#yeah I started strong

[ace-defectives]

Our story begins on a sunny day within the kingdom of Dodron. A land filled with the opportunity for just about anyone to become something great. Ace, being a foreigner from a neighboring country, was more than interested to learn what he could about the land.

Heading inside the capital city’s tavern he overheard a satyr woman talking about a chance of overthrowing tyranny in the land. Making somewhere separate from the king. Obviously, as mentioning overthrowing the king has been mentioned, guards were called. A human man commanded the saytr to run and “get back to Lhanbryde”

Ace couldn’t help himself but be interested by how things were going and decided to follow the human and ended up outside the city at a small fort, what the human explained was the heart of their operations, Fort Lhanbryde. The human introduced himself as Sedarra and the satyr as Koza, who caught up with them a bit after, having been busy leading away the guards. Alongside this lovely little group, someone else had joined from the tavern. A human named Dante, who was equally interested in helping the rebellion.

Sedarra introduced the newly founded party to the rest of the Lhanbryde rebels. A male half elf named Sielle, a male human named Dallam, a half kitsune man by the name of Kettu, and a tiefling by the name of Uragi. Ace was more than excited to help aid the revolution, which was to Sedarra’s enjoyment. He brought up an idea to potentially get information from the king himself. As Dante and Ace were new rebels, the king had no way of knowing that they were assisting Sedarra. So they could go to the castle with Koza as a “prisoner” to bring him and offer turning her in for information.

And so off the group goes, going to the castle with Koza, her hands bound. Surprisingly, the plan goes quite well. They get into the castle with relative ease and get to the throne room where they meet the king of Dodron, a surprisingly younger man by the name of Draumur. He accepted the offer and told his guards to escort Koza to the dungeon where she would be later interrogated for information. Draumur explained that Lhanbryde was a half baked plan with no motive, that sedarra is a better bard than a leader and how he had a plan to end the rebellion once and for all. After saying all that, he let them spend the night in the guest room, as the two said they weren’t from the area.

During the night the next phase of the plan went into action. The two snuck out of the room and made it to the dungeon and got Koza out. The three moved through the halls to the final obstacle to get out. Passing through the throne room. Their food steps echoed off the walls in the dark room. All seemed to be going well until they heard a voice from the throne. The king himself, his vibrant green eyes seeming to glow in the darkness. He demanded to know what was going on. Instead of answering, the three made a run for it, dashing through the halls, hearing something large chase after them. Something angry. The three made it to a large doorway and with great effort was able to close the door behind them, blocking what ever it was on the other side. Only getting a glimpse of whatever it was. And it was not human. Large lanky body and very, very angry.

The group made it back to lhanbryde not sure what they experienced and not knowing.. this was just the beginning…

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[starflungwaddledee]

a light shines through a cloud of colour fumes and i can feel the warmth of the sun

Gravity, let me go ♫⋆｡♪ destroyer - of monsters and men

⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☀︎｡ ⋆｡ ﾟ ┊ ┊ ┊ ┊ ┊ ┊ ┊ ˚★⋆｡˚ ┊ ┊ ⋆ ┊ ★⋆ ┊ ◦ kirbytober 2024 #01 ★⋆ dream // revenge // song

[marc--chilton]

ruhgh the pilot. the pilotttt.......... the patient getting wilson to reflect on house's actions and he barely has to examine before determining with a little smile that "yeah, he cares about me :) " like it's such a little thing. utterly precious. but also very smoothly gets the audience to think similarly: people will say anything, it's what they do that really shows what they mean and how they feel. love is a verb love is a doing word

[sandersontheside]

contrary to what you may think “I Won’t Say I’m In Love” from Hercules is not the Disney love song for prinxiety. the titular track from Beauty and the Beast is. not only because the lyrics hit:

“barely even friends/then somebody bends/unexpectedly/just a little change/small to say the least/both a little scared/neither one prepared”

“bittersweet and strange/finding you can change/learning you were wrong”

but also because Virgil is initially perceived by the other sides as a villain, as monstrous, and his arc is all about acceptance both from them and from himself, learning both to love and to be loved. Just like Adam/Beast. and because Roman is Belle coded—head in the clouds and obsessed with stories, craving adventure and desperately looking for something more than this provincial life. you get it.

[balsee]

the greatest thing about luffy and robin's dynamic is that robin will just casually drop some morbid one-liner about disease or all the different ways someone can die at sea and luffy will just go 'haha yeah this is my friend robin she says weird things sometimes' and i love it. they totally get each other.

[conivolos]

jayvik means so much to me. i have so many thoughts about them and none are coherent

theyre partners theyre best friends they reinvented magic together theyre madly in love with each other /p theyre madly in love with each other /r theyre divorced they saved the world together they died together (??) they fucked in that arcane

[screechingkroh]

The Seer

Has a general outfit design! This,,, is for lore purposes bc LBD's plan finally goes right 💀 huzzah for her, ig. I wanted to go fancy w it but then I decided to keep it simple for the sake of my own sanity. Pls, I am a silly little guy. I'm drawing this fucker, I need my neurons to stay in place pls.

The Seer is stuck w her ass for a while. Because we literally never see her shit (where she lives, the dynamic the Spider Queen and her goons have, that kind of shit), I get to be silly w it.

Also here's more Seer stuff bc I'm trying to figure out how I want their personality to be LMAO

[prolibytherium]

I never touched it but I feel like i only ever hear positive things said about song of achilles.. in (rough strokes at least) what makes it dogshit to you?

Okay it's been a while since I actually read it so some of this might not be spot on accurate. Sorry if at any point I say 'the book never does xyz' and it actually does once or twice but I think my underlying criticisms are accurate

-Patroclus is made into like this soft gentle tender quivering little yaoi boy. In the source text, he's shown as compassionate and moved by the suffering of his own men (and apparently having some medical skill, tending to the wounded in the camp), but very much invested n combat and very, very good at it (pages worth of descriptions of the guys he's killing left and right). In this, the arguably more complex character from this 8th century BC text is flattened into Being A Healer, he doesn't want to go to war he just wants to help people, he only goes because Achilles has to but he doesn't want to fight he's a HEALER he's a gentle lover NOT A FIGHTER who just wants to help he just wants to help everyone around him he HEALS while Achilles is a doomed warrior who is so good at fighting and KILLING its a DICHOTOMY GUYS!!!LIKE THE BEAUTIFUL SUN AND MOON DOOMED LOVERS SO SAD patocluse HEALER . (I Think he's specifically characterized as being BAD at fighting but might be misremembering)

-I don't remember much about Achilles' characterization I think it just makes him less of a jackass while not adding anything of interest and levels out into being mad boring.

-Not getting into the literal millenias old debate whether the mythological characters Achilles and Patroclus were being characterized as some type of lover by the original oral sources of the Iliad or its Homeric writers. We will never know. We don't even know what (if any) culturally accepted conventions of male homosexuality existed in bronze age Greece (we know much more about their descendants). But there are some interesting elements of their characterization in this direction, with how unconventional their relationship is WITHIN the text itself- Patroclus is described as cooking for Achilles and his guests (very specifically a woman/wife's job), Achilles chides Patroclus like a father, but there's also scene where Achilles' mourning of him directly echoes a passage of Hector's wife mourning her husband, Patroclus is explicitly stated to Achilles' elder, and is overall treated as his equal or near-equal, closest confidant and most beloved friend (to the point that pederastic classical Greeks would debate over who was erastes (older authority figure lover) and who was eromenos (adolescent 'beloved')- many took it as a given that this text depicted their present-day cultural norms of homosexual behavior but it existed so Outside of these norms that it had to be debated who was who). Their relationship is non-standard both within the text and to the descendants of the civilization that wrote them.

Basically what I'm saying is this book had opportunities to like, explore the unconventionality of the relationship (being presented here as explicitly lovers), explore the dynamics of why Patroclus wants to do 'women's work' (besides being a tenderhearted softboy), the weird dynamics where they take on paternal roles to each other but also roles of wives, how they feel about being this way, and just kind of Doesn't. Which I guess isn't an intrinsic fault (because it omits much of what I just talked about to begin with). it's just like.... Lame. This book takes jsut abandons everything interesting about the source text in favor of flattening it into bland Doomed Yaoi.

-The conflict that sets off the core story of the Iliad is Achilles and Agamemnon fighting over Briseis, an enslaved Trojan woman taken by Achilles as a war-trophy, Achilles spends most of the story moping because he was dishonored by his 'trophy' being taken. Achilles and Patroclus and everyone else are raping their captives, all the women in the story are either captured Trojans (or in the case of the free women within the walls of Troy, soon to be enslaved, and are slave owners themselves). Slavery as an institution and extreme patriarchal conventions are innate to the text and reflective of the context in which it was developed. You cannot avoid it.

But obviously you can't have your soft yaoi boys doing this, so the author has them capturing women to Protect Them from the other men. Their slaves are UNDER THEIR PROTECTION and VERY SAFE (and they might even Like And Befriend Them but I might be misremembering that. Briseis does though). Our heroes have apparently absorbed none of the ideals of the culture they exist in and the author seems to think "they're gay and aren't sexually attracted to their captives" would translate to them being outright benevolent (also as if wartime sexual violence is just about attraction and not part of a wider spectrum of violent acts to dehumanize and brutalize an accepted 'enemy')

In the source text, Briseis mourns Patroclus as being the kindest to her of her captors, who tried to get her a slightly better outcome by getting her married to Achilles (which probably would be the Least Bad of all possible outcomes for a woman in that situation, becoming a legal wife instead of a slave), and wonders what will happen to her now that he's gone. This is a really really sad, horrible, and compelling dynamic which could be fleshed out in very interesting ways but is instead is tossed entirely aside in favor of them being Besties. Like brother and sister.

All of the above pisses me off so much. If you don't want to engage in the icky parts of ancient/bronze age Greece then don't write a retelling of a story taking place in bronze age Greece. I'm not gonna get mad at children's adaptations of Greek myths or silly fun stories loosely based on them for omitting the rape and slavery but it is SO fundamental to the Iliad. If you're not willing to handle it, either fully omit it or better yet set your Iliad inspired yaoi in an invented swords-and-sandals setting where you can have all your heartbreaking tragic doomed lovers plot beats and not have to clumsily write around the women they're brutalizing.

-The author didn't seem to know what to do with Thetis and she made her just like, Achilles bitch mother who spends most of the story trying to separate our Yaoi Boys (iirc her disguising Achilles as a girl and hiding him on Scyros is made to be more about getting him away from Patroclus than trying to save her son from his prophesied doom in the Trojan War) until she sees how much they loooove each other and I think helps Patroclus' spirit get to the afterlife or something in the end?

-This is more of a personal taste gripe but it has that writing style I loathe where the prose feels less like a story and more like an attempt to string together Deep Beautiful Hard Hitting Poetic Lines that will look great as excerpts on booktok (might predate booktok but same vibe). It's all very Pretty and Haunting and Deep but feels devoid of real substance.

I really like The Iliad and The Odyssey in of themselves. They're fascinating historical texts that give a window into how 8th century BC Greeks told their stories, saw their world, interpreted their ancestors, etc. And genuinely I think these texts have 'good' characters, there's a lot of complexity and humanity to it.

WRT the Iliad- all of the main Achaeans are pretty fascinating, the one singular part where Briseis Gets To Talk and laments her situation is great, Achilles fantasizing that all of the Trojans AND the Achaeans die so he and Patroclus alone can have the glory of conquering Troy (wild), Achilles asking to embrace Patroclus' shade and reaching out for him but it's immaterial (and the shade being sucked back underground with a 'squeak' (the squeak kinda gets me it's disturbing and sad)), Hecuba talking about wanting to tear out Achilles' liver and eat it in a (taboo, exceptioally pointed) expression of rage and grief for his mutilation of her son's corpse, just one tiny line where the enslaved women performing ritual wailing for their dead captors are described as using it as an outlet to 'grieve for their own troubles' is heartrending, etc. A lot of grappling with anger and grief and the inevitability of death, a lot of groundwork laid for characters that could be very interesting when expanded upon in the framework of a conventional novel.

And Song Of Achilles really doesn't do much with all that. I know a lot of my gripes here are kind of just "It's different from the Iliad", I would have thought of it as mostly mediocre and forgettable rather than infuriating if it wasn't a retelling (and I DEFINITELY have strong biases here). But I think the ways in which it is different are less just a product of a retelling (of course there's going to be omissions and differences) and more a complete and utter disinterest in vast majority of its own subject matter, to the book's detriment. I think a retelling has a point when it EXPANDS on the source, or provides a NEW ANGLE to the source. This book doesn't Really do either, it just shaves off the complexity of its source material, renders the characters into a really boring archetype of a gay relationship, and gives very little else. Its content boils down to a middling tragic romance that has been inserted into the hollowed out defleshed skeleton of the Iliad.

Bottom line: I definitely would not be as mad about it if I wasn't familiar with the source material but I think it's fair to expect a retelling to Engage with/expand on its source, and I also think it's weak purely on its own merits. This book was set up to disappoint Me specifically.

[chilpilled]

thinking about chilchuck being the only one out of the main party who only sees izutsumi as a young girl and not a cat……im sobbing thats literally her DAD

[tennessoui]

silly soulmate au where everyone has the first words their soulmate said to them on their body somewhere and anakin’s are “excuse me sir, your shoelaces are untied” so he walks around with his shoes untied as a way of trying to bait life into giving him his soulmate

But one day he’s like super done with it and cranky after a bad day and someone taps his shoulder while he’s waiting at a crosswalk and says “excuse me sir your shoelaces are untied” and anakin snaps “your shoelaces are untied”

and obi-wan “afraid to submit to the mortifying ordeal of being known enough to be loved” kenobi says “I’m not wearing shoelaces” kinda flabbergasted because he’s spent like 30 years wearing untieable shoes so no one can ever tell him “your shoelaces are untied” only to be thwarted by a beautiful, aggressive soulmate of a stranger

[dreadfuldevotee]

not even trying to be rude, but if you hate lestat so much why do you even watch the show

Are you aware that there are other characters in this story

[cherry-bomb-ships]

How Mojo Jojo sees Cherry (yes, even though he's half their height) 💖💖💖

[[💛 Reblogs are encouraged and very appreciated! 🥺 Original image under cut. ❤️]]

[sharksonfire]

Ik Pyro is from Sydney in the comics (most likely Woolloomooloo specifically since he mentioned his grandma lives there) but I have a really in-depth headcanon about him being from somewhere in Tasmania (in-depth enough to include animal motifs and broader historical things lol I thought about this way too hard) and I really want to form it into a proper fic but I really don't think it would be that interesting to anyone other than, well, me...

[obeetlebeetle]

blue is a hyperobject! sources under the cut

"Rainwater Everywhere Now Considered Too Toxic for Safe Consumption, Study Finds" from VICE; "Bearing the Scars", Burrow's End; Dark Waters dir. Todd Haynes; "Air Pollution in the Anthropocene: Fine Dust as Hyperobject" by John Eperjesi; "The End of the World", Hyperobjects: Philosophy and Ecology after the End of the World by Timothy Morton

[todayisafridaynight]

the rumor mill