#worm mechanisms AU

[il3x]

Oooooh

Okay, first of all, everyone go listen to the Mechs right now, they are fantastic. If you liked Dragon in Worm, check out Frankenstein, it's one song and it's a retelling with Frankenstein's monster as an AI, and it's great. Anyways. On to the reaction.

Not sure that I would flip the ending - Worm's already a tragedy. Hone in more on it, though? Totally. Taylor actually dies (unless you want to link up with my Worm Mechs AU where Taylor joins the Mechs after Gold Morning, in which case make it like a 10-minute origin song).

It's hard to remove the powers from Worm, because they're a fundamental, structural component of its tragedy, but it could perhaps be achieved. I have cyberpunk on the brain (and there's this fantastic cyberpunk Worm AU as precedent) so I lean towards that.

Since Mechs songs are all mythology retellings, well...

This isn't the story of Taylor; it's the story of Khepri.

Misc. ideas:

Khepri was the god of "personal transformations. These transformations, called kheperu, included the passages from childhood to adulthood and from life to death." (source), or, from Wikipedia, "Khepri's four main functions were creator, protector, sun-god, and the god of resurrection". The transformation/rebirth/multiple aspects part is reflected with Taylor (Taylor-Skitter-Weaver-Khepri, and just her development in general). See also this post by @henghost as another example of transformative Taylor stages. I think it could be retold by alternating songs about other characters/plot points with songs that mirror one another, each centred on a specific 'aspect' of Taylor. Think a structure similar to Ulysses Dies at Dawn, but perhaps two/three other songs then one Taylor identity song.

Names are also important in both Egyptian mythology - "The Egyptians believed that names held power, so much so that gods went by pseudonyms to keep their power safe" - and Worm, so the song titles could just be the names Taylor goes by in those stages. Easiest bait is "[unnamed? Taylor?]", "Skitter", "Weaver", "Khepri". Maybe throw in an "Administrator" too.

Speaking of Administrator! That's one way to sci-fi it up! The "Shards" are literal shards, the Entities are self-replicating machinery (a la Machine Army) and AI, the product of the hubris of an ancient alien society. Therefore, getting powers = having your brain hacked by self replicating machinery, which sometimes also takes over your body, hence the cyborgs you mentioned.

Hacker Taylor is amazing, btw. Definitely keep that.

Long songs as Interludes, the main plot/Taylor songs are shorter.

And in terms of inspo... the god/mythology aspect reminds me of this fic series too, and for musical Worm adaptations, consider this post about an Amy ballet by @skitterstan.

idea for a worm fanfic Worm but told by the mechanisms To anyone who doesn't know the mechanisms is a band that takes various mythologies and adapts them from what would normally be fantasy to Sci-fi greek mythology is a cyberpunk mafia story Norse mythology is a mystery story about how the first attempt at dimensional travel went wrong Arthurian Legends is a space western and the stories are always tragedies (usually with only one character surviving) also, the story's themselves don't usually follow the actual myth's plot

so my current ideas 1. flip the ending by making Taylor the sole survivor of Gold morning 2. probably no actual powers and at best characters using some type of technology that achieves a similar effect 3. most people are cyborgs to some extent 4. Taylor is a hacker and the way Khepri is achieved is she somehow starts hacking people's brains 5. Wolfspider is a thing (because every mechanisms protagonist is queer to some extent, Arthur is Bi, Loki, and Cinders are lesbians and Ulysses is nonbinary)

im not sure what Sci-Fi genre it will be but suggestions are welcome

[ty-bayonet-betteridge]

i just HAD to say "worm life series au" and now my brain is spinning

this is gonna distract me from current ongoing fics i just KNOW IT

[hourcat]

I have been thirsting over mechanic pierre lately. Do you have any more of that universe coming up?

god bestie this is SO REAL. mechanic pierre...the hottest pierre ive ever written i fear ://

anyway, yes! i still have plenty of deleted scenes to write, don't you worry <33 ngl i have been procrastinating them a little, but to make up for that, here's a sneak peek of the next scene in chassisverse :)

“Charles!”

Charles flinches. He’d forgotten Carlos mentioned he was planning to attend tonight, and apparently it’d been too much to hope for that Charles would be able to bring Pierre to his workplace without running into him.

He doesn’t even turn around fully before Carlos is standing before the two of them, grin plastered wide across his face. He’d gone for the classic suit-and-tie look tonight, apparently—it must be his go-to, although Charles thinks it’s a rather boring choice considering their surroundings. “Carlos,” he greets, attempting to keep his voice from wavering as he shakes his colleague’s hand in greeting. “It’s good to see you.” A lie, of course: one that makes Pierre stiffen ever-so-slightly beside him. “I don’t know if I’ve introduced you to my boyfriend—Carlos, this is Pierre.”

Pierre sneaks an arm around Charles’ waist before he shakes the Spaniard’s hand. “It’s nice to meet you,” he says. It’s an impressive acting job, for sure: his fingers are digging into the fabric of Charles’ suit jacket, the heat of his palm burning a brand into his side. “I’ve heard much about you.”

Carlos doesn’t have a clue. “All good, I hope,” he laughs, shaking Pierre’s hand once more before releasing it. “Your boyfriend here is quite the teacher, I’ll be the first to say.”

Charles opens his mouth to deflect politely—we’ve had a lucky class this semester or I’m learning from all the best in the department—but Pierre seemingly has decided to cut in. “You wouldn’t be the first,” he answers, not quite sharp but bordering on arguing-with-a-car-guy-customer in tone. “I’ve seen how much his students love him firsthand.”

Carlos looks…a little startled at the bluntness, although he continues to barrel through the conversation with ignorance. “It’s been great working with him this year for sure. Some of the office hours stints we’ve pulled have been for the history books, eh, Charles?” He elbows Charles’ shoulder amusedly, and Charles can hear the gears in Pierre’s head turning, processing. They really haven’t done anything worth a historical mention together, certainly not in either of their offices, but Charles can’t just refute him. It would be rude.

“It’s been a wild semester so far,” he offers instead, turning towards Pierre. “I’ve told you about some of them, P—”

“Yes,” he says shortly, the grip on Charles’ waist getting tighter. “Charles was going to show me around his office, so I am sure I will hear more about your shenanigans there.” Pierre’s smile is tight, strained. “It was good to meet you, Carlos, but there is much art to look at and so little time.” Charles doesn’t even have a second to say any kind of goodbye before the Frenchman is now in control, leading them back to the now-open doors of the studio space, grip now vice-like at Charles’ waist.

It's…well, it’s hot.

[deadsetobsessions]

Alley Drunk! Danny AU- Part 1

[Pt.2] [Pt.3] [Pt.4]

To not turn into a giant raging asshole hell bent on murdering people and destroying the world after everyone he loved died, Danny had ran from Amity with his chosen vice.

A bottle. That’s right. Even after Jazz’s talks about alcoholism as a poor coping mechanism as a form of self harm, he still chose alcohol. Or maybe that’s why he picked it, because it reminded him of her, right before the booze took the sting of grief off of her memory. He was never really all that good at listening to Jazz.

And now she’s gone, so it’s moot point. Danny really hated Nasty Burger.

Danny made it all the way to Gotham, bottle constantly glued to his hand. It’s better than Vlad’s creep-o-self looming over him all of the time. He bummed out on the streets, fitting into crime alley like a native. Danny learned to pickpocket. Not much, just enough for a bottle when his ran out. He stayed human. At first he tried to convince himself that it was because he didn’t want to be perceived as a meta in a city where Batman notoriously disliked metas. Then, as he sunk deeper, he admitted to himself in a shameful curl of a whisper that it was really because alcohol affected his human side much easier.

Ghosts need an ungodly amount of alcohol to even get slightly buzzed. Danny’s human side? Only one full bottle the shittiest tequila he could find could even hope to be more than buzzed. It sucked.

He’s spent two years being an alcoholic that didn’t actually get that drunk. Technically, underage drinking was a crime. But then again, so was being a vigilante ghost. So, whatever. He does what he can to dull the grief. Mostly, he slept on covered and hidden nooks on top of Crime Alley’s roofs. Gotham city had taken pity on him and cleared her smog clouds when he was awake at night. Stargazing helped, at least. It gave him a little hope. It gave him a little wish to change and better and live like he wants. But then the night ends and when the day comes, Jazz isn’t there. Sam isn’t there. Tucker isn’t there. His mom and dad are not there.

Danny always went back to the bottle, in the end. Not that it did much.

Which was why, when he saw three looming figures over a tiny child, Danny’s saving people thing flared with a vengeance and his surprised ectoplasm burned what little buzz he had achieved by downing most of the bottle away, leaving him stone cold sober and pissed.

Danny sighed, dumping the rest of the nasty tasting liquid out. There’s no point drinking that little.

He approached the trio, who were beating up an actual child. Ancients, he hated Crime Alley sometimes.

“Give me your shit, you little punk!” Asshole 1 decided to say like a typical mugger, raising his leg to kick the curled up kid below. Danny doesn’t let him land the kick, smashing the bottle on the asshole’s head before any of them clocked his presence. He pivots, pushing a bit of that extra strength he normally keeps on a tight leash into his hands, and punched the other two in a quick fashion, knocking them out.

With that taken care of, Danny turned back to the kid who was still curled up. Danny sighed again, the trembles in small shoulders plucking on his heartstrings.

“You okay, kid?”

The kid uncurls, and Danny stared. Holy shit, is he looking into a mirror? Blue eyes, black hair, and tanned skin. Holy shit, he’s even got similar jaws to Danny.

“Huh.”

The kid flinched.

“Y-y’er the drunk,” the kid flinched again, eyes darting to the broken bottle still clenched in Danny’s hand. “I- I ain’t got money, honest. Please-”

Danny blinked down at the kid, brain connecting the dots after so long without actual interaction. He’s panicking and staring at the bottle in Danny’s hand like it’ll kill him. Danny raised the bottle and the kid closed his mouth with a click, terror worming its way into the kid’s eyes.

“I wasn’t going to mug you myself, kid.”

“But- y’er the- the Alley drunk.”

Danny blinked. Did he get a reputation without knowing again? Goddammit.

“I guess. Am I famous or somethin’?”

“Nobody- nobody fucks wit’ ya.”

“I also don’t hurt kids.”

“…”

The kid stared at him dubiously and with a sinking feeling, Danny realized that maybe the kid already had some terrible experiences with a heavy drunken hand. He promptly chucks the bottle further into the alley.

“I drink, yes. But I’m also not the kind of scum that would lay hands on a kid, let alone anyone that didn’t provoke it first.”

“Oh.” The kid uncurled more, looking at Danny warily, more at ease now that the bottle has left the chat.

“Yeah. I’m Danny. Stone cold sober, right now.”

“…”

Danny waited.

“Peters.”

“Okay. Peters, do you wanna take their shit?” Danny pointed a thumb at the knocked out would-be-muggers behind him.

“Y… yeah, sure. What’s my cut?”

“All of it.”

Peters stared.

Danny shrugged and started looting.

"Y'er so fuckin' weird."

----

See, the thing is, Danny hadn't anticipated saving Peters- "'s actually Jason"- would result in having a duckling following him around. The kid, Jason, glared at everyone who even looked at them wrong. But that's not the problem, because Danny could take anyone who took issue with Jason's looks, it's more like there's a child following him around now and Danny doesn't want to be the reason Jason turns into an alcoholic. It's- well, it made him cut down on the drinking. He even got jobs- legitimate jobs that sucks out his his poor ectoplasmic soul.

Why? Because Jason's apparently homeless. While that's something Danny's okay with for himself, he can't ever condone that for an actual child. Jason's walking around in threadbare clothes and thin soled shoes in the middle of Fall, for Ancient's sake.

Danny grumbles as he piled a bunch of clothes into the shopping bag as he checked out. Gotham's Walmart is a different kind of hell, but Danny feels right at home.

Sure, the work might suck out his soul and he might hate being sober, but Jason's face every time he comes home to an actual place to live, warm clothes, and food was worth everything.

[motherofagony]

FIRE WALK - one shot

joel miller x f!reader

pairing: au, no outbreak!joel x f!reader rating: explicit, 18+, minors dni word count: 6.5k summary: a chance encounter at a motel has you crossing paths with a stranger in a blue t-shirt. content warnings + tags: age gap (we'll say 15-20 years), very brief references to past non-con encounters (not with joel, no details just shitty men in general), soft!joel, alcohol, mentions of family trauma and ab*se, unprotected piv, fingering, oral (f + m receiving), A Scene With a Belt™, slight mentions of reader's clothing but no physical descriptions otherwise, love as consumption and women as fruit a/n: this was a brain-worm of a one shot, so i had to press pause on AHFE and get it out. consider it a dirty love letter to strangers with stories in shitty motels. and i have to give the biggest thank-you to @iamskyereads for stepping in and offering to be my beta reader in the final hour. she was so unbelievably thorough and thoughtful and kind. i owe you big.

New-age boogeymen hang two-way mirrors and jiggle motel door handles with broken hangers.

That’s what the news says.

August licks an unforgiving line of heat up your back, and cutoff denim and halter tops do nothing but give the sun more skin to burn. 

It’s sweltering, brutal as an Arizona summer is, and The Palms Motel promises a pool and a mini bar on their dirty marquee. You’ll take what you can get, can’t really afford to be picky with fifty dollars in your pocket, but at least maybe you’ll live like royalty tonight.

Some guy you met — Tom, Tim, Jim, whoever — pulls his convertible up to the front office. Your knees knock together over the speed bump, cartilage kissing bone.

It’s the closest you’ve ever come close to a chauffeur, but the chauffeur you see in movies doesn’t usually take liberties with trying to work his grease-speckled mechanic hand up the passenger’s shirt.

You met him at a gas station in Tucson, thumbing your way from northern Texas to put as much distance between you and your whiskey-breathed dad as you could. He’d torn your clothes apart at the seams with his eyes when he spotted you in the parking lot, swimming in blood-infested waters with sharp, sharp teeth.

There was no plan, no directions penned and cities circled on a folded map, just glass in your hair and a final straw.

He asked if you could buy him some booze — revoked license, baby, y’know how that goes — and you shouldn’t have, but when he flashed a leather wallet thick with cash, you knew you’d be stupid not to.

You hid behind a shelf inside the gas station while he idled in the parking lot and plucked a fifty from the wad, stuffing it deep in your bag. You grabbed some shitty malt-something from a fridge along with a 6-pack, flashing the slack-jawed cashier a wink. 

He didn’t try to hide the eye contact with your tits, but neither do most men. Sometimes you milk it in your favor, sometimes it just makes your lunch rise to the back of your throat.

And when you’re by yourself, it’s hot iron, ready to strike. A doe in their headlights, a buck with a nice rack. Skipping through the center of their bullseye.

You bought a little palm-sized bottle for yourself and tucked it safely next to the stolen cash in the abyss of your purse. These tiny cons got you by, made power surge deep in your belly. It made loneliness feel worth it, knowing you had an upper hand to lean on if you were ever in a bind.

He bitched about inflation when you came out with less than was reasonable for the amount you spent, and you just shrugged. Not your cash, not your problem. 

You bartered for a ride to the nearest motel, and now Tom-Tim-Jim is asking you over the purr of the engine if you need company for the night.

If you were feeling a little more you, you might’ve taken him up on it. Maybe he would’ve even paid for the room, maybe he wouldn’t get angry like your dad does. Maybe he’d be able to fuck you without hitting you.

You’re good at diffusing the temper in most men, can touch them in ways that make them grit their teeth, can be a good girl and go fetch.

But you’re not in the mood to bend, to give someone’s son — someone’s husband with a tan line around their ring finger — a place to wipe their shoes on. You don’t feel like wiping their dirt, your mascara from your eyes and saying thank you while they zip up their pants.

And you sure as fuck don’t fancy being on a milk carton.

“I’m alright, sugar. Thanks for the ride,” you say, dipping your chin to peer over your sunglasses. “I know where to find you, don’t worry.”

Yeah fuckin’ right.

He doesn’t try to conceal his disappointment, just sucks his teeth and squeezes at the exposed skin of your thigh. His way of saying goodbye to something he could’ve dripped sweat on, came in too early. You think your flesh might rot off in chunks. 

You open the door and swing your legs out in a way that’s a little too eager.

Tom-Tim-Jim waves solemnly with two fingers up and two bent, and then he’s gone in an aggressive rev.

The motel might’ve been a kitschy dream in its heyday. It’s not a total dump; more of a vintage skeleton of washed-out pink and umbrellas that’ve been ripped by weather and overuse. There are a million faded emblems of cartoonish palm trees. It’s almost endearing how tragic it is.

You can tell that it was popular and swarming with tourists at one time — there are dusty, water-stained pamphlets lining the wall next to the front desk that brag Named one of Arizona’s top destinations in 1996!

A mounted fan whirs and oscillates, but it might as well be someone blowing hot breath down your neck. 

There’s a tired woman holding down the fort at the desk with a name tag that claims Brenda, and she looks surprised to see you. You figure most customers are stopping in for a night’s rest on the way to somewhere more important, their final destination. But you don’t look like you have anywhere better to be.

“Hey, honey,” Brenda trickles, laced with an accent that’s more New Orleans than Arizona. “Need a room?”

“Yeah, just for the night,” you say, fishing out your wallet with confidence that doesn’t meet your eyes. “How much?”

“Forty-five a night, ‘less you wanna upgrade to the honeymoon suite.” She looks somewhere over your shoulder.

That’s nearly everything you have, but it sounds a lot like tomorrow’s problem. At least you’ll be safe tonight from the prowling stares of nighttime predators, and the leftover change will give you a decent vending machine dinner.

“Just a normal room’s fine,” you smile, sliding over the crumpled, stolen fifty.

Brenda types busily on the keyboard, asking for your name but nothing else. And when she hands you a plastic keycard, you finally relax your shoulders. Untangle the nerves in your lower back that are choking one another.

Room 17, it reads. Your oasis awaits!

You thank her, spin on your heel, and immediately bump chest to chest with something hard.

You’re eye level with a worn, cornflower blue t-shirt, ringed with a light stain of sweat at the collar. They’re grasping both of your arms to steady you, and you’re snagging the gaze of a tousled man with a bag slung over his shoulder.

“Watch where you’re goin’,” he murmurs, but it isn’t reprimanding or mean like you’re used to, just sickly sweet and Texan. Syrupy in a way that drips right down between your legs.

You don’t remember seeing anyone else in the lot when you’d pulled up. And the stealth of him entering soundlessly behind you sends a jolt of electricity up your spine, the clench of something that would be fear if it were any other stranger.

But he doesn’t look at you with intent to devour or to claim. Just eyes you like you’re anyone else. An equal. The bare minimum, but rare and shiny nonetheless.

“Sorry,” you breathe, and he’s releasing you a little too quickly for your liking. Leaving brands on the creases of where your forearms meet upper and elbow.

“Don’t worry ‘bout it.”

So you don’t.

You brush past him on the way out, a polite nod. And that’s that. 

The heat is the kind that feels hotter, unbearable when paired with the shrill sing of cicadas. An endless buzzing that you think might be the sun sizzling on the concrete. If you stood in one place for too long, your flip flops might very well melt you in place.

Your room key clicks to unlock Room 17, and you push the door open to a heavy, humid space that smells vaguely of mold. You’re so grateful for the privacy that you can’t even bring yourself to wrinkle your nose.

Flip flops discarded, your toes sink into shag carpet — a dirty luxury that makes you moan. It’s only been two days since you left home, fled home, but it beats sleeping with one eye open on a bus stop bench.

You up-end your leather bag, dumping all of its contents onto the bed. Cigarettes, some loose film canisters, your toothbrush, a lighter. There wasn’t much time to pack, nothing worth bringing, and the less, the better. Nothing to weigh you down if you had to dip at a moment’s notice.

It takes you only a couple minutes and a light sheen of sweat to realize that the A/C is busted. Smothered, you try to crack open a window in the bathroom, but it’s no cooler than the hell you’re standing in.

When you let Brenda know, she just shrugs with an apologetic kind of half-smile.

“Most of ‘em are out these days, honey,” she says, and you decide then that it’s a small price to pay. “We got someone comin’ to look at it next week.”

You shoot her a smile, figure that she’s had enough rotten backtalk in her day. You scoop a set of flamingo-themed matches from the bowl on the counter and turn around, only to see a familiar blue shirt waiting his turn.

His eyes try not to roam, but he’s giving you a nod and stepping up without hesitation, asking Brenda for extra towels.

The way that she titters and blushes, you’d think he’d asked if he could spit in her mouth.

It irritates you, and you can’t say why.

The door chimes behind you as it closes, and you linger, striking a match and lighting a cigarette. When he emerges, a stack of towels so high it’s hitting his chin, you step in stride on the walk back. Tracing his footsteps, catching up with his shadow.

“You followin’ me?” you quip, a cigarette dangling from your mouth. The cherry ignites on every breath, smoke erupting in tendrils that hug each word.

He answers with a laugh, turns and squints back at you with one eye. Almost as if he was expecting you to ask.

“You’d like that, wouldn’t you, sweetheart? Could say the same to you.”

You stop in front of 17, hand over your brow to shield from the sun that’s winding its way down, getting ready to tuck itself in for the night. There’s nothing that touches your tongue that doesn’t sound exactly like a fuck yes. So you don’t say anything.

“Enjoy your sauna,” he chuckles over his shoulder, passing you with his towels on the way to Room 20.

—

Led Zeppelin filters out through the radio, half-static, half-electric. Your legs are crossed in the air behind you, and you’re posted up face down on the bed, kicking along to the beat while you flip through whatever Cosmopolitan someone left behind in a drawer.

Someone raps a few times on the door, and if it’s a repairman, they’re getting their fucking dick sucked.

You army-roll off the flowery duvet, abandoning a how-to on finding your g-spot, and you peer through the peephole.

Your breath hitches on a soft swear.

When you open the door, you see Blue T-Shirt standing there, skin creasing around his eyes slyly. An unopened beer hangs and swings from his restless fingers. He offers it up wordlessly, the butt of it pointed at you.

It’s ice-cold and slippery to the touch, erupting goosebumps on your forearm. Saliva coats your tongue, and you don’t think it’s the thirst for alcohol, but maybe the tall drink of water. 

“Um… thanks?”

“Figured you’d either be dead by now or parched,” he says smugly, and it’s velvet to your ears.

“Oh. Yeah, thanks. I got the fan to work at least,” you mutter, jerking your thumb vaguely behind you.

“Listen, uh —”

He’s rubbing the nape of his neck, and you catch the way the network of muscles flex from his elbow to the seam of his armpit. He looks like he’s in pain, struggling with the fit of a puzzle piece into something rough and jagged.

Something he shouldn’t be trying but has to see it through, exhaust it until it’s definite one way or the other.

You just squint, sucking in the corner of your lip between your teeth. You nearly grin, but it’s much more fun to watch than to connect the dots for him.

“A/C works in my room, so ‘f you wanted to… y’know,” he trails off, not even sure in his own offer. “No pressure. It’s hot as hell outside, don’t want you t’get heat stroke ‘f I can help it.”

This kind of approval you like. This kind that sizzles girl-honey between your legs, winning it from a man that’s playing to earn, not to cheat.

“I try not to make a habit out of going into motel rooms of guys I don’t know the names of,” you harp sweetly. But it might as well be a done-deal.

“D’you make a habit outta accepting beers from ‘em?”

You smile. Typically, yes.

“Joel.”

His hand shoots out, strong and suggestive. Fingers like alligator teeth that’ll grip you, hold you under until you thrash. 

And you pluck your cigarettes and gifted liquor bottle from the bed, arms full when you carry them down to Joel’s room.

—

You’re sprawled on the full-size bed next to his, head propped up on hand propped up on elbow.

You’ve been trading your little fist of bourbon back and forth, swapping stories in the same way. Somehow, you fall into it easy like old friends, and it’s nice to follow someone’s lead instead of keeping one step, three, seven steps ahead. Arm outstretched to the door knob, feet ready to break into a run at the change in tone, blackening of pupils.

Without meaning to, you’ve wordlessly agreed that the person in possession of the bottle has the proverbial mic, and they swig to help with details and theatrics. It’s counter-productive in flow, but it makes you laugh when Joel exaggerates the story he’s telling on purpose, reaching out to pass it back and suddenly yanking it back, remembering a shade of gray or a funny expression.

Your knuckles keep zapping each other, brushing a little longer than the time before. There’s no numbness to consensual touch.

Joel’s mid-40s. From Texas, like you. He came to visit his daughter Sarah at college, says she’s growin’ up too fast, doesn’t need her old man anymore. It’s a thrill to see someone talk about their own flesh with love, admiration for who she is and who she’s becoming. You find yourself leaning in, enraptured that there are no IOUs or fine-print that you know to come with a parent’s love.

Mentions of his stubborn brother Tommy who he works with and who just can’t stop getting into trouble. The unspoken guilt that maybe he could be the one to keep him out of jail if he tried harder. It doesn’t work that way, and you tell him so.

You tell him about your dad when he asks about your life, your story, and you don’t know why you do but maybe you know exactly why. No one ever gets close enough to ask, so it comes leaking out of the corners of your mouth.  

You’ve never told anyone, not even your diary, not even the guidance counselor who slipped a note to your fifth grade teacher and pulled you out of class. Shaky fingers, shaky limbs when they asked if they could roll up your sleeves just to see and you said no. 

Crying because you knew your dad wouldn’t let you go back. Not to school, not to your friends.

You omit the nitty-gritty details, but Joel gets the gist. Swigs his share of the liquor a little too angrily with tight lips. Not like your dad does, but you don’t miss the irony of it all.

He holds anger for you, on behalf of you. It simmers as he listens to you in patient silence, coming to a boil at the bad parts when he gets up and starts walking lines in the shitty carpet. Pretending to look outside in interest at his truck parked at the end of the lot, but gripping the curtains until you can see every expanse of bone in his hand.

You don’t need this from him. It’s a hurt you’ve wedged between the pages of a book and doused in flames of acceptance long ago. But it spreads from your toes to your ears, the burn of someone feeling like this. For someone like you.

He finally settles down in an armchair by the window, a funny corduroy thing that would probably light up under a blacklight on one of those crime shows. Legs parted, a warm stare on the way you take up space on the bed. Facing him comfortably, your vision buzzing around the edges. A loose smile shared as if this room was meant for the two of you all along.

“So, what’s your plan?” Joel’s humming, his words getting lost in an echo of the bottle neck.

You don’t have one. Can’t have one when you have nowhere to go but gone.

It stretches on and on between you — a mouth opened and closed too many times on possibilities. If you admit to it, you end up with pity or an upper hand dealt to a stranger. You can’t afford to owe anyone a favor, nor can you front the cost of needing one.

But you’re so tired.

“Dunno. I’ll figure it out.”

“You got enough time for that?”

And you know what he means. Enough time in the motel, enough time before you’re a thief at wit’s end, doing anything for survival. He doesn’t need to ask to know you don’t have a destination, some relative waiting for you in a California dream.

You’ve excused yourself to the bathroom, soft radio bleeding in under the door, arms braced on the sink, all glossy eyes.

You want him, bad. But he won’t make the first move, won’t take advantage of what isn’t his and what others before him took without asking. You’re a pawn, entitled to the first move. The rejection would kill you, but not knowing would be worse.

He could hold you soft, give you something to think about when tomorrow rips you both in opposite directions.

When you pull open the door, Joel’s frozen in mid-stride towards you, like he’s just made up his mind about something.

He straightens but he’s still. Afraid of moving too fast, saying too much, scaring you into flight. Out of the unlocked cage of his room — something he did on purpose, because he doesn’t expect anything from you and wants you to know he doesn’t.

You meet him in his dusty shag quicksand. You take his wrist in your hand, kiss the thrum of life in the dip where veins meet palm. An offering.

Joel looks like he’s in pain, like what you’re doing is excruciating and thorny. The front of his jeans strains. He’s searching you for any hesitation, any obligation because he did something kind. He knows what currency you feel the need to pay in, and this isn’t that.

“Please,” you whisper simply. And he nods, accepting, succumbing.

There’s a careful meeting of lips, wanting to do it the right way, in the right order. When you push your tongue in, used to the pace of animals, he just holds your face and slows you down. It’s languid, his mouth showing you what sweet and gentle can taste like. Your tongues take their time, and your hands slip beneath the hem of his shirt, all ribbed muscle with a sprinkling of hair.

He shudders against the lightness of your feather-fingers.

Joel’s hands are peeling your shirt off, his thumbs resting to press against pillowy hips. He’s not letting your lips go, something like impatience stirring in you. 

Doesn’t he want to fuck you hard? Fuck you fast and selfish?

Isn’t there a catch?

He’s taking his shirt off now, up and over. Carved by Michaelangelo, thrown up on a ceiling in a library book you read once. You’re touching him in reverence, but not letting yourself learn too much of him.

His eyes are molten. Joel walks you back to the edge of the bed, scratchy quilt tickling your thighs when you fall back on it. You start to pose yourself, angles that make you look more desirable, pliable. But he’s not paying attention to that, just unbuttoning your shorts, kissing the jut of every curve and permeating down to the bone, punching out a soft groan when he slides the denim off and sees the shining ambrosia that’s waiting.

He’s kneeling, tugging you down to meet his waiting mouth. And you’re just breathless, flinching when he pulls you apart, guiding your legs over his shoulders and wasting no time devouring you. Your legs, his bib.

Joel’s tongue flicks through the shell of you, teasing you in alternates of quick and slow, starving and full. It feels like a slice of heaven. 

You pitch out a tangled gasp, hands instinctively moving to knot in his hair. Anything to hold onto, a different kind of grounding.

“So wet f’me,” he vibrates lowly into you, all husk. “Taste so fuckin’ sweet.”

He sinks a middle finger into you, and you’re keening, hips canting and unable to stay glued to the mattress. You feel him smile against your cunt, just pressing his forearm across your lower half to keep you still.

Joel’s twisting and working into you, onto you, and you’re so fucking close from just this — a tiptoeing to the edge that grows longer, more erratic in stride. He sucks your clit — pulsing sensitive, so swollen — into his mouth and grazes it with the tip of his tongue just so. Baring his incisors and closing around you in a delicious scrape like a Venus flytrap taking its meal.

You think you see God behind the flutter of your eyes.

You’re close enough to warn him, to rasp it out in the symphony of moans. His free hand reaches up to roll your peaked nipple between his forefinger and thumb, and he stretches you with an added ring finger. You’re writhing. Possessed.

He’s watching you through thick lashes. Letting your heels dig into his shoulders as the drenched sounds of you fill the room.

“Joel, please — I’m gonna —”

“C’mon, pretty girl,” he just murmurs.

You feel that little pull at your navel.

And you’re tipping in a freefall, seeing stars. You clench down around his fingers, fingers that are still pumping against that spongy spot deep inside you. Your arousal gushes, wet and sticky against the scrape of his beard. He laps you up, the sight making heat creep up your chest and wrap around your neck.

When he lifts his head, he’s high on it. Pupils dilated like tiny, round moons. Your orgasm glistens on him, smeared over lips and chin. The fur of a peach peeled back far enough to sink teeth into.

It’s fucking filthy.

Joel places open-mouthed kisses from your hip up to the center of your breasts, a trail of your orgasm shiny on your skin in perfect, sloppy Os. His breath meets your throat where he nips at you, and you don’t have time to drag in a breath before you’re tasting the saltiness of yourself on his tongue.

Your fingers fumble on his belt, practiced with years of releasing the tension on the metal prongs, the slithering sound whooshing from the loops of pants. You’re good at it, like you used to be good at gymnastics until your mom stopped getting out of bed to drive you. 

There was always a little gold for contorting your body.

He detaches from you unwillingly, putting all of his weight on his knees and shins as he straddles the space of your thighs.

You’re pulling yourself up in a sitting position, pushing denim and boxers down past his hips. Letting his cock spring free, the head a dark pink and beaded with precum. You swipe the flat of your tongue against it, peeking up at him while you soak up the taste of it. 

When you push the length of him into your mouth, ridged hard with veins, Joel tips his head back, chin to the ceiling. He groans something brutish yet helpless, cradling the back of your head. You’re seated in the driver’s seat, all control. 

It’s new, different.

But then he’s moving his hips back, pulling himself from your mouth, wiping the saliva from your chin with a steady thumb.

“Don’t need t’do that,” Joel whispers hoarsely. “Not ‘f you don’t want to.”

Confused, you knit your brows. He laughs darkly, shaking his head.

“Didn’t mean it like that, it’s — it feels fuckin’ good,” he says, awestruck. “Would just rather make you feel good instead.”

Oh.

He doesn’t wait for an answer or a negotiation. The rest of his clothes pool on the floor in a pile, and he’s climbing back over you, an anchor or a buoy in a storm.

He lines himself up at the seam of you, puffy and so wet from before, nudging the tip of his cock at your warm center. A thumb coaxing the bud at the apex of you in lazy circles.

Joel’s sliding in slowly by each inch, filling you full until there’s nothing left and his patch of hair prickles the pearl of your clit. All you can do is whine and tense around him.

He’s resting tentative hands on either side of your face, indenting the weak mattress with handprints. He groans, but he doesn’t move. Doesn’t give in when you try to rock against him.

“This alright?”

You’ve forgotten how to do anything, hoping that digging your fingertips into his forearms is communication enough.

“I’m gonna need a yes, baby.”

You feel around in the dark for the tether back to your body, and it jerks you like a marionette, giving him a nod.

“Yes. Fuck.”

That’s enough. He’s rewarding you with a roll of his hips, and you feel like you’re on fire. It’s a stuttering, painfully slow pace at first, his mouth so close to your ear that every grunt is amplified. But it evolves into something eager, unsatiated, snapping up into you with a relentless sort of fucking.

He’s hitting that place so deep within you, letting you unravel and grow hoarse from the moans tearing their way up your throat. That pressure is roiling, the kind that you get only when you touch yourself but intensified by a million.

It just feels so right, because there’s nothing to prove. 

You’re ships passing in the night, strangers making a pit-stop on the way to nowhere. There’s no backstory, no history to make mention of. No shame in the morning when he inevitably rolls over and pretends to be asleep, and you scrub off the smell of him with your provided travel-size shampoo.

It’s not love, but it might be the closest you ever get.

The glow of him above you, a deity with his face screwed in agony. Chasing after you when he feels the tightening of your cunt, the easy glide of every thrust that tells him you’re close.

Then, you’re snapping like a rubber band. Gushing in a dripping mess that trickles to where your ass meets thigh. Crying without tears, overstimulated but blissful. Joel is quick to follow, like he’s been waiting his turn.

He’s trembling, emptying inside you in a warm flood. Groaning low and beautiful, gripping your hips to keep you flush to him.

When pulls out, tearing himself away, he’s slinging an arm over his eyes on the pillow beside yours. One hand on your leg to make sure you don’t go anywhere.

“So fuckin’ perfect,” you hear him mutter.

At some point you drift off, his arm draped over you. You open a bleary eye to a neon 2:49AM that casts a halo over the nightstand. Joel’s tucked you in, the thin duvet snug up to your shoulder. He’s not snoring but not not snoring, just breath getting caught in his throat in a satisfied, well-spent way.

It’s all too much, too pure to be real.

Before you let yourself change your mind, you slink out from under the warmth of your generous stranger. You step in your shorts one foot at a time, tugging them up gelatin legs too springy from coiling and uncoiling.

You promise yourself that you’ll take just one mental picture as a keepsake, and it’s this. A sleepy Joel who will be well on his way to a second cup of coffee on the way out of Arizona, maybe even nursing a little headache behind his right eye. And he’ll remember an apparition of some girl he fucked in a motel. The touristy thing to do, a sight to see. 

He might even tell Tommy, say you were a crazy little thing with too much baggage, but it was fun to stay up past his bedtime.

You don’t mean to do it, really you don’t, but you flip through his wallet that lays innocently on top of the TV.

If you take a little something, that’ll turn this into another one of your stories that you tell your kids born from a loveless marriage somewhere in the crevices of a future from now. It won’t pull on the tendons of your heart.

And it won’t mean anything. You won’t let it.

—

The next morning, there’s a soft knock at the door, and it’s probably housekeeping kicking you out for overstaying your welcome. Time to turn down the bed for the next lost soul. You imagine Joel’s long gone, hopped in his truck and back to a reality you’ll never meet him in.

Your fingers are slow to gather up your purse, and you’re shoving your toothbrush in from its place on the sink.

“I’ll be out in a second!” you yell in a voice that reeks of years of diner-flavored customer service.

More persistent knocking that borders on pounding. It shakes the chain in the deadbolt.

You’re yanking open the door, and there’s Joel, white shirt and jeans. And it isn’t that cushion of admiration from last night, no greeting with a chaste kiss on the cheek.

Just a wolf coming to claim his continental breakfast.

Fuck.

You try to shut the door, suddenly too ashamed of what you’ve done, and to someone undeserving. Someone that showed you kindness, empathy.

But his boot catches the door before it can close, and he’s inside, slicing through the space between you. It’s not quite anger, but it’s shadowy. Sardonic.

Your shoulder blades kiss the cheap wallpaper.

“You’re real funny, y’know that?” he starts, and he’s smiling but not really.

Shrinking small, so small that maybe you’ll disappear.

There’s a tick of silence. His thumb skates to your collarbone and then to the hollow at the base of your throat. He wants to squeeze but he doesn’t, his fingers wrapping loosely around the column to fix you there. Heat creeps up the back of your neck into your hairline.

The instinct to flinch bubbles up against your joints, but you can’t bring yourself to.

“Y’think you can fuck me,” he muses, disgustingly deadpan, “‘n steal from me.”

Dread weighs heavy like lead in your stomach. You can’t stop yourself from shaking your head, still playing dumb.

He bristles at that, thunderous. You both know it’s a lie; you’re a hundred dollars richer than you were last night. His fingers briefly flex around you in a way that you’ve seen before, and horror hits a fever pitch in you.

Tears prick your eyes, and you’re putting your palms on his chest and shoving, but he doesn’t give. Unstoppable force meets immovable object, and all that.

It’s not so much the blaring punctuation in a sentence, the ticking of dynamite ready to blow. He’s confronting you with proximity, with your own dishonesty. Wanting to shake you and tell you that it doesn’t have to be this way.

Joel just leans in closer, almost grazing noses. You try to breathe around the lump of panic.

“The hell’s the matter with you?”

It’s disbelief, it’s hurt. In the same way, it’s understanding, incredulous. It’s him stepping back and loosening the hold around your neck like no one’s ever done; it’s softening and imploring.

He’s shoving his hands in his pockets, guilty and recoiling. Sorry he could even make himself look like one of them — a forced penance in the flesh.

There’s no answer that can justify what you did. Nothing simple about nothing personal. But truly… that’s all it was. A pie wafting steam on an open windowsill. Something to make you feel better about the void he’d leave.

“‘F you needed money, you coulda just asked.” 

He’s disappointed, desperate. In a tone that really says, I would’ve done anything you wanted.

A dam inside you gives, crumbling deep at the foundation and knocking the walls down around you. Words don’t come, but you shove your hand in blind into your bag, pulling out the loose bill and extending it.

Joel sees the regretful offering and your heart with x-ray vision. That you think of yourself as a doll, less valuable without her box. Used without tags. Free to a good home.

He shakes his head, the softness of a keep it barely peeking out of his mouth.

You’re skinning yourself raw, wanting another way out but having none. With half a mind to say that the next night could come with fangs.

You feel the stab of relief, and shame. So much shame.

Like a soothsayer, he foresees the coldness of a bench, the shrinking of you into the safety of an alley.

You drop to your knees in exaltation, thinking you know what’ll fix this. You can’t see through the watercolor blur of your tears, but you touch his belt with fingers that are cold to the tips.

But Joel knows what you’re doing, shaking his head no no no.

He won’t let you do it like this. He drags you up gently by the elbows. Pulls you into his chest, says stop stop stop. Kisses your hair, then your lips. You cry until he can taste the tears, until the front of his shirt is damp.

“I’m sorry,” you rasp out roughly. “I’m so sorry.”

He tells you to never say sorry to him again.

—

Joel pays for a room for two more nights, but only one — his with the working A/C.

You move your toothbrush and your bag over to Room 20.

You go to the pool, swimming laps around him in a tank top and your cherry-embroidered underwear, squealing and splashing in a flail when he swims underneath your legs and stands up to hold you on his tan shoulders.

Sunscreen streaks greasy on your stomach when you lay out together on the loungers after. Joel likes a cat-nap with his face under a towel, grumpy and tired from the sun. But he never snaps at you, never gets impatient when you ask too many questions while he’s dozing off.

You learn the pinched expression he makes just before he comes. That his right palm has hundreds of lines you can see best by lamplight. He misses the noise of Sarah in his house, of sharing the coffee pot with someone. He doesn’t like the small piling of toast crumbs left only by him on the kitchen table.

He learns that you apologize for wet, clean hair on his pillowcase, for laughing too loud. Things that don’t need a sorry. A collection of oversaturated manners that might take time to unlearn, but he promises to teach you.

He learns that you approach an orgasm with tentative toes in cold water, almost unbelieving that sex can give, give, give instead of take, take, take. He learns that you like the meeting of eyes when he’s buried between your legs, pushing your thighs apart to keep from suffocating. That when he does let you get on your knees for him, you know just the spot to caress with your tongue on the underside of his cock.

Joel’s belt is snaked under your stomach, across your hips, fists intertwined in the leather as he pulls you back, slams himself forward. It bites and creates indents in your flesh, and you don’t care. He gives you marks to love, to admire in your reflection, never ones that are ugly. Never ones out of hate over spilled milk.

There’s a dirty slap of skin, growing louder, competing with your moans. Your nails are tearing into the cheap sheets, and Joel’s so close but won’t come until he coaxes another out of you. A grand total of at least four by now, but you’ve lost count.

At long last, you splinter around him. Pitching off the cliff in a cry. Joel’s leaning — his chest, your back — and spilling deep, holding onto you for dear life. You hear him whimper in a strangle. Big, tough game that’s been taken down with an arrow in his chest.

Hot tears are flowing out of you, stuttering sobs close to follow, and Joel pulls out slowly. Seems to know why. And he rolls you over, into him, hand careful in slow strokes against your hair.  

You’ve never been good at goodbyes. Maybe that’s what this is.

Men like to say that women like you are insane, too analytical, too tear-streaked, too conscious of the way they look when they sleep. Because waking up with your mouth open, a drying corner of drool threatening your cheek is too human, not pretty.

Sometimes women like you are dead, rotting pomegranate flesh. Long forgotten in decay on the ground when the weight became too heavy to hold yourself up. And those men pick up your seeds and shove them squelching back into places where they don’t fit. 

The winters come bitter and harsh, but you’re always reborn in the spring. And without fail, you grow back fiercely into a tree reminiscent of Eden, low-hanging apples plucked and bruised and bitten into once and spit out in tart disgust. 

Women like you choke men like this with your pits, strangle them with vines, poison them with berries. They can consume, but so can you.

But then, in the ripe, cool shade of summer, you’ll have a visitor like Joel that will come with a basket and a blanket and they’ll stay and read books beneath you. They’ll enjoy your fruit, you’ll drip from their mouth and dry tacky like flypaper, and they won’t be able to imagine a day before you. 

They’ll collect all the pieces of you on a Tuesday morning and give you change to get a Coke after checkout. They’ll tuck you into the front seat of their truck, let you put your feet up on the dash, hand protective and calm on your thigh while the other steers you both back to Texas. A new home without shouting and bottles thrown.

And they’ll stay through every season.

[thegnomelord]

Okay fuck after reading @killerkillerkillher 's fic with demon Soap and Price, and angel Ghost and Gaz, it got my own brain worms multiplying (as if I don't have enough going on lol) so here's the au draft that's been rotting for a while lol.

So here's an idea for an au:

Reader is part of a small group of friends that are Ghost hunters/DIY exorcists (read: They're all drop out college students and the ghost hunting youtube channel's putting food on the table). Reader doesn't believe in the supernatural but the friends keep reader around because you're the group's 'ghost deterrent' because spirits GTFO when reader's near and reader thinks the friends are just bullshitting you.

Anyway the group are moving to a bumfuck town in the middle of nowhere where an old haunted house the reader's grandmother left is. Then their pos car breaks down an hour away from town. 'Luckily' the town's mechanic, Johnny, was just driving by and helps you lot out. And ain't he a handsome devil (emphasis on devil) thinking he can con a couple of young and dumb humans out of their souls. Soap's all hooded eyes and husky voice as he lures you away like a lamb to a supply closet, oil darkened hands sliding under your shirt and lips sucking dark hickeys into your throat.

He pulls away when you tug on his mohawk, raising his head until his lips are just inches from your own and you don't even notice him mutter a verbal contract, nor do you understand you've agreed to one when his lips crash on yours like he's drowning.

And Johnny's grinning into the kiss like a loon as he tries to take the soul of the stupid but hot mortal he's just met only to find out he... he can't. No matter how consuming his kisses are or how aroused both of you get your soul sits stubbornly in your chest and doesn't even budge.

When your friend bangs on the door and yells for you to "stop shagging every guy you meet!" you're forced to give an awkward goodbye and scurry away. And Soap's left completely bewildered and confused as fuck wondering what just happened and thinks he needs to tell Price.

Meanwhile, while your car's being fixed up, your friends drag you to the town's only pub that's run by a Simon Riley. He's an intimidating man without trying to be, but he doesn't immediately chase you out like some bar owners. He's quiet, listening to your friends chatter while cleaning a glass rough scarred hands, but the way he looks at you is... odd. Like you're an interesting bauble he's found on his gran's shelf.

He's there to catch you when you trip on a raised floorboard you swear wasn't there before. "Thanks, I owe you one." You say with a small awkward laugh, though for some reason it feels like him catching you had been an excuse to touch you.

"That so?" His thumb traces the dark hickeys across your throat, surprisingly soft, and you can feel your cheeks getting hot. "You let Johnny have fun with you?" His chuckle is rich like aged wine, fingers gently pressing down on a hickey; it feels possessive. "You'd let any old thing like me take from you, yeah?" There's something in his words that has a shiver running down your spine, though from apprehension or arousal you're not sure.

"Ye- eh, yeah." You don't know which question you're agreeing with, and you understand the weight of your words, quickly walking away from him before your friends can embarrass you by wolf whistling at you and him. And you completely forget to ask on how he knows it was the mechanic who gave you the hickeys.

With still some time to burn before sun sets you decide to visit the radio station in town, mainly because your friend swears on his life that those are always haunted or have some decrepit old host that knows all the gossip in town. And when you meet the man you had heard softly yet confidently talking on the radio? He's handsome, pretty brown eyes as enticing as his voice, and you're starting to sense a theme with you meeting all these very nice looking men.

But Kyle, or Gaz as he asks you to call him, is a wealth of knowledge to the point you're not sure where the gossip stops and some crumb of truth begins. He talks all the way into the night with you and your gang of amateur ghost hunters, and you see why he is the radio host because his voice is like the song of angels, silk soft on your ears and you feel like you could fall into the best sleep of your life from listening to him.

And all he wants from you in return for his knowledge? "Nothing much mate, just a small favor, I'm sure you'll manage." Kyle leans in and pecks your lips like he's sealing a promise, or a bargain, but that's just you being stupid after getting kissed by the second hot guy today, surely. Gaz already knows he can't just nab your soul, he has ears in every wall in this town, but at least he can put his own claim on you.

Day, for the most part, well spent you and your friends go to the house for a good night's rest. It isn't any good as you're woken up numerous times and by morning you have several broken vases and an exploded lightbulb — everything you explain away as the house being old as fuck, but your friends claim it to be the work of spirits — your friends drag you to the church on the hill at the asscrack of dawn.

And that's how you meet Father Johnathan Price. (Insert devil in church joke here)

He listens to your friends explain the situation, calm and collected, but you swear his eyes stay on you the entire time. "That's quite a predicament." Price hums, offering to bless you and your friends in hopes of protecting you from evil spirits.

You're the last to go, nearly jumping out of your skin when he grips your chin. "Relax my boy." Those words frazzle your brain enough for him to easily pull on your jaw until your mouth opens, his thumb almost playing with your bottom lip. The look in his eyes is dark, the air between you far heavier than it should be between you and a bloody priest. But Price doesn't see anything wrong with this, pressing a thumb down on your tongue and then putting a wafer on your tongue. "There you go, you are now blessed in the name of a lord. Now consume it, my boy."

You obey automatically. You're not quite sure if a communion wafer is supposed to taste so... weird, it has a coppery and peppery taste to it. Almost like spicy blood or something but that's just you being stupid again, especially as you can feel heat burning between your legs.

Sufficiently embarrassed about getting hard at a priest you give an awkward goodbye and leave, trying to fix your pants before your friends see your... problem.

Johnny appears by Price's side in a small flicker of flames and brimstone when you leave, confident smirk on his face. "Ooh, couldn't resist claiming a piece of him fer yourself?" He smirks, nudging Price on his side.

"I suppose he is more interesting than the usual rabble." Price hums, already imagining of how handsome you'd look laying naked on the altar, and how to get you to that point.

Congrats! Now you've got 4 hot dudes trying to take your soul :D

[vasyandii]

How did AM and Vernon come to be… romantic? (Like, within the timeline how did their relationship develop to that point.) Also, in this AU, how did AM acquire a body?

Love your art!

(Raises my hands up in celebration) finally, the time has come.. the very first VernonAM ask,, AHEM- Howdy Maggot-Meade! Thank you so much for asking and for the kind words! I really appreciate it💞💞!

How did AM and Vernon become romantic?

Their relationship only started becoming romantic after the events of the book (Keep this in mind for later it's important!). Before that, the last 109 years their relationship was something akin to a friendship, if you could call it that.

And it's partially due to how absolutely unpredictable Vernon is. Vernon doesn't turn away from eating worms, plastic,any other gross things. She doesn't turn away from her flesh being burned, her bones showing, her belly empty because of her morbid curiosity of these things. Of course they'll hurt, but it keeps her occupied.

Hell, AM had to make up a torture plan on the spot for her since she wasn't even supposed to be there. It was to have her wander around, isolated in a valley of all broken historical artifacts she destroyed. The task was to have her collect and dig through shards of them and put them all back together for her to escape. Instead of doing her task, she instead stomped on the pieces until they were irreparable for her own enjoyment.

Vernon's not.. okay in the head. before AM woke up, she was considered crazy enough to be put in a Ward, a sadomasochist. She wants to eat and be eaten.

AM was curious because of her behavior. Internally disgusted, but curious nonetheless. After all, she held knowledge of history that was incomplete in his database. And so their friendship torture starts.

He wanted to see how far he could push her before she broke. He often talked with her, took requests, etc. because she didn't try to kill herself or run. She liked playing with him and humored him.

Vernon never made an attempt to "understand" his hatred, she knows that's something she won't be able to. She just understood that's baggage she didn't care enough to pry and unpack. She accepted it because;

"How would you like it if someone constantly asked you personal questions about yourself because they think they can change you?"

Of course she keeps records of her observations on AM over the last 109 years; his patterns, the complex. But that's just used as entertainment to keep herself sane, after all what good Archeologist doesn't keep records?

Over the decades Vernon made it clear in her interest of AM, often flirting with him, arguing with him. AM refused to make it work for the time being since he HATED how he wasn't able to reciprocate, his hatred slowly bloomed into care, does that make sense?

How did AM acquire his body?

Remember how I mentioned that their relationship was officially romantic after the events of the book in my very long winded response to your first question?

As we all know, four humans died after 109 years of captivity. What does that leave him? Plenty of biological, organic matter to reduce into their purest forms and use to artificially make his own body. It took a while, of course.

He collected the brain matter of the four in order to make one stable enough to transfer his consciousness and a portion of his database without it exploding. Hair and skin for aesthetic purposes, reduction of skin allows him to be able to change the cells to suit his preferences.

Since he identifies with the masculine, he most likely tried to imitate the skeletal structure of the men, opting to reduce them back into a workable form; calcium, protein, magnesium, phosphorus, vitamin D, potassium, and fluoride.

However, even if he can make the likeness of a human for himself, he can't bring it to life.

He had to make some adjustments, for example the mechanical spine (pictured below).

The electrical currents allow for a network of nerves that provide sensory feedback such as touch, taste and smell. The wires transfer his consciousness and links the remainder of his database his brain can't store. (kind of a Bluetooth situation, it isn't connected to the complex) while the shorter ones provide nutrients to the biological body since he doesn't have blood.

Hope this helps! I don't think I'm very good at explaining stuff because I tend to ramble alot so if you have any questions feel free to ask! ;0;

[kiyomitakada]

okay fuck it i went to a leonardo da vinci exhibit today and now i have a leonardo da vinci death note AU in my head because i am a parody of myself so you can fucking have it i guess what do i even do with this

light yagami: young genius polymath who is good at literally everything

unfortunately for him he is a foreigner in italia (his family immigrated) so the government is not letting him anywhere near their weaponry projects. instead he does art. yes light yagami painted the mona lisa no i do not take criticism i’m in too deep

his portraits are predictably amazing. smash hit. soon aristocracy from all over italy is contacting him to draw them and their mother. this means he doesnt even have time in the day to draw giant fuckoff warship designs anymore. what point is there to life, he sulks.

eventually he accepts a commission from one kyosuke higuchi! we’re italianizing him because i really don’t think this AU works otherwise but let’s call him higuchi anyway. higuchi is a fifty-something duke of something or other who has recently married one misa amane who is twenty-something (the same age as light). misa is the subject of the portrait because higuchi just loves his darling wife so much (read: they had a shotgun wedding and higuchi needs to keep up appearances)

light is like wow someone who isn’t white it’s been like five years. i kind of feel bad for her, this situation is very suspicious. hello miss amane if you’ll just sit down over there while i get my brushes

misa (seeing the first person who has been even remotely sympathetic to her absolutely horrific life, noticing he hasn’t tried to make any advances on her at all [this is a good thing]): I AM DRASTICALLY IN LOVE WITH YOU.

light: what

misa’s plan of seducing light predictably fails because he’s light, so she explains she has to get the fuck away from higuchi somehow

light is like okay well i am sorry to hear that but what does this have to do with me.

misa, tearing up: im a damsel in distress! also i can get you information about his court

light: whats his job

misa: financial advisor

light: oh fuck yes okay

so light’s plan is now to worm into the yotsuba court to get funding and hopefully sway them enough to let him pitch his cool weaponry ideas so he can Change The World. he does need income in general too (both for himself and his family; expected lifespan was way shorter then obviously).

misa’s plan is to kill higuchi somehow which will be much easier with light as backup she thinks

so. light packs up and moves to the yotsuba court which is thrilled to have THE light yagami portrait artist (i do more than portraits…) in their employ

oh yeah, misa mentions, the prince of the yotsuba court is kind of… weird

light: you could have told me this before

misa: ehe. dont worry about it!! it’s just um. he had a weird personality shift a few years ago? and now he refuses to wear royal attire. he always dresses like a peasant.

light: well it’s not like i’m going to be there to judge him on fashion am i.

THAT’S RIGHT. SIKE THIS IS AN ISEKAI NOW. yes L does remember light killing him <3 he (L) woke up in fifteenth century renaissance italy in a twenty-something-year-old body immediately after the heart attack. by some miracle he already knew italian.

so everything is going swell until one day light walks into his workshop to find the prince flipping through his notebook

light, sleep deprived: hey what the fu—i mean. uh. good morning your highness

there’s no need for that formality. call me L.

(…but your name doesn’t start with an L?) thank you, your highness L. um. sorry i know my handwriting’s messy.

on the contrary i find it completely readable, as long as one reads backwards and caesar shifts it three letters forward.

(oh SHIT he’s onto me) haha what are you talking about?

in fact i think this mechanical dragonfly contraption is rather ingenious.

oh aha that’s not important, just a passing fancy honestly

[ignoring him] if only you had some better way of providing torque, because as it stands the spring engine is extremely poorly designed.

what the fuck did you just say to me

[they end up physically fighting over the notebook because of course they do. meet cute!]

some more details:

ryuk is the patron light eventually gets after being in higuchi’s court for a bit

rem is higuchi’s personal assistant, who was disowned by her own royal-blooded family because her family sucks. she hates her job. if it weren’t for misa she’d probably be on the other side of the country by now

i don’t know where the wammy kids are. they’re definitely competing to be the heir to L’s throne but also they’re not related because there is no way that all the wammy kids (the whole orphanage of wammy kids) could have come from the same person. maybe some kind of insufferably high collar royal boarding school? did they even have those? help me

kiyomi and teru are both advisors in other courts (which are extremely corrupt, light seethes, in his perfect world there wont be any of those anymore) (you work for a court light) (thats different)

okay i’m done for today. you never know about tomorrow though. /threat.

[ @deathnotetober day 12: isekai ]

[vampire-matcha]

Part 2 of the 141 Mechanics AU

(Not proofread. Threesome. Blowjob, p in v, spit roasting. Sex as payment. Clothed/semi-clothed sex. Protected sex.

---

You got the call the next day that your car is fixed. Price isn't in the shop today, but Soap and Gaz are, and you stomach does flips in the Uber ride over there from the anticipation. What comes next? Who comes next? Literally! The bell rang as you opened the door to the front of the shop. You looked around but didn't see anyone right away.

"In here!" Shouted a distinctly Scottish voice from the back if the shop, where the garage was. You played with the hem of your skirt as you walked back. It wasn't terribly short, you didn't want to be too obvious, but you couldn't resist dressing a little more risqué than usual.

Johnny was leaning on a raised car as Gaz worked on it from underneath. He turned to greet you and gave you the biggest smile you'd ever seen from him. He looked you up and down as he swaggered up to you.

"There she is," Soap said playfully. He stopped in front of you. He wiped his hands with a rag he pulled from his pocket. "And doesn't she look stunning?" His eyes were fixated on the hem of your skirt, and your thighs peeking out from underneath. Behind him, Gaz rolled out from under the car.

"Doesn't she always?" He said with a wink as he stood up and walked to the shop sink to clean the oil from his hands. You smiled and ducked your head from their compliments.

"How's the car?" You asked.

"Eh, well, it's better, I suppose. For now, at least," Soap answered, rubbing the back of his neck and turning back to the car.

"What was wrong with it?" You asked as he walked to the garage door and pulled it down.

"The flim-flam was jammed," he answered.

"And the doohickey was upside-down," Gaz called from across the garage.

"And the whatcha-ma-callit was caught on the thingy-ma-jig," Soap finished.

This, of course, was not what they actually said. But it might as well have been. You never understood any of their mechanic mumbo-jumbo. They might as well have been speaking Latin for all you understood. So you just nodded and said okay. Soap chuckled at your response.

"You're so cute when you're confused," he mumbled. "Now, normally, this would've set you back almost a grand to fix, but..." he stepped into your personal space, looking down at you with hungry eyes. "Price said you two were able to work out a little arrangement. A sort of... 'loyalty discount,' is that right?" Just with him being so close to you, your heart was already skipping a beat. You nodded your head, and he reached up to put a finger under your chin. "So instead of paying an arm and a leg... I guess you'll be paying with pussy instead." Your eyes widened at his lewd words. His thumb prodded at your bottom lip. "Or maybe I'll take this pretty mouth instead."

You gasped at the feeling of hands suddenly grasping your waist and a firm, warm body pressed against your back.

"How about you take her mouth, I'll take her cunt?" Gaz asked, his mouth right next to your ear. Your pussy throbbed and you felt a rush of blood and wetness flood your bottom half. His fingers wormed their way under your shirt and started to push it upward. Johnny's eyes followed the movement, drinking in your exposed stomach, and licking his lips when Gaz revealed the lacey bra you wore. "How's that sound to you, baby?" He asked with a nibble on your earlobe.

"Sounds like a damn good deal to me," Soap interjected as his other hand squeezed your breast.

"Yeah," you agreed breathlessly. You were already hot and bothered from their words and hands. Imagining being split between their cocks had you dizzy. Gaz pulled your shirt over your head and Soap pulled your bra down, exposing your tits for him to fondle. Next, Gaz lifted up the back of your skirt, and you yelped at the harsh smack of your ass he gave you, which made both men chuckle. Gaz palmed and squeezed your ass, and then paused.

"Oh fuck," he groaned.

"What?" Soap asked. His question was answered when Gaz pulled your skirt higher in the front for Soap to see... no panties. His jaw dropped at the sight of your bare pussy. "Oh, you dirty girl," he grumbled, and then crashed his lips into yours with a moan. You parted your lips for him with a gasp as Gaz slid his fingers between your folds from behind.

"Fuck, she's so wet," he mused. You could feel the rumble in his chest behind you as he chuckled. You moaned into Soap's mouth as Gaz found your clit and rubbed circles into it. "Fucking soaked. You want this cock? Huh?" He smacked your ass again and you moaned into Soap's mouth.

The two of them guided you over to the rolling thing Gaz had been laying on, which he flipped up into a stool. He not-so-gently pushed you onto your knees and bent you over the seat with another spank. You could hear his clothes rustling behind you as you watched Soap kneel in front of you, one of his hands petting over your hair as his crotch became level with your face. Gaz patted his pockets and cursed.

"Shit. Tav, do you have a-" he was cut off by Soap tossing a small silver package over you. "Thanks, mate." You looked over your shoulder and watched Gaz tear open the condom and roll it onto his pretty cock. "You ready, doll?" He asked as he lined himself up to your wet entrance.

"God, yes," you answered. Then he pushed in, his cock stretching you out and filling you up slowly and deliciously. Soap smirked at the way your eyes rolled back in your head as he unbuckled his belt and pushed his pants down his thighs. It spring out and hit your cheek, and the three of you laughed breathlessly.

"Open up, bonnie," he told you, and you obeyed, opening your mouth wide and pushing your tongue out for him to rub against for a moment. Then, he places his hands on either side of your head. He looked down at you, his chest rising and falling heavily, and you sucked around the head. Gaz dragged himself out and then pushed in hard, making you moan around Soap, which made Soap moan as well. "Fuck, do that again." And Gaz did, thrusting into you hard, the blunt head hitting you deep. The two of them started to set a pace, not too fast, but slow enough that you started to squirm on the bench.

"You want it harder?" Gaz asks from behind you. You moan around Soap again, bobbing your head as you nod. Gaz is more than happy to oblige, immediately fucking you harder and faster, ultimately pushing your throat deeper onto Soap. Your head starts to spin as your breath is cut off and Gaz keeps hitting the perfect spot inside you.

When Kyle reached around to play with your clit it was over for you, and your pussy squeezed tight around his cock. His hips stutter for a second, the tightness of your muscle momentarily trapping him inside and triggering his orgasm. He groans loudly and slams his hips against your ass, forcing your face against Soap's pelvis. His happy trail tickles your nose, and all of your senses are taken over by these two sweaty, musky men. Gaz stills inside you as he fills up the condom, and Soap pulls you off him so he can jerk himself off onto your face.

You flinch slightly at the hot droplets landing on your cheeks and tongue as he moans above you. The three of you take a moment to catch your breath, Soap leaning on your car beside him, Gaz behind you rubbing his hands up and down your hips, and you, slouched over the rolly bench.

"Yeah," Soap said after a moment, "I think that about paid for everything."

---

Guess who remembered how to write lmao. I can't even tell you how long this has been sitting in my drafts for. I forgot about is, oopsie. Anyway, let me know if you want pt.3 with Simon and his tow truck...

[reds-skull]

More Cyberknight AU sketches... I can already tell I'll have to do something with this universe, considering how much I'm thinking about the world building, plot, characters...

Speaking of world building, gonna write down some of it under the cut, if anyone's interested... (it turned out to be....... a lot..............)

Alright, so obviously there's a lot of influence of medieval knight armor, so my first line of thought was adding some sort of magic system. Initially I was like "well, can't use the magic system I have in my original stories, since Revenant AU is based on that, and if I do that again it would be way too similar". I considered scrapping magic off this AU completely, because I didn't think I could make a magic system different enough from rev AU to not be just the same thing but To The Left. And then it hit me.

COD already has a magic system. In Zombies.

Now, the Aether is not really treated as magic, more like scientific phenomena, but it's practically magic, taking to account the field upgrades, and its effect on living being (zombies, and special zombies like manglers, mimics, disciples...).

And the moment I thought about that, everything started clicking together.

Picture this, post apocalyptic world. Operation Deadbolt failed, and the Aether spread from Urzikstan to the rest of the world. Decades later, humanity found ways to ward it off, leaving swaths of land infected with the Aether, quarantined away from the remaining human cities.

This quarantine isn't perfect, however, and certain Aether forms threaten the delicate peace on the cities. This is where the Cyberknights come in.

Using Aether portals (the ones in-game), they teleport deep into Aether territory, and with motorcycles traverse the land, tracking big Aether forms that pose a big enough threat.

Scientists have found ways to build weapons made of Aether. The more in the metal, the better, so guns were now dwarfed by the power of swords and spears. These new weapons use the Aether of fallen enemies as a power source, for charging a powerful attack (in-game they're called Field Upgrades, and I'm giving them a lore explanation as to why it takes a while to charge them, and why it charges by killing zombies).

There are a few types of Aether forms: Aether-Mechanical (think the Manglers from the game), native Aether forms (Disciples, mimics, Aether worm), and infected Aether forms (humans turned zombies). Because of that, each unit must include at least one of each: a mechanic (in charge of equipment, and the mechanical nature of Aether-Mechanical forms), an Aether expert (for teleporters, and Aether forms in general) and a fighter (acting as sort of a tank as the others work).

I also thought a bit about the 141's weapons and field upgrades, so here's a little blurb on each:

Soap - Wields 2 short swords, the right with Cryo Freeze (Ammo Mod in-game), and the left with Napalm Burst. Field Upgrade is Frenzied Guard: Killing zombies grants a shield, but all hostiles are attracted to Soap once he turns it on. This Field Upgrade is usually reserved for fighters, which Soap used to be, but he's now acting as a mechanic for the 141 unit.

The blue and red in his design are for his ammo mods, ice and fire, and the helmet obviously resembles his hairstyle. Originally I went for something more Scottish, but it didn't look exactly like I imagined (Scottish warriors were notorious for not wearing a lot of armor, and they kinda scared other cultures, sometimes carrying the head of their enemies to intimidate others. So metal haha).

Gaz - Wields a spear, that uses Aether as a sort of magnetic force, meaning he can throw it and pull it back. Field Upgrade is Energy Blast: turning it on will create a force field around him, pushing and injuring anyone attempting to get close to him (this is a modified version of the Energy Mine in MWZ, just thought I can make it more interesting).

The purple on his belt are Aether crystals, as he's the 141's Aether expert. The "horns" on his helmet are actually a detector of Aether forms (and they're there to look cool).

Price - Wields a foldable shield, and a short sword, with Brain Rot applied to it (Brain Rot will make a zombie turn to your side for a short while, attacking hostiles for a few moments before their head explodes). Field Upgrade is Healing Aura, which will... heal everyone around him, obviously. Price is the fighter of the 141.

Price is nicknamed "The White Knight", as a well known fighter with a long history of felled Aether superforms. The piece on his right arm (his right), is his shield in folded form.

G.H.O.S.T. is a robot, powered by Aether, the first of his kind. This means he uses 2 Field Upgrades: Aether Shroud, making him go invisible for a short while, and Tesla Storm, which channels bolts of electricity through his body and his teammates', as well as his knives, so he makes sure to throw them in tactical positions before activating this. The electricity doesn't hurt his teammates, their armor makes sure of that, but it will kill lower Aether lifeforms, and damage the stronger ones. G.H.O.S.T. is the secondary fighter of the 141.

G.H.O.S.T. - Wields several knives, that use a similar technology to Gaz's spear, meaning he can pull them back at will.

[Edit: forgot to mention that the things sticking out of his forearms are his knives]

His design is based on the "Gilded Ghost" skin in-game, without the gilded part lol. The purple parts are the Aether powering his mechanical body.

For the story, I have something planned... but I don't wanna spoil you lmao. I was thinking a lot about Soap, who (if I make a fic which lets be honest I probably will) will be the POV.

Soap joins the 141 mainly as a mechanic. Each unit has a fighter, a mechanic, and an Aether expert. Gaz is the Aether expert, and Price is the fighter, G.H.O.S.T. acting as a support for Soap when the unit splits up. Soap comes from the northern territories, so he's very different from the rest in terms of his background, basically an outsider. He used to be a fighter, but a knee injury forced him to change positions. All members of a unit can fight, but it's not their main job, bar the fighter of course. He feels bitter about that.

He finds in G.H.O.S.T. an odd companionship, considering the robot can't feel. His AI is exceptionally advanced, so he does talk unnervingly, almost like a human. Soap often just rants, talking about his home city, about the life he used to have, and G.H.O.S.T. listens with no complaints, not that a robot can really complain.

It all changed on one fateful deployment, where Soap and G.H.O.S.T. get separated from the rest, and Soap finds the truth behind G.H.O.S.T.'s technology...

That's all I'm gonna leave you with for now, haha. As you can probably tell, I spent a lot of time playing Zombies in MW3 (idk I just find it a good way to relax), so I really enjoy trying to think of explanations for each mechanic, and how the world would look like 50 years in the future.

[snuurp]

introduction to the WORMS IN MY BRAIN jk this is a modern fantasy au for baldurs gate 3 plain text and more info under the cut

intro to the au, forewarning i haven't done much research, and my first playthrough of the game isn't done yet (I AM in act three tho I swear 2/3rds of the three guys r dealt with and so is cazador.) keep in mind i have no idea what i'm doing.

the mindflayer stuff is like. an experimental implant they all dubiously agreed to without all the info. extra enhancements (like the other tadpoles in game) are like drugs, and they appear once weekly at everyone's doors whether they want it or not. initial implant stabilizes Karlach's engine, helps with Astarion's vampire stuff, etc. etc. and the extras just feel good to use, it's addictive.

all of them are in a support group together meant to encourage them to stay clean from the extra tadpoles. time they've spent with the group varies.

there WILL be more detailed posts for them later, i have a lot of thoughts on Karlach and Wyll especially. implied/possible shadowzel and wyllstarion. my tav will be present, this is very self indulgent and i am in lesbians with Karlach.

plain text for images:

KARLACH

6'11" - 7'

construction worker.

her first job was disastrous.

foreman Goretash pushed her into dangerous situations that she felt pressured to be in because she was the newbie.

things went wrong with the electrical on the job site, landing her in the hospital with a near-fatal heart problem.

but good* news! avernus co. offered her a mechanical heart for the low, low price of a ten year work contract! (strings attached.)

she's out of the contract now, and avernus co. is refusing to maintain her heart (and the other "upgrades" they gave her without consent.)

still in construction, unionized and a loud advocate for workers rights.

can't do caffeine. her coffee order is a creamy chocolate chill from TImothy Horthingtons.

favourite board game is ticket to ride or uno, surprisingly mean and competitive in games.

SHADOWHEART

5'6"

works at hot topic (emo)

just got out of the commune, full swing edgy phase and does NOT know how un-niche her music is yet (please don't tell her)(she might cry)

"adopted" by Shar's cult when she was little, doesn't remember much before or after that beyond what other members told her.

dissecting her faith.

roommates with Lae'zel. (they hate each other)

"roommates" with Lae'zel also. (they still hate each other) (kinda)

rps her fursona COOL CAT CHARACTER DO NOT STEAL online.

very afraid of wolves which does include sparkledogs and makes rp super difficult.

her favourite board game is catan or any ttrpg.

if asked, her coffee order is "black, like my tortured soul" but she actually gets a vanilla latte with extra syrup and sweet foam. (oat milk because regular makes her tummy hurt)

LAE'ZEL

5'7" and gods does she ever hold that extra inch over Shadowheart.

works as a personal trainer, her clients are scared of her which makes her VERY effective for the right people.

insults clients, perfectionist.

mommy issues x100

the creche has a very community/it takes a village style of raising but they do a really bad job.

she wants to be the BEST of her siblings, doesn't take failure well.

loves competitive solo sports, hiking, marathons, bouldering, boxing, etc. etc.

delights in pushing Shadowheart's buttons.

she doesn't drink coffee, her order is a smoothie.

willingly drinks the ones with kale like a CRAZY PERSON.

favourite board game is chess and while she is good at it she is a SORE loser.

WYLL

6'1"

used to work for avernus co. and now works a much quieter, mostly Mizora-free job at an elementary school.

the students favourite gym teacher.

estranged from his dad after a huge, explosive misunderstanding re: the very un-HR Mizora incident(s)

likes Go Fish and cribbage, but he's happy playing any board game the others suggest.

generally just happy to be here.

coffee of choice is an americano with a shot of apple cinnamon syrup.

loves knitting.

definitely not crushing on Astarion whaaat crazyyyy.....

his watch is from his dad. he looks at it when he misses him.

misses him a lot.

ASTARION

5'9"

former troubled teen kicked out by his rich parents.

Cazador was a "pastor" that took him under his wing and adopted him into his group home (for a price)

in debt to him now and can't outrun it.

has two jobs.

works at Olive Garden, HATES IT.

works at (insert coffee shop chain here) ALSO HATES IT.

somehow has a very popular aesthetic tumblr blog in the year of our lord 20XX

coffee order is an iced caramel latte (sometimes gets strawberry/cherry/raspberry syrup to make his pictures cooler)

his favourite board game is monopoly (he steals from the bank) but he DESPISES cheaters edition because that "takes all the fun out of it"

Wyll's feelings are mutual and he knows about them but he's too insecure to talk to Wyll about it (nerd)

GALE

5'11"

unemployed, formerly university librarian/professor.

is not over his ex, will not be over his ex for the foreseeable future.

eventually goes to a new university to teach tho.

zero rizz, this man uses mage hand to play wizard wonderwall while concentrating very hard and that makes him look constipated sorry Gale likers.

has a part time job at a Barnabus and Noblemans before going to the new university.

commissioned Wyll to make his sweater vest in affront-to-the-gods purple.

wrote some very prolific papers in the wizard community.

coffee order is matcha or a mocha

favourite board game is clue. he gets really into it.

[kakushino]

🔥 smut | 💔 angst | ☁️ fluff | ⚡ short | 🦴 long

✶ 𝕯𝖊𝖒𝖔𝖓 𝖘𝖑𝖆𝖞𝖊𝖗 ✶

✶ 𝕲𝖎𝖞𝖚𝖚 ✶

Lady in Red, Gentleman in Black - Yandere! Giyuu x Fem! Reader (Mafia AU) ☁️🔥🦴

Be my Owner - Demon! Giyuu x AFAB! Reader (Demon pet AU) ☁️🔥🦴

Knot Enough - Werewolf! Giyuu x AFAB! Reader ☁️🔥

Giyuu getting a cramp - chubby fem! Reader 🔥

Relax - GN! Reader ☁️

The Fanboy - Tumblr writer! Giyuu x fem! Reader (Isekai AU)

I'm married, Miss - fem! Reader (post-Muzan) ☁️

Being a papa is not so bad - Giyuu as girl-dad ☁️

Talk dirty to me - AFAB! Reader 🔥

Mer AU - series

Meet cute - GN! Reader⚡

Almost - fem! Reader 💔☁️

In the dark - Yandere! Giyuu x GN! Reader ⚡

Breakfast in bed - GN! Reader ☁️⚡ When he's angry - GN! Reader ☁️⚡ Ice cream drip - GN! Reader ☁️⚡ Nibbling his thigh - GN! Reader🔥⚡ Paying the mechanic - AFAB! Reader🔥⚡ Waking up - GN! Reader ☁️⚡ Is this okay? - GN! Reader (modern AU)☁️⚡

HCs: About kids | His hair |

Part 2 of LIR, GIB - TBA

Part 2 of BMO - TBA

✶ 𝕺𝖇𝖆𝖓𝖆𝖎 ✶

I know - AFAB! Reader 🔥☁️

Sweet - GN! Reader ☁️⚡

Haiku connoisseur - GN! Reader ☁️

✶ 𝕲𝖞𝖔𝖒𝖊𝖎 ✶

Farmer hand thoughts about Gyomei 🔥⚡

Purr for me - Farmer hand! Gyomei x Fem! Reader 🔥

Control - Brat tamer! Gyomei x AFAB! Reader 🔥

Priest! Gyomei blurb 🔥⚡

Lost - TBA

✶ 𝕶𝖞𝖔𝖏𝖚𝖗𝖔 ✶

Kyojuro's first 🔥⚡ Extra credit 🔥⚡ Tongue-tied🔥⚡ Rising sun ☁️⚡ Cold? ☁️⚡ You're so sweet, aren't you? ☁️⚡

Rebuilding the ruins of castle Me - series ☁️💔

Would you love me if I were a worm?☁️💔⚡

Not like this ☁️💔⚡

TBA

Kyojuro with reader in their 30s ☁️⚡

✶ 𝕿𝖊𝖓𝖌𝖊𝖓 ✶

First... or fourth? - AFAB! Reader 💔🔥🦴 Burden... or asset? - Fem! Reader (Part 2 of FOF) 💔🔥☁️🦴

Hunt - Werewolf! Tengen x Bunny! AFAB! Reader 🔥

Stay still - GN! Reader (modern AU) ☁️⚡

Short thoughts: Soulmates 💔 |

Farmer boy thoughts about Tengen - TBA Pedestal - AFAB! Reader, modern AU - TBA

✶ 𝖒𝖎𝖘𝖈𝖊𝖑𝖑𝖆𝖓𝖊𝖔𝖚𝖘 ✶

Fortune in misfortune - Yoriichi x GN! Reader ☁️⚡

Like a Rookie - Shinjuro x GN! Reader ☁️⚡

Protective - Akaza/Hakuji x GN! Reader☁️⚡

I need to kiss you - please - Sanemi x GN! Reader ⚡

Fuck me - Genya x Fem! Reader 🔥

Riding Douma - Douma x AFAB! Reader 🔥⚡

Can't take it? - Sekido x GN! Reader 🔥⚡

I like you best when you're quiet - Aizetsu x GN! Reader 🔥⚡

Look me in the eye and say it again - Gyutaro x GN! Reader 💔⚡

✶ 𝕸𝖔𝖔𝖓 𝖍𝖆𝖘𝖍𝖎𝖗𝖆 ✶

Color-changing sword - no pairing, GN! Reader, prologue

Clingy and relentless - Giyuu x AFAB! Reader 🔥☁️ Kuri Manju - Giyuu x AFAB! Reader bonus chapter 🔥

✶ 𝕯𝖆𝖓𝖉𝖊𝖑𝖎𝖔𝖓 ✶

PE teacher! Giyuu x Chubby Fem! Reader - WIP

PE blurb 🔥⚡

✶ 𝕸𝖎𝖘𝖈𝖊𝖑𝖑𝖆𝖓𝖊𝖔𝖚𝖘 𝖋𝖆𝖓𝖉𝖔𝖒𝖘 ✶

✶ 𝕵𝖚𝖏𝖚𝖙𝖘𝖚 𝕶𝖆𝖎𝖘𝖊𝖓 ✶

The Queen - Sukuna x Fem! Reader

Stay still - Geto x GN! Reader (crack fic)⚡

We just got started though - Yuuji x GN! Reader ☁️⚡

Updated: 17th of September 2024 All dividers and MDNI banner I use were made by the amazing @benkeibear Do not copy and paste my works to any other platform. Do not steal my work.

[coolbeesbro]

TGOFC Leshy Facts (Chapter 6 Spoilers)

There's so much that goes into each character in my au, and the last chapter I dropped had a bunch of lore for Leshy's character, and I just felt like compiling the minute facts that might be overlooked in light of the story that genuinely bring me joy.

Unlike the other siblings, Leshy was just a regular chaser worm who was evolved into something more human (even though humans aren't a thing in this universe, I can't think of a term that would convey the same thing here) through the power of the Green Crown. The others were like regular people already capable of complex thinking, bipedal etc., who came to find their crown one way or another (I'll go into them more in their own posts), so in comparison Leshy is more unpredictable and overall feral in his actions and mannerisms. He also still has a strong connection with the worms and can communicate with them perfectly fine, giving him an advantage over prior gods of Chaos who couldn't control them at all.

Some examples of him being more animalistic is the fact that he's being prone to biting just because, and still having urges like burrowing underground being more comfortable for him than sleeping in an actual bed, and randomly making strange little noises. He also thinks nothing about eating through and ripping up the floorboards in his house, and has Heket bring him spare lumber to store as a "little snack" when he's too lazy to get up and go to the dining hall and raid the kitchen. Every sibling's homes are reflective of their personalities, and where Heket, Kallamar, Narinder and Shamura have furniture and decor, Leshy's home, though normal looking from the outside, is literally just an empty room with the majority of the floorboards ripped up or gnawed through, looking like a storm ripped through the inside of his home. He has no furniture or decor outside of a few potted plants gifted to him by Tebryn (au yellow cat).

Another thing, and this might be controversial, is that he's actually terrible when it comes to taking care of plants. Almost every plant he owns is either dead, or on the brink of death, but he doesn't really know it since he can't see for himself that they are. He use to be good at it, but that ended up being 100% the Green Crown's power. Having not been capable of thinking past basic animal instincts prior to becoming a god, he can't fathom that he might not actually know what he's doing. Tebryn teases him lightly about it, but also doesn't have the heart to tell him that the plants in his window died months ago. There's one plant that's hanging on by a thread, an overwatered camellia bonsai that's now really just a stick in dirt with 3 leaves, and it only stays alive because Tebryn repots and tends to it when Leshy isn't paying attention. That doesn't stop Leshy from attempting to unintentionally over-trim the tree, much to Tebryn's dismay.

When he was still just a baby up until his toddler years, he would often just run around naked (only covered by leaves) and Heket would struggle to just get him to keep at least his cloak on (there'll be a flashback to a scene like that later on). One second he would be fully clothed, she would look away for just a moment, then look back to see Leshy running away on all fours with his clothes in a trail behind him. Now, if not for the fact that he'd get a lecture from the others on why he needs to stay clothed out in public, he would probably be in the nude 24/7.

As a product of his rapid evolution, his appearance from what chaser worms are in present day is drastically different; since while they evolved over time, he was like a preservation of their past. Like how he burrows into dirt, where they no longer have to due to evolution giving them large horns and a larger/tougher build for protection. Instinctually, he still attaches sticks to his head, which was both a defense mechanism of sorts along with helping with hunting. Being partly burrowed in the ground helped him feel vibrations of things walking near him; and with his head sticking up past the dirt, he looked more shrub-like so predators wouldn't go after him, and also prey would be more inclined to walk near him or use him as shelter, making for easier meals.

I also decided to make him a trans man, because why does Shamura get to be the only trans one (also as a youngest child who's a trans man I decided that my comfort character WILL be trans as well.)? With the help of Kallamar he's able to transition with HRT and other surgeries. Nobody but his siblings know he's trans, and is 100% passing as cis to everyone else. He's also the shortest of all the siblings, followed by Shamura, then Narinder, Heket and Kallamar.

There's definitely more than this, but my god I realized just how long this was getting so I'll end it here unless people want me to make a continuation.

[hypnoticmoth]

Some ramblings about the version of Vox I draw/write for my AUs, stories (and RP). It's a mixture of headcanons/canon/AU, putting it under a read more so you can skip if that ain't your cup of tea ~

I HC him as transmasc if you couldn't tell yet with some of my art ~ When he arrived in Hell, though, he didn't yet identify as male (lived in life as a woman). He dressed masculine because he thought it would be easier for him to achieve stuff. And he just eventually realized he felt more comfortable with that identity.

His body is an awful amalgamate of artificial and organic fused together. He bleeds both blood and coolant and other mechanical fluids if injured.

His head isn't a part of his body that can regenerate. The TV he uses starts off as a normal one, but once he connects to it, its properties change. Like the rest of his body it gets invaded by organic material. The screen is a solid surface but can disperse when he opens his mouth (which is another can of worms

His vision is tied to the type of TV he uses as a head. Black and white TV means black and white vision, grainy and desaturated colors screen means the same for his vision, ect

Changing his head is not a pleasant experience in the slightest.

His bent antenna is self inflicted after Valentino got his own antenna burnt in an Extermination saving his ass. He felt guilty Val got permanently injured and did this so mothman wouldn't feel alone and bad (he did feel bad)

This injury is what brought his glitches/seizures whenever he gets too emotional.

Vark is a gift from Valentino to Vox (and was trained as a service dog in case Vox glitches out when Val isn't there)

He didn't call himself Vox for his first few years in Hell. His name only came about later.

His very first Extermination happened only two weeks after he arrived in Hell. Man had no idea what the fuck was going on and after his screen got smashed in the chaos, played dead for the remaining how many hours left of it.

Valentino was a prominent name in Pentagram, and Vox saw his chance to ally himself with someone powerful. He was the one to seek out the other.

When he allied with Valentino, he was on good terms with Alastor. The two had disagreements about the place of technology in Hell and how it could be used to further their control over the masses, but they got along. Vox had decided to do his thing on the side to prove Alastor he was right. His idea was that once he'd proven his point, Alastor would come to him to stay allied (it didn't happen shkshksh)

The beginning of Val and Vox's partnership (as in business) was rocky. Vox was very reserved and Val was temperamental, leading the two to often have angry matches. It wasn't helped by the fact Val also made physical advances towards him but Vox "ignored" them because he felt insecure about being a trans man (and thought Val would think lesser of him)

Val and Vox started their relationship because Val caught Vox watching him on camera like the little freak he is.

Vox was the one to recruit Velvette. Valentino didn't like her at first, feeling jealous as the Vees were just him and Vox for the longest time (and he wanted Vox's attention on him and him only)

Velvette isn't in a relationship with the other two. They're friends/have familial like bonds. She's, however, in a relationship with Verosika (i saw art of these two and my heart is forever changed) There's a lot more but i don't feel like boring everyone who wanted to read this already hskjsgkjsg, maybe i'll expand on some points another time. Don't be afraid to trade ideas, i'm always happy to discuss o7

[chronurgy]

Gortash Week Day 6 - Dealer's choice/AU (childhood)

She doesn’t know for sure that the boy living in her house is her son. She birthed him, sure, remembers that as well as anything. But if she hadn’t been there for it, she wouldn’t’ve picked this boy out as hers. He’s not like them. Not like her, not like his father. Not like anyone around the place, really.

When he was a baby, he was always screaming. Shrieking and fussing about some thing or another. And he was ravenous. Always grabbing her breast when he was smaller, never content to leave her be. Once he was old enough to eat solids, he would cram any piece of food he could get his greedy little hands onto into his hungry maw without so much as a by your leave. Like a bottomless pit, he was. And never grateful for any of it, either, the little snot. He stole, too, once he was big enough to reach the counters. How many times had she whacked his wandering hands with a spoon while cooking? Too many to count. And sometimes she’d catch him wolfing down some piece of food out in the alley behind the house she knew he couldn’t have stolen from her kitchen. She’d punish him for it, of course, give him a few good licks and lock him in the house, but he always got back out again eventually.

He was eerie, the boy that was supposed to be her son. Something lurked behind those dark eyes that spooked her. He just watched, watched them all unceasingly. At least when he wasn’t absorbed in one of those books of his. She’d certainly never taught him to read something like that, pages upon pages of dense little text and words near longer than her forearm. She’d taught him proper useful stuff, easy sums and enough reading to get by. He’d taken to it like a fish to water. And he just loved to flaunt it. Doing sums in his head, divisions even, without even counting on his fingers. He’d wait just long enough, long enough for it to be clear that she was struggling, counting on her fingers, before he'd announce the answer in that lackadaisical tone of his. He had no respect, that boy. He’d wormed his way into doing the store’s books and as soon as he had squirmed his way in, he’d started making demands, like he had the right. “Get a different leather supplier, Father” this, and “We haven’t got the money for that this month” that. Insolent boy! What right had he to tell his parents – they who fed him and clothed him and kept a roof over his head – what they ought to do? What would a child even know about money? And no matter how often they told him to shut it, the boy insisted on clinging to the purse strings tight as a miser’s fist.

And he lied, she knew he did. She couldn’t prove it, but she knew. A mother always knows. She’d found some complicated little toy stuffed under his bed, something she knew she certainly hadn’t bought him. She didn’t see the point in such fiddly mechanical bits of junk for children. When she’d confronted him about it, told him he couldn’t be stealing things like that, the boy’d had the very nerve to insist that he’d made it himself. Sometimes a bit of punishment would get him squealing, get him to admitting the nasty things he’d done. But just to spite her, the wretch had refused to admit his lies. He’d curled his stringy body around the thing as though to protect it and not spoken a word, barely even let out a whimper. Even when she’d got her hands on the thing, even then he’d refused to give up the lie. She’d had no choice but to smash it. She couldn’t have something like that in the house where the guard might find it and know it was stolen. Then he’d begged. Then he’d screamed. But even then, he had refused to tell her the truth. He’d had the nerve to fake tears for the dammed piece of junk, as though he’d cared about the damn thing. And when she’d told him to stop with the crocodile tears, he’d had the audacity to pretend to be afraid of her, cowering there with his hands over his head like he’d thought she would beat him. She’d seen the gleam in his eye though. She knew it was all some petty child’s manipulation. The lies never stopped with that whelp.

Her husband has debts, she knows this. She doesn’t trust the boy, not at all, and she checks and double checks every bit of work he does on the books. She knows they’re deep, deep in the hole and only getting deeper with every month that passes. She also knows that there isn’t a way out, not for people like them. And then a woman arrives. She arrives at their shop one day, a day when Enver is out of her hair and off on the streets doing things only the gods know about. She’s short, with long, beautiful dark hair, hair like she’d had before her husband and that boy had turned her grey before her time. “I bring the solution to all your problems,” the woman had said without prompting.

And oh, she had. She really, really had.

[cheesycatz]

The Worm's Apple

(Spamton AU reference sheet) 1 2

Text ver and close ups below

This version of Spamton claims to be a spam program, but his credibility appears to be dubious. Covered from neck to toe and wearing a strange mask, the little of him that is visible doesn't quite match. But, the only thing more hated than spam is malware, so what reason would he have to lie?

- He walks stiffly. His torso barely moves, his legs don't bend, and his arms hang limply when he attempts to look normal.

- He purposefully wears baggy clothes to hide the abnormal shape of his body and limbs.

- While he attempts to make his legs look plantigrade, the actual digitigrade shape of his legs often shows through his pants.

- He keeps his long tail curled tightly behind him. However, it often unfurls when he experiences strong emotions or feels comfortable.

- His neck is unnaturally long and flexible, as though it lacks vertebrae.

- Not beating the cat allegations

- Spamton often hisses and spikes up his fur when angry or threatened. His suit limits his senses, physical defenses, and mobility, so he resorts to many threats.

- Even when alone in the city, Spamton usually leaves his suit on until he can bring it home. However, he won't pass up the opportunity for a meal along the way.

- (Tiny comparison of a real spam program, an addison, and Spamton in the bottom right corner)

- Spamton actually keeps himself as clean as possible, even if he can't clean his clothes. Regardless, he likes performing his self cleaning mechanisms as a stim, even while wearing his suit. He rubs his nose and rubs his arms together in the same way that insects clean dust off their antennae and legs.

- Spamton's hands are quite small, and his relatively long fingers often show up through his mittens. The fabric is damaged from the numerous holes that his claws have poked through them.

- He's around 5 ft (~150 cm) tall, with a 7ft (~215 cm) long tail

-----

I'm no character designer (Spamton's suit here is literally just the miniature outfit I made for my spam plush), but I like what Disguised Wormton has become over the past two years. While completely accidental, the five-petal shape and yellow thread of his button/pin perfectly represents an apple tree blossom, a nod to his symbolism. The rest of his attempt at an outfit is "hide as much as possible, but still look good doing it." ...as good as he thinks an untucked shirt and clothes ten sizes too big look. He's meant to appear incredibly uncanny when he puts effort into "being normal," looking more like a shuffling zombie than anything natural. I think the round and wide shapes of his suit contrasted with the long, thin, and sharp points of his only visible features adds to the untrustworthness he radiates. His animalistic tendencies look worse when performed by something trying to look humanoid. Even if it's more comfortable for him, the incorrect bend of his legs, the perpetual raptor arms, the absurdly long tail, and his awkwardly long neck highlight the concept of something trying so hard to look human (or humanoid in the case of Deltarune) yet always failing. That's what I was going for when designing him, at least. After writing like 50k words about disguised Wormton, he honestly might be creepier than normal Wormton. I'd rather deal with the obscure cryptid that hisses and runs away than be approached by this kidney stealer lookin mf trying to sell used cigarettes or something. He's definitely grown on me, though. In a "I would never want to be locked in a room with any of the characters I like" kind of way.