#written in one go because i thought it would be funny

[error-dream-was-found]

I just saw your idea about Quackity sucking at torture and I am SO intrigued 👀 Please do tell

(Also I absolutely love love love your writing <3)

Hiii, thank you for asking :)

And I'm happy to hear that you enjoy my writing <3

It's been a while since I came up with that idea and I can't seem to find my notes on it (I found like 15 other half forgotten AUs instead oops) but I'm pretty sure it came from some discussion with Flora.

The basic idea is that everything happens just as it does in canon and Quackity goes to torture Dream. This is where things get sketchy because as I said, this is a 100 % crack idea so ... what if Quackity just somehow managed to fuck up every single torture attempt?

I really wish I could find my notes on this because I know I had some specific ideas written down but let's go with what I remember. During the first visit I think he might've just underestimated Dream who in spite of being in the prison for a while now was still able to dodge Quackity and maybe even disarm him or something just it ends up with Sam having to interfere.

But it's okay! Quackity's got it! It was just a ... a minor inconvenience, nothing more. But ... things are just not working out during his second visit either, nor during the third one or the fourth one.

Dream is totally not giving fuck about what Quackity wants and for the sake of crack Quackity just miserably fails in all his attempts to torture Dream in the most ridiculous ways possible.

Like, he will get his axe stuck in the obsidian and can't pull it out, he drops a harming potion and hits himself instead of Dream, he sets himself on fire on accident (that lava wall had no business being over there!), he fails to realize that Dream is actually good in strategic games and his plan to hurt Dream for losing a game fails when the game drags on for way too long (bonus points if he loses somehow). Just some very weird (and hopefully somewhat funny) stuff happens.

Some time he doesn't even get to try his hand at torture because he gets carried away with wedding preparation and all (just imagine him forcing Dream help with choosing the decorations or something lol)

After his fight with Karl Dream is forced to be the therapist (he has no escape while Quackity cries about the state of his relationship), least to say Dream is very confused why Quackity thought he is the right person to ask about the relationship problems (srsly Q have you seen the state of his relationships???)

At this point Dream himself might try to give him tips, look he is not a fan of getting tortured but this is just sad, okay?

Perhaps he will manage to actually hurt Dream at some point but by then I think he would be too used to failing that it actually freaks him out more than it freaks out Dream himself. Least to say the rest of the "session" was spend fretting over Dream because god man you're bleeding! Dream is just there like ... isn't this what you wanted? And well yeah but also no! (Q has some very mixed feelings)

Overall though I think Q would maim himself in that cell more than he ever did to Dream. On accident of course. I never figured out the logistics of this one but it'd be hella funny if Q somehow managed to idk cut of his own finger or something of the sort which would just end up with him freaking out and Dream having to try to calm him down while also calling for Sam to bring a healing potion

I know that it's supper cannon inaccurate but it's really just a crack idea without any real plot behind it 😅

[chaifootsteps]

even just on a writing level Viv addressing Stol1tz shippers about the pacing from that tweet is so funny because

maybe some of them want stol1tz to hook up and be stripped of all personality like Fizz/Ozzie already, but the problem to me is not that Stol1tz is slowburn

my problem is that it's toxic and poorly written

when the show started I thought the more questionable power dynamic elements were just part of the Hell setting and we were supposed to look at them just being business partners with benefits

then we'd get to see them catching feelings and it would be a more 'messy' queer slowburn relationship done well (not discounting how icky the full moon deal is, just talking from a perspective of what I thought they were going for)

but that never happened. Stolas abruptly fell in love and Blitzo just as abruptly started pining. no one grew or changed or anything satisfying because all we're getting on that front if Blitzo not being allowed to explain why he's mad and Stolas continually acting like he gets what the problem is only to develop amnesia 5 minutes later and blame Blitzo for the fact there's nothing going on in his bird brain except Broadway tunes that drown out his ability to do any self-reflection like you'd expect a real character to do

also so tired of hearing 'we're only halfway through!' as though the remaining two seasons will fix the problem of the plot being so incompetently handled it feels like the show is both going nowhere and wasting all its drama by resolving what should be a paced development way too fast

For real. Characters can form a slow-burn relationship or fall to the ground slamming mouths in the space of a single episode and what matters is how you tell the story of that relationship. Viv's proven time and time and time again that given 10 years to tell a story, she'd still find a way to fuck it up.

[nevesmose]

Separation 11347

This was, by Trazyn's infallible reckoning, his eleven thousand three hundred and forty-seventh divorce from Orikan. The Diviner, on the other hand, was adamant that it was in fact only their eleven thousand three hundred and forty-sixth. This dispute was what had caused the current divorce.

At first he had settled contentedly into his usual divorce routine, entering his meticulously-preserved time loop of a "Happy Divorce" party plucked from the Terran city-state of Nova Yoruk in early M3 as the Imperium kept its years.

As had been the case so many times before, the Lord of Solemnace basked over and over again in the reassurance of the assembled middle-aged humans that he was indeed so much better off without that asshole in his life, rounding off the festivities with a cake depicting a miniature confectionery figurine of Trazyn using a guillotine on a similarly-constructed sugar-based effigy of Orikan.

It was all very gratifying, and he was certain that when the amusement faded he would return to find Orikan waiting for him apologetically, his eminently bullyable faceplate resembling a weeping juvenile felid.

It was, however, not to be. He returned to the Galleries to find no trace whatsoever of Orikan. He was so disconcerted that he even briefly considered retrieving his much-prized clone of the primarch Fulgrim from stasis, but decided against it. It had, after all, only been a few subjective decades since he had placed the clone into a detailed diorama of the genuine being's final battle with his erstwhile companion Ferrus Manus for enrichment purposes. He had been thoroughly pleased with himself for coming up with entertainment of such realism and, judging by his mute tears of joy, so too was the clone.

What a wonderful caregiver I am, he had thought, jauntily walking away. Perhaps he and Orikan should adopt, which when used by Trazyn the Infinite is a word which means kidnap, an Astartes or Aeldari together.

Time passed and with no sign of Orikan's return, Trazyn felt it justifiable to seek other outlets for his multifarious urges. After exhausting every category on Cronhub and getting banned from Nemesorindr, he arose to find that the necrodermis of his lower limbs had spontaneously reformed itself into the shape of a baggy, ill-maintained example of the Terran garment known as sweatpants.

This could not stand. He resolved that he would start A Project, an undertaking of such majesty and glory that no one, least of all that cycloptic fool Orikan, could deny him the attention he deserved.

After brief forays into stop-motion animation and painting miniature Space Marines (accomplished by shrinking normal Astartes through arcane technosorcery and ignoring the resulting high-pitched noises as he applied pigment of a much too viscous consistency to their battleplate) his thoughts returned once more to his display of the battle between the primarchs on Isstvan V.

Theirs was a tragic tale of heartfelt companionship severed by corruption and betrayal. He himself had mentally projected several hundred phaeronfics about them to the great repository of the Necron race whose name, although untranslatable into any other language, was best rendered as The Sarcophagus-Belonging-To-Us-Alone, and some of them had even received multiple scarabs of approval from the discerning audience entrapped there forever.

Surely, he reasoned with the confidence of a being who had long since activated the developer console of his necrodermis body and manually increased its confidence, intelligence and charisma variables to 100, this meant that no one other than he could restore their friendship.

And so, in single-minded pursuit of compassion and friendliness, the Archaeovist and his forces wrought a swathe of destruction across the galaxy.

A foray into the Eye of Terror itself resulted in the capture of Fulgrim through the use of a vast two-pronged stick to pin the writhing daemon prince to the ground where he had been basking one day, while the sacrifice of his entire collection of ancient Terran doujinshis to the haemonculi of Commorragh itself had given him forbidden knowledge sufficient to wrest back the very soul of Ferrus Manus himself and place it into a suitably prepared necron host body via the biomorphic resonance of the necrodermis which had coated his hands in life.

Finally, the moment of glory came. The daemon Fulgrim and the metallically resurrected Ferrus Manus were placed into the same containment chamber and -

It was not at all what Trazyn had hoped. After a monumental bout of hand-to-hand combat lasting for hour upon hour, the two primarchs had settled into an uneasy stalemate, in the sense that Fulgrim was currently coiled around a light fixture on the ceiling and Ferrus had run out of objects to throw at him.

"You're even uglier now than you were when you had flesh," Fulgrim hissed venomously.

"And you were more of a snake then than you are now," Ferrus shot back, the frozen inexpressiveness of his necrodermis faceplate matching the famously stone-faced countenance he had displayed in life.

Fortunately Trazyn, who never made a mistake of any kind whatsoever, had prepared for such an eventuality. A concealed slot opened in the ceiling of the containment chamber, dislodging Fulgrim from his perch, and through the opening there descended a vast garment of woven silver-metallic fabric, emblazoned with inscrutable Necron symbols and sized in such a way as to accomodate the bodies of both primarchs.

"This is your get along shirt," Trazyn said, his voice amplified throughout the containment chamber. "You will wear it."

[buddiesmutslut]

OKAY OKAY OKAY YOU GUYS BUT WHAT IF!!

What if, in the last few minutes of 7x10, we cut to Frank in his office. The camera is focused on him so we don’t know who’s on the couch across from him.

He’s mentioning the last time the person was there, that they were talking about intimacy & their partner and worries about the future (throwback to Athena on the first episode & Bobby in the cruise ship arc), and Frank asks the person how it’s going…

AND THEN IT PANS TO EDDIE IN THE ROOM LOOKING UNCOMFORTABLE AND UPSET AND KIND OF A MESS AND HE SAYS SOMETHING ALONG THE LINES OF: “I realized I couldn’t commit to Ana or Marisol in the way I thought I should because they’re not what I wanted. I don’t think I like women.” A pause. A breath. “And I think that’s because I’m in love with my best friend.”

END SEASON ROLL CREDITS YOU’LL HAVE TO COME BACK IN S8 TO SEE HOW IT PLAYS OUT.

[cowboy-robooty]

okay. calling all yandereheads. does anyone know any stories that has a yandere but like they have a sidekick (that doesnt really want to be their sidekick but is forced into it and decides to make the most of their situation and ends up acting like a silly friend to them) and at first they hate their sidekick and want their ass dead but keep em around bc their sidekick helps them stalk their crush but then the story does a switcharoo where the yandere realizes sidekick is their #truelove and goes yandere for sidekick

[match-your-steps]

just read a review of the lego movie from 2014 and it is genuinely a horrible piece of literature and through perusing the comments underneath the review, I have gained an intense dislike of the reviewer. it's not even that I liked the lego movie and he didn't it's just that a lot of the stuff he says is factually incorrect, really stupid-sounding, or he doesn't provide any real reason, and in the comments, he reacts to even the friendliest and politest constructive criticism as if it's a personal attack on him.

[gildedmuse]

So, I just know all of Tumblr was wondering, "hey, you remember that really weird ZoLaw fan with the annoyingly overly stylized post? I wonder if she's seen this and if she has any theories or thoughts, an observation or two?"

Well, allow me to set your wandering mind at ease, fictional Tumblr fan. The answer is: No. No, I really don't.

I have like three hundred.

[I also spent time just trying to track down as many translations as possible. Is Tera A Criminal's Daughter or The Daughter Of Thieving Bandits! These are CLEARLY separate things and can ENTIRELY change how her utter nonpresence in Zoro's life shaped him! Though I can take comfort in knowing that, regardless of what kind of crimes her father was committing they were more important than anything his daughter ever did in her entire life.]

And, hey, as might as well jump right into that whole mess.

1. Wait, Zoro's mom is dead? Thank goodness, I was worried Oda forgot one!

(AKA: Stop. Murdering. Moms.)

I'll go first, I don't mind saying when I was wrong. True, in the past I may have suggested that the vast majority of female characters in One Piece come off as ever so slightly, "leaning into sexist tropes with unadulterated joy; it's the misogynistic tropes equivalent of a child running naked through a grocery store. It's right there, everyone sees it, yet people shut up and continue shopping in part because, well, these days you just expect most people to cover that junk! What would you even say? And if you DO speak up and call out the inappropriate, be prepared for blank stares and tantrums; but THEY don't mind! THEY don't think it's wrong! You're just being mean!"

More or less a direct quote.

However, I see now that I rushed to judgement and the reality of the situation is far more nuanced. With that in mind, I was just wondering if someone could help answer some of the questions I have.

Like: Why does Oda believe that it's illegal for (maternal) female characters to survive other character's backstories?

More importantly, why hasn't someone just reached out to explain the misconception!? It can't be that difficult. If nothing else, just have a lawyer or judge or other expert in censorship on hand. Or is the one of those cases where back in highschool his friends made something up and then kept pretending it was real to see if he'd believe you and not only did he fall for it, it took over 20 years before he learned that, what, no that's not illegal. That would be crazy if it were an actual law. Cause you know, after the first 10 years I think yeah you have to just lean into it. Pretend it's a creative decision on your part and definitely not because you were terrified of being sentenced to a slow and humiliating public death.

Just to be clear that's definitely what's up, right? I mean, I'm struggling to think of another reason....able excuse why a story that I really enjoy keeps playing the same old sexist tropes cards again and again to the point of absurdity. It would just help if I had a valid excus- explanation. I almost mistyped the word explanation.

....

....

So I imagine it went like.

"That's the third mangaka they've had to Publically Execute this week!"

"They've started taking this law way more serious lately."

"This one really deserved it though! I heard his main character has a mother in her late forties!"

"That does seem old to have your first child."

"No, he's the middle of three and 22 years old. The story even has flashbacks of defining moments in his childhood and never once did she try to sacrifice herself for him, get murdered by his enemies, or die in meaningless unrelated accidents."

"Damn, that's cold to be there for all the protagonist core moments and not die and help him develop and grow a character? They must have a very antagonistic relationship. Is she actually the villain."

"Not that we know, and when they asked about this being a possible plot twist since - obviously if she's evil no laws are being broken."

"Well, of course, that's the whole reason Statue 2-dash-57 exists; if creators can show they have consistently been building up to a surprise twist then the female character in question can continue to live so long as she continues to be unrepentant and unlikable until the resolution of her arch by the protagonist."

"That's the thing! Under oath not only did man present no evidence to support her identity as a secret villain, he went on the record stating he wanted to depict their relationship as one of a normal modern 20 year old and his mother."

"That can't be true! What publishing company would even print that!?"

"It gets worse. I told you he was a middle child? Well, according to those who've read the actual manga, his younger sister was really sick as a child."

"Oh, well, at least-"

"It was just a fish allergy. She's perfectly fine."

"Sometimes I feel this law is unnecessarily harsh but.... Then you hear stories like that, and you realize that some people really are monsters."

[bookwyrminspiration]

I wrote “et tu, Brute?” on the class whiteboard as tomorrow’s phrase of the day, no reason in particular…

[andiloveyoutooangel]

"I know that face." Her voice is low, raspy from sleep, but still playful. He floats above her, caught in the act. Morning sunlight slits through the cracks in the blinds he's trying to close. Whatever doesn't fall on his skin lands like patchwork on the blanket she's curled up in, her tired eyes meeting his. "What are you worrying about now, hmn?"

"Ah, désolé, did I look worried just then?" Despite his self-assured tone, his expression betrays his sheepishness, as he ducks down to press a kiss to her forehead, "I only wanted to close the blinds so the sun wouldn't wake you before your alarm. I guess, uh, I woke you before your alarm, instead...?"

She's been so tired lately, is what he doesn't say, so busy and drained of energy. He wants her to be able to rest fully, as much as she needed, in the way where he'd threaten a solar eclipse if the sun dared disturb her on her first day off in so long.

"Taylor, you're so dear to me. Thank you." She says, simply, sincerely. Her smile is warmer than sunrays, "It's okay, you don't have to. Sun's good for me, in the winter."

"Ah. Okay, okay." So he leaves the blinds, slightly ajar. No solar eclipse then, if his love prefers the light. The dark of the room is warmly hued, tinged with mellowed gold. He hovers awkwardly, wings slowly flapping to keep him uncertainly afloat.

Wordlessly, she raises a wing and an arm towards him, an invitation, a request. Slowly, carefully, he lowers himself beside her. With much less care, she unceremoniously tosses the blanket over him so they're sharing, and he grins, ducking his chin beneath the covers.

He lets a wing drape over her, covering his charge, his human, his partner. In turn, she intertwines a hand with him and closes her eyes. Safe, content, trusting.

"I love you." She says, squeezing his hand gently.

"I love you." He returns, and they doze until the alarm wakes them properly.

[paragonrobits]

some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."

[oveliagirlhaditright]

Speaking of amvs (I mentioned one in the tags of my last post), I'm also finally finishing a Bangel one that I started ages ago, and I really love it<3

But when I do finish it, I wonder if I should publish it now or just wait a little bit and upload it for the "I Will Remember You" marathon. I'm thinking the latter, honestly.

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[lemonduckisnowawake]

*gasps as I crawl up to this blog, covered in blood and sweat and gore* After 300 pages of story scenes, 700 pages of short stories, multiple documents of additional short story dumps, 7 folders, and some other things, I have successfully found at *least* FIVE romance scenes that aren't written with hatred and pain, aren't written out of spite, aren't made to be ridiculous and/or funny, aren't heavily made to be an allegory, aren't noncanon cause meh, AND aren't made to be a tragedy. At least 5 (it's sadly less than five but I'm done looking at what I didn't) small written things in over 6 years of Serious Writing that feature a romance that is soft, taken seriously, canon, AND not made to be purposefully ridiculous cause I Could Not.

All that to prove to a friend I could do romance softly and seriously after they shared something really very sweet and well written. ALL THAT JUST TO SHOW THAT I KIND OF ALREADY SHARED SOMETHING LIKE THAT A FEW WEEKS BACK

[yuukiiqwq]

Satoru was confident that you liked him back. He was positive. He had no doubt in his mind that you were going to be his pretty little wife. Is he getting ahead of himself? Sure, he is, but he's that confident. That's until he noticed how he hadn't received any chocolate from you.

It was Valentine's Day, and he still hasn't received any chocolate from you. Yeah, he had a mountain worth of chocolate from all those people who gave him it, but where was yours? He couldn't find it anywhere. He was sure that you would have placed your chocolate on his desk since you hadn't given him his. He double no triple checked all the chocolates, yet he could not find the one that has your pretty little name written on it. He continued to search through the chocolate pile for the fourth time today.

He must have missed it, right? Or did someone steal it? He swear he's going to hunt that person to the end of the Earth. Who dared to steal something that was rightfully his?

"Satoru, calm down."

He looked up at his best friend, who was trying to hold down a laugh at his panic.

"She'll probably give it to you later. The day just begun."

Right. Suguru is right. You'll give him his chocolate later. He's a good boy. He can wait.

That's what he told himself, but Suguru and Shoko have already received theirs this morning, and his is still nowhere to be found. Where is his chocolate? You're just sitting there in your seat, looking all pretty as if Satoru is not going through a huge dilemma because of you.

He couldn't help his hands that kept inching itself closer to the chocolate you gave Suguru. He wouldn't know if he snatched it, right? Suguru had received a lot of chocolate! He wouldn't know if he took it... was what he convinced himself before Suguru slapped his hand away.

"Satoru," he sighs.

"But Suguru!!!" Satoru whined as he sunk down into his seat.

"Be patient. You'll get yours soon."

But how soon is soon? Satoru isn't exactly known for his patient.

It was the end of the day, and still no chocolate from you. He asked Suguru and Shoko to leave first because he thought you would finally give it to him when both of you were alone. But you haven't. Where was his chocolate?

The two of you were approaching the exit of school, so Satoru made a quick decision, grabbing your wrist and pulling you into an empty classroom. He quickly shut the door and locked it.

"Satoru?" You asked in confusion. "What's wrong?"

"My chocolate."

"Your chocolate?"

"My chocolate from you! The symbol of your love towards me!"

"I didn't make you any," you replied smoothly. "Forgot to make them yesterday, so I woke up early today to make them, but I guess not early enough. I only had time to finish Shoko's and Suguru's. I didn't have time to make yours. Otherwise, I would have been late."

Satoru swear the world just ended. He looked down at his chest because he swears his heart ripped out of his chest at your words. Nope. Still alive. Why is he still alive in this cruel world? You had no chocolate for him? None? Not even a crumb?

"That's fine with you, right? I mean, you got a bunch of chocolate from other girls! You don't need mine."

He swear he is about to burst into tears. He didn't care about other girls. He didn't care about their chocolate. He wanted yours. How could you be so cruel and deny him of your chocolate? To reject him like this? He was devastated. No. Beyond devastated. Where is the closest cliff so he can jump off?

Pure silence radiated the room as Satoru tried to comprehend this horrible situation. Then he heard a small giggle slip pass your lips. That small giggle soon turns into a full-out laugh.

"You should have seen the look on your face, Satoru," you say as you try to stop laughing.

Was this funny to you? Why were you laughing at his suffering? Do you know how much he looked forward to today? To receive the cute little wrapped up chocolate you made for him? He dreamed of today, and you didn't have chocolate for him?

He then sees you reach into your bag and pull out exactly what he had imagined. A cute little chocolate box wrapped up in a baby blue color with a touch of white ribbon to finish it off. Fuck. He thinks he just got a heart attack seeing your chocolate. His chocolate.

"Princess, please don't joke like that to me ever again. You scared me half to death. I was going to jump off a cliff," he whined as he took the chocolate from your hand.

You couldn't help but roll your eyes at his dramatic behavior. "Stop being dramatic, Satoru. It's just chocolate."

A look of offense dawned his face as you utter those horrendous words to him.

"Chocolate? Just chocolate?" He huffed at you. He can't believe you as you treat this amazing god send gift as just chocolate. "Don't you dare call this just chocolate! This! This right here is proof of your undying love towards me!"

You laughed at his antics– "You're getting ahead of yourself, Satoru."

He delicately placed the chocolate safety away in his bag, treating it as a prized possession. He's looking forward towards white day. He already knows what he wants to get for you. He pulled you into a hug, nuzzling his face against your neck as he mutters– "You won't be saying that after I wife you up."

[joycrispy]

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

[lov3notts]

"you what?"

ᥫ᭡Theodore Nott x F!Readerᥫ᭡

summary: accidentally drinking a lust potion, you asked your best friend Theo for help.

warning: smut, cursing, unprotected sex, size kink maybe? cream pie.

word count: 2.4k

18+only; minors don’t interact

“You what?” Theo’s eyes widened, you wanted him to do what? He wasn’t sure if this was a dream or not but if it was he didn’t want to wake up

Earlier that day , you had accidentally drank a lust potion. 

How, you might ask?

Well the boys (Enzo/ Mattheo) thought it would be funny to prank Draco by giving him a lust potion as payback for pranking them earlier that week

At lunch the 2 boys were there first, taking their usual spots they slip the potion to a bottle of Draco's favorite drink and placing it on the spot were Draco usually sits

One by one the group gets to the table ,leaving you and Draco left. 

Soon both of you walk in, but you seem to be in a rush

“Sorry guys I can’t stay and chat, I have to get back to studying, i’m just here to get some food to eat while studying” grabbing random things and the only drink you see left, you quickly stuff it in your purse

“Wait y/n!” Enzo saying frantically, giving Matt a worried look

You look up at Enzo as you start to zip up your bag. “Yeah?” 

“We were actually saving that for Draco, um- were having practice later and that’s his favorite”

“Omg I’m so sorry! Here-“ as your opening you bag Draco comes behind you , going to sit down 

“I actually got my own drink, y/n can have it” Dracos says while pulling out his drink from his bag,

Enzo’s and Mattheos’s eye widen.

“I- um, but we got it for you” Matt says with a bit of a shaky voice 

“Its fine, I don’t need it” as he waves his drink showing the 2 boys

“But-“ 

“Omg thank you Draco, I really have to go now guys see you later” you say as you're walking away before the boys have a chance to take away the drink.

Both Enzo and Matt try to call you back but you’re already gone, both freaking out inside. praying you don't find out what they did.

While studying in your dorm you couldn’t focus for more than 10 seconds. Thinking you might just be tired from all the studying you took a break. Getting up from your desk you head towards your bed. Laying in your bed you start to space out

At first it was all innocent thoughts, school, weekend plans but then they started to shift The only thing you could think of was pleasure. Thinking of a certain boy made your cunt throb, making your body hot

Your hand slowly creeps down to your shorts. Slowly playing with yourself imagining it was Theo’s fingers rubbing circles on your clit.

“Oh god Theo” you moaned 

but no matter how good it felt you couldn’t reach your climax. You were so needy and nothing was working. The rising heat from your body only made things more uncomfortable.

“God what is wrong with me, and why is it so hot” getting up from your bed you walk towards your desk, trying to find your drink, in hopes of it cooling you down . You picked up the bottle and before you can finish the drink you saw something written on the bottom of the bottle

“Payback- Enzo and Mattheo”

Your eyes widened with confusion. 

What?

Then you remembered how the drink was meant for Draco. 

everything started to make sense

This is why you were like this

You couldn’t even be mad at them, Your mind was clouded with the urge to get any satisfaction you could. all you wanted was any sort of pleasure but nothing was good enough. it started to get painful and a sudden thought popped in your head. Theo

he’d help right? He was really the only one you can go to. 

Your heart was racing at just the thought of Theo agreeing to help you out, being best friends all these years you had developed a crush on him, of course you never acted on it because you didn’t want to ruin your friendship 

Pacing back and forth your room, you finally decide to ask him for help. Nervously picking up your phone, you open Theo’s contact.

“Theo?”

“Hey Bella, what’s up?”

The nickname itself making you get butterflies.

 “Um- I need a favor, can you come over?”

“Of course, i'll be over in a few”

“Okay see you” hanging up the phone, your thoughts begin to consume you

What if he says no?

What if he laughs at your face and runs off

What if…

What if he says yes… 

Before you can continue, there was a knock on your door. That must be him. Slowly walking to your door, palms sweaty, you turn your door knob

“Hey, what did you need help with?” Theo goes in to give you a hug

Hugging him back, your nose is infused with his cologne  

God why does he always smell so good

He lets go and looks at you closely, he moves a strain of hair behind your ear to have a better look at you. His eyebrows frown, noticing your face is flustered and incredibly warm.

“Are you okay? Your face is warm” resting his hand on your cheek

“Yeah, um actually funny story-“ Quickly leading him to sit on the edge of your bed, holding his hands as you begin to explain

“Please just hear me out. I know it's odd ,but I have no one to go to,- just please-“ falling to your knees, begging.

“Hey hey, breathe. You know I'm here if you need anything. Now tell me, what’s up?” Theo's eyes looking at you with worry.

“Please I- I need you to fuck me” you blur out

That was the last thing Theo thought would come out of your mouth. 

You wanted him to what???

He was speechless, absolutely at a loss of words. jaw wide open

“Please, I'm sorry for asking you for this, I know it’s a lot and we’re best friends. But please I can’t take it anymore. I accidentally drank something that wasn’t meant to me and it had this effect on me. I’ve tried everything but nothing is working. I need your help please” your face heating up from embarrassment . I mean you only ever had the biggest crush on your best friend for years, but what you didn’t know was that so did Theo.

Theo had dreamt of the day he got to be with you.

How’d he spend hours pleasuring himself of the thought of you under him, on top of him and how good you’d take him in your mouth. God, was he hard the second you asked him to help you out.

How could he say no? 

Without another thought he picked you up from the floor. Sitting down back on your bed while you straddled his lap.

Looking into your eyes, moving a piece of your hair behind your ear, resting his hand on your cheek, he leaded in.  

Your soft lips on his, both whimpering into the intense kiss. Licking your bottom lip asking for access. You gladly gave it to him. 

Slowly rocking your hips on his clothed boner, trying to find any friction to satisfy you.

Slowly laying you down your bed, taking off your clothes until you were left in nothing but your matching black lace set. 

“Don’t worry Bella, i’ll take good care of you” Theo whispers as he starts to leave a trail of kisses down your body

“Theo please~” you pleaded, needing to feel something, anything.

“poor thing, you’ve must of been so uncomfortable for such a long time, don’t worry i’m here now”

He stopped to look at your lying body, face all flustered, messy hair. 

“God you’re so beautiful” he wasn’t lying, he’d always thought you were the most beautiful person he’d ever seen. Always jealous of your ex boyfriends because they got to be with you. But now it was his turn and he was going to give you the best you’d ever gotten, he was going to ruin every other guy you’ve been with. 

Slowly pulling your panties off, dick throbbing at the sight of your wet glistening pussy. Trying to ignore his throbbing cock and focus on you, he gives you a sweet smile. 

“You're soaking wet, so ready for me” leaving little kisses around your pussy, teasing. finally burying his face between your legs, painfully slow licks as he takes it in, savoring every moment. 

As soon as you felt his tongue, you became a whimpering mess.  

“Theo~ oh my god yes” moving your hand to his hair, giving it a little tug. 

Theo couldn’t hold it in anymore, he started to devour you. eating you out as if he’d never get this opportunity ever again

“You taste so fucken good” he groaned against your dripping core. The vibrations sending you waves of pleasure 

“More please, Theo! oh my god~” it felt so good, his tongue making you feel things you’ve never felt before with anyone else

“So polite, even when your so needy” Theo smirked as he sees how much of a mess you were for him

He starts so pump one of his fingering into you while eating you out. Soon enough you felt the feeling you were craving for

“M-so close, fuck Theo i’m so close”

He stops what he’s doing, getting up grasping on his zipper and undoing the button. Tugging his jeans and boxers off. 

“Theo? Why’d you stop? I was so close” you looked at him with teary eyes. you were so close, god why did he stop

“Sorry princess, I wanna be in you, want you cum on my cock” godddd was he hot

His cock strung out his pants hitting his stomach , you were lost for words. In no world was Theodore Nott small, he was big- huge even. you’ve never taken anything close to his size.

Theo noticed your starring

“Like what you see?” A smile tugged the corner of his lips

“Don’t worry you can take it, I know you can”

You nodded at his works 

He lined himself up to your pussy, tracing himself up and down, teasing you.

“You have no idea how long i've been wanting to do this for” 

“Fuck ,Theo please, please fuck me” you whined 

“Anything for you, love”

he slowly pushed himself into you. You both let out a loud moan. 

“fuck, your so tight” Theo was out of breath.

You felt so good around him that he never wanted this moment to end.

“fuck Theo your big” you said panting 

“You think you can take more?”

More???

“There’s more??” Looking at Theo with a disbelief face

He chuckled “i’m only have way”

“Don’t worry you can handle it, can’t you baby?”

“Mhm- yes yes, I can take it”

Pushing the reset of himself into you. bottoming you out. heavily breathing, getting comfortable with the feeling of him stretching you out. 

“good girl ,You’re doing so well for me, are you ready?”

“Yes! fuck-please move, please” you begged

Brining your legs above his shoulders and laying them there. Gripping your ankles to keep you steady as he started to thrust into you. Both a moaning mess

“Fuck fuck fuckkk, Theo-” your eyes roll back, arching your back.

“You feel so good Bella, oh god-“ panting 

“Your squeezing me tight- fuck”

One of his hands moving to your waist. fucking you harder now, unable to stop. His cock was so fucking good, hitting your g-spot every time.

“Fuck Theo just like that, don’t stop, don’t stop please!” Your hands holding onto your bed sheets as he rocks his hips.

“You like that huh? You like it when your best friend is pounding into you, god you look so beautiful, taking all of me like a good girl” he groans while leaving kisses on your ankle.

Your walls clenching at his words

He groaned again as he felt your cunt throb at his praise. 

“Oh you like being called a good girl don’t you?” letting go of your ankle to grip your jaw to make you look at him.

“Who's a good girl are you?” Theo says as he speeds up his thrusts

Looking at him with half lidded eyes “Yours, all yours!!~“ you moan

“That’s right all mine, no one can ever make you feel this good, isn’t that right love?”

 “Mhm only you, ah~ i'm so close”

“Cum for me baby, come all over my cock”

You were absolute bliss, god you’ve never seen fucked this good, yeah you’ve had other hookups but nothing can compared to this, to Theo

You moaned loudly, shutting your eyes as you reached your orgasm “im- im cumming!!” Your body shaking from the overwhelming feeling

The way your walls clenched from cumming made Theo on the verge of spilling. He continues to thrust into you through your first orgasm. He didn’t expect you make such a mess all over his dick, your cum spilling out of you as he thrusts into you

You felt Theo twitch inside of you, knowing he’s close you moved his hand from your waist to your breasts.

“Mmm so soft…” Theo whispered. leaning down, putting his tongue on your nipple, swirling it around. “Mmm Theo that feels good” throwing your head back from a little act. Theo was soon approaching his climax.  

“Fuckk- can I cum inside of you? please oh god I can’t hold it anymore, please? Fuck-” Theo begged as he tried to hold it in, waiting for you response 

“Yes!! fuck Theo cum inside me” you practically screamed as you felt you stomach tighten.

He let out a loud moan as he spilled his cum inside of you. You screamed as you felt his warm cum spilling in you, triggering your second orgasm.

Theo’s thrusts became sloppy, riding out both your highs. He pulled out and laid beside you. Dizzy and breathless, taking a moment to catch your breath.  Finally when you both got steady, you look up at Theo

“Thank you Theo, really”

“No need to thank me Bella, you can come to me for anything anytime” smiling at you.

crawling onto his lap you whispered into his ear “stay the night? I don’t think the drink has worn off just yet~”

This was going to be a long night for Theo.

ᥫ᭡reblog's & comment's are appreciatedᥫ᭡

a/n: Thank you for reading my first ever fic!! a special mention to @leona-hawthorne for being an angel and giving me feedback on my first rough draft. It helped a lot:)!! another honorable mention to @nottsangel!! Im that anon who mentioned writing their first story, hope you like it^-^ thank you both, your blogs have inspired me to start writing. xoxo

©lov3notts ,do not copy, translate or claim any of my writing or works as your own.