out at something you can see is easier than admitting that ideologies are slippery, often invisible things

everyone would love to have a code for ferreting out trad types, a visual signifier you can spot beyond an actual, overt insignia or slogan (which most of them, especially women, don't wear). and a way to signal to others, without fail, that they are Not Like That. it's comforting to say "don't wear this or do this, and avoid anyone who does, and you will be Safe and signal to others their safety around you"

but the real world just. doesn't work like that. you cannot tell someone's politics from their aesthetic, with very few exceptions. and all that "avoid XYZ because that's trad!!!!" leads to is alienating people in your community who do the thing you've decided to demonize, and making yourself miserable if you want to do those things or wear those clothes

[andiebomb]

Bro again props to Jaiden for having a great attitude about getting spawn killed during purgatory cuz my ass (who takes anger management medication) I would have actually disconnected and ended stream

(I had to stop watching for my own mental health)

[the-worms-in-your-bones]

wow, my housemate known for being an asshole is being an asshole again, who could have guessed

[sunmisbf]

oomfies tell me ur birthdays so i can put them on my calendar for this year 🫶

[tomurakii]

I'm still a kipperlily apologist actually. Why are we starting the episode talking about how she's been in counselling since freshman year. Maybe after 3 years you should've counselled her better tf

[saphira-approves]

Okay so I finished Murtagh last night and I think I’m just going to put a lot of my slightly more coherent general thoughts here under a readmore. Spoilers ahead! Beware!

Right off the bat I want to bring us back to The Fork, The Witch, and The Worm. Not to Essie (although reliving that encounter from Murtagh’s perspective was EXQUISITE), but to Eragon, because the thing I love most about that story is that Eragon is glad to see his brother, even from afar, and is glad to see he’s alright, and hopes that Murtagh will one day join him at Mt. Arngor. We’ve talked recently on the blog about ill feelings and condemnation towards Murtagh during the war, especially on Eragon’s part, but the ending of The Fork makes it clear that—while I would love to see Eragon acknowledge and work through them—Eragon no longer holds those feelings, and in fact really wants the chance to reconnect with his brother and his friend, because he loved him like a brother before he even knew they were related, and after everything that’s happened, he loves him still—even if Murtagh is going to have some trouble believing or internalizing it.

And so I present the theme of this initial reading response: Murtagh is so, so loved, to an extent that he does not fully realize. He knows that Thorn loves him, obviously, but I believe it’s significant that—even though he has some Complicated™️ thoughts about Selena and harbors resentment towards her for, in his mind, choosing Eragon over himself—the memories of her that we actually get to see/“hear” (page 90 my beloved) are fully memories of Selena’s love for him. “…beautiful boy” anyone? “My strong boy?” That is her BABY and she LOVES HIM. Also, again, DESPITE HIS RESENTMENT, Selena’s love is the REASON HE KEEPS HIS SCAR! Scar lore alert! Scar lore alert! SELENA WAS THERE AND SHE’S THE ONE WHO HEALED HIM! (though I am still partial to thinking Brom was involved. I’ll write about that later it doesn’t matter right now)

(Also, on a bit of a lighter note, HIS HORSE TOY?????? Horse girl Murtagh CONFIRMED!!!! Little me would have been so jealous. …on a completely different note, I have woodworking connections and access to real horse hair. Hm. The Ideas.)

And then Tornac, son of Tereth, may your name live on forever. THE FIRST MEMORY WE GET OF TORNAC IS A HUG. THE FIRST TIME HE HUGS MURTAGH. MURTAGH HE LOVES YOU SO MUCH DO YOU KNOW??? I KNOW YOU KNOW A LITTLE BIT BUT DO YOU KNOW????? And the way he LEAPS to Murtagh’s defense when he falls in their escape, he REFUSES to let Murtagh languish in Urû’baen, that’s his BOY, his BEAUTIFUL STRONG BOY, that’s HIS SON, NO TAKE BACKSIES, MORZAN! He sees Murtagh’s darkness, yes, but more importantly he sees Murtagh’s goodness, and he knows Galbatorix will do everything in his power to destroy it, and that is something that Tornac simply cannot abide. You remember how I posted about Brom saying it’s easy to die for what you believe in, and then like ten pages later he dies for Eragon? Yeah. Yeah that one. That post. Do you see the point I’m making?

Tornac died for Murtagh. Selena did too, I’m pretty sure—it’s never been explicitly stated, in this book or the rest of the Cycle, but we know Selena was anxious to leave Carvahall as soon as Eragon was born, and that she died shortly after returning to Murtagh. I think Murtagh knows, on some level, but I also think that actually acknowledging it is going to break him just a little bit. Selena left Eragon and returned to him, presumably to spirit Murtagh to Carvahall as well, but she left too early. She wasn’t recovered. The real tragedy of this is that, if she’d left any later, she might truly have been too late—Morzan had been killed, and Murtagh would have been collected to Urû’baen before she reached him. Depending on how much she was coordinating with Brom, she might have known this, and made the choice to return to Murtagh anyway, because it was the easiest choice in the world. Eragon and Murtagh both believe that Selena left them. As Murtagh believes Selena chose Eragon over him, I’m pretty sure Eragon believes the inverse. In truth, Selena was trying to choose both of them, to save both of them. It’s a tragedy that she failed, but the most important thing about such a tragedy is that the love is there. It didn’t save them, not at first, not until much later, but the love is there and it matters because those are her babies, those are her sons, and she would gladly die for them. She did die for them. It was easy; she believed in them.

So yeah, I think eventually Eragon and Murtagh are gonna have a talk, and some revelations are going to be made, and a good long cry is going to be had all around. Catharsis! They need it!

But that’s not all! Murtagh is loved not only by the dead and the distant, but by the living and the near, too. Up to this point, the werecats we’ve met have been aloof, proud, intentionally distant. I always got the sense that Solembum likes Eragon and Saphira, but I don’t know that he would call them friends, even if Eragon and Saphira would, and he’s the most in-depth werecat we’ve met. But now we also have Carabel.

Carabel, who, from her position within Gil'ead, watches the people around them, and discerns their character: this is a skill I would say she has honed to near-perfection. When we meet her, she is desperate, though she hides it well. She sees Murtagh, and she measures his character, and what she sees is enough to make her take a chance on him, and she's right. Murtagh saves Silna, compromising his own principles to do so—swearing an oath he knows he'll have to break—and is so clearly relieved to see Silna safe with Carabel, despite the deceptions. We know, also, that Selena had been liked enough by Solembum for him to speak with her, and I wouldn't be surprised to discover that Selena was at least respected by werecats, if not outright known as a friend; it's possible that this, too, helped push Carabel to take a chance on Murtagh, though she makes no comment about it. Whatever the case, ultimately it is Murtagh's character that she gambles on, and Murtagh being simply who he is fulfills her hopes—not only in saving Silna, but his kindness towards her even when she was difficult, carrying her only when it was necessary and setting her on her own paws when he deemed it safe. Just in being himself, he earns love from two strangers, and the respect of an entire race.

(This echoes throughout the book, in all of Murtagh's interactions with children—he cares so much about kids. Not just as an abstract moral stance: he truly, genuinely cares for children on a deeply personal level. Essie in Ceunon; the two boys in Gil'ead he gives coins to, twice, and reprimanding their father for using them to pick marks; Silna; the children in Nal Gorgoth. In telling his story to Nasuada, he broke when he reached the children he slaughtered under Bachel's control.)

And Alín! Alín, who was raised to revere dragons, who cannot help but idolize Thorn. She is terrified of Murtagh, as a stranger and a strange man, but his connection to a dragon allows her to view him in another light. I can write so many essays about Alín, I'm probably going to, but here I'll just say this: despite her circumstances, despite how she was taught, despite how thoroughly she has been programmed by the cult of the Dreamers, the simple truth of Murtagh's compassion gave her the room to question, to think for herself, to ask herself if what she has been taught and raised to believe is truly right. Murtagh doesn't make the decision for her, he physically can't—it is Alín herself who finds the strength to break herself free, inspired by Murtagh, but not wholly because of him.

And in the dungeons of Nal Gorgoth, Murtagh meets Uvek, an Urgal shaman, and can I just say: I would kill and die for Uvek. He's got similarities to Murtagh that aren't discussed in plaintext, but are easy to draw: they both tried to be alone in the wild, thinking it would be better for them—different reasons, but they came to the same conclusion—but both have come to discover that they are better off in a pack. With friends. With brothers. With family. (As an aside, I really hope Uvek becomes one of the first Urgal riders.) I love the metaphor they share, about trust being a knife with a blade for a handle; and I love that once they decide to trust each other, they both jump in, feet first, 100% on board. That's always been Murtagh's method anyway (Eragon-era Murtagh my beloved, looking after this stupid dumb kid with his whole ass), and it is incredibly refreshing to see someone else with the exact same mindset throw their whole lot in with Murtagh. The gentle forehead bump! Uvek loves this crazy squishy Murtagh-man.

And finally, finally, Nasuada. The Guinevere to his Lancelot, and there's not even an Arthur for them to dance around, except for the Arthur of Public Opinion that would prefer to view Murtagh as dread Mordred. I couldn't keep from laughing, just a little bit, every time Murtagh was encouraged to/shown visions of taking the throne, because lol! Nah, you dumbasses, that's the love of his life for whom he broke his own shackles and turned on his tormentor and slave-master. The day he turns against her of his own volition is the day he is No Longer Murtagh. He keeps the newly-minted gold crown so that he can keep a piece of her with him—a coin!! A tiny little portrait!! An accurate tiny little portrait, to be sure, but one he'll soon be able to find in any decently full purse!! He may not want to admit it to himself, he may try to distance himself for her own good and the good of her rule, but he cannot truly deny his heart. As for Nasuada himself, she doesn't even hesitate to take him in—and she would have no reason to, having heard about Gil'ead, except that she knows him, she has seen his true being in a way only Thorn can relate to, and even in uncertainty she cannot believe evil of him. She's the one who reaches out to comfort him when he crumbles in telling his story, she supports him without a word when he struggles to stand, and she wants so badly for him to stay, Public Opinion be damned. She won't destroy what she's built, but she will move heaven and earth to be able to keep him near, for as long as he wishes to remain.

This whole book, really, was just a chorus screaming to Murtagh, "YOU ARE LOVED!! YOU ARE WORTHY OF LOVE AND YOU ARE LOVED!! IT IS THE LOVE THAT ENDS WARS, THAT DEFEATS FEAR, THAT PERSISTS IN THE FACE OF DEATH AND RUIN!! YOU ARE LOVED!!" And maybe he can't hear it yet, not with his ears, but his heart, eventually, might start to catch him up. And I absolutely cannot wait to see it.

[pomodoriyum]

going to be slandering mr. irving even harder now

[tsukimefuku]

Getting angry at unimportant stuff because if I decide to go angry about the important stuff I will m*rder someone with a gavel

[symbiotic-slime]

would you guys be interested in venom/the magnus archives crossover fan art

[deeplyshalllow]

Jamie Muscato's JD is really hard to write, because after a while he just imprints on his girlfriend and all he thinks about is how great she is, and how he wants to be with her even though he doesn't deserve her, and how he's going to murder anyone who is vaugly mean to her.

And like dude, I'm trying to write a plot here not a 50k essay about how great your girlfriend is (with the odd paragraph about how your mommy was perfect).

[apazwtsn]

i can't explain how MUCH i identify with John, like he literally thinks and acts and makes the same mistakes as me at the point that i UNDERSTAND EVERY. ONE. OF HIS ACTIONS AND DECISIONS. CAUSE I DID AND FELT EXACTLY THE SAME. EVEN ON SEASON 4 I CAN TELL YOU IT'S NOT OUT OF CHARACTER. and how i literally connect to him in an incredibly big way. GOD it's like i can see what he's thinking every moment. you may think that i'm exaggerating or making it up but good lord he is literally me we feel literally the same