#y'know you didn't have to go. yet.

[ziipzeepzop-eez]

Hii fellas 🥹☺️

So, my grandpa passed away suddenly this late night/early morning — and honestly I'm not sure what to think :')) I mean, I JUST saw him at Christmas and he looked alright too! 😅😆 Like, I said "merry christmas grampa!!" and he did that smile he always does and said "ohh merry christmas! ^^" with his islander twang. like he always does.

Mm, not even one last phone call haha ;; he always phone called everybody because he was semi immobile, y'know. he was always kinder to us grandkids!!

Ah darn I didn't even get to say my goodbyes. Again. 🤣 Why's that a running theme for me?? Like why? 🥴😅

[dailykugisaki]

Day 335 | id in alt

Being desperate to end the fight might make you even worse off in the long run, Shoko.

[autisticrosewilson]

First of all, you have given me so much to work with, thank you so much. Second of all, I’m really glad you could see where I was going with Grant’s real test not actually being about killing Slade. Third of all, I absolutely love what you’ve suggested with the powers and I am currently designing met gala esque outfits for the trio and Tara’s specifically is really fun to play around with. I’ve been thinking to show they’re becoming more divine I’ll change their hair and eye colours but not their faces for the most part. I was drawing robin Jason with Natalia and decided he should have brown eyes and a crooked nose from breaking it as a kid but once he returns his eyes get weird (eg go blue and occasionally other colours), a patch of his hair went white and he lost all of his scars. Also, I think the closer they get to divinity I’m gonna draw cracks on their body that glow with their specific colours just to hammer home how they’re shedding their mortal forms.

With Tara being able to see the strings of fate, I though it’d be fun to give her a harp and then with Jason having the see no evil trait I thought it’d be fun to give him weighing scales since lady justice wears a blindfold. Idk what to give Grant though. I mean probably a weapon of some sort or maybe a Shepard’s crook that he can turn into a scythe to play into the sheep, wolf, Hunter thing.

With Jason and Tara’s splintering, I love the idea of them making fun of Grant for being the baby god. He hasn’t even had a cult yet, gosh he’s so young. Also them being besties just holds a special place in my heart.

And I just came up with this, of course they have parallels to the trinity but in universe rumours of their existence have been around much longer than Bruce, Clark and Diana. They’re the big three of the justice league but these guys are justice gods. So they start calling themselves the justice trinity but then people get confused about which trinity is which because the justice leagues’ trinity sounds awfully close to the justice gods’ trinity. The new all caste is certainly more distinctive branding but the point isn’t to be distinctive, it’s to be petty.

I'm so glad my unmedicated rambling helped!!! And I'm so excited for the outfits!!! I love when characters start becoming less and less human, when they're stuck in that uncanny valley spot of not quite human but not entirely Other, when they lose control and the cracks start to show...um I should probably give a warning for slight body horror elements. Not in the gore sense, in the "this body is not made of flesh and there is something divine clawing it's way out". Uh also there are teeth. Just. Teeth. I dipped into a little bit of cosmic horror at the end there because I wanted to cover my bases with mixed mythologies

Jason, with his defined splinters, is usually depicted with three faces in ancient texts. The Child, gaunt and dark colored, is said to appear before the downtrodden and impoverished. The few stories remaining tell of kindly people who give him an offering, and in exchange he reveals his true form, with his crown of golden ivy and beautiful strong wings to gift them bounties of food and water and riches. Other stories tell of not so kind encounters, where The Child witnesses an injustice - typically against women or children - and again reveals his true form, one with clawed hands and a mouth dripping with blood. Scholars argue what the wings looked like, but whichever All-Caste member annotated it before has compared their likeness to either a Robin or a Shrike.

There's also The Ghost, He appears young at first glance, but his hair is wirey and gray, his eyes milky and unseeing, in bloodied armor he greets the souls of the damned as they're delivered to him, and with scarred hands he wipes the tears of children taken too soon. Accounts of this face are few and far between, but all of them are entrenched in sorrow.

Finally there is The Soldier, scarred and still smoking from the ruins of battle he emerges, giving voice to the weak and resources to the needy. He champions revolutionaries and philosophers first, a strategist who delights in the liberation of the people from corrupt systems. Accounts of him usually come from times of famine and war, and he was particularly popular with poor villages, who would mark the graves of their dead with the symbol of his sword as offerings. For some reason or other, he got particularly popular with the youth, girls and boys both seemed to pray for him and leave him offerings.

The way these manifest on Jason is subtle at first. I could go the body horror route, but I won't. Yet. Instead I think his splinters show up as reflections, shadows, imprints. The faint echo of bell-like laughter when Jason does a move he learned as Robin, the image of a younger him with longer hair and unblinking eyes staring at him in the mirror. It gets worse when he gets the blades, the white streaks his hair, the swirling mark covers more of his skin every time he uses them, he trails the scent of smoke and blood behind him like a signature. His scars...they should disappear. They have for everyone else who used the pit, but instead his skin starts cracking. Any place he's ever been scarred glowing cracks break up his skin. He can't feel them, but he's always aware of them, the meaning behind them, the divinity literally leaking through his body. His eyes aren't brown anymore. They aren't even green. He looks in the mirror and they are copper, molten and burning. He tries his best to keep his mask on.

What do you think of when you imagine the word divinity? Probably something like Tara. Something with skin carved from stone, with moss and fungus crawling up her legs and snow laden shoulders. They say her hair is made of swirling clouds and the sun and moon are her eyes.

Some say she's a nymph although no one knows what kind. You're just as likely to see her name among the naiads as the dryads. Whether flowers bloom where she dances or waves crash when she sings, she's known to be more vicious towards suitors than her sisters.

Others have said she's a faerie, who takes the faces of lost daughters and lovers, slipping into their places seamlessly, forcing unruly men to pay their dues. Others say she's a shifter of a different sort, with a shawl of feathers and a crown of twine and gems. Stories range from men trying to steal her coat (and paying dearly) to lost children returned safely home on the back of a swan.

Tara doesn't think about it at first, the way gravity tends to cede to her, she doesn't notice how sunflowers turn their faces towards her instead of the sun. She doesn't notice the way her face...shifts. it's imperceptible really, and it's not like she looks in the mirror all that often. But everyone around her notices it, on some level, the way her expressions are off. A little too exaggerated. The way her limbs bend just a little too oddly. The way she never looks quite the same as she did the day before, the way she picks up features from the people around her the way she picks up rocks from ground to add to her collection. Clay molded subtly into the image of those she loves, a museum of everyone she's ever met. She does notice when her hair starts going white at the ends, the strange way her hair starts to curl unnaturally, almost floating. She's not so upset about her eyes, the deep blue of her father that has glared down at her day after day, she has changed her hair, her face, her language but she could not change her eyes. It seems she didn't have to, when she wakes up with one a little too silver to be gray and one a little too gold to be brown. And then her skin starts splitting, a cavern made from a broken rib and ravines made by the slashing of knives. She doesn't even bleed anymore, they never scab over. They crystallize, amber like ambrosia, like ichor. Her body a geode waiting to be cracked open to let the thing within finally break free.

They know the least about Grant, whatever he used to be. Half written scrolls, torn or burnt or simply stopped abruptly, illegible journal entries with symbols never recorded in any known language, half finished sketches where the details are never quite clear. A few things are usually consistent though, signs that he's been there, usually from hunters down on their luck or the particularly old and sickly. First, the howling. Like a wolf or a storm, although later accounts would add that it occasionally sounds like a mechanical whirring. Then the rabbits, dead and gutted, but not a trace of blood. Piles of them left in heaps on doorsteps or windowsills. Some have reported knocking at strange hours or finding teeth in their homes, a mix of human and animal. There is one photo on record, the most recent thing in the archive most likely, of claw marks on the side of a barn, too big and oddly serrated, certainly not from anything native to the area. Elderly that report these phenomena typically pass from heart problems within the week, according to some of the old medical files.

Grant came back wrong. Physically, at least. He knows that he's still himself for the most part, dying didn't make him a selfish asshole he did that all on his own, but...but something is wrong with him. It's the way lightbulbs flicker when he's mad and how cameras, no matter the quality, never quite get a clear shot of him. The way Joey can't ever grasp his features, not fully, the details slipping from his mind like water. The way eyes on his face slide right past, unable to look directly at him. It's in the gray spreading from his roots and his eyes too wide and dark to belong to something human. It's the way death clings to him like a second skin, sickly and pallid turning the tips of his fingers gray. His teeth are starting to feel too sharp for his mouth, and he hears things no one else does, whispers of voices that Are Not and Can't Be. The worst part is the orange, liquid candlelight under his skin, lighting up all of his veins and scars, webbing together like the world's worst game of connect the dots. No, there is no mistaking him for something human, so there is no reason to try. If this is his fate then he will take it, because he is not a sheep and he will not be a wolf, he is a hunter, and he is hungry.

[stop-breaking-my-heart-dragonage]

Me, when Sebastian joins my party for the first time: Okay, this time I'm not going to forget about you, Sebastian. I'm going to make an effort to use you a lot this playthrough so I can better understand you.

Also me, immediately forgetting about Sebastian while finishing Act 2 and making it halfway through Act 3 before I finally notice his Faith quest: ......................Oh. Right. My bad.

[deeisace]

..

[minhmynchi]

its 4 am and well, im not doomscrolling but i have thoughts lol... i should turn them off and go back to sleep

[palewolfcheesecake-blog]

What if I just started sobbing

[mad-hunts]

@question-marked asked: “are you making fresh pasta?”

barton managed to barely hear eddie over the sound of two of his kids arguing in the background — who seemed to be jack and matilda, respectively, as he would soon call out to them using their names in his native tongue. but the fact remained that he had heard him and so after he essentially told them to ' get along ' in french, barton turned to face the other. he was currently kneading what looked to be some kind of dough with his hands, ❝ sorry, they've been unusually argumentative today with each other. you're going to have to excuse them. but yeah... lucky for you, you caught me right in the middle of making dinner. ❞

barton seemed to have some experience as he hadn't gotten any of the dough on his hands and it seemed to be quite close to having the right texture (not too dry, and not too wet). and truthfully, he did as the recipe he'd gotten for chicken alfredo from winslow? it called for homemade noodles so he figured he might as well try his hand at it. though barton still wasn't good at certain aspects of it, like actually rolling the dough through the pasta maker. a purposely overdramatic sigh left his lips then, ❝ ahh, but i'm really no good at rolling the dough through the pasta maker myself. if only there were someone here who could do it for me. ❞ he discretely looked over to edward afterward as if to say ' i'm totally not talking about you here, but also, i am. ' barton really didn't like to look like he wasn't an expert at things in the kitchen after all when he'd been cooking so long.

but this was only his second time making this, so he supposed it was more than reasonable for him to still struggle with it. barton stopped kneading the dough and looked at edward through squinted eyes as if analyzing him, ❝ i'm still a bit confused as to why you would come here when you're not injured. would you mind telling me again why you're here, considering i don't think you like me enough to be here simply for a social call? oh, and while you're doing that, could you also get me that dough cutter over there? thanks, ❞ a small unreadable smile ghosted across his features while he gestured towards the blade a little ways away from him. edward had honestly given him no reason to hate him, so as it stood, he felt rather ambivalent towards him. ❝ say, you aren't a vegetarian... right? because i'm making chicken alfredo. and enough to feed a small army, probably, so you can definitely have some. ❞

[ferberus-skull]

pixel cat's end i love you.

flight rising.... you're okay (joking, i love you too)

[automatonknight]

i <3 2fort forever yay ^__^

[kyouka-supremacy]

Uhm

[quick-drawn]

VERSE: WHISKEY & NICOTINE ↪ modern.

he never liked the idea of retirement. he's estranged from the deadlock gang — but gun running was all he's ever known, aside from drinking and smoking. so he bought that shady biker bar at the end of 5th street and opened the high noon saloon.

a young colton cassidy is found strapped for cash after the passing of his father and late stage diagnosis of his mother's cancer — following in the footsteps of his main verse, he finds a quick fix in GUN RUNNING. he recruits a team and makes DEADLOCK a very well known name in the business throughout the american southwest. so it doesn't take long for the LAW to get word of a new player in the streets.

they're assigned to a task force specializing in dismantling nationwide gang operations, who watches him and the gang very closely over the next few years, compiling all evidence needed to greenlight a sting operation on what was believed to be the gang's headquarters.

it's considered successful at the time, after partially disbanding the team and taking the then 21 year old colton in for questioning and holding. impressed with skill and mental fortitude, as well as vast knowledge on their current subjects, they offer the kid an ULTIMATUM: join up or lock up.

he chooses the former.

he works on this specialized task force for a little over 10 years. they have their ups and downs, but they get by and get the job done. shortly after getting word of the resurrection of the DEADLOCK GANG, the team is hit hard — assumingly by the aforementioned gang.

the force crumbles — half dead, the rest severally injured, the team's disbanded. colton, having paid his dues, hits dirt and goes into hiding, roaming from town to town for the next several years.

as the heat finally dies down, an investment opportunity lands in his lap. an old, shoddy bar in a middle-of-nowhere town full of nobodies — perfect for a nobody with nowhere to be.

he buys the bar and rebrands as the HIGH NOON SALOON. with a little help from an old friend, bars, in the kitchen, the place is brought back to life, quickly drawing in the locals and travelers alike — and all the TROUBLE that comes with them...

[david-watts]

whilst putting the big books back on the shelf, I stumbled across a book of photographs from the collections of a particular photographer from where I live. ignoring the fact that the compilers didn’t know how to date photographs (like did they REALLY think a picture with a horse-drawn taxi and women in lingerie dresses were from the 1930s???) and I found a picture of one of the old k-class garratts on the north-east dundas tramway. love that

[dustylovelyrun]

So, I’m pulling out a piece for a ‘last line’ and just going over them, picking out a thing I like, right? One of the last edited ones from nano. Getting all curious and such about them, reading further back. And there’s one thing I’ve noticed after bouncing between the same few wips for Nano -

There’s always a Nathan.

Why are there so many Nathans?

[airyairyaucontraire]

I might have said it before but I do like how in Pokémon Horizons Ikue Ohtani isn't just playing Pikachu with a hat on. Captain Pikachu has a distinct voice with gruffer tones than OG Pikachu, and it's generally more serious and less playful. Captain Pikachu doesn't fuck around.

[fettery-fetterie]

(at the verge of deep sleep) wouldn't it be fucked up if both teo and peka bonded over the idea of being hlev. Wouldn't it be fucked if both were jealous of him as he was a living incarnation of their desires. Wouldn't it be fucked that while teo decided to step in and take from him and ultimately finally get control over her life again as she understood the wake-up call, peka stagnates and just decided to take it all over in an attempt to feel fulfilled

Would that be fucked up or what