#worldbuilding glossary
Explore tagged Tumblr posts
Text
Melaco Town Pt. I - Natural + Main Areas
MELACO TOWN - MAIN AREA A small, semi-rural town nestled between several large, dense forests and shielded by misty black mountains to its far north. Train tracks run through it, and a freight train runs daily, sometimes at strange late hours.
Melaco Town is an eerie, odd place that becomes darker the deeper one looks at it. It feels quaint, old-fashioned and often abandoned by daylight, but lit up in fluorescent colours, seedy and sinister by night. Many of its citizens are nocturnal and very eccentric, and seem to be hiding dark, unthinkable secrets that they will likely take to their graves.
The weather in Melaco is inconsistent, but always windy and the air bears a chill even in summer. The local soil is of note, being extremely rich, oily and black and sprouting rare flowers that appear nowhere else in the world. Despite its unsettling qualities, the vast stretches of trees and nature around Melaco Town can be quite breathtaking to find oneself in. This quietness and magical aura was part of what drew Alexia and her brother to settle there.
WOODWARD FIELD A huge, grassy, hilly meadow that stretches across eastern Melaco Town to the foothills of the dark mountains surrounding its north side. There are sparse houses, but little else in the field - save for two unusual landmarks.
One is an archway that seems to have once been the gate to something, inscribed with the text "To the land of tomorrow for two - if one again breaks my heart to pieces". Its origin is unknown, but it seems old, is carved of stone and marble, and seems to have once been painted in garish shades of pink, violet, gold and blue.
The second landmark is a marsh spring with deep green water, surrounded by drooping willow trees. Several decayed, moss-laden stone totems jut up from the water. The spring is the haunting ground of two sister nature gods - Tar-Rokka of the Swamp and Tir-Ranna of the Storm.
THE FOREST OF VEILS A mysterious patch of deep woods located a short walk behind St. Martin Street, beyond the train tracks. The trees here have black bark and silver-white leaves and blossoms. The forest floor is also covered with silvery grass and flowers, and no other colour of flora will bloom there.
The forest gets its name from the pearlescent veils and strings of jewels strung up like spiderwebs between the trees - this is a naturally occurring phenomenon. Its treetops are extremely dense, allowing little sunlight in, yet it remains fairly well-lit due to the shimmering plantlife. The forest's sole inhabitant is an ageless, ancient child-eating witch named Wysteria, but there are hints that there was once a native group of beings there - whom Wysteria likely ran off, killed, or ate the last of long ago.
THE DAWNLIGHT BLUSTERS An extremely windy, forested patch of hills on the eastern edge of the town that seem to be perpetually stuck in autumn, painted year-round in bright greens, gold and red. It is a wondrous, beautiful place with an aura of childhood adventure, yet can become quite lonely and wistful, with few houses or people around.
The deepest groves of the Blusters also harbor a sinister place - Jane's Hours Estate - a supposedly cursed Edwardian-era manor that belonged most recently to the Rondo family, all of whom but the youngest member, Robin, met a tragic end there.
Robin Rondo still resides in the Blusters, in a fort of his own design, in the woods on the farthest edge of the Estate. Robin's fort is constructed of wood, scrap metal, bright colourful quilts and miscellaneous "junk", and is surrounded by pinwheels and childlike novelty objects of all kinds.
ABANDONED PARK The abandoned park lies concealed by tall tangles of grass and densely-woven, overgrown trees in a field between Julian's backyard on St. Martin Street and the small barrier of forest behind Goodnight Plaza.
All that remains of the actual "park" are rusted, unusable skeletons of playground equipment and a canopy laced with tiny baby roses. Outwardly, there is nothing special about this area, but upon entering, one can sense a "living force" there, like a massive heart slowly beating just beneath the soil.
Hidden deeply in a thick grove within the park is a disturbing monument of soft, oily scarlet stone that feels like candle wax to the touch. It is made up of a square door in the ground guarded by a statue of a man screaming in great agony, thick blood streaming from his eyes and mouth. Beneath it is the pathway to the Court of Indigo (the Depthless Stair). The monument itself, while worn by time, still serves as a seal to keep the Indigo under their curse - a curse set by a warlock which entails they will die in their natural forms if they touch either sun or moonlight.
One From the Clocks uses this path to stalk the above world for victims to use in his and Kanabiel's experiments (or for cruel pleasure), since he is still part-human and the curse does not affect him.
#good night tortureland#worldbuilding glossary#melaco town#woodward field#abandoned park#the dawnlight blusters#the forest of veils
2 notes
·
View notes
Text
Toyfolk Glossary Masterpost
Collected in this masterpost is a glossary of terms concerning the worldbuilding of my series Misfits in Toyland.
Toyland - A phantom island of games and toys inhabited by the toyfolk. Also known as the Land of Toys, Island of Misfit Toys, the Doll Kingdom, and Merryland. Although autonomously ruled and governed by a monarch, it belongs to its creator, Krampus. It exists in a parallel plane of existence that dances in tandem with the mortal realm known as the Otherworld.
Toyfolk - People who’ve been transformed into living toys and sent to Toyland as punishment for their misdeeds by Krampus. This punishment is reserved only for adults. They don't possess any vital functions and thus have no need to eat, drink, or breathe.
Rule of Play - the magic that allows toyfolk to interact with toys as if they were real simply by playing pretend with them. For example, toyfolk can move their bodies simply by pretending that they can, despite not having muscles, a nervous system, or any of the necessary organs. Same goes to their ability to speak and sense the world around them. Externally, they can make any toy real for them by interacting with it as if it were real - such as pretending to eat toy food in order to mimic the sensation of eating. There are, of course, limitations to the Rule of Play. For example, it cannot be used to create life (playing with a normal doll or a toy animal won’t cause it to come to life) or cause death (playing dead won’t cause suicide). Toyfolk roleplaying with each other can even temporarily alter their perception.
Phantom Nervous System - named after Phantom Limb Pain, the Phantom Nervous System is what allows the toyfolk to move without muscles, see without eyes, hear without ears, taste without tongues, think without brains, and even feel (temperature, texture, pain, erogenous stimulation, etc.,), all without possessing any organs or nerves. Toyfolk are essentially undead - the mind and soul bound to a lifeless object and animated by magic.
Toy Fugue - Named after Dissociative Fugue (although the two should not be conflated), Toy Fugue is an altered mental state where Toyfolk lose their memories and sense of identity. Their minds are subsumed by their Toy Brain and form a new identity based around the type of toy they are. Toy Fugue is a mental escape triggered by traumatic events and emotionally distressing experiences. It’s often the end result of those who fail to find a way to cope with an existential crisis. Unlike dissociative fugue, Toy Fugue isn’t temporary, nor does it cause one to wander. While some have been able to snap out of it, others may be doomed to remain that way for the rest of their lives.
Toy Brain - also known as Play Brain, refers to the “programming” that all toyfolk have that gives them a collection of instinctive urges to play the part of whatever type of toy they are. Many struggle to find a balance between these urges and their own personalities, and it's a great source of discomfort for many of the toyfolk. Much like a Chinese Finger Trap, attempts to resist these urges will only cause them to intensify and worsen. If toyfolk fail to control their urges, their urges will ultimately end up controlling them and descend into Toy Fugue. These urges can range from specific (such as tea parties) to more broad (such as animal behaviours).
Magic - Magic works differently in the Mundane World than it does in the Otherworld. One can be forgiven in thinking magic doesnt exist in our world, but the truth is exists in its most fundamental and purest form - imagination. In its passive form, it manifests as thoughts, ideas, creativity, emotions, and problem-solving. In its most active form, it can manifest as psionics (also known as psychic powers and ESP). Long-term exposure to another plane will cause an entity to slowly acclimatize to the laws of that reality.
Wind-Up Keys - Wind-up keys have the ability to temporarily influence a wind-up toyfolk's personality and behaviour. Each key contains toy brain traits of the wind-up toy it came from. For example, a toy soldier wound up with a music box key would suddenly start to act more feminine and want to dance like a ballerina.
Voice Boxes - While most toyfolk are able to speak through the Rule of Play, those with voice boxes are bound to the rules of the voice box. Those with pull-strings, for example, cannot speak unless their pull-string is pulled. The voice box isn't just an analog for the larynx, but also functions as the speech center of the brain (particularily the Broca's Area). It contains their voice, vocabulary, speech patterns, accent, language, everything. Damage to this aparatus may cause something akin to aphasia, dysphasia, or dysarthria.
Playing Dress-Up - For dress-up dolls, costumes and outfits can influence their behaviour and personality. For example, a business suit could make them feel and act confident, a girly dress could make them feel and act girly, a maid uniform could make them feel and act like a maid, a collar could make them feel like a pet, so on and so forth. The affects are temporary, only lasting as long as they're wearing the outfit, but their original outfit they ever wore as a toyfolk gets imprinted into their toy brain, making it their default trait.
Currency - The official currency of Toyland is the Standard 52-card deck of French-suited playing cards. Playing cards were chosen over play money on account of the fact they couldn't decide on which nation's or board game's play money to use. They ended up turning to Quebecois history for inspiration. Playing-card money was a type of paper money used periodically in New France from 1685 to the British Conquest in 1763.
73 notes
·
View notes
Text
sometimes i like to imagine a future where i write that (y/a or adult targeted) dragon book series i desperately want to, but i know that i wouldn't be able to do it without including art in the book. every time a new important character is introduced the next page would have to be a reference / art of them to Show What They Look Like
#i dont think id be able to handle like. publishing or whatever Without that#maybe that stems from my control issues maybe im just an artist at heart#but i would also need there to be a glossary and a detailed map and maybe footnotes or a basic bestiary-#but then sometimes i wonder if i'd want it to be like... a comic instead#manga style in a way??? i wouldnt color it. it'd be in b&w with only the occasional colored spread or somethin#but all of that If Possible or plausible is a very long way off which is okay its okay#ill get there ill get there#unless something changes and i want to do something Else but its been a goal for many years already#its only recently that ive buckled down on the worldbuilding and character crafting and genuinely considering the plot and themes#its a hot mess! but theres something in there! im determined to find it#its definitely a couple years yet of changing things and switchin stuff around and Thinking....#who knows if ill ever get there! i hope i will!#but yeah it'd be a book with a bunch of art shoved in it httyd style (kinda)#bc if im gonna Make something im gonna combine my favorite hobbies as best i can#absolutely unprompted#its an exciting but daunting prospect. writing an actual Thing#mostly the plot part of it#i can craft characters i can do worldbuilding#but the plot? oof#there's this other one ive been working on since 8th grade#and its still... barely anything lmao#its for my favorite personal characters - my very first real oc my special boy light of my life but Man.#plot has hands!!!#and then ofc there's my beloved idiot squad... i want to do something for them some day maybe....#so many ambitions so little energy... i will strive to make future me healthy enough to achieve Something we so desperately want!
45 notes
·
View notes
Text
i keep forgetting that most booktubers are dumb as rocks so every time i venture outside my ONE fun booktuber i'm completely overwhelmed by how incapable of following a mildly complex non-stringent plot they are. reading wolf hall or the silm would probably literally kill them.
#'there was so much superfluous stuff happening that i forgot what was important for the plot :('#ok sounds like you can't follow a story that has more than one plot. or maybe even some embellishments. or worldbuilding chapters.#'I couldn't remember all the made up words :(' there is. a glossary.
5 notes
·
View notes
Text
The worldbuilding in this god forsaken series makes me so fucking mad. I'm actually fuming. Whenever I think about the potential cultural values/beliefs and distinctions between the different provinces, I want to tear this book to shreds.
You have Violet go to a festival celebrating the unification of Navarre and not describe the cultural dresses or various cuisine there. She goes to Poromiel and barely explores the country. The gryphon fliers are the exact same as the dragon riders except they don't have signets and actually mourn the loss of their loved ones.
THERE ARE NO CONLANGS DESPITE IRON FLAME MAKING A BIG DEAL OUT OF LOST FANTASY LANGUAGES.
#jey speaks#iron flame#fourth wing#I'm in the process of writing some phrases in Keshian and when I tell you I could write Fourth Wing worldbuilding better...#I'm going to make a glossary of Navarre's languages just to flex on Rebecca Yarros
9 notes
·
View notes
Text
Glossary
[Note: This glossary applies to this blog's AU only. It should not be used as reference to real-life mythological creatures and events. In fact, I have taken quite a few creative liberties in changing them to my liking.]
Artificer: A magic-user specializing in the creation and manipulation of enchanted objects. Notable subcategories include Alchemists.
Clear-Sight: The capability to see into the spiritual world. More powerful variations will allow a person to see magic, ghosts, and other purely spiritual entities.
Kamuy: A spirit or divine being of Ainu belief. They reside in all natural objects.
Magic: A source of energy that, when harnessed, can be used to set otherworldly events into motion. It is inherent in every living thing, though there are variations in type and amount.
Magician's Assembly: The governing body for human magic-users.
Melusine: A European magical creature. They are spirits of fresh water, with the upper body of a human and the lower body of a snake, though they can use a fully human or snake form at will.
Takeminakata: A Shinto god of wind, water, and agriculture. They are the patron god of the Suwa Clan from which Aira is descended.
Vampire: A European magical creature. They survive off of the blood of the living and are locked into the age of majority (if naturally born) or the age at which they are turned.
Zashiki-Warashi: Yōkai living in parlors and storage rooms that like to play pranks. They are rumored to bring good luck to those they favor.
5 notes
·
View notes
Text
SHURIMAN GLOSSARY
Phrases I intend to use in RP, sorted by origin.
SHURIMAN • source is @voidsought on Tumblr & the official companion book which I own.
MISCELLANEOUS water and shade to you – universal greeting; binsikhi – little explorer, daughter (possibly); bibi – grandmother; Maza – respected elderly woman (possibly); echnebi – foreigners, a group of people (possibly); (the) Great Sai – a grand desert separating north from south; Sai Faraj – desert region in southern Shurima, located west of the Sun Disc; Sai Kahleek – desert region in southern Shurima, located east of the Sun Disc, called "the Bone Sea" in northern dialects; shayatin – the Beasts of the Last Infinity i.e. the Voidborn. Also referred to as "outerbeasts" by Shurimans.
TITLES Hagyett Sadja of Nashramae; Hagya Ta'Fik of Tereshni; Hagyos Valif & Hazir Ima'Sai of Bel'zhun. NOTE: I don't have the lorebook on me right now, but IIRC Valif & Ima'Sai were co-rulers. Distinction is unclear.
ANCIENT EGYPTIAN • in-verse, these all originate from Ancient Shuriman and occur in all dialects. Take it and everything else down below with a grain of salt.
COMMON WORDS nek – swearword in the spirit of "shit" or "fuck"; neket iadet – piece of shit; sen – brother (affectionate nickname for one's companion); seni – my brother (possibly); senet – sister; ??? – my sister. likely "seneti"; khered – child; mes-en – born of; hereret – flower; felucca – small boat; stela – stone slab bearing inscriptions or paintings; where? – tjen?
COMMANDS shem – go; ab – stop; mesneh – turn backwards, reverse; kheti – retreat; wesef – be idle; hi-i or hi'i – strike, beat; seseh – smash, destroy; seki – perish, destroy; aha – stand, arise; sheni – surround; mes – bring (imperative).
TITLES sefetjew, seftew – butcher; tepey (m, n), tepet (f) – chief, head; seshem – lead, guide; neb – sir, also used when the addressee's gender is unknown; nebet – lady; Nebetah – lady of the palace/house; Henuttaneb – mistress of all lands. Used for the empress, nowadays attached to Mariam mostly by highborn sycophants. Va-Nox terms are used to denote military rank in so far as northern dialects are concerned.
MISC • in-verse, these belong to the tribes that have populated Shurima's northern banks since before the empire's fall. Phrases marked with * are shared between all northern tribes. Unmarked entries are specific to the Tereshan dialect.
Teresh, -an*; Bel'zhun, -ite*; Urzeris, -rite*; Void take you – Mariam's invention and her favorite curseword; sheeplover – swearword, substitute the animal as needed; aslema – hello; bislema – goodbye; marhaba* – welcome; shokran* – thank you; yaishek – a tenderer way of expressing thanks ("life to you"); azizty – dear one; hbibty – my love (can be platonic; alternatively: habibi* or habibti*); hobi – my love (romantic; alternatively: hubbi* or hubbee*); sokar* – sugar, used for children.
ARABIC HEART-MELTERS • pure self-indulgence.
NOTE: placing "habib" in front results in love of my… albi* – my heart; hayati* – my life; rouhi* – my soul; wahashtini* – I miss you.
8 notes
·
View notes
Text
i'm 7/30 entries done with my monster girl encyclopedia! i'm hoping i can actually release this as a thing for people to read eventually
#i also have two glossary entries but idk how many of those there will be#since that's just for filling in extra worldbuilding info like magic
6 notes
·
View notes
Text
i missed this stupidass
#AND they gave him a really deep voice too thank you god bless#anyway the amount of worldbuilding in this one compared to lobco is nuts i need like a glossary#noro.txt
1 note
·
View note
Text
Out of Character
Behind the Scenes or Out of Character
Out of Character Definition: someone is not keeping to their usual pattern of behavior and motives.
~*~
In the roleplay world (and thus in the conceptual realm) it is a change from character to writer’s voice. Usually a writer goes Out of Character to say something to another writer or player, and whatever they say has no bearing on the story or game they are writing.
The same thing happens in the conceptual realm. There are events that happens out of character that have no bearing on the story that is seen in the real world. It is akin to what happens when the camera is not rolling or when the actors or backstage.
Examples of Out of Character behavior is whenever a character encounters something of the real world (like an author being). If they know about the real world, like in the case of Domain Leaders, they often play it off to other characters as a joke or gloss over it. Most keep it hidden from the other characters.
Sometimes there’s a few characters that know about the real world, and keep going as if it doesn’t exist. They do this in order to protect their domain and not draw too much attention to it. Many harmful things can happen to a domain if there’s a lot of outside attention paid to it, usually because of an intruder.
So who knows about the real world in a domain?
Usually it is the domain leader or leaders—the main character. They have the choice to tell others that their domain is a fictional world or keep it a secret. They can have many reasons to do either.
What happens when a character find out?
If a character that is not the domain leader finds out that their world is a fictional world, many things can happen. First of course is a freakout. Most characters are shocked and upset to know they aren’t what they thought they are. Most eventually make peace with it.
A domain leader might ask an author to “reset” the character, and take away the memory that they know. This is usually done if the character can not make peace with the knowledge. Other times it is for simplicity sake, and the domain leader just wants to keep the status quo. More serious domains take this route.
The domain leader might choose to take that character into his confidence, to better help protect the domain. This is the usual route. Older domains have more characters aware of the real world, and often interact with it (including seeing all the incriminating fanart!)
Why do we not see them out of character?
That’s the nature of out of character. This is the characters’ private time, or even when the story has completed (or the show is canceled). Story characters don’t die in the traditional sense. Their stories are told and retold, but it doesn’t mean they are in a forever loop. Unless their creator told the story out of character, you’re never going to see this side of them outside the conceptual realm.
What happens when characters encounter Author Beings?
That’s the question. The events of Variant show one possibility, but most of the time its just shenanigans. Interacting with author beings automatically makes the character go into an out of character state. The events taht come out of it won’t reflect in their media in the real world, no matter how much power is used.
1 note
·
View note
Text
Melaco Town Concept Map
Melaco Town is the main 'hub' area of 'Good Night, Tortureland', where 80% of the story occurs. A simple map I made to give readers a better idea of where everything is located. This is not the *entire* town, just the main northeast corner that's relevant to the plot. Click to see in clearer detail.
The protagonist, Alexia Corai and her brother, Cantrell, live in a caravan trailer on St. Martin Street. The plant keys indicate natural or forest areas, and the rose key marks the (hidden) gate to the Court of Indigo, which tunnels underground.
2 notes
·
View notes
Text
2023 reads
Ethera Grave
multiverse space opera
end of the trilogy
Caiden and Leta have finally reunited, and teamed up with their enemy to defeat his sister who’s trying to collapse the multiverse into one
but the only way to become powerful enough to defeat her might cause him to lose himself
sentient spaceships, lots of alien species, monster pets, bodyswapping, found family
#ethera grave#nophek gloss#essa hansen#aroaessidhe 2023 reads#hmm this was quite slow. or slow for me to read sdajgh#I enjoy the quieter character interaction and interesting world/alien stuff a lot more than the action/plot stuff#like i feel like i don’t quite grasp or care about all the big plot stuff sdfsd#like what are yall doing floating around in consciousness space....what is that about..#(the glossary explaining all the worldbuilding things.......helped at the end lmao)#still brief/vague on the aspec stuff but I guess it makes sense in context#leta is alloace imo?#this also does have a little bit of romances so not 100% a series with no romance#definitely focused/importance on platonic relationships tho
1 note
·
View note
Text
MASTERPOST (PT. 2)
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
For romance writing prompts, plotting tips & more, check out: MASTERPOST PT. 1
⭐Dialogue
Writing Dialogue 101
Crying-Yelling Dialogue Prompts
---
⛰️Words to Use Instead Of...
Synonyms for "Walk"
Synonyms for “feeling like”
Words To Use Instead of "Look"
Words to Use Instead Of...(beautiful, interesting, good, awesome, cute, shy)
Said is dead
---
🔠Vocab Lists
Nervous Tension Vocab
Kiss Scene Vocab
Fight Scene Vocab
Haunted House Inspo & Vocab
---
👁️🗨️Setting & Description
Common Scenery Description Tips
2012 School Setting Vibes - follower question
Describing Food in Writing
Describing Cuts, Bruises and Scrapes
Using Description and Setting Meaningfully
How Different Types of Death Feel
---
🗡️Weapons & Fighting Series:
Writing Swords
Writing knives and daggers
Writing Weapons (3): Staffs, Spears and Polearms
Writing Weapons (4): Clubs, Maces, Axes, Slings and Arrows
Writing Weapons (5): Improvised Weapons
Writing Weapons (6): Magical Weapons and Warfare
Writing Weapons (7): Unarmed Combat
Writing Female Fighters
Writing Male Fighters
Writing Armour
Writing Group Fights
Writing Battles At Sea
Erotic Tension in Fight Scenes
Pacing for Fight Scenes
Writing a Siege Warfare
Different Genres, Different Fight Scenes.
Making Fight Scenes Sound Nicer
Fight Scenes For Disabled Characters
---
🌎Worldbuilding
Constructing a Fictional Economy
Homosexuality in Historical Fiction
Writing Nine Circles of Hell
Writing Seven Levels of Heaven
Master List of Superpowers
Magic System Ideas
A Guide to Writing Cozy Fantasy
Dark Fantasy How-To
Dark Fantasy Writing Prompts
Dark, Twisted Fairytale Prompts
Fantasy World Cultural Quirks
Fantasy Nobel Ranks: A List
---
🌠Symbolism in Writing
Plant Symbolisms
Weather Symbolisms
Symbols of Death
---
🪄Writing Magic
Writing Magicians - the basics
Writing Magic Systems
Magical Training Options for Your Characters
---
📋Other!
List of Fantasy Subgenres
Beauty is Terror: A List
The Pirate's Glossary
Storyediting Questions to Ask
Writing Multiple WIPs Simultaneously
Idea Generation Exercises for the Writer
Book Title Ideas
Picking the Right Story For You
What If God Dies in Your Story
International Slang, Slang, Slang!
10 Great Love Opening Lines
How to Insult Like Shakespeare
Serial Killer Escape Manual
Best Picrew Character Generators for Your Characters!
How to Write Faster
#writing#writers on tumblr#creative writing#let's write#helping writers#writeblr#poets and writers#writers and poets#creative writers#resources for writers#masterlist#masterpost#writing process#on writing#writer#writerscommunity#writer stuff#writing advice#writing asks#writing a book#writing about writing#writing a novel#writers life#writers block#writers community
2K notes
·
View notes
Text
SERPENTINE PROMISE | Hidden in Plain Sight.
Serpentine Promise is a 16+ literate Horror / Slasher Warriors RP set on the coast of Belize in the heart of a meteor crater called the Cardinal. This RP takes heavy inspiration from the beautiful indigenous Mayan cultures of Belize for its worldbuilding.
You are part of three groups known as Arrows. You live in relative peace, guided by your Celestial Leaders in the skies above - the Jade Tiger, the Red Tiger, and the Gold Tiger. Centuries prior, these three leaders created the Arrows, but in doing so created something worse. The North Serpent wanted the crater for itself, and would only be satisfied when it ate the sun. The three tigers fought together against the serpent to the death.
In modern times, these Celestial Leaders are growing increasingly distraught, until they disappear one night and leave you with nothing but an omen … Cats around you begin to drop dead soon after. Your objective? Survive. Keep one eye open. Figure out which one of you is slaughtering cats by the dozen, or die trying.
𓆙 ━─┈
🌊THE EAST WAVES Living on the sandy coasts of the Cardinal, the cats of the East Waves are weathered, brave, regal, and know their way around the barrier reef, and the raging seas. 🌴THE SOUTH RAINS Nestled in the dense, lush rainforest of the crater, the cats of the South Rains are intelligent, agile, gifted and flighty. They know how to traverse the land without ever placing a paw on the dangerous jungle floor.
⛰️THE WEST PEAKS Settled in the mountains along the edge of the crater, living within caverns and along cliff faces, cats in the West Peaks are hardy, strong, tough and independent, battling the biggest threats of all — Harpy eagles, amongst other dangerous raptors. 𓆙 ━─┈ WHAT WE OFFER🐍
A safe, secure environment for all with safety nets in place for any incident that would otherwise occur in a large space.
A server open to writers of any experience.
An extremely large expanse of lore and world-building including a glossary of brand new terms, in-depth lore and history inspired by Mayan cultures, unique ranks and roles to each Arrow, and an entirely new herb and medicine system created entirely for the RP, amongst a dozen other additions!
A server run by BIPOC and LGBT+ moderators, including a Belizean admin and consultant.
High Ranks and Roles open for application for writers of any experience and skill level!
RP affiliation / partnership — advertise your RP server in ours!
EXPLORE THE WORLD & APPLY NOW! >> https://serpentinepromise.carrd.co/ << =
(please note that i, nanistar, am NOT the host of this RP. i am merely a moderator and the tumblr liaison. i can answer some basic questions, but for anything more in-depth else please contact BADMIRACLE on tumblr. he is an amazing rp host and has spent months bringing this together and developing this rp.)
#serprom#warrior cats#warriors oc#warriors rp#warrior cats rp#open rp#open wc rp#warriors role play#wcrp#discord wcrp#not my art
259 notes
·
View notes
Text
I find it hard to suspend my disbelief about how many different substances you can make with protons neutrons and electrons. That's just three things. I'm in a bath right now and there's water and fiberglass for the tub, stainless steel for the faucet which has completely different properties, some sort of tile which you can round off as a kind of fiberglass, but then mortar in between those tiles which is a secret fourth thing also a kind of fiberglass if you squint, cotton towels which are mostly cellulose, the wooden door which is also a lot of cellulose but Different and With Lignin, toilet paper which is also cellulose... and then candle wax, which is neither fiberglass nor cellulose, which traps all sorts of nice-smelling ketones and esters. It seems lazy from a worldbuilding perspective is all. You want to eat your cake (a complex setting like a bathroom) and have it too (only three glossary entries about world composition for the reader)
112 notes
·
View notes
Note
hey hey~
you may have encountered this question before, but what advice would you give to avoid 'info dumping' in world building?
I feel like there's a thin line between stopping the narrative to educate readers on sth happening and overwhelming them with information mid-narrative. Any tips?
Hi, thanks for asking!
Managing the flow of information in worldbuilding can be tricky but crucial for maintaining reader engagement. Here are some tips to avoid info dumping:
Integrate information naturally: Rather than stopping the narrative to explain details about your world, try to weave them seamlessly into the story. Show rather than tell whenever possible. For example, instead of describing the history of a city, have characters interact with elements of that history, or have a character bring it up in dialogue.
Focus on relevant details: Only include information that is essential to the plot or character development. Ask yourself whether the detail you're providing is necessary for the reader to understand the current scene or advance the story. If not, consider leaving it out or finding a more subtle way to introduce it later.
Drip-feed information: Instead of dumping large amounts of information all at once, sprinkle details throughout the narrative. This keeps readers engaged and curious, as they gradually piece together the world without feeling overwhelmed.
Use dialogue & interaction: Characters can be great vehicles for delivering information about the world in a natural way. Through dialogue, you can reveal aspects of the world while also developing character relationships and dynamics.
Show, don’t tell: Redundant as this piece of advice is, it's important to keep in mind. Rather than explaining the intricacies of your world directly to the reader, demonstrate them through action, dialogue, and description. Let readers experience the world alongside your characters.
Start small: Begin with small details and gradually expand the world as the story progresses. This prevents overwhelming readers with too much information upfront and allows them to become familiar with the world at a comfortable pace.
Trust your readers: Readers can infer information from context clues (sometimes information that the author themself didn't actually think about). Trust them to pick up on subtle hints and nuances without needing everything spelled out explicitly.
Use back matter: Consider including supplementary material at the end of your book, such as a glossary or appendix, for readers who want to delve deeper into the world without interrupting the narrative flow.
Remember, worldbuilding should enhance the story, not overshadow it. Hope this was helpful ❤
Previous | Next
#ask#writeblr#writing#writing tips#writing advice#writing help#writing resources#creative writing#worldbuilding#plot development#deception-united
147 notes
·
View notes