#yes but blow over what?

[petermorwood]

This got buried in Drafts, so I'm posting it now - with dated Wind Warning map - for the record.

It's the first time I've ever seen an all-Ireland red warning, and would prefer not to see another for quite a while.

I would have posted in a more timely manner, except for losing power during the storm then forgetting because of Real Life Events.

The 25th Jan Caturday queue got set up before things went dark, though (priorities!) and I'm quite proud of doing that because lots of people visit the blog on Caturday to, as Mum & Dad would have put it, "get their heads showered".

And, of course, to look at cats. :->

[batcavescolony]

just saw someone say Rick Riordan making a TV show is just as bad as anything JKR has done. BFFR you're comparing Rick Riordan trying to make his world more inclusive, changing some parts because of money/time constraints, or just making changes cus he thinks they're needed, to JKR being a terrible person!

[starflungwaddledee]

I'm just sayin', Starstruck and Kirby would be adorable. But also Starstruck and Meta-Knight might be the funniest thing you could possibly do. :)

hear me out: peter pan (2003) window scene

been staunchly avoiding typing too much on most of these but i have some thoughts about this one!

you know... i had actually never even considered kirby for the shipaganza. mostly because i think of him as holding such a strong and unique position in the hearts of everyone who knows him, in a way that is devout but also seems fairly romance-free. and i'm actually very interested in the complex relationships that he has with his friends! but i wonder if not considering him was maybe a disservice, because if anyone has an abundance of the capacity for love, it's him, right?

i think that kirby could eventually occupy a similar heart-space for starstruck as bandee, though it would take longer. i strongly suspect that bandee's love of kirby would rub off on her, if nothing else.

i'm not sure either of them... really understand the premise of romance or dating, so it might not be a typical sort of thing. but i think they could giggle and laugh together and shoot each other slightly smitten looks when the other one isn't paying attention, and be very invested in each others happiness.

he adds a pass by her window to his early morning flight, on the off chance she might be up to join him. she's always thinking of him when he's off saving the world, and distinguishes his star from all the others in the sky with ease. the irresistible allure of adventure vs someone who has never seen any of the wonders of your planet before. someone who finds as much unrestrained joy and delight in the mundane as you do. eating paper cups you find on the ground together as a love language.

you know i could see it.

[wu-wakfu-undertale]

Re-watching wakfu for the first time in years and s1 Yugo was so silly???

dude discovered he could make portals at will and his first thought after actually acknowledging it is "i can do so many cool pranks with this"

[spotaus]

If I have energy I want to draw out some designs for an au I'm spontaneously writing.

(Medieval times, there's a Prophecy. Nightmare rules over this kingdom and is supposed to complete this prophecy, he refuses to because it would harm the people. Dream was sent away and banished by Night because he was dis-illusioned into thinking the prophecy was a Good Thing abd what he was raised to complete. Night collected his Knights (Killer, Dust, Horror, and Cross most recently) and trains them and tells them the truth of the prophecy. They're loyal to him. One day the magic of the prophesy (Apple Magic) leaves Nightmare unexpectedly, returning him to the state he was in before he accepted the mantle. This puts a target on his back and gives Dream a huge advantage in maybe making a comeback. The Knight's decide that their King (newly a young lad and variably scared and frightened) must be protected and they run the kingdom as he normally would, while also ensuring he survives and that the prophecy can't be completed.)

[asharaks]

we've talked about wyll's bit and we all know about astarion's bit but let's talk about gale's bit. let's talk about his presentation as the Ideal of what it is to be an archmage. the man wears purple velvet pajamas with an embroidered collar to camp in the underdark. he wears a gay little earring with mystra's symbol on it. its all fun and games to joke about his jammies but let's be clear: those things Fuck. he dresses well, he dresses richly, he is a wealthy lavish man who, in a world where things like long hair are not traditionally associated with femininity, is not what I would call gender nonconforming, but I think he does have a very interesting presentation.

robes and jewellery are traditionally associated with wizardry and femininity - or, if not femininity, at least nonmasculinity. theyre the garments of monks, eunuchs, and nuns, people who stand outside of the typical sex/gender binary for socially accepted reasons. traditionally most archmages are men (karsus, mordenkainen, elminster, etc) who perform this exact presentation. the doylist explanation is, of course, that dnd canon is inherently misogynistic, but the in-universe implication would suggest that to present in this way is not regarded as gender non-conformation but as class conformation. so our options are:

wizardry is for gayboys

'wizard' is its own gender

gender presentation is less important than getting that sweet sweet +1 spell save dc and everyone knows it

class is a gender modifier. this has interesting implications for the other classes - particularly ones like clerics, which might have prescribed uniforms or vestments - but given that faerun does have a not-insignificant classless, non-adventurer population- how does it work for them?

regardless, I think it's fair to say that gale's bit - like wyll's is the Blade of Frontiers and astarion's as the seductive rake - is The Archmage. he presents himself, from the start, as an academic, as a wizard. he's a friend of elminster, the (ex-)chosen of mystra, gale of waterdeep - he's everything a Wizard should be. even when he's tadpoled, camping in the woods, he carries a stack of unread books, wears mystra's symbol, wears his purple velvet jammies. he's presenting himself with care and thought, and giving a highly specific impression. I think it's really interesting that, as much as wyll and astarion, he's putting on a front, and it plays into his story. do you encourage the side of him that's ambitious and daring, the archmage, the man who pushes the boundaries of power and knowledge - or do you try to break that down, and place the value on the man who just wants to sit in front of the fire with his cat and read a book?

[bachirasbodyguard]

Shoutout to one of my favorite Blue Lock beefs. No cunning, no grace, no restraint with these two. Just throwing hands ON SIGHT. God bless.

also shoutout to Shidou for being the only person who actually makes Rin lose his composure like that (and so easily too). king

((this post by @bluelock-textposts inspired me))

[lemongogo]

need 2 find myself again in 2025 . tbhwu

[pigeonclaw]

the amount of times I have potentially controversial opinions that I type up and then save in my drafts forever because I still feel them but am too shy and afraid to choose violence in any way

[izzy-b-hands]

undecided independents who have no actual political knowledge or opinions are the bane of my existence right now

[compacflt]

I just wanted to say as someone who has stumbled across your blog and has read your Wednesday wips and posts about anything topgun related that your thought process and consideration of mav and ice, specifically their political beliefs and relationships with their own identities, is honestly so impressive and cool. You have brought such realism and life to these characters which is just so refreshing to see. idk i just wanted to express how cool and awesome i think that is

Because of the thought into these characters does it make it difficult to like them or understand them if you have differing opinions from them? for me personally i feel like if i were to ever actually have a convo with ice or mav regarding identity politics i would actually start to lose my mind (like how one feels when your dad or fun uncle talks for too long at thanksgiving dinner). If it does make them difficult to like, does that make it difficult for you to write them sometimes?

oh yeah! i think, my ice i really empathize with & really love & really could get along with, once he grows out of the sexism of his teens & twenties, but my maverick drives me crazy. someone sent in an ask a while ago that was like “WHY is cyclone simpson your one true love??” And it’s because i too would absolutely hate maverick & hate working with him lol. people who are overly cocky & un-self-aware & a bit self-centered make me CRAZY. (narrator voice: compacflt is a hypocrite as all these things also apply to compacflt.)

Politically… It’s difficult to say. no one really wants to hear the intricacies of one person’s political journey, which is why i won’t give you mine, but suffice to say—since the start of the russian invasion of Ukraine, and my semi-concerted effort to learn more about the political landscape of modern warfare, my own personal beliefs have shifted a whole bunch. definitely aided in that shift by my top gun fic project that specifically aims to understand the conservative straight-passing male mindset as it relates to military matters… there are many end goals to a project like mine, but one end product is a filter you can take away and hold up in front of your eyes and see the world through it. When writing from the eyes of a conservative straight (passing) white man, your priorities totally shift. I had to write from the perspective of someone who doesn’t care about identity politics. Because they don’t! A core tenet of conservatism is very proudly not caring about that stuff, and being very annoyed when people (usually left-of-centers) make that stuff very visible and want you to care about it! “Don’t shove it in my face,” etc., etc. Don’t force me to care about this taboo, private thing I really don’t care about. It violates my freedoms, or whatever, to be forced to care—or even bear witness to—stuff that i don’t care about. Etc. And then, to be nominally a part of that community that you really, really don’t care about, and then to be told that you have to care about it because of your publicity… people asking you to be proud of something that has had a negative connotation for much of your entire life… that’s not a transformation that happens easily.

Jesus, I could write an essay about this. I have, several times by now in responses to asks over my blog. But there is so much that I could talk about. I think… I really worry that some of my writing falls into the first of the below categories:

I really try not to romanticize conservatism in my writing—I tried to show that ice and mav’s happiness is the price they pay for their conservatism. They’re actively choosing to be unhappy—but because they prioritize their honor over everything, due to EXTERNAL PRESSURES they cannot control, and which I think are often ignored in the fandom space for one reason or another. The fact of the matter is, in 99% of IPs, characters prioritize something other than their sexualities. It’s never Maverick’s personal identity that is at stake in either Top Gun or Top Gun: Maverick, because he has built himself so impermeably masculine that there are no grounds upon which to question his personal identity. He just isn’t thinking about it. He’s thinking about how to get into Charlie’s pants, how to win the Top Gun trophy, how to uphold his promise to Goose, et cetera. If he’s fucking guys on the side, it’s because he wants to and because hes maverick and he does what he wants without thinking about it��that’s the whole point of his character, from a story-construction standpoint. That’s his archetype. He’s a renegade maverick superstar who is both thoughtlessly brilliant and thoughtlessly dangerous. He’s thoughtless. His priorities are to survive and to look cool doing it, and that’s it. He is a savant in the Naval Air Force, where honor is your lifeblood, who feels he has been dishonored by his own family name, and who willingly joined the conservative post-Vietnam Navy right when/after Ronald Reagan was elected President, and who wears cowboy boots and who disrespects women to their faces, and who is eager to get into altercations with Soviet-Chinese-DPRK-X-second-world-country-coded-but-EXPLICITLY-Soviet-manufactured-Mikoyan-Gurevich-MiG-28s(-F-5s-painted-black)… I’m sorry. In my opinion, the conservatism is baked into him as a character. I find it extremely difficult to separate him from his conservatism, because in some ways his patriotic conservatism is his raison d’etre. IMO if you take that away from him, he ceases to exist.

Same thing with Ice and his unwillingness to openly rebel or go against the grain. That is his whole reason to exist in the story at all. I know that I’m saying this in a fandom space where the whole point is to change characters & put them in different situations (fanfic) but… in kind of a perverse self aware way, as in I know I sound ridiculous and pretentious, i guess i don’t really understand an impulse to change the core tenets of a character irreparably in fanworks. We are shown that ice always goes by the books in TG. Then we are shown that he achieves the fruits of that labor (four stars) in TGM. So he is rewarded for never rebelling, whereas Maverick, who always rebels (but NEVER in a way that challenges his personal identity), has stagnated in the ranks at full-bird O-6. And that’s Ice’s character. That’s what he’s there for in the story—he’s a tool to show us the value system of rank and prestige you earn by following the rules of the Navy. Why take that away from him? That’s his priority! Canonically, that’s his priority and reason for existence! And historically the way to achieve that priority is through conservatism.

And you ask me if it’s hard to like my ice and mav. Yes, but that’s not my choice. The movie already did that for me. They are not, I’m sorry, likable people. I am not a straight white conservative male writing about straight white conservative men to validate my own beliefs—I’m a queer AFAB person of color writing about straight white conservative men because I want to understand the limits of their conservatism. What they do and do not care about, and what it takes to make them care. And from what we are shown in TG… ice and mav would not care about ME. At all. And they would not want to be forced to care about me. Ice’s casual careless dismissiveness… “the plaque for the alternates is down in the ladies’ room…” mav following Charlie into the bathroom… turning the key in the ignition and driving away while pretending not to hear her… “what?? i can’t hear you! 🙉” … they do not care. They have no desire to care.

Again. Maybe I subscribe to a very very old-school and labored and pretentious ideology when it comes to writing… I know a lot of people write just to have fun. I do not. I wish i could, but I don’t. And when you’re not writing to have fun, you don’t have to like the characters you’re writing about. They’re nothing more than tools at your disposal to get your point across more effectively. No, I don’t like them! Of course not! My ice is cruel and cowardly and careless and hypocritical and subservient and weak, and my mav is demanding and dangerous and dismissive and oblivious and so, so, so unbelievably bitter.

And that’s what my story needed, to get my point across. So, shrug. My point was my priority. I don’t care too much about the characters themselves.

Re: icemav & identity politics. Part of hopefully selling this story is the attempt at empathy for the conservative male, to bring this discussion back to the top. Why write fiction at all if you’re not going to write about people different from you, and why write about people different from you if you don’t want to understand them? So… part of trying to understand them was to understand and have empathy for this shift in priorities. Conservative guys do not want to care about labels, or sexual orientations, or, God forbid, discussion of their gender identities. I can kind of see Ice tolerating it by the end… but, there are limits. Again, it’s supposed to be private. I think he’d chafe against getting labeled gay—he wouldn’t want to be called the first gay compacflt, or SECNAV, etc. He can’t say, “i slept with like a hundred fifty women before I even MET the ONLY man ive ever slept with,” because that’s like intensely private personal information!! No one deserves that information, but people still want to call him gay, even though in his head he really is not!!!! Again—from the conservative perspective, it’s a public imposition of left-wing, overly sexualized, too-neat labels and politics onto an area of life that has typically been kept private and respectable—I don’t agree with the conservatism, but I can at least empathize with it. Pre-Maverick’s death (pre-coming to terms with it), it would’ve been shameful & embarrassing to him; but even after coming to terms with it, it’s still not something he “takes pride” in. I think he thinks of it like this—most people aren’t proud of being straight. Like, it’s weird if you are. Same thing with being proud of being white, etc. Why be excessively proud of things you have no control over? Why not take pride in your ACTIONS—for instance, his career that he has actively sacrificed so much of his pride for? I can really empathize with that thought. I don’t necessarily agree, but I get it, especially in his professional circumstances, where he has so much to be professionally proud of, and yet people keep wanting him to publicly care about this private part of him he has no control over and can’t change.

Maverick though. I think he’d be actively hostile about talking about it in public. He Does Not Care. he does not want to care. It’s all an insult. They call him the first openly gay Ace cause he’s married to another man— “okay, but, like, I’m not. Stop calling me that. Neither of us are. Oh my god we have slept with so many women. Stop calling us that.” Ok then what do you want us, the press corps, to call you? First openly bisexual Ace? “No that’s worse!! That’s a word some teenager made up and doesn’t mean anything!! I’m sixty years old stop asking me to talk about this stuff im too old.” What do you have to say to LGBT kids who want to go into the navy? “😎👍 there’s a place for you etc etc. Let’s go back to talking about all the planes I shot down.” Maverick does what he wants without thinking about it. That’s the core tenet of his character. Very conservative. Don’t ask him to care too much.

Idk. No I don’t like them. But I understand them, if that makes sense. Like their conservative anti-label logic does make emotional sense to me. So that’s part of what I took away from this project, for better or worse… probably worse: I understand why conservatives don’t like the modern over-publicity of sexuality. They don’t care and they don’t want to care. And because they are small-C conservative, my ice and mav still don’t care lol. So, yeah. It doesn’t make them hard to write, because thats why I wanted to write them in the first place.

[blazingblorbos]

oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-

oh. I made a blog for that exact purpose ! OKAY—!

fuck. fuck me, dude holy-

FUCK.

the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,

ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.

the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.

The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.

Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->

POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).

I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-

I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—

BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)

Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father

holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.

HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."

LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.

YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:

the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care of something else immediately after dealing with that guy (perhaps smth related to the children Snezhevna wanted to save). But regardless, it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god

it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.

and ofc it acts as a representation of Snezhevna dying...

because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.

And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.

"Once I'm better I'll start my next mission.."

THIS. THIS!! IN SO MANY WAYS THIS!

OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:

There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trained to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???

So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..

and ofc the funeral scene. I can't say much more than what's already shown right on the screen.

and am I bugging? Or is the location of the grave....

[adashofniallandasprinkleoflunacy]

home from work

[ebitenpura]

darth "I hope every sith dies and goes to hell" jadus my beloved

[chisungie]

.

[aligatorrageinator]

Sometimes the takes are so bad you gotta scan the tag in bursts, taking a second to doodle the correct [to you fiction is subjective yadda yadda] dynamic inbetween rounds.