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roxyteal · 18 days ago

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(Jesus Christ it happened again. Mobile decided to not only publish the draft but also not save any of my edits. Pardon me if you see any appear) (Oct 30: Put context about his sobriety in the beginning, as opposed to in the middle out of nowhere.)

Today I am compelled to talk about Joe 5. It may include things I already mentioned in a different post, but those were in the tags so if any of this seems like not new info, sorry about that.

ANYWAY

Joe 5. Also this gets long so bear with me.

Joe 5 (but you can use either Joe or 5) came from a complete set copy of "Joe`s basics joke game". He was relatively fine as a person, with highs and lows. He's a bit of a snark but it's usually lighthearted. He even realized he had a problem and got clean, though... Alcohol still kinda haunts him as a result.

At some point, he and his entourage found the Webspace. On that day, they were among two others - a copy of Denied's Basics (the 10th apparently), and the 82nd Dave, who was a rogue for some reason.

Things were alright until it was mentioned that there was a pre-existing Joe and company around, and whether or not they'd like to merge with him, and so on. 5 thought that was weird as Hell and said no. But his companions said yes.

This resulted in 5 distancing from them since they're "not my friends anymore", and "I don't even know them anymore". And from then on, he resented the idea of merging, and that damned "Joe 1" for being so Goddamn happy. What's he all smiley about, he thought. The fucker.

But at least he still had his school. His empty, ghost town of a school. He quickly realized he couldn't live alone in that so he started staying in a tiny apartment, which quickly became a mess because of his plummeting self-worth. If only he'd just gone with everyone else, this could've been avoided, he also thought. It's his punishment for going against the grain. Being different. Maybe even "defective". Well shit, let's be defective. Why not.

He would have his code and model changed so that his hair would grow naturally. Somewhere in his reasons for this was needing to feel responsible for something, so he wouldn't completely fall apart. And maybe having it would make him feel better, whether about himself, in general, or both. He recalled that he considered asking his player about it in the past, but never got the nerve. Better late than never, he tried to rationalize. That's what people say to forgive themselves, right?

But the shoulder-length he requested (and wavy to boot, he didn't realize he had that...) spiraled out of control and now reaches his waist. Of course he couldn't keep up the end of the deal he put upon himself. It really needs the trim, but he couldn't be assed to try, and it disgusts him. The only good thing was how it never tangled. Game magic shit or whatever. But regardless of that, he looked like a cryptid, and he felt like one too.

At this point, his only comforts was TV, eating, and sleeping. He didn't need to do the last two obviously, but it gave him something to do, a distraction. When he ate, he could focus on the taste and nothing else. When he slept, he would stop being able to drown in his thoughts, welcomed instead into nothingness. When he watched TV, it numbed him enough to stop caring.

But even in his lowest moments, he refused to give in to his old addiction of... That. Diving back into it would truly mean the end had come. He'd rather be tortured to the brink before he had a sip again. Even now. Especially now.

He rarely ever left the apartment, kept the lights off, curtains to the balcony closed, and didn't allow visitors. He rarely ever left his bed, in fact. Sometimes he'd lie there and daydream about leaving. To where? Who knows. But this place was so painful to live in because everyone else has it great and he's got nothing so it's like... Just leave. But where?

He'd ponder it. Maybe just go out that tunnel and see where the Internet busses take him. Leave it up to fate. Maybe he'll find a nice little NeoCities domain. That whole area's so fuckin' large, there had to be a place where even 5, a worthless piece of shit, could fit right in! Yeah...

But he never gets out of bed. Out of the apartment. To the entrance tunnel. To the bus stop. To NeoCities. He just lies there, thinking about it. And nothing happens.

One day, he realized he was running out of food. The only reason he'd ever leave his trash heap of an apartment. By this point it was a matter of looking presentable enough to go out into that bright, colorful, vapid world crafted by that... Uh, mask man, and his spooky associates. Or keep staring at the dump that is 5's living space and contemplate if he could live without the sensation of eating. He still had his two other trusty vices, is it okay to lose one?

But, fuck. He loved the instant noodles. The frozen meals. The rice cups he could drizzle a little soy onto. And all the other kinds of convenient, packaged stuff. Goddammit.

So, he stepped around the trash, and next he knew, he was out the door. Fine. Fine. Fine! He'll get so much, he'll never have to come out again!

But as soon as he was outside the building, hair almost encasing his torso like a shroud, something shifted. Today's the day he's going to leave. Yeah. He'll get this done, pack up, make a pitstop to Vincent's or whatever pretentious name that supernatural son of a bitch had, flip off the gaudy building, then head straight for the tunnel. If he had time, he might even egg that fucking place!

This is it! God, it'd been so long since he was excited. Genuinely excited. He wanted to hold onto this forever.

Mood improved, he carried on with his mission. He ignored the other shoppers, checking off everything he picked up from his list. It was one of his first lessons here, because how could anyone remember everything they needed? He sure couldn't.

Things were going fine, until... He bumps into someone. Baldina. And she single-handedly became the craziest thing to happen to him.

He barely recalled the conversation, but it led to her hiring him as an assistant at her school, despite his clear lack of qualifications. It seemed that like Mr. Strobe-bow-skis, she too had plenty of people under her thumb, in numerous positions. A whole network of them.

One of which, 5 got to meet while struggling pitifully with the coffee machine, just seconds away from having a breakdown right then and there. This guy called himself, er, "I'm never"? But one word. Okay sure whatever. And in spite of 5's threatening tones and verbiage, Imnever was patient enough to show him how to use the brewer. Even informed him of how Baldina takes her coffee.

So what's Imnever's story? Oh, he teaches art here. He's more of an animator by trade, but this suited him just fine. Huh. Well, still more impressive than anything 5's ever accomplished.

The three of them became friends. He wasn't sure how that was possible, but finally he had a reason to go outside more often, instead of stewing in his own suffering for weeks at a time. In fact, slowly that poor excuse of an apartment turned into something a little more decent. It wasn't super tidy, but if Imnever, Baldina, or both wanted to visit, finally 5 could and would allow it.

It got to a point where, one morning, they surprised him with a present. A motorcycle. Apparently the two had taken his daydreaming musings seriously, about how cool it would be to have one. Also, 5 had forgotten what day it was - his birthday.

He cried. He couldn't possibly accept this. He didn't know how to ride it. He'd ruin it or hurt someone. All the classic, self-depreciating excuses he was told he was using.

But, as Imnever said, what you don't know, you fear. Once you do, you don't. Frankly that sounded confusing, and yet, these types of phrases helped him get this far, so... Just accept the damn thing.

The helmet was really cool, but he had so much hair that it wouldn't be able to fit. At long last, he got the trim he had desperately needed; up to just below the shoulders. But Baldina did it for him. Almost ironic, but at this point, who cares?

He forgot how light his head felt after the excess was cut down. It was a nice feeling.

Once he actually tried to overcome that fear of failure and took the chance to learn something, he was surprisingly quick on the uptake. And before long, he was zooming down streets in that badass chopper of his.

Maybe the Webspace isn't actually so horrible. But, thinking that, he reminisced about that day, where he was so sure he was gonna leave this domain behind and start over somewhere else. He slowed to a stop in front of Infinite School or something like that. Hm...

And he gave that treacherous high-rise building the bird, laughing manically as he drove onward. Of course he was going to stick around nowadays, but it still felt right to do. And boy was it worth it.

Life here had finally looked up for 5. Until, well... The demon showed up. But that's a whole other fuckin' story.

#baldis basics #BBAU #WTTW #musings #joe 5 #denied mentioned #dave 82 mentioned #viktor mentioned #baldina #imnever #is this a fanfic? hm... more like a summary #so about dave 82. i think he probably asked viktor + baldina + denied the “cats or dogs” question #later than what the in-character posts seemed. a while later #and joe 5 having long hair... i was inspired. also god i cannot hear his voice in anything other than brandon rogers. help #“so why imnever” idk

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becausegoodheroesdeservekidneys · 9 months ago

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Hi Elanor, we met briefly on the taping of your husband's fringe show and you were super nice, no good deed etc. I'm pretty sure I've seen you post about lecturing at a uni.

I've been thinking about heading back to uni for a master's, with the possibility of a career shift into academia after, but I'm somewhat wary of the lack of job security with fixed term contracts and such, and just generally unsure how one goes about getting a job teaching at uni. Most people I know in academia are primarily interested in research, with the idea of lecturing being mostly incidental, I'm almost the other way around.

How did you get started in your field, and how much of that do you think applies to new entrants today? Did you have to/get to make a choice between research and lecturing? Any insight you might have, or a starting point for further research would be greatly appreciated.

Hello again! It was lovely meeting you!

Sure, yes, so, my path in began as an HPL - an hourly paid lecturer. A colleague on my old degree course was signed off work with stress, so another old lecturer of mine was asking if any graduates wanted to do a bit of lecturing to cover him. It coincided with my job losing its main funding and so going to part time hours, so it worked.

It started as one module for one semester. Which became the module for the year, then two and a half the following year, then four the next two years. And then, under UK law, if you hold an HPL contract with the same institution for four years, they have to give you a proper contract, so now I'm on a permanent four days a week with full lecturer status.

And then if you do it that way round i.e. become a lecturer before holding a teaching qualification, the uni will pay to put you through a PCET - I'm due to finish my PCET in May this year.

HPL work... Well. There are advantages and disadvantages to this approach. HPLs are the lecturing equivalent of hospital cleaning staff - absolutely vital and chronically overlooked and underpaid. It's a zero hours position, so you get paid only for the time you spend actually delivering the lectures, at a rate (IIRC it was about £33 per hour?) that assumes one hour's prep for every two hours lecture. Needless to say, prepping a two hour lecture takes longer than an hour. You also don't get paid for the marking you do, and you receive basically no guidance on how to actually teach - best case scenario is that they can give you copies of the lecture slides used by previous academics in the role, which you can use as a guide or amend to your liking. And the final topping on the shit cake is that HPL contracts run for a semester at a time, so they very much fall into the 'precarious employment' bracket.

But, as I say, you can very quickly make yourself indispensable, and then after four years they have to give you a contract. Or, you just do it to mine it for the experience for a CV. I've known people who did HPL work for two unis at once while studying a PCET and then walked into a proper position in a third elsewhere.

Because the other root is to get a Masters, get a PCET (as part of which you need to do a placement anyway), and then apply for lecturer roles. Again, advantages and disadvantages - these days, lecturer roles are hotly contested. But it's very possible, I know many who have done it.

So! Regarding the other part of your question!

Some universities are more teaching focused, others are more research focused, some are a bit of both. If you know that the main thing you want to do is the teaching part, then you want to give priority to the universities that are more teaching focused themselves. These are usually the non-Russell Group prestigious ones, particularly the ones with a slightly more local student body. Anything with a qualifier like 'Metropolitan' after its name, either now or in the recent past, is a good idea - in Wales, for example, UWTSD includes the old Swansea Met, USW includes the old Cardiff Met, etc. Those are more teaching focused institutions (and therefore better at serving non traditional students, too, especially disabled ones), so in career terms, those are handy to shoot for.

(Also, those can have high turnovers of research academics by contrast. So it's usually relatively easy to get HPL work from them to plug employment gaps.)

Anyway - that's me. Good luck if you do decide to try it! Let me know if you have any other questions

#asks #the professional world of careers and tasks

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valeffelees · 8 months ago

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Oh do tell about that snowbaz au of yours 👀

I WOULD FUCKING LOVE TO, thank you so much tumblr user pidgelikethebird (and also my most beloved and loyal companion @drowninginships) for providing me the enrichment i need to survive the winter.

ok gimme a min here to turn my thoughts into comprehensible words. i'm gonna say right now: this post is gonna be a LONG one, but 10 out of 10 scientists agree you should read to the end.

so, if you didn't know, The Beauty Inside is a Korean romcom from 2015, based off an American short film of the same name; the orig short film i linked is an extremely quick watch (only 6 episodes, each one 4-10 minutes long) and i would absolutely recommend it, but the very basics of the premise is that: a man wakes up in his bed on his 18th birthday to find he's in a completely different body than his own, and every day since then, he wakes up as somebody new.

AND OBVS I JUST HAD TO FUCKING SNOWBAZ THAT, which is how my AU, titled In the Many Ways of Loving You, was born:

Simon Snow wakes up every day as somebody new; the only person who knows the truth is Penny, his best friend and roommate, since she's been by his side since it all began ten years ago.

he works on commission as a custom bookbinder—like, he has an Etsy or some shit, i dunno, some kinda online shop where people can commission him in a variety of ways to rebind their favourite books, either by paying extra for Simon to buy the book himself and rebind it from new and send it to them, or sometimes collectors will send their personal copies to him to have him rebind them, and he's very good at it, and N E WAY the point of this is that he has a small bookshop he's been going to regularly for the last eight or so years, because it's close to his and Penny's flat, and where the story begins: Baz is a new employee that just started working there about two weeks ago and Simon has a massive crush on him.

ok, now. day one: when we meet Simon for the first time, he wakes up and he's lovely and blonde and brown-eyed and ok, yeah, i've just made him look like Agatha bc i thought it'd be kinda funny, esp since Agatha's not actually in the fic otherwise.

and Simon has to pick up a copy of some random book from the bookshop today bc someone bought a custom binding of it, so he goes down and, as usual, since it's his job, Baz has to come over to talk to him and is like, "hey, can I help you with anything?" and Simon doesn't need any help bc he's been coming to this shop for years, but every time Baz asks he says yes bc he wants the excuse to talk to him, and on this day Simon is like, wait. i'm so hot rn. so he asks Baz out—

and Baz is like [finger guns] absolutely not.

and Simon is like 👁️👄👁️ welp i'm in fucking agony.

but whatever, fine. a guy like Baz is prolly already in a proper relationship, and it's always a bad idea for Simon to get involved with someone he has to see on the reg. he had to start going to a different coffee shop that's twenty minutes out of his way bc he went out on a great date with one of the baristas at his old spot and then obvs couldn't go out again after just that one time, and it made him super emo, so really, Baz saying no was prolly for the best.

TIMESKIP, it's been a few days and Simon has to go down to the bookshop again. but this time he's a bloke. and so Baz comes up to ask if Simon needs help and he says yeah, as usual, and the two of them end up having a bantery convo about the book Simon's looking for bc they've both read it and Baz hated it, but Simon loved it, and it's just very cute and casual, and then Baz is like. so, my shift ends in liiike... four hours. are you doing anything?

and Simon is like. OH. OH!!!

that whole "it's prolly for the best" thing? yeah, fuck that, that was Simon of the past, he doesn't know what the fuck he's talking about bc cute bookshop guy wants to hang out and so they go out and have the most fucking insane romcom date ever.

'cause you gotta remember, Simon only gets one real day with people, so he doesn't do like casual coffee dates or movies or whatever. they go out and like fucking B&E a museum after hours bc Simon knows someone like the janitor or something (i dunno) leaves one of the back doors unlocked so he can step out for a cig every few hours, so they sneak in and have the time of their life running around looking at art while trying not to get caught, and we're going to use the suspended disbelief bestowed upon us by the power of romcoms to pretend security cameras aren't a thing, and it is BRILLIANT. like, Simon and Baz have so much chemistry, and when the night ends Baz is just like all smiles and creased eyes and messy black hair and, breathlessly: "I want to see you again."

and Simon's heart drops. because he wants to see Baz again, too, but he can't. no matter how much he wants to, he can't. when he wakes up tomorrow he's going to be someone new, so he can't, he can't, he can't, he—

"Yeah," he says. "Tomorrow?"

SIMON NO!!!

"It's a date."

FUCK!!!

ok, so now we have a problem. Simon can't just stand him up, i mean he could but he doesn't want to, and he really does want to see him again, so he does the only thing he can think of: he stays awake. all fucking night.

Baz, the next day: "You look exhausted."

Simon, wired asf on caffeine and trying to be smooth: "Had someone on my mind all night."

and then they go have another wicked date, but i have nothing in my notes about what it is. oh, i have them living in Canada in this fic btw bc as a rule, if a fic doesn't have to be set in England, i move them to Canada for comfort. so i might have them go cliff jumping or something? who knows. we'll go with that for now.

cue the romcom montage.

[mother tongue starts playing SO DON'T SAY YOU LOVE ME FALA AMO, JUST LET YOUR HEART SPEAK UP AND I'LL KNOW]

ok. post-date. Simon is so dumb and infatuated with Baz and does something only a boy who is dumb and infatuated and sleep-deprived would do in his situation, and he goes back to Baz's flat with him to "watch a movie", or in other words: the movie starts and then they prolly have sex, but in my notes this is written as "??? smash ???" so i guess it's kinda up in the air.

either way, Simon passes the fuck out at Baz's place bc he was properly exhausted by that point, and he wakes up to Baz screaming at him bc obvs he looks like a different person now.

Simon, half-asleep: [PANICKED FLAILING] BAZ IT'S ME!!! STOP THROWING THINGS!!! BAZ!!! IT'S ME, IT'S SIMON!!!

and Baz is like: WHAT THE FUCK

and Simon is like: I CAN EXPLAIN

and Baz is like: HOW DID YOU GET IN HERE

and Simon is like: I CAN EXPLAIN!!!

so, here's a detail from the orig film that comes into play here: in the orig movie, the MC keeps a video diary, logging every day what his face looks like, and in this, Simon does this on his phone and backs them up to his computer every hundred days, so he gives Baz his phone and tells him the whole story while Baz scrolls through these short like minute long videos of Simon on various days going, "Hey, this is me today. I have [this and such] thing to do, blah blah blah."

and the thing is, Baz recognises him in some of them. bc Simon is always coming into the bookshop. he stops watching when he gets to the day Simon looked like Agatha, and Simon has been quiet for a while at this point, just letting Baz process.

Baz: "I want you to leave."

Simon takes his phone without a word and goes. Penny picks him up on the corner a block over and drives him back to their flat. she doesn't ask what happened. she already has a pretty good idea.

when Simon's next commission comes in, he thinks about going to another bookshop, he really does. but this one is so convenient, esp since Simon can't drive bc he can't risk getting pulled over carrying a licence that doesn't have his face on it, and he's been going there for eight years and it's not like Baz will recognise him anyway.

so, to the bookshop he goes, but this time when Baz comes up to ask if he needs help, Simon is like, "haha, no that's okay," and goes back to looking for things on his own, and Baz kinda lingers awkwardly for a moment before going on his way, but then when Simon comes up to the till to pay for the book, Baz just stands there staring at him. and Simon is so uncomfortable, like, he just wants to leave—

"Simon?"

SORRY, YOU WHAT?

"What?" Simon gapes at him. "How did— how did you? But I'm—"

"Can we talk?" Baz asks.

"How did you know it was—"

Baz shouts over to the other employee on the floor that he's taking his lunch break, and Simon just slowly follows him out of the shop with the book forgotten, unpaid for, at the check-out.

and here's the deal, Baz liked Simon a stupid amount considering they'd only gone on two dates, but they were good dates, and Baz doesn't date much, so he's a bit hung up on just how much he liked Simon and the weird way shit ended, so he's basically like. i want to see it again. and Simon is like, see what? and Baz is like, you. the... whatever that you do, i want to see you change.

and that's how Simon ends up bringing Baz back to his flat, and btw: Simon has a rule about never bringing people back to his flat bc it's weird as fuck. his room is really tiny, and it's cluttered as fuck in a Howl's bedroom type way. he keeps to the same cheap, casual style for all his clothes, but he needs things in a bunch of sizes. shoes are a nightmare. he has to take care of his hair in a million different fucking ways. so he has the lives of a dozen people shoved into a room the size of a shoebox, and his mattress has no frame. that shit is just on the floor, so it takes up less space. and there's this mirror, a wide full bodied mirror, propped up against the wall facing the bed, so that the first thing Simon can do each day is roll over and look at himself.

Simon and Baz have supper together, they talk, they pretend this isn't weird as fuck and, even though it is weird as fuck, they still have so much chemistry, and this is a fanfic, so they just end up having sex again but it's supposed to be kinda emo and tender and look, it's what my heart wants, ok?

morning comes. Simon wakes to Baz's hands on his face. which is already and improvement compared to last time. Baz is looking at him very seriously, but also very like. softly. he's touching Simon's features, tracing them, and Simon is quiet for a very long time, watching him do this, until he's just like. what are you doing.

Baz: "Getting to know you." A pause. "Why does it happen?"

Simon: "I don't know."

Baz: "Are there other people like you?"

Simon: "I don't know."

Baz, sighing: "Well, what do you know?"

Simon: "That I'm still me. Inside, I mean. Like... if you had a book, and every day you gave it a new cover, the story wouldn't change."

Baz: "You must get lost on a lot of shelves."

Simon: "Yeah."

and from there, Baz is just a part of Simon's life the same way Penny is, he knows the truth, and he deals with it. for the first time in Simon's adult life, he gets to really date. he and Baz do a bunch of domestic shit together, for months, and it's so good. all of it is so good, all the time, and they fall so fucked up deep in love with each other.

(detail from this point that is relevant later: Baz and Simon make a game out of Baz recognising Simon at work on days when he hasn't seen yet what he looks like. Simon will come in and try to act like a stranger, but Baz can Where's Waldo him every time.)

but then Christmas comes. and Baz has to go home to see his family. and i don't have an exact idea of how this convo goes, only that it is not a fight of any kind, like, it is a normal convo about the holidays but Baz apologises to Simon during it for not telling his family about him, he says they'd want Baz to bring Simon home if he did (bc i just don't wanna fuck with homophobia in this so we've shot Malcolm with the ally beam) and he wouldn't know how to explain Simon's whole... thing to them, and Simon kinda realises that like. he can't ever be the type of boyfriend Baz can bring home to his family. he can't ever be the type of boyfriend Baz gets to have a normal life with.

SO SIMON GHOSTS HIM.

like, Baz comes back from his family's place, annoyed that Simon hasn't returned any of his texts or calls, only to find that Simon and Penny have literally fucking moved flats in the two weeks he's been gone. and obvs he's fucking devastated and confused by this and desperately trying to get Simon to respond to him, but he won't.

Simon goes out of his way to find a new bookshop to go to, and that's the end of things for about a week or so, and i haven't actually decided what happens here exactly, but the general idea i wanna go with is that Simon goes to the bookshop Baz works at just for the sake of seeing him, checking up on him, bc he misses him.

but remember that game they played? so yeah, Baz walks up to say his usual like, "hey, can I help you find anything?" but he fucking clocks Simon after like ten seconds.

scene change: they're in Simon's new flat, like maybe Baz demanded that if Simon is going to break up with him he owes it to him to do it goddamn properly, but i dunno. details, details. but they end up getting in a huge fucking fight and Simon reveals the reason he ghosted Baz was bc he realised Baz can't have a real life with him and Baz is like:

"You don't get to decide that for me! You're still you, you're still lovely—"

"You don't even know what I look like!"

"I don't care what you look like, you fucking moron, I care that you're Simon Snow! There's a person inside you that exists every day, even when everything else changes, and he's lovely. I love him. The rest doesn't matter, how can you not see that? Stop telling me I'm not allowed to love you however you are, I'll love you a hundred different ways, Simon. Any size, any shape. I'll love you over, and over, and over. That's a life for me. A real life for me. You!"

and then Simon throws his arms around Baz's neck and hugs him like he needs him to breathe and Baz clings to his shirt and they're both prolly crying all loud and gross, but it's fine. they're gonna be fine.

the next day: Simon wakes up to Baz's mouth on the back of his neck. "Like this one, then?" he says.

"Loveliest yet." Baz brushes his knuckles over the slope of Simon's shoulder. "Freckles, curls, broad shoulders... Mmm, maybe we should stay in bed today."

Simon laughs and rolls over to pin Baz to the mattress, grinning at him. he goes to say something, prolly rib at him the way they do, but as he does he catches his reflection in that mirror he keeps by his bed and he freezes.

"Holy shit!" he shouts, and shoves himself up onto his knees. "That's me!"

Baz rolls his eyes. "Yes, yes, I told you—"

Simon shakes his head furiously. "No, it's. Baz. I'm. Jesus fucking Christ, that's me. Baz, that's me."

Baz sits up slowly. "Do you mean—"

"Fuck, holy shit!" Simon grabs his curls with both hands. he hasn't touched these curls in ten fucking years. he looks older than he remembers himself, which is a given, but it's definitely him. his father's eyes, his mother's chin. the moles on his cheek, above his eyebrow, below his ear.

Simon freaks out in a way that kinda toes the line between being happy and being a breakdown, he throws himself at Baz, and they both fall back onto the bed and Simon is laughing and he's shaking and he doesn't understand, he doesn't get it, but holy fuck, he has his own face, he has his own body, he has his own hands. Baz pushes them apart so he can get a look at him, and Simon is actually kinda self-conscious when he does, which is a new feeling. he never has to feel self-conscious about anything, usually, since he knows every flaw or insecurity isn't really his, and will be gone the next day, but this is just... him.

Baz takes Simon's face in his hands and then, breathlessly, "Hello, Simon Snow."

AND THEN THEY KISS bc what else would they do here.

and uhh, yeah. so. Simon goes out to the kitchen where Penny is making breakfast and she loses her shit when she sees him. big hugs all around. Baz really does take the day off work to spend it with Simon, even though that just means lying around on the sofa watching movies while Simon works on his current rebinding commission. when Penny gets home that evening, they order takeaway and sit around the lounge room playing boardgames together until late, late, late into the night. Penny falls asleep in the armchair, and now it's 3-am.

Simon is tired. he's looking at the clock, sitting with his knees up and his arms around them, with Baz beside him. Baz has his forehead on his shoulder, an arm around his waist. he doesn't want to go to bed, because what if... what if it was only for today. how long will it be until the next time? what if there is no next time, what if, what if—

"We'll still be here," Baz whispers, exhausted. "And you'll still be you. No matter what, Simon."

and so they go to bed.

Simon wakes up to Baz's mouth on the back of his neck.

"Good morning, Simon Snow."

AND YEAH, that is the entire plot of my The Beauty Inside AU.

i told you this was gonna be a long one, but if you've made it all the way to the end of this mess, thank you kindly again for indulging me!

#ngl i wanted to sign up for the cobb with this fic idea really bad but at the time i wasnt confident i could manage #taking part in a fandom event. i might think about signing up for it next year if it runs again but who knows #thanks for hanging out!#snowbaz #ask #pidgelikethebird

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salivapix · 5 months ago

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some things have changed so we’re redoing this! i wrote ts in my drafts to copy and paste it onto the old one but tumblr's BITCH ASS won’t let me copy the whole thing so now i have to make an entirely new post 😐😐

anyway.

welcome to my blog !!

ur mostly gonna find omo/piss kink stuff here but if i’m feeling particularly feral i’ll post some other unrelated stuff too (listed below). there’s no real flow (pun unintended) or organization here; i just come here to be horny 💀

first and foremost: DO NOT INTERACT WITH THIS BLOG IF YOU ARE A MINOR!!! if your age isn’t in your bio (or somewhere easily visible on your profile), i will immediately block u. don’t like my posts, don’t follow me, don’t message me. this is an nsfw space for adults ONLY.

for everyone else -

u can refer to me as pixie or piper, or basically any other p name, idc 😭😭 i’m 20, a switch, and use she/he pronouns (preference changes every two minutes so whichever is fine). my activity on here is very limited bc i go through periods of sexual repulsion, plus i’m incredibly forgetful, so i might not always be online or responsive. pls remember that i do not owe u anything and if u get pissy with me for not engaging with u i will block u!!! i’m a firm believer in abusing the block button ❤️

that being said, i love meeting ppl in the community so pls don’t be afraid to dm me, send asks, any of that. i will not message you first as i’m too anxious so if u want to interact with me u have to be the one to do it !!! i don’t reject anyone unless u disrespect boundaries or threaten me/insult me/etc. (though, again, pls don’t expect responses right away or for me to be in the mood 24/7. i am not lmfao.)

ALSO, pls do not dm me and attempt to dom me. i’m a switch, yes, but a lot of my “subness” is fantasy based as that’s a part of myself that i’m still discovering, and i get rlly grossed out and upset when i actually engage in it. asks are one thing because it feels less intimate (i guess that’s the right word?) but domming dms are not something that i want so pls do not !!!

anyway, enough rambling, here’s what u’ll find on this account and what to NOT bring to this account ever. what i like most is highlighted in green and what i will not interact with period is highlighted in red. (note: i have tags for the red kinks blocked so i may still follow u if u post SOME OF them as long as they’re not the center of ur blog and they're tagged properly. but if u post sexually about children, animals, or real life gore/torture i fucking hate u.)

kinks -

omorashi/piss kink, humiliation, feminization, misgendering, drug kink, light mommy/daddy dynamics, dumbification, exhibitionalism, light non-con, intoxication (alcohol), body worship, orgasm denial, overstimulation.

limits -

incest/fauxcest, furry/zoophilia, P3DOPHILIA (literally die), choking/aphyxiation, piss drinking (like in cups n stuff), gore/torture, scat, emeto, eprocto, fat/body shaming, genital mutilation or pain, forced hetero, heavy impact play.

my main tag is #brainrottedpixie !! anything i post drunk or high (when i’m at my sluttiest 🤪) is tagged #pixelsrambles, and anything to do with omo/piss is #pisswhorepixie ^_^

#i’m not tagging this fuck that

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cheshiresense · 1 year ago

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So I just tried to edit my navigation page for this blog a couple days ago and discovered that I can't cuz javascript isn't allowed anymore. From what I looked up, custom theme codes/installed themes shouldn't be affected but hah that's a big fat lie. Basically tumblr is flexing on the podium at hellsite olympics, but what else is new? Anyway, at the moment, the only thing missing from my nav page was the latest Yuzu post for my Stunted Empathy AU and that time travel thing with Tsuna, but like it's kind of a problem going forward. I'll prob have to contact Support and ask them to enable my javascript permissions but I feel tired just thinking about it, plus it's not like this is my only blog, and I'd need permission for all of them since they're prob all not working. So then I was like I could just make a masterlist over on my Dreamwidth, which yes the coding is also a lot of work but at least I don't have to contact anyone and hope they don't accidentally nuke my blog in the process. Anyway, you can access it over here, and I already switched out the masterlist link on my blog's sidebar for this page. Like I said, there's not much difference between this new page and the old one at the moment, aside from the layout obviously, it's not as nice to look at, but if and when I write more stuff, I can just update it on my DW instead, which is easier.

Also while I'm here, you may have noticed the Pinglist link is gone, I just decided to not do that anymore, it's really troublesome cuz I can't just copy/paste it since it doesn't automatically link, so I always had to go through each name and make sure it's pinging everyone. I think most of the people who read my stuff are just the ones already following me anyway 🧡🧡🧡 plus I haven't pinged people in ages so it shouldn't really make much of a difference.

#psa

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notsodailycake · 1 year ago

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Here, i finally finished this💀

Meet my Zelink fan kids! I have alot planned for them, but I'm too shy to actually share everything, especially bc I've only now just started fully exploring Totk (i got the game around last month) and so i wanna make sure I'm like, canon accurate, but i wouldn't mind answering questions about them👉👈

Anyhow, some fun facts about the desings:

Sonia has scars on her eyes and the tip of her left ear, why? The ones on her eyes were caused by a wolf she came across the one time she ran away from home (due to her jealousy over her sister when she was born, it's a long story), the one on her ear is bc of a bird she tried to grab once since Adira thought it was cute and wanted to pet it (Adira was 2, Sonia was 5)

Sonia's earring was a gift from her bff/crush, a gerudo girl that imma keep secret for now bc I'm still working on her

Adira's feather necklace is a gift from her close buddy/bff, a rito, which I'm also gonna be hush hush about for now

Adira messes around with alot of not so safe devices out of curiosity and the need to create, but gets her hands dirty/hurt in the process, hence the band-aids

They both have small fangs thanks to their mom (iykyk)

Adira's favorite color is pink, Sonia's is blue

Also, huge thanks to @carogdraws for helping me desing their clothes! It was a huge help and i probably wouldn't have done it without it ^^

Now, those are the extra info i have for them, the rest of the basic info i have already shared will be under the cut

Yes it was copy pasted from the last post i did about them, but i have a need to keep everything in one neat little post sue me

The two girls are 3 years apart. Oldest is Sonia (yes, named after Queen Sonia herself), and the youngest is Adira

Sonia is more like her dad, especially in terms of looks, but she inherited her mother's eyes and thurst for answers. She's very energetic and adventurous and likes helping others

She tends to be the guinea-pig to a lot of her sister's projects and creations since she has almost no self-preservation. She enjoys it tho, thinking it as a fun activity to try out new things and hang out with her sister. She also enjoys carving things, mainly toys and masks. Most of her sister's toys were made by her when they were around 11 and 8

Although she is usually quite the airhead, and not really the brightest (like her dad, cough-), she definitely inherited her mother's overthinker mind. Doesn't help that she also tends to think little of herself, being the firstborn of the Princess and Hero themselves, alot of people put her under alot of high expectations and although her parents tried their best to show she didn't have to prove her worth, the gossip around town was hard to ignore, doesn't help the fact that her sister has started to become a prodigy to her mom, creating inventions to help hyrule and planning to bring the royal system back when she's old enough

Sonia though, has no intention of bringing the royal life back, nor to continue it. Like her dad she wants to explore, she's fascinated by history and wants to disvover every small relic left unseen. And she wants to travel beyond Hyrule one day as well and help those she comes across her path. But also perhaps, escape the duties and expectations others put on top of her, and perhaps prove herself better then those expectations

She loves her sister tho, despite everything, and will never admit to her how jelouse she actually is of Adira. How jealous she was of Adira of being able to hang out with their mom so much, have so much in common with her, sometimes she wonders if she has anything from her mom other then her eyes

Adira is alot like her mother, especially in the looks department, but she has her father's eyes and thurst for chaos. She's usually quiet, but very sassy when needs be, and although seeming quite shy, she got quite the temperament and wont hold back her tounge

Like mentioned previously she becoms a prodigy to her mom, creating and getting invested on inventions to help hyrule and planning to bring the royal system back when she's old enough. She spends most of her time studying and working on anything technology finding it fun to see what possible outcomes it came give

Although sometimes the pressure is too much, as much as her parents give her the liberty to explore her interests, as she had started to show advancements in her creations and helping hyrule, as well as proclaiming to bring back the kingdom (even tho she was a child when she said that), all eyes were now set on her and she is terrified of any failure, and to disappoint everyone, she usually confides on her sister who never cared of her status and just liked to be around her for her (and well, she felt too embarrassed about it to tell her parents about it, they didn't need to worry about such simple things in her eyes, they already fought the townsfolk so much bc of that, she didn't want to make them dislike her parents bc of her)

She admires her sister alot, looks up to her and wishes she could be as cool as her, as free as her, but she isn't good in any sort of physical activities and is usually just stuck in the lab. And that causes a smidge of jealousy as Sonia is able to bond more with their dad then Adira ever could, she feels like she has nothing in common to her dad other then his eyes and need for chaos (which the second part was something looked down apon by others)

And those are the basics i have so far, there is more but I'm unsure about it for now, and aren't 100% concrete yet, so i wont share at the moment

But before i end this, here are some small fun facts:

Both Sonia and Adira are pure glutons, just like their dad XD. They have cooking sessions together quite often, helping around the kitchen when they can;

Sonia loves horses as much as her dad does, but she is terrified of riding them, because when she was little and riding one for the first time, the person who set settle on didn't do it properly and she fell, head first into a rocky ground, and to add onto it, the horse stepped right onto her pinky. Now she has small panic attacks trying to ride them

Sonia actually used to hate Adira. Since Adira was a rainbow baby, Zelda and Link did kinda get overprotective with her and accidentally neglected Sonia. That didn't last long after Sonia did cause a whole scene with running away and almost getting killed- but that's likez a whole other story in itself lol (i might make a more detailed post about this later). But after that incident, they were able to work things out, and Sonia ended up being way more protective over Adira than her own parents

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morimonchi · 10 months ago

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I made a list of all Real and AI characters in Duel Links so far! (with some of my own theories too)

So, one day I decided to take the time to investigate/study the lore of Duel Links because the voices in my head won’t shut up, is not an easy task since not many people archived that much info of the events and lore of this game until recent years. So, with the help of talking with some people online, the insane and cool people of Tumblr obsessed with this game and its lore as much as I am, and me playing the game myself and seeing the event and making my own theories, I ended up with this list! Warning: is a very long wall of text.

(shoutout to @cyberdragoninfinity and @fortuneangel on Tumblr, they are very cool and obsessed with the Duel Links lore which is based and their posts helped me out a lot, I even copy-pasted from some of Cyberdragoninfinity’s lore posts and Fortuneangel's own list because turns out they made a list of this stuff too, very good for me it made my job easier, although it would've been cool to find out about that earlier and not after I finished my initial list that took like 2-3 days to make lol)

Ever since the game first came out, the clues where always there that the Legendary Duelists and NPC duelists were all AI made by Seto "mentally unstable" Kaiba, which is kinda fucked up to begin with.

However, they are pretty bland and boring AI, since Kaiba probably only had second hand knowledge of some of the Duelist or he meet them but doesn't know them on a deeper level to make a good copy of them (heck some of them he didn't even meet at all). It’s all stuff Kaiba either heard about secondhand, or was physically present for to see in some way. He made the best approximation he could, on his own, but they’re just that: approximations.

however, starting from a certain event, things got weird: The Yami Bakura Event.

Easy best example is the first ever event character, Yami Bakura. A fascinating character in Duel Links lore, simply because he's the first Self Aware AI! So now, all character after the Yami Bakura Event aren't basic AI copies like the ones before, but instead AI SOUL copies (that's how I call them at least, but I'll be saying AI copies here for easier understanding/reading).

Meaning that they are copies made by the Kaiba's soul printer machine (insert crazy explanation of what the heck that is supposed to be) that uses the memories of the people connected to Duel Links in order create the DL world and the new AI copies in it.

suddenly characters felt way more alive and "real", even evolving pass their latest character developments from the manga/anime somehow? (and yes, the DM world is based heavily on the mangaverse! but somehow the characters have memories from the anime events).

However, not all characters moving forward are AI copies, some are the actual Real-Life characters, so I will only talk about the Real Life and AI characters that are self-aware to some degree, and some AI that I think might be unaware-

If I don't mention a character is because they’re probably 100% AI copy with zero awareness of what's going on in this Cosmic Horror Trading Card Mobile Game.

DM WORLD

All other DM characters before Yami Bakura are normal old AI copies, they were made by Kaiba himself so that's why they kinda bad, specially Yami Yugi being the first one to be made, making it the blandest AI of all and not like the real Yami Yugi at all.

So, starting from the original anomaly we have:

-Yami Bakura: the first self-aware character AI copy, 100% fully aware of it and even comments on it.

-Yami Marik: AI copy, iirc I think he’s fully aware of it too? He’s just here to have a good (violent) time. (EDIT: Fortuneangel on Tumblr was informed he’s fully aware of it, so yea, he’s an AI 100% self-aware).

-Pegasus: AI copy of mangaverse!Pegasus specifically; not only is he fully aware of that, he’s also aware of the multiverse inhabiting DL AND the fact that he’s dead! Fun!!!

-Ishizu: she’s a weird case I just got reminded by the fact that she like. can tell something is Amiss and wonders why she’s still wearing the necklace. So, she’s like an AI clone of post Battle City Ishizu being kind of forced to play out the role of mid-canon BC Ishizu, and she’s not fully aware of the details. ok cool Kaiba!!!!!

Now funny thing with Pegasus, when the Thousand Illusion structured deck was released, you can actually go check it and the text in front of it says:

"I'd like you to meet my key monster! Thousand-Eyes Restrict!"

so yea for this one Structured deck I think Pegasus pretty much told Kaiba "stfu this are MY monsters and I WILL present them!" which is very cool and epic and go Pegasus slay.

DSOD WORLD

Now here is where we have the man himself, not the DM one, but the DSOD one:

-DSOD, Seto "In need of goddamn therapy" Kaiba: who is 100% the real Seto Kaiba, playtesting and all that stuff. He's here doing crazy people stuff and playing God. I’m pretty sure DM Kaiba was only an avatar unlike this one, who is the real deal.

-DSOD, Mokuma: is also real and helping his brother with his ego projects and digital world domination or whatever the heck Duel Links is supposed to be.

-DSOD, Yugi Muto: is probably the only real Yugi Muto in the game, and is very sad when he duels AI Yami Yugi and I want to hug my boy Yugi pls.

Ok then, unlike the clear as day old and new AI copies of DM world, I'm pretty sure all the members of the DSOD world are the real-life characters themselves who actually got into Duel Links somehow (this is based on Joey's unlock event and the dialogue where he says that some KaibaCorp employee put a VR device on his head, I wonder if that happened to everyone else in DSOD World?).

Well, everyone except maybe that ugly humpty dumpty looking ahh dude, Scud is probably AI. Reason being he freaking died in the movie and we never see him come back, so I just assume he stayed dead and this is some AI error or smth, the game does say something about an error in the system when you get the Scud unlock available.

GX WORLD

Ok so, at first, I didn't think any of the GX would be the real versions other than Jaden/Yubel, but after some research I found info that makes it seem likely that Dr. Crowler of all people might be at least 1 of the real ones, this is because in his event he says something along the lines of “…Unbelievable! There are so many Duel Academy students here! WHEN THEY’RE SUPPOSED TO BE IN CLASS! If they stop showing up to my class, Duel Academy will cut my salary...”.

There’s also another dialogue with Jaden where Dr. Crowler says he’s on vacation so, we can be sure that AT LEAST Dr. Crowler is a real person, and that he got into Duel Links on his own.

And again, I found this info of Dr. Crowler and I’m like “ok so is just this two people, Jaden/Yubel and Dr. Crowler, cool” but then I found new info and…

THE CHAZZ

Yeah, Manjoume Thunder of all people is ALSO probably the real deal, the one and only, The Chazz himself. And that is only because of the “friends” he brings with him, Ojamas Yellow, Green, and Black wouldn’t be there if Manjoume was an AI, and even if they were they wouldn’t Leak Yubel's Event like Yellow did. I didn’t know this info before so thanks @ask-maxie-boy on Tumblr, owner of the one and only @incorrectduellinksquotes.

Then the list we have is:

-Professor Crowler: the one and only character I can say for sure is (maybe) real, like 90% probability of being real. If not, then I was lied to, backstabbed and quite possibly, bamboozled.

-The Chazz: another one with hard evidence to be the real thing, proving his humanity thanks to Ojama Yellow. truly only the best for The Chazz.

-Jaden/Yubel: is probably real? like at least he's aware of the AI copies and stuff, he knows about AND can see the other 2 Jadens and the one Yubel in the game, it should be clear as day for him.

-Supreme King Jaden, Yubel and Satorius: These are AI copies for sure but I don't know if they are aware of it.

-Jim Cook: He’s suspicious of Duel Links during his Character Unlock Event iirc, not sure if he's the real one or an AI.

And everyone else in GX is a mystery! I can’t say for sure if they are AI or not and don’t have enough clues to make a strong argument for neither of the two options.

5D'S WORLD

-Team 5D’s: WELL OK I WOULDA SAID THEYRE AI BEFORE BUT THIS LAST CHARACTER EVENT (Z-one) MAY BE IMPLYING THEY (yusei, jack, crow, akiza, and the twins) ARE ALL THE REAL DEAL SO. THAT’S AN INTERESTING TWIST IF SO!!! (Fortuneangel on Tumblr said calmly). Yeah, I agree with this information.

-Bruno/Antinomy: 10000000% AI copy, is actually fully aware he’s just some code on a hard drive and has commented on it!

Not sure if he knows he's dead but knowing Bruno, he probably knows that.

-Kiryu: OK, hear me out, this one? I'm not really sure if he's real to be honest, BUT, during Z-one's event he had such a cool interaction with Z-one that I think he's a "post-canon" version of Kiryu????

which is very freaking cool and not something that I could say is AI. But again, is my personal theory that this Kiryu is THE real Kiryu, however, I could be wrong.

-Paradox: aware of his own dead, Pegasus dead, the Illiaster's deaths, the multiverse and that he is probably an AI copy (thanks for that Pegasus, very cool).

-Z-one: Aware of being dead and all that, not sure if he knows he's an AI? probably knows, if anything Bruno might've told him

-Aporia: indeed, all Illiaster are self-aware of being dead, yippieeee!!!

-Primo: AI copy 100% for sure like no doubt and probably unaware of it, a sad creature (also, during Z-one's event, he had a realistic depiction of a panic attack).

For the rest of the 5D's cast, I have no idea but I think they are AI? say some of them like the Dark Signers are definitely AI, no doubt, but I’m not sure about the others.

But then we have someone like Tetsu Trudge… Who I have no fucking idea what's the deal with him. Is he a copy of first season Trudge, the one with no character development? or is he the real one? He can’t be the real one, he’s a mean dude again! I really have no idea about him and it annoys me. I’m going to say he’s AI.

ZEXAL WORLD

Ok so, I have no idea what's going on with Zexal, I think almost everyone is AI? but like, I'm not sure? You see, events in GX and 5Ds are just repetitions of sorts, and everyone seems aware of it and having Deja Vus, that’s why I believe that al least some people in GX and 5D’s are real. On the other hand, we have Zexal which is also repeating itself, but no one is going "Hey didn't this happen already?", which is very odd and makes me believe they are all AI in there, and both Arc-V and Vrains are continuations of the original stories.

however, we do have one group of people in Zexal that might be relevant:

-The Arclight Family (III, IV and V): probably the only real persons in Zexal, or at least, the only ones we know might/could be real.

during III's event, III decides to study duel links and find out what it is, why events are happening again, what the heck is a KaibaCorp, etc.

also has the theory that Duel Links is a Chronomaly of some kind, because you know, is III of course it's a Chronomaly he thinks about, but he’s theory has some merit I’ll give him that.

Now V... I forgot V's event, sorry, but he's aware too.

IV on the other hand, is also aware, but not because he figured it out or something, III pretty much just told him lol. Doesn't seem to care too much he's just vibing in DL. Of course, he's helping his brother when needed, but he seems chill about it.

ARC-V WORLD

I have no idea who is real or not. We know the events in Arc-V World are a continuation of the end of the anime, so that’s at least a good sign but…

Declan and Shay, Yuya, Sora the bracelet girls, all seem to be aware that something isn’t right here, but to say they are fully aware of what's going on I can't say. So even with the self-awareness, they are most likely AI, all of them.

They at least know the whole "Memories brings people" and are investigating what's going on with that which is cool.

I can say Yuto is most likely AI, same goes for Yugo and Serena. But they don't seem aware of it and think they separated from Yuya/Yuzu somehow instead.

The only one I trust might be able to figure something is Reiji, because is Akaba fucking Reiji.

VRAINS WORLD

FINALLY, A WORLD WERE NOBODY IS AN AI COPY (I mean, there's Ai, who is obviously and AI but like, you get what I mean lol)

So yeah, Vrains World is pretty much just a sequel to the anime so everyone here is not only the real ones, but also the only characters that are aware that the other worlds exist (aside from like, Yugi, Jaden and Yusei because you know, Paradox’s Event and Bonds Beyond Time, but they only know each other’s worlds/eras so they don’t really count).

This is because in the Ghost Gal event they reach the limits of Duel Links and get to see the other Worlds (DM, GX, 5D’s, Zexal, Arc-V and even Sevens!)

So yea the VRAINS cast in DL effectively becoming horror movie protagonists wasn't on my bingo board but I'm totally in for this.

All of this happening in a free trading card mobile game… thanks Konami you epic.

SEVENS WORLD

Yeah no, they’re all AI SOUL copies let's be real here, maybe Yuga in a future event will do the classic Yuga thing and be like "Oh, I already knew we are AI and that this world is a fake recreation of ours, is the first thing I checked when I got here" or something. And I have hopes in Nail to be cool and epic and figure out the situation but for now the Sevens group knows nothing (except maybe Yuga, because is Yuga).

Now that’s all the characters we have available for now, once we get some new events and relevant information and lore, I will update this list to see if we can add someone else new or an older character that we didn’t know was aware this whole time! This was a fun thing to write, I hope I managed to explain it all correctly and that is easy to understand, if anyone has some information that they would like to share feel free to ask! Again, I want to say thank you to @Cyberdragoninfinity and @Fortuneangel from Tumblr for being so cool and having so much info on Duel Links lore available and for sharing with everyone, now I’ll see you all next time Konami decides to hit us with a sledgehammer of info out of nowhere in a Tag Duel Tournament or something, byeeeeeee!!!

#yea seems like i got a lot to say huh?#yugioh duel links #yugioh #duel links #duel links madness #so this what having a brainrot feels like #why is the lore of a free mobile game so deep wth Konami #keep doing it tho #it's very cool and epic #thanks to #cyberdragoninfinity #Fortuneangel #for the help and info

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silverolivia-upsidedown · 4 months ago

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Hello! Just me back and being a huge nerd about the Eliksni So, while we don't have an actual official conlang for them we do have a VIBE for how their language might be written out by the design team. And it's been under my nose this whole time!!! Join me for this journey and exploration <3

First off let's take a look at what I've been seeing most places.. like, 99% of all the language we see is basically given to us like this...

(Yes, I might have obsessively taken a screenshot every time I see the in-game language DONTJUDGEMEOKAYTHISISASAFEPLACEFORSPECIALINTERESTS >.< But what we see here are probably something like a single word, or a word/symbol that has a meaning like the way that the Chinese alphabet has meanings for each letter. It could also be a tagger's name, but then that brings up all sorts of wonderful questions like WHO IS TAGGING THIS SHIT xD which is really just a nothing burger as much as it's a wonderful idea. It could also very much be a sort of... Like... you know how when you get a rubbermaid bin and you write like... "Christmas ornaments" on it, but then end up get rid of what's in it and just write the new contents next to the old contents? I feel like that might be what a lot of these are. Like the OFFICIAL, clean looking one says like, "Ether Tanks: Medium". And then the new spray paint next to it says something like, "Short Term Produce" or whatever. Or maybe it's like, the shortform name of the crew that this belongs too for shipping and redistribution, ala a quarter master trying to keep track of everything. 🤷

But I'm digressing. Here are those formal script and then the messy next to it.

Anyway. So the other way we see the language in very small snippets is like below, where we see there is a strong (but with notable variance) inclination towards a horizontal writing style instead of vertical. We can also see the general vibe or, um.... flow of the text and individual letters and how they deferrer when they are basically typed out and printed nicely instead of freehanded on the side of a wall.

Okay.

We have our baseline. Let's get into the weeds.

First of all we should not take into consideration a few of these for the rule of vertical vs horizontal because many of these are actually just turned on their side. And in general (and really what this whole post is about) right now I am focusing on the way the design team has decided the language should feel when it's written out. So very briefly, I am going to go over some not in-game official bungie material with Eliksni script on it, since I feel like this I have too, even though I kinda feel like, unless they specifically say "this is how it looks", the in-game art design is always going to be more... official? I don't know. We press forward!

There's more, but I think you get the idea. And yes, I included the Cayde comic because I feel like there's some interesting things in there.

Anyway, moving right along. I want to bring attention to two thing in particular. The first is that I don't think we should dismiss certain small lines in the spray paint versions as drips. I think they are part of the form.

I think they have meaning like in Japanese or other languages where each character has a story or a meaning and changes the way a word is said and also how that word might be used or changed when interacting with other letters/symbols.

The second thing is that there is a lot of repeating/flipping of the decals and in-game assets. But even with that, that I think there is a definite flow with the way the letters are allowed to smoosh into one another, but on a design level, while I think there are some basic rules, I feel very strongly those rules went into making the original script/decals/assets that the devs now use, and that when they go to write something like this...

they are literally just copy/pasting or going "qwertyuiop[]\';lkjhgfdsa" on the keyboard. Now, on to the exceptions of which there are three (as far as I've seen). For this next part I humbly request that you forgive my waxing poetically and also indulge my theories, I promise they are actually based in reality xD The first, and most exciting, and the reason I even posted this, is that I finally noticed the flags on the skiffs! And they.... have a FONT... And actual in-game font... and I think it was a happy accident the devs rolled into some fun lore.

This...

is house of dusk... but the FONT that whateverthissays is in is ABOSLUTELY in the style of House of Winter.

Now, I have two thoughts about this. The first is the happy accident I was talking about before which is that the original skiffs were all done in the design for House of Devils... and House of Winter in D1. But then they needed House of Dusk, who are mostly all the house of winter peeps who scattered after The Final Attempt (battle of six fronts). So they just recolored the House of Winter stuff and BOOM, they can keep the old assets and just recolor them.

The second idea, and one that is a DEEP LORE thought, that I don't think bungie actually cares enough about their lore to connect the dots for: is that as mentioned in a lore tab where Variks and I believe Fikrul are talking, there is a mention of a second "High Speech". And to me, it would make a LOT of sense for there to be a written version of that High Speech that would be a bit more flowery and have different characters. I think it would also make a lot of sense for that more special text be what things like House symbols are made out of, and also what one might put on their flags... like on that skiff.

The second is this little guy... he's very new and I only saw it recently, and I'm nearly 99.99% sure it's eliksni, only because there is a break in the "C" in the center and that's VERY eliksni.

That and it's on a crashed ketch that was in a mission we played within the last year lol

But this is.... totally different from everything else we've seen, and I honestly am totally stumped. It might actually be a representation of the influence that humanity has on the Eliksni. And that many eliksni (especially those in house of dusk) feel disconnected from their heritage, and more connected to the ruminants of humanity's golden age, and earth in general.

The other interesting little thing is something I found on a ketch that I managed to get on top of before it despawned. (at least that's what the file name makes me think I was trying to convey >.< past me is a dumbass and says "Oh, I'll know what this means later" spoilers, I never ever know lol)

Again, this is... just completely different from what we've seen before. Even the letters are different. The way they are grouped is new. I just wish I had more of stuff like this.

But theory crafting aside, we can really get an impression for how one could replicate or imitate the flow of the language. That's it! Thank you for coming on this little meandering exploration of the in-game text ^^..^^

#destiny 2 #eliksni #destiny the game

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raaorqtpbpdy · 2 years ago

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Running on Spite and Fumes by Amber McLain

Written for the Phic Phight Prompt: Wes decides to investigate one of Danny's rogues (from @bookhoard)

AO3 Link

[Warnings from past character death (Ember) and fire]

Wes was just about ready to throw in the towel. No matter how many times he said it, no matter how much evidence he provided, no one was ever going to believe that Danny Fenton and Danny Phantom were one and the same. He'd been trying to show people for almost two years now with nothing at all to show for it. Maybe the time had finally come to give up the ghost and direct his efforts toward something else.

He sat behind and to the left of Danny in physics class. That half-ghost bastard was chugging ectoplasm out of a clear water bottle without a care in the world and nobody but Wes thought there was anything suspicious about that. Not long ago, Wes would have practically thrown a fit over it. Shouted, and pointed, and demanded, "Are none of you seeing this!?" but he didn't today.

Even when Danny turned around to make direct eye-contact with Wes, specifically to antagonize him, he didn't take the bait. "You know what, Fenton?" he said. "You win."

Danny blinked in surprise and put down his water bottle. "What?"

"I said, you win," Wes repeated. "Fuck you, obviously, but I give up. I'm not wasting any more of my time. My reputation has taken enough of a hit already. I'm moving on to newer, better things."

Danny scoffed and leaned on his hand, shooting Wes a mildly amused and thoroughly unconvinced look. "Like what?"

"Like, you know," Wes hadn't really thought about it yet, but he'd be damned if he was about to admit it to Danny. "Ghosts that are actually cool!" he spat. "Like Ember! Phantom is old news. I'm gonna figure out who she is, or—was."

"Right, sure you are," Danny rolled his eyes and turned to face the front of the classroom again, grumbling, "Good luck with that," under his breath.

Wes scowled. He'd just made that up on the spot because he hadn't wanted to admit to Danny, of all people, that he didn't actually have a plan, but now he really was gonna do it. How hard could it be to figure out who a ghost was before they died, anyway?

As it turned out, the answer to that question was 'really fucking hard.' Wes had basically nothing to go on except her song. He ran his personal recording—yes he had a copy of it. Mind control aside, it was a good song!—through every music identification app and program he could find and came up with zip. Either she'd written that song after she died, or she was one of those ghosts that formed in the Ghost Zone and only seemed like a normal ghost, or she was such an obscure indie artist when she was alive that no one... remembered her.... Oh.

That would explain her obsession. Ghosts often became obsessed in death with things they wanted or fantasized about when they were alive, but never got. Finally, Wes had a thread to pull on. He went online, surfing indie music forums, the more obscure the better. He posted the same message in tons of different places.

Does anyone recognize this artist? Her name is Ember McLain, but I can't can't find anything about her anywhere! <remember_ember.mp3>

Usually it was buried right away. No one recognized the song, or no one cared. Several times he got made fun of for having to ask who an artist was, even though no one else on the forums knew her either. It was a few days before he got an actual worthwhile response, but he did get one, which broke the case wide open.

Could you mean *Amber* McLain? The music sounds similar to hers, but I guess she's pronouncing her name weird to make the rhyme work.

She's from my hometown, and I saw her perform a couple small gigs at local clubs and stuff, but don't expect her to drop any new singles any time soon. She died like eight years ago.

Bingo. That was definitely something Wes could work with.

It might be. What town? Do you happen to have any more of her music?

The response came several minutes later.

Milton, Washington. And it took me a while to find the songs, but yeah. She only had the one album, 5 songs on it, and she wasn't bad, so I bought it at one of her shows. <running_on_spite_and_fumes.mp3> <homegrown_arson.mp3> <the_curse_of_adolescence.mp3> <feather_heavy.mp3> <daddy_never_loved_you.mp3>

Wes started downloading the files before he responded.

How'd she die?

This time the answer came right away.

Mid-show, the venue caught fire.

One of the amps blew and everything went up in flames. The back door was blocked, I guess, and she was trapped on stage, never made it out. Like six or seven people died in that fire, it was a big deal for a while.

Burned to death in a concert venue, huh? Wes considered Ember, her flaming hair, the way she was dressed, the spectral guitar she could summon and dismiss at will. That would totally make sense.

Once the music downloaded, he listened to the first song. The lyrics weren't nearly as self-absorbed as "Remember Ember", but the sound was the same. It was distinctly her music, her voice, her playing guitar. It was her sound, from before she'd died. Wes could hear her inhaling at the end of a lyric, could hear her voice catch the way a ghost's voice couldn't.

This is her! Thanks so much for helping me find her! Sucks to hear she died, but at least I could hear a little more of her music.

This had been the breakthrough Wes needed.

Yeah, no problem man! Thanks for reminding me about her. The new song is a bop!

Grinning triumphantly, he printed out that forum exchange for his evidence folder. He knew who she was now. All he had to do was find some more evidence of her life. It wouldn't be all that easy to do when all of that evidence was in a small town in Washington state she'd never made it out of, but Wes was never one to shy away from a challenge.

Ember would probably be happy to hear that she did have at least one fan when she was alive. Not to mention, Wes would make an absolute killing burning CDs with all of Ember's songs from before she died and selling them at school. He finished downloading the files and burned one CD for his folder right away.

The next order of business would be scouring newspapers for articles about her. No matter how obscure the musician was, dying in the middle of a performance when the venue burned down was all but guaranteed to make the news, at least regionally. It took weeks to find even a single article, but eventually he tracked one down.

Six die in tragic bar fire in Milton.

The article contained details about the fire, the bar, the cause, and the victims, including photos of them. One of them, the performing musician, Amber McLain was the spitting image of Ember, stage makeup and all, even the guitar she was pictured with was exactly the same as Ember's.

He'd found her.

He'd really, truly found her.

Wes printed out the article. After a little more digging on the bar that had burned down, he also found a scan of a promotional poster for Ember's show that night, and he printed that out too. He slipped those, along with the CD he'd burned, and the printed out forum exchange, into a folder to bring to school.

"Guess what, Fenton, you asshole? I fucking did it!" Wes hollered when Danny walked into physics class.

"Did what?" Danny asked with a scoff. "If this is about proving I'm Phantom, I thought you said you gave that up."

"We both know you're Phantom, and I did give up proving it, but this isn't about that." Wes slapped the folder down on top of Danny's desk and dug his portable CD player out of his backpack. "Read it and weep, fucker. Not only did I figure out who Ember was before she died, I also got my hands on all five tracks of the only album she released while she was still alive." He put the CD into the player and turned it on.

The opening riff of "Running on Spite and Fumes" started playing from the portable player's single, shitty speaker, but the moment she started to sing, Ember's voice, or rather, Amber's voice was unmistakable.

"Holy shit, you actually did it," Danny said under his breath, looking down at the contents of the folder, his expression a mix of awe and horror.

"Is that a new Ember song?" asked Star from the front row.

"Actually, it's an old Ember song," Wes responded smugly. "I tracked down her real identity and got my hands on everything she released before she died. I'm gonna burn more copies later and sell 'em around school."

"Wes, can I talk to you?" Danny said. Snapping the folder closed, he grabbed the basketball player by the shirt and dragged him out of the classroom by force. "You can't do this."

"What? What do you mean?" Wes demanded, shoving Danny's hands off him.

"If Ember finds out you learned who she was in life and exposed her, she'll kill you," he said, waving the folder emphatically in front of him. "Bringing up a ghost's life or death is one of the biggest taboos in ghost culture. She won't just haunt you, she'll straight up murder you. Until you die."

"Oh, please." Wes crossed his arms. In all the time he'd spent trying to expose Danny as Phantom, Wes had studied up on ghosts and ghost culture quite intensely. He hardly considered himself an expert, but quite frankly, his knowledge was on par with some of the leaders in the field of ectology. "Her popularity will skyrocket once her old songs start circulating. Personal obsession trumps cultural taboo every time, we both know that."

"Not during the Truce," Danny refuted.

"Well, yes, obviously the Truce is an exception; it's the Truce," Wes said. "And I'm not so insensitive that I'm gonna tell everyone in school how she died, I just wanted to rub it in specifically your face that I figured it out, seeing as how you doubted me a few weeks ago." Danny narrowed his eyes, scrutinizing Wes.

"You'd better not tell everyone," he said, but he took a step back. "And if you do, you don't get to implicate me in any of this, got it? I won't have her after me again now that we're not at each other's throats anymore." He shoved the folder to Wes' chest.

"Yeah, whatever." With that the two of them went back into the classroom, where pretty much everyone was listening intently to the tinny music still playing. Wes discreetly slipped his evidence folder into his backpack before anyone else could ask about it, and wrote down the names of people who came by his desk to tell him they wanted to buy a CD once he had them.

The next day, Wes started selling copies of the CD for ten bucks a pop. Within a week, he had enough money to buy himself a brand new camera to replace the one Danny had destroyed a few months back. He turned out to be right about Ember being cool with him selling her old songs, though she demanded he give her a copy. She was even a little nostalgic listening to them, and she almost cried when Wes told her he'd gotten them from an old fan of hers.

It got Wes thinking about what other ghosts might feel if he reminded them of their past. The next on his list, he decided, was the Box Ghost. Why him? Frankly, Wes just wanted to know what that guy's deal was.

#phic phight #phic phight 2023 #fic #things i wrote #ember mclain #wes weston #danny fenton #danny phantom #dp

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paperw0rmz · 1 year ago

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Complete guide to Flickr and why you should use it

bc I got some things wrong but it’s still a very good website that we should all use instead of Instagram

1: Flickr isn’t tied to Meta or any of that Facebook bullshit, from my knowledge it doesn’t share your contacts so no one will get a notification that you joined, it’s safer that way and more private than Instagram.

2: It’s built for photos. Instagram kills quality of photos, if you’re an artist, especially a digital one, uploading to Flickr would be way better for people to actually see detail and the color.

Going on with this because it’s built for photos, while it can host video, it doesn’t have TikTok/Reels and lives which is soooo nice. Like I don’t hate that stuff, but I like that Flickr isn’t trying to catch on the latest trends.

3: There isn’t likes. Flickr is mainly for sharing and LOOKING at photos. The most interaction you can get one on one is commenting, following, and favoriting. Favoriting is basically the public saves, no one really faves things on there unless it’s a recipe or for a reference or something.

4: Groups. Flickr does have an option for communities to make groups in where you can share similar interests MOST OF THESE ARE DEAD BUT WE CAN BRING THEM BACK!!! (IM BEGGING)

5: The bios are unlimited ( I think ), I copy and pasted the entire Bee Movie script three times along with my own bio that was already in there. I’m always pissed when I have to trim my bio, so bitches who like to put everything in their bio this website is for YOU

6: It’s in chronological order. Everything. You can even look up when certain posts where made by year, month, even fucking day. The archives of Flickr are so fucking fun.

7: Its not a contest. The main reason as to why I fucking hate Instagram (other than they took away chronological order and being able to see the recents under a tag) is that it focuses too much on “#aesthetic” even on the casual Instagram side people are still posing and trying to make an aesthetic of it. Flickr is just for photos you like, which yes can be aesthetic, but it’s mainly for daily life. You will see older people just posting what they are working on, maybe a cat they saw at the store, nothing planned. Just a quick unprompted click.

8: Organization, Flickr let’s you have Albums which is where you can organize all your photos in much like Pinterest. Most do it by year but others do it by topic too.

9: You can upload photos in bulk. You don’t have to upload them one by one, or at a limit of ten, you can upload a FUCK ton of photos at once.

10: if you don’t like ads and want more storage space, the pro version is extremely cheap compared to Netflix. Netflix without ads is fucking $15.49 and Flickr is $8.25 a month. There are also two other payment plans if that’s still too much for you.

11: It allowed adult content. In like. Every form. Enough said

CONS

1: You can’t DM (this is not a con to me and I hate when people complain about this just fucking use a email it is so fun to email people please for the love of god)

2: You can only upload 1,000 images before you run out of space. (You can always delete images later, I personally like to delete images at new years for a fresh start and archive them somewhere else)

3: it’s dead. No one really uses it.

4: to upload your bio you have to use a desktop version of the app.

THANK YOU FOR READING PLEASE SWITCH TO FLICKR AND SHARE THIS SO WE CAN START TO REVIVE OLD PLATFORMS TO SAVE THEM TO REBEL AGAINST META AND THIS NEW AGE OF CREATING SOCIAL MEDIA APPS AND SHIT

#Flickr #instagram #YouTube #tiktok #threads #social media #early web #early Web 2.0 #nostalgia

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tragedyboycentral · 2 years ago

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So I'm copy-pasting my own essay I added onto another post to post on my own. But the amount of people out here who truly DON'T understand the historical importance of WTNV, from a queer media perspective, boggles me.

I want you to imagine the year is 2012. Gay marriage won't be legalized for another three years. A podcast starts to make the rounds, your friends are watching it so you think sure. Let's check it out. And then you here the narrator start to talk about the new scientist in town. And right there, in the first introduction, they make it clear. "And I fell in love instantly." There was no building up, no hiding it, no queerbaiting. Right there in the first episode they told us that Cecil was Gay and in love with Another Man.

And if you weren't there then there arent WORDS for how ground breaking this was at the time. How amazing it was for the tumblrbase, consisting largely of closeted/ discovering pre-teens, to hear this. The finale of Legend of Korra, where two women holding hands was GROUND BREAKING?? That wouldn't happen for another two years. This wasn't an everyday occurrence and hell, I would argue even today, a whole decade later, there still aren't many pieces of media doing it like wtnv was (and still is).

Not to mention in horror media, queerness is traditionally used to notate something scary. The scary lesbian woo'ing another woman and killing her was a horror trope for a reason. In media queerness is used as almost exclusively as a corrupting, disgusting, force. But Cecil's queerness wasn't just loved, it was celebrated within the media itself. His love interest was a 'normal' guy from out of town but Cecil's oddities are why Carlos loves him. Every aspect of Night Vale is odd, is queer, and that queerness becomes acceptably mundane in a beautiful way. The entirety of Night Vale of a concept was taking all that was Queer and celebrating it.

And in greater terms of media, Welcome To Night Vale is what single-handedly changed podcasts from 'the thing your dad listened to' to something interesting and accessible to young people. It practically introduced the concept of narrative podcasts and is still the roadmap many of them use today. Massive media like The Magnus Archives, The Penumbra Podcast, and hell I would argue even the popularity of other media like TAZ? It only happened because WTNV brought not just an audience to podcasts, but a QUEER audience. A queer audience who, once they were old enough, only needed a mic and cheap editing software to start making their own queer content just as fast as they were consuming everyone else's.

But back to 'sexyman'. Again. Tumblr's base is 12-14. And we're given not just the first gay character most of us have ever seen. But a dutiful boyfriend who loves his husband and his cat. Who gets into silly little squabbles with his silly little nemesis. Who's CHARMING. Of course the internet fell in love. But beyond his personality. He had the Homestuck/ Bill Cipher/ Wheatley bonus of not having a canon design. People keep mentioning he's faceless as a weird element but that was the DRAW back then. It was an INTEGRAL part of the appeal. Sure, the basic 'blonde white twink' design was/is the most popular- it was 2012- but some people got creative. No matter what your attraction was too, you could picture him looking like that. He's a good boyfriend AND he's hot?

Sure, The Onceler was insanely popular and so was Sans. But people were either lusting for them or Hated them. But Cecil?? Cecil was our hot gay mentor. He was the closest thing a lot of younger queers on tumblr had for an adult queer role model. He was the basis for so other tumblr sexymen.

TLDR: "Did wtnv have cultural impact?" jesus fuck yes it did.

#wtnv #cecilsweep #tumbly sexyman poll #cecil palmer #part of my charm

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ultraericthered · 1 year ago

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When some fool interjects onto one of my posts (responding to someone else) about Disney's Wish discourse:

Okay. Just for clarification. I am an English major and I am only a semester away from having an associates. Breaking down movies and books is a hobby and a past time. So here are my thoughts.

Oh, so immediately this "clarification" doesn't sound very humble.

Without a doubt whether or not you consider this to be good or bad is opinion. It's debatable. I personally fall on the side of not liking it. I see why people can like it and I'm not gonna dox people for liking it. It's definitely one of those movies where you could "theoretically" like and enjoy despite it's multitude of flaws.

Wow, this is a mature, civil, level-headed and reasonable tone to take, and for a rational statement! You almost never see that on social media! I'll give this good sir or miss props for that. Will it last?

The plot was overall basic and uninspired.

Unfortunately yes, it absolutely was. Not one of the film's stronger qualities, I'm afraid, and with such a solid, captivating premise too!

What I mean by this is this... The plot was a carbon copy of other ideas and thoughts previously done from their other works. While this is not necessarily a bad thing, for this movie it brings it down BECAUSE it relies too heavily on them.

✓Sweet dreamy eye protagonist who is so sweet that everybody loves her

✓ talking animal side kick who provides comedic relief

✓wishing on a star

✓ female leading crying on an inanimate object because something didn't go her way

✓evil villain

✓magic saving the day

Nice checklist. Again, nothing too disagreeable so far....

These are all not necessarily bad. In fact these are good ideas to have. We have seen them before. AND THAT'S THE PROBLEM

Oh no. Is this Doug Walker argument really rearing its ugly head? A work of art or entertainment is allowed to derive from earlier made works of art or entertainment as sources of inspiration and creative intake but are not permitted to straight up repeat ideas, scenarios, plot beats and character archetypes "we have all seen before" in other works, at least not without "adding anything new of its own"?

Call me crazy, but I think Disney was heavily considering not only children born in the late 2010s, but also the current 2020s-born generation when putting this picture together. A bunch of youngsters who might've not once seen anything like what's featured in this movie before in their early years, which would make this their first big exposure to Disney animated fairy tales just as the animated fairy tales of old were the first exposure to children of those films' eras. Because every time a type of story is retold and ideas are recycled into that story could be someone's first time. That is a fact of life.

I understand that uniquemess and originality are hard to come by nowadays. I'm a writer and original ideas are the hardest to find. What you have to do is take those old ideas and make them new. What Disney did was not make these old tired tropes their own, they rehashed them and expected us to go, "Oh! That's just like this movie!"

It makes the movie lose its own voice. This movie is too wrapped up in references and tropes they've used before to try and capture nostalgia, that wonder they used to have. What made those movies so special was the heart and care that went into them. This is Disney's 100 anniversary, but instead it feels like Disney's catch 100 references to when we were a better and a more creative studio.

This would be speaking to the side of the movie that was NOT geared towards the kids, however. The side of the movie that, because it's a celebratory centennial milestone event, caters to longtime hardcore Disney fans who will immediately get all the references, recognize the homages and callbacks, spot all the little Easter Eggs thrown all over the film. I've said before that I do not believe Disney should've put so much attention and effort into this side of the movie compared to the original story, especially when they made Once Upon A Studio to better serve the centennial celeberation purposes, and that they did so was a huge mistake, being easily the movie's biggest handicap.

Why is this bad? Well don't I have the answer for you!

Alrighty then, thanks again for the honesty!

They HAD a beautiful story!! The idea and premise for this movie is probably my favorite thing but the execution from a professional and eye is awful! You cannot look at this movie and tell me that it is the Mona Lisa when it is nothing but a carbon Copy of what once was.

No disagreement there. I pray this fellow's not seen the concept art and all the information floating around about what we might've had.

It was done in a manner that was so half hearted and so clearly a cash grab they practically insult themselves. The plot was predictable and falls flat.

I love how the second sentence reads like a non sequitur to the first. I've heard the "half-hearted, cynical and desperate cash grab" accusations and I don't quite think they're accurate. I think this was a production that began with a lot of heart and care put into what everyone was designing and realizing in order to make a worthy new original Disney fairy tale for the 100th year mark, but ended with micro-managing corporate stooges "doctoring" the scripting, the scoring, the pacing (via editing), and the overall presentation of the work to turn out something safe and crowd-pleasing that hits off as much Disney quota as possible. Again, for the 100th year mark. And so what we ended up with was what I've called a "beautiful mess."

The villain was interesting at first! He was giving me a similar two sidedness as Frollo and then the back track his character by throwing in an evil maguffin to make him evil because it is clear to anyone who knows basic plot structure that it was rushed and they didn't know what else to do to progress the story. WE COULD HAVE HAD ANOTHER FROLLO WITH HIM, BUT WE GOT A HALF HEARTED GASTON!

This is starting to ramble, but I'll try to make sense of it. For one thing, I do not think Magnifico was ever at any point of the film's development set to be like "another Frollo". His core influences clearly come from Queen Grimhilde, Maleficent, Gaston, and Jafar. And the evil maguffin was not "thrown in to make him evil" - the tome of forbidden dark magic was set up as a Chekov's Gun earlier in the picture because it was what would be A: what would make Magnifico such a formidable threat to everyone, and B: what would serve as the catalyst for Magnifico to break his bonds of well-meaning rationale and discard the mask of mental and moral soundness. The prompt for him to turn to it was very rushed, yes, and his backstory and motivations behind his possessiveness, paranoia, and iron-fisted tendencies needed to be better set up and conveyed prior to this turn. I will not dispute that. But Magnifico, both in his own character arc and in how his spiral into villainy progresses the story, is so much more than "half hearted Gaston", and it really ain't nothing to do with "knowing basic plot structure" or whatever pretentious rhetoric is being used as criticism here.

Speaking of Gaston: You mentioned that The king being shoehorned in as a villain was like saying Gaston was shoehorned. I have an explanation for this. The reason why...

Yeah? What's the reason why?

Now I hope I don't loose you here. This will get a little difficult...

WHAT'S THE REASON WHY? GET ON WITH IT!

In order to PROPERLY set up a character, this goes for Asha too (more on her later), you have to set up their character and what they are about in the first 5-10 minutes they are on screen. In the movie what we are told is that the king is noble and loves his people. There was no shadow of a doubt if this. And then as the movie progresses, specifically at the 30 minute mark it is revealed that oh hoho he is a narcissist and is obsessed with himself. The way they did this was out of the blue and off putting. It came out of nowhere. There was no build up. It was a sweet song about the wishes and then BAM I'm a narcissist who cares about no one but myself. That 180 came so fast they did not even prep themselves for it. It felt like this was a last minute idea.

Well, King Magnifico was noble in regards to his ideology and his aspiration to see his kingdom continue to prosper while also being the one to safeguard the most precious wishes of the hearts of his subjects. And he loved his people...so long as they loved him, gave him constant appraisal and attention and undying devotion, and remained the good little dreamless drones he wanted them to be. Noble intentions can give way to indulgence in one's darker qualities and impulses if "the ends will justify the means" is subscribed to, and not all love is unconditional love. I have heard the complaints that Magnifico's unveiling plays out like a Twist Villain and that he was likely not intended to be really evil but they changed him last minute to pander to the "bring back traditional Disney Villains!" fan crowd. And I personally find it bollocks when the simpler answer is that King Magnifico is a corrupt, narcissistic manipulator with a God Complex whose benevolence is illusionary and whose wish-keeping system is an oppressive, dishonest, self-benefitting sham. Was the execution of the idea notably off in terms of the pace it moved at? Absolutely. This does not make Magnifico any lesser a villain, at least not to me.

Don't get me wrong, I love Asha.

This is a lie. There doesn't seem to be any "love" for anything in this movie coming from you.

She is sweet and funny, but she is poorly written.

Not only have I not argued that, I have actually stated as much!

We are not shown why she is sweet or why she is caring. We are told.

So we're just told that she's sweet rather than seeing her being so get shown, yet you like her for being sweet and funny? Which is it?

With her fatal flaw, caring too much, she is told this is her fatal flaw. The movie doesn't trust us enough for us to figure out her fatal flaw. And it doesn't even really show us that she cares too much to begin with.

Uh, yes it does. Her interactions with her mother and how far she's willing to go for her grandfather Sabino and how quickly she gets to being protective and cherishing of Star show us this. Like, if Sabino really is 100 years old and gave Magnifico his wish when he came of age years ago, that is years and years and years of life that Asha was not around to witness, as she hadn't been born yet. So you'd forgive her if she didn't invest all that much in getting Sabino's wish granted at last because she doesn't know her grandfather all that well as the gap between how long he's been alive and how long she's been alive is so huge, yet her heart cares so much about him and the idea of his wish being granted to him before he passes away that it becomes a fixation to her. She'd been spared lots of trouble and heartache had she cared less.

There are so many unexplained why's, to her it makes my head spin. Why does she care? Why does she want to be an Apprentice?

She wants to be an Apprentice so that she can be close to the king and the wishes he keeps, learn the inner workings of the system, and ensure that the king grants wishes to those she feels ought to have their hearts desires granted and their dreams realized. And this brings us to another flaw of hers that I wish the movie itself took time to notice and actually address as being such - well meaning or not, Asha was hoping that being in Magnifico's favor would get Magnifico to allow her to push for nepotism in regards to Sabino. It ended up backfiring and unveiling the king's darker nature, but it also unvelied something about Asha that the movie then sadly paid no mind to.

Why is she sweet? Why is she the way she is? Is it cause she is naturally that way like snow white? Was she raised to be that way? Or did she have a rough upbringing that made her this way? We don't know. That's the bottom line.

This movie has so many analytical flaws that I physically do not have the time nor the words to accurately explain to you why this movie is technically bad. But I doubt you care to even consider my points and come up with a half baked response.

Aaaand there's the condescending attitude you were holding back! Aaah, color me so disappointed! The "I cannot accurately convey in words how technically bad this movie is" is a cop-out, but one I'll let slide as it gets you off my back. But that other part? I DID consider your points and have in fact agreed with a few of them, and even ones I disagreed with I can see why you'd think that way about those matters. Yet you pre-emptively say "half baked response?" Sheesh!

I bid you a due. I'm gonna go watch an actually good movie.

"An actually good movie". There's another tacky, needless potshot.

Also, you fool. You absolute buffoon. It's "adieu", not "a due!"

#Disney #Wish #criticism #controversy #opinion #hatedumb #haters #disney villains #King Magnifico #disney princess #Asha #references

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onecornerface · 7 months ago

Text

Against Against "AI Art is Art-Theft"

In response to this Facebook post defending AI art against the charge of art-theft--

I’ve occasionally complained that anti-AI-art critics tend to promote sloppy arguments which overstate their case. But now I’m gonna defend the anti-AI crowd—they do raise legitimate concerns, and the OP here is being unfair. The OP singles out two bad anti-AI-art arguments while failing to even acknowledge the existence of better arguments. It fails to refute nuanced versions of the accusation that AI steals art.

My real contention is basically the same as it’s been for a while: The arguments on both sides of this controversy don’t seem well-developed enough yet to justify many confident conclusions, and this goes for the pro-AI side as much as the anti-AI side. The information in the OP is a good overview of some technical details to keep in mind, correcting some common errors on the part of anti-AI-art critics. But the scope of this defense is pretty limited, and doesn’t apply to more nuanced criticisms which have already been made.

Yes, it's true that AI art doesn’t engage in copying-and-pasting images, nor even pieces of images. So it is not equivalent to some more traditional kinds of art-theft. Many anti-AI critics are sloppy and get the facts wrong about how the technology works, and this is bad. But this doesn’t disprove more nuanced lines of criticism.

I haven't checked much discourse on this recently, so I don’t know how many anti-AI critics still make the incorrect accusation of copying-and-pasting. This may still be a common false accusation, or the anti-AI critics may have mostly stopped making it, I don’t know. In any case, some anti-AI critics now make art-theft arguments based on *accurate* descriptions of the technology.

The OP is wrong to treat art-theft as basically equivalent to simple copying-and-pasting, so as to imply that “no copying-and-pasting” guarantees “no art-theft.” The OP does not address the possibility that AI art could be a different kind of art-theft—one which is morally akin to old-style art-theft, but which uses new techniques. There is no comprehensive consensus theory of art-theft, or of related concepts such as plagiarism. There are many forms and variants of plagiarism, and it is entirely plausible that new technologies can enable new forms of wrongdoing which are similar in spirit despite being technically distinct.

There are many forms of wrongdoing which are such that new technologies have facilitated the creation of new subtypes of these actions, in such a way as to NOT meet traditional criteria. New technologies, such as social media, have sometimes expanded the variety of ways in which people can commit crimes or wrongs such as fraud, harassment, and stalking. Sometimes this may be a reason to expand or revise the criteria or standards for these actions—so as to count relevantly-similar technology-enabled versions of these actions, which may not have met earlier criteria.

This does not show that AI art is art-theft. But it would not be surprising if new technologies, such as AI art, may enable new *versions* of old forms of wrongdoing in ways that do not meet all the traditional criteria. In light of this longstanding pattern, the fact that AI art doesn’t involve copying-and-pasting (part of traditional forms of art theft) is consistent with the possibility that it may still commit art-theft in some new way enabled by new technology.

To be clear, I think the burden of proof is on the anti-AI-art critic. It is up to the critic to provide a more plausible account of art-theft and to argue that AI art meets the proposed standard. This may be a harder task than some critics assume. For instance, most forms of art-theft seem to involve stealing particular artworks from particular artists. By contrast, if AI art is art-theft, then it is apparently an unusual sort—one which involves stealing (something like) abstract elements from many artists in a widely dispersed manner. I think more anti-AI-art critics should acknowledge if they are appealing to a revisionary ethical theory or principle, and that a reasonable person may be non-culpably skeptical of the revisionary view.

However, contrary to what OP seems to assume, some critics have attempted to do this. For instance, Trystan S. Goetze’s paper “AI Art is Theft” (2024) develops an argument that, well, AI art is theft—in a manner clearly grounded in a careful and accurate account of how the technology works.

#ai art #art theft

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a-mag-a-day · 2 years ago

Note

MAG 50 - apple cutting

I had a reaaally hard time following these old statements, here we go…

"Dear Jonah" - ¬‿¬

"allow yourself some respite, or at the very least take some further secretarial staff into your employ" / "And it is this imminent departure that has had such a freeing effect upon my pen." / "I have been fearful that accusations of slander might dog me, were my tale to be set down, but with a boat to the new world beckoning, and your sterling reputation for discretion, I feel it may at last be time to divest myself of the disquieting scenes I have witnessed." / "Henry was very effusive about the talents and prospects of young Mr. Scott, and was at great pains to inform me that his young protege also received certain architectural tutelages from Sir Robert himself." - And here I was thinking I'm good at English xD That's probably the reason why I can't quite focus on those old statements. Tbf nowadays it's unusual to casually come across old English texts, so it's not really necessary to familiarize myself with those for my use. (It's not that I don't know the words - I mean a few I actually don't know, tutelages for example - just the way it is written is so different and I have to concentrate way more than usual)

"The plight of the poor and destitute has been a national disgrace" - WHAT? opening dict.cc and looking up "plight" and "destitute" sigh This episode might take a while…

"it was an undertaking I embarked on with no small amount of zeal." - crying in not a native speaker (oida T_T)

While copy-pasting all those quotes I totally lost the thread what's the rambling even about…

more crying in not a native speaker I would have to copy half the statement if I wanted to quote every sentence that made me go "the hell is he talking about???"

"Then from the other side that firm oak door, I would hear the strangest sounds, muttering and shouting. It was always in George’s voice alone. I could never quite discern the words. It often sounded as though he were in some great distress, and on more than one occasion I was within minutes of summoning a constable to assist in breaking through the door, when he would emerge, glistening from exertion and holding completely redone drawings. I’m sure I even saw blood on his collar once." - ??? I don't get it (plot-wise I mean)

Heading over to Patreon to send in a question for the next stream, which will be "Jonny, can you pls explain this episode to me like I'm dumb!!!"

"“Balance,” he told me. “Equilibrium. The hardest thing for an architect to achieve." - I've graduated from art school and we did have a bit of architecture and this makes me think of a hanging model. The most famous one is by Antoni Gaudi. Basically, by using chains you create an upside-down model of a building. The arches, which will be formed by the weight of the chains and gravity are supposed to help structural engineering. It's been over a decade since I graduated (T_T), I don't remember all the details, but it's cool!

"To my dying day, Jonah, I will aver that no one entered the building before I heard the footsteps approach." / "The walls and floor seemed to rise towards me, stealing the air from my lungs until I swear that I could feel the splinters from the ceiling digging into the soft skin of my face." / "The room returned to its natural proportions, which is to say, it… never truly changed." / "Extending from the unblemished solid stone of the workhouse wall were four fingertips." - This does sound like The Seven Lamps of Architecture, could this be an early version of it? The one Leitner uses was published 1845, the event of the statement took place in 1836, so it could be possible?

"End statement." - Excuse me? It's "Statement ends"…

Aaaah yes, Tim being Tim! Classic! Seriously tho, the way this conversation is set up it's really not far-fetching to think two people are hooking up. Great comedy!

I'll be honest my eyes glazed over listening to this episode to find a quote for the opening post I had to listen to it twice and I'm still having a hard time understanding it xD

#a mag a day #tma #the magnus archives #episode asks #mod ashes #tma spoilers #mag 50 #lycanlovingvampyre

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