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#writing tips!
55sturn · 3 months
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amy tips on how to start writing on here
this is not the end-all-be-all of writing tips, let me preface with that. this is just an accumulation of tips i’ve noted on my own in the almost ten years of writing i’ve spent on this app mixed with tips i’ve read and gathered from other people.
but a few pointers i have are
tags: these are incredibly important, they can be as plain and collective as possible or they can be incredibly niche and only applicable to the content you’re posting. but they are important tools and they aid in your content gaining traction and your blog gaining popularity. it is incredibly important to include all possible for the character or figure you are writing more, in my examples i’m going to use chris sturniolo tags. you will find the tag section at the bottom of each new post you create, below the screenshot is of the tag section.
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meaning: if your content doesn’t have a named character alongside the figures in the fandom you’re writing for, use an x reader tag; ie: chris sturniolo x reader.
meaning: if your content has a named character alongside the figures in the fandom you’re writing for, use an x oc /x original character tag; ie: chris sturniolo x oc / chris sturniolo x original character.
meaning: if your content doesn’t have anything sexual, triggering, gruesome, bloody, horrific, you should tag it as fluff or sfw. ie: chris sturniolo fluff or chris sturniolo sfw.
meaning: if your content does have anything sexual, triggering, gruesome, bloody, horrific, you should tag it as smut or nsfw. ie: chris sturniolo smut or chris sturniolo nsfw.
read more: this is a tool to help cut the length of your post so that people don’t have to spend absurd amounts of time scrolling, without removing any of your content, all it does is add a “keep reading” button that the reader can click if they wish to view more of your content. the screenshots below show what button to press and how it appears.
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abbreviations: do not add text slang, acronyms, numbers, or abbreviations when you are writing in person dialogue. it gives your content an unfinished and poor impression.
meaning: if your character is saying “you’re joking.” to another person physically, do not write “ur joking.”, just write the full word.
meaning: if your character is saying “i’ll be right back.” to another person physically, do not write “i’ll brb.”, just write the full word.
meaning: if your character is talking about numbers, such as “oh there’s two of them.” to another person physically, do not write “there’s 2 of them.”, just write the full word.
descriptive writing + imagery: this is vital, it adds depth and other elements to your story while keeping the reader/s attention. it’s important to include details about where the characters are, what time of day it is, how cold or warm it is. it’s also important to describe what your characters are feeling and their body language. but have fun with it, try out different descriptive words and imagery styles.
pairings/duos/relationships: it’s always good to inform your readers of who will be with who either from the start or eventually in your story. i always add the pairing of the story right underneath the title. ie: pairing: chris sturniolo x fem!reader
synopsis: this is a paragraph that gives your audience small clues as to what your story is about, without giving away every detail. it’s important not to add any plot twists in the synopsis section because you want that element of surprise to still be in effect. i always add my synopsis right under my parings paragraph.
warnings: these are incredibly important! always post these above the read more link as it allows your audience to know what to prepare themselves for, especially if your story is sexually or violently graphic or if it includes triggering topics [ suicide, self harm, vomiting, sexual content, SA, violence, anything disturbing. ] adding proper warnings allows your audience to know whether or not to click out before they start reading. i usually place my warnings right above the read more link so that they can choose to keep reading or not, and so that they have the warnings fresh in mind.
lastly, just have fun with whatever you’re creating. a few good blogs to follow for other writing tips or advice or just anything related to writing are @urfriendlywriter @novelbear @thepromptswhisperer and @love-me-a-good-prompt !!
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sugucidal · 1 year
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what’s your writing process like? also i’m so so excited for the next chapter of the neighbor story it’s so hot without feeling awkward and the writing is just perfect!
- 🧝🏾‍♀️
oh god. my writing process is a chaotic, organized mess. and it differs with each piece of work that i write. for this fic? first i start out with an idea and create a draft for it, then ill seek out my gfs opinion on it and if shes fw it, we'll start brainstorming together. if she's not into it, i force her to think of something and that gets my brain gears working to figure out the rest /hj 🦅🦅
so my standard process works like this:
come up with an idea and brainstorm for it
expand on what ive brainstormed
create an outline
expand on certain scenes included in the outline
write it all out </3
let me actually show you what my process looks like (as spoiler free as possible 💔):
first i start out with telling my gf my ideas (aka i word vomit), then she'll help me expand on them, suggest more ideas, dialogue, etc and ill adjust it to fit my preferences. im also biiig on visualization so i make sure to do research and find pics that can help me envision the scenes i want to write out!
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then ill do a general summary for how i want the fic/chapter to play out. (also yes i use comic sans. makes my brain tingle 🦫)
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then ill create an outline expanding on that:
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then me or my gf will expand on any of the scenes that i have in mind:
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and once we're happy with how its looking, i proceed with actually writing it all out 🚬🐟. ill have multiple drafts for one piece of work cause im always adjusting things, adding stuff, or changing my ideas—and things can get really messy so i try making it clean by creating new documents for it lol
something i also do that i suggest literally everyone who writes or wants to write, do as well—is jotting down any thoughts, scenes, or dialogue you come up with that you could use for later!! dont wait till you get to that particular scene in order to write for it. if you can write for it right now, you can use it later and it'll save you so much time.
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(these are all dialogue that i may or may not use 🙇🏻‍♀️).
and that's pretty much what my writing process looks like ₍ˆ ̳ , ̫ , ̳ˆ₎. as for smut? thats a whole other different process.
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neochan · 2 years
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Hello, I just want to ask an advice I’ve been on this blog/playform for around 1-2 or so but my blog nor my works has gotten really much attention and I want to ask how to boost one’s presence here but like due to school I had an infinite hiatus, also I’m kind of shy to interact sometimes with other writers that’s why I keep my knit here small😅 but well I’ll take in any advice. Thank you in advance Sam💜
first of all, hello, nice to meet you lol! i’m not much of an advice person, but i can give you some tips that may help!
1) try to post consistently! i know school drains a lot of people, myself included, but if you post consistently, that drags followers and mutuals in!
2) tag your posts properly! i didn’t know how to do this in the beginning so i went to a blog i was following at the time and copied what they had in their tags (ones that were relevant)! for example, if you write a mark smut, tag it #mark lee smut, #nct dream smut, #mark lee x reader, etc. you can use mine as an example if you’d like!
3) make your blog aesthetic. this is kind of a shallow one, but i tend to see that followers like a pretty/simple/aesthetic layout. when i first started, i drew inspiration from other blogs, but now i just do my own thing lol. whatever is pleasing to the eyes.
4) remember that you’re writing for you! the followers and engagement will sorta come naturally after that. just write what you want, okay?
5) try and make mutuals! i know this is scary but it helps! having friends on tumblr that will read, like, and promote your work really helps!
there is probably more but this is all i can think of right now! i hope this helps<33 if you’d like, let me know your @ and i’d love to become mutuals!!!
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frownyalfred · 4 months
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Tips for writing those gala scenes, from someone who goes to them occasionally:
Generally you unbutton and re-button a suit coat when you sit down and stand up.
You’re supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.
When rich/important people forget your name and they’re drunk, they usually just tell you that they don’t remember or completely skip over any opportunity to use your name so they don’t look silly.
A good way to indicate you don’t want to shake someone’s hand at an event is to hold a drink in your right hand (and if you’re a woman, a purse in the other so you definitely can’t shift the glass to another hand and then shake)
Americans who still kiss cheeks as a welcome generally don’t press lips to cheeks, it’s more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a woman’s makeup)
The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of men’s clothing.
Open bars / cash bars at events usually carry limited options. They’re meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.
Members of the press generally aren’t allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.
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prompt-heaven · 7 months
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a list of 100+ buildings to put in your fantasy town
academy
adventurer's guild
alchemist
apiary
apothecary
aquarium
armory
art gallery
bakery
bank
barber
barracks
bathhouse
blacksmith
boathouse
book store
bookbinder
botanical garden
brothel
butcher
carpenter
cartographer
casino
castle
cobbler
coffee shop
council chamber
court house
crypt for the noble family
dentist
distillery
docks
dovecot
dyer
embassy
farmer's market
fighting pit
fishmonger
fortune teller
gallows
gatehouse
general store
graveyard
greenhouses
guard post
guildhall
gymnasium
haberdashery
haunted house
hedge maze
herbalist
hospice
hospital
house for sale
inn
jail
jeweller
kindergarten
leatherworker
library
locksmith
mail courier
manor house
market
mayor's house
monastery
morgue
museum
music shop
observatory
orchard
orphanage
outhouse
paper maker
pawnshop
pet shop
potion shop
potter
printmaker
quest board
residence
restricted zone
sawmill
school
scribe
sewer entrance
sheriff's office
shrine
silversmith
spa
speakeasy
spice merchant
sports stadium
stables
street market
tailor
tannery
tavern
tax collector
tea house
temple
textile shop
theatre
thieves guild
thrift store
tinker's workshop
town crier post
town square
townhall
toy store
trinket shop
warehouse
watchtower
water mill
weaver
well
windmill
wishing well
wizard tower
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if you're trying to get into the head of your story's antagonist, try writing an "Am I the Asshole" reddit post from their perspective, explaining their problems and their plans for solving them. Let the voice and logic come through.
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DO NOT DO THIS!!!
If a website has a paywall, like New York Times, DO NOT use the ctrl+A shortcut then the ctrl+c shortcut as fast as you can because then you may accidentally copy the entire article before the paywall comes up. And definitely don't do ctrl+v into the next google doc or whatever you open because then you will accidentally paste the entire article into a google doc or something!!!! I repeat DO NOT do this because it is piracy which is absolutely totally wrong!!!
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How to show emotions
Part V
How to show grief
a vacant look
slack facial expressions
shaky hands
trembling lips
swallowing
struggling to breathe
tears rolling down their cheeks
How to show fondness
smiling with their mouth and their eyes
softening their features
cannot keep their eyes off of the object of their fondness
sometimes pouting the lips a bit
reaching out, wanting to touch them
How to show envy
narrowing their eyes
rolling their eyes
raising their eyebrows
grinding their teeth
tightening jaw
chin poking out
pouting their lips
forced smiling
crossing arms
shifting their gaze
clenching their fists
tensing their muscles
then becoming restless/fidgeting
swallowing hard
stiffening
holding their breath
blinking rapidly
exhaling sharply
How to show regret
scrubbing a hand over the face
sighing heavily
downturned mouth
slightly bending over
shoulders hanging low
hands falling to the sides
a pained expression
heavy eyes
staring down at their feet
Part I + Part II + Part III + Part IV + Part VI
If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰
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deoidesign · 1 year
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A general cane guide for writers and artists (from a cane user, writer, and artist!)
Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!
This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.
This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions in your writing, but you absolutely should continue to do your own research outside of this guide!
This is NOT a medical resource!!! And never tell a real person you think they're using a cane wrong!
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The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!
A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.
Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height can make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)
(some people elect to use a cane wrong for their personal situation despite this, everyone is different!)
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(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)
When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane and the bad leg and follow with the good leg!
Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.
In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.
Now we come to a very common mistake I see... Using fashion canes for medical use!
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(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)
The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!
Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.
The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!
This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!
However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.
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Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)
Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.
Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)
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(my canes, for reference)
If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!
When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!
For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.
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When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)
When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)
That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!
Happy disability pride month! Go forth and make more characters use canes!!!
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imastoryteller · 3 months
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20 Compelling Positive-Negative Trait Pairs
Here are 20 positive and negative trait pairs that can create compelling character dynamics in storytelling:
1. Bravery - Recklessness: A character is courageous in the face of danger but often takes unnecessary risks.
2. Intelligence - Arrogance: A character is exceptionally smart but looks down on others.
3. Compassion - Naivety: A character is deeply caring but easily deceived due to their trusting nature.
4. Determination - Stubbornness: A character is persistent in their goals but unwilling to adapt or compromise.
5. Charisma - Manipulativeness: A character is charming and persuasive but often uses these traits to exploit others.
6. Resourcefulness - Opportunism: A character is adept at finding solutions but is also quick to exploit situations for personal gain.
7. Loyalty - Blind Obedience: A character is fiercely loyal but follows orders without question, even when they're wrong.
8. Optimism - Denial: A character remains hopeful in difficult times but often ignores harsh realities.
9. Humor - Inappropriateness: A character lightens the mood with jokes but often crosses the line with their humor.
10. Generosity - Lack of Boundaries: A character is giving and selfless but often neglects their own needs and well-being.
11. Patience - Passivity: A character is calm and tolerant but sometimes fails to take action when needed.
12. Wisdom - Cynicism: A character has deep understanding and insight but is often pessimistic about the world.
13. Confidence - Overconfidence: A character believes in their abilities but sometimes underestimates challenges.
14. Honesty - Bluntness: A character is truthful and straightforward but often insensitive in their delivery.
15. Self-discipline - Rigidity: A character maintains strong control over their actions but is inflexible and resistant to change.
16. Adventurousness - Impulsiveness: A character loves exploring and trying new things but often acts without thinking.
17. Empathy - Overwhelm: A character deeply understands and feels others' emotions but can become overwhelmed by them.
18. Ambition - Ruthlessness: A character is driven to achieve great things but willing to do anything, even unethical, to succeed.
19. Resilience - Emotional Detachment: A character can endure hardships without breaking but often seems emotionally distant.
20. Strategic - Calculative: A character excels at planning and foresight but can be cold and overly pragmatic in their decisions.
These pairs create complex, multi-dimensional characters that can drive rich, dynamic storytelling.
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thewatcher727 · 13 days
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Writing Description Notes:
Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
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sabertoothwalrus · 1 month
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tips for getting people to like your ocs
*disclaimer: this is based on what’s worked for me, aka an artist that likes to make comics/storyboards. so this advice is directed at people who do that
you can do things like this:
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Which is fun! Character sheets like this are great, especially for personal reference! But frankly, I don’t think most people engage with this (at least I personally don’t). You could have the coolest character in the world, but it will be harder for most people to feel invested when they’re presented so neutrally like this.
My main piece of advice is: get better at writing.
That might sound harsh when said like that, but let me explain what I mean! (Not trying to imply you’re bad at writing either!)
What I tend to do is just throw characters into situations with as little handholding as I can. Give enough context that readers can follow along, but don’t feel like they’re being explained to.
what can you learn about the characters through their designs alone? (age, personality, economic status, occupation, etc)
what can you learn about the characters’ relationship though their interactions alone? (are they close? familial? romantic? is there hostility? are they tense/relaxed?)
what are the characters currently doing? what were they doing previously (how long have they been talking)? what are they going to do next? can you convey this without dialogue?
how do they feel about what they are doing? are they content? focused? over/understimulated? would they rather be doing something else?
where are they? does it matter? would establishing a setting in at least one panel clarify the scene? is there anything in the enviroment that could tell some of the story?
what time of day is it? what time of year is it? what is the weather like?
Now, with all this in mind, I'm going to give you another example. I'm going to use completely brand new characters for the sake of the experiment, so you won't have any bias (aka I can’t use Protagonist from above, since you already know all about him).
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Did this get more of an emotional response from you than the first example? Why do you think so? Who are these characters? How do they know each other? What else can you infer about them? What happened? Who is "she"?
Now, you don't have to actually answer all those questions. But think about them! You can tell people a whole lot about your characters without ever showing them a list of their likes and dislikes.
Obviously, comics aren't the only way to get people invested in your original characters! But regardless, easily digestible formats will grab people's attention faster than huge blocks of text, and comics are a lot less work than doing wholeass storyboards.
Now go and share your ocs with the world!!!
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luna-azzurra · 1 month
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Soft Gestures for Comfort
Bringing them a blanket when they’re curled up on the couch.
Whispering, "It’s okay, I’m here," when they wake up from a bad dream.
Stroking their hair gently when they’re lying on your lap.
Running a warm bath for them after a tough day.
Holding them close and saying, "I’ve got you," when they’re upset.
Preparing their favorite comfort food when they’re feeling low.
Turning off their alarm and letting them sleep in when they’re exhausted.
Reading their favorite book to them before bed.
Playing their favorite soothing music to help them relax.
Just sitting in silence with them, letting them know your presence is their safe space.
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heywriters · 1 year
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If you want to write a dumb little story with a dumb little plot and ridiculously silly characters. No one's stopping you. Genuinely, no one should be allowed to stop you. Write that dumb story with your whole heart and don't hold back.
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physalian · 2 months
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“Oh,” They giggled, cheeks pink.
“Oh!” They gasped, hands to their mouth in horror.
“Oh,” they whined, gripping their hair in frustration.
“Oh,” they breathed, head back and lashes fluttering.
“Oh,” they mumbled, shifting awkwardly.
“Oh,” they deadpanned, arms crossed.
“Oh?” they asked, brow arched and smile bitter.
“Oh,” they chided with a smirk.
“Oh?” they asked, head tilted curiously.
“Oh!” they hissed, scrambling away.
“Oh,” they mumbled, rubbing their neck.
“Oh,” they uttered, eyes wide in awe.
“Oh,” they muttered with an ill-impressed frown.
“Oh!” They cried, throwing their arms around them.
“Oh,” they goaded, smiling mischievously.
“Oh,” they taunted, skipping backwards.
“Oh,” they snarked, hands on their hips.
“Oh,” they breathed, putting it all together.
“Oh,” they said softly, hugging themselves.
“Oh,” they whispered, holding back tears.
“Oh!” they gasped, ducking out of the way.
“Oh,” they uttered, and smacked their forehead.
“Oh,” they laughed, brows wiggling.
“Oh,” they tittered, batting their lashes.
“Oh,” they hissed, gritting their teeth.
"Oh."
Tag your dialogue.
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deception-united · 5 months
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Writing Tips Master Post
Character writing/development:
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Character Voices
Creating Distinct Characters
Suicidal Urges/Martyr Complex
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Building Tension
Plot devices/development:
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Consider Before Killing Characters
Foreshadowing
Narrative:
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (+ More)
Transitions
Pacing
Writing Prologues
Dialogue Tips
Writing War
Writing Cheating
Worldbuilding:
Worldbuilding: Questions to Consider
Creating Laws/Rules in Fantasy Worlds
Book writing:
Connected vs. Stand-Alone Series
A & B Stories
Writer resources:
Writing YouTube Channels, Podcasts, & Blogs
Online Writing Resources
Outlining/Writing/Editing Software
Writer help:
Losing Passion/Burnout
Overcoming Writer's Block
Fantasy terms:
How To Name Fantasy Races (Step-by-Step)
Naming Elemental Races
Naming Fire-Related Races
How To Name Fantasy Places
Ask games:
Character Ask Game #1
Character Ask Game #2
Character Ask Game #3
Miscellaneous:
1000 Follower Post
2000 Follower Poll
Writing Fantasy
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