#wtf did i just say

[poniko-w]

⚠️GETTING AUTISTIC ALERT⚠️

one of my absolute favorite things abt mo4 is understanding just how terrible a lot of the main cast is.. i've changed fukurou and morikaze to be more normal in my mind for my own comfort (as someone still recovering from trauma), but am still heavily critical of their characters as i am with every other main numa!! i love discussing the intricacies of the mo4 cast without defending any of their actions, and i really dislike when people mischaracterize them and refuse to accept canon for what it is.. no guys bachikin was not a girlboss girlqueen she was a war criminal & an awful person & part of her character is the fact that she is trying to fix what she did!! holding her accountable is part of the story im afraid, you cant fake-feminism your way out of this one💔 when you remove the bad parts of a character meant to be a bad person u are left with a very bland & uninteresting character. learn to love a character despite the shit that makes them a bad person while still holding them accountable it. i love talking about the mo4 characters who wants to let me ramble about the mo4 characters to them

[mariegreen-2000]

Spoiler for space usagi  Yokai Hunter

.

.

.

.

Akemi’s first appearance

If you want to read / see some of the new images of the new space usagi one short

Here the link that I got: http://boards.4channel.org/co/thread/139937344/space-usagi-yokai-hunter

[thereizacrucifixbehindu]

succession season 4 is coming out in the spring she is so cottage core

[cavernfullofexistentialdread]

So uh… kskskwkskakwkwkkwk UGH I WANNA PARRLYN SO HARD BUT SHJWNAJQJQJAJANANA FUCK YOU

[dice-boy]

we've noticed we're more likely to get introjects from media/of characters if we think about it a lot (makes sense)

however this does make *avoiding* specific characters quite hard

[zevrans-remade]

is that a challenge???

[hinamie]

"I'll show you every day that choosing to live was worth it"

some of my favourite scenes from @hijinks-n-lowjinks' fic things i would miss from the other side . this fic tore my heart out fr but like in a good way and i wanted to pay it homage the only way i know how <3

[kiisaes]

redraw of that one steven universe meme but as the "replace them with your comfort characters" art trend going around on twitter but mine are from the same series so the novelty is kinda gone and now it's just a bogstandard typical redraw. sorry

[psipaka]

V2 and Mirage on a date..? (I JUST REALLY LOVE HOW YOU DRAW THEM I NEED MORE SORRY,,)

Why is it now a running gag that V2 smokes in my drawings

Anyway here you go dear anon

[letoscrawls]

To honor Akira Toriyama i drew future Trunks aka my first ever crush

[weirdfishy]

John “oh my nephew gave me this thermos that souped your ghost problem” Constantine

vs

Tim “what the fuck do you MEAN your nephew gave you a ghost-eradicating thermos why have i never heard of this gimme the tech” Drake

[idk-bruh-20]

Irondad fic ideas #102

When Flash first overhears Peter talking about the "Stark Internship," he rolls his eyes and thinks, "Of course he'd go with that excuse at Midtown School of Science and Technology."

Whatever. Flash knows the truth. He's seen the car that Parker gets picked up in, seen the body guard / chauffeur and the absolutely insane amount of discrete safety tech he always has on. Flash is convinced that the whole orphan thing is just a cover story and Peter secretly has parents at least as rich and influential as Flash's own.

Maybe they're politicians or the mob or something, and that's why all the secrecy. Honestly, Flash is doing him a favor by bullying him all the time for being an unimportant orphan. It's the perfect cover. Maybe he'll even drop the ridiculous Stark Industries lie and come up with a more believable backstory soon.

Then, one day Flash and Peter end up in a kidnapping situation.

The kidnappers take Flash's watch, but they leave some of Peter's tech since it's better hidden. As soon as they're alone, Flash expects Peter to hit that panic button and get them the hell out of there.

Only... he doesn't? Did Peter learn nothing from K&R training? Flash reaches over and hits the secret panic button 3 times immediately, no hesitation. Peter is shocked. Flash is like, "Oh come on, I obviously know your secret."

He's kind of curious and excited now to see who Peter's secret parents are, once the cops get them out of there.

He is not at all prepared when Iron Man bursts through the door.

He's even less prepared when Tony Stark steps out of the suit and totally freaks out at Peter, hugging him and checking for injuries.

... maybe he's finally met Peter's secret parent after all.

[felix-lupin]

In Coraline, there’s a recurring theme with names and identity, and I personally don't think it's talked about enough. 

(As a note, this is dealing largely with the book, not the movie, although there are some hints of this theme in the movie as well)

Coraline’s neighbors constantly get her name wrong, calling her “Caroline” and not “Coraline”, to which she persistently corrects them. Despite her attempts, they never get it right, until chapter 10, in which Mr Bobo (Mr Bobinsky) finally gets it right.

"It's Coraline, Mister Bobo," said Coraline. "Not Caroline. Coraline." "Coraline," said Mr Bobo, repeating her name to himself with wonderment and respect. "Very good, Coraline."

It should be noted that, until this chapter, Coraline did not know Mr Bobo’s name either. In fact, it had never even occurred to her that he had a name. Up until then, she had just been thinking of him as “the crazy old man upstairs”, not as a person with a name. This moment, with her learning his name and him getting her name right, is a moment of genuine understanding and connection between the two, humanizing them both to each other.

Coraline’s other neighbors get her name wrong, which is representative of them not listening when she says anything, really, such as her telling Miss Spink and Forcible that her parents are missing and them literally not even acknowledging it at all??

"How are your dear mother and father?" asked Miss Spink. "Missing," said Coraline. "I haven't seen either of them since yesterday. I'm on my own. I think I've probably become a single child family." "Tell your mother that we found the Glasgow Empire press clippings we were telling her about. She seemed very interested when Miriam mentioned them to her." "She's vanished under mysterious circumstances," said Coraline, "and I believe my father has as well." "I'm afraid we'll be out all day tomorrow, Caroline lovely," said Miss Forcible. "We'll be staying with April's niece in Royal Tunbridge Wells."

Mr Bobo gets her name right after being corrected (only after being corrected alongside her using his name, mind you, showcasing her making an effort to listen to and understand him as well), which is representative of him actually making an attempt to listen and understand her. This point is further illustrated by a conversation Coraline had with the Other Mr Bobo in chapter 10.

As Coraline entered he began to talk. "Nothing's changed, little girl," he said, his voice sounding like the noise dry leaves make as they rustle across a pavement. "And what if you do everything you swore you would? What then? Nothing's changed. You'll go home. You'll be bored. You'll be ignored. No one will listen to you, not really listen to you. You're too clever and too quiet for them to understand. They don't even get your name right."

He equates those in the real world not getting Coraline’s name right with them not listening to her, and fundamentally not understanding who she is. So, somebody getting her name right, then, shows them actually listening to her, and being willing to understand who she is.

The mice in the real world know more than they should be able to know, and they also get Coraline’s name right.

"The message is this. Don't go through the door." He paused. "Does that mean anything to you?" "No," said Coraline. The old man shrugged. "They are funny, the mice. They get things wrong. They got your name wrong, you know. They kept saying Coraline. Not Caroline. Not Caroline at all."

They seem to know about the other world, somehow, on some level, and the dangers it presents. Them getting her name right represents them knowing more than they should know, more than they are told. Animals in general seem to have this type of quality in Coraline, actually.

The cat does not have a name. It says so in chapter 4, that cats do not need names. It says that this is because cats know who they are. But humans need names, because they do not.

"Please. What's your name?" Coraline asked the cat. "Look, I'm Coraline. OK?" The cat yawned softly, carefully, revealing a mouth and tongue of astounding pinkness. "Cats don't have names," it said. "No?" said Coraline. "No," said the cat. "Now, you people have names. That's because you don't know who you are. We know who we are, so we don't need names."

The cat shook its head. "No," it said. "I'm not the other anything. I'm me." It tipped its head on one side; green eyes glinted. "You people are spread all over the place. Cats, on the other hand, keep ourselves together. If you see what I mean."

This shows that, in humans, names are connected to our identities and who we are. Names are used to individualize and distinguish ourselves from each other. But cats do not need names to recognize each other, or be recognized.

"Oh. It's you," she said to the black cat. "See?" said the cat. "It wasn't so hard recognising me, was it? Even without names."

With or without names, it is still the same cat.

During the Other Miss Spink and Forcible’s performance, in chapter 4, they begin quoting Shakespeare. The specific quotes that they use are interesting to me when looked at under this lens of the importance of names, especially Miss Forcible’s.

"What's in a name?" asked Miss Forcible. "That which we call a rose by any other name would smell as sweet."

"I know not how to tell thee who I am," said Miss Spink to Miss Forcible.

Now, of course, this is just them quoting Shakespeare. But. Why these quotes specifically? They’re at the very least notable when discussing Coraline’s recurring theme of names. Especially the quote about the rose. It makes me think of what the cat said earlier, about how cats are sure of who they are so they don’t need names, about how Coraline didn’t need the cat’s name to be able to recognize it for who/what it was.

But, of course, this does not apply for humans. We need our names to be able to know ourselves, to be able to tell others who they are.

In chapter 6, Coraline wakes up and is disoriented. This disorientation is compared to the feeling one might experience upon being suddenly pulled out of a daydream. In this comparison, forgetting one’s name is equated with forgetting who one is and where one is.

Sometimes Coraline would forget who she was while she was daydreaming that she was exploring the Arctic, or the Amazon rainforest, or darkest Africa, and it was not until someone tapped her on the shoulder or said her name that Coraline would come back from a million miles away with a start, and all in the fraction of a second have to remember who she was, and what her name was, and that she was even there at all. Now there was the sun on her face, and she was Coraline Jones. Yes.

The ghost children have also forgotten their names, and with it most of who they were. In chapter 7, when Coraline is locked behind the mirror in the Other World, one of the ghost children says that names are the first things that one forgets after death.

"Who are you?" whispered Coraline. "Names, names, names," said another voice, all faraway and lost. "The names are the first thing to go, after the breath has gone, and the beating of the heart. We keep our memories longer than our names. I still keep pictures in my mind of my governess on some May morning, carrying my hoop and stick, and the morning sun behind her, and all the tulips bobbing in the breeze. But I have forgotten the name of my governess, and of the tulips too." "I don't think tulips have names," said Coraline. "They're just tulips." "Perhaps," said the voice sadly. "But I have always thought that these tulips must have had names. They were red, and orange-and-red, and red-and-orange-and-yellow, like the embers in the nursery fire of a winter's evening. I remember them."

The ghost children may have their memories, but they have largely forgotten who they were. They may remember their tulips, and certain strong memories, but there is very, very little left of them, and they have forgotten who they once were, they have forgotten their names.

"That is why we could not leave here, when we died. She kept us, and she fed on us, until now we're nothing left of ourselves, only snakeskins and spider-husks. Find our secret hearts, young mistress."

"She will take your life and all you are and all you care'st for, and she will leave you with nothing but mist and fog. She'll take your joy. And one day you'll awake and your heart and soul will have gone. A husk you'll be, a wisp you'll be, and a thing no more than a dream on waking, or a memory of something forgotten."

The Other Mother stole their hearts and their souls and their selves. She stole who they were away from them, their identities and names and the names of those they loved, leaving nothing in her wake.

The same ghost that talked about the tulips and the names of the tulips struggles to answer when Coraline asks their gender, as well, and when they do eventually give an answer they seem somewhat unsure of it, as shown by the word choice of “perhaps” and “I believe”

"A boy, perhaps, then," continued the one whose hand she was holding. "I believe I was once a boy." And it glowed a little more brightly in the darkness of the room behind the mirror.

(I personally take this quote, specifically it "glow[ing] a little more brightly" after coming to this conclusion, to mean either that the ghost is happy at realizing that he was once a boy, or even to mean that he has become somewhat more tangible upon this realization; upon remembering something about his self, and his identity.)

As an aside, it's noteworthy to me that we never learn the Other Mother’s true name. She is simply “The Other Mother” and “The Beldam.” Never is an actual name applied to her, only titles. We do not truly know who, or what, she is. Beings without names are shrouded in mystery (or should i say mist-ery). The ghost children are benevolent mysterious beings, the cat is an ambivalent-leaning-helpful mysterious being, and the other mother is a distinctly malevolent mysterious being.

"Who are you?" asked Coraline. "I'm your other mother," said the woman.

"She?" "The one who says she's your other mother," said the cat. "What is she?" asked Coraline. The cat did not answer, just padded through the pale mist beside Coraline.

But in conclusion, names in Coraline are extremely important. I’m sure there’s probably more that I'm missing, and feel free to add onto this, but basically—

People need names to know and remember who they are, and forgetting one’s name is the first step to losing the rest of who one is. Names humanize a person; with a name, they are less shrouded in mystery, more clear.

Knowing somebody's name helps one connect to and better understand that person; it is the first step in getting to know them and see them as a full person, the transition from “the crazy man upstairs” to “Mr Bobo”. Names, to people at least, are one of the fundamental building blocks of who we are.

[bajaja-blast]

finally finished this fucking book

it took me almost a year because it’s so hard to get through oh my GODS

[ecoterrorist-katara]

I’m so tired of wlw background ships in mlm fandoms.

mlm shippers almost never develop wlw ships to the degree that the audience feels invested in them. The conflict and character development and love story rely on tropes rather than actual narratives, yet fandoms act like they’re doing wlws a favour by shoehorning in this shitty “representation” when it’s just golden retriever x black cat over and over and over again in different fonts.

To be clear I don’t blame anyone for not having big wlw ships, because most major media out there do not have two fully fledged female characters you can ship together. If you want to write mlm ships, good for you! If you want a lazy wlw ship in the background, that’s fine! But don’t act as if the fandom actually cares about them, or that anyone did the legwork to make them characters that you can care about. Most of these female characters are never properly developed in the canon source material, and they’re almost never properly developed in the fanon material either. You can always tell by how these women are like, one archetype + gay (sporty gay, feisty gay, slutty gay etc, like some kind of gay Spice Girls). Yet fandoms just love to act like these background wlws mean so much & have the best love stories & everyone just should ship them. It’s all so performative.

wlws are not an aesthetic. wlws are not 2D happy couples to round out your queer utopia, a queer utopia that somehow still manages to foreground men. Women are always treated as 2D characters in narratives, except now there’s a subgenre where these 2D women are gay. Groundbreaking.

[quadrantadvisor]

Owl House/Boiling Isles biology headcanons from a fic idea I never wrote:

Witches have a wider range of color vision than humans. A lot of magic puts off infrared light (meaning Luz is missing out on like, half of what spells actually look like).

Humans, however, have a better sense of smell. Witches are better at digesting potentially hazardous materials, but humans have to worry about poisons. Humans are also highly specialized to smell petrichor (via Wikipedia, "able to detect it at concentrations as low as 0.4 parts per billion"), and witches can't smell it at all. (Luz is like, "I miss the rain smells in the human realm so much. On the Boiling Isles the rain just smells like burning :/" and all her friends are like, "what. are you talking about."

Witches don't have an appendix, but they do, coincidentally, also have a random organ that doesn't have much of a purpose and sometimes ruptures and kills you. It's located slightly above the right lung.

Kinda obvious but, ears. Witch ears have a greater curve than human ears and taper into a point. They have some limited mobility, allowing the witch to pinpoint sounds, and they play a part in emotional expression. For a witch, it's not really that strange that human ears are round, it's more that they don't move at all. They're completely stiff, and it makes humans difficult to read. (Luz is lucky she's otherwise very expressive, or else she would come off as nearly emotionless. As it is, sometimes people think she's not being genuine, because her ears don't match the rest of her expression, like when someone smiles without their eyes.)

Humans have slightly denser bones than witches. As a result, humans weigh a bit more on average and put on muscle easier.

Witches can't digest lactose

A high tolerance for most human poisons means that alcohol isn't a popular drug for witches. It technically affects them in a similar way, but their tolerance is such that it's not an effective way to get high. Most of the drugs used recreationally on the Boiling Isles would kill a human instantly.

Witches have a different pulse beat from humans, since their hearts are designed differently to accommodate the bile sac (and grimwalkers' pulses are even more unique, since they have a galdorstone. Rather than the thump of blood valves, Grimwalkers have a sort of magic hum that pulses their circulatory system.)