#would love to hear more takes on this btw

[gunclemarkrb]

***********

He's on the swimming team. Hey, please tell me ur not doing laps in the lake to practice.

Hey, DOC, how's it hanging ? IT hangs really well, don't u agree ?

Why are u suffocating ur cock like that, it's not healthy to keep it knotted like that. And u have such a beautiful cock to show off.

DOC, don't u remember, I'm a grower, not a shower. C'mon, u can show ur DOC. Let me kneel down for a better look, may I ?

Go ahead, DOC unzip, and take it out. I know u want to, and tbh, I want you too as well.

Aren't u concerned someone might see me suck ur cock ?

Honestly, DOC, idc what anyone sees. If they wanna watch, let 'em. I'M the lucky one, having my cock sucked by the best cocksucker in a million miles. It's more my honor.

C'mon, DOC, and I'll cumm a lot, as u love swallowing my cumm. We'll, not just mine. But you always said u liked the taste of my cumm more than most boys.

B4 I begin, what are your thoughts about 3-ways ?

It's been a couple of months since I did a 3-way, but i just blew my load in my roommates' tight hole last nite.

You were right, DOC, we will need our roommates more than we realize right now. A lot of the freshman really enjoy sucking my cock too, 2 at a time.

Will you allow me to , not now, but this coming weekend, will you spend the nite with STEVE and I ?

"With BIG DADDY STEVE ? As much as his rockin' 🔥🔥🔥and hairy body turns me on, he will definitely split me in 2 !! .. I can't believe how enormous he is flaccid !!

C'mon Eddie. Besides, he only grows 2 inches in length it's that his cock gets almost 3 times thicker.

What if he just sucked ur cock off. He's always wanted to do that to you.

"DOC, U know i can never have a better cock sucker than you. HELL, all us boys feel the same. You're the best of the best."

Well, Eddie, you always cumm multiple times. Pleeeeze Eddie. PLEEEEZE !!

"OK, fine, don't beg, u know it turns me on, DOC. After always hearing you say that to me, it started turning me on, too."

I need most of the boys to beg me, especially when I'm not in the mood. Begging works on me every time !

"Yes, Saturday 5pm, I will be there to spend the nite and do whatever u want me to."

Well, how 'bout this. Let STEVE, .... btw, He's my "BIG DADDY STEVE."

Let STEVE SUCK UR COCK, and he would be happy if we all took at shower together while u lathered him up,

fondling his balls, lathering up his cock, till hard, fingering his hole and pinch his nipples.

Get him to cumm, while I suck ur cock or buttfuck u, mentioning how much I love when the 3 of us lather each other up.

And with u begging me to fuck you, so I do and I'll unload inside ur tight punk butthole.

STEVE will get super horny watching ur DOC FUCK U, he will stroke his monster, and cumm, alot.

You need to suck his load down, even better. Will you allow me to be fed with you ? He will cumm more.

And since we both swallow, why not swallow together. Then we can snowballs STEVE'S load between u and me.

I KNOW U LOVE STEVE. Don't worry, I will let him know NOT TO FUCK U.

Will thst be better ?

"Well, if i decide if I want STEVE to fuck me, can I tell you when we're fooling around.

Always, my son. U know how much I love you and all my boys. I would never want u hurt. Steve would be so upset if he hurt any of u boys.

That's the way he is. He's a big fluffy teddy bear. But he's very sensative, too.

"Geeze DOC, u sure know how to horn me all up, don't ya !"

EDDIE, U can't con a con. I know how much u enjoy my cock inside you. And ur cock in DOC.

Besides, I want to be your BIG SPOON, and u to be STEVE'S BIG SPOON.

Then I need my Eddie to be DOC'S BIG spoon, as I, DOC am STEVE'S big spoon.

DAMN HE’S HOT!

Follow for multiple daily pics of nothing but hot men:

Tumblr / Mastodon / X (Twitter) / Amazon Wishlist: https://damnheshot.com ​

[fuck-you-upmusicbracket]

For Good (Wicked)

It well may be/That we will never meet again/In this lifetime/So let me say before we part/So much of me Is made of what I learned from you/You'll be with me/Like a handprint on my heart

"I'm graduating high school in a few weeks and this is really sums up how it feels to be leaving the theatre department. these people have changed me for good"

Sunlight (Hozier)

All the tales the same/Told before and told again/A soul that's born in cold and rain/Knows sunlight, sunlight, sunlight/And at last can grant a name/To a buried and a burning flame/As love and its decisive pain/Oh, my sunlight, sunlight, sunlight

But whose heart would not take flight/Betray the moon as acolyte/On first and fierce affirming sight of/Sunlight, sunlight, sunlight/I had been lost to you, sunlight/And flew like a moth to you, sunlight, oh, sunlight/Oh, your love is sunlight

"I come down with the shivers and start hyperventilating when i hear this song and it makes me want to go outside which is the scariest part"

"I'm not gonna go full infodump here but this song is Peak Vash and Nicholas D. Wolfwood from Trigun-- specifically Nick's feelings towards Vash. Vash's (literal) evil twin brother Knives hired (read: threatened to eradicate the orphanage he kidnapped Nick from as a child if he didn't do what he was told) Nick to act as bodyguard for Vash and guide him to where Knives wants him to go so he can manipulate him for his own gain. Like, he chose the name Knives. This bitch is crazy beyond crazy but this ain't about him. Nick starts out 100% willing to guide Vash like a lamb to slaughter because he HAS to for the orphanage, and this is just some random guy he doesn't know or care about. But then he gets to know Vash, how good of a person he is despite the shit the world (and Knives) has put him through. How he'd rather risk his own life and health than kill another person because he believes he doesn't get to make that choice for people. And despite being someone who'd rather shoot first, pray for them after, Nick starts trying to wound rather than kill just because Vash doesn't like it. It puts them both at risk and he fusses and argues about it and still kills sometimes but he tries anyways. Eventually he decides that he'll do what he can to protect Vash from Knives without provoking him to destroy the orphanage. He ends up caring about him deeply against his own will to the point that his idea of Eden would be to live with Vash and their friends in a peaceful world where none of them have to fight and die. In the manga, Nick's dying request is to see Vash smile again- the genuine smile that he's complimented every time he's seen it. Vash can't give him that, because he knows Nick would see that it was a forced smile. Instead, he just sits with him until he dies. Afterwards, Vash kills willingly for the first time in his entire life (over 150 years. He's not human btw) in order to protect Nick's childhood friend Livio. He wouldn't just do that for just any friend or ally, no, that was out of love. Love so strong he could go against his own mother's teachings that all life matters and people don't get to choose when a life ends, the thing that has kept Vash pacifist all these years, to keep someone that mattered to Nick alive. So while Nick never knew that Vash cared for him the same way he did him, the fact matters that he does."

[themainannoyance]

Barbie was a fun movie, but it is essentially an advertisement going over superficial third wave feminist talking points from 2014 and essentially argues that "it's not the system that needs to change, but the people who work at the top of the system." I'm going to fully write down my thoughts about it later, but I'm a bit disheartened at the number of people who are taking this as a Great Feminist Piece when it's really just a shallow expression of "wow sexism is bad" paid for and funded by a massive corporation (that would LOVE it if you bought their merch btw). ESPECIALLY disheartened by people who view critiques of the movie as made solely by anti-fun men who hate feminism. Babes, maybe stop sucking off a corporation that wants to package feminism in a cute pink box for you to uncritically consume, and instead consider that if this movie is supposed to be political commentary, then you should treat it and critique it like political commentary.

[necrotic-nephilim]

in lieu of having posted any writing/headcanons/asks in the past few days because i have been *so* busy and unable to do anything fandom-related which is terrible and evil, i have a poll out of morbid curiosity and self-indulgence. i've been meaning to ramble here about how i feel about DC's lack fo Deaf representation and which Batfam members i would personally make Deaf, but i am mildly curious about the larger opinion and now i will subject you all to the question, i would love to hear thoughts/opinions/headcanons on any specific choices. (would love d/Deaf/HoH opinions esp but i'm mostly expecting this to reach the hearing crowd, so opinions from hearing ppl are ones i'm very curious about. if you've never given it thought before you are going to now or else /lh)

[seventh-district]

Sam: "Look at me. Hey- look at me a second. I know. I know you're tough. I know how strong you are. You have every right to be proud of that. But being able to handle somethin' doesn't mean you should have to. Least of all when I'm right here trying to help. Please let me help. If not for you then for me, because I don't like knowin' you're hurtin', especially when there's somethin' I can do about it."

Me, shaking my head, fighting back literal tears: "B-but it's gonna give you another headache!"

[james-spooky]

this is a test

[twentyfivemiceinatrenchcoat]

might write some love language blurbs for my jjk blorbos if i dont have time for a fic this week hmhmhmmmmmm

[dangerous-advantage]

concerning the new changes (07.10.23)

all right fuck it i wasn't gonna do this but then i ended up filling the tags on the post i reblogged.

so here's my thoughts on staff's 'Tumblr's Core Product Strategy" post and the things that i think could actually be good!... if staff respects tumblr's culture in implementing them.

to note, i am referring to this post. for better context, please go read the whole thing and try not to skip details, since i think it's important to understand the post through your own perspective if you want to participate in the conversation.

this post worried me at first, both because changes in the tumblr ecosystem with as much weight as this post carries have, historically, been pretty bad for the userbase.

starting off with a focus on creating a larger user base and inviting more, new creators rather than with a strong plan to focus on improving the current state of tumblr sets off alarm bells.

reading through the rest of it leaves me with... mixed thoughts. while it honestly does seem like they've heard a lot of the things we've been screaming at them about and might actually take steps to make things improve, i'm still wary.

this isn't a post explaining specific changes tumblr plans to implement. in fact, there are relatively few examples of actual strategies being communicated. it's just an overview with a lot of implications for the future.

i mean, not even the new tumblr labs group has any idea what the exact changes are going to be. just look at this:

[ID: A screenshot containing text from a post made by the aforementioned account. It reads, "But we're not sure exactly what that change looks like, so we've assembled a new team, called Tumblr Labs, to figure it out as quickly..." It cuts off here. /End ID]

and i think that's the problem.

so, the post. staff explains that the issue, as they see it, is that the platform is fundamentally flawed-- i.e., because tumblr is difficult to use if you don't have an understanding of the site before, it tends to scare off new users rather than encourage engagement.

this isn't untrue. however, it should be noted, the tumblr userbase has cultivated a culture of teaching newcomers how the website and the website's culture functions. (see: the many posts made as 'guides' in the wake of the twitter and reddit fiascos, as well as @/strange-aeon's video on the topic.)

(not to say that this system isn't imperfect and could be improved by directing new users to the these posts, buuuuuuut i'll get into that later.)

now: i (and i think most of the userbase) agree with staff on the main point-- tumblr, as a platform, is broken. we have long complained about the bugs and the messy reblog chains and the notifications overwhelming you if a post gains traction.

(though, we've also just integrated that into tumblr culture, but that's a tangent for a different time.)

here's the thing: staff does mention these things as problems they want to fix.

here's a short list of some things the post mentions that i honestly agree are a problem, and that a lot of people have wanted to see change!

[ID: Screenshots of items taken from the bulleted lists on staff's post. These read as follows: "Improving Tumblr's search engine optimization (SEO) practices to be in line with industry standards." "Making it easier for users to follow the various conversation paths within a reblog thread." "Build mechanisms to protect creators from being spammed by notifications when they go viral." "Improve performance and stability: deliver crash-free, responsive, and fast-loading apps on Android, iOS, and web.""Improve quality: deliver the highest quality Tumblr experience to our users." /End ID]

again, these are things that i agree are issues and would be cool to see improved upon. but staff doesn't tell us how they plan to do this.

in staff's response to the userbases' assumption that they're going to remove the reverse-chronological dashboard, they state they're 'surprised' users came away with this assumption.

i, for one, am not.

the relationship between tumblr staff and the tumblr collective has been strained for a long time. mounting frustrations about users' actual issues with the website being ignored while new features are implemented that are almost unanimously disliked doesn't help.

and don't forget, the last time a change as drastic as this post is making it seem came into action, the porn ban was implemented. a change that had an overall negative effect on the community and tumblr's culture at large. it tore away crucial aspects of tumblr's identity that we'll probably never get back.

so while this post does address issues users have wanted to see fixed, of course we're still going to be wary.

the bottom line is, users don't trust staff to implement changes that will be beneficial to improving the platform for the tumblr userbase. (the recent reddit and twitter debacles don't help things much, either.)

i think staff needs to realize, as the final poster put it, tumblr already has innate value. value created by the community.

if staff focuses on improving tumblr to be easier to use-- in accordance with elevating tumblr's culture-- it will attract more people, simply by being less broken all the time.

this brings me to the other (main) issue i have: putting new users first over the current userbase.

this may not have been what staff meant to imply, but the emphasis seems to be on improving the userbase for incoming users, rather than those of us who are already here.

to be clear, i don't think that making tumblr easier to navigate for new users is bad. i mean, there's a reason we were writing guides. joining tumblr if you aren't already exposed to it can be daunting.

allowing new users to rely on an actual, working algorithm (although i think a user-driven algorithim is possibly one of the best parts of tumblr) isn't inherently bad. using that algorithim to elevate new creators isn't bad, either.

it's the way they choose to do this that makes us wary. like i mentioned before, we already have somewhat of a system for on-boarding new users to the site: word of mouth from more experienced users. this helps with both learning how to navigate tumblr and introducing new users to tumblr culture.

with all this in mind: where do we go from here?

in my mind, the solution for these problems comes down to communication. if staff wants more trust from the tumblr userbase, they need to show they are willing to listen to feedback from the tumblr collective.

when implementing changes, a great way to avoid the immediate backlash and distrust of tumblr users is by clearly outlining the changes they plan to make and the strategies by which they will be carried out.

another user made the analogy that websites should be like cities, where the users have a say in (as staff puts it) the 'evolution of tumblr.'

(mmmmmaybe we could use that spiffy new poll feature, too? everybody loves polls!)

for on-boarding new users, staff could take inspiration from the userbase in implementing a system by which new users are given the information needed to navigate tumblr. tidy up the site, remove bugs, and make it easier to use, and a lot of problems will sort themselves out.

then, we can go from there.

regarding the rest of the stuff i brushed over, i don't feel i can really say much without knowing what they actually plan to do, or where they plan to go with these things.

for example, here's another list of images of things from the post that i am cautiously intrigued by, but am worried will be improved for the worse:

[ID: Another series of images, showing more of the items listed in staff's post. They read as follows: "Move faster: provide APIs and services to unblock core product initiatives and launch new features coming out of Labs." "Get creators' new content in front of people who are interested in it." "Improve the feedback loop for creators, incentivizing them to continue posting." "Allow engagements on individual replies and reblogs." "Improve our algorithmic ranking capabilities across all feeds." /End ID.]

the bottom line is this: if staff wants the support of the userbase in upcoming changes, they need to show that they respect and value us and the culture at large. in my opinion, staff has made strides in embracing tumblr culture, but we need to know these changes are not just motivated by profit.

if staff intends to keep it's current users, they need to to recognize that we deserve a say in this, too.

without the userbase, tumblr wouldn't exist. end of story. we are what keep tumblr alive. as stated before, expanding the userbase is not a bad thing. but doing so to the detriment of tumblr's culture is.

in this regard, i do truly hope that staff means what they said in the conclusion of their original post:

[ID: An image of the conclusion of staff's post. It reads: "Our mission has always been to empower the world's creators. We are wholly committed to ensuring Tumblr evolves in a way that supports our current users while improving areas that attract new creators, artists, and users. You deserve a digital home that works for you. You deserve the best tools and features to connect with your communities on a platform that priotitizes the easy discoverability of high-quality content. This is an invigorating time for Tumblr, and we--" The words then cut off. /End ID]

so, @staff. if you really do believe this: prove it.

[yuriyuruandyuraart]

Opinions on Dream? :^

SO many feelings about him omgg rant under cut please forgive me

okay so i don't really talk or draw him much cause honestly,,,most of the times i just think he's a bit....boring? or more accurately plain? not in a mean way either but just in a 'fades into the background' type of way like don't get me wrong!! he's a really nice friend to his peers, his feelings about his powers and aura making his relationships harder to navigate and trust along with his whole conflict with nightmare and morality about what's good and bad IS very cool!! and i love it whenever they write him to be complex and not on this black and white mentality or when he's just straight up following along his friends with no free will or with a dubious purpose without ever addressing his issues or feelings! it's just unsatisfying to me :')

or when they're making him the 'naive' and oblivious, (sometimes childish?) character being marked as the obstacle and villain along with the other star sanses from the fic's pov, always talking about doing good things while fighting his brother and not hearing him out about the balance, (and for weak reasons most of the time. like it's been so long and you STILL haven't sat down with him when he's, generally, basically begged you to just have a talk? guys please :'( ) or when they go for the victim sad dream always missing the old nightmare, where corrupted nightmare is the incarnation of evil, with no sympathy or emotion except anger and sadistic glee, killing and hurting everyone and dream's just trying to protect the multiverse and dream's always been in the right. such extremes!!!

LIKE!! i hope i'm not the only one that thinks a 500+ year old should have had enough time to idk. learn things? about people and manipulation and deceit? after knowing what the villagers did to night? about the bad things in the world and how there's a lot of grey areas in life and that he maybe reflected on his past enough to process and ask himself if there should to be a convo to settle his differences with nightmare (and you can make nightmare the stubborn one too! or have them BOTH be petty and imperfect and have some things wrong and some right at the same time like why do i always see the good guy vs bad guy cliché with these two when they're the perfect example of why positivity doesn't have meaning without the negativity!! as long as there's a satisfying evolution or growth that doesn't leave me empty i'm good yknow?)

plus i believe dream really isn't as dumb as people view him. i do get some of you saying he probably can't read or write since that's actually a pretty interesting idea to explore! but in general please let him have emotions other than pure sunshiny happiness or endless sadness like he's gotta have more depth than that! let him make mistakes, have flaws that don't just make him the bad guy that's always in the wrong by default, and be angry or suspicious or jealous or bitter or battling his mental health problems/depression or malicious or smart or witty or mischievous and silly or sarcastic or ANYTHING dude i just want him to be put into different scenarios where he can be serious or lighthearted like it doesn't even have to be long or perfect but make him feel real.

it could definitely be that i don't read or see much art about dream or really look for it hard enough but also i just. i feel bad for even saying this fr and i wanna be honest about why i don't enjoy most stories about him cause he always gets the worst treatment along with ink!!! especially ink omg the poor guy has it the worst i think like wow do they mess him up :'(

always one dimensional in non shippy fics, or too plain or easily replaceable by other, more entertaining people in the significant other's life in most of his ships like man. i have read fics out there that made me genuinely FEEL and root for him and love his character so much it restored all hope for me!!! but i can only name one on top of my head and the others? it's been so long i don't even remember their names i just legit feel terrible cause i love him still and i can't find many headcanons that fit my interpretation of him yknow?

not to say people who write him very happy, mislead or sad are ruining him like that's silly- if i see something i don't like i just. move on bro i wouldn't force people to feel or think the same way i do about him cause anyone can have whatever headcanons they want!!! just talking about what i personally look for in him and why i can't exactly find it since most of the stuff out there just isn't my cup of tea :')

hopefully i didn't set anyone off with this rambling opinionated essay i just pulled hhh xD i know i know he's a popular character and i know a lot of people like dream so *sobs* please please recommend me artists and fics about him that you think is good it's been so looong since i've read or seen anything new that makes me attached to this little guy aughg<33333

[mbat]

i saw this meme format and i had to do it with them im not sorry

[sybbi]

If anybody wants an update on the precariously-close-to-failed democracy of Ohio, the Republican supermajority is attempting to keep the sitting president off of the November ballot on a technicality they created (and have previously bypassed when convenient).

These are the same people that tried everything in their power to keep an abortion initiative off the ballot despite swearing up and down it wouldn't pass anyway because they totally represent the average Ohioan's opinion on this matter so they KNOW Ohioans are against abortion, and when the measure DID get put on the ballot and Ohioans DID vote to protect abortion, they immediately said "This isn't over," because fuck the people's will.

I've said it before and I will continue to scream it until I'm red in the fucking face:

One party isn't perfect, but they have shown they value the most basic tenets of representative democracy.

The other party is pulling out all the stops to ensure we are a "democracy" in theory only.

[twentyfivemiceinatrenchcoat]

:((((((((( i ran out of tags . tumblr hates to see me thrive!!!!!!!

ok niku just . read the tags first and then come back here ok 🙏🙏 i have a lot i still need to say this is so important to me . this fic changed my life .

(WARNING this got long ….. really long ….. mysteriously. i got carried away 💔 PLS don’t feel the need to respond to any of this btw i mean that sincerely i know this is kind of a Lot i just need you to know much i adored this fic <3333)

BACK TO GOJO ok so his talk w reader…… it was just so satisfying to see them finally get to tell someone about their experience. it must’ve been such a great feeling for them !!!! to get some of it off their chest :((( … and to have Gojo Fucking Satoru our safe harbour of a man there to believe them and listen to them and reassure them. he’s so mature when it comes down to it and you captured that so well…… like as much as he acts childish and teasing this is exactly how i picture him interacting w someone he doesn’t know in a situation like this!! he’s flirty and unserious but he tells you he’ll protect you and means it. (i’m so down bad it physically hurts)

sorry i’m abt to go on a tangent i think BUT I JUST 😔😔 really… REALLY love their dynamic…. how it evolves so much even though he doesn’t even know reader exists for most loops!! and to them he’s just this beautiful Something that they can’t help but look at…… ”inhumanly attractive” is a great way to put it like he’s just….. this magnetic force……….. and i feel like even before they speak to him for the first time they probably find some kind of hope in him.

AND that’s so important bc to me that’s like . the main Theme of the fic? hope. reader has to find some kind of hope to make it through shibuya and more often than not they find it in gojo!!! in just seeing a familiar handsome face, in learning how to navigate the timeline through his actions, in talking to him and finally having him on their side. their choice to trust him fully at the end just made me soooo insane. and obv the hope theme continues even after that because gojo believes in them!!! believes that they’ll be okay in the prison realm….. more on that later actually bc i Still. have a lot to talk abt 😔👉👈 i’m just wildly flipping through my notes at this point i’m sorry to throw this at u when we’ve barely interacted but in my defense this fic reached into my actual skull and started rewiring my brain so!!!! yeah.

i got completely sidetracked there but . yes!! the conversation between them when gojo gets sent back in time is. so good!!!!! so wonderfully written!!!!! i haven’t mentioned it that much yet i think but i love your writing i devoured every line…… i struggle w the flow of my own writing SO much but this just flows so incredibly well??? it was sm fun to read????? and the rhythm of the paragraphs (that sounds. Insane but i hope u know what i mean 😭😭) is so distinct!!! and ofc there are SO many banger lines in this in general…. the gore descriptions and the lines abt reader and their fixation on hope. on gojo!! ”He's a terrifying sort of beauty and you can't help but be captivated by him.” <- this is just one example but!! idk i’m just so enamored by ur writing style.

and the dialogue!!!!!!!! i cried!!!!!! it’s so consistently gojo…. him going all ”oh?” ”interesting…” but not explaining anything … the ”ding ding ding!” after making reader guess what he should just be telling them (it’s the teacher in him <33) AND AND AND these too!!!! :3

“Just think of it like having a lot of MP.”

“You know, your technique kind of reminds me of save scumming.” 

THEY JUST FEEL SO CANON that’s our gojo…… that’s exactly what he would say…… he’s so unserious and so funny and so charming 😔😔 sigh.

ANDDDDD reader telling him good luck!!!! gojo beaming and squeezing their shoulder!!!!! the lil wave!!!!! 🥺🥺 that made me smile so wide niku he’s so infuriatingly cute . it felt so genuine!!!! pls know that this gojo will probably live in my brain forever like genuinely . i’ve been brainrotting over him all week and this was the final nail in the coffin. i’ll never be free.

ok but also !!!! extremely important !!!!!!! before i get to the ending i just need to tell u . how much i loved kenjaku in this ……….. kenjaku nation (me & six others) will never forget these crumbs of content like he just feels so real!!!!! and he’s so interesting!!!!! made me realize how truly down bad i am for him bc these lines made me so fucking happy 😭😭 brain started releasing serotonin like CRAZY i’m so ashamed.

“You can come out, you know.”

”How interesting.”

"I'll be nice, though. I'll make it painless."

…….. he’s just ….. yeah. yeahhhhh. 😔😔 i’ll never be normal abt him. i think it’s SUCH an interesting detail that he always makes reader’s death painless in every single loop…. he never lies about it. that feels so in character to me too!!! he’s kinda fascinated at first and when that interest disappears he kills them. but he doesn’t make it unecessarily cruel because there’s just. no need. kenjaku is a sicko but he’s oddly polite at times and i’m just……. yeah. gonna need you to take over for gege akutami actually 🙏🙏 get in the writer’s chair!!! the fandom needs u!!!!!

wait while we’re on this topic pls just know the entire confrontation between reader and kenjaku was one of my favorite moments in the entire fic <333 not JUST because i’m a kenny stan ok……… reader’s resignation and ”I appreciate it.” made my brain spin because it’s just . kinda chilling? kinda sick? that they aren’t even really afraid of death anymore… or more like they’re just so frighteningly used to it.

AND AND ANDDDD niku your writing in this scene 😵‍💫😵‍💫😵‍💫 gutted me like a fish.

Time doesn't flow in the box. He didn't lie. You die again.

i exploded btw . ackkk i wish i could explain it better i just!!! :< adore your writing. these lines made me go completely batshit they’re just so good. and the ”time doesn’t flow in the box” line … how that ties in with the ending and reader’s choice. whewww.

segway time <3333 this is the final rant i promise!!! i just need to talk about the ending bc it was so perfect and like many other things in this fic it made me insane …. have i said that already …. probably at least a couple times 😔👉👈 it’s true ok!! it’s just sooo interesting to me and obviously so wellwritten and fitting and just. thematically ties everything together so well? i was FLOORED

hhhhh i don’t know where to begin so i’ll just start w the final convo between reader and gojo :> he asks for their name !!!!!!! i cried !!!!!!!!!! calling someone by their name or knowing their name as a form of like . Closeness or Affection is one of my greatest weaknesses and i also think it’s soooo telling that GOJO wants to know Your Name. he wants to know you. to hear that from someone who seems so inhumanly beautiful and violent….. for him to kind of extend a final olive branch and attempt to connect w you :((((( it just says so much without spelling it out and i. started chewing at my desk. it’s so good!!!!!!! such a genius way to tie everything together!!!! and reader’s final words to him…

“Thank you, Satoru Gojo.” You burn the glittering glow of his brilliant bright blue eyes into your mind.  And then, everything is engulfed in an unending black. 

first of all!!! so so sooooo pretty. wowow. second of all THE THANK YOU ☹️☹️☹️☹️☹️ that’s also such a perfect conclusion…….. reader finally put their trust in someone and had that faith returned. and they thank him!!!! i like to think it means something to gojo too…. likeeee how often do people really thank him for what he does? how often is his hard work to protect people acknowledged and appreciated? sorry to bring gojo back into the discussion all the time sadly i AM in love w him….. 😔😔 and this fic made it worse so technically it’s your fault. kind of.

okay so my brain is kinda spinning away again so i’ll get to the final final thing!!!! for real this time!!!!! reader’s decision to be imprisoned in gojo’s stead… that’s so . genius? i’m so in awe??????? it makes so much sense from a character perspective based on what they’ve been through — after being at the mercy of time for so long, wouldn’t it be nice to be free of it? completely? it’s almost kind of chilling and just the idea of it scares me LMAO but it makes sm sense that reader would be drawn to it.

AND like i mentioned before!!! how it leads to a deeper connection between them and gojo, and how at the very end of the fic he’s the one who has faith in them. faith that they’ll be alright, of sound mind.

…… and that brings me to the final final final thing because. it’s just like the opening poem!! reader is the cat in the box. nobody can say for sure if they’re alright, not to mention alive, until the box is opened. and we don’t get to know!!! you leave us on a cliffhanger and that’s so good bc it really is like the cat in the box…. we can only wonder but it also gives us the freedom to decide for ourselves if we think they come out okay or not and i’m just………….. in love. with this fic. and the ending and the reader and gojo and you.

hopefully you’ve noticed atp but i really did go completely insane reading this 😭😭 i said it at the beginning but just to reiterate!!: for SURE one of my all time favorite gojo fics . AND loopfics in general…. thank you sm for your hard work :’3 aaaa i can’t tell u how much i admire the time you spent working on this??? your storytelling and writing and characterization skills????? i genuinely feel sooo giddy and excited and happy rn bc. i just adored this fic!!!! i’m so lucky i got to read it!!!!! :33 pls pat your gojo on the head from me and let him know i love him…. it’ll boost his ego but that’s a risk i’m willing to take 😔😔 i hope you have theeeee loveliest day or night a human being can have bc you made mine <3333333

beyond the unending night (reader + satoru gojo)

notes: it's finally here. the long awaited halloween fic. yes, i know it's march, but i did start working on it in september. haha. there's so much i could say, but i will leave it at that this fic is, in every sense, a fic that i would not normally write. and yet here we are.

contains: f!reader (no physical description or gendered language is used), no explicit romantic pairing (though you don't have to look hard to find the reader x gojo implications), major character death (played with), semi-graphic depictions of death, blood and violence, minor suicide ideation, canon retelling (lines of dialogue are pulled from the jjk english dub because i'm a dirty dub watcher). opening poem is from higurashi no naku koro ni (minagoroshi-hen). fic title is from giga's beyond the way.

please note that this is a time loop fic and, by nature contains repeating scenes (particularly from canon). please do not read this fic if you do not like that sort of thing.

wc: 21,883 read on ao3 (account required)

Please tell me what happened in this night. It's like the cat inside the box.

Please tell me what happened in this night. You don't know if the cat in the box is dead or alive. Please tell me what happened in this night. The cat in the box was dead.

The first time, it is instant— you don’t even know what’s happening.

The second, it is by flame, but you barely realize it, barely feel it— a second of mind numbing heat before nothing.

The third time, it is something slicing across your throat; you see the blood spilling everywhere, then the pain follows— a moment of pure agony before nothing.

The fourth time you realize what’s going on; what’s really going on.

You realize you’ve been dying.

You think your head is going to explode.

At first, you think it’s because the subway platform is crowded, insanely so— there are hundreds of people shoved into this space alongside you, packed like sardines in a can. You’ve never been one for crowds, but it’s the reality of things when you live in Tokyo. For the most part, you’ve learned to accept it, but even this crowd is a little much and you wish you hadn’t listened to your friends when they said you should go party in Shibuya for Halloween; you don’t even like partying.

There’s a sharp pain in your temple followed by a thought so loud that it feels like someone is screaming it at you through a megaphone positioned right next to your ear.

It’s the night of October 31, 2018— Halloween in Shibuya.

For the eighth time.

Before you can even question the thought, images flash in your mind’s eye, blurry at first before they come into focus. The platform gates open. Chaos ensues. People dropping onto the subway tracks— spontaneously bursting into flame— their heads, necks sliced off, stomachs cut open—

Bile rapidly builds up in your throat, and you clamp your jaw shut, trying to force it down. Not here. Not now. You try to focus on something else, anything else happening outside of your brain. There’s a pair next to you musing about the people standing on the subway tracks, wondering what the two (the four?) of them are talking about. You blink back tears as you look. You can only see two: a freakishly tall man with white hair dressed in all black, and another man, dressed in strange, yet more traditional looking garb. Are those costumes too? You don’t have a lot of time to think about it as another image forces its way into your brain.

Your corpse— lifeless on the ground.

Your corpse— burning to ash.

Your corpse— bleeding out.

You can’t hold it in any more. Every fiber in your being screams at you to get away from the subway tracks, but instead you rush toward them, shoving people left and right as your hands desperately reach the stability of the gate. You grip it like a lifeline as you retch over the side of it, the contents of your stomach spilling all over the subway tracks.

There’s a quiet murmur of disgust behind you but you can’t be bothered to respond. You need to get out of here. You need to leave. You need to do it before—

The gates open and the crowd starts to move like a tidal wave, pushing and shoving their way through the gate. You’re swept away, vomit long forgotten as you and a few dozen others tumble onto the railway.

Alarm bells go off in your brain, loud and deafening. A voice in the back of your head screams for you to get off the track! Get off the track now before—

The platform erupts into a cacophony of screams, drenched in horror, saturated in fear. You are surrounded by people, by corpses— beheaded, sliced open, bursting into flames.

Your terror roots you to the ground as the carnage ensues around you. It’s only when another person, another corpse, dressed in a magical girl costume collides with your body that you can finally move. But it’s too late, you realize, despaired and helpless, as your bodies fall to the ground.

It’s too late.

You die an eighth time.

You think your chest is going to explode.

At first, you think it’s because it’s so hard to breathe, frustratingly so— there are hundreds of people squeezed into this space alongside you, packed like cattle for slaughter. You've never been one for crowds, but it’s the reality of things when you’re in Shibuya. For the most part, you’ve come to accept it, but this crowd is way too much and you wish you had just stayed home and ordered a pizza; though honestly, the thought of pizza kind of makes you sick.

There’s a dull throbbing in your forehead, followed by a thought so loud that it feels like someone’s hollering at you from a loudspeaker that’s been installed in your brain.

It’s the night of October 31, 2018— Halloween in Shibuya.

You think it's the ninth time now.

Behind you, you hear a woman screaming, her voice crazed and terrified. You turn your head automatically to look at her and when you see her you realize you recognize her yellow and white magical girl costume. You can say with certainty that you’ve never seen her before and yet—

Before you can ruminate more on it, images— memories assault your mind’s eye with a clarity that is absolutely sickening. That woman colliding into you, your bodies slamming into the subway tracks before you both— Your stomach churns violently,

and you feel like you’re going to puke, but you force it down— can't afford to right now. Instead, you make your way over to the woman.

Her head is in her hands as she mutters over and over again about how everyone is going to die. People around her figure that being stuck in here with the crowd has probably gotten to her. You, however, know better.

“...hey,” you say softly.

Her muttering comes to an abrupt halt and slowly she raises her head to look at you. There’s a flash of recognition in her eyes and she grabs you violently by the shoulders. “You! You know, don’t you? That we’re going to die?”

If it weren’t for the fact that you have indeed experienced death here eight times already, then you would have thought she’s lost her mind. Slowly, you nod and she seems relieved by it, her grip on you loosening.

You can’t help but feel a little relieved too— glad to know that you’re not the only one experiencing this nightmare. There’s a voice in the back of your mind that’s confused though. Why is she only remembering now? But then again, it took you a few times before you realized yourself.

Around you people start to gasp, and you glance back toward the railway to see an abnormally tall man with white hair and dressed in all black jump down from the atrium onto the railway. He lands rather gracefully for someone who jumped at least one floor and starts to converse with the other three people (you think they're people— two of them are in some pretty wild costumes) on the track.

Wait. Isn’t it supposed to be just two people: the tall man and the one in the traditional clothes? Where did the other two come from?

“We have to get out of here,” the woman says. “Before they kill us.”

Her grip shifts from your shoulders to your arms and she starts to shove at everyone around you, trying to force her way through. She seems to know, just as well as you do, that any second now the gates will open and the crowd will start spilling onto the railway, littering the tracks with bodies and ash. Neither of you can let yourselves get swept up with the rest. If you do and you end up on those tracks, you’re as good as dead.

People move aside at a snail's pace, many of them too focused on trying to see what is going on on the subway tracks. This isn't good. You need to move faster or else—

The collective sound of the gates opening echoes in your head, a metallic hiss that makes your stomach fold into itself. Before either of you can stop yourselves, you both whip your heads back to look, to confirm, but it’s a mistake.

The briefest lapse in attention is enough to pull you both into the current of people, and try as you might to fight against it, the crowd splits you and the woman apart as it swallows you both whole. You’re both spat onto the tracks at the edge of the platform and your head collides with the metal rails of the track. It feels like your skull is about to crack in two, and it takes every fiber in your being to scramble to your feet. You're close enough to the platform that if you can just climb up it, then you'll be—

“Help! Help!”

It’s the woman’s voice. You turn to see that she ended up a couple meters away from you. She’s staring at you, eyes brimming with fear filled tears as she extends her hand in your direction. You take a step toward her, reaching out.

And then, her entire body is engulfed in flames, the skirt of her magical girl costume a ring of fiery death around her.

Her blood curdling scream is the only thing you can hear, her burning flesh, the only thing you can see. You don’t know what to do.

You can’t save her.

There's something touching your back. You can barely feel the pressure, but it's hot, scorching hot, mind numbingly hot, painfully hothothot.

You know this sensation. You have felt it before. The scent of burning cloth, burning hair, burning flesh clogs your nostrils. It's too late, you realize, helpless, despaired as the flames eat at your body— your soon to be corpse.

It's too late.

You die a ninth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the tenth time.

Your head hurts, but you ignore it. There’s something more important that you need to attend to. You immediately make your way to the woman you met during your last round, the one you watched burn to death. Her costume is still pristine, unmarred by fire and death.

For now.

She’s not screaming this time and while there’s a little voice in the back of your mind that’s concerned by this, you try to ignore it.

“Um, excuse me?” you say when she doesn’t acknowledge you as you approach.

The woman turns to look at you. You’re taken aback by the distinct lack of recognition and it feels almost as if the woman you encountered previously and the one before you now are two separate people. In a way, they technically are.

“Do I… know you?” she finally asks when you don’t say anything.

Your mouth is dry. How do you even answer that? You don’t know her. You just watched her die twice. You know her. She begged you for help. You couldn’t save her.

If you explain all of this you know she’s just going to think you’ve lost your mind. Maybe you already have— you’ve died nine times after all.

You give her a weak smile. “I… just wanted to tell you that you think your costume looks great.”

She blinks, taken aback by your words. There’s no doubt that she wasn’t expecting you to say that. It’s the truth though, her costume is nice; she’s dressed up as a character from a magical girl anime that was popular a couple years ago.

“Thank you! I made it myself!” The woman breaks out into a genuine smile and your heart hurts. In a few moments she’ll die and the costume she worked so hard to make will be nothing but ash on the subway tracks.

“Sorry,” you blurt out before you can stop yourself.

“For?”

For watching her die. For not being able to save her.“...I just kind of came up to you all of a sudden…”

She laughs. “It’s okay.”

It’s not.

You consider telling her that she should try to move. That if she stays here she will die. You don’t want her to die. Again. You can still hear her screaming in your ears as she burned to death. You want to tell her.

You don’t.

“Stay safe, okay?” you say. It almost sounds like you’re begging.

She gives you another smile, kind and gentle and you think you’re far too undeserving of it for not telling her what fate will soon befall her. “You too.”

“I’ll try,” you say and move away from the woman just as the gates open and the crowd surges toward the railway. You do not fight it as you are swept up into the crowd and despite what you said, you do not try, this time, to stay safe.

You die for the tenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the fourteenth time.

There’s a slight ache in your head, but it’s subtle enough that you can ignore it. The pain you feel lessens with each round and you think it’s a sign that your body no longer feels the need to remind you of the precarious situation that you’re in.

Or maybe you are just becoming numb to everything: your death, the death of the people around you, the death of the woman in the magical girl costume—

You try not to think about it too much as you reach into your bag to check the time on your phone: 8:37PM. There’s not a lot of time: you need to move.

At the very end of your last attempt to escape this nightmare you realized something. You need to know exactly what is going on around you so you can plan accordingly: where to not stand, where to not go. Up until now, you’ve relied almost solely on the knowledge gained from your previous failures to try and survive, but obviously it’s not enough to keep you alive. You’re not sure why you didn’t realize this earlier. The panic, maybe? The fear?

Maybe you really are becoming numb to all this.

Unlike previous iterations, this time you elect to move closer to the gate, positioning yourself somewhere against it where you’re unlikely to be pushed off the platform in a couple minutes when they open. You take great care to place yourself where you can see the ones responsible for the slaughter very clearly. At the beginning, you could only see one, the one who looks the most human, but with each repetition, the other two have become more and more clear. You wonder why. You don’t have time to think about it.

Murmurs nearby alert you to the arrival of the fourth major player involved in the night’s events. You look up and see the white haired man dressed in all black descending upon the platform like an angel from the heavens. This is your first time really looking at him and you realize there’s something almost inhumanly attractive about him. You can’t quite put your finger on it, but it occurs to you that you shouldn’t even try; you don’t have the time to be drooling over some handsome stranger.

You’ve naturally never taken the time to try and listen to whatever the conversation the man and his opponents have before all hell breaks loose on the platform, but you try and lean closer to listen. It’s hard to hear over the dozens of conversations going on behind you, but you try anyway. There might be a clue to what’s actually going on— or better yet, a clue on how to get out of it.

It’s obvious that you’re missing context from what bits of the conversation you do manage to hear, but honestly it all sounds like stuff out of a shounen battle manga. There is one part of the exchange that you manage to hear with a startling sort of clarity. It feels almost as if your heart stops beating as your blood turns ice cold in your veins.

“If I run away, you’re just gonna kill everyone here, right?” the man in black asks.

There’s a pause, and if your heart was still beating it’d be long enough for just four heartbeats.

“If you run away?” The monster with cane repeats, the sadistic grin spreading wide across its features, displaying its charcoal black teeth. The gravelly sound of its voice sets fire to the blood in your veins, your stilled heart thumping wildly, in fear, in anticipation. Soon. It’s happening soon. You brace yourself. “We’re going to do that even if you don’t!”

You die a fourteenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the seventeenth time now.

Things are going surprisingly well, even as the people around you tumble onto the tracks. You manage to hold on, desperation keeping you from falling into the abyss. This is good, you tell yourself, despite the fact that it’s not the first time you’ve achieved this. Every little victory is worth celebrating, but you have to remain vigilant. This is yet another information gathering loop, and while you know that maybe this time you’ll be lucky and live, there’s still a chance, a big one, at that, that you will die again.

You have to make the most of each and every death.

It’s such a morbid thought, but the ends justify the means, or so you tell yourself. If you have to die a few times to make it out of this unending nightmare, then so be it.

The spot you’re in is a good vantage point; it’s easier to see everything happening below you. It’s so good that it’s actually sickening. You watch as the monster with the cane and one with what looks like branches for eyes slaughter the people on the track, mowing them down, setting them aflame. In another life, in another many lives, that was you down there, and for what feels like the first time in forever, you feel like you’re going to be sick. You feel like, at some point, you likened the scene before you to some kind of shounen battle manga, but you think that was wrong.

This is borderline horror.

Everything plays out before you like a scene out of an action horror flick. If you didn’t know better, you’d think you were just an extra on set, but you know the reality is that you’re just an extra to whatever phantasmal battle is taking place in front of you. The monsters and the strangely dressed man all try to attack the man in black, but he manages to block every hit effortlessly, as if he is protected by some sort of invisible barrier. When it seems the two monsters are about to hit him, he merely jumps out of the way and the two monsters seem to collide, the force of their combined strength sending a gust of air throughout the crowd. The man in black neatly lands on a nearby platform half wall and says something about curse users, whatever those are, to the monsters, before he starts to mock them, pulling down his strange blindfold in the process.

And this, you’ve found, is where you start to get in trouble.

You clearly remember thinking, at some point, previously, that there was something attractive about this man. You still don’t know what it is. You haven’t had the time to try and figure it out, but there is one thing that you do know: you can’t keep your eyes off of him.

He drops back down onto the tracks, antagonizing his opponents in an arrogant tone as he approaches. When he comes to a stop between the two monsters, the second round of their fight begins. They try to hit him, but he dodges still, gracefully, fluidly, like the three of them are embroiled in some sort of passionate, yet violent dance.

You cannot turn your eyes away as he cruelly rips off one of the arms of the one-eyed monster.

You cannot turn your eyes away as he brutally kicks the branch-eyed monster in the abdomen, sending them flying to the other side of the platform.

You cannot turn your eyes away as he effortlessly hurls the one-eyed, now one-armed monster in the same direction, sending them smashing into the wall.

Only when the man in black seems to fly to the other side is the spell over you seemingly broken. Still, your eyes give chase, and your body too, rushing from one side of the platform to the other. You can’t lose sight of this fight, you tell yourself, settling in a spot you recall being safe during your last round. Doing so could mean another death, another loop, another October 31.

You watch as the man in black acrobatically dodges what looks to be vines or roots that the monster with branches for eyes seems to have summoned from the depths of the Tokyo metro. He lands on the monster’s shoulders, balancing on them as he uses its branch-eyes for leverage. The look in the man’s eyes is so crazed that you can see it from where you’re standing. He says something to it and then—

With a feral and sadistic smile, he rips their eyes straight out of their skull.

Your heart is pounding wildly in your chest as you watch the fight unfold. It is horrifyingly, disgustingly violent, yet still you watch as people on the track are killed by the human-like person, blood raining down as their freshly beheaded skulls go flying into the air. He and the one-eyed monster launch their counter attacks against the man in black and the blowback is so intense the power goes out causing everyone to scream.

There’s a faint glow where the man in black is standing that starts to grow brighter and brighter. You can make out his form turning to face the wall, and it seems almost like he’s slammed the monster that had branches for eyes against it with some sort of telekinetic power. Despite the panic from the people around you, you manage to hear him, chuckling like a mad man as he draws closer and closer to the monster.

The one-eyed monster yells out a name, a name you think must belong to the man, but he doesn’t hear it. He doesn’t hear the one-eyed monster as he extends his hands out toward the eyeless monster, exerting some kind of force that you can’t really see. He doesn’t hear the one-eyed monster as the eyeless monster’s entire body is vaporized in a flash of blue light. He doesn’t hear the one-eyed monster, as the lights flicker back on revealing a smoking crater stained with purple blood where the eyeless monster once stood.

But you do.

Satoru Gojo.

You make sure to remember that.

It’s October 31, 2018— Halloween in Shibuya.

And this is the eighteenth time.

You watch as the man called Satoru Gojo stalks through the crowd of people on the subway tracks, chasing after the one-eyed fire monster. It throws people at him, in a clear attempt to slow him down.

It does not work.

Satoru Gojo climbs back onto the platform in a way that you can only describe as inhuman, and the people nearby shriek and move away from him, out of terror, out of fear. You, on the other hand, draw closer, refusing to lose sight of him.

He is relentless in his pursuit of the one-eyed monster. It continues to throw person after person at him, but he does not stop and the people float there, suspended in midair before they are gently lowered to the ground by some unseen force and scramble away.

No one dares get close to Satoru Gojo, everyone on the platform seems to know that doing so means certain death, yourself included. But you still feel the need to keep an eye on him. The monster and the strangely dressed man are focusing more on him than the crowd— anyone in between is just collateral damage.

But not you.

Especially since you’ve made it this far— you’ve never made it this far before.

A voice echoes throughout the platform; you realize it’s the automated announcement.

An eight car train is pulling in. Please wait behind the yellow line.

You can hear everyone’s relief coming from all sides. The train is coming! The train is coming! A ripple of hope makes its way throughout the crowd. With the train comes the chance to get off the platform and the senseless violence that’s been happening here. Some of the people around you are talking excitedly and others are running toward the gates, toeing the yellow line they’ve been instructed to wait behind. And you, you should be excited, you should be hopeful.

All you feel is dread.

It eats at your stomach, at your chest, at your mind. Clawing and gnawing at you in a way that leaves you paralyzed on the platform. There’s something wrong here. You can’t be sure because you’ve never made it this far, never survived long enough for the train to come, but something is just not right.

No.

You must be paranoid. The train coming is a good thing. It has to be a good thing. You are just paranoid. It’s normal. It’s natural. Dying seventeen times would do that to anyone— rob them of hope, condemn them to an existence full of fear.

It is not lost on you that the thought of dying more than once, much less, dying seventeen times is not normal or natural in the very slightest.

But you need hope, you crave it, wildly, desperately. The hope of freedom, of escape is the only thing getting you through this unending nightmare. Every time you die, every time you wake, it is with the hope that maybe, just maybe this iteration will be different, maybe this one will be the one where you make it out, make it back to your friends who must be waiting for you, make it back home where you can be safe and sound. You need the hope to keep going. Because without hope, what will you have left?

The train screeches as it pulls into the station and the people around you laugh in both disbelief and relief. They start to push and shove toward it, fighting to be able to board because there’s no way everyone here will be able to get on an eight car train and being left behind at this point is practically synonymous with death. Unable to decide if you believe in the train as a symbol of hope or a new layer of fear, you are pushed along with the crowd toward it.

The doors of the train cars slide open and the current passengers all rush off as they disembark. You as well as everyone else on the platform can see with a horrifying clarity that the train is filled to the brim with monsters. Monsters that reach out and grab anyone their hands can reach. The woman to your left. The person to your right.

You.

Hope is gone.

What do you have left?

You die for the eighteenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is probably the twenty-sixth time now.

If there is anything this entire ordeal has taught you, it is that you are resilient. Whether it is some innate trait that you never had any reason to uncover before or just a byproduct of being trapped in an unending cycle of being dead and not dead, you don't know. What you do know, though, is that even if you no longer have hope, you at least have your resilience.

Whether you want it or not.

You check the time. It’s 8:35PM. Something flickers in your chest, like a faint light in a sea of darkness, but you ignore it. You don’t have time right now.

With a nimbleness born from your previous failures, you weave your way through the crowd. You’ve done this enough times to know where the gaps are— who will yield and who won’t. Your destination is the escalator that leads off the platform and up to a higher part of the station. You’d noticed previously that the escalator along with every other entrance onto the platform will eventually be blocked by vines or roots of some sort (the work of the branch-eyed monster probably). It’s not a perfect plan because you don’t know what happens on the other side, but whatever it is has to be better than whatever is happening on the side that you’ve been on.

You’d tried to get to the stairs during your last two rounds, but you’d just missed it. You hadn’t been fast enough and had gotten caged and slaughtered along with the rest. But this time, this time you have more time. It’s just one minute, but it’s enough. You know it is.

The flickering in your heart grows stronger. Hope. You try not to pay attention to it— you don’t want to be disappointed yet again. But you want to so badly. A voice in the back of your mind tells you to focus on the good, tells you that if there was truly no way out of this endless nightmare, then why would you get more and more time with each round to escape your fate?

With that thought in mind, you break out into a run, recklessly rushing through the crowd, shoving anyone who will not yield to the side. Out of the corner of your eye you can see the stark white of Satoru Gojo’s hair as he descends upon the platform.

You need to get up those stairs.

Now.

If you remember correctly, the roots and vines don’t close off the area the moment he touches down, but a little after they start talking, so you think there is probably some time, but you can’t leave it to chance.

The stairs are packed, and for some reason no one is moving. The escalator right next to it is just as full and the power doesn’t seem to be working. You don’t have time for this. You clamber onto the escalator’s rubber handrail, ignoring the weird feeling that passes through your body as you do so. You don’t have the time to worry about whatever that is. The people around you start exclaiming around you, but you don’t care, you don’t listen. You wobble as you try to balance yourself and when you think you’re steady you try to run.

But you trip.

And you die for the twenty-sixth time.

It’s October 31, 2018— Halloween in Shibuya.

This marks the thirtieth time.

And you have, finally, finally made it up the escalator, up the stairs with barely a second to spare. You pause, glancing back as the roots or vines or whatever the hell they are seal off the entrance to the platform. You notice that the area where the plants come down is actually fairly clear, despite the crowd. It seems weird, but you don’t dwell on it.

A strange feeling envelops your entire body and your legs turn into jelly. As you sink to the floor, you realize what you’re feeling is relief as all the tension, maybe thirty iterations of Halloween 2018 worth, seeps from your being. You don't remember the last time you felt anything other than fear and dread; it’s weird, but not unwelcome.

That voice in the back of your mind tells you that you can't relax just yet: October 31st isn’t over. Even though you have repeated this night again and again, burning the events that play out on the platform into your memory, you do not know a single thing that happens over here. It would be smart to scope everything out.

Legs still shaky, you rise to your feet and start walking. You think it’s probably for the best to try and head up to the surface and you make your way up to the next floor.

It’s packed with people here too, but relatively peaceful, especially when you compare it to the pandemonium taking place beneath your feet. Still, you can make out the undeniable hum of displeasure resonating throughout the crowd. People complaining about how uncomfortable their costumes are, people complaining about how much they want to go home, people complaining about how much their nights have been ruined because they couldn’t meet up with their friends and—

A thought hits you like an eight car train.

You were supposed to meet up with your friends.

That’s why you were on the platform in the first place— you were waiting for them to arrive, but then the trains stopped working, and people just started pouring into the station out of seemingly nowhere (you think you heard some people say they’d come from the crossing?). Soon after that is when everything went to shit.

You check your phone, though, for once it’s not to look at the time (8:56PM). Instead, you open LINE to check your friends’ group chat. There’s no signal here, for whatever reason, so if there are any new messages, you haven’t received them. The last one was from Kei, mentioning he was enroute, but as far as you know, you’re the only one who made it to Shibuya before the trains stopped.

Did one of them maybe make it here though? Surely, you would have run into them if—

The image of a woman in a magical girl costume fills your vision, burning to death before your very eyes as her screams echo in your ears. It is the first time in what feels like forever that you’ve thought about her and your stomach churns violently. You couldn’t help her, you can’t even help yourself, so how could you even expect to do the same for your friends if they were here? The mere thought of having to watch them die over and over is almost enough to send you over the edge. You don’t know if you could do it.

Would you even have a choice?

No. You can't think like that. You have choices. You've had choices. If you didn’t then, you would still be down below, among the fire and brimstone. Dying, if not dead already. However, instead, you are up here, where, for the moment, it is quiet and peaceful.

That thought, in of itself, is enough to give you a shred of solace, a glimmer of hope.

You take a deep breath and fiddle with your phone a little more, changing your lock screen to a picture you and your friends took at a photo booth not too long ago. The four of you are huddled together, faces squished as if you're all struggling to fit in the frame, despite there being plenty of room. You're mid-laugh because it's the first time you've been in a photo booth in years, Mio and Shin are grinning mischievously and finally, Kei is smiling, but only just slightly, the embarrassment clear on his face. It's probably only been a few months since you all took this picture, but the fact that it feels like it's been years makes your heart ache.

You press your forehead to the screen, like a prayer, like a promise.

You will make it out of this nightmare.

No matter what.

A shrill scream yanks you from your thoughts and you are instantly on your feet, alert as your eyes flit around frantically to identify the source. It doesn't take long for you to find it and when you do, you think you might have stumbled upon a new layer of horror to this nightmare.

It’s not the corpse, dangling by a noose, that terrifies you— by now you’ve seen dozens upon dozens of dead bodies that the sight of just one more doesn’t faze you in the slightest. The thing that’s the most mortifying, that’s the most disturbing is that right next to where the body is tied are two girls, two teenage girls still dressed in their school uniforms.

You can accept monsters and weirdly dressed men being responsible for the carnage tonight, but children too? Both girls look like they’re barely in high school and try as you might to rationalize things, to chalk it up to coincidence, you cannot ignore the ominous energy radiating from them.

The very notion that these two children could have killed someone here is a hard pill to swallow, but so is the fact that you’ve died.

And you’ve had to swallow that pill thirty times now, so what’s once more?

“Listen up!” one of the girls yells over the crowd, but she is mostly ignored; you don’t think everyone here has noticed her and the corpse dangling from the rafters. She scowls and turns to the other girl and says something quietly to her. The other girl nods and almost instantly she’s stringing up another person, another example. You want to look away so badly, and yet you cannot bring yourself to and you watch the poor soul choke to death.

“I said listen, you dumb monkeys!” the girl shouts, and this time she’s caught most of the crowd’s attention. “If you don’t want to end up like these two, you’ll listen to what we have to say!”

There is clear dissent among the crowd, people dismissive as they utter their disbelief. Some seem to think it’s a prank, but you know better. It takes two more examples before the crowd goes silent before the two high schoolers.

“About damn time!” The girl roars and then points toward the atrium, which is currently covered by roots and branches. “All of you move over there!”

You have a bad feeling about this.

Still, you comply; the girls have made it abundantly clear that failure to do so will result in death, though, at this point, you're almost certain this iteration is a bust and death is all but imminent. You try to keep positive— thinking you can at least gather information or, who knows, maybe there's a chance that this one is the one.

Yet when you step onto the mound of vines and branches that cover the atrium it feels as if you've crossed the threshold into hell. Your footing is stable… but for how long?

An eight car train is pulling in. Please wait behind the yellow line.

It's faint, but you can hear the announcement from below. The liquid in your stomach curdles at the sound as you recall the train and, in particular, what is on board. Soon enough, those monsters will be swarming the platform, massacring everyone in reach, guzzling down their blood, feasting on their flesh—

It dawns on you that the people on the platform are the monsters' first course.

And you, and those around you here in the shrubbery, are the second.

As you realize this, the branches and vines disintegrate beneath your very feet and suddenly you are mid air— falling, falling into the abyss below.

You die for the thirtieth time.

It’s October 31, 2018— Halloween in Shibuya.

You've done this nearly sixty times now.

After countless failures, you've decided that you're just not going to go upstairs any more. No matter where you try to go, you still end up herded onto the death trap above the platform where you ultimately fall to your death. You've tried positioning yourself in the same spot, tried bracing yourself for the drop— but nothing seems to work: upon landing, assuming you manage to land without hurting yourself or dying in midair (which has happened a couple times) you get grabbed and killed by one of the monsters from the train. It's probably not impossible, you just don't have the physical prowess or reflexes for it.

If anything, you can try again later, but you sincerely hope you don't have to.

It's 8:32PM, and you have plenty of time to get to your chosen spot for this loop— it's close to the stairs, in the very center of the platform. Here, there's little risk of getting pushed off onto the tracks when the gates open. You'll probably have to move when the train comes, or even before (assuming you survive) to avoid the monsters, but you'll get to that when it's time.

You can't really see the fight once it breaks out after Satoru Gojo arrives, but you still try to keep track of it as best as you can. You see when he hurls both monsters across the platform and you're not sure if it's muscle memory or what but you have to fight the urge to move to the side and watch. It's been a while, yes, but you've seen the fight countless times before— it doesn't change. Satoru Gojo will give chase. He will rip the branches from the branch eyed monster's skull. He will use some kind of power to eviscerate them.

You don't need to watch, but there's something in you that wants to.

It doesn't make sense, you've seen it all before; if you're unlucky you'll see it all again.

The lights go out and people start screaming; Satoru Gojo is ending the life of that one monster. Soon enough he'll be back on the platform, in pursuit of the other. You think at that point it would be good to move, reposition yourself as far from the incoming train as possible.

When he rises from the tracks like a demon straight from hell, you realize it's the first time this loop that you've actually gotten a good look at him. You remind yourself, again, that this isn't the first time you've seen this man, this scene. You can't help but watch, but stare at Satoru Gojo as he stalks through the crowd in pursuit of his prey. His expression is an eerie sort of calm that's at odds with the acts of violence you've seen him commit— his eyes an unnaturally bright blue.

He's a terrifying sort of beauty and you can't help but be captivated by him.

An eight car train is pulling in. Please wait behind the yellow line.

The sound of the announcement sends your heartbeat into a frenzy, snapping you out of your little trance. The train is coming and you need to get moving. As you dart to the edge of the platform, the thought occurs to you that even if you avoid the initial wave of monsters, it's likely you will inevitably be caught by them and killed. It wouldn't be impossible for Satoru Gojo to turn his attention to them instead of the two he's currently facing, but he's just one man— can he truly defeat all those monsters?

You can see the train pulling in and you brace yourself, praying that it'll work out somehow.

The doors hiss open and the screaming starts again as the monsters come bursting out of the train, biting and mauling anyone they can get their hands on. Those who were lucky enough to not be at the front start to scramble away and the monsters give chase. Your body is taut, ready to try and dodge any that come your way.

Out of the corner of your eye you notice something moving through the air. A person? With blue hair? You take the risk to look— they're attacking Satoru Gojo. He tries to punch them but they fly away from him to dodge— disappearing into the crowd.

You hear a loud cracking sound over the cacophony of the crowd and your stomach twists; you know what that sound is. The roots above the atrium disintegrate and bodies from above start to rain down onto the platform.

And then, you're not sure what happens— it's so quick that you only manage to see what looks like an explosion of blood surrounding Satoru Gojo. Corpses litter the ground around him and even from here you can tell he is shaken by the carnage.

The monsters have finally reached where you're standing, and you duck under one as it lunges at you. Although it's big and scary, you realize it's moving kind of slow. Right after it another one comes at you and you take a side step to avoid it; this monster is kind of slow too.

Maybe you can do this.

As soon as you think that a strange feeling courses through you. Every hair on your body feels like it's standing on edge and the voice in your head is telling you to look at Satoru Gojo. You don't understand why because you think he's the least of your worries right now, but you do it anyway.

He's in some sort of stance, one hand raised to his face, fingers bent in some kind of gesture. There's some sort of aura, oppressive and frightening emanating from his form.

Satoru Gojo is doing something.

You just can't tell what.

It’s October 31, 2018— Halloween in Shibuya.

And you are utterly confused.

Barring your first few loops when you weren't fully aware of what was happening, you have very distinct memories of how each of your previous iterations of this night have gone— of each and every one of your deaths. But for your last round, the last thing you remember was feeling the immense power radiating from Satoru Gojo's body, but that's it.

You do not remember dying.

In fact, you don't think you did.

And yet, here you are again, back at the start: it's 8:32PM and the monsters and strangely dressed man are standing on the subway tracks waiting for the arrival of Satoru Gojo.

You don't understand what's going on; you didn't die but you're still stuck in this damn loop. Up until now, your death has served as the trigger to restart the loop. It's not impossible that maybe you suffered a quick and painless death but you're almost certain that isn't the case.

Something else must have happened.

Something having to do with Satoru Gojo.

You have to find out what. If you don't, you won't know how to avoid it, and if you can't do that, then you really might spend an eternity stuck in this nightmare. And so you take great care to repeat the steps of your last round. You need to make sure to survive to the same point you made it to last time.

Miraculously, you do.

The moment you feel that sensation again, a prickling sort of feeling that envelops your entire body, your eyes are on Satoru Gojo— trying to figure out what the hell he's doing. His eyes are crazed with a desperate kind of focus. You see his mouth move— he's saying something. A spell? A prayer? A curse?

You don't know.

You do know.

Your brain feels like it's going to explode.

Again.

It’s October 31, 2018— Halloween in Shibuya.

Again.

You do not know how many times it's been the night of Halloween in Shibuya: you stopped counting around the hundredth loop. It feels like it's been a while since then. Or maybe it hasn't? You don't know any more.

What you do know is that this night ends up going one of two ways before you are forced to repeat it. Either you die, in some way, shape or form or something happens just after nine that forces you to reset. You still don't know what it is exactly; you only know that Satoru Gojo is responsible for it.

You do prefer it to dying— it's far less painful.

But if anything, you wish you could just die permanently and never have to repeat this night ever again.

Unfortunately, you know better.

The only good thing you’ve noticed about all of this is that you really do seem to keep waking up earlier and earlier. The last time you checked, it was at around 8:30. It might take hundreds of thousands of loops, but eventually you’ll certainly wake up early enough to avoid this damn entire mess.

But by the time that happens… will your sanity still be intact? Will you really be able to go back to a normal day to day life after living the equivalent of hundreds of years, repeating the same night over and over again? You don’t even know how you’ve managed to stay sane all this time and as much as you want to believe you could do it…

There has to be a breaking point.

For both your mind and this time loop.

If you’re lucky, you’ll reach the latter first.

There’s a dull ache in your head that feels foreign yet familiar. Your mind is foggy, all your thoughts hazy as you try to recall what the word for this feeling is.

Groggy.

It feels as if you’ve woken up from a nap and you blink the sleepiness away from your eyes. When was the last time you took a nap? It’s been a while… You think you maybe tried once or twice, but you were too nervous, too on edge. Awake or asleep, it didn’t matter because, either way, you were doomed to repeat this nightmare.

As you think this, you realize that something is different.

You’re used to how the start of each loop feels like waking up suddenly and abruptly and it becomes clear to you that you haven’t looped. This is completely uncharted territory.

You need to find out what’s going on.

The first thing you notice is that it’s quiet. Almost eerily so, especially when the last thing you remember was screaming and chaos. You glance around you and find that it looks like all the monsters from the train are dead, the ground littered in their bloodstains and corpses. There were so many of them, you don’t know how someone could have wiped them out so quickly… Could it possibly have been Satoru Gojo’s doing?

More concerning than the complete eradication of the monsters is the fact that nearly everyone else on the platform is standing stock still, their mouths ajar with blank expressions on their faces. It’s almost as if their souls have completely vacated their bodies…

Were you like that too before you woke up?

You hear voices, and your body immediately goes tense as you turn your head in their direction. A little ways ahead of you, you see a man dressed as a monk conversing with the blue haired person from earlier and before them is—

Your heart nearly stops: it’s Satoru Gojo, restrained and on his knees.

Honestly, you can’t make heads or tails of the conversation they’re having; it’s more shounen battle manga nonsense. Satoru Gojo doesn’t seem to be enjoying their conversation either, and he interrupts them, clearly annoyed.

“Are we gonna do this or what?” he asks. “The view sucks and I’m just kinda bored.”

“I wanted to enjoy this sight for a little bit longer, but you are right,” the monk says. “I wouldn’t want anything to happen— gate, close.”

When he says that, Satoru Gojo’s restraints move, the weirdly shaped cubes at the ends of them closing in around him, trapping him in a giant red cube. It starts to shrink until it’s small enough to fit in the monk’s hand.

You gulp and hope they don’t notice that you’re awake. The fact that they haven’t slaughtered the rest of the people standing around you is a good sign, but you don’t want to find out what happens if they know you’re cognizant.

It’s not hard to play the part of a living statue, especially when you compare it to everything else you’ve had to suffer through on this night. You watch as the monk’s allies, the ones who had attacked everyone on the platform, wake up, but before they can do or say anything, the box holding Satoru Gojo slips through the monk’s fingers and makes a dent in the concrete. The look on the monk’s face makes it clear that it’s a problem he wasn’t expecting.

You don’t know a damn thing about Satoru Gojo, but you feel like this kind of thing is the norm for him.

The blue haired person suddenly looks in your direction and you nearly stop breathing. Have they noticed you? It takes everything in you to keep perfectly still, in hopes that maybe they didn't, that maybe they’re looking at something else. They raise their arm and it extends, their hand acting like some kind of projectile. You almost shut your eyes and brace yourself for impact, but their hand flies upwards and hits something on the ceiling, destroying it.

Inwardly, you breathe a sigh of relief— you’re still safe.

For now.

You listen to their following conversation and while you still don’t fully understand everything, it’s clear they’re talking about what to do next since they’ve taken care of Satoru Gojo. Something having to do with someone named Yuji Itadori? The group seems split on what to do about him but it’s clear he’s their next target.

Eventually, everyone but the monk (you heard the blue haired person, who is apparently named Mahito, call him Geto?) runs off, probably to find this Yuji Itadori person. Once they’re gone, Geto speaks and, at first, you think he’s talking to you, but it becomes clear he’s addressing someone else. “Those cursed spirits are actually smarter than the two of you.”

“Give him back!” a voice hidden among the crowd hisses. Your blood runs cold at the sound. You recognize it; it’s one of the high school girls from the upper floor.

“We cooperated with you fully and kept dropping monkeys for you,” says another voice; it must be the other girl that was with her, the one who hung all those people.

“Now give us back Master Geto’s body like you promised!”

“Don’t toy with Master Geto any further than you have!”

You blink in confusion. Isn’t the monk named Geto? The way the girls are talking it sounds like they’re talking about someone else… Is it possible that the body is ‘Geto’ but the person they’re talking to is someone else possessing it? It sounds kind of crazy, but then again, so is every single thing you’ve experienced tonight.

Your suspicions concerning this ‘Geto’ are confirmed only seconds later as he says, “Now begone, or is it your desire to be killed by this body?”

One of the girls vows her revenge and you hear shuffling somewhere else in the crowd as they scurry away. Now you think it’s just you and whoever it is that’s puppeting Geto’s body. You see him plop down in front of the box (the prison realm, you think he’d called it) that’s holding Satoru Gojo.

“You can come out, you know,” he says after a while.

You freeze. The rest of the platform is completely silent. This time you think he might actually be talking to you.

“I know you’re there,” ‘Geto’ adds, his voice casual. “If you’re insistent on hiding, you should know that I’m not afraid of using whatever means necessary to smoke you out.”

Given everything his allies have done, there’s no doubt in your mind that he’s serious. You were hoping to hide out among the crowd until he decided to leave, but it looks like you won’t be able to now.

Looks like this loop is a bust after all.

Your heart starts to race as you weave your way through the crowd. In every single one of your loops, you were always treated like a bit character, never noticed or singled out by any of the major players of the night. Although this is your first time encountering this ‘Geto’ it’s clear to you that he’s involved with everything that’s happened here and honestly, you get the feeling he might actually be the mastermind behind the massacre.

That makes you even more nervous.

You come to a stop in the place where Satoru Gojo was once kneeling before he was put in that box. Now that you’re out in the open, ‘Geto’ looks you over with some sort of nonchalant curiosity.

“You’re…” he starts, sounding thoughtful, "not a sorcerer, are you?”

Sorcerer. You heard that term thrown around by him and his group a few times. It’s what they’ve been referring to their enemies as. It probably wouldn’t be smart to lie and say you are one; you get the feeling he’d see through your lie anyway. “I’m not.”

He hums. “How interesting.”

“...what do you mean?” you ask before you can help yourself.

“It’s just you have an abnormally large amount of cursed energy for a non-sorcerer,” he explains. “Though, I suppose that all just sounds like gibberish to you."

You nod and look down at the box lodged in the floor. It has eyes, big creepy looking eyes. "...are you going to do the same thing to me as you did to that man?"

He laughs, "...fortunately for you, the prison realm only holds one person at a time and I need him sealed away more than you."

"...does that mean you're going to leave him in there forever?"

"If I'm feeling nice, I might unseal him in a hundred years or so."

One hundred years? At this point, you've probably lived roughly that amount of time through your loops alone, but for Satoru Gojo… "Won't he die first?"

"Only if he decides to," 'Geto' says, looking completely and wholly unbothered. "Time doesn't doesn't flow in the box, so when I unseal him, he'll be the same as he was just now. Physically anyway. Who knows how deteriorated his mind will be after all that."

Time doesn't flow in the box.

The words echo in your mind over and over. Time doesn't flow in the box. In other words, that means time has stopped in the box, and if that's the case then—

"Anyway, rather than worry about him, shouldn't you be more worried about yourself?"

You look at 'Geto' and he's smiling at you, it's friendly, but ominous. There's no doubt what is going to happen next, though you had already resigned yourself to this iteration being a bust; it was only a matter of time.

Time doesn't flow in the box.

"I was thinking I might keep you around, even if you aren’t a sorcerer, your wealth of cursed energy would serve my plans well," he muses. "But… it would be too much trouble trying to teach you how to use it in time."

As he talks, you realize this is probably the first time your death is intentional— every other death you've suffered has just been a byproduct of the ongoing slaughter. You were just another casualty, a victim, never a target.

You're scared.

Even though you know that once he kills you, once you die, you'll just loop back to around 8:30 again. You'll be on the platform again. And you'll play out some sequence of events before you eventually die again. And again and again.

Time doesn't flow in the box.

"I'll be nice, though," 'Geto' says, raising a hand and another monster appears out of nowhere. You don’t even bother trying to figure out from where. It doesn’t matter, especially since this monster will surely be the one to end your life. "I'll make it painless."

"...I appreciate it," you say and close your eyes hoping that he's not lying about it.

Time doesn't flow in the box.

He didn't lie.

You die again.

It’s October 31, 2018— Halloween in Shibuya.

And you're trapped.

You don't know how and you don't know why, but you are stuck in a time loop— forced to suffer through the horrific events of the night before you die and begin it all again. It's been a long time since you stopped counting how many loops you've gone through, but if you had to guess, it's probably somewhere in the hundreds now.

You are so very tired.

But it doesn't stop. It won't stop no matter what you seem to do. You are stuck. You are trapped. You are doomed.

“Time doesn't flow in the box.”

Ever since that first loop where you heard whoever is possessing Geto's body say that, the words have been stuck in your head, playing on loop.

You finally realize why.

“Time doesn't flow in the box.”

It's 8:25PM when you wake up; that should be plenty of time.

You need to find Satoru Gojo.

After hundreds of loops you've come to a singular conclusion: you need to prevent him being sealed in the prison realm. You've witnessed it enough to know that you won't be able to do it alone; you'll need his cooperation.

You rush upstairs as fast as you can, ignoring the shiver that runs down your spine as you step onto the stairwell. According to your previous loops, Satoru Gojo arrives on the subway tracks at 8:40PM. With how crowded the upper floor is, you don’t know if you’ll have the time to intercept him and talk to him, but if you can at least figure out where to find him, then you can try and talk to him during a subsequent loop.

When you reach the fourth basement floor, however, you don’t know where you should even start. He’s pretty tall so you think you could spot him in the crowd, but… there are still so many people. It occurs to you that maybe it would be better to try and look from a higher vantage point so you head to the stairs that lead up to the third basement floor. You check your phone again. It’s 8:35PM; you need to hurry.

Luckily for you, you find him very easily on the third basement floor.

The only problem is that he’s in a hard to reach spot— squatting above a sign hanging over the crowd.

You check your phone again. It’s 8:38PM and he’s starting to move, presumably to meet with those waiting for him on the subway tracks. It’s good that you found him, but there’s no doubt about it.

You’re going to need more time.

The moment you wake up, you immediately bolt toward the stairs. It's taken many, many more loops, but you've finally brought the time you wake down to around 8:15. You're still not sure if it's enough time, but there's only one way to find out.

You barrel your way up to the next floor and zig zag through the crowd to get to the next flight of stairs. By the time you get to your destination, you're completely out of breath, your chest heaving as your lungs clamor for air. You’ve done this so many times, yet your body acts like it’s always the first. It sucks, but there’s nothing you can do about it. You slow to a brisk pace to catch your breath and check the time. It’s 8:27— a new record. Hopefully it’ll be enough.

The goal is to catch Satoru Gojo before he moves to his lookout point above the crowd. While not impossible, it would be difficult for you to follow him there. You eye the safety barricade that blocks off the area where he’ll be moving in just a few minutes warily.

Yes, getting over there would be extremely difficult.

You don’t want to think about it right now; you’ll deal with it when the time comes.

Especially since Satoru Gojo has now entered your field of vision.

Your heart starts to race at the sight of him and it feels like it’s beating a million times a second. There isn’t a lot of time. You need to talk to him, but your legs only wobble, your feet planted firmly to the ground. This is not good. You need to move. You need to move.

Finally, after what feels like both an instant and an eternity, your feet finally budge, propelling you in Satoru Gojo’s direction. The beating of your heart only grows louder as you make your way toward him, mingling with the single thought that’s echoing throughout your mind right now: will he even hear you out?

You need to make him.

“Excuse me!” The words nearly come out in a stutter as you realize that you are actually talking to Satoru Gojo. You have watched this man at a distance for so long that it almost felt like he wasn’t real, like he was just another fixture in this nightmare that you’ve been living for far too long. And yet, here he is, right in front of you, in the flesh.

And his attention is on you.

All sound stops: the crowd around you, the thoughts in your head, the beat of your heart. Even though you cannot see them through that blindfold of his, you know that Satoru Gojo’s eyes are on you and the thought of that, the knowledge of it is actually a little overwhelming. Your mouth is dry and suddenly you don’t know what to say, but you need to say something. You need to say something before he thinks maybe you bumped into him by accident and just walks away without a word.

“I need to talk to you!” The words just burst out from your mouth and something about it is just absolutely embarrassing. You’re not sure if it's desperation or the fact that you haven’t really talked to anyone other than the existence occupying Suguru Geto’s body in nearly forever.

Satoru Gojo’s lips slowly start to form a smile, “Oh, yeah?”

The sound of his voice makes your mind go blank. There’s something different about it right now; more playful, amused even. Maybe it’s because he’s talking to you, a harmless human being and not a monster trying to kill him. It’s almost kind of jarring, but you know, with certainty, what Satoru Gojo’s voice sounds like. And the fact that he’s actually talking to you right now has you kind of excited. You nod, doing your best to not show how thrilled you are that he’s not ignoring you.

He hums thoughtfully, “Sorry… but unfortunately I kind of have some business to attend to right now.”

“I—” You start to say that you know that he’s headed down to the platform below to fight with…Choso and Jogo, you think their names are— you don’t know the name of the monster with the branches for eyes. “It’s— it’s really important!”

Gojo tilts his head a little, clearly thinking. You should probably say something else, something to try and convince him to stay a little longer and hear you out, but your mind is both full and blank. Where do you start? From the beginning? Or do you start with what is most important? Maybe you should say what you think will get his attention. You’re not sure, and you realize you really should have thought about this earlier because you’re running out of time right now.

“...mind handing me your phone?”

You stare at Gojo, completely and wholly confused, but he just holds out his hand expectantly. When you don’t move, he wiggles his fingers a little, a silent gesture telling you to hurry it up. Without thinking, you reach into your bag and unlock your phone before handing it to him.

“Kind of sucks that cell service isn’t working right now,” he remarks as he types something into your phone before handing it back. “But! Here's my number.”

You look down at your phone and, sure enough, Satoru Gojo has added himself as one of your contacts. He’s even added a little star to the end of his name. That’s… a little unexpected. Why his number though?

“Are you… hitting on me?” you mutter in your confusion.

He laughs, “Well, you said you had something really important to talk to me about, right? So just give me a call when you get home or some time tomorrow and we can talk then!”

You’re not going to make it home, or even to tomorrow, and neither will Satoru Gojo. As you start to tell him this, he steps past you. Desperate, you try to grab him, but somehow, for some reason, you can’t. You remember he did this with Jogo and the other monster, made himself untouchable.

This is not good.

He gives you a little wave, cheery as he says, “I’ll talk to you later!”

You watch, helpless as he hops over the barricade beyond your reach.

Gripping your phone tightly, you take a deep breath. It's fine, it's not like you didn’t expect things to go well anyway.

You'll just have to try again.

Every time you’ve tried to solicit help from Satoru Gojo, it has gone the same way. He just won’t give you the time of day, and in some ways you can’t blame him; he’s clearly here to deal with the monsters down on the platform. You’re fairly certain that he probably thinks that whatever is going on with you is a much lesser issue in comparison.

Plus, it probably doesn’t help that in the times that you’ve approached him, you haven’t been able to articulate yourself particularly well. Once you start talking to him, you just get hit with something akin to stage fright and the connection between your mind and your mouth just stops working. It’s gotten better with each attempt, but…

It’s just so frustrating.

It is interesting that Gojo has given you his number every time, star symbol and all. You’re not sure what kind of person you were expecting him to be, but after witnessing him literally and viciously rip monsters apart, you’d figured he’d be a little more somber. However, in the fragmented conversations you’ve had with him he’s come off as far more friendly and playful than you would have thought. Is he the type of person to get more serious when the situation calls for it? You can’t help but wonder, but ultimately, it doesn’t really matter.

What really matters is that you’re able to convince him to help you.

You have to convince him.

“Excuse me!” you say, stepping in Satoru Gojo’s path. You don’t stutter this time, and your voice is more sure. This is good.

“Yes?”

His head turns in your direction and you gulp. Gojo’s gaze, despite that blindfold of his, still feels just as overwhelming as it did the very first time you approached him. You have no doubt that he’s sizing you up, but there’s just something about it that makes you feel like you’re being picked apart.

You take a deep breath and step closer to him, hoping your voice sounds firm enough as you say, “I need your help. I’m trapped.”

He chuckles a little, “I know, but yours truly is on his way to go beat up the bad guys keeping you all trapped here, so soon enough you’ll be all free to go on your merry little way.”

Right. You were so caught up in your own plight that you nearly forgot that technically you’re not the only one ‘trapped.’ Satoru Gojo obviously knows that everyone else is confined to this station, but you doubt he knows that you’re confined to this night alone.

“That’s not what I mean!” you sputter.

“Then what do you mean?” Gojo asks. Should you tell him that you mean that you’re trapped in a time loop? You’re honestly not sure— in the movies and manga you’ve read about time travel, revealing that sort of thing risks creating a time paradox which seems to be a bad thing. If you have to tell him, you will, but— “Oh, I get it.”

You stare, bewildered. Did you maybe just spew all of that aloud?

Gojo gives you a mischievous smile. “You’re hitting on me, aren’t you?”

“No!” The word comes flying out of your mouth. You can’t deny he’s attractive— you’ve thought it all this time, but that is not what’s happening here.

“No need to be embarrassed,” he continues, ignoring you. “I totally get it, so if you want, I’d be happy to give you my number!”

Again? You’ve received Satoru Gojo’s contact details in every loop you’ve talked to him, star symbol and all— you even have his number memorized. There’s something kind of odd about how he keeps giving you his number. Part of you wonders if he’s got some sort of ulterior motive, but you haven’t thought too deeply about it. There are way more important things going on.

“I don’t need your phone number,” you say. “I need to talk.”

Your response seems to give Gojo pause. Did you somehow manage to get through to him? No way. Your suspicions are all but confirmed when he gives you that familiar apologetic smile.

“Like, I said, I’m sort of in the middle of something, but…” Gojo reaches into his pockets and rummages around until one hand fishes out a folded up piece of paper. The other hand keeps digging around in his pocket and when Gojo seems to give up on whatever he’s looking for, he turns his attention back to you. “Got a pen?”

What?

Gojo tilts his head. “Well?”

“I do, but…” You trail off, unsure why he’s asking.

He holds out his hand waiting for you to just hand him the pen. You still don’t get it, but you reach into your bag’s front pocket and pull out the pen and hand it to him. Gojo looks almost like an excited child when he takes it from you, quickly scribbling something onto his paper before shoving it and your pen back into your hand.

You look at the paper; it looks like a receipt. For a disturbing amount of mochi that Gojo bought earlier today. The amount of money he spent is almost sickening; way too much to be paying for mochi. More importantly, you notice something juxtaposed over the receipt’s print.

It’s Satoru Gojo’s name and number.

He even drew a little star next to his name.

“If you change your mind later, just give me a call!” he tells you cheerily. “I promise I’ll make it worth your while!”

You gawk at him. He cannot be serious. You literally just told him that you didn’t need it and yet he still gave it to you. He must want you to contact him later, but you can’t even begin to understand why. It can’t have been something you said or did, right? Unless, he’s actually—

“Later!” Gojo’s voice cuts through your thoughts and you notice him walking off with a wave.

You can’t let him get away.

Again.

You crush the receipt in your hand and rush after him. Despite the crowd, Gojo seems to move through the people with ease and it almost seems like they are yielding to him naturally. It’s good for you. Makes him easier to chase.

“Wait!” you yell, but Gojo doesn’t even look back. Bastard. Your muscles strain as you try to run faster. You know you won’t be able to grab him if you get to him, but there has to still be something you can do to stop him. Circle around him? Cut him off before he—

Satoru Gojo reaches the barricade.

“Wait!” you yell again. “Satoru Gojo, wait!”

He does not even acknowledge you.

You’re almost there though. Almost. If you reach out your hand, then maybe, maybe you can grab him. Something in your head tells you that it’s useless; you’ve never been able to touch him. But, you don’t care, you don’t care because you have to try. You stretch out your hand, desperate and hoping, but just as you do, Gojo effortlessly jumps over the barricade, moving to survey the crowd.

Due to your momentum, you almost collide into the barricade, but you manage to stop yourself. You stare at Satoru Gojo through the glass. He watches the crowd for at most three minutes. Is this just another bust? Is there really nothing you can do? There must be a way you can get his attention. Is it possible to climb over the barricade? No, it’s too high. There’s nothing you can grasp onto or use as footing either.

This fucking sucks.

Another minute or two and Gojo will be on the move again, and there will be no way you can follow, no way you can get his attention. You press your hands against the glass, pushing against it. Naturally, it doesn’t budge. Why would it? If only you could get it out of the way. If only you could break it. This stupid barricade is the only thing between you and Satoru Gojo and there’s no way you can climb it, but if only you could break it.

If only you could fucking break it.

Suddenly, the glass feels warm. Satoru Gojo’s image starts to look a little distorted as the warmth beneath your fingers grows. Something is happening. The glass starts to vibrate and shake. Violently. The tremors grow stronger and stronger. You should stop. You should back away.

You don’t.

The barricade starts to crack and fracture and soon the sound of shattering glass resounds throughout the entire room. Everyone starts screaming. No one knows what’s going on— not even you. But you don’t care. It’s gone. The barricade is gone.

You take a step forward, toward Satoru Gojo. He’s on a beam that’s about a two meter drop from where you’re standing. That’s fine. That’s okay. You can make it. You have to. Without a second thought, you jump—

And you land on the beam. You look up and Satoru Gojo’s attention is back on you. He’s finally, finally turned toward you, face twisted into an expression you can’t decipher or even comprehend, but—

Something’s wrong; your world is turning on its axis, but—

Satoru Gojo is looking at you, and—

Up is very quickly becoming down, and—

Satoru Gojo is coming closer, but—

You’re slipping—

But he’s right there, and—

You’re falling, but—

He’s trying to catch you, but—

It’s too late. It’s too late.

The last thing you think you feel—

—is Satoru Gojo’s arms around you.

It’s October 31, 2018— Halloween in Shibuya.

And you are causing a commotion.

“Shit! Fuck!” you curse loudly. The people near you start to shift away but you barely notice; you don’t really care.

You were so close, so fucking close and yet… yet here you are again. It’s quarter past eight and you are back on the goddamn platform. You don’t know what happened; you remember falling and thinking you were going to die, but you are absolutely certain that, once again, this time, you didn’t die.

Is Satoru Gojo at fault again? Did he do something? Like he did all those other times you looped without dying? When you think about it more, you don’t think so. You don’t know what happened; all you know is that you tried to get to him, but you slipped.

And he caught you, you definitely remember that.

You still don’t understand why you looped, but there’s not much you can do about it now; it’s not like you can go back anymore. It just sucks, because you think he might have actually listened if you’d talked to him.

Or he would have come after you for… whatever happened with the barricade. It could have been taken as an attack on the crowd… But if he thought you were doing that, then why would he catch you?

You don’t know.

All you know is that you have to try again.

The only problem is that you don’t know how you managed to shatter the barricade. You think about it as you make your way up to where you’ll find Satoru Gojo. There is the possibility that it wasn’t you and something else happened to it instead, but that feels way too coincidental. It had to be you. That’s the only thing that makes sense. You just can’t figure out how you did it outside of wanting, wishing, praying for the barricade to break. It’s not like you have supernatural powers like Satoru Gojo and his enemies.

Despite your mind being completely and wholly occupied by trying to figure out how in the world you managed to break through that barricade, you still manage to make it to the second basement floor of Shibuya Hikarie by 8:25PM— a brand new record. Satoru Gojo doesn’t show up until around 8:34PM, so that gives you almost ten minutes to try and figure out what you need to do to try and replicate shattering the glass barricade again.

Except—

Except Satoru Gojo is already here.

The thought that maybe you’re mistaken flashes in your mind before it’s quickly dismissed; there’s no way you’d mistake anyone else for him. There is absolutely no denying it: that is Satoru Gojo. Bewildered, you double check the time on your phone. Maybe you misread it and you’re actually late but sure enough you read it right— Satoru Gojo is here early.

What the hell is going on?

Of the thousands of times you have experienced this night, this hell, this sort of thing has never happened before. Everything happens at a specific time, as if adhering to an unseen schedule. It’s likely that what happened in your last iteration did delay Satoru Gojo’s arrival onto the platform, but other than that there has never been a deviation to the time table.

And yet, here Satoru Gojo is, nine minutes early now.

You realize that that’s not the only thing that’s strange: he’s not moving. In previous rounds, when you encounter Gojo here, he’s walking to the lookout spot beyond the barricade. But, right now, he’s just standing there, hands stuffed in the pockets of his jacket. It almost looks like he's waiting for something.

Or someone.

This unexpected turn of events has you rooted to the spot. You’re not sure what you should do. No. This shouldn’t change anything. You need to talk to him. As concerning as a change like this is, the extra time it gives you should be a good thing. Despite knowing that, your feet are still firmly planted to the ground.

The crowd shifts and you see Satoru Gojo start to move. Toward the barricade? No. He’s not heading in his usual direction, rather he’s—

You stop breathing.

He’s headed toward you.

All sound stops: the crowd around you, the thoughts in your head, the beat of your heart. Even though you cannot see them through that blindfold of his, you know that Satoru Gojo’s eyes are on you and the thought of that, the knowledge of it is absolutely mind numbing.

He comes to a stop before you, lips curled up to form an amused sort of smile as he says, “Soooo, you needed to talk to me?”

You try to answer but no words come out of your mouth. Are you dreaming? You have to be, right? There's no way that this is actually happening. Could it be that, after thousands of loops, you’ve finally lost it? Your mind shattering along with the glass of the barricade at the end of the last one?

Gojo tilts his head, indicating that he's still waiting for an answer. When you open your mouth, at first, nothing comes out, the words stuck in your throat. You force them out, your voice cracking, “...how did you know?”

He smiles, looking almost mischievous as he reaches up and lightly taps the side of his head. “I remembered, of course!”

All you can do is stare at Satoru Gojo. He remembered? How is that possible? From his perspective, this is the first time you’ve met and while it shouldn’t be possible for him to remember there’s something in your mind that’s keeping you from completely dismissing the possibility.

Gojo laughs, “I take it from the look on your face that you’re not used to this sort of thing happening. Is this the first time?”

“No.” The fact that the word is out of your mouth before you can even really think about it surprises you and you really have to think. Your face scrunches together as you try to remember. Is this really not the first time? Then, the memories assault you, overlapping as they replay simultaneously in your head— a woman in a yellow and white magical girl costume— begging you for help as she burns to death— smiling as she tells you she made her costume herself. “...it happened just once a long time ago.”

“‘A long time ago,’ huh. Sounds like you've been at this for a while now.”

“...unfortunately.”

Gojo hums. “So when you said you didn’t need my phone number…”

“You’d already given it to me a few times,” you say, figuring that’s where this conversation is going.

“Really now?”

Does he not believe you? Or is he just being an ass? You’re not sure, but since you had taken the liberty of memorizing Satoru Gojo’s phone number you recite it back to him to prove your point.

Just when you think you may have stunned Gojo into silence he starts to laugh, obviously finding something funny about the fact that you know his cell phone number. “Seems like you've got quite the fascinating technique there.”

Technique? What is he talking about? Your confusion must be plain on your face because he adds, elaborating, “The time travel.”

You continue to stare at him. You don't think you'd consider what you've been going through time travel, because traveling implies moving from point A to point B, but you've been stuck walking in circles at point A for a long time. What really gets you is… “What do you mean by ‘technique?’”

“You mean you don’t— oh. I get it; no wonder you’re trapped.”

That does not answer your question in the slightest. “Can you please explain what you're talking about? What do you mean by ‘technique?’”

“Right, right… So basically, a technique is like a special sort of power,” he finally explains. “Like I said, your technique seems to be a kind of time travel. Whenever you activate it, your mind is sent back in time.”

What he's saying makes sense, but… “How come you were sent back too?”

He laughs again. “Isn't it obvious? Think back to before— do you remember that I caught you as you were falling?”

You nod slowly. The memory of his arms around you is almost embarrassingly vivid. “...is it because we were touching?”

“Ding, ding, ding! That's correct! Anyone you happen to be touching when you activate your technique gets affected by it too!”

Something about his tone annoys you, but you try to ignore it. He could have just told you rather than make you guess. “How do you know that for sure?”

“Well,” he continues. “You’ve done your little time loop a bunch of times, right? If your technique affected everyone, or even a few people in a select range you would have noticed for sure. And if it affected only just you then we wouldn’t be having this conversation right now, now would we?”

When you think about it, you do think that the woman in the magical girl costume might have bumped into you before the loop where she remembered.

“That’s honestly just conjecture, but I've got pretty good eyes, so I’m hardly ever wrong.”

Gojo gives you a grin and while you do think that his reasoning is sound enough his confidence is a little grating. More than that, though, you’re glad that this conversation is actually going really well.

“Either way,” he says thoughtfully. “It doesn’t look like you can control your technique. Usually a person’s technique manifests when they’re a kid, but you seem to be a special case… in fact, I bet your technique activated for the very first time tonight— probably under some pretty extreme circumstances, too.”

“...dying counts as an ‘extreme circumstance,’ right?”

“Oh, absolutely. Or legitimately thinking that you’re gonna die, but it seems like your body has been unconsciously activating your technique as a sort of defense mechanism. Which is why you’re trapped.”

“So, if I could control it I’d be able to make it out of this time loop.”

“Yeah, but in this case it probably wouldn’t end very well for you,” he points out with a chuckle. “It’s not like you actually want to die, right? I mean, if you did, then your technique wouldn’t even activate in the first place.”

You don’t; what you want is for this night to finally end. To be free from the endless cycle of dying over and over again and again. You don’t think death is quite the answer; even if you were to learn how to control this supposed technique of yours, there’s no guarantee that you would just unconsciously activate it when the grim reaper comes knocking on your door. No, the answer is…

“Anyway!” Gojo’s cheery voice cuts through your thoughts. “I highly doubt that you’re the type that makes a habit of jumping off ledges for the funsies, so the fact that you’ve been dying tells me that some pretty gruesome stuff is about to go down, so, tell me what happens tonight.”

The sudden drop of his voice sends a shiver running down your spine. If it weren’t for the fact that you’ve seen how serious Gojo can get, the sudden shift in demeanor would probably freak you out a bit, but it doesn’t. This is the Satoru Gojo you’re familiar with.

You do have one concern though. “That… won’t create a time paradox or anything, will it?”

“Nah,” Gojo shrugs. “You wouldn’t cause one with the way your technique works, besides, if you’ve only been going back at most an hour or two in time it’s hard to believe you’d be making a really big impact… unless you really believe in the butterfly effect.”

You’re still not quite sure.

“Trust me, it’ll be fine.”

His voice sounds strange. Gentle. Kind. It's the most soothing thing you've heard in a long time and it makes you want to believe him.

“...okay.”

Anxiety is still gripping at you, but you try to dispel it, taking a deep breath before beginning your explanation. For the sake of brevity, it’s probably best that you’re as concise as possible. There isn’t much need to really get into the nitty gritty of things unless he asks specifically.

Naturally, you begin with his arrival onto the platform and how soon after a fight breaks out and how the crowd is unfortunate enough to be involved. Gojo’s expression is passive for the most part, but he does crack the faintest hint of a smile when you mention how he manages to eviscerate one of the monsters.

It disappears once you tell him about the arrival of the train. Between the dozens upon dozens of people being dropped onto the platform by those two high school girls and the hoard of monsters disembarking from the train, everything devolves into pandemonium.

“Wait,” Gojo holds a hand up and you pause. This is his first interruption since you started recounting the night’s events for him. “Everyone is able to see the monsters?”

You stare at him. What a weird question. “...yeah?”

His mouth twists and it looks like he’s thinking about something. You can’t even begin to imagine what. Finally, he comments, “Makes sense.”

It does not, but you don’t ask him to elaborate. Surely if it was important he would have just done so.

“Anyway, in the middle of all that, you… you do something.” Your brows bunch together as you remember the stance Gojo took, the crazed and desperate look in his eyes, the feeling of your head about to explode. “I don’t know how to describe it. At first, it would just force me to… activate my technique, I guess. But now, it just knocks me out for a few minutes.”

Gojo frowns and he rubs at his chin, obviously thinking about what you’ve said. Eventually, he raises a hand and bends his fingers into a familiar gesture. It’s the one that preludes whatever he does on the platform. “Do I do this?”

“Yeah.”

He hums. “Interesting.”

You wait to see if he’ll explain. He doesn’t. Great. Even if he doesn’t think you need to know, it certainly would be nice to. It’s annoying otherwise, but you ignore the feeling and continue. “I can’t tell you what happens when I’m knocked out, but when I come to everyone is basically a zombie and all the monsters from the train are gone. I think you kill them.”

“I probably do,” he says casually. “But what about Volcano Head?”

“...you don't…get a chance to kill him,” you say slowly. Gojo tilts his head, waiting for you to elaborate, but you hesitate. You have to tell him, you know you do, but…

You have seen the interaction so many times and though you don't know the exact nature of the relationship between them, you can tell that seeing Suguru Geto (or rather seeing his body) shook Satoru Gojo to his very core.

There's no doubt in your mind that he will not take this news well.

“Come on now,” Gojo's tone is light-hearted, unaware. “Don't keep me in suspense here.”

It's as if you're withholding the punchline to a joke. In a way, you suppose you are, but you don't think he's going to find it funny.

You take a deep breath. You need to tell him. The worst thing that could happen is that he doesn't believe you, but if that's the case… you'll probably just end up repeating this all again until you find a loop where he does.

Having made it this far, you'd like to avoid all that.

“Before you can get Volcano Head you get restrained by something called the prison realm,” you say slowly, “by someone calling themselves… Suguru Geto.”

The second the name leaves your mouth, there is a clear and obvious shift in the air. Gone is Gojo’s laid-back and frivolous demeanor, replaced with something more somber and almost frightening. The tension grows more and more palpable to the point that you think it might almost choke you.

You almost wish that it would.

“You can’t be serious,” Gojo finally says, once your words have fully sunk in.

“I—” You start to speak, but come to an abrupt stop when you see him shove his hand into his pocket to yank out his phone of all things.

The both of you know full well that there’s no reception here, but you don’t think that he’s planning on making any calls. Gojo scrolls and scrolls on his phone before he stops and shoves the screen in your face. It shows a picture of three people— a teenage girl with a cigarette in her mouth, a younger, happier version of Gojo sporting a pair of round sunglasses and—

“When you say ‘Geto’ is this who you’re referring to?” Gojo demands, using his other hand to point at the third person in the frame— a handsome young man with long dark hair pulled up into a bun.

“Yes, but—”

“That’s impossible. It can’t be him,” Gojo interrupts, his voice firm, cold even. “He’s dead.”

There’s a note of finality in his words that is definitely meant to leave no room for argument. It doesn’t stop you, though. Instead, you glare at Gojo’s stupid blindfold and say, “...being dead doesn’t mean a damn thing! I’ve died hundreds of times and yet I’m still fucking here, but—”

“Your situation is different,” he interjects, the temperature of his tone hiking up, his words like heated hissing. “I killed him almost a year ago. There's no way—”

“You didn't get rid of the body properly!” You cut him off, raising your voice in hopes that he'll take even just a second to stop and listen. It seems to work and you add something you remember ‘Geto’ saying. “You should have had Shoko Ieiri get rid of it, but you didn’t and now some… some kind of gross brain thing is possessing the corpse!”

The air between you both is silent as the grave. Though you can't see it, you can feel the weight of his gaze pressing down on you. He’s definitely having second thoughts about everything you’ve said so far. There’s a chance he might even think you’re his enemy now. You stare him down though, refusing to look away. You’ve made it this far, you can’t— you won’t back down.

“...you’re not lying, are you.” Gojo’s words are more of a statement than a question. There’s no doubt in your mind that he knows the answer, and yet he’s still asking. You wonder if maybe he’s clinging onto some vain hope that maybe, just maybe this all a sick, cruel joke that’s gone way too far.

“I’m not.”

Gojo holds your gaze for a second longer before he lets out a curse. “Fuck!”

“...I’m sorry,” you say quietly, mostly because it feels like the most correct thing to say at this moment. You don’t know the whole story, but it seems like they were close. If so, then it must have hurt Gojo a lot to have killed him, and must hurt even more to know that someone is desecrating the body. You hate that you, a complete and utter stranger, happened to be the person to tell him, but…

It had to be done, for the sake of getting past this unending night, it had to be done.

Gojo runs a hand through his hair and lets out a ragged sigh. “Okay. What happens after that?”

You give him a rundown of what follows; he gets sealed, the monsters wake up and all but ‘Geto’ leave in search of their next target. When you mention the high school girls demanding the brain give Geto’s body back, Gojo snorts loudly.

“Fat chance of that,” he says derisively.

You nod in agreement. It was clear to you that the brain parasite has no intent on giving it up any time soon. “After they leave, he… talks to me.”

“Probably couldn't ignore all that cursed energy you have,” Gojo remarks offhandedly.

You stare at him, expression twisted in a way that shows that you have absolutely no clue what that means. It should be fine for you to ask this one question; it actually concerns you after all. “What does that even mean?”

“Exactly what it sounds like, though… probably doesn't make much sense to you, does it?”

You give him a pointed glare and all Gojo does is laugh.

“Just think of it like having a lot of MP.”

“...Like in a video game?”

“Exactly!” Then, Gojo tilts his head, clearly thinking. You don't bother asking; you don't feel like he'll explain.

“He does ask me if I'm a sorcerer, whatever that is. Is that why?”

“Probably. Ordinary people don't have even a fraction of the energy you're packing.”

‘Ordinary people’ he says as if you’re not an ordinary person who got caught up in all this supernatural sorcery bullshit. Or at least you were, but if the time loops are really a product of your own doing…

“Does he kill you when you answer?” Gojo asks to get the conversation back on track.

“Not right away. What happens next kind of varies,” you answer. “He usually lets me have a question or two before he kills me; I've asked him a couple different things.”

“Really taking advantage, aren’t you?” Gojo says and you're not sure what to make of his tone. Is he mocking you or is he easing back into that laid-back persona of his?

“If I’m doomed to repeat the same situation over and over, I might as well make the most of it,” you respond flatly.

“You know, your technique kind of reminds me of save scumming.”

He’s definitely gone back to acting almost completely unserious— all signs of his earlier agitation are nearly gone.

“So what did you learn?”

“Well, the prison realm only holds one occupant. Once they’re sealed, time stops for them and the only way out is if the bearer unseals them or if they choose to kill themselves.”

“I see… And what about our body jacker?”

“He didn’t go into detail but he said something about… striving toward the evolution of mankind?” You frown a little at the memory. He didn’t explain further because he said that you wouldn’t understand.

“Huh. Interesting. Wonder how he was gonna go about doing that.”

“I don't know, but I can't imagine you'd like it since he goes out of his way to seal you into that box,” you say. “Said you’d get in the way because you’re too strong.”

Gojo shrugs his shoulders and grins a little. Cocky. “Well, I am the strongest sorcerer around, you know.”

You would think him overconfident if you hadn't seen the magnitude of his strength first hand.

“Anyway, that's as far as I ever go. When he's decided he’s done talking to me, he kills me and I loop back.”

“So, in short, what you want help with is getting past that point, right?”

“More or less.”

“And all I have to do is avoid getting caught by the prison realm?”

You nod.

“What’s it look like?” he asks. “A big cage with a bunch of metal bars?”

Now that you think about it, you haven’t woken up early enough to see it before it traps him, but you can’t imagine it looks that much different. “No.. It’s a small box with eyes… It gets big enough to fit you in it, though.”

“Huh.” He stretches his arms out above his head as if he’s trying to emphasize how large he actually is and shoots you a grin. “Should be easy enough then. I bet our body snatcher used the shock of seeing Suguru to trap me but since I'll see it coming, avoiding it'll be a piece of cake.”

Gojo makes it sound so easy, and maybe it really is as simple as that, but you can't help but be worried still.

“Don't tell me you don't think I can do it,” he says, tilting his head.

“It's not that,” you admit. “I'm just concerned I might die before we can get to that point.”

Truthfully, since you know that will just result in another loop you're less concerned with dying itself and more worried about losing the progress you've made in convincing Gojo to help you. Even though it's been clearly proven you can loop him as well, there's no guarantee you'll be able to make the physical contact needed to do it upon death.

“You've made it pretty far on your own, though, right?”

“Yeah, but… I’ve messed up plenty of times.” More than you can even count. “There's also the possibility that taking the time to talk to you might have thrown things out of whack.”

Speaking of time, you check your phone. It's 8:39PM. You curse.

Gojo leans over to check your phone. “Let me guess, I'm supposed to be somewhere right now.”

“Yeah, this is when you’re descending down onto the platform.”

“You know where I am down to the exact minute?” He asks and you tilt your head back and forth a little. It’s not exact per se, but it’s close enough. Gojo chuckles a little. “Man, I didn’t realize that you were actually that into me.”

That earns Gojo a glare from you, but he just laughs it off. “I doubt being a few minutes late is going to make a big difference.”

You certainly hope so.

“Don't worry,” Gojo says and you notice he's using that tone from earlier. “You won't die.”

It’s hard to argue with him when he uses such a reassuring sounding voice and yet, you still open your mouth to try— to voice your doubts, but what he says next silences you before you even can.

“I'll protect you.”

You think your heart stops beating in your chest and your words dissolve in your throat.

He grins at you. “Did you fall in love with me just now?”

That catches you a little off guard. You're willing to admit he's hot, but surely he must be joking. “How could you even think of something like that at a time like this?”

Gojo laughs again. “Well, since someone is so worried about their time table being all messed up, I better head down there; can’t keep Volcano Head and friends waiting, right?”

You blink. Is that it? “Wait, shouldn’t we make a plan or something?”

“Isn’t the plan for me to not get caught in the prison realm?”

Yes, but… “But what about me? Is there anything I can do?”

Gojo stares at you, or at least you think he does. “...I don’t know, is there?”

You’ve seen the encounter between Satoru Gojo and those monsters so many times and you try to picture a version of it where you intervene and… all you can see is yourself getting in his way. You’re no fighter, no… sorcerer, or whatever he is, you’re just some ordinary person that was unfortunate enough to get all caught up in this mess. The most you can probably do is kick the prison realm out of the way when the time comes, but otherwise… “...no, I guess not.”

His expression turns sympathetic. “You’ve done plenty by telling me everything that happens. So just wait up here, and let me handle the monsters.”

You almost nod. Almost. But then you remember what transpires up here above the platform. You know it sounds safer up here where you’re less likely to get involved in the carnage, but… “Wait, no, if I stay up here then I’ll fall to my death when those girls—”

Gojo laughs, interrupting you. “Don’t worry about that. It’ll be fine.”

“How?”

“Just trust me.”

“I…” It’s hard to. After everything you’ve gone through it’s hard to trust in anything, to believe in anything. Even though you’ve made it this far this time, the worry that something will go wrong and that you’ll have to do it all again still lurks in the back of your mind.

Despite all that, you want to believe.

You want to believe that you can make it past this unending night, that one day you’ll wake up and it’ll no longer be October 31, 2018. And the first step towards that is trusting in Satoru Gojo.

“...okay,” you say quietly. “Okay.”

Gojo chuckles then asks, “Anything else before I head off?”

You start to ask if there’s anything you should say, in case things don’t work out, but you stop yourself. You’re choosing to trust him, to believe in him— you can figure out that stuff later if things end up going south after all. So, instead you give him a smile and it feels a little weird because you don’t remember the last time you did. “Good luck!”

For a split second, Gojo looks almost surprised, but then he laughs again, beaming widely at you. He starts to move past you and reaches out to give you what you think is meant to be a reassuring squeeze of the shoulder and then he’s off. You turn to watch him go, the crowd, once again, parting almost naturally for him.

When he reaches the barricade, he pauses, raising his hand as if he’s giving you one last wave. Then he jumps over it onto his little perch and then less than a minute later he’s gone, descending to the platform below.

Now, all you can do is wait.

You check your phone again and it’s 8:44PM. If you remember correctly, the high school girls start threatening everyone right before 9PM. With Gojo’s arrival being shifted back almost five minutes, does that mean that they’ll be shifted back too? It would make sense, but you’re not too sure.

Out of habit, you keep checking your phone and at nearly 9PM, you hear the shrill voice of one of the girls over the crowd, commanding everyone to do what she says, her partner stringing up bodies until everyone listens. Everything plays out just as you remember it, which is mildly comforting, though you know that the events that happen up here are more or less independent from what happens below.

Surely, just as Gojo said, a few minutes aren’t going to change anything, but—

No.

You agreed to trust him. To trust that everything would be fine.

When the girls start to demand that as many people as possible climb onto the roots and vines covering the atrium your heart starts to hammer in your chest. In just a few minutes, all the foliage will disintegrate beneath you, and you and everyone else here will fall into the abyss below.

You are afraid.

There isn’t a single loop where you’ve really survived this fall. If you don’t die in midair, you die right after landing. It’s a death trap, and that’s why you’ve stopped coming up here. There’s a part of you, the part that knows what’s about to happen, that wants to try and run back onto stable footing. But you can’t, because you know if you do then the girls will kill you for sure; you have to stay.

It’ll be fine, you tell yourself, it’ll be okay.

You just have to trust Gojo.

An eight car train is pulling in. Please wait behind the yellow line.

You hear the announcement faintly below you. It’s almost time. You brace yourself and try to stay calm. Gojo said he would protect you, that you wouldn’t die. You don’t know how he intends to keep that promise, but all you can do is believe in his words.

It’ll be fine. It’ll be okay.

The vines and roots start to crack and the ground beneath you starts to give out. You squeeze your eyes shut as that sickening weightless feeling overtakes you. It occurs to you that this is actually quite literally a trust fall— will Satoru Gojo really be able to catch you?

As you fall, you realize almost instantly that something is different.

You’ve experienced this fall dozens of times and so, even though it has been a while since you’ve gone this route, you are very familiar with what it feels like. Something is different. You’re falling faster. The trajectory is changing. It’s like some force, other than gravity, is pulling at you.

Is this Gojo’s doing?

Just as your body collides with the ground you hear the sounds of mutilating flesh meld with the screams surrounding you. Blood and severed limbs litter the ground, but you try to ignore it. You need to focus on your own survival right now. Quickly, you scramble to your feet scan the area around you; you’re on the platform right now and right in front of you is—

Right in front of you is Satoru Gojo.

His back is turned to you, his focus currently elsewhere. Looking at him you realize you recognize this scene, though it’s much closer and at a different angle. He’s about to do that thing, that thing that knocks you out.

Something in you tells you to move closer to him, after all, he used his mysterious powers to deliberately bring you closer to him, right? You rush toward him and as you do something he said earlier pops up in your mind.

Anyone you happen to be touching when you activate your technique gets affected by it too!

Whatever he’s about to do… Is that his ‘technique?’ And if it is, would it work the same way as yours? If so, there’s only one way to find out: you need to touch him. You dodge monsters and other people as you run toward Satoru Gojo and—

A monster still manages to grab you, its large hands wrapping around your wrist. You try and yank it free, but it's much stronger than you are.

“Shit!” you hiss as the monster starts to pull you toward it and away from Gojo. What do you do? Your other hand is still free, should you try to punch it in the face? Or—

Before you can do anything, something blasts the monster’s head clean off. Shocked, you stare as the monster’s body slumps onto the ground, its grip loosening on you instantly. You whip your head around to find that while Gojo still has his back to you, his arm is bent back in your direction, his palm open as if he fired some invisible blast from it.

Then you feel it again, something pulling at you, but this time it's more forceful. Your body is yanked toward Gojo and the second you feel his hand press against you, you see him make that gesture with his other hand.

“Domain Expansion,” he whispers in a strained voice. “Infinite Void!”

Something happens and your vision flashes for a fraction of a second. And then—

The room is enveloped in an eerie stillness; all the violence and bloodshed coming to an abrupt stop. Monsters and humans alike stand like the living dead, unconscious with their eyes wide open as if they are staring into an infinite abyss. You recognize this scene, you’re familiar with it because it’s similar to the one you wake up to after being hit by Gojo’s ‘domain expansion.’ The only difference is the presence of the monsters, who are all but gone when you regain consciousness.

The pressure from Gojo’s hand is gone and he says to you, his voice still low. “If you’re squeamish when it comes to blood and gore, it might be best for you to close your eyes.”

And then he’s gone.

You do not take his advice. You do not close your eyes. How many loops were you unable to witness what’s about to unfold? A few hundred? A few thousand? And if all goes to plan, then you will never get another chance again: there’s no way you could possibly look away.

And what you see unfold before you is that Satoru Gojo was right.

He is the one to kill all the monsters.

It’s not as if you really had any doubt, after all, it seemed like the most logical conclusion to come to and yet…

There’s a difference between knowing and seeing.

All the violence resumes and the platform is engulfed in the sounds of carnage and slaughter once more. The lack of terrified screams makes everything more disconcerting— without them, all you can hear is the squelching echo of mangled flesh and blood splattering all over the place. You can’t really see him, but you can tell where Satoru Gojo is in the crowd as he leaves dozens upon dozens of decapitated heads soaring in his wake. Once or twice, he leaps out of the crowd and even from where you stand you can see the crazed glow of his inhumanly blue eyes as he massacres monster after monster.

Even though you don’t think you have anything to be scared of, you are still terrified: Satoru Gojo is no longer a man, but violence incarnate. You want to move closer to where Gojo gets trapped, but you’re afraid to. What if you get in his way? What if he kills you by accident?

Dying again when you’ve made it this far is definitely not ideal, but isn’t being killed by Gojo the best case scenario? Because then the two of you would probably loop together again and—

No.

Gojo said you wouldn’t die.

He said he’d protect you.

It’s hard to believe when he’s in the middle of a massacre, slaughtering monsters left and right, but you remind yourself yet again that you have to believe in him.

You take a deep breath and start moving, taking care to keep an eye on where Gojo is. You don’t know how long this is supposed to take, but you do know where he ends up when he’s just about done. The closer he gets to that spot, the sooner the prison realm will be unleashed upon him.

There’s a small group of zombified people nearby and you settle yourself among them. It’s not super close, but you think it's close enough that you'd be able to run over and kick the box away from Gojo if you have to. You do a quick survey to see if you can spot the body snatcher, but he's nowhere to be found. Hopefully, he hasn't noticed you moving around, or, if he has, he's more concerned with Gojo than he is with you. Given that you always seem to be the last thing he acknowledges, you'd like to think that he doesn't consider you a threat.

Which you're not, not really anyway.

The sounds of slaughter start to die down and you look to see Gojo approaching the spot where he gets caught. He looks beat, his eyes unfocused and his breathing heavy. You do another quick scan around him and notice a small box a few meters away from him, wrapped in what looks like paper charms or seals or whatever they're called. That has to be the prison realm— though it looks different than what you saw before. Gojo seems to notice it right after you do, his gaze honing in on it, examining it with some measure of bewilderment. Then, some invisible force slices through all the paper seals covering the box and it expands, the corners of the box floating up in midair to reveal what looks like a large sheet of dark red flesh with a large bloodshot eye stapled to the middle.

Disgusting.

If Gojo didn’t realize before, he seems to now, because he takes a step back, away from the grotesque thing. Good, good—

“Hey! Satoru!” Your blood runs cold at the sound of the body snatcher’s voice. He emerges from the crowd, smiling widely as he gives Gojo a wave. “Long time no see!”

Satoru Gojo’s entire body goes rigid. Shit. You told him, you warned him about what was going to happen, who he was going to see, but was that not enough? It’s possible that no amount of warning would have been enough to mentally prepare Satoru Gojo for the sight of the man he said he killed a year ago. After all, you know that there’s a stark difference between knowing and seeing. Even then, if Gojo doesn’t gather his wits and move now then he’s going to get caught and you can’t let that happen.

Your body moves before you can even think about it.

You scramble out from your hiding spot in the crowd and throw yourself in between Satoru Gojo and the prison realm. There’s no way you can kick it away from him now, not when it’s in this form, but maybe, if you get between them you can at least keep it from capturing him.

The eye quivers erratically, as it flits from Gojo to you. Every hair on your body stands on end as it watches you, the pupil dilating and contracting uncontrollably. You can’t look away from it, your own gaze fixed to your image reflected in the black abyss of the pupil. Something in the back of your mind tells you to stop, to get away, it’s dangerous, but you keep your feet firmly planted to the ground.

A second, or maybe even a minute passes and the prison realm shifts, its fleshy form morphing to restrain you.

The body jacker looks at you, his frown tinged with disgust. “Don’t you think you’re being rather rude by butting into what could have been a touching reunion?”

You scowl. Is he still trying to play the role of Suguru Geto?

He sighs and looks past you at Gojo. “Satoru, I thought bringing lesser sorcerers to fight alongside you was more trouble than it was worth?”

You hear Gojo snort from behind you, “It is… but this person here isn’t a sorcerer… Just like you aren’t Suguru Geto.”

The faker almost pouts and presses his hand to his chest as if Gojo's words have wounded him. “Satoru, I’m hurt, how could you say such a thing to your best friend?”

“Cut the bullshit,” Gojo snarls. “You can’t fucking fool me. You might be in Suguru’s body but I know with all my heart and soul that you’re not him.”

The corpse snatcher stares at Gojo, expression blank before he sighs once more. Then, his gaze shifts back to you, his eyes narrowed as he looks at you with sheer disdain. It feels as if you’ve been drenched in ice cold water. There's no smile this time but you already know what's going to happen.

He’s going to kill you.

“I intended to deal with you later since you seemed harmless enough,” he says, raising a hand to summon a monster— the same one he always uses to end your life. “But you’re in the way. So, I think it’s for the best if I just get rid of you right now.”

Instinctively, you try to take a step back but the prison realm’s restraints keep you in place. Not that it would have mattered much, even in the loops where you’ve tried to escape the faker’s monster, it still kills you, too fast and too agile for an ordinary human like you to avoid. All you can do is squeeze your eyes shut and wait for the monster to kill you. At least, it’s always painless.

Something touches your back.

Your eyes shoot open.

Before you is the monster, wiggling and writhing only mere centimeters from your face. It gurgles and snarls at you, desperate to fulfill its master’s wishes and kill you but it doesn’t move any closer. You stare at it with wide eyes, unsure of what to do.

Someone behind you clicks their tongue— Gojo. You try to turn your head to look at him, but your movements are too limited, the most you can do is turn your head to the side. The sounds the monster is making start to change, sounding more frenzied, almost as if it’s in pain, and you flit your eyes in its direction just in time to see its entire body explode. The monster's guts and bright purple blood fly off in every direction, getting on the floor, the ceiling, the zombified bodies of the people unfortunate enough to be nearby, but not on you.

This is Satoru Gojo’s doing.

He steps in front of you, half turned towards you as he moves in between you and the body snatcher. His hands are shoved in his pockets as he loudly says, “Did you really forget about me?”

You’re not sure if he’s talking to you or the body snatcher.

Past him, the imposter scowls, raising his hand once more, probably to summon even more monsters, but Gojo’s quicker, and it almost looks like his eyes are glowing even brighter, the blue looking almost white as he whips his head in the faker’s direction. The sound of mangling flesh and breaking bones echoes throughout the room as Gojo, using that mysterious power of his, seems to break the faker’s arm.

The body snatcher hisses loudly and despite the fact that his face is twisted in very obvious pain, he tries to shoot Gojo a mocking smile. “Do you really think you can kill your best friend again?”

“I already told you,” Gojo turns to fully face the monster inhabiting Geto’s corpse. He tilts his head a little to the side and some force starts to squeeze at the faker’s neck. “You’re not Suguru.”

You hear a loud crack as Gojo telekinetically snaps his neck.

The head rolls onto the ground and you almost look away, but then you notice his eyes still moving, looking around. Is he still alive? Then you remember: the thing possessing Suguru Geto’s body was some kind of parasite. “Gojo! Wait! The brain!”

He reacts almost instantly, head turning and in an instant the skull is crushed and all that remains is red splotch on the ground.

You almost relax. Almost.

But the body is still standing.

Horrified, you watch as it quivers violently before falling to the ground. Then what looks like dozens of black spirits start to erupt from the corpse and the entire room is engulfed with a shrill howling.

What the hell is going on?

“Those must be all the cursed spirits he consumed,” Gojo explains uselessly, voice barely audible over the screaming. “Guess he was empty before.”

You don’t bother asking what he means. There are bigger problems right now. “What do we do?”

“No choice to exorcise them,” he answers plainly.

For him to exorcise them, he means. You both know that there’s not much that you can do. You still can’t move and honestly, you don’t even know if it’s possible to get out of the prison realm’s restraints. Not without dying. And if you die now…

Everything will have been for naught.

You’ll reset time and have to do this all over again— assuming you can even get to this point again.

There has to be something, you just have to think outside the box.

Or rather—

“Gojo!”

He glances back at you.

“You need to seal me in the prison realm!” you exclaim. He turns to face you fully, looking bewildered and you start to explain as fast as you can. “Those things are going to attack any minute right? I can’t move or try to hide and I can’t expect you to protect me the entire time and if I die then I’ll end up looping time again, but— but, if you seal me in the prison realm then that won’t happen.”

Gojo frowns, looking conflicted. “You don’t think I can do it?”

“Wouldn't it be easier if you didn’t have to?”

He tilts head and you think he’s conceding your point.

“Please,” you beg, staring at him desperately. “We don’t have much time. The other… cursed spirits will wake up soon too!”

You don’t have to explain that you mean Volcano Head and friends.

It takes only a second for Gojo to consider the very few options you have. “...how do you seal it? Do you know?”

“I think so,” you answer. “There’s no guarantee it’ll work but I think that if you say ‘prison realm, gate close’ it should seal me inside.”

If anything, it’s worth a shot.

Gojo nods. “Do you know how to break the seal?”

“I… don’t,” you confess. You never asked, and you don’t think the body snatcher would have told you even if you did. He only told you that it holds one and that…

That time doesn’t flow in the box.

“...you don’t have to break the seal.”

Gojo frowns, “Wait a sec—”

“Even if I make it past tonight… What if this all happens again? What if I inadvertently trap myself in another time loop?” you ask. “I… I don’t want to have to go through all of this again. It’s better for me in a place where time doesn’t pass.”

You don’t know for sure if it’ll be better, but right here, right now, it seems like the best option.

It feels like an eternity passes before Gojo says anything.

“...fine,” he agrees and you don’t quite know how to feel about it. The howling around you all grows louder. You wonder why the cursed spirits haven’t attacked yet. Maybe Gojo’s power is holding them at bay… for now anyway. You both know that he can’t ignore them forever.

“...before I do, though, mind if I ask you just one thing?”

You blink. “Not sure what I can do for you in this state…”

He laughs. “I just want to know your name.”

What an odd request. Though, now that you think about it, you don’t think that during this loop or any other loop really, you’ve ever told him your name. It only seems fair to tell him, since you’ve known his for longer than he’s known of your existence.

You tell him your name.

He nods, looking as if he’s committing to memory. Probably easier to remember than his phone number. “Any last words?”

You try to think of something. Nothing comes to mind and you just shake your head.

Gojo takes a deep breath, “Alrighty then… Prison realm, gate close.”

Just as it did the many times you’ve seen Satoru Gojo sealed away, the boxes and restraints around you vibrate a little before they start to close around you, growing large enough to fit your body as they approach.

You won’t see it, but once you’re inside the box will shrink and become small enough to fit in the palm of someone’s hand.

Will it be quiet inside?

In your final seconds, some words, some last words come to mind, and you say them, hoping that he hears them in time. “Thank you, Satoru Gojo.”

You burn the glittering glow of his brilliant bright blue eyes into your mind.

And then, everything is engulfed in an unending black.

It’s November 30, 2018— morning on the campus of Tokyo Prefectural Jujutsu High School.

Satoru Gojo strides through the school grounds, casually tossing a small silver box with eerie blue eyes known as the prison realm up and down in his grasp. Walking at his side is Shoko Ieiri, a pretty woman who’s been unfortunate enough to have been Satoru’s friend since high school.

“Are you sure this is a good idea?” Shoko asks, twirling a few strands of her long brown hair.

“What do you mean?” Satoru responds nonchalantly. “All my ideas are good ideas.”

Shoko hums in clear dissent, but doesn’t say anything more. Even she knows better than to try and waste her time trying to argue with Satoru. “I’m just worried about their mental state. Didn’t you say that time doesn’t flow in the box?”

“I’d be worried if it was some normal person,” Satoru says. “But after what they’ve gone through I think they’ll be fine.”

“...well, if you say so.”

The two arrive at their destination: the largest training area on the Jujutsu High grounds. Satoru places the prison realm at the center and takes a few steps back with Shoko standing behind him, in case anything happens.

He doesn’t think it will, but it’s always good to take at least a few precautions.

“Gojo, are you sure we should be doing this?” Shoko asks again. “Didn’t they want to remain in the box?”

“Of course I am,” Satoru says with his usual air of confidence before looking back at the prison realm nestled in the grass. He grins and then—

“Prison realm, gate open.”

if you made it this far. thank you. it's my sincerest hope that you enjoyed the ride. 3

[ovaryacted]

PAIRING: Logan Howlett/Wolverine x f! reader || WC: 900 CW: MDNI/18+. NSFW. Missionary Position/Mating Press. Overstimulation. Mentions of sub-space. Logan is an endearing tease.

Alright...Y'all know I just had to. If it wasn't already evident based on my previous posts, Wolverine is rotting my brain and Hugh Jackman snuck up on me in my sleep and slipped into my head again. I had to get this out of my system before I went insane lmao, and don't worry, I have longer pieces in mind for claw daddy. When writing this, I also imagined the X-Men version of Logan cause I loved the og movies, so this isn't the variant Logan from the Deadpool movie but imagine whichever version tickles your fancy! Thanks to @ozarkthedog for helping me pinpoint his characterization btw. <3

At times, Logan knew he could be a lot to handle. Not that he would really give a fuck most days, but he became more conscious of his presence when he met you. Softer, much more pliant in comparison to him, covered in hard muscle and rugged tendons. You didn’t mind his intensity, much less his overbearing weight and heavy hand. In fact, you welcomed all of him and encouraged him to let loose and forget about his fears regarding how he handled you.

“I’m not made of glass, Logan. I can take it, trust me.”

You told him once, his eyes silently apprehensive as he glanced at you. He was always careful, always self-aware, and treated you with respect. You knew it would take much more convincing to get exactly what you wanted with your lover, who was too adamant about keeping Logan and Wolverine separated in your relationship. But just this once, you asked for his trust to try something else, something a little different.

Ultimately, you got what you wanted, but your curious ambition may have underestimated the situation.

Legs pinned above his broad shoulders, Logan’s hips hammered into you as he fucked you into the mattress. You’ve lost track of time since he pulled the first orgasm between your legs, the tip of his nose and upper lip covered in your slick, glistening under the dim lighting of your bedroom. He surprised you as he kept going, pulling another release out of you with the use of his thick fingers, and a third the moment he slipped his body into yours over and over again.

The back of your head lay limp against the crumbled pillow underneath, thighs shaking on impact and your body jolting upwards with every thrust Logan gave you. You didn’t have the energy to moan or cry out for him anymore, your chest heaving as you tried to catch your breath, and your hands loosely held his flexing biceps.

You were lost, so far gone into pleasure, your brain wasn’t working anymore. The only thing on your mind was how the tip of Logan’s cock continued to hit that spot inside you with rehearsed precision, sending you further into that fuzzy headspace you seemed to enjoy. Your eyesight grew hazy, glossed over with tears on your lashline that began to fall down your warm cheeks. You didn’t realize you were crying until you felt a comforting palm on your face, fingertips tapping along your cheekbone in an attempt to ground you back to reality.

“You still with me, sugar?” He asked, gravelly voice filtering through your ears. You whined in response, pupils losing focus as your eyes fluttered closed.

“Not a single thought in your head now, huh?” The creases on Logan’s temple became more prominent as he smirked, deep strokes intensifying the heat you felt deep in your gut.

“C’mon sweetheart, need to hear you say something. Talk to me.” His nose bumped into yours, huffs evident on your bottom lip as you struggled to find your voice.

“Logan...” Your voice was breathless and raw, trailing off into a meek whimper at the feel of his other hand squeezing your waist. Your eyes trailed up to his own, hazel irises and a toothy smile came into view, causing you to clench around him. 

“There she is. This too much for you?” He knew it was, knew that this was what you asked of him, to push your limits and bring you to the point of no return.

Your mind fizzled out, the grip on his arm waning as he continued to thrust hard into you. You gave him a feeble nod, finding enough stamina to provide an answer. It was too much; three orgasms in, and your entire body felt on edge and overstimulated, sensitive to anything that was done or said within the confines of your bedroom. And yet, you didn’t want to stop, didn’t want to eat your own words and make him proud.

“I know, honey, I know. Just giving you what you wanted.” Logan teased, his tone dripping with sarcasm that matched his cocky expression.

You could feel yourself getting closer, your thighs and knees shaking on either side of his head. He continued to move against you, the hand that was on your waist drifted between your legs, seeking out your throbbing clit. His thumb pressed into the engorged nub, rubbing it in diligent circles that sent your hips jolting away from him. Logan held on to one of your thighs, pressing it towards the mattress and bending forward to pin you in place. Your heart raced, your chest ached, and you tightened at the violent wave of your next climax threatening to wash over you. 

“Keep your eyes on me, right up here. I gotcha.” Logan said, maintaining the powerful drives of his hips until you came around him with a scream of his name, doing your best to hold his gaze. You sobbed at the feeling, a neverending spiral of bliss filling your body and making your head go blank.

“That’s right, atta girl. Keep looking at me.” He rasped, groaning loudly under his breath and leaning down to give you a bruising kiss, spilling into you and filling you to the brim not that long afterwards.

Sure, Logan can be a lot to tolerate sometimes, but you didn’t mind being the one to handle him.

©️ ovaryacted 2024. Please don’t repost, copy, translate, or feed into any AI. Support your fellow creators by reblogging, commenting, and liking!

[tender-rosiey]

“GOOD! NOW PUNCH HIS FACE!”

— when your baby and gojo, geto, nanami, toji, and sukuna get protective over you (f!reader)

a/n: I am alive!! as an apology here is a multi-character post 🙏 btw in toji's part, you're megumi's mom

GOJO SATORU:

two peas in a pod, twins, copies: these are all things people have called your husband and son.

honestly, they’re not wrong. your son has his father’s looks—satoru swears he has your nose and ears but anyway—and he carries the same protectiveness and love he holds for you, if not amplified.

you can’t count on one hand the amount of times the house has been turned upside down because of their fights for a cuddle session with you.

of course, you have always tried suggesting them simply sharing you, but these problem children would rather eat raw zucchini than ever share the cuddle time.

so while your son is barely six, you can still count on him to team up with satoru against anyone who wrongs you in anyway like what’s happening right now for example.

you’re out with your lovely family to buy some groceries, and since they both were whining about getting some sweets, you allowed them to go and snatch a couple from the next aisle.

on the other hand, you stayed to look for another type of detergent to clean the floor—especially since satoru got this new type of paint for s/n and it’s quite an endeavor to remove it with a regular detergent.

however, being in the cleaning supplies section never guaranteed the lack of filthy men who can’t take no for an answer. this one man approaches you, smug grin on his face as he leans on the wall, “what’s a pretty lady like you doing alone?”

“buying groceries like a normal person; now please leave me alone.”

he quickly frowns, “don’t be so stingy doll,” his hand extends towards your arm, “I can show you a good time; I promise—“

the man is swiftly smacked with an egg on his face, and he is left with the egg dripping down his face, “what’s your wrong with your kid, man?!” he yells at the person behind you.

he then grumbles, “ruined a potential good night.”

“my kid was absolutely right in what he did,” you hear satoru’s voice. you then feel a hand on your shoulder, and you’re pulled into a chest you’re all too familiar with, “’toru—“

your husband shoots a small smile your way, pressing a quick kiss to your lips, before looking at his son, “that last throw was very good, s/n! throw another one but just below his stomach."

a cheshire cat-like grin is plastered on your husband’s face as s/n prepares to launch another egg at the man.

there is a very evident scowl on your son’s face as he yells, “don’t you ever bother mama again, you stinky bum crumb!”

the man gasps and tries to make a run for it, but your son wouldn’t be the son of gojo satoru if he doesn’t manage to land the hit exactly where he wants.

the man quickly crumbles to the ground screaming and alerting literally everyone in the store.

so satoru picks both you and s/n and makes a run for it.

you hold tightly onto him, “wait, ‘toru, the groceries!”

“we can always order! saving my princess and son is more important!”

your son grumbles, “but I want to hit the rude man!”

“me too, champ, but—“ satoru sweat-drops and glances behind him, “I doubt the angry security guards would like that!”

GETO SUGURU:

your twin girls are one of the sassiest to exist.

in a way, they take after their father who is also pretty sassy but very low-key.

the sass of all three combined is terrible to be the victim of. luckily for you, they don’t dare direct their triple ray towards you, especially—in any argument—at least one will try to win you over.

if it’s suguru trying to stay on your good side, then he is hugging you from behind, pressing feather-like kisses on your shoulder and whispering about how sweet you are. if it’s the girls, then they cling to your legs and keep yelling about how much they love you.

so it is safe to say that you have a small squad to protect you from any potential “danger”.

“oh my, dear shouldn’t you focus on refining yourself a bit more?” you hear a woman say beside you.

you turn towards her, offended, “excuse me?”

“I mean,” her eyes scan you, disapprovingly, “you look average at best, and with that you won’t be able to find yourself a husband, let alone have children.”

you’re still processing her audacity as she continues, “but then again, it’s probably for the better that you don’t have children; you can barely take care of yourself.”

“can I help you?” your husband says as he approaches the woman.

she smiles condescendingly before chuckling, “I was simply telling this lady to take care of herself more; she hardly looks presentable.”

geto’s smiles tenses up as he is about to give the woman a calm peace of his mind, but his daughters beat him to it.

your older twin stands in front of the woman, scanning her with pure disgust in her eyes.

she grimaces and voices out her thoughts, “you are like a crunchy lizard.”

the woman gasps, “how dare you—!”

you cut off the woman, curious about your daughter’s conclusion, “why a crunchy lizard, sweetheart?”

your daughter looks at you with a small frown, shaking her head, “a crunchy lizard is an ugly sad lizard.”

a snort escapes your husband, and you’re barely able to contain your smile.

your other daughter follows up, looking at her twin sister, “the lady looks like that one green thingy we saw yesterday,” she taps her little foot, trying to remember and beams at the woman, “shrek! you look like shrek!”

then they both glare at her, frowning, “you’re a monkey!”

your husband doesn’t let it go as he deals the final—subtle—blow, “come on now girls; we shouldn’t bully the lady with the mcdonald’s like hairline anymore.”

it seems like the woman can’t take it anymore as she starts sobbing and running to the hills.

a moment of silence is shared across the four of you, before you carry both of your girls in your arms and start tickling them, “I don’t know whether to be proud of you or scold you, little evil girls!”

they squeal, trying to escape your hold and calling for their father.

geto chuckles and wraps his arms around the three of you, “let them have it for tonight, y/n,” he ruffles their hair, “they were brave and defended their mom, after all.”

“yeah, papa is right!”

“yes mama, please!”

you pout then smirk at geto, “well I don’t mind, and since papa is also very proud of you girls, he will buy any toy that you guys want today!”

the color drains from your husband’s face, and he watches motionlessly as his girls latch onto him, screaming about the toys they want.

you giggle at his expression and blow him a kiss. he reluctantly blows you one back, while the girls excitedly pull him towards the toy store.

NANAMI KENTO:

you and your husband were blessed with the sweetest girl as your daughter, and she was just recently joined by another sweet girl.

you can never forget the happiness on your daughter’s face when she saw her baby sister.

it also seems that no matter how many times you give birth, your husband can’t help but get emotional when he holds your baby. his hands are forever delicate as he cradles her to his chest.

you remember what he said during the birth of your first daughter.

“I feel like a piece of heaven has been plucked and placed in my arms.”

the way he always goes soft for the three of you is honestly adorable.

today, you were going on an outing with your—now 6 months old—baby and your older daughter who is almost six.

your husband never brags about his muscular form, but he never misses a chance to carry the baby or the baby supplies.

you have offered to at least carry the bag, but he always refuses, stating that ‘you already carried the baby for nine entire months in your belly; this is the least I can do.’

so yeah, sometimes you wish to smooch your husband till forever, but that’s not the point.

you’re walking hand in hand with your daughter as she sings her favorite song. you hear someone click their tongue, so you look to the side and lock eyes with an old lady. she takes the opportunity and approaches you.

“you should be ashamed of yourself!” she yells pointing at you, “your husband shouldn’t be carrying the baby supplies nor the baby itself for the matter,” she scowls, “that’s your job!”

“with all due respect ma’am, but that isn’t her job, and taking care of the baby should be something we are both responsible for.”

“yeah!” your daughter huffs, “and don’t take out your sad life on my mama!”

your eyes widen as you stare at your daughter.

on the other side, your husband is just as speechless. your daughter pays no one any mind as she continues, “mama works hard every day! you wouldn’t know that! you immature nugget!”

nanami frowns lightly, “d/n, that’s not nice—“

and for the cherry on top, your baby daughter throws the bottle cap she was playing with at the old lady, and frowns at her.

she starts babbling some nonsense that you're pretty sure are curse words in baby language.

having had enough, the old lady huffs, “the utter disrespect,” and starts walking away.

the rest of the spectators’ eyes follow her till she is out of sight. finally then, people start minding their own business, and you and your little family are left to the aftermath.

you giggle, “that was funny.”

“really?!” your daughter beams.

nanami cuts her off, “no,” he then looks at you with a small frown, a sigh escaping his lips, “y/n don’t encourage them—“

your baby daughter screams happily when she sees her sister smile. she starts kicking her feet with the biggest smile on her own face.

your older daughter starts laughing with her and tries to make her little sister laugh more—she was successful.

meanwhile, you chuckle, leaning on your husband’s shoulder, “admit it, kento; it was kind of funny.”

his resolve softens at the sound of laughter from all three of his girls, “okay, maybe a little, but—“

“yay!!”

ladies: 1

kento: 0

FUSHIGURO TOJI:

your husband and son are so alike, save for the part that your husband is a bit more shameless, and your son is more on the shy side.

however, they both have the same bluntness and the tendency to give anyone who they don’t like attitude.

for example, today, you were walking in the park with the both of them to unwind a bit.

not to mention that megumi wanted to walk his dogs which was a plus, since you would be able to watch your dear son play around with them.

it was all going great until you saw an old ‘friend’ who came running at the sight of you. he was someone who has always been way too touchy and in your personal bubble.

you have tried talking to him about it, but you’re confident that he does it to somehow force you into reciprocating the intimacy.

even if you’re a married woman with a freaking kid.

he giddily clasps your hand, “y/n, ‘been a long time!”

“h-hey,” you smile awkwardly.

he laughs, “I was passing by when I saw your figure, and I couldn’t help but come and say hi.”

you nod, “that’s great, but I am busy, so maybe later?—“

“you’ve gotten even prettier!” he exclaims, “I wish you would finally take me out on a—“

“can’t you see that she is uncomfortable?” your son retorts, “also, you should step back; you shouldn’t touch someone like this without asking them.”

megumi squeezes himself between the both you and glares at the man.

the guy was about to reply to your son, but toji pushes him back with ease, pulling you beside him and hand resting on your waist almost by instinct, “kid is right,” he tilts his head a bit, “ever been taught manners or do I have to do the teaching for you?”

the guy is taken back; offended, he snaps “you can’t speak to me like that!”

“and you can’t hold my mom’s hands like that, but here we are,” your son cleverly sasses him.

on the other hand, your—shameless—husband pulls you into one scandalous kiss and smirks at the guy when he pulls back, “and you can’t hit on a married woman, by the way.”

you hear your son gag in disgust at his dad’s actions, but you’re too busy burying your face in your husband’s chest, hoping that the guy disappears before toji makes even more of a bigger scene.

you also hope that the ground would swallow you, but that’s the alternative option.

the guy clutches his fist, before walking away, spewing insults at the sky—since he is too scared to cuss out your buff husband. once the man is out of sight, toji ruffles megumi’s hair, chuckling, “good job, kid.”

your shy bean’s cheeks redden slightly as he looks away, “…thanks.”

you’re still thinking about what just happened when you slap your husband’s chest, “toji, literally why?” you grumble, patting megumi who started holding onto your leg the moment you hugged toji.

“why not,” your husband shrugs with a small smile, taking pride in your flustered form.

“dad, I want ice cream.”

“no, you just want me to let go your mom, so you can hog her for yourself,” toji grumbles, staring down at megumi.

unfaltering, megumi looks up at him ,“dad, I want ice cream.”

“god damn it, listen here you—“

“divine dogs.”

RYOMEN SUKUNA:

there is no denying that both your son and your husband care for you very much, and they both—very aggressively—compete for your attention.

I am talking he literally throws the kid across the room kind of aggressive, and your son, in turn, throws whatever he has at him.

it’s eventful, but you would be lying if you said that it wasn’t one of the reasons why you will get grey hair earlier than everyone else.

so their very aggressive nature is also shown in their protectiveness over you.

a person doesn’t need to insult or even dare flirt with you for your devil duo to make their life a living hell; your husband and son don’t tolerate someone speaking to you if it causes you to ignore both of them.

for example, this one new servant was clueless to where the broom is, and unluckily for him, he saw you sitting with your husband and son in the gardens. he humbly approached you, “excuse me, m’lady.”

you turn to look at him with a smile, “yes?”

he clears throat, a bit flustered by the attention, “I—I wanted to ask where the—“

“up your ass, you disgusting fiend,” your son sneers followed by his father’s ever-permanent scowl.

“who gave you the permission to come and speak to her so casually?” sukuna presses, and the servant quickly falls to his knees.

“m-my apologies, my lord! I did not mean to disturb you!”

sukuna crosses his arms, “well, you did, and you also disturbed your queen and prince,” his eyes narrow at the servant, “what do you have to say for yourself?”

meanwhile, you’re watching all of that, mouth agape and trying to articulate anything to save the poor guy. you finally find your voice, “sukuna, it’s okay; he didn’t mean—“

your son hugs you tightly and glares at the servant, “to think he would so brazenly speak to you like you’re old friends is terrible, mother.”

you can almost see your son’s cursed energy flaring, and you can spot the small smirk on your husband’s face as he watches his son.

before it escalates any further and you find yet another dead corpse in your palace, you pick up your son, kissing his cheek which makes him flustered and causing him to bury his face in your neck.

you look at the servant, “you’re dismissed, and you can ask the head maid about anything you need, okay?”

“y-yes, m’lady!” he, however, stays glued to the ground, “may I have the permission to lift my head?”

sukuna grunts, “sure.”

“thank you, m’lord,” the servant says, before scurrying towards the gate, having secured his freedom after his little mistake.

or at least, that’s what he thought.

your husband slices his legs off with a flick of a finger, and your son, who has inherited his father’s technique, slices the head off.

and so the body falls to the ground, and the other servants hurriedly start cleaning up the mess.

you frown at your husband, “sukuna! he apologized!”

he rolls his eyes, and pulls you by the waist, “do I look like I care? he shouldn’t have interrupted our time together.”

“aww, you’re jealous!”

“no, I am not—“

“hands off, old man!”

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copyright © tender-rosiey

do not copy or plagiarize or you will be reported

[kalims]

he's a ten but he...

premise. sometimes certain bad habits of theirs make their overall rating just a tad bit lower—besides the fact that they keep doing it.

characters. dorm leaders

content. gender neutral reader

malleus (doesn't have a sense of space)

"look beastie, that flower is a native of ours,"

"I agree mal, but I didn't think you taking up the entirety of my seat will make me see it better,"

he blinks, then shrugs.

like i said, has NO sense of space.

if an average person would make an excuse to constantly be in physical contact with who they admire, then malleus is the complete opposite. well, not entirely but he doesn't even bother to construct an explanation as to why he's literally sat over your seat when you coincidentally get put in a table together.

if you start questioning him about it the most you'll get in a very outright 'because he wanted to.' it's not even one of those sarcastic replies he's 100% serious!

cause he believes there's no use in lying about things to be honest.. to further emphasize that, if he ever acts like he does hold fondness for you that surpasses the platonic meter but doesn't mention it he probably hasn't realized yet.

if he did he'd already walk over and bluntly tell you about it.

(I wish I could be that unbothered.)

lilia thinks it's the cutest thing though. you swear you see flashes of light for a split second from the ceiling but when you look up there's only a suspicious swinging chandelier.

^ totally has his own album full of pictures.

if malleus ever discovers it he won't even be disturbed, probably would ask for a copy 💯

since human lives, and their bodies are so fragile he'd taken it upon himself to protect you from harm. even if it means trailing behind you everywhere way too close for comfort, or standing a bees wing away.

while he is respectful most of the time, he's encouraged if you don't comment. if anything, he seems pleased you dont seem to be bothered! (and it'll get harder to tell him to stop when he's so happy the more you let it happen..)

"child of man, have you slept?"

*starts leaning his body forward, to squint at your eyes.* practically right in front of your face.

"WTF."

not even a warning or anything! but atleast he's concerned?

idia (won't even show up for anything and insists a 'virtual' date is better.')

user: where tf r u??

ghoul666: WDYM? at the dorm?

user: IVE BEEN WAITING HERE FOR 20 MINUTES

unintentionally stood you up 💀

you literally have to tell him that you're waiting for him to arrive at the specified area you discussed where your date would take place but would end up vastly irritated when he questions if you guys even did.

ghoul666: we do??

user: I'm taking my minecraft bed away from urs.

ghoul666: NO PLS

ghoul666: HELLO????

next time you log in minecraft it's probably because he begged you to play, you WILL end up seeing some kind of structure that probably took days to make. that's not even the entire thing cause the inside is entirely decorated to your taste.

in short: he constructed some kind of venue for a wedding.. even changed his skin to wear a tuxedo 😭

though he has sparked your pettiness, hence the ignoring him period. even you have got to admit that it's freaking adorable...

big sign, emphasis on please: Im sorry pls put ur minecraft bed back I can't sleep w/o u and I have to wait entire days for it to turn into morning :(

with what he's built you're sure it's 65% true.

if you do end up forgiving him, few weeks later attempting to schedule another date will only end up in naught.

ghoul666: can we not go there

user: 😐

user: you are testing my patience love

ghoul666: 😓 (he is screeching about the term of endearment part btw KABSJAJSAJA ortho would enter his room very concerned.)

ghoul666: how abt

ghoul666: mimic together? call

user: sighs

user: I'm only agreeing cause I want to spend time with you

queue more screeching from his end that you're completely oblivious to.

the only screeching you're gonna hear though is when you guys do get into call as you play, and it's mainly out of terror when his soul gets sent to the void ascending when the entity pops out of a corner and starts chasing him.

"I GOT THIS. ILL CARRY U THIS IS FINE" *screams again* but really wants to impress you so he pushes through.

unsurprisingly does carry you.

asks to match avatars right after (idia love languange)

vil (frets over you way too much.)

"vil, did you see the chocolate in the freezer?"

"oh, that? I noticed that you've already gone through the ideal number of bars this week so I took it upon myself to make sure you don't go sick on me,"

"I love you but please give it back—"

"I love you too, and no."

disclaimer: he does this for your own good 😜 (average mom excuse.)

looks out for you more than he does for his own dorm residents. everyone is wondering where he ran off to after class, especially since he's the one that scheduled the pomefiore meeting every fridays!

and to think he was the one getting irritated over the more newer first years for being late..

*shows up literally half an hour in*

why you ask? you simply shouldn't have texted him about abandoning your daily walk together through the gardens in favor of catching sleep since you called in sick (you're suspicious if crewel really did go in to check for proof, and not concern.)

vil's really feeling the absolute regret of not checking his phone during classes.. well, he only saw the message which was coincidentally sent like somehow ONE minute after the lecture started and he's only seeing it 59 minutes later.

oh you poor thing!! though the lunch break is short, he has about 5 minutes for a trip to the mirror chamber..

you'd think the 'seen' icon below your message was a weird omen for something you're not sure but it must be doom cause vil is right at the front porch of your crappy dorm. at his own expense?! looking more disheveled than you've seen him before.

if a few stray hairs was disheveled at all. more importantly, he still looked drop dead gorgeous!

you probably looked quite terrible with the blanket draped around your shoulders looking like you just crawled out of your grave, because he looked absolutely mortified at your state.

"oh great sevens.." he looked like he was faint, huffing and fanning himself with his hand. "look at you, why didn't you tell me sooner, darling?"

you blink, swallowing to make your throat less dry but your voice still comes out raspy. "I did, like an hour ago—" without your invitation whatsoever, he steps in. promptly shutting the door behind him (which surprisingly still stands sturdy.)

vil takes a hold of your shoulders before reaching his hands upwards to tilt your face around. "you should have sent earlier," he says. you keep in the comment that you were sleeping during it, and you told him about it during second period so.. "your face is so pale."

you sigh.

"yeah, I just saw. I know, I look hideous right now."

vil frowns at you, stopping to angle your face at him. "don't ever say that. I always find you beautiful even if you are.." he glances at you from face to toe, then back up. "sickly."

"... I feel offended."

"hmph, shush now. let me draw you a bath then I know something that will boost your system."

after much coaxing in his end, you reluctantly take a warm bath in the hopefully hygienic bathroom. true to his word, vil did... concoct something. though it looked pretty the random steam that flew from it was really suspicious.

the residents don't dare to question, except rook of course. who already knew what transpired! :)

epel: 😃 (atleast vil wasn't around.)

"roi du poison~ tell me, tell me! is the trickster well? have you cured them with your love?"

"rook, you have 5 seconds to get out of my face."

rook giggles away.

kalim (thinks money will buy anything, including your forgiveness.)

"here!" there's a suspiciously bright smile on his face as he hands you.. some keys?

you deadpan, jingling it in your hands. it weighs heavy than the average, probably because of the fact that it's literally made of gold. "... kalim what is this?" you emit a sigh, from suspicion and concern.

"a gift!"

"wait why does it say lot 111--"

as you can already, that was an actual, literal house. which you imagine would probably be a lots more grand, and new compared to your old baby ramshackle.

but you do love it despite it's love for falling apart at the most inconvenient of times..

fighting with kalim was rare but it was hard to even argue with him because the notion of disagreements are so bizarre to him that he unintentionally doesn't treat you seriously with your concerns, accidentally downplaying them aaaand now you're upset.

after the ranting to jamil about how you must be busy with a lot, since you haven't even talked to him in the past 2 days. all it took was a side glance to his friend in denial and jamil immediately knew.

"what do you mean they're mad!? D:"

"just.. go apologize, I don't want to get caught up in this."

if his definition of an apology is buying you an entire house...

( ^ it is btw.)

kalim really doesn't mean any harm. he just really wants to sate whatever anger you held for him <- maybe he's overthinking it but it's kalim so he's 99% sure it's his fault! even though it hasn't even been confirmed from your end he'd probably accept it whole heartedly.

he wanted you to talk to him again so badly that he wouldn’t mind showering you with houses... since your living situation doesn't live up to your kindness (sorry ramshackle love u xx)

you know what. he wouldn't even notice he's the reason you're upset at first even though he's been asking around on who put you in that mood. despite himself being the perpetrator but he didn't really know that did he?

the only reason he does is because he assumed you were just because you avoided him like some sort of.. cockroach! (he dislikes those.) and he couldn't take it anymore.

was probably 1 sec away from barging into your dorm which wouldn't take a lot of effort since one ram to the door would probably break it.

bless jamil for jailing all the carpets so kalim doesn't find them.

even if said carpets fling him off when he's riding them.

"kalim, why would you buy a literal house... and you also got a rare address paid--"

"for them! ;D"

"... you do know they'd be more offended by the fact that you'd try to replace that.., ahem. dorm, right?"

"oh... should I buy them a vehicle then?"

you only promise to forgive him once he takes back the keys, and the house entirely...

(grim begged you to keep it, 'house for him apparently.')

azul (keeps trying to offer you discounts thinking it's a good excuse to have you over.)

"I assure you. you'll find no deal better than this."

"I'm not even that hungry for sea food, actually I'm craving some--"

"you're in luck then! ahem, it's 26% off due to a special event for today."

pro tip: keep insisting to eat at other places cause he's gonna keep increasing the discount by 2% until you eventually relent. once, you made him go to the point of 75% off, it's almost hilarious if not for the fact it only worked once.

now he won't go last 50!

ahem. if you look closely you can almost spot tiny cracks accumulating with each denial you respond with, and each increase of his discount. he's grown to be wary about the bullshit 'lucky' promos you just happen to stumble on.

last time you did he practically lost a week's worth of the presumed income he's predicted cause you actually went around and told your first year friends about it... who.. in turn told some, other friends of theirs about it and you could guess.

love must hurt.. and unfortunately it's his wallet wailing.

but azul is not so easily swayed by this! for you have swayed him first! *wink wonk*

but azul has another trick up his sleeve... keeping on roping jade and floyd into it; whom are far too enthusiastic cause finally— something fun to do! someone to bother! not only have you got the most stubborn octopus having frequent suspicious 'deals' but here are his equally suspicious lackeys.

who keeps.. talking about fried octopus..

yeah, you're not sure if preaching about azul’s species is the job they were assigned.

they're fairly easy to point in the right direction anyways. the tweels have always associated you with the word 'fun' so just a little, friendly suggestion from and they were off to their merry way. mortifying every single person you come across with their sudden attachment.

one of their tricks? following you around. and just somehow, every single place you enter is just mysteriously full even though you peered inside and there was like 7 tables empty. what are they hosting? ghosts? spirits?

...

they do look like they've seen some though..

jade rn: "a shame indeed, you must be hungry. why don't we escort you back to monstro lounge?" :)

long story short you can't even reply cause the sleek eel is already guiding you around by the use of his hands on your shoulders. just to make sure you don't stray away from the destination, he says.

"didn't you say that yesterday's promo was like, a one day thing?" you quirk a brow, and you almost fool yourself into thinking he flinched.

azul clears his throat. "well—today is.. the month before you've graced octavinelle with your assistance—"

he praises himself for his quick thinking.

COME ON! it doesn't matter if you're sick of eating stir fried shrimp, or the butter one, or every single dish they serve that includes shrimp! (also do not mention that you ate somewhere else before you just decide to visit his dorm because that establishment just mysteriously got filed a non-legal business report.)

then you've got floyd chasing you around with a fork. which is more terrifying because he's holding it in a notion that would seem like he'd just stab down at you when he catches up with your little goose chase.

it's just.. you're not sure if your stomach could take another bite of the poor food he stabbed into, and is now chasing you around with.

you screech. "JADE PLEASE."

the man shrugs. "it's a free taste."

"AZUL."

"... only on a condition of course."

frankly. it took all the balls he had to actually sputter out the most simplest sentence ever, cause during the time he rehearsed that in front of his mirror it just plagued him with embarrassment but he's getting desperate.

'I'd like to take you out to dinner, somewhere else of course.'

actually, maybe obliterating any possible craving for the food of his lounge just might've been part of his plans to ask you out..?

leona (prevents you from actually being productive via dragging you down to 'nap' every. single. time.)

"I will literally fail if you don't let go of me right now."

"hmph. so what? it's not like failing a grade killed anyone."

"leona just because you've lived through a lot of fails doesn't mean I have to, we're not all rich enough to not finish school."

to which he'd retaliate that all you'd need is to marry him and you'd be set for life.

there is no winning an argument with leona when it comes to his naps. if he states that you're to be next to him as he sleeps, its final. no buts, no retaliations, cause apparently they're all invalid according to him even if you drag him to court.

rhetorically of course, that if its a comical court scene his only statements are; 'well you're wrong', 'who cares', and 'i dont care'. one way or another he's still gonna win you over and now you're fit snugly in his arms, lamenting.

and if crowley chastises you for not doing the errands (via leona's common interference.) the only thing you need to honestly do is to complain to leona about it and suddenly crowley has the kindness to forgive you for your 'laziness' then says something about enjoying your time together?

leona's work no doubt.

you suppose he does has its perks. even if most of it isn't exactly ideal.

if you're being smart then you should give him an ultimatum or something, or bribe him. but... that really has no guarantee to work either cause you're ending up defeated, or just defeated and flustered since he's somehow unconsciously flirty.

at the end of the day you can't really hate him cause the following day you find out he sent an already sleep deprived ruggie to do your work. 'so you can shut your fussing up and let me enjoy you.' he says, and you quote.

it goes something like;

"if i finish my work i'll stick by you all day."

a stready flow of confidence keeps your voice firm as you glower down at the blank-faced leona sat on the grass. he merely tilts his head, raising a brow at you and seemingly pondering from the way his eyes fly to the sky.

you'd think that maybe your plan actually worked but he merely grunts and flops backwards, holding the back of his head with his palms as he laid. and! he ignores you.

...this little greedy man... "why should i care whether or not you finish your work?" he huffs, like the evil, arrogant spawn he is but you can't really defend yourself cause said evil spawn bewitched you so much that you actually still like him.

"because you care about me?"

"...fine," he scowls, releasing a breath you'd mistake for irritation. "then, do you really think i need you to finish your work when i can just keep you right here?"

you sulk. "i'll do anything you want?"

he deadpans as if you said something stupid. "i don't need you to anything else but sit still and be pretty."

...

...

see what i mean about him eventually winning you over? yeah.

next morning there's a rebellion in savanaclaw about overworked residents and ruggie is the head of them.

"he said that he doesn't need you today." <- ruggie, steering you away.

"really?" <- you, confused

riddle (overthinks TOO HARD.)

“I'm just a little busy.”

“I understand,” riddle says.

“I'm just a little busy.” he understands.

“a little busy.” its just… a small thought…

“I'm just busy.” his mind is a hazard at this point. 

for someone as supposedly maintained as riddle—you'd think his mind is as composed as it is organized. like the pens you'd perfectly align in correlation to order of colors, or the neat pile of clothing folded neatly, tucked in some corner in your closet that is farther in since it's used less.

that's just how he is, or at least seems to be. a bundle of organized thoughts, every thought connected to another. a mind too clean to be going on haywire (when he isn't in a particular mood, that is.)

you're just busy. he thinks. you said it yourself, with that agonizingly nice smile that must be sprinkled with some kind of spell from the way it just eradicated all the protests in his throat upon sight. he isn't one to question it, he wants to help but not if you don't ask.

he can only stare with resigned acceptance at your insomnia induced eyes.

but when the curtain of darkness befalls night raven college, even in the comfort of heartslabyul is he still thinking about that thought–and he can’t help but wonder; why exactly are you busy? its not that he’s suddenly hyper aware of your lack of presence since you’ve been attached to the hip the previous week and now you’re just.

…busy…

riddle likes to think of himself as a level-headed, private person. like the boy he raised himself to be and therefore proud of. but its way past 10AM. which is usually the time he sleeps, and let me tell you that he’s never once broke the cycle for years. yet here he is, a frown of frustration present on his face as he wills his mind to sleep.

somehow closing his eyes felt forced, he immediately snapped them open once his mind decides to conjure an image of you even in the darkness his lids offers.

“THIS IS ABSURD.”

and the yell promptly woke up the entire dorm from the ferocity of his scream. (and of course gave them the flashback of their year.)

that night was one of the worst he’s ever had because he woke up with red rimmed eyes and a pounding headache that ensured his bad mood the rest of the day.

everyone noted to steer clear.

and he unknowingly steered clear of yours since you were ‘busy.’

“why are you sulking?” a voice queried, spoken as though they were eating something as they asked. a reprimand rises in his throat, but it all just dies down once his sharp eyes settle on you, slipping into the seat in front of him then raising a brow and the traces of irritation practically evaporates from his eyes.

he feels the need to cough–so he does. “i’m– i’m not.” he clears his throat, avoiding your eyes but still sneaking in glances, something he notes is that you’re still looking everytime he does. (and boring an unimpressed face because he knows you don’t believe him at all.)

guilt rises in his mind, because he feels a slither of annoyance and its the presence of pettiness that bothers him. riddle knows you’re not at fault, just his mind at convincing that you just somehow decided in the span of a day that you might not like him anymore–so he can’t help the bite. 

“why are you here?” a glance not intended to look mean.

“i thought you were busy.” he adds.

your brows raise, he spots your teeth holding your lips back from showing your grin and he feels warm. “what?” he hisses defensively, despite you not even having replied to him yet.

he leans backwards, straightening up in his seat when your chin leans forward, resting on your intertwined fingers. you flash him a smile. 

“mr. rosehearts, are you perhaps… sulking because i’m busy?”

“no!”

silence.

“no.” he repeats, weaker.

“well,” you continue, beaming. “i heard from ace that you were awake the entire night, and that you kept him awake too. are you alright?” 

he sputters. “it wasn’t because of you!”

you snort. “i didn’t even say anything about me.”

so you incline to following riddle around, poking fun at him and still trailing after the seemingly enraged red head because despite his angry protests, demanding you to go away because you’re annoying he keeps glancing back to see if you’ll follow,

so cute…….

[drluvsick]

𝐆𝐈𝐅𝐓𝐈𝐍𝐆 𝐓𝐇𝐄𝐌 𝐀 𝐌𝐈𝐍𝐈 𝐏𝐋𝐔𝐒𝐇𝐈𝐄 𝐎𝐅 𝐓𝐇𝐄𝐌𝐒𝐄𝐋𝐕𝐄𝐒 — 𝐚𝐥𝐥 𝐡𝐚𝐬𝐡𝐢𝐫𝐚𝐬

you hand make them a replica of themselves in the form of a plushie! 📝 gn! reader. btw relationship is mutual pining. would’ve made the headers as the hashira’s plushies but… coloring would’ve been ughhh. maybe i'll post it separately!

word count : 1.6k+

𝐆𝐘𝐎𝐌𝐄𝐈 𝐇𝐈𝐌𝐄𝐉𝐈𝐌𝐀

“for me?” he’s surprised before it melts into a smile. with the plushie in hand, he rolls it around feeling the details from his hair to outfit, getting a general view of what it could look like.

“this is very kind of you. i will cherish this for the rest of my life.” he puts a hand on your head, gently petting you as you hug him in return. he’s happy at the action, his large body engulfing yours as he hugs you back. you’re relieved that he’s blind so that he’s not able to see your blush, but with your heart beating unusually fast and loud, you’re sure he can hear it and deduct it himself.

gyomei thinks that perhaps you may hear his heart beating abnormally as well in the moment.

𝐓𝐄𝐍𝐆𝐄𝐍 𝐔𝐙𝐔𝐈

he thinks it’s perfect. would’ve added more glitter, but then he thinks that maybe it’s better off that the entire plush isn’t covered in the tiny monsters. (he held the gift for a few seconds and then BAM, glitter EVERYWHERE on his hand)

he loves how flashy the doll is. it seems to shine and sparkle even in the dark of night.

he obviously treats you to a shopping spree or restaurant “date” with him after (after both of you furiously wash your hands from all that glitter).

absolutely takes mini tengen with him when he’s with you. you both brainstorm ideas for him and his little comrade to match outfits (off to the fabric store!).

this small gift secretly makes him scream inside. when he gets home from the interaction, you BET he’s going to be humming the entire rest of the day, unable to sleep because his thoughts are all filled of you.

𝐆𝐈𝐘𝐔 𝐓𝐎𝐌𝐈𝐎𝐊𝐀

so surprised that you would give him a gift. why would you want to waste so much time in giving him something? something you handmade, to be precise? he asks this, and when you reply saying that you just wanted to, he swears he fell harder than before.

he’s beyond happy, though. you get the grace of seeing him unconsciously smile at the present as he notices the attention to details. how much time did you spend looking at him to remember all these features? the thought makes him a little lightheaded.

you’re too sweet to him, he thinks. now whenever he’s feeling down and you’re gone, he holds the little plush to his heart for a small sense of comfort that helps him to live another day. and he doesn’t dare take it on missions or anywhere, really. he’s too afraid to lose or destroy something you worked so hard on to make for him.

god forbid you tell shinobu one day that you made a plushie for giyuu. she’d never let him get away without teasing him for actually getting someone to like him well enough to make something for him.

will subconsciously hide behind you when she does start with the teasing as you softly grasp his haori sleeve, making his heart flutter tenfold at the small action.

𝐎𝐁𝐀𝐍𝐀𝐈 𝐈𝐆𝐔𝐑𝐎

(you’ve seen his face without the bandages)

when you hand it to him, he’s on cloud nine. you even made kaburamaru! the snake seems to appreciate it, happily leaving obanai’s shoulders to rest on yours instead.

he practically begs to take you somewhere as thanks and to spoil you, because this gift from you has his face heating up and he wants to draw your attention away from it. and when you do agree (albeit reluctantly), his snake looks at him with a “lmao dude you’re freakin’ whipped”.

while walking, he notices that the bandages on the plushie are removable, asking you if it’s intentional.

“see for yourself,” were your words as he reluctantly removed them. he saw the bottom of the face littered in scars almost identical to the ones underneath his own bandages, with the words on the side of the bandages covering the doll’s face reading: “you’re beautiful, scars or no scars. and from what you’ve shown me, it’s the same on the inside.”

he swears that he could just faint right there and then.

𝐒𝐀𝐍𝐄𝐌𝐈 𝐒𝐇𝐈𝐍𝐀𝐙𝐔𝐆𝐀𝐖𝐀

“tsk, what is this?”

you smile as he inspects it; watching his lips twitch, fighting the urge to curve upwards. “it’s a plushie of yourself.”

“you made this? for me?”

“yep!”

he looks anywhere but at you, feeling the hairs on the back of his neck stand as warmth bristles through; his ears turning red as he says, “it’s nice, i guess.”

“just ‘nice’?” you reply back, teasing his quick response. “maybe i should’ve just made a plushie for someone else, liiike… giyuu.” you grin, aware of the facade he’s pulling.

“don’t you dare. it’s amazing, i love it.” he spits out gruffly, but wholly truthful. “…thank you.” he thinly smiles, if not for you observing him you wouldn’t have noticed it.

“aww, you’re welcome!” you snicker.

he turns his head the other way, his face beginning to feel uncomfortably hot.

𝐑𝐄𝐍𝐆𝐎𝐊𝐔 𝐊𝐘𝐎𝐉𝐔𝐑𝐎

his plushie literally radiates sunshine, just like the original himself. when he receives it, he shouts the loudest thank you you’re ever going to hear.

talks about all the details and how much it embodies him. he adores it. then he asks if you could make one of you, so that they could be a pair together (AHHHH).

hugs you so tightly that you start to sweat from his body heat. but he means well!

eats with the plushie when you’re not with him. it reminds him of who made it and it just makes his food taste 100x better.

probably keeps it in his pocket and shows it to people like, “look what (y/n) made for me! :D” so that now so many people know who you are.

and when you make that replica of yourself for him? he just can’t get enough of how adorable it is. keeps it with him in his pocket too, it makes his day so much better whenever he sees it because it just radiates you.

𝐌𝐈𝐓𝐒𝐔𝐑𝐈 𝐊𝐀𝐍𝐑𝐎𝐉𝐈

squeals, she’s just so so so happy. her face turns this cute red and all she can do is just smother you with a hug because of her overwhelming excitement.

she dances around with it at first, screaming about how cute you made it and absolutely loving how you designed the doll to be just like her. you got her into the whole craft business, her new determination to make a doll of you to present to you! she hugs you one last time before rushing off with her new plan.

she quickly realizes that if she gives… whatever she made in her first attempt to you, it’d come across as an insult. so she spends countless days and nights (in between missions, of course) to perfect her gift to her beloved. and when she finally does…

…she gives it to you like a child showing their parent their artwork, except mitsuri’s present was better than just any children’s project.

she’s so giddy when you praise her for it, finally able to collapse from exhaustion when she gets home. but when you kiss her on the forehead, she knows that there’s no way she’s going to get a blink of sleep, especially not when that moment keeps replaying in her head throughout the rest of the day.

𝐒𝐇𝐈𝐍𝐎𝐁𝐔 𝐊𝐎𝐂𝐇𝐎

she’s calm and collected on the outside, having an emotional breakdown and desperately trying not to just tackle you and hug and kill you with kisses on the inside. her logical mind prevails unfortunately.

she dearly thanks you for the gift with the sweetest soft tint of pink on her face.

she takes it for walks around her estate, visiting patients, and when she needs to calm down. it just takes a few minutes with the plushie in her hands for her to think of you to become more relaxed.

she doesn’t take it in her lab, though— worried that something might happen to it. so instead, during those periods, she keeps it in her room in a secret place that only she knows about, because she’s a little paranoid that something may end up destroying it with all the people in the estate and all.

the next time you’re out on a mission? expect a parcel from her delivered by crow with your favorite (non-perishable) food, some trinkets and items you might enjoy, and a note that vaguely suggests her true feelings towards you.

she secretly prays that you’ll take the hint and ask her out.

𝐌𝐔𝐈𝐂𝐇𝐈𝐑𝐎 𝐓𝐎𝐊𝐈𝐓𝐎

(reader is either same age or muichiro is aged up)

despite his flawed memory/memorizing issues, muichiro does a huge effort to not forget the plushie you gave him.

he’ll write himself notes, bring it with him everywhere, and he finds himself replaying moments with you and daydreaming in his mind more often about you with the doll around.

definitely falls asleep with it gently in his arms, held close to his chest. it helps him fall asleep faster and more comfortably knowing that something resembling your presence was so nearby.

his crow’s definitely jealous by this btw. but she respects you both so she doesn’t lay a claw on the plushie.

one day when you find him hugging the plushie close to him as he was walking around his estate, you decide to go up to him and hug him from behind. let’s just say, he got a lot more clingy after that, hugging the gift at night tighter to try to replicate that warm feeling your hugs always gave him.

overluvsick | please do not repost, translate, and/or claim my works as yours !!