#writing speculative fiction

[novlr]

Writers have tons of creative ideas, but most of us aren’t scientists. So, how do we make sure that we get the science right in our fiction?

Even if you write speculative fiction or fantasy stories, there’s still some thought that must go into making sure there’s an internal logic to your worldbuilding. A sense of cause and effect. Readers get lost if they can’t easily follow or make sense of your big ideas, but this is especially important when discussing real-world science, and how it might affect our future, or manifest on other worlds.

In the Reading Room today, you'll find a list of books that are perfect for science-fiction and worldbuilding research, to keep you grounded, and give you a great basis for building out sci-fi, fantasy, and future worlds.

[iguanodont]

My Illustrations for an incredible short story written by a good friend of mine: a tale of two rival clans settling a debt, in a trial by blood and fire….

“The two clans gathered as the singing moon set, leaving its brother framed by the indigo of dying day. There was little discussion, only lines of tension across antennae and heads holding violent eyes. Only the occasional, nervous trill from a child broke the silence.

The clan to the southeast, those of the Tayenna river, parted to allow their matriarch forward. Like her kin, her fur was near the color of the clay riverbank they lived upon, lightly flecked. She was richly adorned with polished shells set into lattices of wood running along her chest and back, treasures many years of leadership had afforded her. She stood in front of her people, canting her head so only one red eye observed the clan opposite.

They of the Keeshor valley bristled at the arrogance. Their leader was already at the front, as bay as Tayenna’s matriarch, though his coat was solid in pattern and youth, and he wore simple paint. He took several solid strides forward to meet the matriarch, both eyes fixed on her….

If you’d like to read the rest of this short story, you can find it here! Small cw for some descriptions of violence

[hezzabeth]

There was someone singing in the greenhouse, someone with a pitch-perfect deep voice. Revati closed her eyes, pressing her ear against the glass door.

In a field where the paper daisies grow,

Underneath the sun's harsh glow,

I wander through, light and free.

Paper daisies, pink and white,

Your petals so bright.

I sing to you as the world beyond burns.

The smoke coils in the sky far above,

But your petals still dance around me.

Don’t be afraid; soon the rains will come.

Everything lost will grow again.

Paper daisies, pink and white,

Your petals so bright.

I sing to you as the world beyond burns.

The stars begin to rise,

My hands scooping your seeds.

Soon you will take flight

Towards the soft moonlight.

There was an old, prop piano in the abandoned Holly Bush Tavern. The only person who could play it properly was Mr. Gupta. During holiday festivals, he would coax melodies out of the sticky keys while Mrs. Gupta sang in a nasal voice. This was different. The singer’s voice filled Revati in a place she didn’t know was empty. The singing stopped abruptly as Revati’s weight caused the door to creak. Of course, the door creaked. The greenhouse was a wobbling claptrap box made out of welded-together old windows. Miss Grassroots, a tourist who had been dead for almost six years, had built it. Inside lay the heart of Baker Street. The heart had begun as a rose garden. Nanni was the one who began picking up the fallen red petals, drying them, and turning them into tea.

Revati only had vague memories of the first day of the invasion. Mrs. Grasston and Dusk had invaded the kitchens and gift shops. Together they managed to pool together seeds and cuttings in order to grow a small food supply. There was a wall of tomato vines, grown from several seeds found in old slices left in the bin. There were the garden beds where the potatoes and carrots grew. In fact, the potatoes were what kept Baker Street from starving to death. Next to one of the largest windows, the herb and weed boxes grew. Revati’s father was the one who ripped open gourmet tea bags in their home, discovering dried seeds inside. Bridgadeiro Bun was sitting under the lemon tree. “You’re a pretty good singer,” Revati said gruffly. “I was just trying to cheer up Deshia; she’s been feeling a bit depressed lately,” Bridgadeiro said, patting the tree's trunk. “Who’s Deshia?” Revati asked, faintly confused. “The lemon tree, of course! She said nobody's chatted with her for years,” Bridgadeiro said. Suddenly, the tree shook its branches, causing a fresh lemon to fall into Bridgadeiro’s lap. “Thank you for the gift, sweetheart,” Bridgadeiro said, patting the tree again. Revati stared at the lemon tree, not quite sure what to think. Could a tree really be depressed? It would explain why the lemons were so withered and small.

“All Buns speak plant; it's the same gene that causes our pink hair," he said. Revati glanced around, her eyes briefly falling on the giant pumpkin vine near the door.

"Are the plants talking right now?" Revati asked curiously.

"Most of them fell asleep hours ago. When they were awake, they just kept jabbering on about a golden lady," Bridgadeiro remarked.

"So, the lemon tree is depressed? I could get Aurora to come in here and read to her," Revati conceded.

"It's more than that. She misses the lady who planted her; she doesn't understand why she vanished and never came back," Bridgadeiro remarked. Revati found her hands stroking the book of fairy tales nervously.

"If she's talking about Mrs. Grassroots, she died," Revati replied flatly. Six years ago. Six years ago, there were over a hundred tourists living on Baker Street. Nanni, who had spent years living with mother, insisted on moving into an abandoned hat shop near the edge of the park.

The day the tornado hit was the same day Nanni decided to tell Revati all about her family history.

"I always carry the death stone in my handbag, along with everything else I'd ever need in an invasion," Nanni pointed out. Technically that was true; Nanni's giant handbag was filled with almost anything.

Outside, Revati could hear her father trying to roll down metal shutters. There was the sudden horrible roar, and Nanni's wall exploded in a cloud of rubble.

"A lot of people died," Revati finished, her voice trailing off. First came the tornado that caused a gap in the mirror walls. Then the trickle of automatic vegetable cleaners who decided to exploit the crack. Finally, the battle on Mansfield Park between the cleaners and a group of tourists.

"The lady that planted this tree was actually a member of the Lost Princess rebel army; she convinced a bunch of tourists to fight with her," Revati remarked, shaking her head. Then she firmly opened the book of fairy tales.

"It looks like some people survived," Bridgadeiro replied.

"I don't want to talk about it; I just want to read! Here, you can read with me; you might like this story," Revati replied.

Once long ago, in a lost village near the foot of Mount Raya, there lived a special little girl. She was known for her kindness and her deep love for nature. Everyone in the village called her Naisha. Naisha had a special gift; she could talk to plants. The villagers often saw her whispering to the flowers; they adored her magical gift.

One day, Naisha learned about a legendary tree called the Kalpavriksha. The old ladies in the village whispered that it had the ability to grant any wish. Drought, fearsome and terrible, had swept through the land. Flowers withered, no longer able to whisper. Trees forgot their songs. Naisha decided she must seek out the tree and wish for one thing alone: rain.

"Wake up," a voice screeched, and Revati's eyes snapped open, the book of fairy tales tumbling onto the ground. Aurora was standing above her, the bright morning sunlight making her hair glow.

"Morning," Revati yawned and then jumped when she realized Bridgadeiro was asleep next to her.

Bridgadeiro slowly awoke, smacking his lips together.

"Juniper said you were in here; she never mentioned the boy," Aurora remarked coldly as Revati slowly stood up.

"Anna made him sleep in here; I must have passed out while reading," Revati said.

It was then that Revati realized Aurora was holding a tray filled with fresh strawberries.

"Hmph," Aurora said, shooting Bridgadeiro a suspicious look as he also stood up, patting the tree trunk.

"Let me guess, Queen Victoria sent these with an apology?" Revati asked.

"Yes, and a request to fill her vodka order," Aurora said, placing the tray on the ground.

"If she was really sorry, she'd give us a strawberry plant," Revati pointed out.

"Oh, you don't need one of those! You have the fruit," Bridgadeiro remarked.

"You can't just shove a strawberry in the ground and hope for the best; it rots," Revati replied. Bridgadeiro merely leaned down, examining the strawberries. After a few moments of careful examination, he picked up the biggest, brightest berry.

"You can; you just need the right formula," he said. He vaguely walked towards one of the empty garden beds that was going to be turned into an onion patch. Carefully, he dug a small hole and placed the strawberry inside before covering it in earth. Then, he reached into his massive jumpsuit pocket and this time pulled out a small vial of portable perfume.

"One pump should do it," Bridgadeiro remarked before pumping a cloud of perfume onto the soil. The earth began to twitch and vibrate, and Revati gasped as greenery sprouted from the soil. The plants quivered and then twisted as white flowers bloomed. The petals then shriveled and fell off as the center of the flowers grew into green berries. A few seconds later, the berries blossomed into a deep red.

"They shouldn't be doing that! Strawberries take two weeks to grow," Aurora gasped.

"I suppose they would in the wild, but I just gave them a pump of my Gene Grow fusion serum!" Bridgadeiro said, leaning down to examine the strawberries.

"They should produce fruit every day, but only if you talk to them nicely," Bridgadeiro added as he picked a strawberry and handed it to Revati.

Revati sniffed it suspiciously before taking a tiny bite. It tasted just like a strawberry.

"Does that stuff work on all plants?" Revati asked curiously.

"It tends to go a bit haywire when you spray it on legumes; you end up with giant beans that have no nutrients," Bridgadeiro said.

"I saved your life; think it's only fair you spray all the plants in here," Revati said firmly.

"It would be better if I planted their seeds outside and created new crops; otherwise, the rapidly growing plants could burst outside the walls," Bridgadeiro replied. Revati nodded crisply.

"I'll be sending someone to check on your efforts later today; I'll be far too busy working," Revati replied with as much dignity as she could muster in a sleep shirt before marching out of the greenhouse. The book of fairy tales lay abandoned on the ground.

Revati carefully changed into her work uniform. When she was a child, her wardrobe consisted of souvenir t-shirts from the gift shop fashioned into dresses. Now that she was almost an adult, Revati had to get creative.

Most of the gift shop sweatshirts had been swiped long ago. Instead, Revati put on the top half of the cafe's old uniform. It consisted of a magenta and purple striped waistcoat with a navy blue blouse covered in tiny clocks. The bottom half should have been a matching bustle skirt. Revati switched it with the men's purple trousers. Revati then carefully redid her braid and applied some more soot lipstick. Aurora, still wearing the same clothes from yesterday, was waiting for her in the kitchen.

"You're wearing your second best outfit," Aurora remarked.

"I suppose I am," Revati replied as she grabbed her coat.

"I thought you said you were done with romance after that whole mess with Little Hardi last summer," Aurora said, and Revati stopped walking.

"I am!" she protested, and Aurora pressed her thin lips into a disapproving frown.

"You were sleeping with him."

"God forbid I fall asleep next to another human being," Revati said as she marched through the cafe past Nanni, who was sewing something.

"You kept him! You gave him a job," Aurora added knowingly.

"I didn't keep him! He's not a feral child; he can leave whenever he wants," Revati snapped as they stepped outside, and she put on her sunglasses. Olde Landon was always at its worst in the morning. Like all major tourist attractions and cities, Old Landon had an atmospheric blanket high above the park's surface. It meant that nobody in the park froze to death at night, but it also meant the morning light was far too bright.

"Is that Little Hardi and Queen Victoria standing next to the fountain?" Revati sighed wearily.

"They both arrived at sunrise; I told them you were busy, so your mother made them breakfast," Aurora remarked.

"Sunrise; of course, they sacrificed sleep so they could get here first," Revati remarked, marching towards the two other leaders. Queen Victoria was wearing one of the park's costumes, a stained white lace wedding dress. Little Hardi, on the other hand, was wearing a deep blue doublet with a ruff collar and matching tights.

"Little Hardi, is your brother still unconscious?" Revati greeted him.

"We took a vote last night, and he played Macduff," Little Hardi replied.

Revati, who knew fully well what that meant, had to stop herself from flinching.

"You killed him? That's a little harsh," Revati pointed out.

"It was for the best; we need a strong leader during a time of invasion," Little Hardi remarked practically.

"Time of invasion? Isn't that a little dramatic?" Revati had to ask.

"There must be another crack in the wall; thank Jane, it's probably not too big! You two would be far too young to remember the vegetable cleaner invasion," remarked Queen Victoria.

"I was twelve," Revati said dryly.

"I was fourteen; the tornado destroyed the Hamlet's haunted castle ride, and the appliances killed the actor playing Ophelia," Little Hardi pointed out.

"You're both still tiny children as far as I'm concerned; I can't believe this is who I have to work with," Queen Victoria replied, and Revati brushed past her with annoyance, heading to the dress shop across the street.

The shelves of the dress shop had long ago been stripped bare. All that remained were the three Penny Farthing Bicycles that had been part of the shop's window display. Revati wheeled her Penny Farthing outside only to see Queen Victoria having a heated discussion with Aurora.

"What do you mean she's going to ride to the wall by herself? All representatives from all towns should go!" Queen Victoria was screeching, slapping Aurora's shoulder with her fan.

Revati parked her bicycle and marched towards Queen Victoria, grabbing her hand.

"Slap my assistant again, and I'll break your fingers; you know I can do it," Revati growled.

Little Hardi, who was now sitting by the fountain, laughed.

"I was just speaking the truth! We have a treaty; during times of crisis, we unify," Queen Victoria said, her voice tight and a little frightened.

"I don't see Lady Morganna here," Revati pointed out, referring to the ruler of Medieval faire.

"You know perfectly well Medieval faire cut us all off after the tornado hit! They probably all died off years ago," Queen Victoria snapped back. Queen Victoria was right. Medieval faire was located in the center of a massive fake castle complete with a drawbridge. After the invasion, Lady Morganna had yanked up the bridge and refused to speak to anyone. Anna and Nanni had tried to visit several times with baskets of dried lemons. They were horrified when someone from above threw the contents of their toilets onto the streets.

"My new friend said he saw naked people in the wilderness dancing around a murdered television! Sounds like Lady Morganna to me," Revati merely replied, pointing to Bridgadeiro. Bridgadeiro, who was in the middle of taking several pumpkins out of the greenhouse, waved.

"Could be a coincidence; regardless, you are not going to the wall! We need to have a proper group committee meeting first! Then a vote," Queen Victoria's.

Revati just rolled her eyes and released Queen Victoria's hand, causing her to stumble and fall onto the floor. Revati then reached into her jacket, pulling out her stun gun, shoving it into the queen's stomach. The Queen made a faint whimpering sound as her eyes rolled backward, and she collapsed again. Revati then aimed the gun at Little Hardi, who held his hands up, protesting.

"I'm not going to stop you! I came here to propose marriage," Little Hardi insisted.

"Marriage? To me?" Revati asked dubiously.

"All kings need a consort, and I'm not interested in Big Hardi's husband," Little Hardi said, slowly getting down on one knee.

Revati stared at him and shook her head.

"I'm seventeen," Revati pointed out.

"Well, the wedding wouldn't be for another couple of years," Little Hardi replied.

"I thought we agreed to keep our relationship professional after the handkerchief incident," Revati pointed out, and Little Hardi held a hand to his heart.

"I told you dozens of times I had nothing to do with my brother's plot," Little Hardi insisted.

"He accused me of cheating on you using an old prop handkerchief as evidence, and you believed him despite it being the exact same plot of the play Othello," Revati pointed out. The entire incident occurred over a year ago and ended with Revati kidnapped and tied up on the stage in a white fluffy nightgown.

"I'm a very insecure person," Little Hardi pleaded. Dating while trapped in a fun park during the apocalypse was difficult. Before the feral children came along, Revati was the youngest person on Baker Street. All the teenagers in Whistleton were raised to be incredibly prissy. Most of them refused to do anything more than dance or hold hands. Little Hardi had been a fun, age-appropriate choice. Little Hardi was happy to do far more than hold hands.

"No," Revati said firmly.

"No? Really?" he asked, sounding faintly surprised.

"First of all, your legal system involves killing criminals on stage in the middle of plays, which is horrifying," Revati pointed out, and Little Hardi shrugged.

"Secondly, I'm not an idiot! You just want to marry me so you can take over our greenhouse," Revati pointed out, and Little Hardi gasped as if looking deeply insulted.

"That's not true! If hairs be wires, black wires grow on her head. I have seen roses damasked, red and white, but no such roses see I in her cheeks," Little Hardi pleaded as Revati climbed onto the penny farthing.

[whereserpentswalk]

You're a parasite possessing a human’s body. The hunan in question was doomed the momment they touched you. Of course, you didn't know it at the time, your species is only as intelligent as what it latches on to, and you happened to latch on to one of about a dozen truly sapient species in the known universe. You killed them, but you were no smarter than a bug when you killed them.

You exist in this weird space between humanity and inhumanity. Your body is human, your voice a human’s voice, your face a human’s face, but none of that is yourse, you're a creature that crawled in through that body’s mouth and replaced the brain. They were just someone searching around an alien forest, you barely know who they were, and now you're basically puppeting their corpse.

There are also ways you're not human. Most people who meet you assume genetic modification, cybernetic implants, or just some sort of mental illness makes you act the way you do. You useally don't admit what it actually is. Your mannerisms are off, even though you feel human emotions your voice and face rarely reflect them well. When you infected the body, your very nature changed it, you neutered it and made it soft and sexless, you made it take in the minimum amount of food making it skinny and frail. You feel more like a monster than you would if you looked more inhuman, like you're puppeting a corpse.

Still you have freinds, a steady job, a human life on a planet far away from the one you originated from. Despite everything people like you, there are humans who care about you despite you not even being one. You never told them of course, you just said it was faulty cybernetics. But you can live life, read books, enjoy the view of the rain from your apartment, listen to music faintly playing on a street corner. And it all feels stolen, like you can only enjoy all of this because you're stealing someone else's chance at it. The thought rarely crosses your mind but it does so frequently enough, perhaps once every few months, to truly upset you with what you are, to make you feel like everyone who loves you only loves you because they think you're something you're not. You remember that you're an invasive species, that you have no mother or father, that your very existence isn't meant to be.

There was a time when you met someone on the street who knew the body you once inhabited. She recognized it, ran up to you wanting to talk to you, saying she thought you were dead. When you came clean to her you expected to be horrified, to want to hurt you. She didn't. She said she understood, and that she's happy the person your inhabiting still exists in some regard. A lot of people die in the forest, how blessed your body was to birth something new.

[yvesdot]

SOMETHING'S NOT RIGHT IS OUT!

“Comedic, witty and chilling by turns.” — A. R. Thompson, author of When Dealing with Wolves

The debut collection returns in a special fifth anniversary edition, repackaged with three new short stories, a new cover, and additional bonus content! A vampire is forced into a compromising situation; a father fears his child's growing plant collection; the undead go to high school; a butcher contemplates whether or not she can be loved. In a captivating debut, yves. opens the door to our world, slightly askew—where the crows work for witches and telephone booths serve as secret channels for prophecy; where a diverse cast of monsters and humans alike are forced to contend with what the world believes is right.

Thank you to everyone who made my weird uncategorizable "Lemony Snicket meets Carmen Maria Machado" speculative fiction an instant bestseller! If you’ve ever felt like a monster, this book is for you.

PRESS: KZSC interview | Santa Cruz Sentinel interview

EXCERPTED SHORT STORIES

BUY NOW!

signed paperback | paperback & ebook (amazon) | ebook (itch.io)

& at all major retailers!

Thank you so much for reading this post about my book. I hope you will share it, and this image of my beautiful black cat, Andy, widely. To queer weird fiction and indie pub! To you, Dear Reader, with love.

[literaryvein-reblogs]

do you have any tips for writing speculative biology?

Speculative biology—(also referred to as "speculative zoology", though it is by no means limited to animals) is a sub-genre of science fiction which combines speculative fiction (i.e., Science Fiction, Fantasy, Alternate History and everything in between) with creature design, and deals with evolution in the future, on other worlds, or in alternate timelines, the same way that many other sci-fi works discuss technology.

This is one of the most fun sub-genres to explore. Here are just a few writing tips.

Read/watch a lot of media that plays with this sub-genre, and learn from them. Examples:

A Memoir by Lady Trent - Marie Brennan describes a low fantasy world with largely the same culture and animals as real life, but also home to very diverse dragons. The dragons are given extensive analysis through the character of Lady Trent, a naturalist dedicated to studying their taxonomy, anatomy, behaviors and ecology.

Dreamwork's How to Train Your Dragon - sometimes dabbles in this, displaying different types of Dragons as different species with a couple overlapping traits, implying that they evolved from a common ancestor. This is most prominently shown in Book of Dragons which describes at least 6 major taxonomic families of Dragons that most dragons in the franchise belong to.

Doctor Who: "The Lazarus Experiment" - has Richard Lazarus being mutated into a fearsome giant centipede/scorpion-like monster after an experiment with an anti-ageing machine goes wrong. The Doctor describes the monster as a creature of evolutionary potential — something that evolution could have turned humanity into if it hadn't gone the "two arms and legs, ten fingers and toes" route — lying dormant within Lazarus' genes.

Research a lot. Here are just a few resources that may help you in writing this sub-genre, particularly with creature design:

Here's a really good article that discusses some evolutionary rules

A brief resource on Evolution Rules

This article called, "Rules of evolution"

A Wildlife Fact Sheet

After doing all the research, and the devouring, and the hoarding of all the resources you can get your hands on, hoping they'll bleed into your story once you start writing, because admit it, you are procrastinating by asking this question—here is the writing tip that pervades all genre: let go. "Good writing is often about letting go of fear and affectation. Affectation itself, beginning with the need to define some sorts of writing as ‘good’ and other sorts as ‘bad,’ is fearful behavior." —Stephen King

So let your soul colour the pages. Particularly with this genre, allow your imagination to run free. Be as creative as you can. Because "when you write, you want to get rid of the world, don’t you? Of course you do. When you’re writing, you’re creating your own worlds." —Stephen King

Sources: 1 2

Hope this helps. Please tag me, or send me a link if it does. I would love to read your work!

More: Fantasy ⚜ Writing Notes & References

[ashintheairlikesnow]

Perdition

Bleeding in Moonlight: Chapter One | Chapter Two | Chapter Three | Chapter Four | Chapter Five |

CW: None, really, other than someone eating pizza... badly. Oh, and some brief references to the FLDS cult.

-

“All right,” Vanessa said, leaning over her drink and giving Anaya a fixed stare across the table. “Explain.”

Down the hall, the shower ran. Eden looked back over his shoulder, thinking about how he’d had to show the kid how to turn the knob from cold to hot, and the boy’s absolute shock when he’d felt hot water hit his palms, stinging the scrape there. 

The kid hadn’t even flinched fully back, just turned to Eden with those strange golden eyes so wide. 

It comes out hot?

Eden had been thinking, ever since, about how it would feel to only have experienced cold showers your entire life. Assuming there had even been showers. He was starting to think maybe Misae had been hosed down in the yard.

Like a dog covered in mud.

Like a wolf.

He rubbed at his temples, a headache threatening. His brain kept trying to cycle back to the sight of the skinny young reddish-brown wolf racing through their camp, the bloodied wound in its back leg - and then shifting to Misae, naked with his leg bleeding, curled up under their car trying to hide from the man hunting him. 

He couldn’t reconcile the two creatures as the same, in two different shapes. Anaya, apparently, could just believe in werewolves in a flash, a split-second reorienting of their entire conception of reality not even bothering her at all. 

It wasn’t so easy for him.

“What do you mean?” Naya asked, her eyes on the window behind Vanessa. "Explain what?" The little black cat from earlier had shown back up and was sitting just outside the window, watching them, blinking yellow eyes in slow, wordless communication. 

Vanessa had said it wasn’t her cat. It supposedly belonged to an elderly neighbor. Eden wasn’t so sure the cat agreed with that assertion.

“I’m not trying to be rude,” Vanessa said, sipping the apple cider-whiskey-and-lemon-fizzy-water concoction she’d made and offered to them both. Anaya had taken her up on it, but Eden had begged for something as simple as a beer.

He’d ended up with something ostentatiously draped in chocolate and peanut butter that was pretending to be a stout, but fuck it - it was still beer. Beer that tastes like a peanut butter cup, sure, but beer.

“No, I know, I know you’re not, it’s just-... it’s kind of a weird subject for him-”

“Is he a Lost Boy?” Vanessa’s tone was flat now.

Eden and Anaya shared a look. Eden raised his eyebrows. Anaya shrugged, then turned back to Vanessa. “I don’t know what that means, Ness. I know Lost Boys is a Peter Pan thing, but-”

“Man.” Vanessa laughed, open and easy. “You never watched any of those documentaries I told you to watch, did you?”

Anaya flushed.

Eden snorted. “Well, if you told her to watch them, I guarantee she didn’t. Number one way to keep Naya from doing something is to tell her she has to do it.”

“Hey!” Anaya swatted at his arm, and he grinned at her, batting his eyelashes until she broke back down into giggles. “That’s not fair. You do it, too.”

“I know I do, but we’re not talking about me, are we?” He held up his beer as if making a toast. “Talkin’ about you, baby.”

“I hate you,” Anaya said, and leaned over to steal a kiss. 

“Gross,” Vanessa said, sounding utterly unbothered. “This is why I don’t have roommates, you know. So nobody has to see kissing.”

“You never kiss anybody here?” Anaya blinked, looking around. “But your house is so cute!”

“Number one - thank you, I worked really hard on the piece of crap falling down shack I bought six years ago, so I appreciate that. Number two… No. This house is my sanctuary, baby girl, nobody ever crosses this doorway who might think they have a claim on it if they do. And number three… Lost Boys are named after the Peter Pan story, yeah, but it’s… okay. Uh. How do I start… So you remember I grew up in Cedar City, in Utah?”

“Nope.”

“We talked about our childhoods like six times, Naya.”

Anaya winced. “Sorry. My memory is swiss cheese on a good day-”

Vanessa waved her hand. “Honestly, that’s fine. I’m just as bad, I can’t judge. So, not super far from Cedar City, you run into these… people. I was raised Mormon, not that it stuck-” She lifted up the cocktail she’d made for herself and shook it until the ice clinked against the side of the glass. “As you can see. My mom is still absolutely convinced I’m coming back to it, but that’s just Mom being her usual optimistic self. Anyway, not relevant. There’s this offshoot group near us, and they call themselves FLDS, but they’re about as Mormon as a sack of hammers. They’re pretty much flat out a weird sex cult run by old men who choose dozens of women to marry. That’s the Cliff’s Notes, it’s actually much grosser than that. But, uh, when there’s a dozen men that marry a dozen women each…”

Eden wrinkled his nose. “There can’t possibly be enough women to make that work.”

“There aren’t. Nice catch. Or, rather, there’s too many men. So they kick the teenage boys out. They come up with some kind of story, some excuse for it. One boy I met watched a VHS tape of Fern Gully in secret but made the mistake of telling his brother, who told on him. One was overheard telling a girl he thought she was pretty when she was already set to marry somebody’s grandpa. Another said all they told him was that he seemed kind of lazy at the worksite last Thursday. One poor kid just had the absolute freaking audacity to not even notice the girls at all, they decided that meant he was looking at the boys instead. Doesn’t matter. They kick them out, dump them on a road with a backpack - if they're lucky they get a backpack - and tell the boys good riddance, don’t come back. They don't have any documentation, they don't have any idea how to live in the modern world. Most of them have never even handled money themselves. Sometimes you’ll hear them called the Sons of Perdition? Ringing any bells?”

Anaya frowned, looking at Eden. He shrugged back at her. “Sounds sort of familiar,” Anaya said slowly. “Like maybe I saw something on the news.”

The shower turned off. All three of them went briefly quiet, as they heard the bathroom door open and close, followed by the guest bedroom door doing the same. 

“You might have. There was a big case about it years ago, that's what the show I wanted you to watch was about. In any case, I’m telling you all of this because I thought maybe you’d picked up a Lost Boy. Sometimes, with the Lost Boys, their moms have kids who already left, or a sister or something, and they can give the boy a phone number to call. Mostly, though, they’re on their own. My mom helps them, she drives the roads some days looking for the boys and takes them to a shelter in Cedar City. When I visit back home we do it together. So, yeah. I thought maybe that’s where he could be from.”

“I… don’t think that’s it.” Eden looked down at his beer. “We found him in the woods, like… deep into the woods, and he was coming from somewhere even deeper. Actually, he found us, I guess. We saw him hiding under my car from somebody who was after him. And it didn’t seem like the plan was to bring him back alive.”

“Hence the being shot,” Vanessa said, thinking out loud.

Eden nodded. “Hence being shot.” Honestly, he liked her - she was sharp and soft at the same time. He could see why Anaya had been so sure she’d let them stay, that she’d help them out.

“Well, my first guess was wrong, then, I suppose. But there’s all kinds of survivalists hiding out in the woods. Usually just a family by themselves, or maybe a couple related families who put together a little compound. Most of them keep to themselves and tip really well when they show up in the local diners, keep some of the farm supply stores more or less in business, but sometimes you get some that are alone in the woods long enough to get…” She trailed off. "Weird."

Anaya sipped her own drink - just the cider. She’d told Eden she was worried that if she drank alcohol she’d just flat out fall asleep at the table. They were both running on nerves and caffeine by now. "Weird?” She prodded, gently.

“Odd,” Vanessa said, finally. “Paranoid. Hostile. They’re the kind of guys that think we’re all microchipped by the government, or that vaccines make you pick up cell signals. Things like that. People who sit around alone too long get really weird. Or maybe they were already weird and that’s why they went out into the woods. I mean, as long as they tip twenty percent on a decent meal, they can live however they want in my book, but not if they're trying to cover up abuse, or something. If that’s where this kid comes from, well. There might not be anybody he can easily go to, relatives-wise."

Eden thought of Misae's scars. "... I think abuse was pretty much a given. You don't shoot at someone who's running from you if you're a good place to grow up."

"Yeah. Poor kid." The timer over the oven beeped, and Vanessa pushed herself to her feet. “Just a second. Hey, Strange Boy Misae!” Vanessa’s voice shifted into an effortless projection that found its way through every corner of the little bungalow of a home. “Pizza’s ready! Come eat!” 

She swept herself into the kitchen, leaving Eden and Anaya briefly alone. Eden held his beer in his right hand and let his left drift, until it found Anaya’s fingertips. She smiled without looking at him and grabbed on tight. 

“This was a good place to pick,” Eden admitted, reluctantly. “To find a place we can crash. You did good, baby."

“Told you so,” Anaya sing-songed, voice low and loving. “I’m always right, even when I’m not.”

“Aaaaand this moment right here is why I never admit it when you are right,” Eden said, voice dry. "Because you do that every single time." They clinked beer bottle and glass together, and kissed again. Anaya half-laughed into the kiss, making it awkward and bad and the best kiss, all at the same time.

He heard the softest scrape behind him and pulled back to see Misae hovering in the doorway, wearing Anaya’s star-sky pajama pants pulled as tight at the waist as they could go and a shirt of hers that didn’t quite meet the waistline, showing a flash of pale, scarred stomach. His hair was mussed and stuck up and out every which way. His eyes danced around the room and he moved in a way Eden could only call slinking, sticking to the wall as he eased himself slowly into the room. He limped, still, but not nearly so badly as he should have. 

He shouldn’t have been able to move at all, not really, not without crutches or help.

Well, maybe teenagers who turn into wolves heal fast, Eden’s brain supplied with hysterical false calm. Didn’t he say he heals fast? 

Misae’s eyes moved constantly, the whites showing around the iris as he took everything in. He crossed his arms in front of himself. Outside, the sun was getting low in the sky, sending blazing golden yellows and oranges that cast Misae in a light like reflected flames. It made his gold eyes seem to glow. 

“Hey,” Eden said, his voice gentling immediately. “Feeling better? Was it a good shower?” He patted the seat next to him when the boy didn’t move.

Misae looked down at the chair, back to Eden, and then towards the kitchen. Vanessa bustled around in there. 

Something fell in a crash of ceramic and Misae’s lips pulled back in a heartbeat, baring teeth that weren’t as flat in the canines as they should have been, snarling even as he hunched into himself further, self-protective, and pushed himself back against the wall. Eden could damn near see his ears suddenly tipped in fur, elongating, pushed back against his head. Was he getting shorter?

“Everything’s fine!” Vanessa called out before anyone could ask. “Just a second! Everything’s totally good!”

Misae’s teeth were sharp enough to crunch bone now. Eden couldn’t deny it - he was watching the boy begin to turn. He wasn’t getting shorter, he was shifting from bipedal to something that had to stand on all fours. Eden swallowed, hard, his heart beating so fast it made him vaguely breathless. 

"Holy shit," Anaya breathed, next to him. Her grip on Eden's hand went tight enough to hurt, squeezing his bones together. He wondered, in a kind of wild irrational flight of fancy, if Misae's bones hurt right now, changing shape in everything from fingers to spine. "Misae, honey-... sweetie-"

“Come sit,” Eden said, keeping his voice low. “Everything’s okay, Misae. She’s a good person, she won’t hurt you. I promise. Even if she tries, we'll keep you safe, I swear. Just sit down next to me, okay?”

Misae blinked, and the sense of something not-quite-human was gone in a heartbeat. No monster here, it was only a frightened teenage boy who limped carefully to the chair next to Eden. 

Eden decided not to think about what he’d seen any longer. Not even a little bit. Not even for a second. He locked that up in a box inside his head marked LATER. Or maybe NEVER.

Misae sat down like he’d never been in a chair before, lowering himself carefully as if he thought it might bite him. He sighed in something like contentment when he finally settled. “This good?” He asked, chin down but looking up through his eyelashes.

“It’s perfect. So was the shower good?” Eden asked again, just for something to say. In the window, the black cat kept watching them, eyes locked on Misae now.

Misae nodded, but he didn’t speak anymore. He… really wasn’t a talker. Most of the time, it felt like talking to a statue, a robot.

Like talking to a dog.

Maybe he never talked because nobody had ever cared to listen.

He shook that thought away just the same as he’d shaken off the last one. He’d admitted to himself, deep down, that this kid wasn’t completely human and he'd clearly come from somewhere awful, but he needed at least one good night of sleep to be able to fully grasp it.

Or maybe he never would. 

“We’re going to just chill out for a couple days,” Anaya said, leaning forward so she could talk directly to Misae around the obstruction that was Eden. “Just rest, and figure out what to do next, okay? So no worries about having to be on the move again right away. So just… think about where a safe place might be for you to go, okay? Maybe some people that could take care of you?”

Misae looked at her, tipping his head to one side, eyebrows furrowing slightly. The silence drew out. Just as Anaya looked away, Misae murmured something too low to be understood.

She blinked. “What was that?”

“... I don’t know any other place,” Misae admitted, voice rough, just above a whisper. Something like a growl or a whine just at the edge. “Don’t know any other people. I only knew one place, and it isn’t safe. All my people are dead. I told you.”

Eden needed another beer.

Desperately.

Vanessa returned, smiling brightly as she held a couple plates heaped with slices of pizza, breadsticks, and tomato sauce to dip it in. “I made two pizzas. Who wants sausage and pepperoni, and who wants barbecue chicken? Oh, hey, you’re here. That shower did some good, you look like a totally different person now!” 

Misae’s eyes flicked to Eden’s and then away. “Thank you," He muttered, leaning away as if wanting to hide from the attention. 

Vanessa showed Misae the plates. “Dinner is served. So pick your poison, kiddo.”

Misae’s eyes widened in alarm, and he turned to look at Eden. The sound he made this time was definitely, fully, entirely a canine whine. Eden could very nearly understand him.

Don’t make me eat this.

"I've been good," Misae whispered, begged really, eyes beseeching. "Don't make me eat the poison meat. Please, Eden."

Vanessa blinked, pulling the plates back towards herself a little. “Uh… what?” 

Eden cleared his throat. “It’s a joke,” He reassured Misae, reaching out to touch his shoulder, feeling the boy lean into the touch with something like ferocity, nearly pushing Eden off balance. He gave the boy’s shoulder a squeeze and felt him shaking under his palm. Somehow he ended up with an arm around those bony, thin shoulders, pulling him close and speaking against his hair. Some of it tickled Eden's nose. “She was joking. It’s not actually poisoned. Take the sausage one, you’ll like that. I'll eat it, too, okay? So you can see it's good to eat, and nobody's going to get hurt."

“It’s not poisoned,” Anaya agreed quickly. “It's totally, completely safe. We promise. Cross my heart and hope to die.”

"Not helping when you say the D-I-E word, Naya," Eden murmured. Misae nosed into the crook of his neck, whining again. His stomach growled along with it, the sound as loud as a whalesong in the small dining room. Eden's own stomach growled as if in response.

“I’m so sorry, kiddo,” Vanessa said, sounding stricken. “Oh, gosh. I really didn’t think when I said that, huh? That you wouldn't know it was a joke. I'm so so sorry. Totally normal pizza, one hundred percent not even a little bit poisoned. Just regular food for regular humans. Look, watch." Vanessa picked up a slice and took a bite herself, chewing ostentatiously. "See? Safe!"

Eden very nearly burst out laughing. Not from humor, not really, but just from a kind of exhausted hilarity he couldn't quite control.

Whatever Misae was, regular human sure wasn’t it. And his reaction to the poison joke made something in Eden hurt, absolutely certain this kid had seen some other people - or wolves - poisoned with their food before, maybe even seen them die from it.

Maybe the slaughter of his family wasn't the first time he'd had to see the ones he loved be killed right in front of him. Maybe it had been the last, instead.

Every detail made him want even more to know where this kid came from, and simultaneously want with equal desperation to never, ever know.

Misae slowly nodded, watching as the plate was set down in front of him. He didn’t move to eat, though, his eyes on Eden and Anaya as each politely asked for the type of pizza they wanted - Eden taking sausage and Anaya barbecue chicken with a side of ranch dressing, because she was occasionally an abomination. Eden loved her anyway.

It was a little harder to love her when she dipped pizza in ranch, but he did his best.

It wasn’t until Eden picked his pizza up and took a bite that Misae’s hands moved, slowly, to echo Eden’s movements. Eyes on him all the time. “Hot,” He commented, pulling his fingers back from even the slightest touch. His nose crinkled a little, which had to be maybe the weirdest, cutest expression Eden had ever seen someone make. “Hurts.”

“Yeah,” Vanessa agreed, settling back into her own seat. She slid a freshly opened beer across the table at Eden, who mouthed thank you and batted his eyelashes, watching her smile brighten in return. “Just came out of the oven. You really timed your shower perfectly. You can use a fork if you want, I promise I won’t judge.” She winked.

Misae blinked back at her, then moved one hand hesitantly to touch the silver fork at the right of the plate. He held it like a toddler who’d never seen one before, more or less just closing his fingers in a fist around it, stabbing ineffectually at the sausage until some stuck. 

Anaya, Eden, and Vanessa all watched as he took a piece of sausage with a bit of steaming cheese clinging to it to his mouth, stuck it awkwardly inside, and then hissed as the heat burned his tongue. Then his eyes went wide and he chewed frantically before swallowing and all but throwing his fork at the next bite. 

Misae next jammed his fork hard enough to get a huge chunk of cheese, sausage, and even a little crust to lift up this time. The plate rattled beneath his graceless enthusiasm. 

He shoved the whole thing into his mouth until his cheeks bulged like a chipmunk’s, chewing with effort and seeming to swallow the whole bite nearly whole. 

After that, he gave up on the fork, dropping it with a clatter. He used his hands instead, gathering the remaining pizza together in a sort of lump and eating it until red sauce smeared a circle around his mouth. He made soft grunting noises as he ate, maybe sounds of contentment, curled around the plate as if protecting it from anyone else trying to grab a bite or take it from him. 

Eden was the first one to find words. “He’s, uh… he’s new to pizza.”

“I’ll say,” Vanessa said, slightly faint. “This is the single most disgusting thing I have ever seen, and I cannot possibly look away.” She set her own slice of pizza slowly back down on the plate and took a drink without ever taking her eyes off of Misae’s feasting.

None of them did.

Misae finished every bite on his plate before the other three had even managed to finish a single slice - not that any of them even bothered to try now, too engrossed in the sight of a teenager eating pizza the way he might have torn into an animal carcass if he were in a nature documentary. 

Misae picked up his plate and licked the bits of sauce clinging to the ceramic away. Only when he set it back down, so well cleaned it seemed like it had never had food on it at all, did he seem to realize the others weren’t eating. He swallowed, eyes dancing nervously from Vanessa to Anaya to Eden and back. 

Eden picked up his slice of pizza and set it on Misae’s plate. “Here you go,” He said, voice gentle. His stomach turned over, appetite gone after the spectacle. “Go ahead and have mine, too.”

Misae licked his lips, looking uncertainly down, then nodded and tore into that piece, too.

As he did to Anaya’s barbecue chicken slice.

And Vanessa’s. 

Then he drank the side of ranch straight out of the little bowl, and licked that clean, too.

Eden might never have an appetite again.

“I didn’t know anyone could eat this much pizza at once,” Anaya whispered, sounding less grossed out than just deeply, deeply impressed. 

“I think he’s officially eaten a whole pizza by himself,” Vanessa half-whispered, eyes wide.

She set a breadstick down on Misae’s plate and watched him eat that, too, in three quick bites, barely chewing. “Where the hell is he going to put it all? He weighs like ninety pounds soaking wet.”

Eden closed his eyes. His headache was getting worse. He needed to sleep more than he needed literally anything else on earth. Too bad he only really slept well in the woods. Well, maybe he was so far past tired by now he could sleep anywhere at all?

“Wolves,” Eden said in a tight voice, “Can eat like twenty percent of their own body weight in a single meal. I saw that on something David Attenborough narrated once.”

“Wolves?” Vanessa asked.

The light outside was starting to dim. It’d be another night of a huge harvest moon, Eden thought. Not yet, but soon enough. He’d go outside and look at it for a while, if he could keep himself awake long enough. 

Misae stared back at them, curling into himself again. He flushed, but it just blended with the red sauce around his mouth. It really did look like blood, even starting to darken as it dried. 

He followed Eden’s gaze to the window, looking out at the oncoming night. 

Then back at them.

“Thanks for the food,” He said, without looking up. His voice was thick. He stood so fast he knocked his chair over and then half-limped, half-ran back down the hall. The door to the guest bedroom slammed shut behind him.

Eden exhaled, slowly. “Well…”

“That,” Anaya said, shaking her head, “Was definitely something I have never seen before. And that I hope to never see again.”

“Yeah. Uh.” Vanessa stood. “I’m going to… get us all the rest of the pizzas, I guess. Assuming I can stand to even look at it now.”

Eden hummed assent and took a drink, letting the blend of bitterness, chocolate, and subtle sweet peanut butter sit on his tongue while he stared outside. 

What were they going to find in the bedroom when they went back in?

A scared teenager with a stomach ache?

A wolf with bared teeth?

Or, somehow - impossibly - a creature who was both?

When he looked to the window, the black cat was still there. Still watching them, as the moon began to rise. It blinked, slowly, and Eden drained the rest of his beer.

It was going to be a long night.

-

@finder-of-rings  @burtlederp @deluxewhump @scoundrelwithboba @shrimpwritings 

@yassifiedinformation @wildfaewhump @whatwhump @honeycollectswhump @tundra-tiger

@dont-look-me-in-the-eye @there-will-always-be-blood @fangedcinnamonroll @pigeonwhumps

[thepromptfoundry]

Calling all history nerds, period piece connoisseurs, and fans of time-travel plots! Decades December is coming up here at The Prompt Foundry!

This list is being posted a little earlier than usual because historical work can take some time. The list has some reference points for you to jump off from. Show off your special interest in a particular era or event, or start a wiki walk from the the Wikipedia page for each decade to learn something new!

Have fun exploring resources like @thetimelinesofslang, the Fashion History Timelines from NYSU's Fashion Institute of Technology, or the fashion plates and historical photos from blogs like @omgthatdress or @historical-fashion-polls!

If you use this list, please tag me here @thepromptfoundry, I’d love to see your writing and art!

Feel free to combine different days' prompts with each other, or combine them with other events! Use your OCs, your favorite characters from media, your own experiences, whatever tickles your fancy.

Respond to as many prompts as you want or as interest you, don’t worry about missing or skipping any. Remember, this is supposed to be fun!

If you have any questions or musings, check our FAQ, and if you don't find your answer, shoot me an ask.

Plain text list below the cut:

1) 0010s Xin dynasty in China, Caesar Augustus in Rome

2) 1900s Edwardian era, Russo-Japanese War, release of the first feature film The Great Train Robbery

3) 300s Teotihuacan flourishing in present-day Mexico, writing of the Kama Sutra

4) 1910s World War 1, the Russian Revolution

5) 1440s Late Middle Ages/Early Renaissance in Europe, the hangul writing system is introduced in Korea

6) 1920s Prohibition in the US, rise of fascism in Europe, earliest sync-sound movies

7) 0070s Roman Epire, destruction of the Second Temple in Jerusalem, eruption of Mt. Vesuvius and destruction of Pompeii

8) 1930s The Great Depression, the Declaration of the Independence of India, art deco, color film

9) 1090s The First Crusade, the Liao, Xia, and Song dynasties in various parts of China

10) 1810s The Napoleonic Wars, the Regency era in England

11) 1940s World War 2, post-war rebuilding

12) 1000s BC The Iron Age, King David of the Israelites, development of the Phoenician alphabet

13) 1950s Baby Boom, Red Scare, the Korean War, rock'n'roll, zippers and television both become commonplace

14) 1340s The Black Death in Europe, decline of the Mongol Empire

15) 1590s Late Elizabethan Era in Europe, William Shakespeare, Imjin War between Japan and Korea

16) 1960s Moon landing, hippies, mod fashion, Chinese Cultural Revolution, Stonewall, Star Trek, the Civil Rights movement

17) 1770s The American Revolution, founding of the real Illuminati

18) 1860s American Civil War era, late Edo period in Japan

19) 1970s The Sexual Revolution, disco, the first video games, end of the Vietnam War

20) 2200s Whatever the future holds!

21) 1980s End of the Cold War and fall of the Berlin Wall, beginnings of the World Wide Web, the First Intifada in Gaza

22) 1660s Part of the Golden Age of Piracy, the English Restoration

23) 1990s Internet access becomes widespread, grunge, the Gulf War, the Troubles in Ireland, height of the AIDS crisis, Princess Dianna, first Pokemon games

24) 1230s University of Cambridge founded in England, beginnings of the Mali Empire in Africa, rein of Emperor Shijo in Japan

25) 2000s The “War On Terror”, rise of Big Tech, Y2K fashion, emo culture, cell phones become commonplace

26) 1880s Gilded Age, the first skyscrapers, electrification of cities, first household electrical appliances like fans and irons

27) 1640s Qing dynasty begins in China, the First English Civil War

28) 2010s Hipster culture, height of video streaming, YA lit boom

29) 500s Liang and Northern Wei dynasties in China, Heptarchy period in England, height of prosperity of the Mayan Empire

30) 2020s Present day!

31) 3130s Whatever the future holds!

[inbabylontheywept]

Someone had to go first.

In an odd first, I forgot to post this HFY story here until after it was voiced by BirbletonVA. Their channel actually did such an insanely good job that I would actually strongly recommend listening to it over reading it. Nonetheless, the text is provided below.

Please like and subscribe to their channel if you like their work.

The first ship that arrived was pretty matter of fact about its fate. The pilot introduced himself as Eric, and told us he was part of the first sublight resupply attempt in modern history. He then gave me and the ground control team his bad news.

“So,” he said. “Without real time telemetry, we weren’t even sure which half of your orbit you’d be in. That’s half a solar system’s worth of wiggle room. Decelerating enough to survive contact with your low orbit would take me two weeks, which, you know, it looks like we don’t have. That means that in order to get the second ship in before you lose orbital control to the Kresh, I’m gonna have to make a sacrificial flyby. Ten to the negative four torr is good enough for a lot of things, but at point-seven c it’s gonna be like sandblasting a soup cracker. Good news is that all the expensive toys are in the next ship, so this really ain’t costing you more than a ship and a pilot.”

“You knew,” I said. If they put the expensive toys in the second ship, they knew that the first was likely a sacrifice. No one smart enough to handle orbital physics would miss that.

“I did,” he said. “But someone had to go first.”

That was, of course, a lie. No one had to go first. No else had had, at least. When our connection to the FTL network was lost, we’d understood that as the end of our reinforcements. Doing resupplies via sublight was just too risky. It was a testament to Earth that it had accepted the risk and continued anyway.

“Is there anything we can do for you?” I asked. This man had come here to die for us. I wasn’t sure how much I could give, but what I had was his.

“I do have a few requests,” he said. “First up, I need as much high-orbital data as you got. The whole lot.”

I began directing tightbeam resources to him immediately. It was an easy resource to exchange - it wasn’t like there was anyone else out to talk to anymore. When we lost FTL, we found ourselves very, very alone.

“Second,” he said. “Right, I know I’m gonna sound like a princess right now, but I have been stuck in this stupid tin-can for almost two-years now, and I seriously overestimated how much I like synth music. If you have anything that’s analog - I don’t care what kind of string or drum or brass you play, but I’d kill to hear something without a beep in it.”

I jumped my own queue in the tightbeam, and added a short playlist that I ripped from the local web. Human Music, it was labeled. 3 Terabytes. I prayed there was something on it that he’d like.

“And third,” he said. “Third. The uh, next pilot is pretty mad at me. Turns out this will just be one of those things left unfinished. That’s all death really is, I guess - a lot of unfinished things. Let him know that he was right: He is a better pilot than me. But tell him that wouldn’t have made a difference here. Bad luck beats skill, and this luck was shit.”

I promised, and he went silent after that. We could see what data he was analyzing, and the short answer was all of it - everything from atmospheric density to troop positions and his own ship’s blueprints. He knew he had one shot at this, and that if the price wasn’t paid here, it would be paid by whoever came next.

---

Ground control didn’t get a verbal warning that he’d entered atmosphere. Just a ping. A little here-I-am, whispered in the dark.

After that, we could keep track with visuals alone.

He hit the outskirts of the exoatmosphere in his first pass, burning bright enough to be seen with the naked eye. He caught the sparse particles like a kite, trying to shed enough speed to hit actual low orbit. Automatic telemetry updates gave us the grim news for the ship: Thermals were holding up decently, but the ablative was wearing out fast.

The entire descent brought us more than two hour’s reprieve. The Kresh hadn’t expected to see a resupply, but they knew what one meant: Get it now, get it fast, or deal with a stream of new troops. They could buy themselves ten days' time by shooting this one ship down now. That was an eternity during a siege.

The first loop lowered the speed by about a twentieth of light. The pilot responded by pulling the ship in tighter, burning trying to preserve more ablative plating by trading off with thermal. Seven fighters were close enough to fire off heat seekers. I don’t think the Kresh had ever anticipated shooting down a craft coming in that hot - the missile's decoy avoidance countermeasure actually made it steer around the thing, chasing down loose pieces of shrapnel. Cooled fragments, still hotter than an engine, should be at full blast. The simple mistakes bought it enough time to enter pre-orbit, and the fighters had to stop their pursuit. They weren’t willing to die to stop the ship.

Our man, on the other hand, was already committed to that course.

A third loop followed a fourth. Ablative coating went from 65% integrity, to 30%, to 5%. Telemetry scans were exceptionally detailed - the pilot was making the flyby count. The last message we got from him was simple:

Are you EMP shielded? he asked, not even bothering to encrypt the text stream. He didn’t have time to process more than that.

Yes, we replied. We knew what he was thinking, but it was still a shock to see it. The fusion torch flared hot, burning through the nozzle and feeding directly into the craft’s dueterium supply. The reaction went super critical, and the resulting neutron pulse set off everything in the ship with a z-count higher than iron. Three continuous seconds of EM interference screamed through the comms as the hulk burned through orbit.

The explosion itself wasn’t powerful enough to kill the Kresh ships still in high orbit, but it made enough broadband radiation to blind both sides LADAR. The man must have been a hell of a pilot - half the shrapnel went down and got burned up as it entered the standard atmosphere, traded as the cost of moving the other half past lagrange. Standard evasion would’ve made the pieces easy to dodge, but with LADAR down, all the Kresh could do was sit still and cower as the wrath of a dead man riddled them full of holes. Our best ace had managed to shoot down seven ships before this before getting shot down himself. The wreckage of the freighter took down six.

---

The second ship came in stealth. One second, we were holding attrition in high orbit, the next, something the size of a small station came ripping through the atmosphere.

It did the same trick as the former - swapping between ablative and thermal loads, coming down at a speed that the Kresh fighters didn’t even try to match. Armies could be built in years, but skills like this took decades.

Telemetry connection was established almost as an afterthought. The way the ship casually ate through ablative armoring made my eyes water, but the pilot himself seemed pretty non-plussed.

“You’re down to fifteen percent coverage. You need-

“What I need,” he said, “is to see the previous ship’s telemetry. If there’s one thing you can trust, it’s that this bird is going to come down gentle.”

He cut off my chance to reply by flicking the channel off. We watched, and we wrang our hands, but sure enough he came in six minutes later with 4% of the ablative left.

I met him on the landing pad. Under normal circumstances, we’d have needed twenty-four hours for the craft to cool enough to even approach, but we’d had cryo ready just in case. Three tankers of nitrogen, and the loading area, at least, was cool enough to touch. Safety would have to take a backseat to speed here - we needed the supplies fast.

But those both would take a backseat to a promised conversation with the second pilot. He was out of the craft as soon as the air was cool enough to avoid scalding his lungs, picking through the workers to try and find who had the telemetry data.

I found him first. The drive went into his hands, but I needed to keep my promise with Eric before letting go.

“You’re better than the first pilot,” I said, and I wasn’t lying. If the previous flier had been a saint, this one was a god. “But you wouldn’t have been able to manage the landing either. There just wasn’t time.”

“Let me see,” he said, tugging on the drive. “Just let me see. I have to know I couldn’t do it either. I have to know that someone had to die.”

I let go of the drive and he stalked back into his ship. I didn’t follow. I figured I’d pushed things far enough as it was.

---

The second pilot left the ship six hours later. He looked bleary in a way that put me at ease. I’d been up the last six hours directing supplies from the ship. Everything from ground-to-orbit rails to AGI targeting systems was inside, and to say it was gamechanging would be an understatement. It was good work, but I was tired, and I didn’t want to have to pretend otherwise. Seeing the other man with bags under his eyes meant we could just be frank with each other.

“I couldn’t have managed it,” he said, half-ashamed, half-relieved.

“It just wasn’t possible,” I agreed.

We sat there a moment longer. I didn’t mind the break. This was time well spent.

“Did it hurt?” he asked finally.

“Ablative failed before heating,” I said, which was the technical way of saying no. “He overloaded the reactor before the ship actually broke up and did some kind of slingshot maneuver - hit the main body of the Kresh fleet with half a space station’s worth of shrapnel.”

“Good,” he said.

I knew the signs. The tremor in his cheek, the way his jaw clenched - it wasn’t professional, but I hugged him anyway. Let him have the dignity of choosing to weep instead of having it wrenched out of him.

It was a gift we’d all been given at some point in this war. At least now, there was the hope it could be over soon.

[monsterfangss]

Seraphim are anomalous creatures that inhabit the InBetween.

They exhibit mammalian features such as homeothermy, fur, feathers, and the ability to lactate. However, they follow a life cycle similar to insects.

When seraphim pupate, they form a cocoon around their soft bodies. Over the course of about 20 years, the muscles and soft tissue will break down and reshape. The only part of the body that does not melt are the bones, which remain mostly intact through the entire metamorphosis.

[aeriona]

A standard-blend Hagsrak warrior standing before a burning Ostalyakian Village, 859 AGM (after Great Migration).

this artwork depicts an unfortunately very common occurrence during the Great War, in which Hag forces as well as their Hagsraks (genetically modified, shapeshifting super-soldiers bred by the Hags for war) would descend upon eastern settlements (mostly consisting of Frenators, at the time) and tear them to the ground.

After a few years, this major conflict ended with the Hag empire imploding upon itself rather than pressure from any external force. The enslaved Hagsraks rebelled upon their creators and drove them to total extinction, finally ending the war for good.

There are still Hagsraks around today, albeit in very low numbers. Most live quiet lives among the ancient ruins of their forefathers' empire, whereas a small few hide in plain sight, magically disguised to assimilate with the three other peoples of Khalodna. As such, we will never really now how many there are for sure.

[librarycards]

Nobody would dare to boil down Ursula Le Guin’s marvelous writing—all that fantasy, all that science fiction, poetry, essays, translations—into one idea. But in a pinch I’d pick two sentences from her 2014 National Book Award speech: “Capitalism[’s] power seems inescapable. So did the divine right of kings.” Fantasy and science fiction never meant escapism for Ursula Le Guin. The dragons of Earthsea and the reimagined genders of The Left Hand of Darkness were always lenses, lenses she ground in order to sharpen her readers’ focus on everyday life. Indeed, for Le Guin, there was no difference between the stories she invented and everyday stories about the institutions governing our world. The dragons of Earthsea and capitalism are woven from similar material: it is imagination all the way down. James Baldwin said not everything that can be faced can be changed, but nothing can be changed without being faced. The word for facing things in Le Guin is recognition, or you might even say re-cognition. Her characters—and readers—find themselves forced to think again. When they do so, what had seemed a fundamental truth about their universe turns out to be anything but. [...] Here is what I learned from Le Guin: Imagination is a beautiful and a shadowy builder. Over the generations, it supplied language, gods, music, arts, pretty much everything we sum up as culture. But imagination’s power comes at a familiar price: all power corrupts. Looking at those delightful surfaces painted onto the world by past acts of imagination, it can become hard to catch sight of what is really there, underneath. The philosopher Ludwig Wittgenstein has a wonderful phrase: “a picture held us captive.” It applied to divine right of kings at one time, and may apply now to capitalism. Ending a picture’s captivity involves cracking common sense, and that is where some of my favorite writers come in. Jane Austen’s wit helped her readers peer beneath the surface of Regency England’s marriage market; Mark Twain’s Huck Finn tore aside the racial lies of 19th century America. During the Nixon era, Le Guin’s fantasy and her science fiction did the same: she pushed aside captivating pictures and let the light shine in. Then she returned to Earthsea decades later and did it all over again.

John Plotz, Dragons Are People Too: Ursula Le Guin’s Acts of Recognition.

[beaniegaebie]

sigh why do it be being like that tho

[hezzabeth]

"For the last time, that poem isn't romantic! It's insulting," Revati yelled over her shoulder as she began to pedal.

The layout of Olde Landon had been deliberately designed to keep tourists inside for as long as possible. There was only one way to access the front gates, and that involved defeating the Queen of Hearts' hedge maze. When the park was still open, tourists would be forced to spend at least an hour in the maze, stumbling upon tiny toy shops and food stands around every corner. The same thing occurred when they left, resulting in a very rich park and bankrupt guests. Now the maze was overgrown and easy enough to navigate.

Revati pedaled past the cart that once sold her heart-shaped sunglasses. Then she turned left, almost crashing into the wall of roses. The wall of roses stared back at her, their red blooms heavy and suspicious. Thanks to Bridgadeiro, she knew they were probably secretly insulting her.

The next turn consisted of an old stardust popcorn stand. Revati skidded to a stop and inspected the inside tray, where a few ancient kernels lay. Carefully, she picked up several of them and placed them in her jacket pocket. As far as she could tell, the kernels were seeds. Someone was shifting around the corner, causing the branches to shake.

"Aurora, is that you? Did you go ahead of me?" Revati yelled.

"While conferring in the labyrinth where false preachers reeked of death, the monster began to growl," a voice called from around the corner. An unfamiliar, flat female voice. Raiders. Raiders were, of course, an occupational hazard in any post-apocalyptic settlement. Normally, they never made it further than the broken glass pit at the park's gates. Sometimes Dityaa would bring one in, insisting they were "lovely," which always led to awkward dinners.

Revati slowly walked around the maze corner. There was a screeching metallic sound, and the weapon fell from Revati's hand. An android was slumped over on the ground. Once it would have been golden, but now it was rusty and covered in mud. Someone had ripped its legs off, leaving nothing but wires and tubes spitting bright blue fluid. Instead of a torso, there was a black empty hole with a concave door swinging on its bent hinges.

"And in the forgotten twists, footsteps quicken, hearts beat, and teeth are bared," the android chirped, its voice still distorted and far away. The android's face was a beautiful mask. Still-carved eyes. Unmoving sweet lips.

Revati powered up her solar gun and slowly walked forward, aiming it at the android. The android's metal eyes scraped in their sockets, turning towards her.

“Is that you? My darling Perdita?” The android’s voice whispered, the lips unmoving. The whispering voice had a posh lilt to its accent. Revati refused to answer. It was best to never engage with AI.

“Perdita, I clawed my way in! They know about you; the spider knows,” the android whispered before collapsing completely.

Revati slowly walked forward, still holding her weapon. With one foot, she kicked the android. It didn’t move. Its power had definitely died.

“Spider? Is that some sort of gang?” Revati whispered to herself. Gangs were always given stupid names.

“The spider is us; the spider is legion,” a flat robotic voice called out, and Revati spun around.

Queen Victoria was standing behind her, scorch marks all over her dress. A faint blue glow was erupting from beneath the skin of Queen Victoria’s chest.

[whereserpentswalk]

Imagine you've grown up on a spacestation. It's a major port, several times larger then most terrestrial cities. You've gotten to meet people, from all around the known universe, cultures with diffrent gods, diffrent tongues, diffrent systems of government, even some that aren't even fully human anymore through genetic engineering and adaptation.

And for your entire life you've heard about planets. Most media, from the strangest fantasy stories, to the most mundane dramas, take place on planets and assume to viewer lived most of their life on a planet. And most of the you talk to are from planets too, even those that have made their home on the station still grew up on planets, or have family they visit on planets. But you don't really have any personal frame of reference for what a planet is even like. Once or twice you've been on a ship or visited a nearby station, but you've never actually been too a planet.

You don't think of things the way terrestrial people do. You don't think of things as being inside or outside, just in diffrent rooms. You don't think of places as being flat, but as having layers of floors. You don't even have a full idea of what being "outside" would be like.

And one day, long after you've become an adult, you actually visit a planet. Everyone you know kind of expects you to be in awe of the beauty of an open sky, to finally enjoy the feeling of fresh air. But to you, you feel nothing. It's chaotic and confusing, you don't know how to get anywhere, you can't navigate places this open. When you see an open field it scares you, like open space brought into a station's walls. Everything feels so big and crowded and so small and empty at the same time. You barely leave your hotel room the entire trip.

People are supposed to exist on the ground. But you adapted to something else. That's what humans do after all, adapt to things.

[talefoundryshow]

In a world where there’s nothing left to conquer but boredom, how does play evolve?

Song - NFL on FOX Theme (Instrumental King)