#works part is they got more likes than some drawings I actually put effort into

[loustica-lucia]

Heroes of the Dragon Age

An animation I've made for Dragon Age Day 2023, featuring my main Warden (Alyssa Cousland-Theirin), Hawke (Eleena Amell Hawke) and Inquisitor (Sulevin Lavellan)!

It's to this day one of my best artwork and I thought I should share it here too! 90+ hours between the original sketch, outfit design, the rough animation, rotoscope, inking, flat-colours, background shading and even the audio :')

Interested in the process? I detailed it below since it was my first time doing something like that:

I would like to start by saying I'm not a professional animator!Everything you've seen here is the result of experimentation and a lot of practice to learn and understand how 2D animation works.

My first idea started in May 2023. I just finished rewatching DA Absolution for the X time, and wanted to analyse why I loved the intro so much. (Even after countless rewatch, I never skipped it once.) I was inspired to study it with my main three protagonists!

Then came the first test with Alyssa Cousland-Theirin, my Hero of Ferelden! I tried to understand which part to separate for the animation. Mainly the hair and cape because it flows a lot more than the rest! If I recall, my first idea here was to make her counter flame attacks (?). Then, as the camera turns around her, I tried to add a grid to know how the camera would work around it.

I ended up making the clip longer, so she could position herself to the further left and leave space to the two other protagonists.

Now it was time to try to animate Sulevin Lavellan, my Inquisitor. I really kept that quick doodling style just to capture the vibe without putting too much time/effort into it! The background would be static to contrast with Alyssa's. I also loved the idea of a rogue sneaking!

Instead of working on Eleena Amell Hawke, my Champion of Kirkwall, I went back to Alyssa and started working with Clip Studio Paint 3D models (this entire animation has been done on the EX version of the software!) It helped for rotoscope animation and maintaining likeness! That's when I got the idea to make the background swirl around the character to let the eyes be guided by the rest of the screen!

After a couple more hours, I planned the entire animatic with 3D models and quick doodles! I finally found a cool pose for Eleena Hawke, which was honestly the hardest of the three to imagine for some reason? I tried many other poses but ended up picking an animation from the game!

This whole time, I was studying a bunch of background ideas and how studio Red Dog Culture House (who made Absolution) work! Thankfully, they have a YouTube Channel where they shared some BTS content so I could analyse it!

Then, I simplified my character and their original designs in the style of the studio! These outfits are how I imagine them after Trespasser. Alyssa as the Queen of Ferelden, looking for a cure to the Calling, Hawke following Fenris to Tevinter & Sully as a Red Jenny Inquisitor!

The idea for Sulevin's animation actually came from a piece I doodled on a live stream, when I was drawing pose studies and turning them into finished artworks haha As for Alyssa, I wanted to draw the fight that got her facial scars!

Once their designs were ready and the background ideas too, I made the rough version of the animation! Basically a sketch done on top of the 3D models to add the details, staying pretty rough just to capture the idea and movements.

Then it was time to start the lines! I decided make a folder per frame, so I could separate all he main elements and draw them one by one. It helps keeping the likeness of a character in the different frames without having big "jumps" between frames! In fact, every parts were coloured differently to recognize them, and then I used vector erasers and masks (Ah yes, the entire lineart is done in vectors of course! It's easier to adjust and save time when working on similar frames!)

At first of course, everything overlaps! But I find it easier to draw too much and erase after, just to make sure everything is coherent in each frames! The cool thing about CSP is how you can change the colour of the layers in one click! So all the coloured lines turned into black in one second, and I could reverse it just as quickly to double check!

Then I started working on Sulevin! I made a blue line to mark where her feet were, as the sketch in the background wasn't perfectly straight! (Like Sulevin's sexuality 🤭😂) The silhouettes were very quick to do, but I had fun adding more & more details as she came closer to the foreground!

I really wanted to add that little dagger trick, but I remember it required me to change the pacing of Eleena's apparition, as it was recovering her arm too quickly! I had to change the pace of multiple frames quite a lot during the project, to make sure the flow was right! For Eleena, most of her animation remained around her arms and the staff itself, as magic would be the most difficult part! That way each character has their own focus: Alyssa has a very animated background, Sulevin got the grappling hook and Eleena the ice!

Then it was time to start adding colours! Just like for the lineart, I separated every colour on it's own layer, so I could easily adjust the colours later if needed. I added one colour at the time, going through all the frames, and then another colour!

I made full palette tests with the colours I would use for their background at this point, checking if the details remained readable! Alyssa was the most challenging in terms of clothes, because I made her a very detailled armour! I had to simplify the Theirin heraldry, vectorize/redraw the Cousland, and make a brush for her cape's pattern!

Once I was done adding the flatcolours, I started the background, and oh boy it was a wild ride. For the cave, I painted multiple tests. I imagine was to use CSP panorama tools, which transform a texture into a 3D sphere, so each corners must match to look good. Sadly, it made the background very blurry, so after hours of testing, I changed ideas. Instead of the random fire balls (?) I originally imagined for Alyssa, I made three simple frames of a Rage Demon to attack her.

I ended up using the cave as a repeated pattern to make it turn 360° around the character. For Eleena, I mixed inspiration from the comics, Dreadwolf & Absolution, using warm colours matching Hawke's signature red. Just like I made the cave very grey/blue to match Grey Wardens. For Val Royeaux, it was more complex because I wanted to make it green, matching the Inquisitor's signature green. But bright green couldn't work, and the original colour during day time was blue/white/gold. So I added more leaves, played around the design a bit! After adding the rage demon, I made the shading! It was surprisingly easy and quick to do now!

I clipped a white layer on the flatcolours to not be distracted by the colours, and made thin lines to separate the light/shadows, then simply filled everything with the bucket tool! Then you set the layer to multiply and remove the white layer, and you have celshading shadows! Now the character looks out of the picture, so I added layers of blue in color burn, saturation and substract blending modes to make her look like she's in the right setting! Of course, I did the same with the other two, giving Hawke a red overlay and Sulevin green shadows!

Then I added the details, it went from white irises, to sword/staff smears to earrings and smaller finition that goes on top of these layers. To add the lights, I simply selected the shadows and reversed the selection! Using warm and cold tones to create contrast with the purple/bluish shadows! I also added more ambient light layers for Alyssa to reflect the Rage Demon fire. Now it was time to add ice magic! My first attempt had too many frames, making it look weird! Sometimes it's better to lower the frame rate to make things less bumpy!

Then I downloaded some cool ice brushes on CSP assets that made it look less like blue magical flames! But when I covered the screen in ice, I realized "Oh wait, I could make a cool transition from the ice, to blue lyrium turning red?"Red Lyrium truly links these three games and The Veilguard somehow! I spent the next hour painting over the idol and putting it in a black background, with lyrium and then the golden Dragon Age title text.

For the SFX, I used free youtube libraries sounds & "Darkspawn!" comes from the violent human female voice set (iconic for ""Can I get you a ladder? So you can get off my back!"😂🤭) After editing all that, the animation was finally done!

Here's the final math:

About 15 hours for the sketching/rough/animatic phase, 30h for the lineart, 25h for colours, 10h for backgrounds, 5h for details & 5h for music & SFX, for a total of 90 hours. Aka the same amount of time it took me to finish Baldur's Gate 3 the first time lol

If you have any question regarding the animation or the softwares etc. do not hesitate to ask, I'll do my best to answer!

[codgod]

y’know generally i try to limit colour palettes to as few colours as possible to make things more cohesive but despite my best efforts only jay ended up being able to stick to that </3

ANYWAYS here’s the as-of-right-now fully updated designs for these dickheads. these will no doubt undergo even more tweaking as i draw them more but this is a start i guess. also pls open the pictures to look at them properly i worked so hard LOL

some random notes under the cut yaaaay

chip —

he jingles when he walks. somehow he’s still stealthy. i do not know how

kept the platinum ring that bonded him to gillion in the block! because hey he doesn’t really have a reason to take it off (and it’s a nice reminder of how much gill cares about him, and how far their friendship has come since that ice arena)

his tattoos shift and flicker like actual flames, and sometimes (harmless, purely aesthetic) sparks fly off them when he’s excited

i just think smoke coming out of his mouth when he’s angry would be cool :]

chipped teeth from biting rocks and coins all the time :/

he has scars from the red lightning, they’re just mostly contained to his back and shoulders. they’re a similar red to his coat even once they’ve healed

gillion —

the tail sleeve thing is so he can rest it on the ground without damaging his scales, he doesn’t usually wear it when he’s just on the ship because the wood is soft enough that it’s usually fine + it can hinder swimming a bit. it’s mostly meant for places where there’s cobblestone or gravel streets and such. i think his armour would probably have a version that looks similar but covers the whole tail minus the fins, maybe with some armour plating of its own. i didn’t draw it because there wasn’t any room lol

his scars from the lightning are pink mostly because red stood out too much tbh. they softly glow in the dark the same as his coral and the pink parts of his fins

also kept his ring! his hands aren’t really made for jewellery, though, because the webbing means it won’t sit very secure on his finger. so he keeps it on the same chain as the necklace he got from aslana to keep it safe

tried to make him look a bit bulkier and more his age than in my original design? i feel like i was leaning too much into the naivety and. shortness. originally lol. he also has thicker eyebrows now and i’m still trying to decide how i feel about them but i think? i like it? i don’t tend to give many character thin eyebrows so it could’ve been a unique thing for him but alas

i think i made the sword too small but like ignore that

also forgor to include pretzel </3 that’s okay though she can get her own design sheet later. she’s special like that

jay —

i believe in tall jay supremacy

blue magic! i was considering gold but that’d look a bit more like a canary than i wanted for her wings so. blue jay :]

her hair is supposed to look kinda like fire to mimic her dad ! kinda showing that even if she runs from her family and the navy they’ll always be a part of her. and also i just like drawing messy hair

i gave her sturdier gloves just because i feel like it fits her better. also changed up the shirt to more of a button up solely because i don’t like tank tops very much LOL

i did WANT to make her outfit a bit flashier to match the boys better but i couldn’t quite figure out where to Put the flash. maybe that’ll come later, the way the story’s going i might get to design some cool prosthetics for her or something

overall —

because there’s just so many fucking colours i triiied to add at least one or two colours from each of them into the others designs. jay has her necklace with each of their main colours on it, her wings are the same blue as gillions eyes, her jacket and right eye are the same dark blue as destiny’s blade, her hair is the same orange as the lighter part of chips tattoos. chip has a dark green sash under all the belts, the same as the hilt of destiny’s blade. they all use the same shades of black, gold, and brown

the only real exception is gillion doesn’t have anything from the other two because he has Such a specific colour palette and he already had so much going on as-is orz jay was obviously the easiest to do this with because she has both warm and cool colours in her palette by default lol (and i did her design last, so that helps)

[mariyekos]

I like to imagine Dante's able to use some basic magic beyond just typical demonic stuff. In the opening of DMC1, a magic circle appears below Trish when Dante shoots the motorcycle back at her, so I like to think Dante knows some basic spells, wards, and the like. For the most part he uses it for little things like making a special lock for his Devil Arm vault, maybe heating up soup or a drink that's gone cold, and so on, rather than any combat things. Dante's spells are not at all refined and he doesn't have a natural talent for it, per se, but he has a lot of power he can put into things so he often ends up brute forcing whatever it is. It's not necessarily efficient, but it works, and that's all he cares about. He's not really interested in most precise or specific things.

Vergil on the other hand has a lot more control and a much greater interest in magic in general. A post DMC5 Vergil (and pre DMC3) would use magic a lot more often, and without as much prep. He spent a lot of time learning different charms etc. to use in daily life, and he's a lot more elegant about it. Some he learned when on the run and trying to hide from demons, while others he learned when trying to track down Sparda, and others still he learned for purely convenience reasons. Post DMC5 he gets a lot more into it than he did pre DMC3 when it was more a thing of survival, even if it had the convenience aspect back then too. He's the kind of person who would learn spells for the sake of knowing them, and while he prefers using demonic abilities in combat, he might try to learn a magical combat spell or two just to see what it's like. He mostly sticks to practical things though (which sit on the border of practicality, but he considers them practical, uses them often, and makes Dante's magic look like child's play).

On the magical third (regrown!) hand, Nero's absolutely horrible at magic, to the point of not being able to do basically anything. He's got the magical reserves, but unlike Vergil who can cast precise spells with relatively little effort, or Dante who gets through spells by basically overloading them until they work, Nero just can't get magic to work for him at all. Lessons with Vergil end with him stomping out when he gets fed up with Vergil commenting on how easy it should be, while attempts to get Dante to explain how he casts magic end in frustration when Dante's explanations basically start and end at "I dunno, it, it just works." Sure Nero can memorize and draw a warding sigil perfectly, but any and all attempts to get it to actually do anything end in failure.

Kyrie, in a reveal that surprises everyone, most of all herself, is apparently extremely talented at magic, which she does not know until she sees Nero trying and failing to activate a warding sigil Vergil taught him, puts a finger on it so she can trace over it as she reviews Nero's work in case he messed something up, and inadvertently activates it. After that they end up doing some testing and discover Kyrie is a natural when it comes to magic. The only problem is that while casting spells, activating sigils, and the like come easily to her, her magical reserves are rather small, limiting what she's able to do. When she first activates the sigil Nero had drawn, she ends up unable to get up and Nero has to carry her to bed (which she insists he doesn't have to do, because she just needs a minute to catch her breath, but he insists on)

Nico is stoked to hear about this and ends up figuring out a way to essentially fit Kyrie and Nero with a magic converter that allows Kyrie to draw on the magical reserves Nero can't utilize so that she can use them for whatever she wants to. While Kyrie isn't someone who really cares to use magic for things in her daily life like Dante and Vergil, she does use it to make little charms for the kids, and to establish wards around the house to protect them from demon attacks and other small misfortunes. She and Vergil end up bonding a little bit as he teaches her the spells and other bits of magic Nero was never able to pick up on.

(Vergil himself feels a mixture of pride at how quickly she picks up on things with his instruction, and jealousy when he sees how good she is at things first or second try when he knows it took him a good five or ten attempts to get it down when he was first learning. Kyrie notices and tells him that he's still much better than her in the long run since he's able to use magic without needing a separate "battery" to power him, but Nero absolutely digs into Vergil about it when Kyrie isn't there. Dante meanwhile finds it all hilarious. But he and Nero are pretty proud of Kyrie too.)

[jiaoqiu-s-bitch]

how about headcanons about some of the genshin boys‘ reaction to you squirting? I’d like to see diluc, tartaglia, kazuha, cyno, xiao, tighnari, alhaitham and scaramouche ;)

hello luv~

I will split my Genshin writing debut (aka this request) into two parts due to the amount of characters, so enjoy pt. 1 for now!!

EDIT: pt. 2 is up!!

————————————————————————

Genshin boys reacting to you squirting for the first time (nsfw) || pt.1

Diluc

• mans is dumbfounded (and kinda in awe)

• he looks up at you and blinks a few times, parts of his face covered in splatters of your slick

• "Well.. That’s new" he remarks, still processing what just happened while absentmindedly swiping his thumb across his bottom lip

• and you can bet your ass he’s going to make an effort to recall and memorize exactly what he did to get you there

• might even ask you what it was that you especially liked this time (he’ll wait until you’ve calmed down from your high before interrogating you though, he’s not a monster)

• and once he deems you ready for more, he will put his new hypothesis to the test right away bc he definitely wants you to do it again

• he’s a clean man and generally prefers not to get too messy, but in this case he doesn’t mind putting in some extra work for the cleanup after

—————

Childe/Tartaglia

• this man did it on purpose, 1000%

• not surprised in the slightest, but visibly elated at the fact that he finally got his sweet, innocent (on the outside at least-) girlie to squirt for him

• yes, he had been working towards it ever since you first started getting intimate with each other

• he’s an ambitious guy, training and practicing to get better at everything he does, and sex with his girlie is no different

• he can be a huge jerk, both in the streets and in the sheets, but in the end your pleasure and enjoyment is definitely top priority

• and what will he do now that he’s achieved this goal? why of course he’ll keep adding onto it to keep maximizing your pleasure

• meaning overstimulation all the way baby, now even more than usual

• he always enjoys your whining and begging, even more so when you’re crying because everything is just too much

• but he will always just shush you with a smile, kissing away your tears and cooing "I know baby, I know… but you’ll need to bear with it for just a while longer, yeah? Do it for me angel"

—————

Tighnari

• "Oh? I didn’t know females could do that too. You must’ve enjoyed yourself a lot just now, darling" the man with the fox ears purrs, visibly fascinated

• he assumes you didn’t know you could do that either, else you surely would’ve told him before, right?

• meaning he’ll have to find out himself how to please you in a way that gets you this ecstatic again

• like Diluc, he’ll inquire what it was that you particularly enjoyed

• he’s more… detailed with his inquisitions though, and very prone to experiment

• he’ll be trying out variations of "methods" and techniques on you, curious to explore the various reactions he is able to draw from you

• and yes, he does take notes. actual notes.

• so congrats, you just managed to become the Forest Watcher Academic’s #1 test subject and are in for a LOT of fun (and work😭😭👋🏼)

—————

Kazuha

• "Mmm such a good girl for me.. You did so well my love"

• a very humble man, not smug about being the source of your immense pleasure (ofc he’s still somewhat proud tho)

• will thoroughly lick you clean and then scoop you up into his lap to pull you into a deep kiss, letting you taste yourself on his sinful tongue (quite the generous gesture, seeing as he himself loves the taste of you so much)

• will try to get you to squirt for him again in the future, but doesn’t make it his main goal

• he prefers to just enjoy the moment and the emotional intimacy between the two of you, a "goal" such as this would only sully the act for him

• he’s an extremely attentive lover in general, picking up on every little reaction you offer him upon his touch, so you will enjoy yourself to the fullest every time, whether you squirt or not

• on a side note: if you were to specifically ask him to make you squirt again, he will. he now definitely knows how, and who is he to deny his love the pleasure she wishes for?

[captainmera]

Mx.mera!! (No pressure take all the time you need ) when is the next tgb chapter ?? :3

It's on indefinite hold atm, dont expect updates anytime soon. I'm juggling a lot atm.

(None of this is directed at you personally. This is just my general state on working on TGB and why it is standing stale. If you're curious why it's not updating)

TGB was always meant to just be a fun side thing I did as a writing exercise. It helped me identify a lot of my writing flaws and hiccups, and also my writing style. Which has been very enlightening.

There's a lot with TGB I need to go back and edit, so I need to re-read my own work (which I've been informed is the length of two LOTR books?? Sweet jesus, I need to cut it down) before I get back to it.

My ideas have become much longer and drawn out than I wanted, the pacing is very slow (which is fine, but I wanna get to the fun parts.) Which is another problem I've identified. I'm writing book form, chapter by chapter, rather than the episodes I'm seeing in my head. And it's frustrating.

Because I see it as episodes, but write them out, the chapters get really long. And I spend a lot of time being anxious about that.

Drawing comics is easier because I don't have to describe feelings or environments. I can just show it right away.

And no, I'm not gonna draw TGB as a comic. That's too much. I tried drawing future scenes (as comics) I thought of and wanted to envision, but I got people being upset about it being spoilers. So I stopped doing that.

Actually, I got worried about anything I drew of any characters being spoilery because I'd get asks or comments about it being for TGB. I usually just delete comments or asks like that, so I don't have to see it, but reading so much of it builds up in my head, yknow?

I also got a few people (might've been just one person. They were on anon) that wouldn't stop berating me about Willow and Hunter's body types. And some people got REALLY weird and insinuated that drawing them hugging and kissing was sexual. And some people try to trick me into drawing fetish things (feederism being one).

So, in all honesty? I liked writing TGB, with all the flaws it has or not. I loved drawing Huntlow and the hexsquad; until people got 1) weird about it. 2) pushy about continuing it. 3) upset it wasn't writing fast enough or I didn't draw x, y, z.

It honestly has robbed me of all the fun to post fanart.

Which is a shame because I still like the characters a lot.

I know that if I update a chapter, I'll get a revival of people spamming me these things again, and I'm not mentally or emotionally strong r/n for any of that.

So.... I'm doing witteclaw. Because nobody is pressuring me to do anything. Not to update, not to draw x,y,z. People are just happy with whatever I put out in whatever pace I put it out in. I get to talk with people about theories about the show and discuss writing in a fun, mature, way.

I also just really like witteclaw in general. But I don't like ut more than the hex kids. There's just less demand and pressure.

Which makes hanging out in the fandom still fun.

Don't get me wrong. I love sweet huntlow, I love the noceda trio, the galactic duo are still my best boys (i miss drawing gus and hunter), and the emerald trio is my blorbos (I got so many pins and keychains u guys lol) and I love the hexsquad the most, I love soft lumity, I wanna draw more grunge Vee, Camila is best mum.

The owl house is SO much fun.

But the fandom is kind of demanding. And maybe that's my fault for having open requests. But I don't regret that, I do enjoy art requests.

But people got less polite and more demanding, and some got angry(?), and some use lingo that I understand is meant to be funny but comes across as incredibly entitled and mean spirited. Some also don't seem to understand I'm a person, and that all art takes time. I had a person once get upset that I didn't out enough effort into their request as I had into another. Which... girl, you're not paying me, sit down.

It got pretty uncomfortable. It stole the fun out of drawing similar things for people who asked nicely and enthusiastically. I also realised a lot of these people read TGB, since requests were often about that.

It wouldn't always be art requests. It would just be a straight-up request to write the next chapter already.

TGB was fun, until the pressure to prioritise it became the majority from people who followed me. and people wrote things like:

Tbf that's the only one who dared to be that public about it. But I get asks like this at least once a week, and I turned off DMs because it happened every second to third day.

It's like.... not very nice or cool, yknow? :,(

it genuinely has made me feel really sad about working on my passion project IBWR too. Because people kept making it pretty clear they were annoyed I spent time on something else than what they were following me for.

It's like, whatever I guess, but it still hurts.

TD;LR

No, no tgb anytime soon. A few people killed the party, and I need time to like it again how I used to. Without the enjoyment of creating and writing, and enjoying the process, bring robbed from me.

Thanks.

Maybe I just need thicker skin I dont know. I'm trying to find a good balance with it. People are allowed to like/dislike my work and comment on it. I don't mind critique. It's just not really been critique at all? It's just demands and that hits different on the heart.

[little-miss-dilf-lover]

so I just read Doodles (and adored it!!) and now I can't stop thinking abt Miguel trying to sketch the reader, but having no artistic abilities and therefore failling miserably. a sequel perhaps??

((not sure if you're still taking requests tho. love ur work anyway!!)

hii!! AW that’s so kind, thank you! I absolutely loved writing this, thank you for requesting, hope you like it💌

doodles (part 2)

Miguel O’hara x f reader

wc || 881

warnings || none just fluff

part 1 -> doodles

masterlist + rules

Miguel has many talents, but drawing is not one of them. He has an indispensable need for perfectionism, so anything he was automatically good at frustrated him massively. 

Since you've shared your knack for drawing with him, things have somewhat progressed between you both. Your relationship wasn't definite as of yet, but it was like the wedge between you two dissipated, like there was no longer a divide. You both spoke more freely with each other as if there was now a common understanding, like there were no secrets, well, still some secrets.

So now, when you'd hang out, you kept your doodle pad away, preferring to immerse yourself in conversation with Miguel rather than sketch your time away. He noticed how you were more present, more attentive while you were with him, and though he'd never admit it aloud, it made his heart feel full for you to want to spend time with him.

"You got your uh- notepad?" he asks, changing the subject of today's events at HQ.

"Always," you smile, head tilting to the side as if to understand him better. "Why'd you ask?"

"I want to try something," he sheepishly grins, his demeanour coltish as he avoids your gaze. "Can I borrow it?"

You playfully squint your eyes as you watch his expression soften. "I suppose,"

"And a pencil?" he adds, his tone sweet and juvenile as he extends a hand. 

You weren't completely certain about what he had planned, but you had an idea.

"Okay, turn around a bit... no, towards me... now, put your arm up... yeah, on the table... no, your elbow. Mierda," (shit) he chuckles, shaking his head. "Put that there," he grins, adjusting you, moving you around in your chair. "Now, relax," his smile widens as he gazes at you across the table. "Hermosa," (beautiful) muttering under his breath.

His grin slowly fades as the lead touches the paper, looking stumped as he peeks at you over the notepad. He softly sighs as he begins to sketch you, glancing up at you every few seconds, sometimes looking at you more than necessary. 

"How's it looking?" you sweetly ask, trying not to move too much.

"It's uh- it's," he pauses, masking the unsatisfied look on his face. "Good," he shrugs, his tone unconvincing as he continues to draw you.

He didn't have to say anything for you to know what he was thinking. His expressions were clear enough, even if he thought he hid them well. 

"Can't wait to see it," you reassure, your eyes soften as they meet his. 

He sighs heavily as he guides the pencil over the paper, flick-like strokes around the page as if he's sketching your hair. "It's terrible, cariño," (honey) he huffs, visibly frustrated as he drops the pad to the table. "Sorry,"

"No, no, don't be," you grin, standing from your seat, joining him on his side of the table. "Can I?" you ask, reaching for the pencil tightly gripped within his fist.

He nods, extending it towards you with a wry smile.

"Why you being so hard on yourself? It looks good," you partially lie. 

It wasn't an awful drawing. It just wasn't great. You hated the idea of lying to Miguel, but surely this one time would be okay, a small white lie to avoid hurting his feelings. For someone who doesn't often do anything artistic and creative, it was actually a pretty solid effort. And although he wasn't one to care for art, you could tell this meant a lot to him, like he was trying to impress you or show another side to himself, a softer side even. 

You could tell that he was frustrated in his attempts, so you reassured him, placing your warm palm over his forearm. "I think it looks great, Miguel," you smile. "Would it be okay if I help you?" you question, being careful with your wording to avoid the possibility of upsetting him.

"Go ahead," he nods, scooting his chair closer to you, resting the side of his head in his hand like he was getting comfortable to watch you. "I'm sure," he says, answering the question you had in mind, noticing the quizzical look in your eyes.

"Okay, so," you grin, looking at him. "I think it's the angle. It makes the proportions look funny, and it makes my nose look enormous," you playfully scold, earning you a soft laugh from Miguel. "But, you did the eyes well- wait a second, why are my lips so detailed?" you coyly smile, slowly turning to face him.

He doesn't answer. He shrugs, avoiding your gaze.

"Okay, okay, I'll drop it," you say, hiding your smile behind your hair, shielding the side of your face with it.

"Don't hide it," he mumbles, extending a hand, reaching for your hair and brushing it behind your ear. He smiles, noticing the blush form over your cheeks. "Show me how to improve it,"

So you did. You sat close together, inches apart as you made minor adjustments to the sketch, adding shading and highlights as Miguel admired the process, watching the drawing come to life. His eyes dart between you and the finished sketch of you on the page, a sweet, sincere smile spreading across his lips. "Hermosa," (beautiful) he whispers. "I'm gonna frame it."

@sunshiines-stuff @queerponcho @selfryed

[genericpuff]

The Extended Mishandling of LO's S3 Midseason Finale Premiere

Alright, so I had mentioned leading up to the release of the newest LO episode that my feelings regarding LO returning were pretty "meh". Not hyped, but not completely back of mind either. Just sort of a weird calm before the storm type feeling that could go either way.

I'm glad I got to have that moment of calmness because good god, this episode was an absolute shitshow. And honestly, I'm not surprised, for several reasons:

Rachel has never been good at maintaining a buffer, even back at the start of the series she only ever had 2-3 episodes ready ahead of her schedule which is NOT an ideal buffer for an originals series.

Rachel has never been good at writing, she's very "draw first write later" and has stated as such in interviews that when she gets 'stuck' on what she's writing, she'll just start drawing and fit the pieces in later.

Four months is NOT enough time to both rest, attend massive conventions, and work on improving a project while also getting buffer episodes ready.

Because of the FP episodes remaining locked over the hiatus, technically Rachel only needed to have ONE episode ready upon return for the newest FP release, not multiple like she'd usually need like in the past during the S2 midseason hiatus or the season finale episodes which would unlock those FP releases like normal - so for all we know, she could have drawn this episode literally last week, especially when the promo material was so last minute. Frankly I think it was REALLY stupid for whoever it was who decided to keep these FP episodes locked (whether it was her or WT, it was more likely WT) but you can read all I have to say about that in my review of the midseason finale episodes.

All that's to say, no, there was never any guarantee Rachel was going to somehow "turn around" the ride we're currently on. I know that many of the critics were hoping for that to happen, but with the circumstances of the hiatus mixed with Rachel's bad habits of putting her best efforts into the procrastination projects that aren't her actual comic (ex. the few original pieces and LO sketches she put out during the hiatus) it just wasn't in the cards. This is where the comic is at and this is where it will remain until it's over.

I want to also point something out about this episode that was... really glaring to me.

As with all of these hiatus returns, LO got priority advertising in the first two banner slots and push notifications AND a popup ad within the app. This is unsurprising, Webtoons is still trying to milk this thing for what it's worth.

I know a lot of people are gonna focus on the art, or the fact that WT is continuing to shill LO, but I wanna point out the part that WT implemented specifically - "NEW SEASON".

This is literally just false. At best I'd like to think some intern just messed up and thought this was a new season, but it's literally not, the episode designation still says "S3". Note that the creators only design the banner art, the actual labels on top are put there by Webtoons.

But at worst, this feels like blatant lying to continue to hide the fact that LO is ending. Mind you, Rachel and Webtoons have still not put out official posts stating that this is the final arc. There is NOTHING from either of them to communicate to the audience that the comic is ending next year. It feels like they're trying to avoid the topic altogether out of fear of losing the fanbase they still have, rather than hyping up the comic's end for those who have stuck around to see how it all wraps up. And honestly, I wouldn't be surprised if this was the case, considering they're now trying to funnel the fanbase into Penguin/Inklore with new marketing deals and the whole Rachel Smythe Presents thing. They're trying to make this seem like the beginning of something "new" when it's really just a quiet shifting of management (Penguin House).

But all that aside, let's actually get into the episode. It's one episode after 4 months, which is not standard for LO's hiatuses, typically FP episodes release on schedule (meaning free readers start hiatuses 3 weeks after FP readers do), the only time this has been an exception has been with the 2 week breaks because the whole point of those was to build a buffer (which you can't do if you're going ahead and releasing the FP episodes anyways). For extended hiatuses like these, usually free readers still get their FP episodes, but that wasn't the case here. That means Rachel technically only needed one episode ready for the comic's return, and it shows. It really fucking shows.

FROM HERE ON OUT THERE WILL BE FASTPASS SPOILERS REGARDING EPISODE 254. DO NOT CONTINUE IF YOU DO NOT WANT TO BE SPOILED !!!

As per tradition, we get a title that means nothing at all. It just says what we already know.

Our collective husband Zeus is dying, no thanks to the poison cupcake fed to him by Apollo. For those who don't remember, Apollo had tricked Zeus into eating the cupcake by making him believe it was from Hebe. We are fully aware that it was Apollo who poisoned him. Remember that for later in this review.

Right off the bat we're off to a hilarious start, both with a cryptid appearance from Apollo in the background (lmao) who is, for some reason, ALREADY returning to the scene of the crime he just committed because... who knows at this point. Apollo and Psyche know it was Apollo at this point, I might add, but I have no clue why Apollo is actually returning to the scene of the crime when he has no idea Eros and Psyche know.

Moving on from that, can we talk about this hilarious dialogue?

"We have to call a doctor! Let's call Asclepius!"

"No, we can't trust him! Gosh darn it, why are we only bothering to think of ONE doctor in this universe where we've seen more than one doctor?? Guess Zeus is just gonna die! What a horribly contrived situation this is!"

And that's literally how I can best describe most of this episode. Contrived. There is a LOT of manufactured drama in this that makes ZERO sense even on a surface level.

And what do you mean exactly, Eros? "What a terrible system!" Is this supposed to be a joke? Lampshading? We've seen Persephone go to the gynecologist. There are non-god doctors who tend to gods all the time here.

Eros just doesn't seem to be that pressed over this, he sounds like Ned Flanders and that's NOT a good way to open up a scene like this... let alone an episode people have been waiting four months for.

Anyways, after a few pointless reaction panels (again remember I have to cut a lot of what I show here for Tumblr image limitations but I promise you, I'm keeping as much important stuff as I can in this, there's just THAT MUCH filler at this point), Eros and Psyche confront Apollo and he is... good god.

There is... so much to unpack here.

First of all, remember those theories about how Rachel was clearly trying to write Apollo as this "secret twist villain" the whole time but it doesn't work because Apollo is simultaneously written as both a 'conniving villain' and a massive dumbass at the same time?

Well, I finally have a more appropriate term for him. He's your average red pill redditor - someone who thinks he's smarter than everyone else when really all he does is sit on reddit all day using big words incorrectly in arguments he gets himself into with a bunch of equally-air-headed dumbasses.

"You can't possibly understand the nuances of the Olympian political system," Apollo said proudly, a man who had, ironically and obliviously, run for president in a monarchy. The union of kettle and pot is eternal.

He's the Slappable Jerk but instead of it being a painfully hilarious impression, it's just painful and hilarious for all the wrong reasons.

this is so stupid because it's 1.) Eros pointing out how obvious Apollo's plan was, despite Apollo acting smart two seconds ago with a goddess who, mind you, has been a goddess for ten years, and 2.) patricide isn't even intrinsically linked to politics, there's nothing 'political' about a guy trying to kill his dad except in, idk, a monarchy, which again, Apollo has spent ten years trying to rise to power in as a president which is a completely different form of government.

If I wanted to be really granular with this, I'd like to think Apollo is making some kind of point about the critics who call out LO's whack as fuck political system (especially in the trial arc) - as if he's saying "well you're just a stupid reader and this is fantasy where you don't understand exactly what political system we're using, so shut the fuck up you stupid twig" - but I don't think it's meant to be that deep. I think it's just Rachel trying to write a smart character and then failing at it because she, herself, is not a smart writer. And I'm really inclined to believe that more than the theory about this being some kind of meta-narrative about the critics because this entire plotline is contrived and stupid down to its core.

I did not cut anything out here, that's the pacing. Leto literally just appears out of nowhere and uh oh spaghettio's, she has Kassandra! Remember Leto? The character we were led to believe was truly "pulling the strings" until she disappeared from the story completely after she realized that Apollo and Persephone weren't a thing, even going so far as to call out her own son for being a fucking dumbass? Well, she's back and once again she's being involved as some kind of "double agent" in this whole thing, even though we literally haven't seen her since halfway through S2.

"Mm yes, you're so stupid, falling into my trap! Even though you had no reason to remember Kassandra anyways because she's literally a mortal woman you just met and you yourself have committed acts of violence against mortals without a shred of care! I'm so smart! My plan is all coming together!"

We've never seen Apollo do anything except cry and poop his pants, the closest he got to being "powerful" was his attempts to murder Daphne (who he seems to have forgotten about in this "master plan" of his) but ultimately he's literally just a piss ant baby and there's no reason to believe that he could somehow outmatch the God of Love who can literally manipulate people's emotions and states of mind with his arrows. But yeah sure go off, you're so powerful and smart.

The worst part is, I can't even buy this as the narrative trying to be like "see how manipulative and conniving he is?" because it's just silly. We've SEEN this man cry with his victim complex, we've seen him say and do the DUMBEST things that don't lend to any amount of "intelligence" he may have, it comes across less as him being "smart the whole time" and more as him trying to sound smart but ultimately sounding incredibly stupid. And I can't even immerse myself into it and buy that maybe that's the point, because it doesn't feel like the point, it just feels like inconsistent writing, he doesn't feel like a 'threat', he's just monologuing.

Bad art and Apollo literally just repeating what Leto already implied so this is a waste of the audience's time.

This is the funniest panel in the whole episode because I can't tell if Apollo is supposed to be in the background (for some reason, despite him literally being in front of Eros and Psyche two seconds ago) or if he's in the foreground and just REALLY small for some reason. This is so off-putting. And of course, it's just Apollo explaining what we're ALREADY SEEING ONSCREEN.

You see, in addition to this episode being contrived, it also talks down to its audience a LOT by explaining exactly what we're seeing onscreen. It's like Rachel saw the criticisms about her not including enough to depict what's actually going on in her head and so she thought the solution was to spoon feed information over pictures that are already doing the job of explaining what's going on. Rachel really doesn't know how to write and even when she tries to implement changes that reflect criticisms that have been made of her writing, she somehow makes things worse because she completely misses the point of what those criticisms are trying to get across.

Anyways, without even trying to resist (for some reason) Eros and Psyche get sentenced to horny jail.

They're now trapped in a basement that Leto somehow has in her home. How do we know that?

HAHAHA FUNNY LAMPSHADING SO FUNNNYYYYYYY

Leto claims that they shouldn't try to escape because the dungeon is "enchanted", but she doesn't even bother to explain what that means. So they literally don't bother trying. They don't try to call her bluff, they don't try to teleport out of there, they literally just go "well shoot", shrug their shoulders, and accept their fate. Just like with the whole "we can't trust the only doctor we bothered to think of" situation, Eros and Psyche are turning out to be some of the stupidest, lowest-effort characters in this comic who literally can't be bothered to try because that would require too much brain power.

Notice how much time we've spent on this and we haven't gotten back to where the cliffhanger of the last episode left off? Well buckle up because there's still more to cover.

So it turns out Hebe was still inside with her dad, in FULL VIEW of what was going on through glass which is somehow COMPLETELY soundproof, and when Apollo steps inside, she just has no idea what happened. She never bothered to even look outside to see what was going on with Eros and Psyche, she's just been sitting on the floor staring at Zeus' dead face for what was likely several minutes, unless Rachel is seriously trying to convince us that conversation and hostage negotiation from earlier only took 2 seconds. The timeline is such a mess at this point that characters basically freeze in place as soon as they're not the focus of the scene.

Apollo rushes inside, acting shocked over the situation, and when Hebe asks where Eros and Psyche are (again, she could have just looked out the window at any time), he's just like "dur idk they just left lol" which Hebe just... buys, I guess.

That's just Persephone but yellow. She's even missing her beauty mark.

See how Apollo put his hand on Zeus' chest/shoulder by the way?

Apparently, despite Mr. Smarter Than Everyone Else trying to pretend it wasn't him, he's able to discern that Zeus is dying from a toxic and rare poison just from touching him. He doesn't even really seem to use his powers, he just touches him and goes "welp he's dead i guess lol don't bother asking me how I know that".

But oh nooo remember that note from before? Well gasp Apollo's gonna use it to frame Hebe! In front of no one else at all!

Hebe of course says she didn't write it, but Apollo continues to try and frame her anyways, even though, again, there's no one else present here, and so it effectively just becomes the most absurd form of gaslighting I've ever seen.

Again, THERE IS NO ONE ELSE HERE IN THE SCENE. He's just trying to claim she did it to absolutely no one at all, in the hopes of... what exactly? That she'll just take the fall for something she knows she didn't do? That she'll somehow be convinced? It's not like Hebe has the same thing going on as Persephone where she has a 'wrathful dark side' he could pin it on, this is just a criminal who just robbed a building pointing at the first person they see and yelling "YOU DID IT!"

All I'm saying is that Apollo would be really bad at Among Us. He'd be the type of player to kill someone, hit the report button, then claim yellow did it which, even if he DID convince the rest of the team, would still get kicked anyways as soon as yellow was proven through the eject to not be the imp and everyone would go "okay cool so yellow wasn't the imp, that means obviously it's purple self-reporting." It's a trick that doesn't even work anymore because of how old it is. Hebe isn't a child here, she's an 18 year old woman who should be fully capable of raising an eyebrow and wondering why Apollo is this quick to accuse her - almost like he's trying to hide the fact that he did it.

But Hebe can't catch onto this, just like Eros and Psyche, she has to act stupid for the sake of the plot.

At first I thought maybe Rachel was trying to do some "whodunit" scenario, but that doesn't work here because we already know who did it. And while there are stories that exist like that that pull it off (ex. Knives Out) the problem with trying to do this the way Rachel did is that the person being framed has to have this thing called motive. The reason why Knives Out and Glass Onion work so well is because the person who was murdered (or conspired against) is someone who is being targeted by multiple people who could all be the murderer. It's quite literally called out in Glass Onion as a form of smart lampshading. "It's like putting a loaded gun on the table, and turning off the lights."

But it doesn't work here because Hebe does not have motive. If you're going to attempt to frame a murder on someone, it has to be someone who would have reasonable motive to commit that murder, even if they didn't actually commit it.

And who among Zeus' children has motive?

What about the war-mongering bloodthirsty god of war who has been regularly sentenced to time in the Mortal Realm to fight in wars in which he's been regularly injured?

What about the chaos-seeking wrathful goddess who would do it to get revenge on the parental figure who cast her aside, or even just for the fun of saying she did it?

Why try and pin it on Hebe, the doting daughter of Zeus who's only had a collective of maybe 20 panels in the entire comic?

But then I realized... it's not Knives Out, it's the fucking Lion King.

Which is just as contrived - if not more - than the assumption this was gonna be some attempt to frame Hebe. It's not. He's literally just trying to keep her from assuming it was him. He could have just as easily played dumb without calling attention to the note but he intentionally went out of his way to try and be Scar from The Lion King , while completely missing the point of why that scene worked in the original movie.

Scar wasn't trying to 'frame' Simba for Mufasa's murder. He was trying to hide the murder, while also attempting to get the only heir to the throne out of the picture, so he passed the guilt of the death onto Simba - a child who, unlike Hebe, wouldn't have the ability to rationalize or realize his uncle his a scumbag - who then ran away from home because he was too terrified to face his family for what happened, assuming that it was all his fault when it wasn't.

That's not how this is panning out here. Hebe is the now 18 year old daughter of Zeus, and not one of his only children. She doesn't even fit into the whole "sons overthrowing their fathers" prophecy like Aries would. Apollo is literally just being a big idiot here by saying "well I'm gonna give you a headstart to run away, because if you stay, I might hurt you" (which btw, should be MORE of a smoking gun that Apollo did it??)

And again, it's all so contrived so that the plot can move forward. "Well I'm going to frame you for this murder, but y'know, you should just leave, I'm not gonna try and press it further lmao"

Again, Apollo is a fucking idiot here, because he just attempted to frame someone who has NO MOTIVE to harm Zeus, to absolutely NO ONE at all who would side with him, only to let her go which would leave her to question why Apollo would try to accuse and harm her in the first place before considering other options. And through ALL this he claims he's the smart one, which I can't even be bothered to "love to hate" because it's written so poorly.

And really it all comes down to how everyone else behaves in relation to Apollo that makes it so stupid and unbelievable. Apollo, you're not smart just because all the characters around you are intentionally being written to be as stupid and non-confrontation as possible. If you can only write a smart villain by making everyone else stupid, you haven't written a smart villain, you've written a dumbass whose victory only happens due to contrived plot convenience. It's not even done well like in Glass Onion, it's just bad writing, full stop.

And who does he call to report this emergency? The satyr police? His son the doctor?

No.

The media. Literally just "hello, the media?? I need your best journalist here stat!"

I need you to understand, even if he were calling a tabloid magazine like The Weekly Nark, you don't just... call a journalist to report a murder. These are not the actions of someone who's trying to absolve himself of guilt, these are the actions of a complete dumbass trying to get news coverage of his trophy kill who would be better off just playing dumb instead of trying to play smart. Even Walter White wasn't this fucking stupid despite all the times he fell on his own sword, Apollo is literally just instigating suspicion towards himself for no reason at all. He's self-reporting so hard and worst of all, you can't even take any of this seriously because of how corny it is. There's no dramatic tension, no stakes, it's just a bunch of characters performing in a really bad stage play and reducing every conflict to "well I guess Zeus is just dead now because no one's bothering to make an effort to stop Apollo or ask questions lmao"

It's truly the epitome of "this plot wouldn't exist if characters would just talk to each other."

But finally, FINALLY we mention the thing this episode is named after, the transition point to Persephone.

Just like with the midseason finale episode, there's a lot to cover here, so I'm gonna get more into it in a part two post.

That said, you can see already this is the messiest, most contrived bullshit to ever wind up in LO. It's trying so hard to be smart and it just comes across as a bunch of toddlers in the world's worst stage play rendition of Clue. None of what was done here was in any way dramatic or tense, it's just a bunch of characters infodumping shit we already know, trying to set up new plot threads that don't make any sense, and allowing one another to get away with what they're doing because they don't bother to even try.

It's completely manufactured, contrived nonsense. It's not "smart", it's not "so dumb it's brilliant", it's just dumb.

[m-jelly]

Requested:

Levi x reader + Narnia (base?/theme? from the three movies) 😊😅

I know the Narnia books and movies. I can work with this! Normally I don't do movie or tv or book inspired, but I know this and I can make it Royal AU with magic easily!

Another land with love

Levi x fem!reader

Royal AU, magic AU, fluff, romance, falling in love, villain Levi is actually the good guy, becoming a couple, Narnia inspired.

In your attempt to flee your terrifying partner, you climb through a closet and end up in a new world. You're soon captured by Count Levi Ackerman whom you're warned is evil. During your time with the Count, the two of you fall in love, discover your powers and learn the Queen is the true villain.

Warning, this is a long one because I was given too much free rein on this! It wasn't a scene. Sorry it's a tad long, I tried to cut it down. This has two parts to it.

@ladycheesington @darkstarlight82 @levisbrat25 @galactict3a @nyxiieluna

@li-anne @youre-ackermine @thebobaprincess @2moth-anon2 @cypidity

@nbinairyn @bts-spnlvr12 @emilyyyy-08 @notgoodforlife @demonic-bird

@searriously

Panic consumed your very soul. The heat from your heavy breathing wrapped around you as you tried to stay quiet inside the closet. Tears stung your eyes as terror took over. Your body was working overdrive listening to anything. Fight and flight were kicking in.

As your partner's footsteps got closer to the room you were hiding in, you knew that he'd find you and beat you. So, you wiggled further back into the closet and felt cold air. Intrigued and hopeful that this could be your way out, you turned and shoved your way through the musty clothes towards the coldness.

Musty old clothes soon turned into rough pine branches covered in snow. Pain shot through your feet as you ran through thick snow, you were not wearing the clothes for this kind of weather but you would rather face a bitter winter than what was behind you.

It was like the trees were trying to help you be free because there was a push behind them. Eventually, you flung your body out of the treeline and slammed against the snow. With the momentum of your efforts, you rolled down the hill and smacked into a post of a fence lining a road.

You lay there for a while as you let the tears run down your cheeks, you were fed up with everything. After crying for a bit you pushed yourself up and started following the road until you noticed lanterns and a town in the distance. You needed to find someone to help you out.

As you shook from the bitter cold air you noticed posters about the dreaded Count, to be careful of him and to inform the Queen of any and all of his activities. Count Levi Ackerman seemed handsome from the drawing, but you knew better than to have anything to do with bad men again.

You stumbled into an empty tavern and over to the keeper. "H-Hello. I a-ah, need help."

He stared at you. "You're not from here."

You shook your head. "I came here through some weird doorway." You shivered. "I don't know what's happening."

He hurried around to you and guided you to the fireplace. As soon as he sat you down, he wrapped a blanket around you. "I'll get you something warm to drink."

"Th-thank you."

The keeper sat with you and explained you were in a snowy land called Paradis which was ruled by a kind Queen, but rumours are spreading that she might be causing the long winter. He informed you that Count Levi was the Queen's rival, he'd been raiding lands and taking it for his own. All people who use magic are with the Count.

It was clear the more this man talked, the more there was disgust and dislike for anyone with magical abilities. The Queen had linked magic to the Count and therefore all magical people and things were bad. The more he spoke the more uncomfortable you were becoming because you had come here by magic.

He stared at you. "Are you magical?"

You gripped your drink. "No. Magic doesn't exist in my world."

"But you came here by magic."

You put the cup down and held your hands up. "I'm not magical."

He stared at your hands to see a light pink light dance around your hands. "Filthy blood! You're a magus!"

You stood up. "I'm telling you, I'm not from this world. I don't use magic."

He grabbed your upper arm and dragged you out of the tavern. "You're all the same! Disgusting magus!"

You screamed when he threw you hard out of his tavern and against the muddy road. "Ow!"

"You belong in the mud! You pig! MAGUS! MAGUS!"

"Tch, oi?" Both you and the tavern owner looked at a man sitting on a black horse wearing a thick black cloak, black clothes under, black undercut hair and the most devilishly handsome face. "Watch your mouth."

The tavern owner shook. "Th c-count!"

You watched him trip up his stairs and fall into his tavern and lock it. A shiver ran through you as you felt the Count's eyes bore into you. You turned your head and gazed at him only to see his gaze was not of rage or disgust, but something rather soft. Never in all your years has a man ever looked at you like that before.

He jumped off his horse and strolled over to you. "So, you're a magic user and by the looks of you, you're not from this world."

You gulped hard. "I fell into this world through a doorway. Please, don't make me go back."

He crouched next to you and felt his cheeks heat up at how pretty you were. "You must be frozen and scared." He pulled his thick cloak off and wrapped it around you before scooping you up into his strong arms. "Tell me, why do you fear going back?"

"There's only pain. A man is waiting who claims he loves me."

"He hurt you?"

You nodded. "Yes."

Levi gripped you tightly. "I won't let you go back." He sat you on his horse before climbing up and holding you. "I'm Count Levi Ackerman."

You gave your name. "Thank you for your cloak, but aren't you cold?"

"I use fire magic, I'm fine." He looked down at you and thought you looked adorable. "Rest, I'll take care of you and bring you somewhere safe."

You admired Levi's cold beauty. "O-Okay."

He held you close and activated his power causing you to feel a gentle warmth coming from him. He wasn't sure who you were, or where you came from but when he looked into your eyes he saw a connection with you. The two of you were bound in some way, and he felt a need or desire to take care of you.

He glanced down at you as his horse walked and saw you were clinging to him and asleep. He smiled softly and enjoyed the contact with you.

It'd been a few weeks since you'd arrived at Levi's manor. Everyone had cared for you and treated you like you were the Countess of the home. Levi treated you as if you were his darling love. He was so kind and attentive to your needs.

Magic lessons with Levi were fun, he was teaching you how to embrace your newfound abilities. You listened to every word he said and in return, he listened to you about your world. Levi was fascinated by your world and all the cleaning products you had access to.

The way Levi gazed at you, talked to you and smiled at you made you think he possibly had feelings for you. As the weeks passed, he started bringing you gifts that brightened your day. Some of you hoped he cared for you like you cared for him.

You reached out and watched a huge oak tree grow from the earth from your pink magic. You marvelled at how big and brilliant it was. "I can't believe I can make something like this."

Levi stood behind you and ran his hand down your arm stretched out. "You are brilliant. I've never seen this kind of magic before. You're almost as powerful as me. I believe if we work together we can stop the Queen."

You turned and faced Levi as he played with your hand and caressed your cheek. "I hate that everyone has you wrong." You leaned into his touch. "You're a good man who is misunderstood."

"I'm happy as long as you understand me."

Your cheeks heated up. "I need to ask you something."

"You can ask me anything."

You let out a shaky sigh. "I need to know how you feel."

He tilted his head. "How do I feel? I feel okay."

You shook your head a bit. "N-Not that, b-but I'm glad you're okay."

He released you and stepped back as he called your name.

You panicked a bit. "I-I'm sorry, I w-won't ask!"

He called your name again. "You can ask me anything. I was just moving back because look."

You lifted your head to see flowers everywhere and Levi was covered in them too. You gasped a bit and felt your heart race. "Ah, s-sorry."

He smiled. "It's beautiful. You must be feeling something good."

You stared at him and admired his smile, which only caused more flowers to grow around him and little lights of pink to float around him. "Levi?"

He looked over at you as some light landed on his finger. "I'm in love with you."

You gasped. "H-huh?"

He blushed hard. "S-sorry, but I just felt so compelled to say how I felt." He approached you. "It's true though." He held your hands. "I hope you feel the same way."

You nodded shyly. "I do. I love you too. I was going to ask you if you care for me, but now I have my answer."

Levi pulled you against him. "May I kiss you?"

You whined a little. "You may, but I will warn you if you do you might be swallowed up by flowers."

Levi chuckled and held you against him. "I'm willing to take the risk. Besides, I might end up surrounding you with my flames."

You gasped when fire danced up your arms. "Warm."

He leaned closer and spoke against your lips. "They won't hurt you. They're gentle like I am with you."

Before you could answer him, he pressed his lips against yours and hummed in happiness. The heat between the two of you was addictive. The two of you clung to each other as the kiss deepened. More flowers grew and combined with Levi's flame abilities causing big, bright and dazzling flame flowers to grow around the two of you.

Levi pulled back from your lips and sighed. "Better than I imagined."

You giggled. "Yeah, you're right."

"I think you're my soulmate." He groaned a bit. "Tch, that sounded so cheesy."

You cupped his face and kissed him. "I think we are, soulmates that is."

"I'm glad you feel the same way."

You nibbled your lip and noticed the flowers. "We made flowers together."

He held you close and looked at the flowers you mentioned. "They're...wow...incredible."

[nadianova]

malcatras' maiden

coming soon on itch dot io (when its done)

ive been chipping away at everything...one by one drawing cgs and working my way through teh story. i have someone making music for me and its so cool i ended up adding a music room just to listen to them from the menu

with the script having been completed for a while theres not much to think about other than just finish what i started, adding sounds and images and all that. i have like 10 characters or something with sprites and for some reason i want to draw animated faces and alternative outfits and shit. will see how that goes. francesca does deserve 3 unique looks tho

my hands continue to suffer but i continue to persist. making something is so rewarding and i want to share my brain worms (affectionate) with everyone

its weird working on something that doesnt have a strict deadline like im used to. i wouldnt say that the project scope got out of hand or anything, its more of an intentional thing to draw so much shit cuase i really wanted to try that at least once

sometimes i think to myself like is this worth it? finishing projects is the hardest part. im just making games for no other purpose than to make them why put in so much literal pain and effort? but somehow it turns out that its still worth it. i remind myself that the act of creation itself is the goal, its kind of just external satisfaction to actually share waht ive made. its important too because i will die if i dont get attention

anyway, please look forward to it

[ayaisokay]

The Kids Aren't Alright

* ~ I'm sorry for making this ~ *

Doomers & Fatalism

Regardless of your age, you need a reason to move forward. You need hope. Yet, it's hard to find hope for teens and young adults.

Not a year goes by without an update on the planet's decline (at our hand), wealth is only feeling more unstable and unequally distributed, a pandemic destroyed any hope of sociability for some, and social media does more harm than good when it "connects" people.

There's no true community, nothing to take pride in, there's hardly motivation for ambition or wealth. Hell, we grow up being told we'll be a generation of renters, because it's a statistical improbability than any of us will EVER afford a home without working 3 jobs into our grave.

I can't speak for America, but I know my government haven't made any real effort to prevent renter's from taking that news and slowly inflating rent costs each month.

I'm a part of the generation that is thought to deal with the broadest range of mental health concerns; however, I'm also part of the generation that's most likely to be told to "deal with it," or "grow up," by the people perpetuating our suffering, or the peers that fell victim to toxic hustle culture— enabling the shitty circumstances.

When you start adulthood with so many problems that directly impact your life, most of which come at no fault of your own, you'd hope for help in addressing those matters, but it never comes.

We're told we're lazy, we don't try hard enough, and we've got it easy (which is a demonstrable lie). How is it any surprise we became hopeless doomers? At some point you just get the idea that we were destined to fail.

Threats of War

Now we're told to be ready for World War 3 and I'm struggling to understand why. What values am I defending? Why should I die for a country that doesn't care about me?

Sure, Ukraine and Palestine are in shitty situations, but saying that doesn't require me to do anything. Though they demonstrate something: the government will risk our lives for money, and turn a blind eye to genocide if it suits them.

All that matters is that we're made to feel like our interests align. They don't represent us. They represent themselves.

Don't get me wrong, I don't support either conflict, and I sympathise with the aforementioned nations; however, I am not willing to die for them— I don't think you are. So is it even fair for us to bother complaining? It's not like diplomacy has done a thing so far.

Whether we're roped into a war or not, it doesn't feel like we'd have a choice.

Hobbies and Corporations

Normally I'd propose finding an outlet for everything. I'm not sure that's ideal anymore. Commonplace hobbies like gaming, sports, martial arts, reading, and art, they require 3 things: time, motivation, and effort.

Thanks to hustle culture, holding 3 jobs, running a drop shipping business, and abandoning any meaningful social life is considered just enough and reasonable. That doesn't leave time for personal hobbies, entertainment, or time to actually live. A life like that is no life at all. You're an animal operating on the exclusive goal of survival. You're alive, but you're not living.

Among those of us too physically or mentally scarred to work like our peers, we compassionately took to pen and paper, or software and devices, writing stories, drawing and animating worlds, or making music.

I fear that pocket of joy is getting smaller. AI image generation has already impacted artists, AI voice recreations are already being used in place of some voice actors, and we've all seen the AI voice covers for songs— claiming "you don't need to learn to sing." It didn't take long for me to see "generative AI" being proposed as a source for track samples and stems in music production.

Considering such things, it's hard to motivate yourself to put your work out there. You struggle to justify spending time creating anything, and you're probably not ready to put the effort into producing enough algorithm optimised works per day. After all, no one will see it. No one cares.

That's how it feels.

Social Media

Maybe we still have digital spaces? Really. Are cespools like Twitter spaces you can enjoy? Even Tumblr is quite detached, with small accounts struggling to get so much as a couple likes— nevermind a reblog, and god forbid you get a comment or DM.

That's minor though, it's the relationships that bother me. The ability to lock someone out of your life, within 5 seconds, for the slightest of perceived infractions. You're sensitive and a snowflake if you need boundaries, and you're "rude" and "mean" when you're pushed too far for not establishing them.

You can join a fandom or community and run into those issues, but do you really need more trouble? Ive hung around with furries since I was 13 or 14. It wasn't a furry that SA'd me, and I've never been groomed. But as a child online, I was labelled as a dog fucking groomer (at 15), because I was in a furry community discord server. I don't like to think about how that made the young adult owner of the server feel.

Social media is good for "satirical trolls," who take pleasure in hurting as many people as they can, and then claiming it's OK because they're joking, and you should've known. Is it really worth the effort for anyone else? You know, us "normal people," not bogged down by million strong fanbases, actively managing parasocial relationships and morally questionable stalking.

Closing Statements

I'm not entirely sure why I wrote this post. I guess I'm just another girl crying on the internet when I should save it for the therapy I can't actually afford.

I want to be hopeful, to feel like there's something attainable to desire, or even just things to look forward to. It's been a long time since I woke up and felt there was a good reason to be awake or even alive.

Thanks,

- The Girl That Doesn't Exist

[littleplasticrat]

Behind the canvas: Painting 'Finally getting that drink'

This is a post about some of my thoughts while painting Rugan's pin-up for this month. Some technical ideas, rambling and mild nudity below the cut.

Inspo and references

The pin-ups of Gil Elvgren are on the left, and 'Elspeth Resplendent' by Anna Steinbauer is on the right.

Elvgren is one of my favourite artists and I spent some time looking through a book of his collected work to see what ideas I could take for this pin-up project. The things that jumped out at me were:

The women felt like 'subjects' rather than 'objects'. There's some implication of hobbies, an inner life. They're often in the middle of doing something when they're captured on the canvas.

The subjects know they're being looked at, and they are taking it as an opportunity to flirt (signalled through eye contact, coquettish facial expressions and body language). It feels like a conversation between viewer and viewed.

Parts of the body may be exposed, but the eye is drawn back and forth between the subject's face and more titillating parts of the image.

I knew that I wanted to show Rugan in a similar setup, then; in this case, he's halfway through dinner and then catches sight of the viewer. His eye contact and smirk are flirtatious and mirror what you see of him in Act 1.

I initially wanted the pose to mirror Elspeth's in this beautiful Magic the Gathering planeswalker art by Anna Steinbauer, whose work I am obsessed with. Since I started taking art seriously, it's been my goal to paint for MtG, so I often try to study from artists whose illustrations I admire.

However, I didn't want to copy her pose or the composition of the piece. Don't get me wrong, I'm not above doing this - but I felt it just didn't work with the subject. The horizon line (shown in red) is very low. This is a gnome-level view of Elspeth. And I didn't want to place the viewer at the eye level of Rugan's penis.

I kept the composition similar in some other aspects though - there's still a T shape (pale green) that draws the eye to the focal point (pink). I did some sketches where Rugan is leaning forwards/sideways in the same way as Elspeth is, but I feel that this final leaning-back pose demonstrates more dominant body language and allows me to paint the musculature of his torso in more detail. This acts almost as a 'ladder' that draws the viewer's eye up and down between the two focal points of the nude variant.

Painting

I've already said quite a lot on a post that was supposed to be short, so I'll keep it brief here and write more about the painting of Gortash and Raphael (February and March respectively).

It's been quite a while since I've tackled such a detailed painting, so I had to do some research/studies to remind myself of some helpful rendering rules:

Veins beneath pale skin might look blue, but they're actually just a desaturated version of the same colour. There are other parts of this image where the veins are particularly lovely. I'll leave that to your imagination.

2. Highlights on leather are not as saturated as you'd expect until you get to the most reflective part of the material. Also, a good texture brush can work wonders.

3. I try to use as few layers as possible when painting, but I remembered the importance of putting design detail on a separate Multiply layer. Multiply allows the layer to modify/darken the layers below, so you can more easily add detail that follows the shape of the object. For example, the body hair or the snake's head going over the chest. If I were painting traditionally, I'd have had to put in a lot more effort. With Multiply layers, it's one colour. Nice! I got a great tip from @dustdeepsea about the blue-ish tint that tattoos, particularly older ones, can get. I felt like this massive tat is not something that Rugan has had done recently, so I added a Gaussian blur as well.

Well, if you got this far, thanks for reading! This is a great way for me to reflect and record what I've learned from the painting. I want to paint sexy stuff, but I also want to keep improving as an artist!

Keep an eye out for updates on my next pin-up, who will be Lord Enver Gortash. Time to practice using my hair/fur brushes 🥵🥵

[whumpshaped]

sunshine for the bingo? :]

BINGO. also technically this is the second time but the first was so tiny it doesnt count. after this

masterlist bingo card

tw vampire whumper, vampire whumpee, accidental whump, burns, past trauma, lady whumper, flashbacks, conditioned whumpee, death talk and corpses

Helle knew they would have to let go of Beck and begin cleaning up at some point. The entire place was wrecked, and it hurt their heart to know they'd just managed to do a bit of tidying up a week or so prior. Wasted effort.

They glanced towards the bodies and the blood seeping into the carpet, and they just knew all of it was soaked, both the fabric and the wood below. Was it ruined now? Were they going to have to call someone to redo the entire floor? Surely not. Surely, it could be salvaged...

They groaned in frustration. Okay. They just had to start.

"Will you actually stay in my bedroom this time if I bring you back?" they asked gently, already scooping Beck up before he could've answered.

"I'm sorry for leaving," he muttered. "I got so... so worried."

"Yes, yes, because I am wholly incapable of defending myself. What would I do without the help of a runt?" They pushed the door open and carried him inside, then took a calming breath. "Never do it again, yes? I will not praise you for disobeying me, if that is what you were hoping for."

Beck looked up at them with teary eyes. "I don't– I don't want praise, I was just... I was hoping maybe you'd... you'd forgive me for it, if I ended up being useful..."

"I do forgive you. But I need you to promise you will never do such a thing again."

He slowly nodded, his expression full of guilt and the pain of rejection. He must've felt so heroic in that moment when the stake had hit him, knowing he'd likely saved their life, and now here they were, scolding him for it. But they didn't need to encourage something as stupid as heroism. Self-sacrifice. What good did that ever do? Beck was way too willing to get himself killed, and with his abilities, it'd become a reality sooner than later if they were to indulge him.

"I promise, Master. I'm sorry."

"Good." They walked over to their closet and picked out a shirt, then tore off a strip of fabric. Then another. Then one more. They didn't want to go and get the actual bandages until all the windows were covered up again, and they didn't want Beck completely soaking the bed until then either. This seemed like a reasonable compromise, and something that would hold him over until he healed. They had too many shirts anyway.

He looked more than grateful to be patched up by them, mumbling thank yous all the way through. "I can help with cleaning," he said eagerly. "Once– once it doesn't hurt as much–"

"I am counting on that. Your family made a mess of this place."

He winced. "I'm sorry. I'll... I'll come help as soon as I can, Master."

-

Annoying. So annoying. So many little glass shards to pick up. So many corpses to throw into a pile by the front door. So many layers of clothing to put on so they wouldn't get burned. They could've waited for nightfall, sure, but they didn't want to spend their night doing this.

Helle huffed as they tried to put another ripped off curtain rod back in place, securing it with regular nails and a hammer. They didn't own a fucking drill, they never thought they'd need it. And this was the easier part, too. Hanging up the curtains themselves was a major pain in the ass, and they were not looking forward to it.

They went window by window, holding at least three nails in their mouth at all times. They were so immersed in their work that they didn't even hear as the bedroom door opened and closed, nor the soft patter of feet drawing nearer and nearer.

"The bleeding stopped," Beck announced sheepishly, almost startling them enough to fall off the ladder; but instead they ended up letting go of the half-secured curtain to steady themself, letting in the last rays of the evening sun as it swung to the side.

Beck let out a bloodcurdling scream as the light hit his sensitive body, and Helle jumped off the ladder without thinking to pull him into the shadows. "What on earth is wrong with you?" they snapped, desperate to cover up their horror and nausea with righteous anger. "Your only job for the night was to stay away from goddamn trouble! Is that really so difficult?"

The poor thing was crying and whimpering from the pain, his hands, neck, and face burnt and twitchy. Helle was pretty sure he couldn't even see with his eyes having gotten such a direct hit — he was probably blind for the moment.

"I– I'm sorry– I'm sorry–"

"Oh, be quiet." They wanted to strangle him. They wanted to throw him against the wall and hear his ribs crack. They really wished their stupid, idiotic, overzealous, overexcited puppy of a vampire servant could've resisted the urge to throw himself in harm's way for just two seconds. "What did I tell you? What the hell did I tell you? I told you to stay in the goddamn bedroom."

Beck whined, so pitiful that Helle couldn't stand it. They shoved his burnt body further into the darker parts of the room, letting him stumble and fall when he failed to find a single thing to hold onto. Not that it would've helped, given how ruined his hands were. "I'm sorry," he repeated brokenly, staring at nothing with those stupid doe eyes of his. "I'm sorry, I'm s-sorry–"

"Quiet."

He flinched and curled in on himself, sobbing, making it impossible not to draw a comparison to when...

"I apologise!" they cried for the hundredth time, body covered in lashes and fresh burns. They couldn't stop trying every time the lady pulled them away from that terrifying, poisonous patch of sunshine in the hallway, whenever they got a moment of reprieve and they weren't just screaming incoherently. "Please, forgive me–"

She pushed them forward again, plunging most of their upper body into the light to sizzle and melt like wax.

Beck tried to weep as quietly as he could, afraid of being punished further than he'd already punished himself by accident. They shook their head a little, dispelling the memory.

"I shall draw you a cold bath after I have finished the work," they said coldly. "Do try to writhe as little as possible; burned skin cracks and tears quite easily."

~

@whumpprentice @starliight-whump

taglist: @whumpsday @the-scrapegoat @hidden-dreamland @dismemberment-on-a-tuesday-night @delicateprincepaper @whumppmuhw @florissimps @nicolepascaline @oliversrarebooks @the-cyrulik @pirefyrelight @there-will-always-be-blood @pigeonwhumps @echo-goes-mmm @whumpycries @morning-star-whump @d-cs @watermelons-dont-grow-on-trees @tauntedoctopuses @blueyellow8green @typewrittenfangs @whumpsoda @steh-lar-uh-nuhs @auroragehenna @whumpedydump

[triscribeaucollection]

Hole in the Wall, Part 1

Lyle never needed to wonder ‘how did it come to this’. He could point back to the exact date and time of day, when the door of his small bar swung open, and all conversation between the handful of patrons died a sudden death.

Kid Flash, either bold as brass or too dumb to notice, walked right inside with his bright yellow costume and little red boots. To make matters worse, he dragged along a second, even smaller kid - though at least the boy with a cape seemed to have the good sense to look rightly alarmed. Most of the guys inside wore regular clothes, but off in one corner, Heatwave and Mirror Master were decked out in full gear, weapons obvious on the table between them, both men just as obviously staring at the two pipsqueaks with baffled suspicion.

Didn’t matter to the Kid, though. He came straight up to the bar’s counter dragging his buddy, and put on exactly the sort of great big grin Lyle’s nieces used when they were trying real hard to politely ask if they could break a rule. “Hi! Can we use your phone real quick?”

Lyle blinked. So did half his patrons. “...the phone.”

“Mmhm!” Kid Flash nodded towards the old landline Lyle kept up on the wall. “Our comms kinda got fried and Flash isn’t around, so-”

“KF,” his little friend hissed, casting a quick glance at the nearest guys, who made no effort to disguise how they were glaring right back.

“What? Dude, it’s fine-”

Getting over his shock, Lyle thumped a hand down onto the bar to draw their attention. “Phone’s only for paying customers.” Saying that, he cast a glare of his own around the room, saw how it immediately made most of the patrons ease back down. 

Kid Flash winced, turning an apologetic expression on his friend. The smaller boy sighed and grumbled something under his breath, but nonetheless pulled a crisp twenty dollar bill from one of his belt’s little pouches. “Do you have any soda?”

Lyle grabbed them a couple of root beers.

“Thanks. Keep the change.”

And with that, the boys became patrons themselves, and thankfully everybody else inside the bar understood Lyle’s biggest, firmest, ‘broken under no circumstances’ rule: no picking fights with other customers. Now, if someone came in to cause a scene, they either ignored Lyle or he flat refused to serve them, which lit the green light for the rest of the room to ‘escort’ the troublemaker to the door. But once money and drinks changed hands, that was that, everybody enjoyed their beverages in peace Or Else.

In the back corner, Mirror Master and Heatwave scooted their weaponry out of sight, but otherwise went back to sipping and swapping complaints like nothing happened. And slowly, the rest of the bar followed suit.

Kid Flash chugged down his root beer in five seconds flat, before letting out a belch that wasn’t half bad for a middle schooler. “Okay! Can I please use the phone now?”

Lyle tipped one shoulder up in a shrug. He stayed put as the Kid came around the far end of the counter, one eye on the smaller boy still fiddling with his own bottle. “Don’t have bars like this where you’re from, huh?”

“Oh, sure. But I’d get shot full of holes in ten seconds if I tried walking into one,” boy replied flatly. “Or grabbed and tossed into a box until Batman showed up.”

That gave Lyle pause. “You’re the Bat’s kid?”

The child who couldn’t have been more than ten, maybe twelve years old at a stretch, lifted one hand to wiggle his fingers in a wave. “Yep. Robin, nice to meet you.”

What the actual hell.

Following that new train of thought got derailed, though, as Kid Flash’s phone call went through. “Hey, it’s me! Look, I know you guys thought me and D- uh, Robin- were just gonna go do some normal stuff, but we kinda interrupted a bank robbery-” Ah, that was the job Miggen was talking about the day before, “-and we’re fine! But there might have been an EMP emitter around that went off, and our comms kinda aren’t working, and since I can’t carry Rob back and he doesn’t want us to just take a bus in our costumes-”

By this point Robin had dropped his head onto the counter, both hands still gripping his bottle of root beer. Age him up a bit and swap the drink for a beer, Lyle thought he’d fit right in with the usual I’m surrounded by idiots patrons who came in to groan about friends and co-workers at the end of a long week.

“-no, we left the backpack with our regular clothes on the other side of the bridge,” Kid Flash went on. “Well, yeah, I could, but- look, Rob is from Gotham, if I left him alone for ten minutes there’s no telling what would be on fire when I came back.”

“Hey!”

Lyle almost snickered at the insulted expression on Robin’s face when he picked his head back up. A couple of other patrons also listening in did snicker, which just made the boy’s expression twist up even further.

“...where are we? Uh. So- do you, uh, remember that place Flash mentioned? The hole in the wall bar all the Rogues like to hang out at...?” Kid Flash abruptly pulled the phone away from his ear, wincing, and even from three steps away Lyle could hear a very loud voice on the other end.

“You are so dead,” Robin remarked.

“Shut up,” the Kid hissed back, before returning to his call. “I know, I know, but Rob bought us root beers and customers aren’t allowed to fight so it’s fine, we just- oh no. No, wait, you don’t need to-!” Lyle raised an eyebrow at the boy’s sudden panic. And understood it perfectly a moment later, when Kid Flash slumped in place and said in a very small voice, “Uh, hi Mom.”

Several more patrons in the bar snickered, or choked on their drinks, or otherwise looked like Christmas just came early. Robin’s head dropped back down onto the countertop.

“No. Yeah. Yes- I know that, but- yes, ma’am.” From what little of it Lyle could see, the Kid’s face appeared to be turning an even brighter shade of red than the color of his boots. “But I did do my homework!”

In the corner, Heatwave let out a startled bark of laughter, and Mirror Master went ahead and turned in his seat in order to watch the scene with a wide grin.

“That’s not due until next week!” Kid Flash continued to protest. “And it was on my desk, how did- you didn’t need to do that, I would have brought dishes down tonight!” The next pause dragged on, until the boy abruptly burst out, “Three WEEKS?!”

“I should’ve gone to bother Speedy instead,” Robin mumbled into the counter.

---

When I need a break from Inflicting Awful Things on my favorite boys in other fan fic stories, I of course turn around to instead Inflict Awful Things, Humor and Embarrassment Edition xD

[fisheito]

fisheito sama one of the things i love about your art is the way you simplify forms and designs — something i struggle a lot to do so i try to learn with your art to focus more in the full picture than the tiny details that make me go nowhere because i get so lost ar the middle- anyways- if you were a youkai master i would love to be your pupil. your yakumo art makes me see sparkles. youre so cool. i will work hard to be as cool as you are. i would be more than happy to call you my master. my master in the art of making nu carnival art. thank you master 🙇‍♂️

who the heck in my inbox callin me -sama?!?!!?? maybe i am -senpai on my strongest most radiant day. MAYBE.

but yes i feel your sentiment and am very pleased to see you having fun with *gestures vaguely* whatever it is i'm doing here

reading this reminds me of my own struggle with drawing details... long thoughts ahead😦💭💭

every time i draw that angy dissatisfied voice From Within is shaaaaaaaming me going, "this is nuca. you know the art, RIGHT? you've seen the intricacies of the designs. part of its beauty is in its details. if you don't honour that, then how can you REALLY stay true to its spirit????"

and yes the art is HELLA cool and i really like it and it's got insane details that make things even more fun for the analysts in the crowd

even more impressive is the FANART because whOO seeing all these artists matching the skill of the source material?! hobbyists or whatevs drawin these fantastical gayboys in elaborate outfits and poses and everything you could dream of and more?? the anatomy! the colours! the careful attention to EVERYTHING! the hair strands and?? ALL FOR FREE? they are letting me see this for FREE ?????

so i can't help but feel a little inadequacy when i try to pull off the same thing

occasionally i'll try to draw.. idk. something similar to those magneefeecent elaborate fanarts,, or just as detailed as the original game art. ya know, the anime aesthetic really baked in there, but mixed with technical prowess!

i'll draw a pose. i'll try to draw several sections of hair according to actual gravity rules. i'll really focus on what they're wearing, and try to add the details of the shirt and-- oops, i forgot the 12-pointed necklace thing-- just put that in.. oh, shieb,it's connecte d to some sort of cascading sash -=um-- how is that fabric supposed to fold again? better look it up;; WAIT it's not actually fabric? it's ... A BUNCH OF TINY BEADS? what material are they. are they translucent? HOW AM I SUPPOSED TO REP{LIICATE THAT. p..pointillism? but then i...

[SEVERAL HOURS LATER. FAR MORE HOURS THAN I WOULD USUALLY SPEND] > me, not even finished the torso, slumped on the floor in defeat because every gem on the necklace looks too flat and i've forgotten the original intent of the drawing

sometimes, days later, i'll compare these attempts with my other drawings done in less time (the ones where i don't think too hard and don't bother with the details). and i'll find that i enjoy the simpler result anyway. ya think with all the EFFORT i put into the detailed one... wouldn't i jump thru mental hoops to justify my invested time? shouldn't i think, "oh yeah, i REALLY worked on this. it's not the best but i'm still happy with it. the time was worth it."

.NO???! I end up thinking, "that time was NOT worth it. i feel more fulfillment and joy from the simpler drawing. if i can accomplish that with less effort, why would i bother with the extra stuff?"

i'm no workaholic. lower-effort doesn't necessarily mean bad,..... right? just.. incorporating all those jingly bits and WOWEE TEXTURE WITH THE BEAUTIFUL AMBIENT LIGHTING AND COLOURSs takes a LOT outta me. then, am i willing to put in the extra effort to really improve those areas and make em as nice as those top tier taiwanese artists on THAT section of birdsite?!?! ...... not realy.... it's not... worth it. for me at least.. i'd rather focus on facial expressions . and silly interactions.

(yes of course there are ppl who can do the silly AND the technical moodlighting extreme magnifico detailtastic everything else. MAD RESPECT!!! TO THEM!! FOR WORKING UP TO THAT!!!! but my goal is not so ambitious. i am but here for a laugh...)

so maybe i'm not the best knight for the job, if the job is Dick Fight Island-tier anatomy and environments (seriously if you haven't read that manga , you should. it is wild and truly respectable)!

but for MOI? wittle floppy ME? if i don't draw what i like, i won't have the energy to complete anything. You want me to put that extreme improvement-journey-effort into every drawing?

.Do y'all want aborted torso sketches with 62% of a necklace??? cuz that's how u get aborted torso sketches with 61% of a necklace.

anyway, if i helped you realise that maaaaaaybe you don't wanna focus on certain things in yo art ? and you'd rather put ur energy into an aspect u care about more? sounds good! i hope it leads u to increased-enjoy Creating 😎

[zwy01]

Blood Moon AU!! Part 1 - Nobles

Time for a second major AU yayy!! I’m still working on Millennium AU as usual, though I want to get started on another one that’s been on my mind since years ago but never really got the chance to put on paper.

So here we are. I’m calling this Blood Moon AU. The nobles and werewolves basically have a race swap in an almost brand new setting. Lukedonia and werewolf island still exist; it’s the characters that have changed.

All characters reference their canon counterparts to various degrees. Some are similar or even near identical to the original, while some are vastly different. This could apply to names, looks, personalities, heritage/family, moral alignment… etc. It’s gonna be fun! I’m going to let myself get crazy with this and change things up quite a bit, haha.

As for the story. To be completely honest, at this point I just want to start off this new AU as more of a simple artistic approach. Right now I’m much more interested in designing and drawing the characters rather than writing the story itself. Maybe I’ll come up with something much later but it won’t be nearly as complicated as Millennium AU, and it’ll be fairly straightforward. Even then, I don’t want to rush it so that’s for the future. If I end up liking this new AU more than I do right now, maybe I’ll give the story an honest shot and turn it into more of a long-term project, but time will tell.

(Fyi “Noblesse” does not exist in the world. Too early for details but they either never existed, are a now permanently extinct special type of noble, or they simply peaced out and ditched Earth and returned to their special heavenly realm… etc. Honestly doesn’t matter. In this AU’s setting, they are absent. “Raizel” and his brother do exist but they’re both human. Actual normal human beings, with a normal life, currently students at a normal high school, stuff like that. Just your average human. The trio are also unmodified normal human beings. They are scattered across the world and never meet each other. Basically, unlike their canon counterparts, their existence is minimal and contribute to almost nothing in this universe. It’s weird, I know! That’s just how this AU is set up)

I’m going to split the noble and werewolf characters into two parts. Doing the (originally werewolves) nobles first! Posting the werewolves in a future post aka. part 2.

The characters!

Lucretia Natalina “Lunark” Drosia: Leader of the Drosia Clan. Kendrick’s twin, and on-and-off lovers with Julius. A rather carefree woman who is primarily interested in having fun, and shows little to no concern for the future of Lukedonia as a whole. When it comes to her people, she is a decent Clan Leader and manages her family efficiently. Lucretia’s efforts only apply to her clan, and her interests in other noble affairs are almost nonexistent. She has a habit of ditching meetings and whatnots. Sometimes, she even tries to ignore the Lord’s summons but ends up going anyway because her lovely daughter makes her show up. The only thing that can get Lucretia’s blood pumping with true passion is an offer to spar. Lucretia is an excellent fighter. People have to be very careful to not interrupt her fights unless they want to unleash her wrath, because she hates it when people invite themselves into her business. She also likes to flirt with her opponents during spars. Lucretia has a bit of a weird relationship with Julius, who is the father of her daughter. They seem to have positive feelings for each other, but that’s only when both of them are very bored and have nothing better to do.

Kendrick Tian-Chen “Kentas” Ru: Leader of the Ru Clan. Lucretia’s twin. A prideful, stubborn man who believes that the stronger should rule the weak. Like his sister Lucretia, he likes to fight and enjoys a good spar. Sometimes, people can choose to settle a quarrel with Kendrick by offering to spar with him and he would gladly accept. You can trust him, because he’s a man of his word. No more grudges, no hurt feelings. Done. In a way, he’s quite simple. Unlike his sister, Kendrick does care about the future of Lukedonia. He has a strong moral code of his own, but that can be overridden by his belief of submitting to the strong. That is why Kendrick is extremely loyal to their Lord and never questions him even if the latter makes some controversial decisions. As of now, Kendrick has no children.

Marcus Duruvan “Maduke” Siriana: Leader of the Siriana Clan. Erica’s older brother, and the Lord’s advisor. The only person who truly has everyone’s best interests at heart. You can say he’s the most “good person” leaning guy in this entire AU. Marcus is quite worried about the future under their Lord’s reign. Life is pretty comfortable inside Lukedonia, which is by itself very isolated from the rest of the world. However, Marcus foresees the destruction of planet earth if no one stops the Lord, since the latter doesn’t care about other races and is only concerned with the prosperity of nobles. Though, he doesn’t want to overthrow the Lord and instead wants to convince him to step away from his current path of darkness. He believes there is still hope. Simultaneously, Marcus is secretly gathering followers and supporters who all share his beliefs and formed his own organization. Together they work to transport resources out of Lukedonia and deliver them to humans and werewolves in need because the Lord refuses the share.

Marcus is struggling to plan for the future of the Siriana Clan, in case the Lord gets tired of him and decides to kill him one day for “meddling” too much, because his younger sister Erica is insane and cruel which makes her the worst possible candidate for the next Clan Leader of Siriana. Marcus loves her, but also fears her. He doesn’t know what she is capable of. Marcus is trying to look for ways to bypass his sister and hopefully be able to hand over both his position and Soul Weapon to another pure-blooded Siriana who isn’t his sister.

Marcus had a son, but he was assassinated sometime after his coming-of-age ceremony and now Marcus is once again childless and without an heir. To this day no one can figure out who the culprit is.

Erica Siriana: Marcus’ younger sister, and next-in-line for the position of Siriana Clan Leader. Wife of Lord Maximilian, and mother of Ashlynn. Erica is a ruthless, bloodthirsty woman. She is actually the person who orchestrated her nephew’s assassination. She made sure he was killed, then got rid of his killers, whom she sent, with her own hands. No one is going to suspect a thing and they’ll never find out no matter how hard they try. Erica did this to eliminate brother Marcus’ heir so she can regain her position as first-in-line. She’s been after her nephew ever since he was born, but waited for two whole centuries before doing the deed. To Erica, she’s just getting back what she’s entitled to, which is the full power, control, and privileges of a Clan Leader. Marcus is trying to be discreet but if Erica ever finds out that her brother intends to bypass her and give his position and Soul Weapon to someone else, she might actually just kill him and take over the clan immediately. Erica is truly a terrifying, power-hungry woman who will do anything to reach her goals. She does not care for anyone aside from her daughter Ashlynn and husband Maximilian, whom she genuinely loves. As messed up as Erica is, she is capable of being very loving and committed to whom she treasures. She and her husband are absolutely addicted to each other and he would let her do anything her heart wishes for, even if she continuously breaks Lukedonian laws.

Vivienne Branwen Di Ashlynn: Name means “lively and blessed raven of dreams”. Daughter of Erica Siriana and Lord Maximilian, and the next Lord of Lukedonia. On the surface, Ashlynn isn’t as straightforward as her mother despite their similarities. Ashlynn is just as ruthless and bloodthirsty as Erica, but the former puts on a facade in front of her people and pretends to be a sweet, altruistic future Lord. The perfect angel princess. And she’s very successful at it. Ashlynn is energetic, talkative, and empathetic around her subjects. She always tells them about how she wants her father to teach her power so she can protect not only her subjects, but also people around the world so they don’t have to suffer from hunger and war. In reality, she doesn’t care about any of them and she honestly thinks of them as a burden. They’re nothing more than cockroaches to her, and she’s only doing this because she enjoys deceiving her people and pulling on their puppet strings. She welcomes the love and respect they give her, and at the same time pities them for not knowing better, for she’s had them fooled this entire time. The world is her stage, and she’s the center. Ashlynn only drops her act and returns to her true self around her parents, who not only tolerate, but also accept and even encourage their daughter’s behavior. Well, their entire family is insane. Erica and Maximilian are totally overindulging Ashlynn while being completely aware of the fact that she is just as insane as them with no attempt to correct her, because she’s their little princess and hey, if she wants the world, then they’ll give it to her. Like Erica, Ashlynn doesn’t care about anyone who isn’t her family. Ashlynn loves both of her parents to the moon and back, and she might as well kill anyone who dares to speak ill about either of them. No one is allowed to disrespect them in front of her. Not a single word.

Ashlynn has a crush on Dominic and wants him for herself one day.

Eutimio Friedrich Di Maximilian: Name means “good-spirited and peaceful ruler of the greatest”. The current Lord, husband of Erica Siriana, and father of Ashlynn. Maximilian firmly believes that nobles are the most supreme beings to exist on this planet, and that they have a right to rule over every other species. Humans, werewolves, whatever… well, for now he’ll let them be for as long as they’re still useful. He won’t hesitate to unleash his power on them if he loses his patience. From a world view, Maximilian would be categorized as “evil”, but he doesn’t think of himself as such. In fact, he believes that he is doing good for his people, who are his priority. Which is true from a certain perspective, especially to the nobles who share their Lord’s vision. To them, Lord Maximilian is the greatest Lord in all of noble history. To others who strongly disagree with him, he is the most terrifying and coldblooded Lord in existence. Maximilian is only concerned with the prosperity of Lukedonia and doesn’t quite welcome the idea of distributing resources with the rest of the world. He doesn’t want the nobles to simply exist alongside other species; he’ll make sure the nobles are on the very top of the food chain. Everyone else is irrelevant and they’re all at his mercy. Generally, opinions are very divided and you either side with him, or you don’t. Life is very, very comfortable inside Lukedonia, and indeed, to some nobles, that is all they care about. Those with more empathy see beyond the obvious and are concerned with what goes on outside Lukedonia. The thing with Maximilian is that despite showing neither mercy nor any sign of remorse for his deeds in the outside world, he is actually quite lenient and loving with his subjects. You can say he has two extreme sides to him. He’s very kind to his nobles, but only them. He doesn’t mind if Lucretia skips meetings; he’d let her be. Or when his servants make mistakes, when someone does something offensive, etc... it’s alright, no big deal. In a way, Maximilian’s Lukedonia is teeming with freedom like never before under the rule of his predecessors. This is where Marcus comes in. He is just nervous and overthinking about getting killed if he says the wrong thing, but in reality Maximilian doesn’t mind voices of objection. He’s not going to give anyone a treason sentence or kill them for saying what they really think of him. You can tell him you disagree with him, he’ll just shrug it off and laugh. Say all you want, he knows you’re trying to persuade him, he doesn’t care. He’ll just keep doing what he’s always been doing. Maximilian knows he’s the Lord, and ultimately it is his decision to make. Just don’t let Ashlynn know, because she’ll come after your head if she figures out that you had doubts about her precious Daddy.

Maximilian is a very loving husband and father to his family. He is obsessed with them just as much as they are obsessed with him. On a personal level, while Maximilian himself doesn’t crave for the blood of his own kind like his wife and daughter do, he doesn’t mind letting them do whatever they want for the funs and thrills. Erica and Ashlynn are free to break the law all they want. Though, they’re smart and strategic with it and don’t commit murder in broad daylight. Still, Maximilian is aware of his beloveds’ occasional killings, and he lets them be. He’s the type of person who would let them burn down the entirety of Lukedonia to nothing more than a pile of ash if that is what they wish to do. It’s no big deal, he’ll just rebuild Lukedonia to be even grander and more luxurious than before! To Maximilian, they are the only two existences in this world to come before Lukedonia. How sweet.

Zivon Tradio: Leader of the Tradio Clan. An elderly sorcerer who is quite the hard worker, and spends most of his time studying existing spells as well as coming up with new ones. He’s from the previous generation of nobles, and he stayed behind because he’s just too damn cool to die. Just kidding, his love for magic is why he’s still rocking it. It’s still too early! Zivon’s ultimate goal is to push the boundaries of noble magic and to create what has never been seen before. A true spectacle to behold. Zivon is one of Lord Maximilian’s favorite subjects and the latter even has an entire wifi system built and set up in Lukedonia as a gift just because the former has the hobby of streaming and likes being an ���influencer”or whatever the humans call it. Zivon is quite an internet celebrity and Lord Maximilian is supportive of his work of “spreading superior noble influence over humans”. Zivon is also Princess Ashlynn’s tutor, who calls him “teacher”.

As of now, Zivon has no children.

Julius Loyard: Leader of the Loyard Clan. On-and-off lovers with Lucretia. An elegant man who is well-received by his fellow nobles. Julius is a man of few words and usually doesn’t express himself beyond the bare minimum required to be polite. While Julius does admit to enjoying the lavish lifestyle that was a gift from the Lord to all nobles, he is beginning to see why this is a problem for beings outside Lukedonia and starts to sympathize with them. It isn’t easy for him immediately to give up what he’s been used to all these years, but he’s starting to steer away from that lifestyle in support of the less fortunate. Julius was one of the first members to join Marcus’ secret organization of smuggling resources out of Lukedonia to help those in need. Currently, he’s responsible as the leader of the food distribution sector. In his free time, Julius is a jewelry designer and Lord Maximilian is a fan of his work.

Julius’ heir is his son whom he had with Lucretia. He is fond of her but doesn’t entirely agree with her rather carefree personality. They seem to have positive feelings for each other, but that’s only when both of them are very bored and have nothing better to do.

Giada Agvain: Leader of the Agvain Clan. Like Kendrick, she is extremely loyal to their Lord. She’s been by his side since the beginning, and they are childhood friends. Everyone knows that Giada used to feel one-sided love for the then-Maximilian and now Lord Maximilian, but what they don’t know is that she is still in love with him. Well, maybe it’s better for them to continue to believe that she has gotten over him. It’s not like he’ll ever like her back anyway, and you’ll never know what Princess Ashlynn will do if she finds out that anyone other than her precious Mommy is “coveting” her beloved Daddy. Giada is one of the few people who knows about Ashlynn’s true nature despite the latter’s angelic facade. While Giada does love Max on a personal level and is loyal to him, she doesn’t agree with his actions. She is also one of the first members of Marcus’ organization. Currently, Giada is responsible as the leader of the money distribution sector. In her free time, Giada tends to a small spider lily garden.

Giada’s heir is her daughter whom she had with an unnamed noble woman.

Dominic Raffaello “Dorant” Blerster: Leader of the Blerster Clan. A calm and rational man who remains unfazed in extreme situations. He is also the youngest to become Clan Leader, because his mother and predecessor saw so much potential in him, she passed over her title and Soul Weapon to him as soon as he came of age. Dominic pretends to be fairly neutral, and most people think he isn’t dedicated to anything or anyone, but he’s actually Lord Maximilian’s right hand man in the shadows. On the surface, he is simply Clan Leader of the Blersters and does a good job of managing his clan. When he no longer needs to act as Clan Leader, Dominic goes to the castle and reports everyone’s moves to his Lord. Dominic is actually a member of Marcus’ secret organization and oversees the medical distribution sector… as a double agent. His allegiance is with the Lord and he’s only there to watch what everyone else is doing to report back to his master. That includes a long list of who is working with Marcus, what resources they have been smuggling out of Lukedonia, who is on the receiving end… etc. Every. Single. One. So Lord Maximilian is very much aware of Marcus’ “betrayal” thanks to Dominic. Curiously, Lord Maximilian tells Dominic to just let them be. Perhaps he finds this to be amusing. Nobody knows what he’s thinking. Dominic, on the other hand, is in total awe of his Lord for his immense generosity for the “traitors” even though they clearly don’t deserve it.

Dominic doesn’t know that Ashlynn has a crush on him.

As of now, Dominic has no children.

Undine Mergas: Daughter of the leader of the Mergas Clan. A woman with a short temper who is also easily provoked. Undine’s father, the current Mergas Clan Leader, believes that she is unfit to become Clan Leader due to her personality and tendencies to boss the knights around instead of being a responsible and respectful leader like she is supposed to, but he is hopeful that she will change one day. Undine is best friends with Mimi and the two of them are almost always seen together. On one of her travels to the outside world, Undine met a human named Michael Travis Osborn by chance and she has had a crush on him ever since. He’s pretty cute. Maybe the Lord will let her capture him and bring him back to Lukedonia, she thinks.

Mimi Elenor: Daughter of the leader of the Elenor Clan. A woman with a similar personality to her best friend Undine, but less impulsive and more calm. That’s why they get along and are best friends because they have much in common. Mimi has an older brother so she likely won’t become the next Elenor Clan Leader, but she’s fine with that. In fact, she’s glad she won’t become Clan Leader because all those responsibilities, hassles, sitting in meetings all day, blah blah blah… ew, just too much work. She just wants to have fun, so her brother better be competent so she won’t have to bother with her clan at all. Mimi, like Undine, also has a crush on Michael Travis Osborn. They chat about how cute he is. Both of them want to capture him and bring him into Lukedonia. They’re thinking about discussing this with the Lord. If Lord Maximilian hears about this, he’d approve of the capture and tell them to go ahead and enjoy themselves because of course he wants all of his nobles to get their hands on everything they wish for. Plus, these two remind him of his daughter Ashlynn so he’d be even more generous towards them.

Kushaal Kertia: Leader of the Kertia Clan. Cousin of Galileo. A respected fighter known for his immense speed and agility even amongst the Kertia. Kushaal is also honorable. He dislikes dirty fighting and is fairly open to acknowledging his own weaknesses and strives to become even stronger and faster. He has heard about a certain blonde werewolf warrior who is the fastest of his pack, and wishes to fight him one day. While Kushaal enjoys and supports the luxurious lifestyle given to him by their Lord, he believes that humans and werewolves could use some help from Lukedonia. After all, if they’re all gone, he’s not going to have anyone interesting to fight with anymore. Kushaal would love to spar with the werewolves, so he hopes that they’re doing well. In his free time, Kushaal likes to collect rare werewolf artifacts to display in his home because they feel familiar to him, for some odd reason.

As of now, Kushaal has no children.

Galileo Kravei: Son of the leader of the Kravei Clan. Cousin of Kushaal. A man who has a bit of an inferiority complex because his abilities seem to have hit a wall, and he can’t get stronger with his own strength. Galileo is probably going to get by just fine, even though he himself is more impatient than anyone in terms of wanting to gain strength. Other than that, no one really knows much about him since he tends to keep to himself. In his free time, he plays with his three supernatural pet aquatic snakes: Ramen, Ramyeon, and Lamien. Galileo has a huge love-hate crush on Kendrick, and people will tell you he’s both extra mean and extra nice to him. He sends him cheesy “let’s fight” love letters written on rose scented paper. Yeah. He’s totally in love.

And that’s it for now!

Again, very open to questions and discussion. Quite happy about my second major AU! While this post only touches the surface of what I have in mind, I have a feeling that I will grow to like this AU even more. Maybe I’ll even create brand new OCs specific to this AU lol.

Thank you for reading and stay tuned for future posts!

[recurring-polynya]

Writing/Art Update 6.4.2024

Unfortunately, this week, I am stuck in Everything is Slow and Probably Isn't Even Worth It land.

I've been fighting this story for two weeks now, and it just doesn't want to...be a story. I have rewritten it from scratch at least twice now, including swapping perspectives, and I haven't even gotten to the fight scene parts yet. Furthermore, it's such an incredibly niche concept, like I am really down in the sauce on this one. On the other hand, it is my sauce, like this is of interest to me, so I don't want to give up on it. On the other hand, sometimes it's like--if I am the primary audience for this, and it's causing me a lot of grief, is it really worth it? I don't know.

I am also working on an art project that is, again, primarily of interest to me, which is to say, I am attempting to redraw this loving pan over a bunch of goony-ass lieutenants. I generally draw people pretty closely on model, and I'm attempting to do a lot more stylization. I've been working on it at roughly a-lieuentant-a-day, and I am currently 5 lieutenants in, 6 to go. I am...not good at this. I mean! I think this is a good exercise for my art brain, etc etc, but it's moderately painstaking and I also kinda suck at this and I'm not entirely sure I will want to show off my efforts when I'm done.

Anyway, everything is hard right now, and I am very tired. I think that I'm not sick anymore, but it lingered so long, it's really be hard to tell if it's fully gone or not. I have been reading a lot lately, too (in part because of being sick). I have been very lucky to have read, like, 3 very good books in a row, although the one after that, I did not care for. I have two library holds due to come in shortly, so I'm trying not to start a new one until they get here. Also, while reading is good for me and I am in favor of reading, reading is a lot easier than writing, so I'm trying to push myself thru this writing thing before I get into another book, as well.

I don't knooooooooooow. Maybe I should just put this story aside and if I pick it up again later, I'll have more energy for it. I'm afraid, though, that I've got it all loaded into my RAM at the moment and I don't want to lose that. I'm probably also fooling myself that trying to write something else would be easier or more fun--I think I might just be having a writing-is-hard time. School is going to be out shortly, and it's going to be even harder to do stuff, which makes me extra mad that I am too stupid and lazy to actually take advantage of the time that is available to me, but that's just how it is sometimes.

Oh, Damage History is over now. I should probably do some sort of wrap-up post and change my pinned. I was going to do that today, but I'm not sure I feel up to it. Later this week, hopefully!