#would you believe this is my first time drawing literally any of these characters
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gollygoodle · 1 year ago
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I completely forgot to post this um
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Hello turtle nation
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Based on this screenshot from Phineas and Ferb, Bobby Fabulous is sooooo Donnie coded
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moonyflesh · 4 months ago
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What if Wolverine took you to a hockey game?
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WARNINGS: (not much). no smut- just a playful set of imagines/headcannons — very fluffy and ‘lovey-dovey’ (small kisses and cursing).
CHARACTERS: James “Logan” Howlett (‘Wolverine’) - (MARVEL/X-MEN)
🍺 .*.. 🏒
- At first you thought he was joking.
- i mean- can you imagine trying to squeeze his massive frame into one of those tiny, plastic stadium chairs?
- sure you know nothing about the “Calgary Flames”, but supporting the beast either way is entertaining enough as it is—
- (^) literally the worst person to sit around. he’s loud, obnoxious, (big), and curses like there’s no tomorrow.
- “fuckin- can you fuckin’ believe these pieces ‘uh shit? i totally could’ve fuckin’ made that fuckin’ shot. buncha’ bullshit ifya ask me.”
- he’s definitely big on stadium snacks. constantly has to get up and get more food (and beer).
- (^) the bar would 100% have to draw a limit on the amount of beer they can physically sell him.
- probably walks you through the basic rules of ice hockey, and/or the different players, and the fan-favorites.
- little forehead or cheek kisses when he needs to run to go to the bathroom or grab more food.
- one of his arms is slung around your shoulders at all times.
- throughout the game, he’s constantly glancing over at you- reading your facial expressions. are you enjoying yourself? do you know what’s happening? is this entertaining for you, too?
- definitely likes to show you (and your jersey) off.
- (^) forced you to wear a Flames jersey (that’s much to large on you) and is proud of you for “pickin’ the right fuckin’ team”— so what? at least you get his undivided attention.
- puts you on his shoulders so you both have a better chance of getting on the big screen.
- (^) and if you do? jesus, it makes his whole month. the second that camera pans to you two he’s already tongue-deep into your mouth, grinning like an idiot as you try to push him away from embarrassment.
- you totally go to the photo booth and take the most grainy, out-of-focus pictures known to man together in some shitty ice rink backdrop, (to which he insists you look beautiful- and sticks the entirety of the photo into his wallet).
- buys you a shitload of merch, including one of the collectible hockey pucks.
- claims to know some of the players personally (he’s never met any of them outside of the rink).
- distinctly shouts out each player’s first and last names when cheering them on.
- boos the other team, and their fans with zero shame whatsoever.
- the drive home depends on the outcome of the game.
- (^) The Flames lose? he’s not even mad- he’s just disappointed that that was all his team could manage for your first game. he promises to take you to more, though.
- (^) and if they win? he’s already discussing the ticket prices for the next game (if you’re willing to go with him again); excited grins tossed your way here and there as he makes sure you’re paying attention.
@trenchcoathunnybee08 this is dedicated to you! Sorry it took so long to finally get out (in some ways, it’s still a WIP). 🫶🏼
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((if any of you would like to be added to my taglist, let me know through my inbox.))
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maddragon15 · 6 months ago
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Obscenely late hermitaday day #23 & 25! - Impulse & Tango
Was this meant to be a simple cel shaded drawing on the 30th? Yeah, yeah it was lmao but somehow the power of fire excels at overtaking the rendering capabilities.
But since it's late I'll use this as excuse to ramble below about well, the headcanons and the process down yonder. Also there's variations.
(Also just realized that the compression is high with this one, please click on it to see the details pretty pleasee)
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So! Let's talk about that haircut shall we? First off Tango's haircut is basically just me slapping my very neglected oc's haircut onto him lol. There's no function usage or any other lore about it, literally just I wanted to use that haircut more. But Miners and Crafters that's not all! The intensity of the flame actually has meaning believe it or not.
Since Tango in the headcanons is already a nether born blaze hybrid the redstone kinda didn't have an effect on him. This is because blazes produce glowstone which is a power source onto itself. He gets minor effects instead which is a mild (there's literally no other word) high, a intensified hair flame and a brighter eye night shine. Negative effects include mild joint & jaw pain, and a small localized headache behind the left eye.
I like to imagine that other blaze hybrids' hair flame aren't normally that intense, not white-hot heat but rather more red n orange hot similar to the flats. Mainly due to the fact that glowstone is not as powerful as redstone and it's also dependent on how strong a blaze is. Now imagine with me that blazes determine how strong each other are via the color they're emitting. Now remember the blaze boss Minecraft had a vote on to add or not to add? What if Tango is constantly mistaken as a high ranking blaze because of how intense his fire is and he doesn't get attacked a whole lot except for the few that want to challenge him. Meanwhile Tango is just highly infused with redstone like all the other redstoners and he doesn't know what's happening half time as seen by his terrified scream-laughs /hj
He's also semi modified with redstone for the pure purpose of comms just like the other redstoners minus mumbo. I also would've leaned into the steampunk aspect of this season but I figured I'd do a character sheet like etho for all of the redstoners and finalize the aspects on those.
Onto Impulse!
I like to imagine that Impulse was a regular human and over the course of redstone exposure he gained pointed ears and horns. For what reasons? I have no idea but redstone works in mysterious ways and mutates on whatever happens to be in their system. You may see that he has purple lines across his face but then red pupils, why is that? Well since he's cyperpunk themed this season he modified his redstone implants to be rgb. He can change everything else except his pupils because those are deeply affected by redstone and would require surgery to remove the build up of redstone. Will any of the redstoners ever actually get rid of it? No but you can beg all day.
You also might be wondering what's happening in their ears? Well those are the advanced comms that are actually used across all hermits except the ones who've opted out for glowstone variants. They kinda work like bluetooth except more hermit-magic way. I haven't had time to fully think of how it'd work down to the circuitry (that's my usual process for headcanons before I ship them out) but I'll post about it when I think of the full layout. Other design aspects on impulse are derived from his skin and the poster design by applestruda!
Process wise for this piece was kinda a rollercoaster heh. I had started this piece a while ago (can't remember the day on the dot) and then I got insanely busy during the last week of hermitaday. I had done sketch, refined sketch and flats in two days. Then events proceeded forth and we arrive on the 4th which I tried for an entire day to figure out how to render this piece. I then gave up and tried again the day after and pulled up references this round on Pinterest. Tango was surprisingly easy to paint with ref and went rather fast. I will admit the entire time I was rendering him I did say every minute or so "I love you man" because he was turning out so good. Halfway through I then realized I still had to render Impulse. That's when I pretty much ended that night because it was already 5 am working on Tango and demotivation was setting in fast. The next day I was able to continue with hesitancy on Impulse but I managed to keep on keeping on and in the early hours of today I finished up the piece. Where I'm now writing about it close to 2 pm in a restaurant. Man though it was kinda hard to make Impulse and Tango look like cohesive and as if they were painted together.
Enjoy!
(Side note I applied for inprint and if I am to be accepted this will be available along side the three different eefs I've drawn and doc.)
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stargazerlillian · 8 months ago
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HELLO HI YES I'M STILL DEEPLY OBSESSED AND ENTHUSED WITH THIS-💕💗💕💗💕💗💕💗💕
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Drew one of @stargazerlillian's amazing OCs!
(You should check all her OC stuff out, because I personally think it's super cool).
#Written in the Stars#Fanart#My OCs#Star#BritishSquidward#💖For me💖#Favorites#In my 5 years of being on Tumblr I NEVER thought or believed anyone would show THIS much interest in ANY of my OCs...#... especially enough interest to actually DRAW them. This is literally a first time thing for me!!#And the one you chose to draw? My girl Star. Queen of my mind... light of my life... and the muse of the hour.🌟🌟🌟#Believe it or not I'm still just as madly in love with this as I was when you first showed it to me at the beginning of this month.💘💘💘#Every so often I pull up this picture and just stare at it for several minutes at a time...#... not only because I love it so much but also because I still have a hard time believing it is even real.✨🤩✨#It's a long-held dream that finally came true right before my eyes.💗💗💗💗💗#Even with the few sketches of her I provided and the few descriptions I gave regarding her fashion and coloration...#... you still delivered a truly breathtaking and ethereal piece that matches her character to a brilliant T.🌠🌠🌠#Speaking of which I have GOT to get a ref sheet for her made - or at least a full-body drawing. It's what she deserves.👌#You truly deserve to be proud of this dear friend - you clearly went above and beyond here in terms of coloring and lighting/shading...#... and I couldn't be any happier or more grateful to you for this. I have a feeling that if you keep on pushing yourself like this...#... you're only going to heighten your artistic skills greatly from here on out. I just KNOW you will.#I still don't think I'll ever be able to thank you enough for this dear friend - but I'm going to try anyway!!#Thank you thank you THANK YOU!!!🌟🌟🌟🌟🌟
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dceasesd · 6 months ago
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why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.3)
go check out part 1 and part 2 if you'd like! this is a long one, sorry guys.
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if you haven't already i'd recommend you check out pt. 1 & pt. 2 (linked above), but if you haven't checked them out i've been going over some of the main things people have been criticizing ba's characterization for: 1. the typical boiling down of jason's character to "the angry one" 2. his lack of strategy going into the fight with the demon is out-of-character 3. the neighbor's kid interaction
alright, so this last point is purely based off of one page of the entire comic: the one where the child of one of jason's neighbors is dragged inside his home when his mother see's jason coming.
first off, i love this page. it might be my favorite page in the entire issue. everything about it is great. just thought i needed to say that.
anyway, there's some people who are seeing this page and reading it as "jason protects kids! that's one of his big things! why are they scared of him?"
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here's the thing, though: the kid isn't scared of jason, the mom is. the kid is literally playing dress up as the red hood-- he's not scared of jason, if anything he's trying to replicate him. little kids dress up as their heroes all the time; why is this kid any different? it doesn't really make sense for the kid to dress up of something he's scared of (not everyone is as weird bruce wayne), especially a real person that could be a real threat rather than a concept. i doubt you see many kids in gotham dressing up as the joker or something, because that's just asking for trouble.
the dress-up honestly seems like a ploy for attention to me. the kid clearly knows that red hood lives in his building (which is honestly so funny. take off the mask jason you're giving you're position away (actually this is a really good instance for analysis but i'm determined to not go on a tangent)). if the kid knows red hood lives in his building, what better way to get his attention that dressing up as him and playing pretend? if the kid was scared of him, he wouldn't want to draw that sort of attention to himself. if he had a sort of hero-worshippy thing going on like i suspect, then he would want to get jason's attention. to sum it up,
it's the mom who pulls him away when jason nears, because she either a) perceives him as a threat, b) doesn't want her kid to try and replicate him even more, or, the most likely option, both! the kid isn't scared of him, but the mother believes they should be.
once again, we come back to the whole perception vs. reality theme i talked about in part one! we've come full circle, everyone!
when looking at the neighborhood's perspective of the red hood, ba gives us a few contradictory examples. there's the kid and the mother, obviously, but there's also a slew of other citizens who interact with him at the beginning of the issue, both in fear and camaraderie.
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the unhoused man and the people outside of his building clearly have a familiarity and are comfortable with him, while the shopkeeper is terrified and literally has a banned poster on his wall featuring jason (i am so curious what he did to deserve that, if he even did anything at all). from this, it appears that jason's reputation teeters between fearful and familiar-- a sentiment that also colors jason's relationship with his family.
furthermore, this concept underscores just how lonely jason is-- one of the only good relationships he had in his current life was his fucking landlord, for gods sake, and he's dead.
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i think it's important to note that jason doesn't respond to the friendly greetings from the men-- he could attempt to build camaraderie, the roots are there, but he chooses not to. he could work to try and show the mother that her son is safe with him, but he chooses not to. why? jason is obviously lonely (as ba states in the panel below) and he caves pretty easily when damian asks him for help (both of them are so desperate for human interaction its tragic). so why does he distant himself from the community?
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obviously it is in part due to the vigilante lifestyle, but it is also jason's perception of himself and how he believes others perceive him, especially in regards to his family (ba is literally hitting readers in the head with that theme baseball bat).
he doesn't see that the kid with the mask looks up to him, all he sees is the mother pulling him away. he sees the banned poster in the store. and, as ba narrates, "he was sure he'd been forgotten about" by his family. utrh is jason's twisted way of attempting to reach out and connect with bruce, and obviously that doesn't work-- so he chooses loneliness over rejection.
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like in part one, though, damian refutes this idea by describing bruce's perspective, showing how what jason believes differs from actuality. bruce hasn't forgotten about him and doesn't hate him, as he suspected, but instead harbors guilt over the situation and desires to make it better, which jason must come to understand to be able to open the locked door and begin to move past his trauma.
so, that's what the little kid in the red hood outfit looks like to me. i actually have a lot more i'd like to say about the boy wonder, especially in regards to the whole "door to my past life" thing and what ba does with lighting and blocking in his artwork, so i may do a little post on that as well! i was gonna try and shove it into this one, but i've run out of room! i hope you guys liked my analysis, if you'd like to chat about the boy wonder or any other comics, my dms, asks, and reblogs are happily open! thanks for reading! :)) <3
pt. 1 / pt. 2
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beefycupcakes · 3 months ago
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I watched the Cars trilogy recently and with that came a wave of nostalgia and a strange desire to make my own designs for the cars as humans. Aka taking all the charm out of Cars but scratching the brain itch.
So, no need to drag out the intro any longer, I have some notes written out about em for those who might be interested or just bored.
Lightning McQueen:
I tried to make his suit look as professional as possible, with references pulled straight from McQueen's paint job/stickers, while also keeping in mind that I do intend to draw him more so I didn't want to go too crazy with the design. In a perfect world I would've let my maximalist cravings win, but alas let's keep it digestible for my sanity.
I feel like everyone's kinda on this unspoken agreement that McQueen as a human would pretty much look just like Owen Wilson, and that's the big picture here. I used Wilson as inspiration while tweaking and exaggerating a few things to my preference. (Okay, well not everyone, lmao.)
The chevron markings on the front cut off at the side seams not wrapping around the entire suit as to not clash with the sponsor logo on the back.
Also, he's wearing special gloves to help him grip & have control over the steering wheel. I think sometimes that looks a little weird when his sleeves are down & cuffed, but I just feel like he needs to have the gloves there— especially when he comes out of the top half of the suit. (It's also lowkey supposed to mirror his 4 tires when you consider his shoes are also black.)
So yeah, that's basically all I have to to say regarding Lightning McQueen's page. I feel like a lot of my design choices are self explanatory and, honestly probably shared universally... I mean, he's really cut & dry. (But I love him ⚡︎)
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Mater:
I'm not gonna lie, Mater was a bit challenging for me. I definitely had to step out of my comfort zone but I wanted to stay true to the character and not butcher anything.
My first thought was to give him a fishing pole to substitute for the tow hook— but then the more I was thinking about it, the more that felt so... out of place? Radiator Springs is in Arizona, which is (not entirely, but mostly depicted in the movie as) a desert. And even though there are beautiful bodies of water in Arizona, in the movie I don't recall seeing any prominent ones, at least in relation to Mater. So, scratch that, instead I gave him a lasso, which isn't supposed to entirely substitute for the tow truck— no, he still drives a tow truck, but the lasso is so he can grab people/things similarly to Tow Truck Mater (very cartoony). My explanation for this is the cattle ranch. Yeah, Mater is a tow truck driver but perhaps he has a side hustle, or hobby, if you will.
Also, I didn't want to make him... dirty(??) Like, yeah, of course, Mater would obviously get a bit filthy from time to time, it's just in his nature, but that is NOT going to be the core of my design. In regards to the rust happening on him, I felt like instead I would substitute this with being very tan. Again, Arizona is a desert. Because of this, he would take off his shirt often, and this would substitute for the missing hood like on Tow Truck Mater. The removal of the shirt also reveals just how tan Mater actually is.
It's his uniformed overalls that have his original aqua color, but from years of wear & tear they've been patched up with brown patches, this would also reference the rusting. The one strap is supposed to mimic the one headlight being broken, and I know that's a stretch, believe me, I wanted to do something with his eyes but eyes are not the headlights in the Cars universe..... think about this. Think about it really hard... if you know what the headlights are in the Cars universe then this actually makes perfect sense.
He is taller and wider than McQueen, which is a reference to the literal frame of their vehicle counterparts. (A little hard to picture with these images, but eventually I'll draw them together!)
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That's all I have to say really, but do let me know what you guys think! Gas it up and it might encourage me to make a part 2 with some of the other characters! Who would you like to see next? ♡ Thank you so much for reading & have a great day, Kachow!!
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lucabyte · 4 months ago
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If you wouldn't mind, could you explain to me in detail how your sifloop works? Would there ever be a romantic relationship between the two (and how do you think they would get to that stage) or do you just think they'll be stuck in this weird messed up obsession and loathing loop forever? Anyway your takes on sifloop are my favourite if you couldn't tell
Oh, I've been depicting it as romantic the whole time (remembers I'm asexual and aromantic and thus my depictions of such are alien at best) Er, though you'd be forgiven for not noticing.
I know I don't draw them being particularly traditionally cute (kissing, cuddling, etc) (even though I do envision that any time it's not literally extremely inconvenient that they are entangled like a pair of magnetised squiddles) particularly often.*
(Though, I do have some hints at that kind of behaviour: (x) (x) (x)) But this is where, hm, my particular readings of these characters' self-assessment comes in.
I believe that I (an aroace tumblr user who has been immersed in nuianced language about such things since i was an early teen) and Siffrin/Loop (a guy approaching their thirties who seems to have escaped social pressures primarily via isolation from their peers) will have some different views on things. Hell, Sif/Loop don't even have words for Asexuality and Aromanticism even if they seem to be able to point toward the feeling with roundabout language.
I think that their relationship, in the way that it would manifest, would first and foremost be Physical. Some real Maslow's hierarchy shit. Both of them are viciously touch starved and given the whole shared-ownership-of-body thing I keep alluding to (x) (x) I think they are prone to being a tangled pile of limbs both clothed and unclothed.
Now I (enlightened modern day asexual) do not think that physical/sexual/romantic are in any way synonyms unless you want them to be. I believe that literally all associated behaviours of these can be platonic if that's how you feel about it. Howeverrrrrrr. I really cannot envision "black-and-white-thinking-world-champion siffrin and/or loop" being able to disentangle that so easily. I think they would have trouble squaring the circle of certain actions not being reserved for romance, at least not until after several years of continued unpacking and philosophical discussion with Mirabelle and Odile.
And then there's the part where Siffrin/Loop (and also Isabeau!) have some absolutely insane Jealous streaks. Not even on the downlow, they just do. I think that combination of jealousy and posessiveness when paired with unevenly splitting time between A Guy You're Established To Be (at the very least on his side, romantically) In Love With, and Your Weird Fucking Clone Who You Keep Being Intimate And Intensely Emotional With, is going to cause some problems when it comes to labelling things.
I do not think Sif/Loop are stupid, but man do they ever lack emotional intelligence in a lot of areas (a thing the whole game hammers home). I do not think that they would be level-headed enough to independently invent the idea of "QPR, but the kind where you do basically fuck sometimes". I think they would just (agonise over cheating, first of all.) call it a romantic pairing and be done with it.
And then Isabeau is also there I guess. I gesture at him and at my aforementioned Iseabeau Torment Nexus thoughts (x)(x). I believe this polycule can work and even be healthy but hahahaha oh man they are gonna have some weirrrrrrd fuckin tension beforehand lolllll.
as for how i think they'd get to that stage? lol, lmao. I think of things with a lens of 'what would be the most narratively intense' a lot of the time, so my answer there is:
They basically act like one right out of the gate, at least to the average onlooker**. This makes the fights feel worse. This makes them both paranoid in different ways about how this affects Siffrin's relationship to Isabeau. This makes it more difficult for the party to go "hey so, your friend, we're all being very accepting of their sharp edges because they're clearly someone who's struggling, but why are they suuuuch an asshole?". They fret about this and it causes more push and pull as either side feels guilty about this relationship they're not 'supposed' to have. Even if their relationship woes could easily be squared away by either categorising it as a QPR or talking to Isa (who is vaugardian and probably thus lax about polyamory) neither of them are going to do that right out of the gate because they lack the language, are prone to being wracked by guilt, often assume the worst will happen should they talk about difficult topics, and straight up maybe just see intimacy/sexuality/romance as a package deal due to lacking the social expertise... You see what I mean.
I don't Know if what I envision is... The literal platonic ideal of "A Romantic Relationship". I don't know that if Cupid came on down and inspected my brain that they'd agree that this is romantic and not just like, something really fucking weird, man. I don't even know if I would call it romantic, necessarily. BUT. I Do Think. That These Two. Would Maybe Label It That Way. Because it would make it easier for them to understand and come to peace with that way. Which is what matters. Labels are Descriptive, not Prescriptive.
What I DO think i envision however is something so fucking aroace brained that i can point to sif/loop's canon labels, point to MY labels, and then give you a big thumbs up hoping that you won't get on my ass for implying several sentences upstream that "they probably basically fuck, or something, idk, does star-sucking count as sex? i'm not a doctor nor medical professional of any kind. you probably shouldn't drink whatever comes out of it though"
Implicit question 2: "Jesus Christ you make them seem to hate each other, is that not contradictory? Is that all supposed to be during them being romantically involved?" Yup! Sorry for the subtle undercurrent I haven't previously explicitly and overtly established literally at all but a good chunk of that percieved hatred is a byproduct of Loop keeping their identity secret. That's the space wherein I set most of my fanart. (x) Once that cat is out of the bag I think the heat cools off significantly because then they aren't both talking around each other trying not to actually say what they're fighting about. They can actually bond about shared experiences out in the open rather than keeping their traps shut in case the party overhears. They still fight and have problems thereafter, but it's not made worse by being unable to directly discuss the core issue (+ the party can actually contribute/try to shut things down rather than being unclear on what exactly the issue is)
The above ALSO not helping when it comes to jealousy/feelings of infidelity re: Isabeau. (When specifically in the context of Romantic Frustration here, since that jealousy extends to the whole party when generalised) So that adds another thing to, not necessarily fight about, but be bitter over.
As for hatred being contradictory. Mmm. Nah.
The opposite of Love is not Hate. It is Indifference. (A theme ISAT notably gets at). Hate is distinctly something you do if you care. Often if you care Way Too Much.
I try not to write them hating each other, so much as feeling extremely intensely about each other. (x)
Feeling intensely Thankful, Understood, Sorry, Trapped, Devoted, Jealous, Protective, Pitying, Indebted...
^ Scary ! Complicated ! Hard to deal with ! Even the positive ones can be overwhelming! It's gonna make things weird!
So uh, Yeah. There's your answer? I suppose tl;dr: I view relationships as nebulous and only defined by those in it. (This is something I have previously yapped about at length in essays about my OCs lol) And generally view that there's no "true" label for any relationship except the one that doesn't cause undue distress. (which. i mean it does here. but it probably works out in the end with enough talking)
Asking me to define if something is romantic is like asking me to pin down the true form of the Human Soul. Like dawg i dont know how to do that i dont even know if that shit is real. there are merely actions and their constructed societal categories. If i tell you I think they kiss sometimes does that clear it up? (It shouldn't, obviously, but you get what I mean)
But yeah. Gestures broadly. Shipping an ace (and maybe even aroace based on some shit that little fella says) character like this means it comes with an essay. Because it necessarily interfaces with their nonstandard mode of interaction in that arena. The part where its weirdo fucking ♠ ♥ ♦ ♣ selfcest merely adds a layer.***
... Anyway I'll leave you with this. The mirasifloop qpr "so what is.... romance?" discussion sessions are probably downright dialectical aren't they. Feelings Buddies discuss the phrase "Self-Love" 23467324235 dead 3 injured
*i do have like . 2 wips. that would. include this kind of behaviour explicitly. but i simply have not gotten around to them yet. and also don't worry neither of them are purely fluff both of them still have an air of worrying fuckedupedness about them. yay !
** inkeeping with my "geared for maximal conflict" mind, this can be flavoured with some "technically nobody can say it's not canon, I guess?" during-the-game Sifloop. By handing them the 'started leaning on each other for comfort more blatantly toward the end of a4' thing, since, well, I think exploring the "Loop expected at least one of them to be dead by the end of this/Loop never expected this to end, and thus began filling in that 'Lover' role as comfort/pity/selfishness/mercy given their knowledge that Isabeau is forever out of reach for both of/at least one of them" angle is... Well it's certainly fuckin' compelling that's for sure. Like oops, you let the timeloop malaise get to you and maybe started a trist because you thought you'd be dead before there'd be any lasting consequences. Here's those consequences, motherfucker !! But you won't catch me putting that explicitly in my comics because I don't want to change anything about the raw text of canon when I'm exploring its consequences. However, nothing I do is Incompatible with this read. And I enjoy making things more tortured so. Shrugs and hands this to you. Be free. (....x)
*** those of you that know what i mean by this just had all of it click just now didnt you. lol.
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fallingdownhell · 1 year ago
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haii may i request the sumeru men with a people pleaser so?
Love this! As a people pleaser myself, I know how hard this can be. Still, hope I did a decent job with this.
Characters Included: Tighnari; Cyno; Kaveh; Alhaitham; Wanderer
Content: gender neutral reader; established relationship; some comfort and fluff
Word count: 2k words
Have fun with this<3
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Tighnari
he understands you want to help people
he really does... but when it comes at the cost of your own health and well being, that's where he draws a line
Tighnari watches you as you go around doing anything people ask of you, always a smile on your lips
but he sees behind that smile, sees the tired expression you so desperately try to hide
He knows you want to make people happy.. but there's got to be a line. Sometimes, one has to prioritize themselves
But when you remain unwilling to stand up for yourself, he steps in to take over for you. Enough is enough!
When he sees you taking on the work of someone else yet again, he decides to step in
He takes you away from the situation, making up some excuse about needing your help with something before he drags you to his hut by your hand
You protest against him at first, but when he didn't budge at all, you knew to just accept your fate. After all, Tighnari can be quite stubborn if he wants to be..
As you arrive, he instructs you to sit down on the bed, which you oblige to while he goes and makes you a quick snack, since he noticed you haven't really eaten anything all day. You had even skipped his top tier breakfast..
He literally watches you like a hawk, making sure that you eat at least half of the food he made before he tells you to lie down and relax
You try and protest again, but he's firm in his resolve
With a sigh, you comply. And as soon as your head hits the pillow, you notice just how exhausted and drained you truly feel..
Tighnari looks at you with an expression akin to "I knew it". He lied down next to you, wrapping his arms around your waist as he just held you like this..
"You don't always have to make everyone around you happy. You need to think about yourself and your own well being from time to time as well. You need breaks, just like everyone else needs them. Rest for now, my flower. I'll watch over you.."
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Cyno
Cyno's an interesting case...
He wouldn't notice that behaviour in you at all at first. And once he does, he admires it first and foremost..
People were always afraid of him... they were when he was younger still.. and they are now, thanks to his status as General Mahamatra..
He finds it fascinating that people come to you to ask for your help constantly.. he can't even imagine what that would be like for him.. there would definitely be some underlying jealousy from him at the start
But.. overtime.. as the people ask more and more of you and you growing more and more stressed and tired trying to do all of them justice, did he finally see the downside to that kind of life..
Especially when it's affecting such a kindhearted soul like you, who can never turn anyone down for anything
after reaching that point, he starts to keep an eye out for you, making sure that you're not overworking yourself too much. But he wouldn't step in just yet, believing that you'd know your limits yourself
So, he just watches, as people come running to you again and again, asking you to fulfill simple tasks for them that they could have easily done themselves
it's not until much later does he realize that these people are only exploiting you and your kindness. To be fair, he only knows the extreme examples of such behaviour, so he didn't immediately recognise it with such "small" acts
but as time goes on, as he sees just how tired and exhausted you get, he starts to get worried himself
he's constantly asking himself why you wouldn't just turn those people down. He really doesn't understand it
But what he does understand is that you need a break. Urgently.
so without waiting any further, he goes into action. Cyno knows your usual schedule like the back of his hand so he knows that he has some time on hand
he goes to the market and buys all the ingredients for your favourite meal, which he promptly cooks you for dinner. After you've come home and eaten the food, he insists you take a nice, relaxing bath
after that, he gives you a nice and long massage, relaxing all your muscles perfectly. And once that is over, he cuddles you for the rest of the night until you both fall asleep
He's seen how hard you were working these last few days, so he wants you to know that he appreciates you and that he wants to help you unwind from time to time
"I've seen how these people treat you... you and the kindness you show them. Remember that it's okay to say No to them every now and then. You don't and can't always be responsible for everyone. You need to look out for yourself more. But for now, relax, my Lotus. Relax and let me take care of you for tonight."
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Alhaitham
At some point, you became the unofficial librarian of the house of Daena
Not because you wanted to or applied for the job.. you just spent a lot of time in the library so you know where most of the books are. And people come to you when they need help with literally anything, because you never refuse to help anyone
At first you were happy to be able to help out a few struggling students, glad you were able to guide them in the right direction
But soon, word spread around and people came flooding you every tile they spotted you within the house of Daena
What was once a nice interaction and an exchange of information soon became an overwhelming amount of people bombarding you with questions
And even though it became too much for you very quickly, you didn't have the heart, not the opportunity, to turn them down
Much to the displeasure of someone else, as well
Though your boyfriend loved the House of Daena and to spend time with you here, he didn't appreciate people flooding you like that, taking time away he would usually spend with you and just being generally very loud
And since he knew you would never turn anyone down, he had to do it for you. He did not care what people thought or said about him, his reputation already being not the best. But what's it to him?
And today especially.. people were just so damn pushy and demanding towards you. It didn't sit right with him..
He watched you for a bit as two students were heavily debating something with you, raising their voices slightly. He noticed you growing uncomfortable in the situation yet still not saying anything
Deciding that he had to step in at this point, he walked over to you and simply took your hand, pulling you along with him without uttering a word
The two students were yelling after you, but he didn't pay them any mind. You weren't protesting at all, simply following him along, because you already knew why he did that
After he turned a quiet corner within the Academiya, he turned around and pulled you into his arms, engulfing you in a comforting hug
"I told you so many times.. you need to learn how to turn people down. They'll walk all over you otherwise. Please don't take this the wrong way, I'm just concerned about you. ...How are you? Feeling better?"
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Kaveh
Oh boy...
this is quite the difficult situation, because Kaveh is such a big people pleaser himself
You two are constantly looking out for the other, reminding them to take breaks and to take things easy
you are both great at giving actual good, helpful advise. But when it comes to following them yourselves.. both you and Kaveh need to hone that skill much more
you constantly keep an eye out for him, as he does for you. Kaveh knows the telltale signs when you get exhausted and he always tries to gently remove you from the situation to get you to lie down when he sees them... which works for the most part
but he's often away on trips for his work, so he's not constantly around you to keep you safe from your own self destructive behaviour
when that happens and he returns from a trip a few days later, he finds you utterly exhausted and tired, about to collapse while standing up
he quite literally forces you to sit down or lie down while he makes you some simple food, mostly soups and such
and every time, you promise each other to look out better and to take better care of yourselves... only for that promise to be broken a few days later, letting the cycle begin anew.
Kaveh knows that things can't keep on going like this, something has to change. Something has to change, right now!
So he sits you down for an honest talk where he plays with open cards, sharing all his doubts and worries with you
It's an emotional talk, many tears from both you and him flow, but in the end, you both agree that you can't keep going like this, unless you want to destroy yourself completely
it will take a lot of time and effort, but you're sure that you can do this. You can do anything with Kaveh and his support by your side to help you back on your feet when the world tries to push you down again
"I know how hard it is.. you want to he helpful, you feel like that's the only way you can accomplish something in this world. But overworking yourself is not the right way to do this. Listen to me and listen to yourself. You are also important. So please, start treating yourself that way."
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Wanderer
Hates it. Absolutely hates it
But not for the reason you might think
well... At first, at least
you see.... his issue in the beginning is how much time it takes away from your shared time together
every time you're out with him, even just for a walk, people come up to you, either engaging in conversation or asking favours of you
at the start, he only scoffs and shoots nasty looks at those people, but he does not interrupt, since he doesn't want to come of as rude to possible friends of yours
but he's still annoyed beyond anything that your attention is taken away from him
after he gets over the inital feelings of annoyance and anger, he begins to notice a pattern every time people approach you with a request in mind
he begins to notice your little hesitance before accepting the request, notices how your shoulders slump just slightly after they walk away without even giving you proper thanks
so, he decides to observe further... and boy, does he not like what he sees
because the longer he watches this unfold, the more rage he feels building up inside him
why were those pesky humans always coming to you for such trivial things? And why aren't you turning them down? In fact, he hasn't seen you turn down a single person so far..
of course, as he keeps on observing you, he notices you growing more and more tired the longer this keeps going
until one day, he just has enough
it happened when you two were out for a nice stroll in the evening and someone was approaching you yet again
something in him just snapped when he saw that familiar expression in their face
he quite rudely and loudly just stated a firm "NO!", taking your hand in his and just pulling you along with him
you did not protest against this, partly because you were surprised and a bit shocked by his strong reaction
he took you out of the city, to an open field where he sat down with you, watching the stars up in the sky
he kept quiet for a long while, and you also kept quiet, not knowing how to best tackle this situation
but as it turns out, you didn't have to do that at all
"Idiot... going around and letting yourself get expoited like that. What would you do if I weren't here to look out for you, huh? Just... be more careful. You don't always have to agree to anything, you can just say No to them. It's not that hard... But if you can't do that.. let me know. I'll do it for you."
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batsplat · 6 months ago
Note
Your post about sete/vale rivalry is literally so informative it's like a pivotal post to fully understand the way valentino's mind works. You're his friend just up to the point you are not (mainly after perceived crimes not backed up by any real proof apparently). Valentino literally turbodivorced every guy he was friendly with in the paddock (and the irony of two of those turbodivorces happening in the same place isn't lost on me)
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I did do my best to keep marc out of that post and let the parallels speak for themselves but like. yes
what's interesting to me about this rivalry is that it's... kind of his first rodeo. I mean he'd obviously had rivals before and a feud and all that and him and biaggi were constantly *gestures* - but one of the most common complaints about valentino is that he switches up towards you when you actually become a serious threat. which!! I still fully believe to some extent is natural, this is sports, they're competing, and I take more seriously with some of valentino's victims than with others. (melandri is always the one where I'm a bit? valentino no offence but why would you bother, in 2005 there wasn't a title fight and in 2006 valentino actually got on really well with two of the four other main contenders and at the very least didn't actively have a problem with dani. so maybe just a melandri problem question mark.) but I do feel like sete was... maybe not the first, but the first that was this extreme. and, very much topic for another post, but he really does learn a lot from the sete rivalry. a lot of the tactics and performance art and all of that, how he uses all of it to demoralise his enemies - this rivalry was kinda the blueprint
but, at the same time, of course it was a different valentino that marc ended up fighting, and not just in terms of how fast and competitive valentino was at that stage of his career. this is something that's quite hard to get across sometimes, because the natural inclination is to just... look at all the past instances in which valentino was a dick and conclude that he has, in fact, always been a dick. but he wasn't just statically malevolent for a twenty plus year career, and it's important to... reinsert context to assess how he developed as a rider and as a character during that time. it's not twenty non-stop years of valentino feuding. and marc is facing a valentino who had inevitably changed as a result of years of injury and poor results on a poor bike. valentino was pretty open in 2012 that he was returning to yamaha after two years on a donkey of a bike to, y'know, see if he was still fast, if he still had it in him - because he genuinely did not know (stop me if this reminds you of anyone more recently). he was so frustrated in 2013 with constantly finishing in fourth place that he took the truly radical step of firing his crew chief jb. one more try, one more change up to see if he could still be fast
it was only in 2014, where, okay he was losing to marc, but he could feel that he was competitive again, he could semi-regularly beat jorge and dani at the very least... then comes misano and he beats marc in a direct fight, draws an error out of him, gets him to crash, and marc shows up at his ranch and manages to strongly signal that he does actually really want to beat valentino. and that, in a way, shows that he was beginning to take valentino seriously as a competitor again (which I would suggest he wasn't doing at the end of 2013). that's something that's easy to miss about the ranch episode: yes, it's notable how much they were treating each other like hardened rivals, but it was also notable they were doing so in 2014, given the kind of season marc was having. maybe it truly was the worst possible timing. maybe it truly was the race in misano that made both of them go. hey. this really could be happening
but it's still a humbled version of valentino, it's still a version of valentino who has already kind of had to make his peace with the fact his time might very much be over. to me, in a way it's more dramatically satisfying if he did make peace with it, if he was more or less all right with marc making the sport his own. okay, there's always going to be a little bit of bitterness, a little bit of envy... because he wished he could still do what marc was doing, of course he did. but by the end of 2013, he knew it was more likely than not he would never be involved in another title fight. he thought his career might be ending after the 2014 season. he told the world if he wasn't competitive in the early races in 2014 then that would be that, and I think he meant it
there was no guarantee he'd have a season like 2015 - sure, he was working harder than ever and making radical personnel choices, all in the hope he still had something more to give... but he didn't know it would happen. it was really really unlikely!! there's a giddiness to him in early 2015, almost like he couldn't quite believe himself he'd get that chance. and then, yes, he does withdraw from marc, he does go back into title fight mode... but relatively speaking, this is still a more agreeable version of valentino. this is still a version of valentino who is determined to not start shit with jorge - it's odd to watch, but in those 2015 pressers valentino is constantly engaging him in conversation, at a time in which the marc chatter was already dropping off pretty sharpish
(incidentally, I think vale was proper pissed off at how jorge reacted to the whole sepang thing and how jorge was angry with valentino, which is very funny to me. like at catalunya 2016 vale's going!! I actually made an effort with this bitch!! I was nice to him for three years, does that count for nothing??)
valentino also doesn't blow shit up over assen, even though by his standards marc should be giving him plenty of reason to. he's definitely cooled off towards marc, but he's still giving him the benefit of the doubt where he wouldn't have done so with past rivals - which, yes, I do think partly reflects how he felt about marc, but also reflects how he was approaching that year and that phase of his career as a whole. he didn't really want drama; he wasn't really looking for any distractions from the actual title fight. which doesn't mean that he wasn't already changing his behaviour towards his competitors in response to the demands of the season - it's just a question of the extent. here from a write-up of assen 2015 (I don't entirely agree on the point of the effectiveness of valentino's mind games, though I do agree - like valentino himself does - with the general idea that most of the work needs to be done on-track):
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in the end, he cracked. I guess that's what generally happens when you put someone under that kind of pressure - you make them revert to type. valentino wasn't arrogant or entitled or over-confident in that season, he was desperate. he'd been given this unexpected chance and he was throwing everything he had into making it work. body, mind, soul, all of it, wringing himself out in pursuit of this dream. he could feel it slipping away at several points that season... that four race jorge win streak where he led every single lap and it was kind of like? okay, you just can't do anything about that. valentino can't match that, not at this stage of his career. or brno, after which they were level on points and jorge led on countback and it just felt like valentino so obviously had a consistent pace deficit that surely this could only go one way. all these moments where it felt like it might actually be over, in the least dramatic way imaginable. in many ways, this wasn't really a title fight that should ever have been so close - and it's to valentino's credit as a rider, his versatility and willpower, that he was even able to push things as far as he did. but he did know he was hanging on by a thread, and he ended up playing the last hand he felt he had available
obviously, it wasn't really rational calculation that made him do what he did in sepang - though there probably was an element of, y'know, might as well. but he believed he detected a pattern of behaviour in marc - not entirely incorrectly, because it did feel like marc approached his battles with valentino differently - and fashioned himself a conspiracy on the basis of it. he hoped it could change the momentum one last time; he decided to make one final roll of the dice. and then, of course, marc reacted in a way that has ensured valentino will never stop believing in his conspiracy theory. because of course marc did, because of course he never would have taken it lying down. because valentino knew from the moment marc engaged him in that battle at sepang that it was almost certainly all over, because he lost his temper - which usually helps him, except when it doesn't. because they both lost their tempers and ended up just wanting to hurt each other, to prove a point. because that's who they both are
the main point I'm trying to make here is kind of.... it's just how I personally read the sete stuff - yes, these are the same patterns of behaviour, yes, a lot of parallels do obviously present themselves. I've long felt that sete is the single most significant valentino feud to understanding what happened with marc. he's the only other one who valentino was friends with, the only other one valentino felt hurt by on a personal level, the only other one who valentino changed his behaviour towards from one day to the next. and I think under the right circumstances, if you give valentino enough of an excuse and enough of a prize to aim for and have planted enough seeds of suspicion in advance... you can get this situation where the competitive paranoia takes control and he buys into this whole betrayal narrative and he decides he needs to go nuclear. and it also gave him a script to follow - one he knew could work because it had. except of course it could have gone very wrong in 2004 too. what happens if he's so desperately determined to ruin sete that he bins it in phillip island and finds himself only barely ahead in the points going into the title decider? compare that race to phillip island 2009 - obviously, there's a sizeable difference between the level of opposition (especially at that circuit) and the '09 race probably wasn't winnable, but he still ends up eventually deciding to settle for second behind casey because he doesn't want to risk losing the championship to jorge. he's not casey's biggest fan either, but he never came close to losing his head fighting him. it's different. he might do some of his finest riding when he's angry, but where there's anger there's also volatility. and, on occasion, there's also some really bad choices
if 2004 is the moment where he's properly learning to play these games, then 2015 is him falling back on these tools when he really had basically discarded them. it'd been five years since he'd engaged in mind games in earnest (I know him and casey were constantly at it in 2011-12, but whatever the hell that was about, whatever part of their psyches they were appeasing there, it obviously had fuck all to do with on-track competition). that's a long time! there's a 2014 interview where he's asked about his work on the 'mental side' against his rivals:
the first thing he immediately stresses is that there's zero point in doing any of this if you're not fast enough on-track to back it up. if you are fast, sure, you can do some off-track 'work', especially if you know it makes your rivals suffer :) but it won't have the same effect without the on-track performance. so even if we want to say valentino hadn't mellowed post-2012, even if he hadn't grown one jot humbler in his heart of hearts, even if he wasn't swayed by any genuine fondness for marc, he still knew the maths just didn't work out in his favour with his current opponents. he couldn't deploy his favourite tactics against jorge because jorge insisted on spending the entire season either two spots ahead or three spots behind valentino, and the off-track stuff just can't work if you're never sharing space on-track. it could and did work against marc, but he wasn't trying to score psychological victories against marc! certainly not by the time they reached assen and marc was basically out of that title fight. so there wouldn't have been any point in trying to fuck with either of them in that way off-track and, well, it could easily backfire. which is something valentino understood perfectly well until they were 88.9% of the way through the season, and then he changed his mind at what was almost the very last possible moment. which I think speaks to how desperate valentino was to make a mistake like he did at sepang: he felt it was all he had left to try
the other way in which marc comes into this whole thing is that.... I mean, he knew about all this stuff! this is the thing right, maybe he wasn't watching the sepang 2004 press conference as an eleven year old and later going 'huh' but broadly speaking, he will obviously have been aware of how this went down, qatar controversy and all of it. he's sitting right there in that jerez 2015 presser when valentino is asked about sete and in response valentino says sete played 'dirty games'. he's obviously aware of the whole jerez 2005 situation, not least because he copied valentino's overtake in his third ever premier class race. which in turn sete was watching unfold, and is still having thoughts about in 2023:
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so it's kind of... y'know, you've got marc, you've got someone who's still very much the heir apparent despite all the drama between him and valentino. if you're sete, do you look at marc and see somebody who valentino hurt in similar ways to what he did to you, or do you look at marc and see another version of valentino? do you see both? it's again that thing of, if you have a problem with some of valentino's more aggressive riding then you will definitely have a problem with marc. because of course marc is the escalation, because valentino generally picked his moments a bit more and adjusted his levels of aggression more to the situation, whereas marc is mostly just Like That. so sure, if you're sete gibernau you can look at marc and see another one of valentino's victims, but at the end of the day you're also going to see his legacy
and this from 2017:
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not an original thing to say obviously, half of motogp has said it at one point or another. but. still. meaningful to me!
that tension between 'fellow valentino rival' and 'valentino's successor' is imo inherent to the jerez pass situation, because (along with laguna seca) it's an example of marc actively inserting himself into valentino's legacy. and the thing is, right, these aren't just neutral fun passes that everyone remembers because they looked cool: they're the biggest flashpoints of their respective feuds. marc did to jorge what valentino did to sete - and then he did the most valentino thing imaginable and went to jorge when he must have known jorge would still be furious, making him publicly reject his handshake and starting up a whole lot of discourse™ that would take forever to die down. marc knew immediately how controversial what he did would be and was completely at home in the chaos. it's not just the pass that does valentino proud, it's the shamelessness
while that race might not have had the same repercussions as '05, at the end of the day you do have to remember that those passes have a lot of baggage and controversy attached that marc is also making himself a part of. in the case of laguna, it's valentino addressing livio suppo in the presser because of all the grief suppo and casey had given valentino over the '08 overtake. in the case of the jerez pass, it's sete talking about how alienated he is by this whole approach to riding that marc so completely embodies. and the whole thing has come up quite a few times since 2013, because everyone loves bringing up last corner passes at least once a year when they show up again at jerez
so for instance we have this clip from 2016 (fourth race of the season, vibes still in hell), where the riders are asked whether they'd prefer to be in first, second or third position heading into that final corner. not all too much to say about this one, really. jorge, who it seems has at long last learned his lesson about what to do when you've got a lunatic sitting on your rear wheel headed into the final corner of a race, stresses that he'd protect the inside line - not least because these two fuckers would dive on the inside through the grass if you give them half a chance. also, decent gag from marc! good on him. not always easy for those who have decided they hate him so much so that they refuse to laugh at anything he says
then we have this from 2017 - where sete is in the room - asking four riders who they'd want to arrive at jerez's final corner with. three guys give pretty boring answers, though you'll note in 2017 valentino does actually mention his battle with sete (*gestures with his head in sete's direction*) in the same breath as the one between "marc and jorge". those three boring answers are followed by a great response courtesy of jorge. the question doesn't actually specify, but obviously jorge immediately zeroes in on valentino and marc since they are. you know. the two guys with a history of doing last corner jerez crimes. and they're also two confirmed lunatics, though jorge believes that valentino at least might be a little less reckless now that he's a little older. hey, maybe even marc has become 3% more sensible at the advanced age of 24 (funnily enough, vale when making that overtake in '05 was two years older than marc is in this clip). it's a sweet moment - but, without wanting to belabour the obvious, it's also another way of showing how irrevocably linked both the passes and the blokes executing them are. both valentino and marc are 'hard brakers', to put it lightly. two peas in a pod, from a man who would know
we do also of course get sete reacting to valentino's answer. idk what this facial expression is but I sure am compelled by it (thank u to dani pedrosa for working with sete in 2017 so that we'd get live sete reaction shots. I am very grateful)
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okay so those two I included because. well it's just kind of neat and fun that this is a parallel they won't ever escape. linked legacies and all that. but I am actually building up to a point here, and it's to do with how even post-2015, it's not like marc is always overflowing with sympathy and compassion for valentino's other victims. he knows his lore! he will know at least the general details of the sete relationship and how it deteriorated and what valentino did to him afterwards! so let's bring in austria 2017, a time at which the vibes between the two of them aren't actually. catastrophic. exhibit a:
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so in this presser, valentino is asked if his overtake on jorge at catalunya '09 is the favourite of his career, and he says it was special because it was the last corner - he can't remember any other examples of him making a last corner overtake in the premier class. at which point marc taps valentino to point out sete:
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the expression marc makes in the thumbnail - that's how he looks when he's eagerly waiting for valentino to put two and two together. the thing is, right, this whole feuding business, the way valentino treated his rivals, how he was pretty awful to them... all of it will have been stuff that marc actively enjoyed as a fan. and even post-2015, when marc has experienced some of the very worst valentino has to offer, marc still finds the whole jerez thing pretty funny, not just the overtake but what it meant for the relationship between valentino and sete. he makes valentino aware of sete in the room, because of course he would never forget valentino's greatest hits. like, remember why this exchange is funny: everybody knows this overtake was a super controversial thing and a big source of tension between the two of them and valentino's forgotten about it. and marc's laughing at this!! in 2017!! "after we have a bit problems" and marc thinks it's hilarious!! buddy
one more presser moment, from 2019. just a bit of context here - earlier in the presser they were asked about dani getting a corner named after him at jerez and valentino went 'yeah good for him but I wouldn't want a corner named after me !!' and marc talked about how he'd gotten a corner at aragon named after him the year before. so now, the riders are asked what their favourite bit of the jerez circuit is. the joke here goes a) marc says 'last corner' the way he does because everyone knows he did a terrorism there, b) jack miller says 'you mean jorge lorenzo corner' because everyone knows it's funny marc did a terrorism on jorge there like a day after jorge got the corner named after him, and c) marc says 'it's valentino corner' because everyone knows his move was copying the move valentino did on sete. and... 'valentino corner'... first of all why would you do this to your literal teammate jorge lorenzo... but again the whole reason this exchange is funny is because the premise is that they did the same thing, valentino to sete and marc to jorge. implicitly, it's making the link between the pair of them and how they terrorised their rivals in the same way. still. in 2019
speaking of legacies, there's a moment in the 2016 catalunya presser where valentino is asked how that duel compares to his past duels in 2007 and 2009 at that circuit (notice the blatant and unchallenged sete erasure - 2004 and 2005 were really great but okay). and valentino says he counts it on the same level as the jorge fight - "was three great battles with three great opponents". which, y'know, I really love 2016, I think it's fantastic, but marc makes a mistake on the penultimate lap and denies us the most dramatic of finales. like I think it's completely reasonable and nice for valentino to count it in that same camp as the 2009 duel, but I also think it wouldn't have been crazy or disrespectful or anything if he'd gone 'yeah that was great but not quite the same thing'. this definitely might be reading too much into it (surely not) but given how valentino has since occasionally left marc out of the rivalries list, said he wasn't his toughest rival etc etc, I do think it's kinda notable that during that moment of 'reconciliation', valentino allowed marc to be part of his legacy - even if it's just in a small way. 'great valentino catalunya battles' is a pretty cool group of races to be a part of, y'know? the infamous overtakes, the duels, these are the things people remember. these are the things marc remembered, as valentino's fan - inevitably, it'll mean something to him. it's a legacy he wants to be a part of, by fighting valentino, by emulating valentino, and sometimes valentino lets him and sometimes he'd rather leave marc out in the cold. you'll note that in 2019 he doesn't really engage with the "valentino corner" gag from marc and instead goes with the far more neutral turn 5 as his own pick
in the very very immediate aftermath of sepang (aka december 2015), marc did openly make the comparison between himself and valentino's other rivals:
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and it's informed his whole approach since then - it's a big part of why he's tried to be quiet about the drama with valentino over the years. he knows how valentino behaves towards his rivals, he always has. he knows he can't beat valentino off-track... but (beyond his undeniable mental resilience) he's just fortunate enough that with his talent and the way their career windows have overlapped, more often than not he's been able to out-perform valentino on the track. and y'know, it's an interesting element to the whole thing I feel... marc was a fan of valentino's for a lot of reasons - he was very much a fan of the complete package, if you will. including what valentino did to his enemies! it's not like that aspect of vale was some kind of closely guarded secret; it was like a top three valentino rossi talking point for years and years. (part of the subtext of assen 2015 is marc not really enjoying being on the receiving end of one of those classic valentino scam wins, when marc had been intending to do that to valentino.) again, those overtakes of valentino's weren't just famous because they were cool, they were famous because they helped valentino fuck with his rivals. it's not just about emulating his on-track aggression, it's about emulating how valentino did his best to get in his rivals' heads. when we talk about marc 'being a fan' of valentino, then it shouldn't be ignored that this involved marc being a fan of what an absolute and utter asshole valentino was. and like with all things relating to valentino, I'd wager marc has pretty complicated feelings about this. at the end of the day that's also part of his make up as a rider... but it also really burnt him personally...
it's almost like an identification thing, isn't it. if you're marc and you're thinking about valentino's past rivalries, whose shoes are you placing yourself in? in many ways it should be valentino's rivals, because of course some of their experiences mirror marc's. and there's a rare moment in the winter of 2015, when he's still in the process of trying to make sense of everything that's happened, where he does make the connection. but apart from that, he's shied away from it - even when he's criticising valentino, he's generally not framing what valentino did to marc as indicative of some broader character flaw. it's casey and jorge who explicitly make that link, not marc. he's still kind of... idk, separating that out. obviously, marc would far rather be valentino's successor than another one of valentino's victims, even if he hasn't really been given a choice in the matter and has ended up being both. I don't really have any evidence to back this up, but my guess is that deep down he feels like what valentino did to him was different from what he did to those other guys. and in some ways he's right and in some ways he's wrong
unfortunate, isn't it. you're a fan of somebody with a reputation for fucking with his enemies, which is fun and neat and you kinda want to copy how he does it - maybe put your own spin on the whole thing but you're still into the general vibe. you enter the sport at a time when you can still fight your hero, but he's kinda washed and he's too old to be starting new feuds (*bzzzzt!!* incorrect! you are never too old to start feuds) so there's no real danger. and you share a bond you think on some level is different from whatever those other guys had going on, even sete gibernau, whoever tf that is. and then you become real rivals and realise how extremely not enjoyable it is to be losing to him yourself and you really want to show him and maybe you do push it a little far along the way. but it'll be okay. it's all fine... until he decides it's time to destroy you. and on one level you do obviously see the parallels because you're not an idiot... but on the other hand, none of that stuff, none of what he did to those other guys - it wasn't ever going to stop you from being a fan of his. it's the bits he did to you that are the problem. and at the end of the day, you'll never quite be able to let go of the twelve year old boy inside of you who found jerez 2005 really, really cool
anyway
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autismprotocol · 7 months ago
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TMAG Theory Board Update (EP 11-12)
Hi guys sorry about the late posting I've just started a new quarter of college and its been pretty hectic. also got into my school design BFA program so pretty stoked about that! Anyways lets get into the Episode Breakdowns because even though not a lot of lore related things happened I still have a lot to talk about
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For the breakdown I'll separate each by episode in sequential order
What Happened in Episode 11: Marked
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Celias Rude Awakening- we jump right into the weirdness straight away with Celia waking up on the side of the interstate. she indicates that this is not a weird occurrence and ends the scene by telling someone named Jack that she's "on her way." If you remember episode 8 after Celia and Sam talk to Gerry and Gertrude, she mentions stuff about wanting help with her own mystery. When Sam asks about it she says she's looking into Time travel, other dimentions and teleportation. Many people have theorized that maybe Celia is just a super heavy sleepwalker, but I think the she teleports random places out of nowhere. This could be a side effect of her reality hopping if this Celia is originally from The archives universe.
As for the identity of Jack I'm not quite sure about that yet. I cross referenced the name Jack with past episodes of TMA. The only thing that came up was Jack Barnabas from the statement about dating Agnes Montague (aka an avatar of the desolation and Jesus-like figure for the cult of the lightless flame) So Unless Celia is secretly Agnes of Agnes reincarnated , I can't find any way to link Barnabas to Celia. (if anyone has a theory feel free to send it my way.)
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Sam Lore- this one is pretty minor story-wise but I thought it was interesting. Before the statement for the episode is presented we get some classic Sam and Alice Banter ™ most of it is pretty lighthearted but I noticed Sam mention something that could indicate he might be an amputee.
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These could not mean anything and I find it weird that it hasn't been mentioned until now but thought it was kind of cool and I will probably be drawing sam with a prothetic leg in the future cause I really like this head-canon. It also begs to question if he is missing a leg. it might have anything to do with his past as a Magnus institute test subject but then again could just be a fun character detail added by Jonny and/or Alex .
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The Statement- Getting into the statement we get another Ink5oul appearance. Also possible Ink5oul identifying as she/they. (and lets be honest being a fear avatar is pretty non binary core). I found this Episode gave me a feeling of a hybrid between the Vast, Buried and the Flesh some people are theorizing that is might be a new entity called the Deep but I think that the fear of the ocean could easily apply to the vast or buried. Not much to say about this story though pretty standard Magnus horror that also gave us a hint to what Ink5oul's goal could be/which entity they serve.
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Post Bonzo- Gwen has a debrief with Lena after her first Externals Liason assignment and her meeting with Mr. Bonzo. Undoubtedly Gwen is still pretty shaken from her encounter, even arriving late to work due to sleeplessness. Gwen is able to ask Lena a few questions mainly she wanted to know who's name was written on the letter given to Bonzo
Lena is largely unhelpful but tells Gwen she should have worked it out by now and if not to pay close attention to the case load for the next couple of days. before the latest episode my guess was Klaus because that is the only person mentioned so far that the OIAR intends to kill. but more on that later
Marked- Now were getting to my favorite thing about this episode. This episode title can have two meanings. The first is the more literal interpretation. Tattoos are marking of the body and the case this episode was all about tattoos so easily a good name would be marked. But I believe this is a red herring meant to misguide listeners who have not consumed all 200 episodes of TMA because if you know the world of Magnus Archives the term Marked takes on a entirely different meaning.
In TMA the term marked is used to indicate that somebody has been influenced by one or more or the fears and are one their way to becoming an Avatar. I think this could be a coded way to tell the audience someone in the OIAR has been marked. I have two potential candidates
Alice Dyer- Alice has been having dreams about the Institute after her and Sam's adventure into the ruins. also she mentions feeling like someone's watching her (common to people influenced or fed upon by the Ceaseless Watcher/The Eye) My guess if she is marked it would be by the Eye.
Gwendolyn Bouchard: Probably the most likely culprit. The main way an entitly tends to mark people is through encounters with other avatars. Gwen has just had an encounter with Mr Bonzo last episode who I strongly believe must be an avatar of some sort.
What Happened in Episode 12: Getting Off
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Aww Sam!!- Sam asked Celia out and it was adorably awkward. not much to say I just loved this interaction and I'm longing for a new Magnus brand office romance hopefully is wont be an agonizing slowburn that ends tragically like a certain pair of morons from Archives (I love you Jon and Martin but Jesus christ)
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It's Bonzo time bitches!!- Probably one of the most gruesome Magnus statement I've ever listened to (good work Alex) Mr Bonzo completely annihilated some poor dude at his bachelor party. Based on the date of the Incident the I can confidently say that whoever Baz (the groom) was he was our mystery person the OIAR sent Mr Bonzo to get rid of. Along with some of the bloodiest imagery we learned a few things about Bonzo. The most interesting detail is that Bonzo has to be summoned by playing his theme song I think the CD of his theme song acts somewhat like the tapes did in TMA by materialising out of nowhere. Also fun fact you know that torn seam that is right down Bonzo's middle? that is actually is his mouth lined with rows sharp teeth so I guess I know that now (so fun) Moral of the story dont f*ck with Mr. Bonzo
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Alice knows something: Theres been this recurring audio glitch throughout TMAGP thatnks to a few extremly observent fans we have started to relize that these glitches are not at all random and are actually letting the audience know when a character is lying (i actually reposted somones deepdive into all the istances of this glitch so far if you guys are intrested in knowing more) why i bring this up now is becuase since we know when any charater is lying we also know when they are being truthful if there is no glitch when they say somthing and at the end of this episode this interaction occurs
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Alice goes ahead and makes a joke about this to annoy Gwen but the fact theres no audio glitch when she says "I know" means she does actually know who is behind the OIAR and is activly refusing to share it with Gwen or the others. What do you know Alice!?
and that's about it im already loving these next batch of episodes and am so excited to learn more (ERROR has to show up somtime )
thanks to everyone who resonded the poll on the last update I will continue to include drawings into the breakdown even if it takes me a little bit of time to post. anyways I wrote this all in one sitting and I'm about ready to pass out so thanks again and the ask box and comments are always open for discussion and theory crafting.
-Echo
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rebelcracker-s · 1 month ago
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yapping about the welcome home 10/18 update because i am so incredibly normal
Hello neighbors! Not exactly my usual content, but since when was I consistent :P I have a lot of thoughts about the new Welcome Home update, so I thought I’d make a post discussing my thoughts n findings, and try to analyze them to make sense of Welcome Home. 
SPOILERS BELOW THE CUT! YOU'VE BEEN WARNED!
First of all, right off the bat, on the first page of the storybook, you can see this:
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All of these dots in white diamonds are meant to represent eyes, like the Looky-Loo branding alludes to. While they’re all mostly looking in different directions, we have these two who are looking right at the reader. I think these are meant to represent Wally’s eyes. Since we know from the hidden audios from the June ‘23 update that Wally can see through every drawing of his eyes, it looks like Wally is watching us or at least W through the storybook. It’s a tiny detail but so creepy nonetheless!
I want to focus on the end of W’s version of the storybook rather than the contents of the storybook, but I loved seeing a story centered around Sally and some depictions of Sally & Poppy’s dynamic! (Also Eddie calling Sally rude—THE GIRLS ARE FIGHTING. Based eddie tho LOL) I also loved seeing the neighbors all being so eager to help Poppy, but oh my goodness, the way that they did it… YIKES. Poor Poppy…
It’s so interesting that we’re seeing the characters one by one realize that something is wrong with their neighborhood—first Sally in last year’s Halloween update, then Eddie in the Homewarming update, now Poppy. 
It’s also interesting how Eddie and Poppy’s episodes(?) parallel each other. First of all, they very clearly focus on isolation from the rest of the neighborhood. Eddie loses all perception of the other neighbors, and the “single pea on a plate” represents his isolation from everyone else. Poppy is literally bricked off from the other neighbors, and she can’t hear them and vice versa until she screams and the door is opened.
The second interesting thing is that both of these episodes have Home involved. Eddie gets uncomfortable and immediately finds himself staring down Home even though he’s inside them. Poppy hears knocks, doors opening, and doorknobs turning—all of which are methods Home uses to communicate. I don’t know if Home is meant to be a metaphor for isolation or a genuine antagonistic force trying to corner the characters when they’re alone and at their weakest. Maybe both? 
Still, I was considering that the character who scares Poppy at the end of the storybook audio could also be one and the same with the “monster” (in quotations because it’s unclear whether this is an actual monster) Sally talked about in last year’s Halloween update. That would create a common thread between the two Halloween updates. Still, I’m not sure what that monster is meant to represent and if it is supposed to mean Home or something related to them, like the weird portal underneath it…
Third, it’s very interesting how the two episodes end. Both Eddie and Poppy are brought out of the episodes by the intervention of the other neighbors. But it’s not just any neighbors—both times, it’s Sally and Frank. Sally is the neighbor who notices something is up with Eddie first; she brings him to the Homewarming party, then pulls Frank over to Eddie at the end of Eddie’s episode. When Poppy’s episode ends, we hear two neighbors asking about her. It’s not explicitly stated whose voices they are in the transcript, but it’s clearly Sally and Frank.
Sally and Frank are a really interesting pair; their canon interactions include them getting into a physical fight over song lyrics. But somehow, we’ve seen them twice breaking up these episodes. They don’t appear to be as close as Frank is with Eddie or as Sally is with Poppy, but it would be a very weird coincidence if this was an accident both times. 
I strongly believe that Sally and Frank are both aware of what’s happening and trying to work together to either gain a bigger understanding of it, protect the other neighbors, etc. (I also have a theory that Howdy is in on it too, but I won’t focus on that right now.) This is why we see them coming to both Eddie and Poppy’s aid after their episodes. 
Another thing!! Connections to other literature seem to be really important in the lore of Welcome Home, so it’s not a throwaway that the play Sally puts on is Tell-Tale Heart. I don’t know a lot about Tell-Tale Heart, but it appears to be about a character who kills a man and buries his still-beating heart under the floorboards, only to be driven mad by the sound. I’m pretty sure we’ve heard Home’s heartbeat before, so I wonder if Tell-Tale Heart is supposed to connect to them… I’ve seen people connect it to Cask of Amontillado, but I’ve never even heard of that so I’ll let other theorists tackle that for now.
On a final note, Wally saying that “everything is as it should be” as the last line of the storybook…completely creeps me out!!!
That’s all for now. I should probably update my other theory soon lol 
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thenameswinterfics · 6 months ago
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VISIONS OF HELHEIM
Fandom: The Last Kingdom Pairing: Sihtric Kjartansson x Reader Settings: Season 2, episode 4 Summary: Sihtric has never forgotten his mother, whose presence continues to haunt his dreams. And as the Battle of Dunholm draws to a close, you help Sihtric mourn her. Word Count: 6,1 K Warnings: Fluff, angst, missing moments, mention of past abuse, mention on non-consensual relationship (not described in detail), mention of character death, mention of graphic violence (not described in detail). A/N: I'd like to start by saying that it was supposed to be a short fic, but my imagination literally exploded. I'm terribly nervous about this fic, maybe more nervous than the previous one, I've tried to contain the angst so that reading won't be so overwhelming. I know my summaries are terrible, but I swear I'll learn. I'm not an expert in Norse mithology, nor in Pagan traditions, so I apologise in advance if you'll find some inaccuracies. For Elflaed's description I took inspiration by another amazing writer here on Tumblr, giving my own interpretation in some details as well. I forgot the blog's name, so if any of you should know them, please give me the name and I'll quote it! As always, a special thanks to @sylasthegrim, @legitalicat and @sihtricfedaraaahvicius for calming me down during my writing crises (I know it happened once, but your help has been precious), to @lord-aldhelm for helping me fill in some language gaps and to @foxyanon and @zaldritzosrose for a last minute check and helping me with finding a title (Foxy, I love your brain, and thank you so much for sharing with me your knowledge about Norse and pagan culture).
ENGLISH IS NOT MY FIRST LANGUAGE. I APOLOGISE IN ADVANCE FOR MY GRAMMAR AND VOCABULARY MISTAKES.
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Header & dividers by @zaldritzosrose
READ IT ON AO3
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A raging storm crossed the lands of Dunholm in the middle of night, the shining moon hiding behind a dense bank of dark grey clouds. The gentle breeze that caressed the tree canopies turned into a violent wind that bent the tree trunks, devastating nature with its destructive force. Drops of rain fell on the ground, saturating the soil and creating small puddles that increased their volume over time. Flashes of light appeared in the sky, creating a spectacle at once majestic and terrifying. 
The bravest men and warriors who dared to face the storm and believed in the Old Gods would say that it was all Thor's plan: enraged by the despicable actions of Dunholm's Jarl and his men, the god of thunder brandished his Mjolnir in the air and unleashed the most dangerous lightning and the most treacherous of the storm. But even the worst of natural disasters could not move the heart of a cruel man.
Elflaed sat on the cold floor of a crumbling hut, feeling the window doors creak and slam violently as cold air and water entered the house. She held her son in her arms, his tiny body curled up against her in search of warmth and protection, his big, mismatched eyes craving comfort in his mother's. Her arms were wrapped around him protectively, adjusting the thick fur on her shoulder and holding him close as her soothing voice sang a lullaby, hoping to shield him from the sounds of the raging storm.
There had always been a hint of sadness in the young woman's eyes, spreading to the sweet features of her face, a bittersweet feeling growing in her chest every time she looked at the little life she held in her embrace. If only the gods had been merciful to her and not given her a son in the most despicable way. 
When she closed her eyes, she could feel Kjartan's large, rough hands exploring parts of her body he wasn't allowed to touch, forcibly stripping her of her dignity, hot tears streaming down her cheeks as she felt her pleas ignored. Anger, fear and resentment grew inside her along with an unwanted life, her womb cultivating the seed of a relationship that should never have existed. Elflaed prayed each night with her eyes to the sky, hoping that some merciful god would rid her of the life she was forced to carry. But no child is guilty of the actions of their father, and the young woman learned that the first time she held the infant in her arms, her maternal instincts took hold of her heart as his soft cries filled the room.
And for the following winters, Elflaed raised her son alone, protecting him from a father who rejected one of the many bastards he had across Dunholm. The love for her son grew along with the hatred for Kjartan, which reached its peak as one day she found a bush of black berries in the forest. She was aware of how poisonous those berries were, and had no intention to waste a precious opportunity.
"You will live, sweet boy," Elflaed cooed as she watched Sihtric drift back to sleep, no longer afraid of the storm outside. Her tone was reassuring, trying to calm herself more than him, as her fingers brushed across his tiny forehead, moving strands of hair away from him. “And I will always be here, watching over you.”
It was in that moment that her gaze moved onto the plate of the nightshade berries on the table. She would have her revenge that night.
And her destiny was sealed.
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Never before had the night looked so beautiful and so full of mystery.
That was what you thought as you lay on a large pile of hay outside the saddles, your eyes never leaving the great expanse of black veil that rose above your head, adorned with small silver points of light in which you could see all the signs of Ymir's work as he created the planets and all the stars. Your eyes darted in quick motion as you recognised the constellation of Ulf's Keptr, the Fiskikarlar, Kvennavagn and Karlvagn and the Asar Bardagi, your slender finger pointing at the sky and tracing the imaginary lines that connected those small celestial bodies, as bright as the flames that engulfed your house and took away your home and family years ago. 
You couldn't remember what it was about the stars that fascinated you, or how your mind had gotten so lost in a memory you never thought would surface again. But a sense of peace pervaded your mind, every inch of fear and anxiety in your body fading away as you fixed your gaze on the star, losing yourself in the vastness of the night sky. 
It had become a silent ritual that you would perform each night before going into battle, as if to ask the fallen warriors resting within the sacred walls of Valhalla for their protection to survive another day. But attacking an impregnable fortress like Dunholm was no easy task, you knew that. At least not in the way your brothers Uhtred and Ragnar had described it in their reckless plan to take the fortress and avenge your father's memory. It was your first serious battle, and never more than now did you seek the comfort of the stars. 
Your lips parted as you repeated the stories of the origins of these constellations that you had heard as a naive child from the warriors loyal to your father. It had become a habit for you to let your thoughts out loud in your solitude: the cool night air had always been your silent companion through the years, gently tickling your hair and skin as its way of saying it enjoyed your stories. 
But this time was different. Because you were not alone.
Sihtric lay by your side, one hand on his stomach, the other behind his head. He lifted his eyes to the sky, without ever looking at you, while his ears strained to hear your stories of the celestial world. You could tell he was enjoying the little time you spent together by soft humming escaping from his lips, a soothing sound that warmed your heart. But there was something in his eyes that caught your attention: his gaze was distant, pain and melancholy crossing through its bright, multi-coloured irises, his pupils involuntarily dilated.  
Sihtric had always been a shy and quiet warrior, very reluctant to talk about his past and his birthplace unless asked. You could see his eyes flickering involuntarily at every mention of his father, his head drooping and his jaw clenching as the memory of his past came back to haunt him, the shadow of Dunholm walking beside him and never letting go. 
A gnawing vice tightened in your chest every time you saw Sihtric walking around with a blank stare, taking refuge in his tortured thoughts, and not even your touch could save him, pulling back every time your fingertips brushed against his bare arms. And when you found him asleep in the saddles, or anywhere else far from home, you could hear him calling out to his mother in his nightmares, instinctively embracing her as if to feel the motherly warmth he had lost years ago. Sihtric had never spoken of his mother, nor had you dared to ask, until tonight, under a sky full of stars and a fierce war on the horizon.
“Tell me about your mother,” you broke the silence of the night and shifted your position to lie on your side, looking at Sihtric with curiosity. Your sudden question awoke the Dane from his trance-like state, his eyes widening as he rested his gaze on you.
“Lady?” Sihtric asked back, his voice trembling slightly like the hand that rested on his stomach. 
"You told Lord Uhtred that you were Kjartan's bastard son, whelped on a slave girl. We know everything about that wretched turd," the last word came out in a low hiss, your words as heavy as the resentment you felt for your father's murderer. "But there have been no words for your mother, so I would like to know about her." 
At first you didn't realise how demanding your tone was, but when you regained your composure and saw Sihtric's muscles tense and his breath catch at your request, you bit the inside of your cheek and cursed yourself for being so impulsive. You knew how Sihtric flinched whenever anyone spoke to him in a stern tone, but you were Uhtred and Ragnar's little sister: impulsiveness was in your nature. 
An awkward silence fell over you as you both stared at each other, different emotions mingled in the air creating a heavy atmosphere. Finally, after a few minutes that felt like an eternity, you broke the silence and looked away. 
“Sihtric,” you whispered with guilt in your voice, struggling to find the right words. “My apology, forgive what I said before.” You were about to move when his voice stopped you.
“Elflaed,” Sihtric spoke in a weak voice, and if you listened carefully you could hear the trembling in it. “She was called Elflaed, lady.”
Elflaed. That was the name Sihtric called out every night in his unconscious state, searching for a mother he could no longer hold in his arms. Sadness washed over you as your thoughts returned to your own mother and how you felt your heart torn from your chest the night she died. But you had first Uhtred and Brida, then Ragnar, to help you through your grief, while Sihtric had no one to support him. And the grip on your heart tightened. 
“Was Dunholm her home? Was she a Dane like you?” you asked with a soft voice, and Sihtric shook his head faintly.
“No. She was a Saxon, lady. She came from Hocchale, lady. She was taken in Dunholm as a slave.” the Dane replied, looking down at his trembling hand on his stomach. You could still see his mismatched eyes shining in the pale moonlight, watering as he fought back tears. You held a hand up in the air, wanting to place it on his shoulder and give him all your support, but remembering how your touch was not welcomed by his involuntary shudder, your hand returned to your side.
“Your mother,” you broke the silence for the third time, closing your eyes and squeezing the bridge of your nose as you tried to find the right words. “She… I know I am asking you a delicate question, but… What happened to her?”
And at that moment, Sihtric looked away from the sky to rest his gaze on you, his pupils still dilated and his eyes still watering as he looked around slightly, fearing that some punishment might come if he dared to speak the truth. But when he realised that no harm could come, he calmed down slightly and spoke again. 
"She tried to poison Kjartan, lady," the Dane confessed, mustering the courage to change his position and lie on his side, telling you the truth as he looked into your eyes. "With the black berries. The nightshades, lady," he swallowed a lump that formed in his throat before continuing, his voice breaking with emotion, "I do not know what happened that night, lady. All I remember is that she left me and..." 
A sob escaped his lips and the way his body was shaking made you realise he could collapse in front of you at any moment. Without thinking, you raised your hand and placed it gently on his cheeks: to your surprise, he didn't flinch, but looked at you intently, leaning into your touch.
“Sihtric,” you opened your mouth, but the Dane was quick to interrupt you.
“I loved her, lady. With my whole heart, I swear it,” he said with a pleading voice, clutching the pendant of Mjolnir in his trembling hand, in the same way he did the day he swore his oath to Uhtred.
“And I believe you, Sihtric, you do not need to swear to me,” you replied softly, closing the distance between you and resting your forehead on his. Both your hands rested on his cheeks, your thumbs moving in a circular motion to calm him. You felt a soft breath leave his lips and his breathing slowly stabilised. He found a temporary peace in your warmth and you would be his steady rock, shielding him from his past. 
“I promise you, under this sky painted of stars, that your mother will be avenged tomorrow. Kjartan will draw his last breath in battle and his death will be far from honourable,” you confirmed in a soft yet firm tone, clutching your own Mjolnir pendant in your hands. “Do you trust my words?” 
Sihtric was silent for a moment, your words and actions clearly taking him by surprise. But when he opened his mouth to reply, you saw his hand reach for yours, his frightened eyes soften, a pink hue colouring his cheeks. His words came out in a feeble whisper, but you were close enough to hear them. 
“I trust them, lady. With my life and soul.”
And then, in the middle of the night, the surreal silence was broken by two humming voices saying a prayer for survival in battle.
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Tension hung in the air as several warriors gathered to form a square in the courtyard, with Ragnar and Kjartan standing in the centre, facing each other in a duel to the death. Heavy blows of swords and axes against wooden shields came from the human ring, low growls and cheers escaping from their lips as the duel became more bloody and brutal. But Sihtric said nothing, holding his helmet tightly in his hands as he waded through the crowd. 
The battle at Dunholm fortress drained Sihtric both physically and mentally: returning to the place where pain and abuse had haunted him since childhood was a challenge he never wanted to face again. Yet he swore an oath of loyalty to Uhtred, and offered up his sword and his life under the watchful eyes of the gods. If Uhtred wished to attack the fortress, Sihtric would obey without question. 
But even his lord could not prepare him for what he was about to witness. A wave of emotion washed over him as he saw Kjartan, the man who had nothing in common with except the blood that ran through his veins, slowly perish under every blow that Ragnar struck, the scene so crude and sickening that even the bravest of warriors could not watch for long. 
Satisfaction first, then horror, disgust and bitterness as he winced at every blow Kjartan received, the ground of Dunholm painted crimson as blood coursed through his body. Sihtric felt numb, a myriad of thoughts running through his mind, remembering his life as a slave in his own house, how his body and mind endured his father's cruelty, how he tried to impress him and earn love and respect, only to be mocked and humiliated in return. He remembered every scar and bruise he had received, and how his body ached with every blow as he lay stunned on the floor after his punishment was over. 
As he exhaled a ragged breath, unrest was painted on his face, his skin turning pale as his mind returned to the night his mother died, her piercing screams echoing in his mind as they had on that stormy night when she was thrown to the dogs on his father's orders. It was a melody that haunted his dreams, begging his mother to forgive him for not being able to save her. A forgiveness that never reached him.
A gentle grip on his hand brought him back to reality, the muffled voices in his ears crystal clear as reality returned in all its crudeness. Sihtric slowly realised that it was over as his eyes rested on his lord, who was holding an enraged Ragnar close to him. A heavy silence filled the fortress as all the warriors realised what had really happened, neither faction daring to continue the fight. 
Sihtric recognized your touch, but he was too stunned to return the squeeze. And you just stood still at his side, watching helplessly as the ghosts of his past returned to haunt him, while he felt the echo of Elflaed’s voice reaching his ears.
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You felt your heart pounding in your chest as you made your way towards Dunholm's dungeon, the faint flame of your torch trembling with your hands. The damp air didn't help your anxiety, and you tried to manoeuvre through the darkness of the place with cautious steps, the metallic smell of blood irritating your nostrils.
You have won the battle, but at what cost? You asked silently over the flames of the small brazier in the great hall, but the soft crackling of the wood didn't give you the answer you were looking for. 
The attack on the fortress had been successful, and Young Ragnar had honoured Ragnar the Fearless’ memory by taking Kjartan's life. But it was a bittersweet victory for you, for the gods wouldn't give you back your father, who was feasting among them in the golden halls of Valhalla. To your surprise, you found out that Thyra was alive, but hatred burned in her heart as she blamed you all for abandoning her to her fate. Uhtred and Ragnar told you that she was safe in Father Beocca's hands, but you knew that nothing could easily mend a broken trust. 
But your mind couldn't stop thinking about Sihtric, and how he was too overwhelmed and confused to return your touch, and how he remained silent throughout the aftermath. He just stood there in the courtyard, looking at his father's lifeless body with an indecipherable expression on his face, before shaking his head and silently returning to his duties. You thought that taking him to Dunholm would have caused him no small amount of pain, and you had several arguments with Uhtred about sparing Sihtric further suffering. But your brother was adamant, and the young Dane was too loyal to disobey him. 
And in the midst of your thoughts, you felt a strong hand squeeze your shoulder, forcing you back into reality and into the deep blue eyes of the Daneslayer, who looked at you with concern. 
“Sihtric has been missing,” he told you with a low voice, and you jolted on the furred chair.
"I thought he was celebrating the victory with Finan and the others," was your blunt reply, feigning disinterest while a storm of emotion exploded inside you. 
“Finan told me he has not seen him for hours,” Uhtred retorted, and deep down in your heart you knew what you had to do. 
And so there you were, searching for Sihtric in the darkest part of the fortress after a long search on the surface. You thought you would find him in the stables, the place where he usually spent most of his time, meticulously tending to the horses: but to your surprise, he wasn't there, nor was he in the servants' quarters. 
A sense of foreboding grew within you, a sense of claustrophobia struck you as you felt the walls of the dungeon closing in around you, the dim light of your torch illuminating the poorly maintained surroundings, the damp, enclosed smell making you dizzy as you saw your shadow playing tricks on you. You were about to lose hope when you heard a ragged breath from a few cells ahead. 
You moved quietly in the direction of the sound until you saw Sihtric lying on the ground, a thick fur protecting him from the cold floor. Your heart ached as you watched him toss and turn on the ground, his lips trembling and his forehead drenched in sweat as nightmares once again took possession of his mind, his mother's name slipping from his mouth in a whisper. You looked at him with a hint of sadness in your eyes, and unlike the other nights, this time you would have woken him. 
You approached him gently, your touch on his shoulder as light as a feather as you shook him lightly. This sudden action caused him to wake up abruptly, jumping to his feet as he didn't recognise you in the darkness. You jumped back as well, about to fall to the ground in a heap from his sudden movements. 
“Sihtric,” you whispered smoothly, raising your hands as you wanted to reassure him no harm would come, “It is me, do not be afraid.”
You continued to speak in your soothing tone as you allowed the fire of the torch to illuminate your features. Sihtric's body stopped shaking as he recognised you, trying to compose himself as he bowed his head slightly in respect, ignoring the way his chest rose and fell frantically.  
“I wondered where you were. I thought you were feasting with the others, or you were resting in one of the fortress’ rooms,” you inquired, your eyes sad as you thought that sleeping in the cells was a habit he had developed during his time as a slave and imagined him resting in his cold, isolated cell.  
“Forgive me, lady,” Sihtric muttered back in a strained voice, looking down at his feet. The Dane warrior secretly thanked the gods for the poor lighting in this place, hiding the redness of his cheeks. “I… I did not know where else to rest.” 
After hearing his answer, you let out a small sigh, saddened by the realisation that he still did not feel safe at home, even after seeing his father's reign of cruelty end before his eyes. 
“Be free to move wherever you want,” you approached him and placed your hand on his shoulder once more, a flash of realisation came over you: you had promised to be his rock under the starry sky, and you would keep it. 
"Kjartan is dead, Sihtric. Your days of fear and suffering are over, you are a free man now," you said with softness in your voice, locking eyes with him as he raised his head, his mismatched eyes silently yearning for your protection. The Dane warrior nodded his head, his lips curling into a small smile. 
"Come, I will take you to a warm place, now," you said as you squeezed his hand and pulled him towards the exit of the dungeon. Sihtric followed you without saying a word, squeezing your hand back as he followed you, leaving a piece of his past behind as he left the cells.
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Convincing Sihtric to spend the night with you was a difficult task: the Dane warrior was afraid that Uhtred might turn up and scold him for being alone with his little sister, but you tried to explain that he would not be arriving for some time, too busy discussing the future running of Dunholm with Ragnar. You let out a defeated sigh as you watched him furrow his brow in suspicion, but soon you were glad that he had at least convinced himself to trust your words. 
You led him into your temporary room, one of the largest in Dunholm, beautifully decorated with carved wooden planks on the ceiling and a few rugs covering the wooden floor. Despite its size, the large fireplace in the centre of the room was able to heat the whole room, the crackling of the wood being the only sound allowed in. 
You handled him with the utmost care, looking down his broad arms for any suspected wounds or cuts that might require attention. Desperately chasing away any impure thoughts about his appearance, you were pleased to find that his flesh was untouched and unblemished, save for a few specks of dust scattered about. You almost cursed yourself for not preparing a warm bath for him, and with what little water you had, you tore off a piece of your clothing and used it to clean his skin. Your touch was as soft as silk on his muscles, and Sihtric did his best to hide the redness of his cheeks. 
“Better?” you asked as you looked at Sihtric, your sudden question bringing him out of his thoughts. The Dane hummed back, his eyes softening in your presence. 
“Thank you, lady,” he whispered, leaning desperately on your touch as you continued to clean him.
Afterwards, you both lay down on the large bed, which was much more comfortable than the one you used to sleep on back in Cumbraland. The warmth of the blankets and furs gave you both a sense of peace and comfort, almost making you forget that a fierce battle had been fought that morning. 
You both looked up at the ceiling, imagining it to be the same starry sky as the day before. A pleasant silence filled the room, and the single thought brought a small smile to both of your faces, too drunk with each other's closeness as your hands instinctively reached out to each other, your fingers intertwined as you both used your thumbs to make small circles on the backs of your hands. 
You both enjoyed this idyllic moment until Sihtric cleared his throat and shyly drew your attention to himself as his big, mismatched eyes stared intently at you. You could see his pupils dilate again, and it was then that you realised something was troubling him. 
“Lady,” the Dane spoke quietly, squeezing your hand, “There is one thing I would like to do before we leave Dunholm.” 
You raised your eyebrows in surprise and looked for a moment at how tightly he clasped your hand, as if he were secretly looking to you for comfort and understanding. 
“What is it?” you asked softly, your lips curving into a sympathetic smile as you waited for him to speak up. You were calm, taming your curiosity and impulsiveness. 
"There is a small place, a little far from Dunholm," he continued in a timid voice, looking down at your joined hands, as if he was regaining his courage by looking at them, "We can reach it by following the path of the small spring from the east wall, it is a safe route to take with our horses. It will be a short walk, and when we see a large hawthorn tree in the distance, we will have reached our destination.”
Sihtric paused for a moment and took a long breath before continuing.
"I buried my mother there. At least..." Another long sigh escaped his lips, this time more shaky than the first. "...where I would like to bury her." 
A heavy silence fell over the room, the calm and peaceful atmosphere vanishing in an instant. You stood still, too stunned by his words to speak. And when you found the courage to open your mouth, Sihtric quickly cut you off, clasping both of his hands between yours. 
"I wish to mourn her, my lady. To mourn her properly," Sihtric murmured, his eyes watering as he looked away from you and down at some random spot on the blankets. "I... I know we could slow the return journey, but I will speak to Lord Uhtred and I-I will take my punishment..." 
With an imperceptible movement, you slipped your hand from his grasp and cupped his cheeks, tilting his head and forcing him to look at you. A soft whisper escaped your lips, interrupting his stream of consciousness, his words replaced by a soft sigh, his head unintentionally tilted as his mismatched eyes rested on yours.
"My brother will not punish you for mourning your mother, Sihtric," you told him in a reassuring tone, tilting your head slightly so that your foreheads touched, "because we will go there at dawn tomorrow and you will be free to pray in silence and honour her memory.” 
There was something comforting in your words, a gentle reassurance that was like balm to Sihtric's heart, wrapping itself around your care and love. As your eyes met, you both felt a comforting warmth spread through your chests, an invisible thread drawing you together as you slowly drew closer, your lips brushing gently before locking in a timid kiss that became desperate as Sihtric poured all his love into you, pulling you closer and deepening the contact. 
After a few seconds he pulled away, both breathing heavily, but with their foreheads pressed together, a small smile crossed Sihtric's face. The Dane knew it was wrong to steal a kiss from his lord's sister, but you had become his shining star in a dark sky, and the flame of your love burned brightly in his heart.
And as the moon shone brightly in the sky, you both fell asleep in each other's arms, slipping into a peaceful sleep, feeling the gentle rhythm of each other's breathing and knowing that you would face whatever came next together.
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Morning came and Dunholm awoke to a peaceful atmosphere, the days when Kjartan the Cruel ruled the stronghold fading away like grains of sand in the wind. The aftermath of the battle still left its physical scars, the courtyard still painted red, arrows and broken shields still lodged in the ground, the great ram still lying undisturbed at the foot of the gates. Yet nature was reborn after the death of its tyrant, the grass, plants and flowers seemed to grow with the brightest colours, and the melodious chirping of birds echoed in the air.
A few rays of the dawning sun filtered through the window and gently caressed Sihtric's sharp features, and he groaned softly as he slowly awoke, feeling his body well rested as he slept without nightmares for the first time. Rubbing his tired eyes, he turned awkwardly to the other side of the bed, only to find it empty. A sense of worry washed over him when he didn't find you by his side, and suddenly he felt as if he had been transported back in time to when he was in Tekil's service, living under the pressure of impressing a father who was barely aware of his presence.
But his worries quickly vanished when he felt the door to the room open and you appeared behind it with a broad smile on your face. Sihtric was unaware that you had awakened before the sun could greet the earth with a new day, and unnoticed you quietly took your horse from the stables and followed the route he had described to you the night before. 
The ride to the hawthorn tree was very quiet, full of unspoken emotions. Years had passed since he had visited his mother's grave, and he had never thought that he would return to bid her a final farewell and leave Dunholm, burying a past he had hoped to forget, but which had made him the warrior he was. 
After a short walk they reached a large hawthorn tree, and to Sihtric's relief it was the same one he had seen as a child, not even the violent storms of the past few days had wiped it out. His eyes darted down to its roots, and his breath caught in his throat at what he saw: the blank stones that had made up the small mound of earth he had imagined burying his mother many years ago had been replaced by larger, white stones, decorated with symbols he recognised as drawn runes, carefully scattered around the perimeter of the grave. 
A sudden realisation came to him as he remembered the way you had greeted him at dawn, your dirty hands suggesting that you had been to the burial spot and tended to his mother's grave before accompanying him. A small bouquet of hawthorn was placed over the patch of earth, and Sihtric recognised it as the flower Elflaed used to pick when she returned to the forest, remembering her sweet smile as she caressed the white petals with her fingers. 
You both knelt in silence at the foot of the grave, clasping your pendants together as you both silently recited a prayer to the goddess Hel, asking her to watch over Elflaed's soul in the halls of Eljudnir in Helheim. 
As the last words were spoken in silence, the weight of the moment fell heavily on Sihtric, and without realising it, he saw small teardrops fall to the ground and looked up at the sky, thinking that a storm was about to break. But his eyes were too blurred to focus on the orange-blue sky, and he slowly realised that the soil was wet with his own tears. Unable to contain his emotions, the Dane buried his face in his hands and let out a liberating cry, his shoulders shaking with sobs. You reached over and wrapped your arms around his large shoulders, pressing your lips to his temple, leaving a small kiss as you held him tightly in your hands.
"Let it all out," you whispered softly, your voice comforting as you gave him gentle strokes on his back, "I am here with you as your mother, watching over you." 
You pressed your forehead against his shoulder as emotions overwhelmed you as well, and you silently let your tears flow as you cried for your own late mother, whose soul rested in Valhalla with your father and the other fallen warriors. 
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You returned to the fortress in silence, following the thin stream of water backwards as you chose your route, your horses dragged by the reins. Halfway you halted your march, your pause forcing Sihtric to rest as well.
"Is something wrong, lady?" he asked, furrowing his brow as he saw you approach in silence, one of your fingers trailing over the pendant of his Mjolnir. You both looked into each other's eyes, your cheeks turning red simultaneously as you both filled your nostrils with each other's scent.
“Promise me that, when we have a baby girl, we will name her Elflaed,” you confessed light-heartedly with a shy smile, and the Dane warrior looked down at his feet as his face turned completely red, the redness reaching all the way to the tips of his ears. 
“A-A baby girl?” he muttered, swallowing a mix of air and saliva while his mind was filled with endless thoughts. 
Sihtric fell in love with you the night he failed in his mission to kidnap Uhtred and was taken prisoner, the compassion in your eyes a thing that never left his mind. He secretly wanted to find the courage to confess his feelings for you and take you as his wife, but something prevented him: he was not afraid to face Uhtred, he knew that you were more stubborn than his lord and that your brother would have given you everything, however reluctantly. He was afraid of himself, afraid of failing to please or impress you. Uhtred was the rightful heir to a land he sought to reclaim, and though in exile, Finan was still an Irish prince by blood. Sihtric was only a bastard son, with no land to claim and no royal title to flaunt. 
"I... I am afraid I cannot satisfy you, lady," the Dane gently declined your offer, which was met with a puzzled look from you. He let out a sigh before speaking again, "I-I have nothing to offer you, lady. I have no land to rule, nor enough silver to give you. I am a nobody, lady, and as much as I love you and want to take you as my wife, I fear I could not make you happy."
"I do not need a rich and powerful lord to be happy," you replied, shaking your head as a light chuckle escaped your lips. You placed your hand gently on his cheek, tracing the scar on his cheekbone with your thumb. "There could be many lords in all of England who would be willing to claim my hand, but in my heart I know that the only man I will ever allow to be by my side is you," you continued, still holding his pendant in your other hand.
A pleasant tension filled the air as you both stared at each other, the wind the silent intruder in your union. Sihtric's large hands rested on your hips, your thumb still tracing his scar, a soft hum vibrating in the Dane's throat as he surrendered to your touch. 
"I love you, Sihtric Kjartansson," you said softly, your eyes full of love as you rested your gaze on his alluring bicoloured eyes, "to Valhalla and back.”
"And I love you, lady," Sihtric replied shyly, returning your gaze with the same intensity as yours, "to Valhalla and back."
And the distance between you disappeared.
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If you've come this far, thank you so much for reading my fic! Hope you enjoyed it!
Taglist: @whitedarkmoonflower @sihtricfedaraaahvicius @foxyanon @legitalicat @zaldritzosrose
@alexagirlie @sylasthegrim @lord-aldhelm
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halucynator · 1 year ago
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Hey babe! Absolutely adore your writing! Do you have any recs?
Thanks! And yes! I'm so glad you asked. There's a lot though so it's gonna be a bit long x
Theodore Nott
@cassiopeiasdaughter : an exceptional writer, their Theodore Nott fics based on midnight songs are the best! Wish them good luck on their uni exams and check out their awesome blog xx
Here are some of my personal favourites from their blog:
August: Theo asks you to be his fake-girlfriend but you understand the assignment a little too well.
Fearless: Based on the song fearless by Taylor Swift.
Maroon: A diary entry written during the War based on the song maroon by Taylor Swift.
Check out their other midnights collection entries!
@avalynlestrange: another great writer! one of the best angst writers on this platform in my opinion x they also write mattheo Riddle fics
These ones are my favourite:
@the0doreslover: in love with their Theo fics!
Foolish one: In which you know you’re being foolish in liking Draco but will you finally learn your lesson? Theodore certainly hopes you do.
In my head: In which Theodore Nott is the man of your dreams. Literally. Who is his?
My favourite one is Cooking class xx
Here are a few Theodore Nott fics from writers who's blogs aren't all about Theo xx
I think he knows: you had fancied the mysteriously quiet slytherin boy for as long as you could remember (since first year), and, quite frankly, your best friend was sick of you going on about it without ever making a move
Now, I did some digging and @dreamcubed writes about other hp characters as well based on songs by Taylor Swift! Their work is amazing so go check them out! Sorry for the late mention, I just checked and realised that they have like a blog that revolves around hp characters xx
Electric touch: a cute guy stumbles into the coffee shop you work at and it alters your brain chemistry.
I thought you knew:“i thought you knew?” “you thought i knew we were dating?” “yes!” “how would i know that, nott, you never told me.”
Want you: Based on the following prompts: Why do you always look at me like that?” “Like what?” “Like you… Want me.”  and "he doesn't even deserve to be breathing the same air as you"
Butterfly Love: Despite witnessing the death of his mother and being forced to grow under the watch of his Death Eater father, Theodore Nott is living proof that love and care bloom even in the most barren conditions. Maybe, they flourish even more.
Mattheo Riddle
@suugarbabe: their fics are absolutely magnificent. I recommend their saving grace series x the rest parts can be found on their blog x
These are some of my personal favourites:
Always: You & Theo have been best friends since year 1. Everyone things you and Theo are going to end up together but both of you like different people.
Drawings: based on prompts 'i never knew that about you...it's cute' and 'i can't believe I've never seen this side of you before'
Oblivious: contains smut Based on prompts "Are you really so oblivious?" And "Can I kill him now?"
@happilykrispypirate: another fabulous writer! Their mattheo angst fics are like the best x the mistake and don't touch her are my favourite xx
Some of my favourite mattheo fics are listed below x:
Black Quill: You never liked Umbridge, but who did? The woman was miserable and cruel. Her power in the school grew day after day.
Mattheo finds you crying alone: Imagine crying alone in the Astronomy Tower, hoping to escape everyone but Mattheo finds you
Torment : Reader is constantly bullied. Mattheo saves her from the bullies.
Everything and nothing: 1 2: where mattheo brings along a girl none of your group is fond of. Especially you. And the timing of it all is horrible.
Draco Malfoy
@talesofadragon: they have amazing fics and their fluff stories are the best! Check them out for Steve Rogers and Bucky Barnes fics as well if you're interested xx
These are my favourite Draco fics by them. Their Draco masterlist is here.
Even if it's dark: Summary: Despite being raised in a traditional pureblood household with an overly abusive father, Y/N Y/L/N teaches Draco that light can exist even in the darkest of places.
Mittens: When Draco is in a foul mood and unwilling to disclose his problems, Y/N resorts to her animagus form to get him to talk. 
@fallingforfictionalcharacterss: whenever I feel like I'm going to go back to my Draco phase I read their fics! Another really good angst writer x Their fics are so cool and I love them xx some of their fics I love:
Falling: Where you are falling for the one boy who is known to break every girl´s heart.
False friends and true love: Where you get into a fight with your best friend and she reveals your feelings for a certain boy in front of everybody.
Ruin your life: Why would you kiss out of all the people the boy you hate the most in this world?
@dreamingonfilm: another great writer! Their fluff fics are my favorite! These are some I love by them:
Pretending: in which you watch Draco as he falls out of love with you
Cramps: In which Draco takes care of you whilst you’re on your period.
Bruises: 1 2: After years of being bullied by Draco, you finally stand up for yourself. However, you left him with more than a bloodied cheek and a bruised jaw.
Some other fics that I love:
Amortentia: the rest parts can be found on that post. Summary: Pansy forces a secret out of you, and you’re strongly debating which curse/jinx to use on her.
Unforgivable: Where y/n gets poisoned because of draco's behaviour
Taylor Swift
This is random but if you want someone to talk to Taylor Swift about, check out @annaisabookworm. They're super sweet and supportive and their blog is about Taylor Swift xx I love their posts x
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blossomthepinkbunny · 9 months ago
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Charlie as an underdeveloped character
One thing I was genuinely dissapointed by when watching Hazbin Hotel was that they never cared to dive into Charlie's Morality more.
I feel like a lot of people can agree that Charlie felt very flat/sidelined in a show she was supposed to be the main character of and I think that that's because they ran out of Character Moments for her. Her Backstory is pretty much just infodumped at the start so there's nothing you can really explore there (except for her relationship with her parents ig but they only really brought that up and resolved it in one episode). Alastor has the mystery behind him of what his goals really are, Angel Dust has his arc about standing up to his abuser, Vaggie has her dramatic backstory reveal thing and Sir pentious gets focus as the one real guest at the hotel and with his goal to be redeemed.
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Charlie really has no conflict at all, which is weird since the whole plot is that her idea is relentlessly mocked and never succeeds until the end. But she doesn't have a personal conflict. All the issues she faces come from the ignorance of the people around her who don't support her, but never from who she is. She never has to change. They try to hint at this with her being possibly invasive and not respecting boundaries in the Angel Dust and Valentino episode. But the episode doesn't focus on her and Angel as they talk it out and she realizes how she might have to change as well (from how I remember it). It focuses on Husk and Angel's relationship instead.
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I feel like the easiest route they could've taken for her character was that of a moral dilemma. Charlie believes in second chances and being able to change demons and her opposite is Adam, who doesn't think demons should be redeemed and should just be killed instead. But it's never specified if Charlie truly believes everyone deserves a second chance or if there are restrictions to that. Adam sings a song in the first episode and explaines his reasoning for why he believes demons shouldn't be saved, which is that they had their chance to be good and didn't choose it and now they can't expect another one (I guess the real reason is that he's just an asshole who doesn't care but that's because Vivzepop can't write Villains so I'll just pretend like that's his real reason).
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The problem is that Adam is presented as fully in the wrong and I just don't agree with that. I'm not saying he's right with killing random demons of course but the show never takes the time to consider that sometimes people go to hell because they are actually terrible and have done inexcusable things. Like yeah, someone who had an addicition or a mental health problem while they were alive obviously doesn't deserve eternal suffering without any chance for redeemability, but we know that those aren't the only people that go to hell (in the pilot it's literally confirmed that real life criminals like Jeffrey Dahmer are also down there).
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The show blatanly shows us characters like Valentino who are shown to do irredeemable things and be purely evil.
My question is just if Charlie would also look at someone like Valentino and say: "Yeah they deserve to be saved and get a second chance". She obviously thinks Valentino sucks, which we see in the Episode were she meets him.
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So like, what would she have done if in the second episode someone like him stood at their door and wanted to be redeemed instead of Sir Pentious. Does she draw a line? Or would she have really heard him out? Her morality with this "everybody deserves a second chance" attitude is so underexplored even though it would have been the perfect place to develop her more. If they had confronted her with an actually tough situation, where she is presented with a truly terrible person, they could've had two interesting ways to take her character.
She could've accepted the person and with that she'd have taken her role a fully 'good' saviour for the demons. Someone who is truly without judgement, or atleast believes that there is good in everyone that just has to be brought out. Which would've also given room to think about if people like that are even inherently good, if they can 'excuse' the actions of terrible people and still want to help them. This would have made her a very extreme character in her believes, but something coherent and definitive is actually something Charlie desperately needs for her characterization.
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The other way would've had her reject the person and with that she would have to face the idea that maybe Adam isn't fully wrong. In that situation she would have found herself in a similar position to the Angels in heaven, where she basically is the one deciding over what's acceptable and what isn't. This could lead to her having a moral dilemma. Is she even a good person if she's deciding what's moral and what isn't? Can she just be okay with making exceptions to her idea to protect her people? Does she even want to view EVERY demon as her family? Or does she think there are some demons that maybe deserve death?
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I'm just really dissapointed that the show takes such an interesting idea and such a difficult topic and then just does nothing with it. What we view as bad and good and which people we judge harder than others will always depend on social norms and the situation. It's a topic with no real right and wrong answer because there are so many things to consider. But this moral grey conflict that is literally one of the MAIN CONFLICTS in Hazbin Hotel is so incredibly underwritten, that it's not even funny.
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Instead of acknowledging the difficulty of the subject Hazbin does what it does best and takes the easy route with seemingly clear right and wrong sides. This is especially stupid, since morally grey characters are supposed to be the point of the show. Like there are these demons who have done bad things and who aren't perfect, but that doesn't make them bad people. Its about revealing that a person has layers (which the writing doesn't). This is also a big point in Helluva Boss, where characters like Blitzø or Stolas who mess up repeatedly, are supposed to be shown as still having interests, aspirations, and good things to them.
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The easy route which is taken constantly in both shows however makes it so that Charlie is completely in the right and anyone who criticises her is one of the evil people who try to ruin her plan, just like Adam. Who's also such a straw man for anyone who even dares to bring any objection to Charlies ideas, because everyone who does is apparently a hypocrite who just doesn't understand her and would rather side with genocide (I wonder were Vivzepop takes her inspiration from).
Charlies writing was just really dissapointing with almost never any reflection being done on her part. She doesn't have really striking moments, discussions or ideas to her in a show she's supposed to lead. That's just an issue that comes with Vivzepop never really putting as much work into her female characters, even tough they would desperately need it.
I know that only the first season is out so far, but I highly doubt thay they'll bring up a discussion like this in s2. Especially since Adam is dead now and the Angels will probably try to work more with the demons, after Sir Pentious' redemtion and the reveal of the exterminations to them. Also the Vees, Lillith and Alastor will be more of focus from what we can assume by the ending scenes.
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I just don’t like that Viv can take interesting conflicts and write them to be completely one-dimensional and boring.
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transmascaraa · 9 months ago
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heyy !! So I swear I saw you do singer-reader one time so this request is based off that :P
Singer-reader writes a song about/dedicated to Genshin characters (Whoever! You pick :] can be a love song or platonic, whichever you prefer ! )
annnyways, Feel free to skip this request if you want :) your writing is LOVELY💕🗣
ps. Love all the Palestine posts you’re doing💕🇵🇸
multiple characters headcannons!
you wrote them a love song!
characters: lyney, gaming, wanderer x gn!reader
author's note: thank youuuu it's what i've been focusing on the last few days it breaks my heart. but i'm glad i draw attention to people<3 now onto the req, I WROTE 10/11 LOVE SONGS FOR LYNEY BACK IN OCTOBER. I WAS SO BORED BUT I LOVE THEM ALL. if you guys want i can find them at home and maybe write the lyrics here! this req is beautiful frfr and i used chars that you guys like the most so yeah :3
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✯ Lyney
-he's a total simp for you and everyone knows.
-lynette literally kicked him out of the house a few times and sent him to your house because he was so annoying like bro would rant about you 24/7 most intesely from midnight to 3/4am until he fell asleep halfway.
-lynette and freminet were tired of it.
-now, if you were to write a love song dedicated to him, and gave him the lyrics first, not singing yet, he would be shocked.
-it was hard to get alone time in the first place because he's clingy af
-eyes wide opened, mouth open, blushing as fuck, you name it.
-after he calmed himself down and told you how good it is (not to mention, he almost started crying on the spot) he would literally get on his knees if he had to just to hear you sing it to him.
-when he convinces you to do so, he might actually shed a tear after you finish. he just can't believe that he's THAT special to you and that you love him that much.
-you would hear him/find him singing that song randomly throughout the day because now it's the best song he's ever known and the only one that gets stuck in his head.
-y'know when you loop a song and it gets boring overtime? well it will never get boring to him.
-his literal breaking point would be if you said that you made more or that you will make more.
-for some reason i write lyney so dramatic and it's canon because i'm rosseland trust me bro
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✷ Gaming
-he's not as dramatic as lyney, but he'll definitely be shocked the same amount.
-he knows you love him, you know he loves you, what else was there to say?
-well you wanted to show him your love for him in a different way this time, one that would leave him flustered for sure.
-you wrote the song, sure, but weren't that sure if he would like it.
-it doesn't matter what you thought, it's what will happen.
-you hand him the paper with the lyrics on it and he has a reaction similar to lyney's, but he doesn't look like he was about to break down and cling onto you like a puppy
-he smiled widely after he read it, and you smiled back.
-telling you he likes it and praising you for anything and everything.
-cuddles are a MUST after that.
-he would be blushing for the next few days but it's okay because he's adorable.
-if you decide to sing it to him he will be blushing 10× more.
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✧ Wanderer
-tough. a tough choice you'd decide to make knowing him.
-he would be brutally honest and if there was a single mistake that you made you were sure that you'd get lectured for it and it would take a few hours.
-so you risked it.
-you wrote the song, checked for any mistakes in grammar, the way you write your letters, or even the rhyming in the song, and did that like 6 million times.
-you gave him the lyrics to the song and looked for ANY reaction from him, any SIGN that he liked it or disliked it. the only thing you were seeing were his pupils dilating.
-halfway through him reading the song, you spot a mistake in your grammar and tried to interrupt him.
-"oh, kuni, wait, i messed up-" but he swished his hand in front of your face, as a gesture of you NOT to interrupt him.
-the only reaction that you saw by the end of it were his red cheeks.
-he may have turned his head away from you to hide it but you saw it and immediately felt relieved, even if all he said was "it's alright..."
-he's never felt so appreciated and loved in his life so this was something really big for him.
-do it again and he won't be able to hide it much this time.
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iloveitiloveitiloveit
love the idea sm it reminds me of myself i'm literally dying how specific it is😭
hope you liked it tho!
@whywontmybrainload @mariaace <3
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aalien-s · 1 year ago
Text
I cant stop thinking about trolls, specifically Floyd. Finally decided to just go wild and draw fanart. Im going insane over this little guy
HE IS THE SIZE OF MY FINGER
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Pretty short theory/rant under cut
I also really love the idea that he’s been hanging out with the rock trolls since the brothers separated. It could even kinda make sense. His looks kinda remind me of something you could see a rock troll looking like, just mess up his hair a bit. Ofc he has wayy too bright colors to be a rock troll, but he was born as a pop troll. (I can just imagine how much he would stand out oml.) Not to mention, Prince D said in the second movie that trolls can enjoy more than just one type of music. He was also apparently kidnapped 2 months prior to the movie, and the second movie was just a week before the third, meaning Floyd had been missing for 1 month and 3 weeks by the time of the second movie. Someone would probably try to look for him, but after a while of no signs they could’ve just assumed him dead and given up. By the time of the movie the rock trolls wouldn’t even think to ask anyone of the other tribes about him, because he’d been missing for a while and because the whole rock-apocalypse was going on. Only reason i can see it not working is if the rock trolls were against any type of music the entire time and either would’ve just kicked him out or forced him to only play rock (which i don’t believe Floyd would be able to do). Really going into theory mode here: Floyd showing up could be what made Queen Barb find out about the other tribes and first get the idea of the world tour, but only starting to plan it after Floyd disappears and they fail to find him.
I would also love if this was true and every time Floyd plays rock music he gets aggressive and scares the sht out of his brothers lol.
I literally came up with the oc as i drew this, i just wanted some random guy for the pose and suddenly i had a character. He’s just someone that basically clung himself to Floyd immediately when he got to the village. Bro’s kind of a bully but he’s also a loser. (Just wanna say I’m not the type of person that ships ocs with canon, and i’m not doing it here) They end up having a sort of rivalry, as Floyd gets better at Rock and manages to mix it with his pop, he gets a bit popular. Meanwhile Brick has never really tried to gain an audience, but when Floyd gets followers and Brick was already challenging him, he ultimately gets some attention too. They sort of team up and become a duo, but they ensure that they’re still rivals. Inevitable though, they become friends, hang out a lot, sing and dance, like normal trolls. Brick teaches Floyd some specific things about rock and Floyd tells him about his tribe and brothers. Brick would be the devastated when Floyd got kidnapped and would be the last to stop searching. (Never stopped hoping he was alive though). Of course though, he is a rock troll and theres no way he would show how much he cares about Floyd.
Im currently working on colored designs of Brick and Rock!Floyd
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