#wow thank you so much for asking me this

[tadpole-apocalypse]

What are all the Neil Breen films you didn't include in that list?

All of them except Double Down, which is very dull and has too much stock footage, and Cade: The Tortured Crossing because while there are some great scenes in Cade, its waaaay too long and repetitive. I tried watching with my partner, who gave up ten minutes in.

I would pick Fateful Findings to show someone new to his films, since I think its his best one and has so many great iconic scenes. The coffee scene, the spinach scene, jim's death scene, the shower sex scene...and then the whole ending sequence! "It's a magical day!" is a common greeting now between my brother and I.

I feel pretty confident that even someone who's not experienced in movies of this...quality, it's an enjoyable experience of what-the-fuck-is-happening.

[allastoredeer]

What funny for me it's when I see some people in radioapple fandom saying why they can't see Alastor as a bottom is because "he would never be a bottom because of his ego!" (and right under a post with b!Alastor content, the nerve)

Meanwhile Lucifer, King of all Hell, Sin of Pride personified, the man who stole Adam's first wife and claimed to do the same with the second, and had two songs about how great he is compared to others: am I a joke to you?

EXACTLY! Preach Anon!

Lucifer's ego is just as big, if not bigger, than Alastor's. I was rewatching the show recently, and during the "Dad Beat Dad" episode, literally the only person he was nervous, bumbling, or awkward around was Charlie (and Vaggie, to a certain degree considering she's Charlie's girlfriend).

In every other interaction he was smug, arrogant, indifferent, unimpressed, or downright dismissive. His whole song with Alastor was just him flexing his power and getting more and more insecure & angry about how "close" Alastor and Charlie were. I think people forget that Lucifer is the Sin of Pride, and you can 100% see it in his behavior towards the other characters. Obviously, he got closer to the Hazbin Crew, especially during the last song in the finale, but that doesn't make his ego magically disappear.

And I love that about him.

I find his huge capacity to love (both Charlie and creation) so endearing, but it's better and so much more interesting, when it's paired with the fact that his ego gets bruised so easily. He's the most powerful being in Hell, while also being insecure as fuck, while also being the personification of Pride itself. Is that not the tastiest, most delectable character to ever character????

Look, yes, Lucifer is depressed. He and Lilith got divorced. He and Charlie were estranged to each other for years. He lost his will to dream after being cast out from Heaven. He spent all his time making little rubber ducks, locked away in his room. But that doesn't, by any means, make the man humble.

If you look at Alastor and say he's got too big of an ego to bottom, and then turn around and make Lucifer the most bottomy bottom ever, then I say go back and rewatch the show, cuz you're missing a few very important factors. Especially if you're basing someone's capacity to bottom on ego alone. (I, personally, love it when prideful, egotistical characters bottom. It's so much fun).

Mostly just...hhhhhh, please stop stripping away all of my short-kings most interesting characteristics. I don't want a small, wide-eyed, easily manipulated little UwU soft boi. I want snarky, powerful as fuck, insecure, egotistical, provocative short-king who gets pissy when his daughter talks to a homicidal deer man with a silly haircut instead of him (while also being very soft, loving, and caring). He's multi-faceted, and that's what makes him interesting.

Once again, this isn't me getting after people who enjoy top!Alastor and bottom!Lucifer. Do what you want, I hope you're having fun. Just don't go commenting below other people's posts with shit like "Alastor wouldn't bottom because of his ego," when Lucifer is just as much of an egotistical little shit as he is.

Thank you for coming to my Ted Talk.

[marihem]

Helloo i just wanna confess that im so in love with your frans dynamic 😭😭💙💙💙💙💙 their interaction, their platonic relationship.. aahh somehow whenever i see them i can feel their vibes as a someone who loves platonic partner so bad, the calm vibes and their own shenaningans- which i couldnt stop laughing

Like, romance but most dominated with platonic?? Homies but at the same time love each other but still friend agdhd like that idk how to describe their relation but damn i just love them

How you draw sans and frisk are my most favorite especially your frans dynamic, hope you have a nice day and keep making what you love about them!! 💙

AAAA THANK YOUUU 😭 I'M SO HAPPY RIGHT NOW 🥺💙

I've been reading what you wrote over and over and I'm just so glad to hear these from you! Indeed, those are the vibes I'm aiming for these two. Like other people around them, they couldn't really make out of what their relationship status is based on the binary "platonic" and "romantic" relationship. But you just know that they love and appreciate each other and always stick together and that's for sure 😌

I say they're "queerplatonic" because that's the most accurate "label" we can match to their relationship but if you actually asked them what they are, hehe you know what they'll say XD (omg I just love things that exist outside of the established standards made by Society TM)

I should tell y'all the story of how I slowly developed these two's relationship cuz it is also something that's connected to me personally haha ;D

EEEE again, I'm so so happy that you like my interpretation of Frisk and Sans!^^ What being obsessed with these characters for years does to a mf:

Please I'm more than happy to share my own take on these two as an individual and how they got to the being the people I've been drawing now as you can tell that these versions of Frisk and Sans are canon compliant and takes place years after the events of the game úဗù my ask box is always open 👀

Thank you so so much! Your words made my day and night and I'll still come to re-read this again and again! Please accept these humble lil doodles and I also wish you a wonderful day/night 💙💙

[incesthemes]

happy wincest wednesday!! i'm curious about what you think might happen to sam and dean's relationship in a world where they never find john in season one (eg. azazel kidnaps him to take him off the chessboard, he dies on an obscure hunt without lining up the clues well enough for s&d to follow him, etcetera). where would that major lingering question leave them? in terms of wincest, do you think john's death was necessary to "allow" them to act on their codependency, or would his absence push them together regardless?

OK please excuse any typos, i AM writing this with a cast on. anyway HAPPY WINCEST WEDNESDAY!!!!! this is such an awesome prompt, you've definitely got me thinking.

based on my understanding of seasons 1-2, john actually serves more to drive sam and dean apart than being them together, mostly in the way he serves as a symbol for sam and dean's fates, which are diametrically opposed. by pursuing john, they are pursuing the fates given to them, and those fates dictate a retelling of cain and abel: dean is supposed to kill sam, who has become a monster. it's only when they abandon john that they can avoid their destinies—which is why, in season 2, dean is successful at avoiding his fate (for the most part, starting from 2.09), but sam is not. sam, rather, is following a path he believes john would have wanted for him by continuing to hunt (he completely made this up in his head which is still so funny to me), but in reality pursuing the hunt continues to push him down the road azazel wanted for him. and this is why, during their "honeymoon" phase circa 2.10 to 2.17 (and ambiguously continued into 2.20), sam is the one driving most of the conflict, while dean takes an emotional, supportive role to reassure sam that he doesn't have to succumb to fate. dean has, in these episodes, fully abandoned his fate, while sam still clings to it and introduces doubt into dean's mind through his own self-assured convictions. and this is paralleled by dean fully abandoning his father and the duty john saddled him with, and by sam wanting to honor his father by continuing to hunt down azazel (and hunt in general).

and we see this in season 1 as well: every time john makes an appearance in some way, it furthers the plot. and the plot is sam's fate (dean's fate isn't truly introduced until season 2, and so dean exists sort of ambiguously and as a result lacks narrative agency throughout season 1; his decisions make no impact on the story and sam alone drives the plot forward). john is a symbol for azazel, functionally speaking, and azazel is a symbol for sam's fate. john is azazel is destiny. thus why sam and john are so deeply paralleled and intertwined: they all come to reflect the same thing. in this way dean is the true outsider to the conflict pertinent to the story, and he's treated as such throughout the first season. he makes his mark instead by parroting john, by becoming his mouthpiece in his absence. his own individuality is constantly pushed to the side and suppressed until 1.18 allows him to finally move forward into some semblance of personhood, which is what he needs in order to finally defy john in 1.20.

i just realized this is a lot of context and not an actual answer lmao but basically all of this to say, i don't actually think john's death was necessary for their codependency. it took root in them around 1.11, long before they actually "found" john in 1.16. and it was 1.18, an episode which had little to do with john directly, which allowed dean to break out of the mold he had forced himself into. the act of choosing each other, specifically over john (who represents fate), is what allows them to achieve codependency. the moment where they choose to exist in a codependent relationship indeed is one where john is still alive, in the season 1 finale. sam chooses dean over john, in doing so abandoning his fate, and they solidify their deeper connection. it is in fact john's death which causes sam to falter in this conviction because of his desire to honor john's memory (again by just making shit up in his head about his father. i love him), and this decision has massive ramifications throughout the rest of the season.

if, instead, they simply lost john and never found him, i think a lot of the john-generated conflict would have been avoided. and john generates a lot of conflict for someone who shows up in just a handful of episodes, because he is a symbol of destiny for both of his children, pressuring them in equal amounts but in completely different ways. without that pressure looming over their heads, i think pretty much all of the conflict in season 2 could have been avoided: sam wouldn't feel the need to keep hunting azazel despite throwing away his fate and likely wouldn't be so resistant to dean's persuasions; dean wouldn't be torn between duty to his father and duty to his brother; john's memory wouldn't have caused the problems it did in the first half of the season (especially 2.02-2.04). assuming the rest of season 1 played out roughly the same even with john's absence, it would stand to reason that they would still choose their codependency, and they would settle into some kind of fucked-up domestic bliss—probably continuing to hunt small-scale until azazel inevitably forced their hand anyway (tenacious bastard). sam giving up on his revenge quest would settle most of the enduring conflicts in season 2, and sam only doesn't do that because of john's death.

of course, this makes the assumption that abandoning john is still their active choice. i think that's a reasonable assumption to make because they had begun the process of extricating themselves from their father way, way before john ever shows up or before the end of the season where they achieve codependency. for dean this looks like rebellion, defiance against the iron grip john has around him. and for sam this looks like forgiveness, which he steadily accomplishes across season 1. by 1.20 they no longer define themselves by john but by each other, and it's a mere two episodes before they make the final plunge into each other. it has little to do with john and much more to do with themselves and their interactions, their natural conflict and their unique resolutions. giving up on finding dad seemed to already be something dean was working towards by the time john showed his face in 1.16 (he was resistant to pursuing john single-mindedly and preferred to focus on the smaller hunts, both out of deference to john and out of his own desire to save people), and sam's gradual forgiveness of john began as early as 1.08. so really it was specifically his absence that allowed them to come together, because the groundwork for their extrication began without john and it bloomed despite john. he is the axis around which they are turned, but it is the process of overcoming him which allows them to choose each other. they replace their father with their brother (and in 2.03 sam even offers to replace john very, very literally, by "filling the hole" john left behind in dean) and this replacement—literally, as their father and the man who raised them, and figuratively, as the symbol for their destinies—is the foundation of their codependency.

at the same time, this doesn't exactly look at the potential conflicts that would arise with john's absence. there would be little plot movement without him there driving them forward; they would remain stagnant, and that stagnation could disallow the blossoming of their codependency through a lack of choices and decisions. it is of course the deliberate choosing of brother over father which inevitably drives them closer—in 1.11 it's sam choosing to save dean instead of finding john; in 1.16 it's dean choosing to send john away instead of braving the world together; in 1.20 it's sam and dean both standing up to john in equal measures; in 1.21-22, it's sam choosing to let azazel escape. without john exerting pressure on them, sam and dean sit comfortably without moving, together but with a marked distance between them. which was exactly meg's plan in 1.16: they weren't moving fast enough for her liking, so she used john as bait (the three of them were mutually bait for each other, rather) to force them to make decisions.

so it's sort of a double-edged sword. they steadily come together and twist themselves around each other without john there to drive them apart, but at the same time it is john's active presence which allows them to take definitive steps toward their desired state of being (codependency). without the pressure john exerts on the narrative, their progress is slow, and they're too nervous to make those drastic leaps from step to step without some external force pitting them against each other. in that way they're a little too comfortable with each other (a lifetime together will do that for you), and they have to be unavoidably forced out of that comfort in order for them to commit to anything. john is both the driving force for their codependency and the wedge hammered between them, which sums up his narrative role so poetically if you ask me.

so like, tldr (seriously), i think if john went missing and they made the active choice to stop looking for him, they still definitely would have the potential to achieve codependency, but it might take them a much longer time to do so, especially with azazel's meddling (because he, of course, wants them to kill each other—that's their destiny after all). without something to rotate around, they risk stagnation, but it would likely be a comfortable stagnation with steady, if slow, progress toward a better, closer relationship. i wouldn't say the end product would ever be healthy though, because it's clear early on that their ideal relationship with each other is that of codependency, and so they are constantly striving for that end goal. and like, thank god for that, idk what i'd do if they were normal about each other 💦

[gingermintpepper]

OML also have you read /heard of Desire for Peace? It’s an ongoing webcomic about Ares’ recovery from his time in the jar by @/ephemeral-roses. It’s only 3 episodes long so far but the WRITING and the ART and the EMOTIONS is gorgeous. plus I LOVE their Aphrodite so much !!

Okay so when you sent this ask I hadn't known anything about @ephemeral-roses Desire for Peace but upon reading it, I immediately bolted to read the available three chapters and stalk their tumblr a bit. Now that I've sat with what I read for a few hours, I can confidently say that I'm quite a fan!!

I've seen a modest amount of takes on the 'Ares recovers from his jarification' premise most notably in fics, but it's my first time seeing a spin on it that seems to be primarily concerned with Ares' mental health in the aftermath. Also the opening premise of Ares being born twice, first from his mother and then from the jars was like, very impacting to me, I'm extremely interested to see how that is expounded upon. It's also really cool to have Ares as an amputee? There are many many elements that are tying Ares to his brothers just in these first couple chapters - born twice like Dionysus with one birth involving them having to be repaired after being torn apart by monsters (Ares is mental but Dionysus/Zagreus was physical), disabled like Hephaestus and being accompanied by Hermes who, instead of acting like a psychopomp and delivering Ares to death, instead acted like a nursemaid and delivered Ares back to life.

Anyway, the point is, thank you very much for pointing me in the direction of this series!! I'll definitely be keeping an eye on it eagerly!!

[corviiids]

THANKS @kimdokjafan you are so kind and generous. ok im cashing in the first of three blank checks to talk about faith trust and pixie dust (most recent chatfic) because the last two directors commentaries were too serious so let's do a silly one.

some p5r spoilers, and this is mostly about sumire, and it's long again. do i need to keep disclaiming that these are long? you should know me by now.

i had this written for a while before i started formatting it because i wasn't really sure if i should post it? i feel like silly chatfic is something people go to for predominantly lighthearted nonsense so i was like, maybe there's too much plot and dramatic misunderstanding and i should just keep this one for myself. but then i was like well nothing matters and maybe someone will have fun with it. it's kind of terrible how much fully or mostly completed fic there is my docs that just doesn't see the light of day lol. write for yourself etc but i like sharing! too bad it comes with the mortifying ordeal etc. anyway that was a tangent

potato counter is a neopets game. there's no deep lore i just like neopets. i guess in this universe ryuji doesn't play neopets? or maybe he's just never played potato counter specifically. i also have a different fic where ryuji DOES play neopets. it's about neopets and ryuji and goro talking on neopets.

i think this might literally be the first time ive written sumi in a fic because i haven't actually written that much fic for royal, like, now that im looking, literally almost none? and none that had a group dynamic. so it was kind of fun to find her voice for the first time in a silly groupchat like this. i was worried people would find her exclamation marks annoying but i personally thought it was endearing so i added it in there.

every time i do a gag where a character corrects their own typo i have to code more stupid little bubbles to make it happen but i think it's worth it. all the effort that goes into making tgis look as much like a real chat as possible

this obviously doesnt take place in the canon p5/r universe, but im imagining sort of a postcanon sumi personality where she's more comfortable being herself and isn't borrowing kasumi's brand of confidence, but she's visibly a really anxious person without that kasumi veneer. i also think in this universe sumire is a fairly recent addition to the friend group, and while everyone likes her a lot and she really likes them, i kind of wanted to emphasise that feeling of being in a friend group where everyone's established and you're sort of a plus-one? you don't really fit yet. part of that is her being new, part of it is her anxiety, part of it is just the kind of person sumi is where she's so polite and self-conscious she ends up taking herself out of things with her own good intentions. stuff like her interrupting the flow of an existing conversation by greeting everyone instead of jumping straight in because she doesn't feel comfortable inserting herself, which means everyone else stops to greet her even though that doesn't normally happen in a friend group, or making a point of thanking everyone for being invited to events while the others take it as a given.

idk i love that she feels a bit out of place with the phantom thieves in p5r. and part of that is a natural consequence of being a new addition in royal who can't be naturally integrated with an existing dynamic but i honestly feel like the writing team realised that and acknowledged it, and really leaned into it, and that made it work incredibly well for me. like, it's part of her character that she's sort of an outsider. it's not like p4g's incredibly clumsy integration of marie and subsequent attempt to shove her down everyone's throat as the canon love interest in p4ga (knife). sumi has that outsider vibe on purpose and it makes me really like her dynamic with the thieves as an individual

goro also feels slightly out of place in these chats, but his conversational style blends more naturally with the other thieves at this point and he even uses their codenames sometimes. i keep saying my chatfic series isn't a real Series because the lore keeps changing, but if we accept that they're all kind of following a General Continuity, assume this takes place some time after the last fic in which ren added goro to the groupchat and they made an effort to integrate him into their friend group. he's kind of there now and has settled into being the weird boyfriend. that's his role.

every time goro says something like "ren and i" assume it's the text equivalent of him talking to the group with his arm around ren's waist.

ok i got really fond of this silly running joke where sumi brings up the weather when she's feeling uncomfortable. she's so polite. i like this thread because setting it up meant i got to tie it off like this:

this just made me happy lol i liked writing this. i tried to use it to demonstrate that despite goro's abrasiveness he obviously knows sumire pretty well, he's attuned to her quirks and knows how to tell when she's having a bad time with her anxiety, so he uses her little weather habit to ground her.

i honestly dont think goro and sumire could be considered close in p5r and as much as i like the "royal trio" in canon they're not really... like... friends? with each other? they're both attached to ren, so it' more a V shape than anything else. but that said, i really LIKE goro and sumi's canon dynamic. he takes a really grouchy but politely attentive supervisory role to her during their few forays into the palace as a trio where he doesn't really know her well but clearly identifies her as a harmless little tryhard who needs some guidance and steps into that role grudgingly, and she immediately looks up to him despite being very wrong footed by his ruthlessness, which i find incredibly charming. i think given time they could be good friends, they just didn't get much chance to know each other very well in canon. so i tried to kinda do that here.

once goro stops being evil and joins the group they all kind of tiredly accept that his role is to occasionally push a cup off a bench while smirking and refuse to clean it up. emotionally, i mean.

wait i need to backtrack chronologically to talk about akeshu.

in this scene they're in the same room lol talking and snickering while typing. im trying to get at that vibe of the annoying couple who is flirting with each other, via you. you know? like ostensibly they're talking to you (sumire) but everything they say to you is part of their stupid game. sumi is incidental to goro and ren teasing each other about flirting with someone else, goro is reporting everything ren says because his boyfriend is so eye-rollingly foolish in a cute way. they're very tickled by how amusing and charming they are. gross. disgusting. sumire im so sorry for putting you through this

anyway here are too many of my favourite jokes from the fic

[httpiastri]

ok but popstar! reader being seem wearing a bracelet with Paul's name while people are spreading rumors about them 👀👀

AAAAA!!!!!! omg?? stop thats so????????!!!! and i imagine fans in the paddock seeing her there and going "oh hi! would you like a paul bracelet??" and her accepting it all sweetly bcs she's seen them all over social media and always wanted a bracelet!! and then she doesn't take it off like ever.... 😭

[skitskatdacat63]

And now my art has been reposted on tiktok, have I finally made it as a creator? 🥺 But like seriously my god, I didn't think I had to say but don't repost??????? I think I've been pretty safe from it cause I normally just draw AU art but ahh making relevant art, it's a dangerous game....I just yeah, don't necessarily know what to do about it, but yeah just don't please?

[moeblob]

New OCs

(briefly, humans and supernatural beings have to team up for building better relations with each other and all the supernaturals can shapeshift and take on human appearances but also have their 'original form'.)

OK so I was GOING to draw fanart today - I had a fun idea and everything! But health anxiety (and anti-anxiety meds) wore me out so I kinda .... slogged through OCs as a treat to me. I am going to go to the doctor tomorrow so HOPEFULLY it's all okay.

[catgrassplantdad]

What happened after they had sex at the docks? How did they both feel and how was the conversation after it 👀🥲 I have to know catgrassplantdads version of events💕

What a good question! Let's see.

I think for Mickey, it was relief. The lead-up to this had been months long, playing the long con to escape, to get his freedom and his man back and to flee. He'd said "I knew you'd come," but I always imagine he had his doubts. How could he not? But Ian's there, pressed up against his back and smelling his neck like a weirdo, because he wanted him, and that feels so fucking good. He can exhale.

I'm sure Ian felt more conflicted. It must have felt so good to reconnect with Mickey like that, his own sense of relief that came with giving in to the undeniable pull of him, but he has a boyfriend. He's moving on. This is what he tries to tell himself as he pants against the side of Mickey's neck, coming down from the rush, breathing him in like he needs it to live. Fuck, he missed this smell. He missed this feeling. He misses him and it aches.

Mickey pulls away just enough to turn around to face him, pulling his pants back up and wincing, smiling through it, satisfied.

It's a look that makes Ian's heart pound. He glances around to find his shirt.

"Goddamn, Gallagher. Gonna be limping in the morning."

Ian wants to laugh. He wants to smile at him proudly, he wants to say something obnoxious and playful, he wants to kiss him again. He always wants to kiss him. Instead, he turns away as he pulls his shirt over his head. He slips his belt back on and focuses intently on buckling it back up, resolutely not looking at Mickey, who's watching him curiously. He's gotta get all of this back under control. He can't get sucked under.

Mickey's heart drops. That glorious relief he'd been feeling just moments ago gives way to that fear, that flood of insecurity returning. Ian's ignoring him, and he's not going to let him do it.

"Hey," he says firmly, circling Ian and coming around to stand in front of him. "You good?"

Ian pulls his coat back on. "I mean, not really." And...yeah, it's the truth. In the span of a breath, the thought of what he's done is already eating him up. He has a boyfriend. He has a fucking boyfriend.

The shock of it stings. "The fuck, Ian? Seriously?"

Ian meets his gaze. And he shouldn't have done that, because the hurt in his eyes fucking destroys Ian. It crumbles his resolve like fucking nothing, and he finds himself stepping close again without meaning to, like he's lured in by it, the desire to ease that hurt.

"I- I just..." Ian stutters. And god fucking damn it, he knows now that he's not going to stand his ground. Resisting the draw of him is futile. His eyes flick to Mickey's lips. Back up to meet his gaze.

And it's that little look, that glance at his mouth, that has Mickey turning off the anger and the disappointment. Instead, he uses the proximity to his advantage, seeing Ian's obvious weakness and cranking the seduction back up to fucking eleven like he'd done earlier. He knows Ian's wild for it. And yes, he's hurt. He's afraid that in the end, he's going to be walking away from this alone. But he's not going to show that right now. He has to believe they're leaving here together, and he has to make Ian believe it, too.

He smirks at him. He looks at him up through his lashes. He licks his lips, and he moves in closer.

He's unfazed when Ian uselessly takes a step back.

"Fuck you. Kiss me." Hooded eyelids. Pressing himself close again. Grasping the front of Ian's coat. Ian doesn't step back this time.

Ian doesn't think Mickey's ever demanded it like that before, outright said it like that. Kiss me. In an instant, Ian kisses him like he's dying. Like the taste of him is all he needs to live. Like he needs to absorb him inside himself and he never wants to part from him, and fuck, it's happening again, fuck.

"Don't fucking tell me you didn't like it," Mickey breathes when they finally part. "You want me. I know you fucking want me, Gallagher." He's saying it so low, nearly a whisper, smirking again, so fucking tempting and so close that the tips of their noses keep bumping.

He's saying it like he's so confident, like he just knows. Ian doesn't know that in his heart he's gasping it out like a desperate request. Want me. Want me. Unsure and scared and lonely, he just wants to leave here with his person.

Goddamn, Ian has to say no. He has a boyfriend. He has to shut this down. He knows he's absolutely not going to. Not when Mickey's this close to him. When he's seeing him from inches away. Breathing all of him in. Hearing him like this. Feeling him like this.

Ian nods.

It's small and hesitant, but it's clear. And that dark, heavy fear hanging over Mickey like a pall evaporates in the most relieving wave, and he could fall into Ian's arms with how weak his knees suddenly are.

He keeps it together and flashes him a satisfied smile. "Got the van parked close. Come hang out with me." He slides his hands over Ian's shoulders, holding him close.

"What, you gonna lure me in with candy?" Ian says playfully, leaning into it, squeezing Mickey's hips. Fuck, this feels good. It's fucked up, how right this feels.

"Fuck off," Mickey laughs. "Can't say I'm not gonna give you somethin' sweet, though."

"Oh my god," Ian groans, laughing quietly, pressing their foreheads together. Mickey takes his hand.

"Come on," he says, smiling, leading him away.

Ian eagerly follows.

[glauces-notebooks]

rewatching night at the museum for the first time in a while and wow. i missed this film.

[skeletalheartattack]

hell yeah pride pfp thats--um. sweating nervously. whats that in the background

[raising-harmony]

{Pelipper Mail~!}

[Inside of the gifted parcel is a set of twin set dresses along with another one set dress.

The twin set dresses shows a white top, ruffled around the wider collar along with wider sleeves. The shirt is stitched to a pleated skirt, one pale yellow and the other one pale pink, it reaches just below the knees, the fabric somewhat glittering when in sunlight. The middle of the dress where the stitches are is covered up with a fabric sash in the previously mentioned colours, the sash is tied in a bow aligning directly in the middle.

The one set dress shows a slightly longer frame than the previous dresses, reaching just above the ankles with the petticoat sewn into the inside of the dress, giving it a fluffier look and feeling. The dress is a soft white that fades slowly to a pale purple as it reaches the bottom. Alike the previous dresses; the collar is also slightly ruffled, however this one is sleeveless unlike the other two. The middle of the dress has a pale purple sash tied into a bow, resting on the left side of the dress.

There are no tags on these dresses, they were clearly homemade, or at the very least expensive judging by the soft and rich fabric. On-top of the neatly folded dresses is a letter;

"A gift for the little ones. I thought they deserved some more dresses and I did not wish for the little prince to feel left out due to his sisters getting one each, so I made him one as well. I apologise if they're a bit too big, I did eyeball the measurements so they may be slightly off, but I do hope they enjoy them nonetheless."

The letter isn't signed.]

My word. I never really expected that someone would care so much as to do this for the children... I'm not quite sure what to make of it. But the girls simply adore their new dresses, and they look wonderful. So thank you. You're very skilled with your craft.

That being said, however, I won't be giving the dress to N. While I appreciate the effort to include him, little boys have no reason to be wearing dresses. I don't want to confuse him.

[starflungwaddledee]

it's awfully refreshing to see a rise in malevolent galas again, and i'm preeet-ty sure your popularity's playing into it. grrrrrrr yes! let that boy kill! let him scheme and conspire! let him wreak havoc like the true planet-destroying fiend he is!

waaahaaa i'm so delighted to hear it! i will be completely honest, i was extremely nervous to post that very first comic with him in (where he was undeniably malicious) because almost every other headcanon i'd seen of him at that point is that he is Just Misunderstood and Actually A Good Guy or, at the very least, perhaps currently acting out but still Redeemable With A Heart Of Gold

and those are amazing too! not a single piece of shade on those characterisations; they are genuinely cathartic tropes and i love to see them- for him or anyone else. but it made me quite scared to have to just be like... 'anyway he is extraordinarily and wilfully cruel in my headcanons and stories!!'

so it really means a lot to me that you enjoy this characterisation!! and that you think possibly it's having an impact on other folks' characterisations in a positive or refreshing way! that's such an honour! i was scared people would loathe my storytelling or characterisation of their favourite blorbo (i still fear it, ngl) or even think that i like... don't like him. but the thing is that i love him. i love him to bits and pieces and because of how much i love him i've done him the ultimate honour of assigning him Irredeemable All-powerful Villain and allowed him free reign to bite and kill

[hermitcraftx]

just got a dm abt one of my posts and y'all please don't try and show the hermits (or any minecraft youtuber or content creator for that matter) my posts, i'm uncomfortable with it and don't want any of my posts shown to a cc. if they stumble upon it naturally that's unfortunate but i can live with it since i do maintag a lot (something i REALLY need to stop doing tbh i already know i need to make a tagging system just for my blog that wont clog results) but going out of ur way to show a cc is entirely different and something i am not comfortable with.

no hate to the person at all but even if i wasn't a little silly and weird with it sometimes i wouldn't be comfortable with it, i want my blog to be a purely fandom only space with none of the creators involved <3 please respect this

[wispscribbles]

hi i hope this isn’t annoying and i am taking all my bravery just to do this off anon, however i just stumbled across your account this morning and read all of NRFTW in one sitting and this is the first time in so long ive read a whole fanfic, LET ALONE one that made me gasp out loud and giggle to myself and ALL THAT CRAZY SHIT!! your writing is what i aspire to reach (as one writer to another)! all the callbacks and flashbacks were so perfectly placed and written. reading that was truly a fuckin MAGICAL experience dude. keep it up man :3

Aaaah thank you so much!!! No need to be nervous writing me, I love receiving asks (but also, I get it, I’m the same) - and asks about NRFTW??? My bread and butter, I am so so happy that people are continually finding and enjoying that fic. I put my sweat, tears and half a year into that thing, and while I keep finding more and more flaws if I read through it, I still think it makes up for it with… soul?? Idk, I’m just happy that it’s a good read for so many folks. To hear I can inspire you and your writing is genuinely all I could hope for. I’m still learning and working to improve - we’re out here together !! Thanks again, and good luck writing 🫡❤️❤️

I hope it’s ok that I answer these asks in a single post - they have a bit of a theme, so it feels right

That’s dedicated reading! It’s fun to see ppl reading it in a few hours - makes me think of the poor souls who waited from chapter to chapter. ANYWAY, thank you so much for reading!! I kinda hope I’m struck by inspiration to write more for that universe some day, but everything was wrapped up fairly neatly, so it’d almost be a shame. We’ll see! (I think the characters would prefer if I let them be, given my tendency to… blow stuff up) (in fics!) Thank you for sending an ask my way ❤️

@maraskywalkers hiii!! Thank youuuu !!!! I’m so happy you enjoyed it 🥰 It’s nice not being alone in enjoying something a little more soft for ghoap, despite the nature of canon. Thanks for reading !!

@sir-boggy-himself (GREAT name, Sir Boggy) Thank you for reading! In one sitting, too?? There’s something so fun in knowing some folks experienced that whole thing in one go, that’s gotta give some emotional whiplash along the way 😭 I’m happy you enjoy both the art and the fics. I hope I can keep making good stuff 🥹 Thanks again !!!