#yeah. theyre lesbians

[princess--bongwater]

hi guys

[eatingsomegreeneggos]

My uh- My hand slipped 🌟

[four-unwell-lesbians]

Thinking about the way dungeon meshi does queer horror. Using horror to tell queer stories is already subversive, but dungeon meshi subverts it even more

Normal queer horror is like. A monsterous desire and immortal love of something isolated/hated and the uncontrollable but suppressed need to consume someone to live and they only die if you break/pierce their heart. its great.

In dungeon meshi, the group is STARVING. they do things the way they're expected to and they're so deprived that eventually, one of them is consumed by that monsterous desire.

Then when Falin becomes a monster, she doesn't eat Marcille because she doesn't NEED to, Marcille already offered herself up as part of Falin by mixing her own blood with the dragon's for the resurrection.

Also Marcille is a monster too!! She doesn't need to be turned by Falin. She's a 'witch' doing black magic for one but she's also very vampiric

Her name is super vampirey especially given one of the translation spellings was Marcilla, an annogram of Carmilla*. And Marcille is very similar to Marceline from Adventure Time so it's a name with heavy connotations to me. Also her staff is Ambrosia which means immortal.

*ps Carmilla is the original modern vampire that inspired Dracula and also a lesbian. she used annagrams of her name (Marcilla, Mircalla, Millarca) to disguise herself across hundreds of years.

Marcille is like. a vampire in that death is a big part of her theme. She can breathe that immortality into someone else using her resurrection black magic and death is a huge part of her character. She wants them to live as long as she does. To make them immortal. Like. Like a vampire. Vampires which are unholy when her love interest is a cleric.

But once again this is subverted!! she doesn't 'turn' Falin, she makes her undead by giving her own blood instead of taking Falin's. Falin becomes a monster not because she's attacked or turned, but because her DNA, something INHERENT about her is now intertwined with the monster. so a god-like figure merges them. Then the only way to free her from that frenzy and grant her autonomy again is to finally consume her. something inherently lesbian about all that i think idk about you

[7roaches]

aggie doodles with my brother @cloudy-dayys

[arcanegifs]

netflix brazil twt is gone im gonna miss seeing their caitvi tweets 😔

[fossilizedhysterics]

guess who finished tlok tonight and immediately had this come to him in a vision!!!!

[asthedeathoflight]

The reason I think the Bizzies being gender swapped works way better than having the Lizzies be gay is because it makes space in this musical for women to have sexual appetites and agency towards men in a way that's fairly rare in depictions of heterosexual relationships. For the Bizzies to seduce the Warriors by offering what they know the Warriors want and have the Warriors feel empowered to take it is imo more subversive than just like. The concept that women can be attracted to other women. Within the context of Warriors, because the text does address queerness in other places, I think it ends up being a more powerful statement to depict (some of) the Warriors as heterosexual women who have sexual agency than just being like. Well in a lesbian relationship someones gotta be the "guy" and tonight its gonna be the Warriors. Cowgirl is a heterosexual woman and she likes sex and the narrative never calls her a slut for that, and even when her sex drive gets her into trouble its still explicitly the fault of the person who tricked her, not her fault for wanting to get laid. When Rembrandt is listing the needs the Bizzies are offering to fulfill for the Warriors, she lists sex right up there with food. And thats something that I feel like doesnt often get talked about with heterosexual women especially in fiction. Theyre expected to be passive. The idea that the Warriors could need to get laid as badly as they need to eat and take a nap is just treated as like yeah duh. They've had a bad night. And that IS a revolutionary thing to put in a musical.

[furkrum]

how are these bastards called??? i only know greenblings whats the platonic name for them,?? #sara and sou?? # stupids?? #crazy???

[littlesapphicraccoonguy]

By the time i post this it won’t be international Lesbian day anymore, but just know i finished drawing these while it was still lesbian day. So in honor of lesbian day i doodled my favorite sapphic ship in Saw <3

[lunarharp]

uhh another modern au agott follow-up. They've gotten progressively sillier

[hamwarts]

Beyond TLT the most cavalier and necromancer, dubious morality, hidden romance relationship i can think of are these two and im not joking.

They would never get physical about it, or admit it, but if this isn't love i don't know what is.

[sapphic--kiwi]

girls girls girls 🧡🤍🩷

[salad-storm]

I love sashisu because they all very much love each other and are best friends but the shoko erasure is so blatant that it makes for a very interesting dynamic. Like yeah obviously she was part of everything that happened. Not that any of them would realise if you asked them though.

[metiredlr]

They make it seem like it's a crime to separate these two idiots like Dylan might die if u take Mark from him or the other way around

[mango-sideburns]

I'm just vaguely listening to mbmbam on shuffle while I'm cleaning and shit on my day off and this episode is just....Justin riffing on how much he loves lesbians? Like, in a platonic way but also. Five straight minutes of the boys saying shit like "you gotta make friends with the sexy lesbians" and "Hi I'm Mr Nobel Prize and I like your thesis on lesbians" which, as a lesbian, is fucking wonderful to listen to

[creativesparkz]

Closeface, we kinda need Closeface