#writings asks

[moonshine-nightlight]

I've caught myself numerous times wondering what would happen after the events of Don't Shoot the Messenger. Do you think messenger would be able to keep her anonymity after getting in a relationship with Satrasi? Would she still be able to do her work as a messenger if that was not the case? Did they try start of their relationship in secret in order for messenger to keep going with her job? Or did she get a more prominent job within the organisation instead? Or maybe I'm overthinking it and the two are descreet enough? Would love to hear your thoughts on this! (And have some secret hope you'll write it down as a follow up story one day😆)

@paleoverthinker

So, to answer your last question first, basically no. i sort of have an idea for another story in the DSM canon but it would be relatively short and feature Wicklow and a demon lady pirate (and would mostly be an excuse for smut). Satrasi and our Marlin would be there briefly, but otherwise not be prominent players.

I'm really happy with DSM as a whole as it is and have been trying to work on writing short stories--and this one's still over 30k which is very diff compared to a lot of other writers in this space on tumblr at least lol. I don't have any concrete ideas for where their story would go next and since I have a billion other separate ideas on my backlog, I'm trying not to think about it--although if I ever write that Wicklow story, who knows what'll creep up on me.

Now, that doesn't mean i haven't thought about the answers to your other questions already. Satrasi and our messenger are very interesting because they are both discrete and very... not at the same time. For things like the briefing depicted, where Marlin is officially reporting as a messenger--they are picture of professional, couldn't tell a thing between beyond perhaps that they have worked together for a long time.

The rest of the time though? Extremely obvious, they do not try to hide anything. They are pirates and do not give a fuck who knows. Marlin kept to themselves before all this and so are almost nondescript when in uniform so to speak. Marlin does take off their marlin specific coat and is more likely to have their hair down (Satrasi likes to play with it) when with Satrasi off-duty so to speak. So often people do not recognize them when Marlin is just straight up curled in Satrasi's lap while random pirates discuss idk maps with him.

There are plenty of rumors about the Admiral sleeping with one of his messengers, but that's all most of the world knows. There are so many crazy rumors about Satrasi, that one barely rates. (Did you hear he has an army of sharks that follow his ship around?) The majority of his fleet are extra nice to the messengers because which one is it? Fuck if I know (the other messengers encourage the confusion so they all get good treatment lol) And the crew of the carrier know exactly who it is and knock a lot more now. Marlin loves being a messenger (doesn't want diff role) but does know more secrets because they are just like, around Satrasi a lot more than before.

And while people never really tried to cross them before (except, uk that one time), they really, really don't now.

[winderlylandchime]

Writing asks 30, 75

Heyyyyy

30. How much do you edit your fics? Do you edit as you write or wait until you finish the first draft?

Are you asking this because you’re my post hoc beta? I’m imagining you picking this question like “Let’s see, does Aj actually edit anytime ever?” 😂 I do a bit of both but also different types of editing. As I’m writing, if I realize something doesn’t work or I need to take another approach, I’ll edit as I’m writing because I need to fundamentally change directions (sometimes this is worked out in the outlining stage but sometimes not, and I tend to not outline one shots as closely). Copy editing and proofreading I tend to do after I finish the first draft because getting the ideas out matters far more than stupid stupid verb tenses. So idea edits: while writing, copy edits: after. Unless I’m writing in a race to post a fic before someone enters active labor and then I don’t edit at all and you screen shot all my typos for me and I edit after publishing.

75. Is there a particular fic that readers gravitated towards that you didn’t expect?

Not really? Maybe this is the benefit of writing in a small fandom but I tend to know my readers and I tend to know what they gravitate towards. Not that I’m writing to appease anyone but I have a small group of regular readers who tend to like the things I like to write and will also sometimes give me a chance when I’m writing something a bit outside that (like starting a fic with Brian and Michael dating). I guess the one thing is that I wrote an MCD and tagged it as MCD and then people read the MCD and got upset with the MCD (but not actually at me). And well. I think that happens with every MCD fic. Or not. I wouldn’t know because I do not read them.

Thank youuuuu!

writing asks

[sanguinifex]

You gotta read and watch some old books and films that aren’t 100% modern politically correct. I’m not saying you should agree with everything in them but you need to learn where genres came from to understand what those genres are doing today and where media deconstructing old tropes is coming from.

Also, more often than you might think, they’re not actually promoting bigotry so much as “didn’t consider all the implications of something” or just used words that were polite then but considered offensive now.

Kill the censor in your head.

[daisywords]

One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.

Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.

It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?

Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.

[ellierenae]

write unpublishable things. it's good for you.

[deception-united]

Writing Tips Master Post

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Suicidal Urges/Martyr Complex

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Consider Before Killing Characters

Foreshadowing

Narrative:

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

1000 Follower Post

2000 Follower Poll

Writing Fantasy

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[littlelightfish]

This... this is a whole different kind of psychic damage here. When nightmares got Marcille, we get to knew that her's biggest fear is outliving her friends. This isn't even canon probably, but look at this. This isn't a "I don't want my friends to die" kind of dream. This is a "I'm terrified of loosing my daughters, of something killing them, and being incapable of stopping it" kind of dream. It's so simple yet it explains perfectly the whole of chilchucks character. He loves, he cares, deeply. But he, or doesn't acknowledges, or doesn't know what to do with that knowledge.

Besides that. Someone had to wake him up after this. Imagine the devastation in this man after he wakes up. He just saw his three little babys murdered corpses (or maybe he saw them die, wich isn't better). He would possibly not talk about it, and that would worry the hell out of the party, because we'll, they see him all down and only one of them knows what he saw. Imagine being the one to pull him from that nightmare. Seeing this man, usually so composed, fuking staring with tears and terror in his eyes to the composes of what you can only assume are his daughters. It would be heartwrenching.

Idk, I love this man so much...

[comicaurora]

What are some of your favorite tropes that you have to hold yourself back from for fear of overusing it?

it would've been slightly less personal to ask me what my organs looked like

[poorly-drawn-mdzs]

HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!

[roblingoblin285]

i love when ppl ask writers questions about their ocs and they're like "uhh i think so?" as if they didn't invent them. like they're just mild acquaintances we have

[gingiekittycat]

I forgot how lonely it is to write original fiction.

Where are the kudos? The subscriptions? The comments? The people cheerleading me chapter to chapter? Where are the kind words and compliments and reassurances that what I'm writing isn't complete crap? Where are the unhinged emojis? The asks on Tumblr? Where are my mutuals in my dms apologizing for not reading the latest chapter right away (side note, you know you don't have to apologize at all, right??). Where is the fanart? Where are the recs?

Where is my motivation to keep going?

It's something I've been thinking about a lot, actually, lately. How the experience of writing fanfic is so unique. How you already have an audience, willing and waiting and captive. And that's really it, isn't it? You have an audience. It's almost performative, writing fanfic. It's being on a stage, a one-person show (or two, if you do it with a friend); it's getting live reactions to your performance, it's feeding off the energy of the crowd and informing it back in a feedback loop; it's improvised, sometimes, in almost-real-time. It's building something that you couldn't have built by yourself. A thing that takes on a life of its own.

It's an experience you can't get writing original fiction, and, honestly, not having it is making it hard to write something original at all.

[r-aindr0p]

✨The shroud brothers (and yuu) wish you a happy pride month ✨

[foldingfittedsheets]

In one misfortunate year I ended up getting into several car accidents. It cemented my general fear and anxiety in cars, because in each case I was either in the car but not driving or driving safely when suddenly something hit me.

One was my ex driving in an unfamiliar city and cutting someone off on accident that resulted in a sideswipe. Another was getting rear ended when I came to a required stop.

The last was when I had a green arrow at an intersection. I turned and was smashed into by someone running a red light, T-boning my little car.

Dazed and in shock I tottered out of the car to behold a crusty older man eating a donut step out of the offending vehicle. A fire truck arrived to block us off from traffic since my car could no longer move under its own power.

“Were you on your way home from work?” The firemen asked me.

I shook my head, struggling to focus on them, “No,” I said vaguely, “I was on my way home from volunteering at the animal shelter.”

In an instant they were closing ranks around me, glaring at the ambivalent donut man who would dare to hit a tiny frail angel who volunteered at the animal shelter. They asked if I needed to get anything out of my car. I did.

“It’s… uh. It’s a little weird though.”

They gestured for me to proceed. I grabbed a bag with snacks and books and filled it with things I couldn’t just leave in my car. Last out I pulled my cutlass.

“Is that a sword?!”

It was. They were instantly like giant puppy dogs, excited and delighted but trying to mind their manners. The bravest said, “Can we…?” I held out the sword. They whooped with delight, unsheathing and marveling at it.

“Why do you have that in your car?”

“I honestly don’t remember, it’s just a fun thing to have at a party now.”

“Is your wrist okay?”

My shock was wearing off and I realized I was cradling my wrist to my chest. “Oh.” I rummaged into my bag and pulled out a wrist brace.

“Wh….why do you already have that?” I was starting to confuse the firemen. I volunteered with cats, had a sword offhand, and kept a wrist brace in my car bag.

“Sometimes I try to hold books in a way that sprains my wrist? So I have this in my car just in case.”

They stared at me. Maybe, like my wife, they assumed it was for masturbation induced injuries. They handed my sword back as the tow truck arrived and thanked me for letting them play with it. They gave donut man one last glare and drove their big truck away.

[artdcnaldson]

NEED art and patrick to find out I'm a virgin and offer to teach me how to kiss and how to fuck and use eachother as examples and guide me and tell me I'm doing a good job and reward me for being such a good student and come back later and quiz me to see if I remember everything they taught me ugh obsessed with them individually and as a unit

This has lived rent free in my mind for literally forever. I can’t stop thinking about it, it haunts my every waking moment.

Rating: E (18+)

Warnings: Making out, Handjob lessons, guys being pervs, not a love triangle they just all want to fuck each other

A/N: unedited bc I wrote this while on the clock okay whatever. Enjoyyyy and if u want me to continue this lmk >:)

“I think it’s sweet,” Patrick said, and you could hear the amusement in his voice, practically dripping from every syllable. “The last American virgin. You belong in a museum.”

You rolled your eyes and tossed your empty Taco Bell cup at him— the ice rattled and it leaked a puddle of condensation onto the ground. “You could try not to be a dick about it.”

Art’s dorm room was hot and sticky thanks to a faulty AC, which meant the three of you lounging on the floor by his open window, sucking down soda watered down by melted ice cubes. You were down to a T-shirt and shorts, they were down to their boxers. It wasn’t lost on you that it was an intimate situation to be in— barely dressed, crammed into the shoebox of a dorm. And of course Patrick had dug his fingers in until you admitted your secret— you had made it all the way to college totally unfucked.

Patrick leaned forward, smiling the smarmy smile that tended to wear at your last nerve. “So you’re a virgin, but like,” he leaned in, so close you could feel body heat radiating from him. He dropped his voice, just above a whisper. “How much of a virgin, really? You’ve at least gone to third, right?” You glared, but shook your head.

“Second?” Art supplied, suddenly jumping in with an eager sort of curiosity.

“What? No, I don’t even know what that means,” you admitted. You sighed before you spoke up. “I’ve only ever kissed one guy and one girl, and it was during a game of spin the bottle, like, junior year.”

“How?” Patrick asked.

Your brows furrowed. “How? I spun the bottle, it landed on the person, I leaned in, put my lips against theirs, and that was it.”

Patrick sighed. “Just fucking show me how.” He looked at you expectantly, inching even closer.

With an annoyed sigh, you leaned in and pressed your lips to his— mouth closed, lips firm. When you sat back, Patrick and Art were both grinning.

“What?” You asked with a frown.

“That’s how you kiss on the playground in elementary school,” Art said, unable to contain his laughter. “C’mere.”

You crawled forward, stopping in front of the blond. His hand settled on your jaw, coaxing you forward.

His lips met yours softly, sweetly. It was easy to lose yourself in the feeling of Art’s mouth, in the gentle brushes of his lips against yours and the way he held your face so tenderly.

The feeling of his tongue pressing against the seam of your lips was strange, but you welcomed it, letting him lick into your mouth.

Each pass of his tongue against yours drew you deeper and deeper into it, into him. You moved into his lap without realizing it, kissing him with sweet, timid laps of your tongue.

Art pulled back first, his cheeks soft and pink and so pretty. “See? That’s how you’re supposed to kiss someone. That was really good.”

You laughed softly, and moved off of his lap sheepishly. Patrick leaned forward, brushing your hair back, holding your face in his hand.

“Okay, show me what Art showed you,” he instructed, then leaned in.

Kissing Patrick was different than kissing Art. He was hungrier, more insistent. His tongue pressed into your mouth like he wanted to chart every inch. You did your best to match what he offered, to kiss the way Art had just shown you, sweetly, like you really meant it.

And you did mean it. Patrick’s hands moved along your side, up until they cupped your tits through your shirt. You moaned softly into his mouth— the sound was muffled, met with a moan of his own. He gave an experimental squeeze of your tits and you whined softly. So he did it again, amused by the pretty, sweet noises you mewled out.

Patrick was getting hard, pressing against your thigh. It was a new sensation that you were hyper aware of as you unconsciously ground yourself against him.

You pulled back first, cheeks burning hot after you remembered Art was right beside you. You tucked unkempt hair behind your ear, smiled bashfully. “How was I?”

“Good,” Patrick said.

At the same time Art supplied, “So good.”

You laughed softly, shaking your head. “Okay. Cool.”

Art was squirming, fidgeting, holding a pillow over his lap. Patrick was less covert— opting to openly adjust himself, drawing more attention to the fact that he was hard. You rolled your eyes and stole the nearest cup you could find, sipping at watered down Mountain Dew.

“Do you want me to leave?” You teased, raising an eyebrow. Your teeth dug into the plastic straw as you looked between the two of them.

Art stammered, mortified, but Patrick just smiled dizzyingly over at you. “I can teach you something else. You got to first base, so why don’t you steal second?”

You rolled your eyes, but heat flared behind your cheeks. Jesus Christ, he was such a smug asshole. “I still don’t know what that means,” you said, feeling a little embarrassed.

He grinned and mimed jerking off. Your eyes widened, and you laughed softly. “That would be weird,” you said, half-believing it. “Like, if I did jerk one of you off, that leaves one of you just watching.”

You glanced at Art, who looked just as interested as Patrick did, and your heart stammered nervously. “What if I show you how you do it on Art? Look at him— he’s the perfect little practice dummy.” Patrick reached over, pinching at Art’s cheek until the blond kicked his shin.

“Show me?” You echoed. “Like… you’re going to do it to him, and I do it to you?”

Patrick nodded, leaning into Art’s side, his smarmy smile dissolved into something needier. Art swallowed hard, lips parted slightly as he looked over at Patrick.

Patrick’s lips met his slowly, hungrily. You watched wide eyed as Patrick deepened the kiss, as Art eagerly accepted the other boy’s tongue into his mouth.

Patrick threw the pillow out of Art’s lap and sent it careening into the desk on the opposite side of the room. Your eyes widened at the sight of Art, hard and tenting his boxers. Patrick palmed him in his large hands making the blonde whimper into his mouth and buck up, seeking friction.

You swallowed hard, biting down on the straw as you watched Patrick tug at the elastic of Art’s boxers. Art lifted his hips to allow Patrick to tug them down his thighs, just enough to expose his cock to both of you.

“See,” Patrick gasped, leaning back from their kiss. Art chased his lips fruitlessly, mouth ajar, waiting for more. “He’s so fucking easy. Come feel.”

You moved closer, looking at Art for permission. When he nodded, you reached out, letting your fingertips graze the soft skin of his shaft. He exhaled a shuddery breath, eyes fluttering shut. Patrick’s hand covered yours, guiding you to squeeze around his length.

He was warm under your touch, silky soft, pulsing in your grip. Your heart hammered just at that— at the feel of him in your hand. “Feels nice, huh? Knowing how much he wants you.” You nodded, then slid your fist up, testing the waters. Art moaned softly, throbbed in your grip, aching for more. Patrick smiled like the cat who got the cream. “Hands off, just watch me.”

Patrick spat into his hand and replaced your hand with his own. The second Patrick curled his fingers around Art and started stroking him slowly, the blond was mewling for more. “Fuck,” he moaned, his forehead knocking against Patrick’s, mouth open, panting. “That’s good, feels good.”

You watched Patrick rub his thumb over Art’s tip, eyes widening as Art really whimpered for it, hips thrusting up into Patrick’s fist, chasing more of the pleasure the brunet offered.

“You get it now?” Patrick asked. You nodded quickly, and he tugged down his own boxers. “Fuck, okay— fucking show me.”

Your heart hammered with nerves, but you nodded. You held your hand out and spit into it, mimicking what Patrick had done before you wrapped your hand around his cock.

He felt bigger in your hands, but you didn’t say that. One, you worried it might piss Art off, and two, he didn’t need the ego boost. And he was slick, beading precum at his tip so each pass of your hands felt slicker and slicker.

And you couldn’t help but want to be an asshole. “You’re wet like a girl,” you said with a smirk, gliding your thumb over his tip.

And he was shameless, nodding with a sly grin. “That means I like you.” He panted, moaning softly. “Besides, I bet your fucking panties aren’t dry right now.”

Well, fuck. You tried to ignore the rush of heat in your belly that those words caused, to focus only on the glide of your hand on Patrick’s cock— up and down, copying his pace on Art, copying the ways he’d squeeze and twist his hand.

Art was moaning, rutting up into the tight sheath of Patrick’s fist, the muscles of his abdomen tensing and relaxing in unsteady jerks beneath his soft skin.

“Fuck— switch, switch,” Patrick said quickly. Art whined when Patrick stopped touching him, but it was ignored. “Want you to feel it when he comes.”

He guided your hand back onto Art’s cock and nodded for you to move. “Fuck, your hand’s so soft,” Art groaned. “Faster, faster, fuck—“ He was practically begging. You swallowed, increased the pace, squeezed him a little tighter.

Art was touching Patrick— jerking him off while you brought him closer and closer to finishing. Patrick leaned in, kissed you deeply, pulled Art in too until the three of you were a mess of tongues and lips and spit and hands.

Art came first— coating your hand in warm, slick cum, throbbing in your grip. He was panting into your and Patrick’s mouths, moaning softly as you continued to slowly work him through it. Patrick came next, once Art redoubled his effort, focused on making Patrick add to the mess covering your hands.

Patrick was loud, pornographic, messy. Art brought a cum covered hand between his lips, cleaning it up. Your eyes widened.

“Art, c’mon, you’re scandalizing her,” Patrick said, like you weren’t even there.

“Shut up,” you said, shoving him. He laughed and pulled his boxers back up. Art followed suit, and the three of you were left gross and sweating in the heat. You wiped your hand off on one of their discarded shirts and gave a sheepish smile.

They sat there, expectantly. Waiting for you to make the next call. There was a level of want in you, need, but the thought of asking for them to take care of it was mortifying. “Do you want to watch a movie or something now?”

[inky-duchess]

Fantasy Guide to Building A Culture

Culture is defined by a collection of morals, ethics, traditions, customs and behaviours shared by a group of people.

Hierarchy and Social Structures

Within every culture, there is a hierarchy. Hierarchies are an important part of any culture, usually do ingrained that one within the culture wouldn't even question it. Hierarchy can be established either by age, gender or wealth and could even determine roles within their society. Sometimes hierarchy can may be oppressive and rigid whilst other times, ranks can intermingle without trouble. You should consider how these different ranks interact with one another and whether there are any special gestures or acts of deference one must pay to those higher than them. For example, the Khasi people of Meghalaya (Northern India), are strictly matrillineal. Women run the households, inheritance runs through the female line, and the men of the culture typically defer to their mothers and wives. Here are a few questions to consider:

How is a leader determined within the culture as a whole and the family unit?

Is the culture matriarchal? Patriarchal? Or does gender even matter?

How would one recognise the different ranks?

How would one act around somebody higher ranking? How would somebody he expected to act around somebody lower ranking?

Can one move socially? If not, why? If so, how?

Traditions and Customs

Traditions are a staple in any culture. These can be gestures or living life a certain way or to the way a certain person should look. Traditions are a personal detail to culture, they are what make it important. Tradition can dictate how one should keep their home, run their family, take care of their appearance, act in public and even determine relationship. Tradition can also be a double edged sword. Traditions can also be restrictive and allow a culture to push away a former member if they do not adhere to them, eg Traditional expectations of chastity led to thousands of Irish women being imprisoned at the Magdelene Laundries. Customs could be anything from how one treats another, to how they greet someone.

How important is tradition?

What are some rituals your culture undertakes?

What are some traditional values in your world? Does it effect daily life?

Are there any traditions that determine one's status?

Values and Opinions

Values and Opinions are the bread and butter of any culture. This is the way your culture sees the world and how they approach different life hurdles. These may differ with other cultures and be considered odd to outsiders, what one culture may value another may not and what opinion another holds, one may not. There will be historical and traditional reasons to why these values and opinions are held. Cultures usually have a paragon to which they hold their members to, a list of characteristics that they expect one to if not adhere to then aspire to. The Yoruba people value honesty, hard work, courage and integrity. Here are some questions to consider?

How important are these ethics and core values? Could somebody be ostracised for not living up to them?

What are some morals that clash with other cultures?

What does your culture precieved to be right? Or wrong?

What are some opinions that are considered to be taboo in your culture? Why?

Dress Code

For many cultures, the way somebody dresses can be important. History and ethics can effect how one is meant to be dressed such as an expectation of chastity, can impose strict modesty. While other cultures, put more importance on details, the different sorts of clothes worn and when or what colour one might wear. The Palestinian people (من النهر إلى البحر ، قد يكونون أحرارا) denoted different family ties, marriage status and wealth by the embroidery and detailing on their thoub.

Are there traditional clothes for your world? Are they something somebody wears on a daily basis or just on occasion?

Are there any rules around what people can wear?

What would be considered formal dress? Casual dress?

What would happen if somebody wore the wrong clothes to an event?

Language

Language can also be ingrained as part of a Culture. It can be a specific way one speaks or a an entirely different language. For example, in the Southern States of America, one can engage in a sort of double talk, saying something that sounds sweet whilst delivering something pointed. Bless their heart. I have a post on creating your own language here.

Arts, Music and Craft

Many cultures are known for different styles of dance, their artwork and crafts. Art is a great part of culture, a way for people to express themselves and their culture in art form. Dance can be an integral part of culture, such as céilí dance in Ireland or the Polka in the Czech Republic. Handicrafts could also be important in culture, such as knitting in Scottish culture and Hebron glass in Palestine. Music is also close to culture, from traditional kinds of singing such as the White Voice in Ukraine and the playing of certain instruments such as the mvet.

Food and Diet

The way a culture prepares or intakes or treats certain foods are important to a culture. In some cultures, there is a diet yo adhere to, certain foods are completely banned. With Jewish culture, pork is prohibited along with fish such as sturgeon, along with shellfish and certain fowl. Meat must also be prepared in a certain way and animal byproducts such as dairy, must never be created or even eaten around this meat. This is known as kosher. The way one consumes food is also important to culture. In some cultures, only certain people may eat together. Some cultures place important on how food is eaten. In Nigerian culture, the oldest guests are served first usually the men before the women. In Japanese culture, one must say 'itadakimasu' (I recieve) before eating. Culture may also include fasting, periods of time one doesn't intake food for a specific reason.

What are some traditional dishes in your world?

What would be a basic diet for the common man?

What's considered a delicacy?

Is there a societal difference in diet? What are the factors that effect diet between classes?

Is there any influence from other cuisines? If not, why not? If so, to what extent?

What would a typical breakfast contain?

What meals are served during the day?

What's considered a comfort food or drink?

Are there any restrictions on who can eat what or when?

Are there any banned foods?

What stance does your world take on alcohol? Is it legal? Can anybody consume it?

Are there any dining customs? Are traditions?

Is there a difference in formal meals or casual meals? If so, what's involved?

Are there any gestures or actions unacceptable at the dinner table?

How are guests treated at meals? If they are given deference, how so?