#ww1 dress

[pastlivesfinery]

Les Modes, 1917

[cringeborg]

Kerstin Evening Dress

A fashionable dress suitable for wild nights out and weddings alike, named after the most glamorous woman of all: my dog. Sort of inspired by a dress from Downton Abbey, but not really. Thanks to @mrtri91 for inspiring me to make it in the first place.

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[queenlucythevaliant]

Also for the record, the whole White Witch-enchanted food thing still would have worked regardless of when the story was set. Kids like sweets, especially magic ones that symbolize temptation. The WW2 sugar rationing is not the pivotal element here

[vikkicomics]

A Dutch and a Deutsch. Here Prussian Officer Major Isenstein is chatting up a Flemish girl. He's an energetic and flirtatious character. -Concept art for Moth.

[jackmkelly]

alex prakken and jeremy jordan la dee dah with you is something that will never leave my mind btw

[multifandomaceflux]

So... I've noticed a severe lack of wartime Watson fanart (I might be wrong tho)

Either way, I decided to do something about it :)

Just one teeny problem, I have absolutely no idea of how the uniforms were during the Second Anglo-Afghan War. So you get WW1 AU Watson instead.

In arduis fidelis.

[humboldtidecomics]

Summer's day at Zoppot

Outfits I designed for Siegfried and Peter's summer trip to Zoppot, an East Prussian Seaside Resort town, which is Sopot, Poland today.

Siegfried has a lot of flamboyant, self-conscious, tailored suits, while Peter dresses in German-Baltic folk style. to reflect his interest in the peasant revolts, and lack of care for how others might judge him. Here is an excerpt from the script wip.

[paperworkanddogs]

i can't believe you. i can't believe you did this to me.

Luise was trying to organize porters in the chaos of the old house, and Resi was smack in the middle of it, asking stupid questions. Turning halfway to her older sister, she gave a bored glance. "I don't have control of everything," she pointed out as she wrapped a small statue in newspaper.

"And why do you care so much? It's not like you won't be able to keep your Catholic ways, keep going to mass as you please"

[mazzystar24]

Hi guys and welcome to Addie’s research spiral into the gay moustache:

Moustaches have always been a symbol of masculinity, sexuality and social standing

Like legit dating back to the 1800s we had the whisker and beard movement which started pushing the idea that facial hair can be masculine and sophisticated and not just a sign of lacking in morality and uncleanliness like the victorians used to think and you can actually draw a direct line to men feeling threatened to the patriarchy in those times and the prevalence of facial hair- this assertion of dominance and masculinity being seen similarly in ww1 soldiers, where facial hair became the accepted norm then post ww1 it went out of style again then this cycle repeats again with most wars.

There is also within the later 1800s and early 1900s links to sexuality and rebellion because younger men not having a full beard and instead having clean shaven faces or moustaches was seen as a sign of rebellion against older generations , also the need for maintenance of this style made it viewed as effeminate

Someone put it as the moustache has always been tied with the three fs: fops, foreigners and fiends meaning it was perceived that men would need to be well groomed or gay, foreign (particularly from Latin countries) or lacking in morals and evil to have a moustache

Okay so the origin of the gay moustache aside from the connection to the well groomed element

So post stonewall riots the gay moustache became a real thing like one qoute I found that was funny was arnie kantrowitz saying it was a requirement in the gay community, you needed a a flannel shirt, mustache or beard, bomber jacket, jeans and boots. We were dressing like the blue-collar men that turned us on." And a lot of it stemmed from what was dubbed the Castro clone look

Okay so Freddie was not in fact the originator of the Castro clone look

The castro clone look basically took all the really masculine and macho staples and made it extremely gay

The look originally being inspired by the men of the Castro neighbourhood in San Francisco in the early 60s and THAT actually comes from the “greaser”/hood look inspired by the 50s Italian American men and Latinos who also their subculture was born from their stereotypes

The Castro clone look doesn’t have one distinct origin but its popularity was fuelled by gay artists like Tom of Finland, and musicians like the village people and Freddie and gay pornstars like al Parker

And Parker was one of the big names in the Castro clone look this in particular not only explains the reason for his look well but also peep the “pouring beers over eachother” line and let me take you back to bachelor party buddie

And now I hear the republican man and Gerrard mentions and to that I say that’s the whole point of it

Like the hypermasculinised look was meant to not only play the macho aesthetic and be a form of queer signaling but it was also meant to subvert gay men stereotypes by instead doing this like extreme portrayal of masculinity

It’s drawing from straight men but making it’s undeniably queer

Like wife beaters, moustaches, denims and flannels were so tied to het males that they took that and still found a way to make it so undeniably queer that it became a form of queer signaling

Thus taking the power away from the macho hets and forming a new subculture

The gay moustache only started seeing its end around the 80s AIDS epidemic because the moustache aimed to make a person look older but as queer communities became more sick or perceived as unclean or sick the need to look clean and young grew and clean shaved faces became the trend again

So Eddie having the moustache isn’t some tie to Gerrard or straight people it’s actually so queer coded and a form of rebellion

And btw this isn’t even a niche thing it’s like a widely known queer thing to the point that one show got slammed for having a gay club scene set in that time and not having any Castro clones in it

[plumbob-pudding]

During the 1890s and the early twentieth century, infants, no matter their sex, were dressed in long white gowns that could be bleached cleaned. This fashion remained the same until WW1 as rationing meant that hemlines shortened. Bonnets remained common accessories though the hair bow gained popularity for baby girls in the 1910s.

By the 1920s, baby fashion in line with adult clothing, was sailor inspired and hemlines crept higher up. This trend continued to the 1930s as the great depression meant fabric was scarce and expensive. In fact, for poorer families, infant clothing was handmade with whatever was available, including flour sacks and old curtains.

The 1940s meant WW2 and any sort of elaborateness was very frowned upon. Fabrics were cheap cottons and almost always recycled and knit clothing rose in popularity.

Prosperity and affluence defined the 1950s and this was reflected in baby clothing. Baby boys were dressed similar to older men in little suits with shorts instead of long pants and little girls in full, babydoll dresses. This era also established the stereotypical blue for boys;pink for girls that remains till today.

[ihaveforgortoomany]

Discussing Isolde's new garment "And all that Jazz" as an evolution of her original and insight 2 Outfits

Consider this a continuation of an earlier post with greater focus on the similarities of Isolde's new garment to her previous two and how they tie to her character development in Ch. 6 (this is global friendly)

(spoilers for just Chapter Six )

In short her new garment in 2.1 can be considered the development of her character post the events of Ch.6.

The outfit we met Isolde in, the white one, signifies Isolde's previous repression of herself, her outfit similar to Trista in the Small Room story. While this sprite was used to depict young Isolde primarily, we can say that this more resembles Trista and how Isolde especially in her younger years was haunted and tormented by Trista. Isolde's boss the Mezzo takes a similar appearance to her original outfit than the insight 2 Tosca one, here again Isolde is repressed and allows Trista to possess her during the fight.

(Side note: Trista probably is the most powerful Dittasdorf in terms of the family's arcane powers, plus the fact that she died during a seance at a young age, became this relentless spirit that even years beyond her death continues to torment Isolde and as seen with her boss fight possess her)

Moving onto her insight 2 outfit this signifies the release of the repression, the inner self as Isolde peforms Tosca, kills Mr Karl, jumpstarts WW1 months earlier and proceeds to kill both Heinrich and Hoffman. Unlike the outfit she no longer has a veil obscuring half her face, a much smaller one signifying that loss of repression of desires.

Ignoring the green highlights and feathers clearly alluding to Kakania, the upper "jacket of the outfits does appear to mimic Kakania's jacket/ blazer or the ruffle on Isolde's first outfit, the overall sliver colour of the "And all that Jazz" garment calls back to her original outfit in being a darker shade, no longer is Isolde tied down by societal expectation of Vienna and acts freely (within the limitations of the Foundation ofc).

Both the low cut in her dress and the headpiece both reference to her insight 2 outfit, alongside her new voicelines signifies further this freedom from previous repression that Kakania (regardless of how much it did backfire) gave her. Yet despite this freedom was remains alone.

Additional note: in this new garment the knife is replaced with a cane that features very prominently. The cane has been historically seen as a overt status symbol of wealth and power, in comparison to a knife that would be easily concealed. We can speculate how Isolde in her younger years in the Small Room was thought to be meek and not stand out by Mr Karl, who eventually dies by Isolde's hand by a knife, no longer repressing any part of herself. What is noticable is that both Mr Karl and Isolde in her new garment dominantly hold the cane in their left (looks on the right to us and Mr Karl's is largely covered below) . We can speculate Isolde now possessing a cane reflects her increased power no longer under the repression of others (noteable ones being Mr Karl and Trista) instead able to act on their own, yet still cling to Kakania at the same time.

(Idk if it is the same cane Isolde is using as Mr Karl as I can't find a full spite of him but it would be interesting if it was, signifying her own triumph over the man who tormented her over the years to take his symbol of power)

Even her posture/ default stance is different: the previous outfits have a more reserved posture aiming to make herself the smallest in the room (does this count as a pun) whereas her new garment has her in a more confident and powerful pose, more open and empathises the cane again.

Summary - it is fascinating how her new garment doesn't seem like just an Opera Singer turned Jazz singer, instead a progression of her character following the events of Vienna as someone who while has escaped the torment and societal pressure is not truly free of that pain and trauma, but nevertheless no longer represses herself in the same way as before.

[pastlivesfinery]

Paris Élégant, 1916

[motherofdogs1010]

Letters to Juliet & Romeo I (Thomas Shelby x Reader)

Summary: Heartbroken and in the midst of the Great War as a nurse, Y/N L/N writes to a person she never expected to write to before... her brother's friend, Thomas Shelby... But the war's over now and it is time to face the letters...

Warnings: wartime angst, talks of wartime violence, pre-Peaky Blinder Tommy, soldier Tommy

Italics: content of the letters

A/N: Inspired by the movie 'Letters to Juliet', also there is no real timeline of when Tommy goes into the tunnels in France

January 1916, 2 Years into the Great War (WW1)

"L/N, you got a letter."

Looking up from the book she was reading, Y/N set it to the side as one of the soldiers came in, handing her a envelope that was a little dirty, had seen a little wear and tear but she recognized the hand writing on it.

She recognized his handwriting after months of writing to Tommy, Y/N remembered the first time she had written Tommy; it came after months of not hearing from her brother when he had left to France with the rest of the men in Small Heath. Y/N had made the decision to join in as a nurse with the Red Cross and maybe it was foolish, but she remembered the night before leaving on the train, when her nursing uniform was on her bed as the nerves were coursing through her that she grabbed a piece a paper and began to write.

Dear Thomas that letter began, she poured out everything about how Small Heath was, how she had signed up as a nurse and how she prayed she wouldn't find any of them in the camp hospital she was going to be. She had written how she barely had made the qualifications of being a nurse for the Red Cross with her just having turned 25 and such.

"Who keeps writing you, F/N?" one of her fellow nurses teased.

"Don't you know that's her boyfriend?" another responded.

"He's not my boyfriend", she denied, feeling a heat go through her.

"Sure he isn't."

The letters have begun as something innocent when Tommy had responded back to her first letter, she could sense the shock in his letter about her writing him but as the letters progressed, so did their relationship through their letters.

Opening the newest letter, Y/N felt a sense of anxiety in her as she remembered having had the courage to send Tommy a picture of her in her uniform; she remembered taking the picture once her training had been done, having donned the periwinkle, long-sleeve floor-length dress with the white apron that wrapped around her and went down to the ground. She had to tightly wrapped her back back into the white cap like habit.

A big red cross over the chest of her apron, she had sent the photo off with her letter and prayed that he didn't dislike it.

Reading the letter, she traced over his handwriting, feeling where he pressed hard on the paper as he wrote as she read how he found her to be beautiful in her photo.

You look even more beautiful than when I last saw you...

It made her heart clench as she saw how he wrote how he hid the photo in his service jacket from the others, that he didn't want them to see the lovely girl that kept writing him letters because he felt possessive over this same piece of heaven that was keeping him sane.

Y/N could picture Tommy in the trenches, covered in grime and dirt as he had to listen to the horrors of the wartime. She read how he longed for the war to be over, how he was fortunate enough to be with people that he knew, but he was terrified.

They're sending me to the underground soon. They want me and the others to be sappers, dig in the tunnels under No Man's Land

Y/N felt her heart drop at the prospect of Tommy going into the tunnels, having to dig with shovels under the handles broke and he would be forced to dig with his hands. She had seen some soldiers came in, having treated their hands for digging under the trenches and dealing with the explosives.

My only comfort is you, being able to bring the picture you sent me down in the ground where death might be waiting for me... the only thing that has gotten me through this damned war is you...

"Ladies, we got mass casualties coming in!" their head nurse shouted into the tent. "Look alive, ladies!"

Y/N tucked the newest letter into her pillowcase, knowing she was once again about to face the horrors of the war as she reminisced on Tommy's smile, she knew he smiled a lot.

But now, she had a feeling he didn't smile as much.

Dear Thomas,

I'm sure you're curious as to why you received a letter from B/N's litter sister. Frankly, I'm a little shocked I'm writing to you, I've not heard from my brother no matter the amount of letters I've sent.

That was how the first letter started, Tommy sometimes would re-read the letter when he couldn't sleep amongst the noises of screaming soldiers and anxiety.

"Shelby, ya girl's sent another letter", one of his fellow soldiers said as he held out a envelope.

Tommy grabbed the envelope, none of his brothers were around as he opened the letter; he remembers the shy smiles Y/N would send him when he would see her as she visited her brother, the little nose wrinkle she got when she would laugh a loud, deep belly laugh (one that he knew others called unladylike, but that he remembered fondly).

He felt the smooth texture of a photo in the letter, pulling the picture to his eyes and he felt a sense of... love come over him as he saw the picture of her in her nursing ward uniform. A small smile on her full lips, the roundness of her cheeks that only made her look younger, he could see in her eyes the nerves of everything. The cap hid her hair from view and he wondered if she had cut it short like other nurses were forced to do because of sanitation and he was curious if she still smiled.

He hoped she did because the only time he smiled was when he got her letters...

[dustymeadows-if]

Dust particles flow in the air, shimmering with golden light of the sun. They rise to the sky, equally golden and hazy. Your mind is empty. There is no single memory in your head. Only one thought is ringing in your brain.

You must walk forward. Walk until your feet begin to bleed. Walk until your shoes fall apart.

And for some reason you can't oppose this thought.

This is your road to Damascus.

Dusty Meadows is a short interactive story set in post-WW1 world. It's a small psychological adventure that will take you through the scarred European fields. Wander the abandoned trenches, scorched forests, poisonous valleys and silent, deadly no man's land.

You don't remember anything. The feelings, however, still linger. Feelings like pain, grief and bitter longing. Your body is mutilated, but you feel no physical pain. It's your soul that aches. It's as if an important piece of it was heartlessly ripped off. This pain urges you to go forward. The answers might lie just behind the next hill or river. Your life depends on returning. Returning your soul. Returning your memories. Returning your life. Returning home.

That is, if there's anything left for you to return to at all.

Customizable MC: choose your gender, appearance, personality and name (if you can remember it, of course).

Meet the cast of various charachters: you're not the only one wandering and seeking these desolate lands. Talk to other wayfaring souls, listen to their stories. Maybe even share the same road and experience strangely deep bond with some of them...

Return your memories: remove the shroud from your past. Remember how you got here. Remember what hides behind the scars on your body. But be wary: some memories are forgotten for a reason.

Explore different locations: travel through the remains of war, learn what happened there and remember what binds you to these places.

Maintain your sanity: nobody said that battlefields are safe even after the war. Your mind is as scarred as your body, and sometimes memories crash like tidal waves. Whether you'll hold the line or succumb to the dark depths - is up to you and you only.

Tired Infantryman - Basile (M)

This man could be a definition of word "apathy". Everything about him is grey: both literally and figuratively. Dressed in grey-bluish trenchcoat, covered in grey dust, he looks at you with dull grey eyes. Even in his dark brown hair you can see grey strands, although he's still pretty young. He doesn't seem to be interested in anything around him, except for his cigarettes. His left arm is missing, and you can't help but wonder what's the story behind this.

Frozen Operator - Johann (M)

He is... a weird man. Tall and muscular like someone working in the fields all day long. But at the same time his skin is the palest and the coldest you've ever seen, and his eyes are sunken as if he was spending many sleepless nights doing paperwork. He's also the only one without any visible wounds, which is very unusual to see in this place. Johann seems like a kind and outgoing man, but he hides something deep in his heart.

Blind Journalist - Gelsomina (F)

Upper half of her face is covered with bandages, but even so you can tell she's a very beautiful woman. Dark blood stains over the place where her eyes were never seem to fully dry. She is much alike that blood: restless almost to despair. This woman will either find peace or die, and the least seems to be most likely. Losing her eyes was a hard hit: she can't see, she can't write, she can't do her job which had always meant life for her. She lost every reason to live, but the fire of her stubbornness is blazing hard, keeping her alive and eating her from inside at the same time.

Wayward Nun - Jolan (F)

She is a strange sight. Dressed in nun robes which covers her whole body, she also wears a gas mask which she refuses to ever take off. This woman is like a walking fortress of her own, cutting off every direct contact with the outer world. She barely speaks, preferring simple gestures, or rather, not communicating at all. You don't know what she looks like, what she sounds like, but here's one thing you know for sure: guilt is seeping through every crack of her thick defense.

Demo - TBA

[vikkicomics]

WIP; Otto and his twin sister Brunhild in Pomeranian folk dress w/ golden apples. Block colours done.

[writingquestionsanswered]

Hi,

'm writing a novel set in the 1900s, including scenes from WW1. Any tips on maintaining accuracy for that period and writing in the style of novels from that era?

Authentic Portrayal of a Historical Era

If your story is set in another time and place, you'll need to do some research to make sure you get the details accurate. Luckily, there's information available online, in books, and on YouTube of just about every historical era in every place.

I want to take a moment to stress the importance of place, because life in early 1900s New York City would have been a little different from life in early 1900s Sacramento, for example. Likewise, life in an early 1900s Scottish village would be quite different from life in an early 1900s Indian village. So, make sure your general research pertains to the country of your story's setting, and that your specific research is geared toward a specific village, town, city, or region--or at the very least (if your specific location is imaginary) the closest real world proximity. Likewise, it's also very important to take socioeconomic status into account, because once again, life for an early 1900s socialite and her family in Manhattan would be quite different from the early 1900s life of a farmer in rural Manitoba.

When you're doing your research, you'll want to pay close attention to the following details:

-- societal rules and norms -- rules and norms around love and marriage -- role of culture and religion -- clothing, architecture, decor -- food and drink -- music -- customs, traditions, festivals -- typical occupations -- treatment/roles of women -- treatment/roles of children -- typical home life -- government and justice system -- transportation, tools, and weaponry -- notable "pop culture" and current events -- slang, idioms, and popular sayings -- important mythology, folklore, and urban legends

YouTube is a great resource for documentaries and documentary style videos to get a good breakdown of particular topics. Like, for example, let's say one of your characters is a wealthy New York socialite. There are videos on YouTube that will show you how a wealthy American or British woman (for example) would dress in the early 1900s. Likewise, you can watch a video about World War I or anything specific to WWI that you want to learn about.

WQA’s Guide to Internet Research Researching a Historical Topic Setting Your Story in an Unfamiliar Place Writing About Difficult to Research Topics

Happy researching and writing!

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