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[dailyfido01]

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[fashiontipsliveeeeee]

write for us fashion : We’re constantly watching for new contributors for write for us fashion. If you’ve got a plan that will challenge our readers and move our industry forward, we want to listen about it. But you don’t need to wait for an idea that will redefine Fashion. Just aim to bring readers a fresh perspective on a topic that’s keeping you up at night, adding actionable content for our readers, and you’re good to go.

[shepscapades]

In honor of Etho Tuesday, here’s a little insight regarding the damage Etho sustained from the creeper blast that caused his deviancy! His voice is completely fine, so aside from the aesthetic damage and a little bit of weakness in his left arm, he functions perfectly well :]

[d3cayingdolly]

I'm a super private person but I also need a social media account for every single interest I have

[skitskatdacat63]

Fernando Alonso & His Relationship With Cards

I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?

I. Magic Tricks

You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)

But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."

In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.

II. Card Symbolism in His Helmets

This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?

From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.

Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)

2008.

Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible

2009.

Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?

2010.

This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!

2011.

Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards

2012.

This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??

2013.

Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form

2013 Monaco(Honorable Mention):

For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one

2023 Las Vegas(The Return of The King):

The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"

III. Why Does This Matter?

*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs

This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!

There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.

But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(

[sartorialadventure]

[thatnununguy]

Summer heat got me DEAD!!! MELTED just like a PUDDLE...

[heartyearning]

sick and tired of seeing people use zip ties for boning. listen to me i am a costume designer stop using plastic which does not hold your shape (the whole point of boning) you do not need to buy proper coiled boning or anything: go to a hardware store and find flat metal tension spring (google tells me that's what it's called, unfortunately i also don't know what its used for in hardware store related things so i cant describe it if that isnt the correct translation, soz) you can get a roll of 15m x 4mm tension spring for about 15 euros where i live and then you just have to cut it with metal shears (you can use a regular cutting pliers probably but if you have metal shears you will be happier) then either file down the edges a bit if you're genuinely gonna wear it a lot, or you just wind some tape around the edges to make sure putting them in the channels isn't gonna rip your fabric and anyway now you have an actually functional boned garment. go to a hardware store and show them this pic btw:

^ this is what you want. also bc this is 4mm wide around stress points like closures you want to make 2 channels right alongside each other and put in 2 pieces of tension spring for stability

[cuubism]

some uhhhhh dreamling smut that got a litttttle more kinky than originally intended 😳

necessary background: this is from me and @magnusbae insane and stupid au wherein dream starts coming around the university and hob's students assume he's hob's sugar baby cuz like he doesn't work? he's always wearing really nice clothes? hob pays for everything? how did hob pull this hot goth anyway? and dream does absolutely nothing to disabuse them of this notion, if anything he cleverly and carefully encourages the idea because fuck it, he loves a good story. he is the king of stories after all. hob gets in on it later

secondary less important background is dream spending his free time around the university making art and sculptures and stuff because he is a CREATOR even in the waking world. and of course his sculptures are amazing.

ANYWAY

---

“Professor Gadling, might I have a word?”

That voice never ceased to make Hob stutter where he stood, no matter how often he heard it, how often it whispered endearments and worse in his ear. If anything, he was more affected the longer things went on.

He turned, chalk still held in his hand from where he’d been writing on the board.

Dream lounged in the doorway, hip pressed against the doorframe, hands casually in his pockets. And he was wearing—

Holy God, Hob was going to die and then come back to life and then kill him.

Hob first noticed that he was not wearing a shirt, unless the strings of jewels – rubies? diamonds? – draped over his chest counted. They glimmered sharply even under the weak classroom lights. Dream was kept modest, barely, by a long silk blazer that narrowed his shoulders and cut low to the upper thigh.

Thank fuck he was wearing regular pants, at least, ankle-length black slacks, and— were those fucking loafers? The other day, a student had made a comment – rather inappropriate, Hob really should reprimand them, not that he would ever get around to it – about Hob being some kind of Victorian maiden bowled over by the sight of an exposed ankle, and Dream had apparently taken this as a personal bet, for he was not wearing socks, either.

And the smirk on his face was like fire.

“Um,” Hob said, managing with great effort not to collapse on the spot. He glanced at the clock. “You know what? There’s only ten minutes left of class anyway. Why don’t you all go home early; I’ll send out the lecture notes and we’ll pick this up next week.”

None of the students seemed upset to get out early, but they were tittering amongst themselves, looking between Hob and Dream. This was becoming a problem. In a mere one semester, Dream had turned Hob’s university reputation from good-natured modest professor to deranged sex fiend.

That was what Hob got for loving the Prince of Stories, for he could never resist a good one, even if it was at Hob’s peril.

When the students had gone, Hob took Dream’s hand and dragged him down the hall. “My office. Now.”

“Oh dear,” Dream mused as he was yanked down the hallway and into Hob’s office. That smirk still hadn’t left his face. “I am in trouble.”

As soon as they were inside and the door was very firmly locked, Hob pressed Dream up against it with a hand around the base of his throat. “Are you trying to kill me, love?”

Dream leaned into Hob’s hand. His eyes were burning. “I would bring you as close to death as I could and then pull you back.”

“You’re managing it.” Hob released him, pinning him by his waist instead – his bare waist, mother of Christ – and kissing his throat, his collarbone, his sternum over the draped jewels. Dream leaned his head back against the door, sighing like a wanting creature now satiated. “You should be classified as a public hazard.”

“I would like to be your hazard,” said Dream, as Hob mouthed his way down his stomach. The jewels swung and glimmered unnaturally bright against his skin, crimson and shining like fresh love marks. Hob knelt to nip above the waistband of his slacks, tangling a hand in the dangling chain and tugging so it pulled on the back of Dream’s neck.

Dream arched his back against the door, petting at Hob’s hair like Hob had done something particularly pleasing to his majesty.

“I suppose this is exactly what you planned?” Hob gasped, wrapping his hands around the backs of his thighs.

“Perhaps.”

“Menace.” Hob tugged at his slacks and managed to unbutton them with his teeth. “You ruin me. Never stop.”

“I was not planning on it.”

Hob lurched to his feet again, pulling him forward by the bejeweled chain. “Come.”

Dream did as Hob bade, but the way a tiger might perform on a leash – easily escaping with one swipe of its claws. He let Hob push him up onto his desk and crowd between his legs. Hob had to push one of Dream’s ridiculous sculptures out of the way to do it, and was careful not to let it fall.

“Let it smash,” Dream murmured into his mouth as Hob kissed and bit at his lips. “I will make another.”

“I’m not going to break one of your sculptures, Michelangelo.” Hob huffed. “That would be sacrilege.”

“I make them not for the finished product, but for the experience of using my hands.”

Hob slipped his hands under Dream’s blazer. The fabric was incredibly soft, but not as soft as his skin. “The experience of using your hands, hm?”

Dream’s lips curved up against his. “Mmhmm.”

He tugged Hob’s shirt from his waistband, pressing those strong, delicate hands to Hob’s back, holding him close.

“You know,” Hob murmured against his ear, mapping Dream’s stomach with his fingertips, smooth skin punctuated by jewels, “I believe I vastly underestimated the experience of loving such a dedicated, skillful artist.”

“Are you saying that you like my hands, Hob Gadling?” Dream asked, and used those hands to unzip his jeans, slipping one in to wrap around him, never once looking away from Hob’s face. The tips of his fingers were always a bit cold, but Hob liked the way they warmed against his skin.

He struggled to regain his breath. “In so many words.”

Dream looked so superior. “Good.”

“I’ll show you good, you nightmare,” Hob muttered, and tangled a hand in his hair, tipping his head back. Dream still just looked down at him from under his lashes, muscles straining.

“You shall?”

“I’d take you home and lay you out and show you if I thought we would get that far.”

“Worry not, this—” Dream wrapped the glimmering chains around his hand until they cut into the skin in white lines— “can always make a reappearance.”

“It had better.”

Hob finally got his own hand around Dream, wrapping his other arm around his back to hold him close, and Dream twined his legs around Hob’s back. This pressed them close enough that they were essentially just grinding against each other, barely managing anything more precise. Hob ravaged his mouth, giving in to the sheer power of Dream in these clothes, and Dream only urged him on, biting at his lip.

Heat raged through Hob’s body. He found the strings of jewels again and twisted them around his fist, pulling so they went taught around Dream’s neck like a choker.

Dream’s breath stuttered and tripped over itself and then they both came, one on top of the other. Dream’s legs tightened around Hob’s back. He panted into Hob’s mouth.

When they’d caught their breath, Hob held his face between his hands and kissed him, light kisses on his forehead, cheek, the tip of his nose, and finally his lips, the tenderness deserving of such an exquisite creature, and Dream smiled.

He collapsed back onto Hob’s desk, arms draped languidly above his head, jacket falling open on his naked chest. His mouth was ruined, and there were hickeys already starting to settle on his neck and stomach, but he didn’t seem to mind. He closed his eyes, humming. They had just come, and Hob still wanted him with a violence. If anything, it was worse.

“We shall have to do this again,” Dream murmured, voice barely more than a gravelly hum.

Hob sat down in his desk chair, running his fingers through his hair as Dream sprawled before him like some kind of hunter’s catch. “What, ruining my reputation with my students?”

“Among other things.”

“Nightmarish, you are,” Hob said fondly.

Dream tipped his face into Hob’s hand. “Hmm. Yes.”

[gdn019283]

I just thought about Arthur, Gwen, Morgana and Merlin going to fight, but dressing good for it (each one of them with their assigned weapon)

This could be set in whatever AU/Canon AU you’d like, where everything is good and these four fight together to unite the lands of Albion (basically my happy version of BBC Merlin).

See my vision.

They all wear long cloaks, with hoods that cover their faces and hair, including the clothes they wear under. The sleeves of their tunics are long, sort of under shirts made of linen, comfortable and flexible, no armour, to be worn under the cloaks, cut open at different points based on the weapons they use. Magic half protects them from the cold and the blows they take, blanketing them and securing them from their enemies. Their boots stretch until the knee and are striped, the trousers large and comfortable.

Each one of them has a colour assigned:

Morgana: white. It accentuates her dark hair, her appearance, that could seem innocent, but is actually fatal; three golden straight stripes descend over the front length of her cloak; the sleeves are round and half cut at the wrists; her boots are black; she wears a belt under the cloak where she can hide her weapon and pick it up easily; her gloves are black like her boots, wrist length, made of leather, simple; she still wears jewellery and a chain of metal around her forehead, with a white pearl in the middle of it, her black hair wavy and falling around and behind her shoulders, when she has council meetings, and tied up and in a braid when she needs to fight; she wears rings and bracelets. They decorate her fingers and wrists, two golden bracelet over her biceps, a long pendant made of a chain around her neck, that ends with a tiny, transparent vial where she keeps her favourite dried flower, round, five petals and of the same white colour of her cloak, the gift made to her by Gwen (I believe the flower is called, Oxalis incarnata).

Gwen: dark violet/light violet/pastel pink. I believe they’re her colours. Gwen is kind, and honest. Everything that she has ever made for herself and wore accentuated her character and personality as well, and the colour took a big part in it. It’s soft, and it resembles everything Gwen has ever been. Fierce, but vulnerable. A good leader. She has always ever been these two colours, and she wore purple the day she was crowned queen. Her cloak has drawings that she herself sewed into the fabric, of flowers and flying birds, intersecting one with the other, of a a white colour and with golden stripes painted on their wings and branches, resembling the one on Morgana’s cloak; her cloak and tunics are of a similar cut to the others, except that the sleeves are shorter and the leather gloves are longer, reaching her elbows, comfortable for her weapon, and of a deep brown colour, the same of her boots; her weapon is wrapped around her chest and draped behind her shoulders; she wears no jewellery; she keeps her hair short and curly, tied in a small bun behind the nape of her neck, two small strands cascading over her forehead.

Merlin: dark blue/light blue. These colours are his. A symbol, the same as his eyes, since he has always wore them as a shirt, that matches the colours of the tunic and the cloak over his body, cut at the shoulders, his shirt unlaced at the chest and ending on both arms with a bishop sleeve; his gloves are gauntlets and made of leather, the same colour of his boots, blue, but a lighter/darker tone than the one of his own cloak; his raven hair is longer, wavy, and ends at the juncture of his neck, untied; he wears a beard long enough to cover chin and cheeks; he needs space and air to use his weapon, long and sometimes difficult to manoeuvre, so his cloak is cut from the start of his thighs to his ankles; the fabric also has a golden circle sewed on the chest and the middle area, a line travelling and curving around its circumference.

Arthur: red, or what us fans usually describe as Camelot red. It suits him and it accentuates his hair. He has the golden Camelot dragon sewed at the centre of his cloak, a size big enough to be able to fit inside Merlin’s circle; he’s covered completely, has two holes just for his forearms, and a brown belt for his weapon over the cloak; his gloves are also gauntlets and of a golden colour; his boots are brown just like Gwen’s, meaning two things: Arthur belongs both to the Once and Future Queen of Camelot, and to his Court Sorcerer.

~

Their weapons:

Morgana: magic and knives. She has always loved them, always used them, and they’re easy to fight with, quick, the magic assuring her the perfect balance the moment she loses it, aiming a blow in the rare case she misses. She likes them, and they remind her of the gift Arthur had made to her during her birthday. The knives are decorated with pearls too, and they shine altogether whenever Gwen picks them up (Gwen creates the knives Morgana fights with without telling her).

Gwen: bow. She is agile, short, and quick. She has always run left and right to assist everyone in need, bringing and handling stuff in her hands, so she can manage a bow perfectly, shooting and fighting from afar. Arthur thought her how to use it, or maybe she learnt it by herself (or with Morgana). She makes her own arrows, that change based on what she needs to do or on her target. The bow has deep carvings in it on both the upper and lower limb, and the initials of her name. She made them herself, similar to the one on her clothes. The string of the bow can be heard only by Morgana every time Gwen shoots (Morgana secretly carved her initials too on the face of the bow, thinking Gwen hasn’t noticed).

Merlin: magic and a staff. His powers makes it float and appear on command, it channels his magic better, which could be destructive if managed alone. It glows and vibrates whenever Arthur passes by (Merlin blushes every time it happens).

Arthur: Excalibur. It represents the Kingdom, it’s the sword of the Once and Future King. It has the desired balance, has just the right hint of magic in it and the writing on the blade pulses a golden colour every time the weapon is in near proximity with Merlin. The sword reminds Arthur of him, and it’s never out of his sight (Arthur denies it each time his sword brightens up, cursing Merlin as he does so).

[jessamine-rose]

*lovingly tackles Aine*

Read my Yandere! Pierro longfics first ♪( ´▽｀)

Last week, my beloved mutual @ainescribe surprised me with Savior! Darling fan art and AHAI9232@2-!/! CRYING SCREAMING I WANT TO LOOK AT THIS ART AND WORSHIP YOUR VERSION OF SAVIOR THANK YOU SO MUCH FOR BLESSING ME WITH YOUR ART—

*clears throat* Anyway, now that I finally have the time to properly sit down and comment on the fan art, I’ll do just that. Feedback will be in the tags and it will be unhinged. Once again, thank you so much to Aine for drawing this <3

[fashiontipsliveeeeee]

write for us fashion

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[shrmply]

i started a ffxiv journal with an old planner i wasn't using :-)

[stormofdefiance]

Aventurine should have been wearing a feather boa instead of a fur collar and no one can change my mind

[jelliebeanbitch]

my ramona flowers halloween costume :3

not pictured: bisexual pin on the butt of the shorts

[remyfire]