#yarn dyeing basics

[briarpatch-kids]

pls recommend a true beginners first crochet project

I really like washcloths because they're small and you can start with a single crochet stitch and work your way from there. Cotton yarn is pretty cheap too, though it isn't stretchy. If you're struggling too much with cotton, blanket squares are another option that can use any yarn.

This tutorial has good pictures.

What I did to learn each crochet stitch was use wikihow because each step is in gif form. Videos were too fast for me and still images didn't make sense. They have guides for everything from making a chain to more complicated ways of starting a project like Magic Loop.

[viciousewe]

Going through my highschool/college yarn stash like “why the FUCK do I have so much curio cotton???”

[housefreak]

& now i get to bind off that sock tomorrow yippeee even tho ill prolly frog it if the second one comes out different from having yarn with actually consistent twist

[milkweedman]

fiber arts really is such an insane category of Things in how it can draw you in. like, 6 or 7 years ago i learnt to crochet and made a few terrible hats and scarves. then i learnt to knit because i wanted to knit a scarf for my friend (now fiance :D). then i realized it should be a woven scarf so i picked up weaving instead, but i still really liked knitting so now i was doing 3 crafts. somewhere along the way i started dyeing yarn as part of my kitchen experiments, and then i was like fuck it i wanna make my own yarn ! and that is where the problems happened. in the span of like 5 years ive acquired like $2000 of various tools (spinning wheel, combs, cards, blending board, several looms, etc), bought dozens of fleeces, and now my bedroom is basically a craft room with a bed, i have wool covering every flat surface in there as well as a huge dresser full of wool and several large drawers full of wool, i meticulously scrape every last bit of avocado out of the peel so i can use it to dye fleece, and i don’t go anywhere (including in my own house) without at least 2 knitting projects and a spindle.

im not complaining or anything, but the rapid shift from ‘guy who does stuff, idk’ to ‘guy who is worryingly obsessed with wool and will infodump at length about medieval sheep husbandry and the history of nettle as a textile if you give him half a chance’ is like. extremely funny to me.

[hysteriamodes]

So, here's an update on the crochet skirt I'm working on.

It's almost mid-calf length. I want this skirt to be long so I'm almost done but not quite. If you were to ask me when I started and how long it took? I genuinely don't remember. It's not perfect, I got confused up at the top (I can't read crochet patterns very well, but I can figure out what they mean by looking at images) but I think that works in its favor.

Here was a picture I took from the last time I updated it.

I had this darker pink yarn around and I used it, and I was planning to use dye remover and diluted bleach to lighten the pink. I accidentally removed damn near all the pink, which caused me to go to Michaels, buy more dye and correct it. And it came out to a gorgeous gradient, so I'm excited.

I don't know how long I've been working on this (I can't remember when I started) but I make a point to put in stitches every day. My goal is to have it done by the summer.

It's very hard, very intricate but worth it. I've been crocheting since I was nine years old (almost 30 years!) so while it's pretty hard, the stitches are pretty basic, lots of chain and double crochet stitch (half treble if you're in the UK).

[fug0th]

Pst! You know what time it is? New cosplay time! I decided to remake one of if not my favorite cosplays in my collection, Naven Nuknuk from Epithet Erased

This has been by far my most time consuming build (as well as expensive). this cosplay took a total of 279 hours over the span of roughly 8 months to make. That time doesn't include redoing sections or details that didn't make it into the final look.

And now for a detailed look at this whole outfit because dang, I put so many tiny details in.

Starting off with the earring and beads, I used a tequnic called lampwork to make them. The best way I can explain lampworking is like miniature glassblowing

Lampwork uses glass rods heated in a flame to create generally small pieces like beads or buttons. Lampworking can be incredibly detailed. While I'm still fairly beginner at all of this I was able to learn a tequnic called implosion to make the flowers look more 3 dimensional. I also used lampworking to make the buttons on the undershirt!

I did all the 3d modeling for parts like the glasses and the belt buckle. (Stealing pictures from my Instagram because the progress tracker i use corrupted my images)

While I don't usually focus on the 3d modeling in my builds it's a huge passion of mine. After making a model of the belt buckle I put my 3d print into casting clay. After carefully removing it I poured tin in to make the final belt buckle.

I also taught myself basic leather working and tooling to add some apple blossom inspired designs onto the belt and painted it.

Next thing I think I should talk about is the embroidery. I wanted to incorporate more details about naven into his outfit. After asking jello some questions we came to the conclusion that the embroidery should be lillies and carnations. Because of my constant insanity I hand embroidered everything. I also did some embroidery on the pants and used an embroidery floss that changes colors in the sun for fun.

Before I get any questions about materials I'll add in, the white shirt and embroidery are both silk. I struggle to embroider with cotton dye to the sound and feeling it makes, and I felt like being fancy so silk shirt too. The pants are a cotton twill (pretty much jean fabric without the indigo) and the green strips are silk. A perfect Segway into the tatting and knitting!

For those who don't know tatting is a traditional form of lace making found in many different places around the world. There are 2 main forms of tatting, needle tatting and shuttle tatting, I tend to use shuttle tatting due to how nice and portable it is. I thought tatting would be fitting to add to navens outfit due to it's other name, farmers lace.

And now for the big beast of this outfit, the knitting. Like with everything else in this outfit I dyed the yarn myself. It's 80 percent wool to 20 percent silk blend.

Huge thanks to jello for suggesting so many ideas, this outfit wouldn't be nearly as cool as it is otherwise.

Anyways I hope all y'all like the outfit! I had so much fun making this insanity

[salamispots]

@yeetbean hello! Iris Complex is a horror mystery webcomic written by Josh Tierney that I worked on! :0 it's about a girl who wakes up in a field with no memories and has to figure out what the heck is going on. there's worms, a guy who's a smash hit with the guitar, and demon noodle dogs! you can also read the whole thing now on webtoon :O

I got these back to back haHA and yes I have I enjoyed it a lot :'D I loved seeing weird little creatures/speculative biology

@pien-art hullo and awhh thank you! and ooohh nice! and oh man I don't know anything about dyeing haha; I've gotten my yarns from daiso, ebay, etsy, facebook market, local thrift shop, WEBS yarn website (basically lots of different places haha) for the wool strips/sari ribbon I've only gotten them from etsy so far. I tend to try and get yarns that are variegated/multicolor (noro yarn has some really gorgeous multicolor yarn but they can be pretty expensive hence me looking on etsy/ebay people will sell them at a discount sometimes) plus in general you can find a lot of good deals/discounted yarn on etsy

oh! :O congrats on finding me ahaha omg and yeah course! it's up on inprnt over yonder

speaking of rug hooking I stg there was another ask about rug hooking but I might've accidentally deleted it? >:'D apologies. it was something about do I tend to buy multicolored yarns only/how many different types of yarn go into a piece (I think). and yes I tend to get the multicolored/variegated yarns (which I chop up and wind into little balls of the individual colors to make it easier for myself when I do projects haha). as for how many types I honestly wouldn't be able to say ahhsa; the leafy one the main body was pretty much all one type of yarn with some minor details in another yarn while the background was made up of a lot of types but it honestly depends.

[dangerphd]

had a braid of Polwarth that needed over-dyed. I basically just followed the given colorway, but saturated and covered all of the fiber using those original colors. Pink, orange, yellow, two greens, two purples, and a brown. 🤞🤞🤞

Additionally, had a couple of one-off braids in stash that I want to both soften a bit, and bulk up for more yarn. Enter, merino. Dyeing a couple of bumps of fiber in what I hope ends up being complementary shades to blend and combined with those braids. I think the blue will be fine but I worry about the saturation on the peachy orange...but if it's too much it'll just be an excuse to try again 😂

[landofla]

I know I rarely post anything original or personal here. One of the major things I do offline is fiber arts. Spinning, Knitting, Weaving, Dyeing fiber all that kind of stuff. A few months ago a post was going around about the "lost art" of spinning. (Yeah not the kind in the health club, the kind where you get yarn when you are done) I have taken a lot of classes from a lot of different teachers. Abby is by far my favorite teacher. I think she has a handle on the material and a WAY to communicate about what needs to be done that is unbeatable. Right now she has a special on a membership that includes her whole entire backlog of online classes that goes back to the fall 2020.

Quote Abby: "MAJOR DEAL at https://www.abbysyarns.com where if you sign up for a full trimester membership you’ll get a month for free and you won’t pay again until September!!!!" Classes include all 4 of the spinning basics classes as well as intermediate and advanced topics, like fiber prep, drafting methods. plying structures, mastering long draw, mastering short draw, spinning for socks and a whole lot more.

[kohanakonohana]

I want to talk about the stripes I make.

According to a book, there are 270 names for striped patterns in Japanese. Thousand stripes (sen-suji), ten-thousand stripes (man-suji), with kids stripes (komochi-jiima), twin stripes (futago-suji), fall stripes (taki-jima), bonito stripes (katsuo-jima), benkei stripes (benkei-jima), wickerwork stripes (ajiro-jima), etc., etc., etc.

Among these, I basically make random stripes, called “yatara-jima”.

Yatara-jima have no regularity in the arrangement of the stripes, and were originally woven to finish off the threads left over from weaving, and originated mainly for women's kimono.

Yes, weaving always produces surplus threads, but that does not mean that a regular number of threads can be taken.

If that were the case, it would be more fashionable to arrange them randomly... nowadays, but I think it's amazing that the people who first made them ( I suspect that they were everywhere in private kimonos) and put them on the market are so amazing.

I think there were people who thought it was interesting and stylish... but I wonder through what channels it spread. I wonder if it was a marketing strategy at the time to have ukiyo-e paintings of beautiful women drawn, or if the models happened to be wearing them. It’s similar to influencer marketing or buzzing on SNSs!? I can imagine all sorts of things.

Taking these cloths as an example, I used 19 different threads in total: three red, three yellow, five green, three grey, three purple, one off-white and one non-dyed white.

In my case, I of course use leftover thread, but basically, as in normal weaving, I have a design first and then prepare the thread. To be more precise, I have the design, dye the necessary colours, take some yarns out of the chest, lay them out, look at the colours and readjust the design. I use two or three threads of the same colour to create shading or variation in the slightly thicker stripes.

But sometimes I feel that I have made a mistake, because when I add the weft yarn, there is not much difference, and in some cases it is a newly dyed yarn, and I feel like, "Wow, give me back my time!" Sometimes I feel like, “Wow, I want my time back!” I'm not experienced enough …

It is actually very difficult to distinguish between the two types of red cloth.

It's not so much about making stripes, but more about the colour composition of the kimono or the shape of the cloth, so it may be a slightly different way of making it.

The right two madders look different, but...

-------

I used the same warp (silk) as this cloth and hand-spun ramie yarn as the weft, and of the 19 colours... 15 are included.

Red: Indian Madder (strong&pale), Sappanwood

Yellow: Amur Corktree (strong&pale), Gardenia

Green: Ōbaku x odour wood (two light varieties), Green leaf extract powder, Japanese Pagoda Tree x Indigo (strong&pale)

Grey: Cochineal (strong&pale), Sawtooth Oak

Purple: Cochineal, Lithospermum Erythrorhizon (strong&pale)

Off-white: Walnut

[wyyrmwood]

Things are hard. Things will be hard for a while, but you are never alone. This blog was just for art, but as an LGBT adult invested in community and support, I wanted to make this for whoever may need it.

Very simple crochet pattern for a 4 color pride flower in the situation which it may not be safe for an individual to wear explicitly pride items.

I sincerely hope that some of you may find this helpful in some manner. You do not have to give up who you are when you are afraid for your safety. This can be passed along as a simple rainbow/colorful/etc flower in times when you wish to still show pride colors but not necessarily be recognized as such by general public.

Continue beneath the break if interested for steps and pictures

Most pride flags can be simplified into 4 colors, and if not just know you can add a number of extra base magic ring stitches to equal the number of petal colors you desire, though be aware they tend to become quite crowded. For this, let's assume the 4 petal / 4 color standard.

You will need any size hook, any color yarn such as white (which can be colored with marker) or the pride colors of your choosing, no stitch markers and assumed extremely basic experience. These can be made singly or in bulk in a very short time. I have tried to describe the steps in as much detail as I can to allow for readers who may not be proficient at crochet, I apologize if I tend to "over explain" the steps. I will include images.

1: with scrap yarn or a color that will not be the same as the petals, create a magic circle (this can be a little difficult at first but Google is a great help in getting a visual guide)

In that, place 4 single crochet stitches. Pull the tail and tighten. You can put a slip stitch in the next (what would have originally been the first of the magic circle stitches before you tightened it) and change the color of your yarn to the first petal color.

You will have a little circle with 4 stitches in it. In each of these 4 you will repeat these steps exactly, changing the color of the yarn if needed:

ALL WORKING IN ONE OF THE 4 MAGIC RING STITCHES

1. Chain 3

2. In the base magic ring stitch, Double crochet

this is essentially a single crochet but you wrap the yarn around the hook before entering the base magic circle stitch. After you pull through, you will have 3 loops on your hook. Pull through 2 at a time (pull through 2 loops, 2 times) until you are left with a single loop on your hook. This creates length, looking like a chain of vertical stitches.

Wrapping the loop around the hook and after pull through, before finishing the stitch:

3. In the base magic ring stitch, Treble stitch

this is essentially the same a s a double crochet but you wrap an extra loop (for a total of 2 wrapped loops plus the loop of the last stitch) around your hook before entering one of the four magic ring loops. Pull through 2 at a time (pull through 2 loops, 3 times) until you are left with a single loop on your hook. This crates length, looking like a slightly longer chain of vertical stitches.

After pulling through and having 4 loops on the hook, before finishing the stitch:

4. Double crochet as in step 2, then chain 2 on the end

5. Bring the yarn back to the base stitch and Slip stitch,

6. In the NEXT of the 4 base magic ring stitches you made, place another slip stitch in which you switch the color of the yarn to the next color, or remain white if you intend to dye, color in the petal using other methods, want to keep the same color, etc.

Repeat this process in all 4 base magic ring stitches. The end product will look something like this:

I sincerely hope that some of you may find this helpful in some manner. You do not have to give up who you are when you are afraid for your safety. This can be passed along as a simple rainbow/colorful/etc flower in times when you wish to signal to other LGBT people but not to those who may be anti lgbt.

[thesummerestsolstice]

Headcanon Crafts for the House of Finarfin

Earwen: a sailor. Yes, I know, the Teleri are the sea elves, but while most of them can manage in a rowboat, only a few are true sailors; able to navigate the Teleri's finest ships, even in rocky bays or stormy waves. And Earwen was the best of the best. She was particularly fond of venturing out where no one had before, seeing everything there was to see on the ocean, though she always turned back to Valinor eventually.

Finrod: a bard. While Maglor's focus was always on the oral history of the Quendi, Finrod preferred to learn folktales and lays, which were often preformed more casually and retold with somewhat improvised lyrics on the fly. By the time of his death, he knew more myths and legends (elvish, mannish, and dwarfish) than anyone else, though most of it remained unwritten and died with him.

Angrod: a spinner. Well, he didn't just spin wool into thread– though he did keep a few sheep, and was very fond of them. He spun thread and yarn from various materials, and then hand made dye to turn it various colors. He valued his work for its rich hues and remarkable resistance to fraying. He was basically the only person whose thread was high quality enough for Caranthir; the two of them really bonded over fiber work.

Aegnor: a dancer; more in-line with traditional Vanyar work than most Noldor crafts. He had the strength and precision for the most complex dances, though he was sometimes a bit awkward when it came to dancing with a partner. Some speculated that he would swear his service to Nessa, as one of the few dancers skilled enough for a place in her halls, but he never did. He always felt there was more for him in life than endless routine.

Orodreth: a gardener. Look, a garden is an amazing work because it's always growing and changing, and it's made in collaboration with nature. Orodreth loved that sense connection with the world around him, and tried to make garden that looked more natural and weren't bound to beds or boxes. His favorite flowers were always tulips. Though it was underground, Nargothrond still had beautiful gardens thanks to some creativity on his part.

Galadriel: a baker, like Finarfin. As a child, she wanted to follow in her father's footsteps and make something that everyone would be able to enjoy; she learned a lot of her craft directly from him. Aredhel would often bring her fresh ingredients from the Valinorian woods. After going to Middle-Earth, she set her craft aside because she had no use for fancy craft work when she had to deal with fighting hordes of orcs and trying to deal with Sindar-Noldor political relationships. Also Finarfin and Aredhel weren't around anyone. She came back to it in the Second Age, and was able to find peace and happiness in her craft once again, although she never lost any of her warrior's skill.

Bonus! Although he wasn't aware of it, Finrod actually managed to make his way into legends and folktales throughout the peoples of Middle-Earth. Though his story was changed over time, he's always remembered as a faithful friend and a ray of light in dark times– and as having a rather impressive amount of fancy jewelry. He learns this all in Valinor, from his conversations with another famous keeper of tales: Bilbo Baggins.

Headcanon Crafts for Finwe and his Children, the House of Feanor, the House of Fingolfin, and the rest of the House of Finwe.

[unidentifiedmammal]

Alrighty so this is the post on lichen dyes!

this particular bath of lichen dyes was originally started over a year ago scraping a tentatively-ID'd lecanora and/or ochrolechia genus lichen off of a fallen branch (remember, don't gather lichen when it's still growing! it's very slow growing and easy to overharvest)

to start off, this particular type of dye is made through the ammonia-fermentation method, also known as ammonia maceration. No actual bacterial fermentation occurs though. Rather, the compound orcinol (and precursor compound to orcinols) react with ammonia (N2) and oxygen to form the compound orcein (also called orchil/archil) which is what makes the final dye!

this process takes anywhere from 3 weeks to 16+ weeks depending on the lichen species, its constituent acids, the temperature, and the frequency of aeration.

This batch was set aside for several months and neglected a good bit, but it still works. I strained out the crumbled lichens (which i set aside for later) and diluted it 1:4 as instructed by a very good book called Lichen Dyes: The New Source Book by Karen Diadick Casselman. This book is basically omnipresent everywhere you see lichen dyes mentioned, especially the orcein-based dyes. I also used several websites/videos/papers and such that i've hunted down over various internet crawls.

I use an old coffee pot for this as it's both a non-reactive material (glass) and is built to withstand heat. Ironically i also scraped the lichens off the branch using a tool i made out of a metal band from the broken handle of this same coffee pot!

I decided to dye some eri silk cakes that i fluffed up and scoured. these have been very good at absorbing dye in the past so i would hopefully get a good result from them. As lichens are a substantive dye i don't have to put a mordant on them, but i did soak them in an alum solution just before adding them to the dye bath to hopefully maximize dye uptake as well as improve fastness as lichen dyes are also fugitive and can fade in sunlight.

Substantive dyes contain mordants already embedded in them; fugitive dyes are a bit fuzzy to me but my understanding is they end up trapped in the fiber instead of actually bonding to the fiber in a stronger way. Mordants are used to help the dye "bite" onto the fiber better, improving both fastness (the ability of a due to resist fading from sunlight/washing/time) and the brightness of a color. Alum is useful in that it typically doesn't affect the end color of a dye more than simply making it slightly more strong!

it was pretty successful i'd say! i warmed up the dyebath, added the silk, let it simmer for a few hours, let it cool down overnight, and then warmed it back up the next day for a few hours; then, when it cooled, i took it out, let it dry, then rinsed it, and let it dry a second time. At that point, it was ready for spinning!

It was a lovely pink color that's not fully captured by the camera like most dyes, and eri silk is lovely because you can spin the clouds directly and easily without carding and make lovely relatively threadlike yarn

this was the first skein i got! i love how shiny the silk is. Some dyes can get really purple or even magenta-like!

next, i had the leftover lichens that i had set aside. They were a crumbly texture and dark black and i dried them out, crushed them up more, set them back in a jar, added more ammonia and water, and did the ammonia fermentation method a second time! this was after reading about the method for making french purple, and while this is definitely a very pale imitation of the method, the double-soak is the key feature here

here it is (on the left); it was already way darker purple than an in-progress lichen dye i had yet to crack open and use

speaking of which, heres a shot of various test lichens i had while working on this, you can see the blue-capped jar that has the second-soaked lichens. the foam will often give a preview of whether or not the dye will be red/purple or not!

Here it is, i forget how long i let it soak but i think it was a bit over a week. i strained the material out, diluted it, and then repeated the same warm/cool/warm/cool/dry/rinse/dry method with more eri silk

And below you can see the difference, it's definitely slight but still cool!

the left is from the original dyebath, the right is the second-soaked one. the first one is more salmon-colored while the second is a tad more blue-purpled!

I'm extremely excited about this, these dyes have such a fascinating history and have multiple historical uses everywhere from florentine orchil to norwegian korkje to scottish cudbear and more, and it was often used in tandem with the roman murex/tyrian purple dyes that come from a mussel. Some folks used the lichens to pre-dye the fabric before dyeing with tyrian purple, both to stretch the expensive tyrian purple and to make the end color more vibrant. It's all such a great topic that's mightily confusing and could take up a post of its own, same with the underlying chemistry of what makes these dyes work in the first place!

Anyways that's all for this post, i have more i'm working on involving actually turning these dyes into paint that i'll hopefully turn into a post on its own soon! I've also got other lichen dyes I'm waiting to get through the ammonia fermentation process that will hopefully give other colors, whenever that may be!

[milkweedman]

fiber arts tutorial links!

I’ve gotten quite a few asks about spinning, fiber prep, and dyeing, and since I’m utterly incapable of answering a question without writing an essay, they often turn into tutorials. I’ve compiled them here for easy perusal ! More will be added as I find and/or write them.

SPINNING

The basics of getting into drop spindles

A comprehensive guide on how to spin on drop spindles

Processing fleece on hair combs to get perfect hand combed top (a cheap fleece processing tool)

How to get your yarn off your spindle

How and why to block handspun yarn before using it

Niddy Noddy sizing

Blocking linen and cotton yarn

How to tell if your handspun yarn is over or undertwisted

Moving from park and draft spinning to suspended spinning

Debugging: roving twists and knots around the edges while spinning

Debugging: compressed roving

The visuals of 2 ply vs. 3 ply

Whittling supported spindles

Very short video-centric guide for supported spinning

FIBER PREP AND/OR DYEING

Steps of fleece processing, including the many methods and tools you can use

What prep to dye in

20 questions of natural dyeing

Dyeing with onion skin

How to clean a blending board

All about mordants

KNITTING

Knitting with chronic pain (more advice from others in notes)

[jugglingjujube]

The (almost complete) locked tomb mini skein set! Based on the houses.

From left to right: second, third, fourth, fifth, sixth, seventh, eighth, ninth

I am making a first house mini skein, it's just uhhh in the pot.

You can read my notes below the cut and here.

No idea what I'm going to do with these, a scarf has been suggested.

I'm also planning on making socks sets with full skeins of these colourways, but this time that will actually take a while.

Second: Half scarlet red-half white. I wanted it to be perfectly split down the middle but didn't end up getting a sharp enough divide. I also tried to but some greeny - brown in the middle Pyrrha's eyes (and so it doesnt look so candy cane) but I don't really like it so we're cutting it out. That might be the mini in the sock set. Otherwise I just need to do a better job of keeping the white clean. Who decided red and white were good colours for a uniform! It's a logistical cleaning nightmare when the red inevitably bleeds!!

Third: Heavily speckled gold and lilac on a white base. These colours are right up my alley, I love this one. When I make a full skein it'll be on a gold stellina sparkle base.

Fourth: Navy, white and orange variegated yarn. I did re-dye this. Another one where I love the colours, the method of twisted skeins then hand painting then speckling was really fun.

Fifth: Brown base with thick gold speckles. Not really speckles but the technique is called reverse speckling. I need a deeper brown dye and to add more gold veins throughout and it'd be perfect.

Sixth: Boring, pretty grey tonal. No notes, it fits with the house, it turned out nice.

Seventh: Pretty pale green yarn with brilliant blue speckles. I would like to add more blue (and maybe some other pastels) speckles just to make it more flowery. Also because being between the sixth and eighth I want it to stand out more. Tempted to speckle as heavy as the third but I'll restrain myself. Maybe.

Eighth: White base with some silvery patches. I was so determined not to just use undyed white yarn and give the eighth house some love. But I kept overdoing it! When I make a full skein it'll be easier not to accidentally add too much dye but on a mini ... I was basically dipping the back of a spoon into the dye powder, then into the water and it was too much.

Ninth: Handpainted orange and then dyed over in black. I love how dark the black is and how you can see orange and yellow peeking through. It was sitting in the dye for a long time, you really can't hold the Gideon colours down!