#words from a stranger

[wordsfromastranger]

If love was a question

If love was a question Willingly getting lost in someone would be the brief answer If love was a question Don’t ask a descriptive answer My explanation will not be able to justify answer But if the poetry becomes my rescuer, this is what I would’ve answered “With no expectations I’m heading into a path unknown to the mind but yet very known warmth and my heart is smiling I am sure to not…

[poorly-drawn-mdzs]

How much longer 'til your luck runs out?

[First] Prev <–-> Next

[hitlikehammers]

POV: when you overhear your boyfriend’s bandmates who ⛔️do not like you⛔️ talking to him—about YOU

“Be real though, Ed. Harrington? You can’t actually be serious, here.” Steve doesn’t like to eavesdrop, like, on principle. Which is to say he totally does it. He just doesn’t wholly approve of it, or think it’s a very good habit to have, while still doing it. “You got me,” Eddie sighs, longer and deeper than can be taken wholly seriously. “I’m running my longest successful con to date.”

rating: t ♥️ tags: post-s4, established relationship, corroded coffin, as in: the gang’s all here and being VERY JUDGEMENTAL of eddie’s taste in men, and maybe steve had to pick eddie up from practice today so he overhears it WHOLLY WITHOUT INTENDING TO OKAY?, no one ever REALLY want to hear what the people they love really think of them when said people don’t know who all’s actually listening, true love, declarations of feelings, it’s actually really fucking hard to stand up to your friends, happy ending♥️

for @steddielovemonth day ten: "We are all a little weird and life's a little weird, and when we find someone whose weirdness is compatible with ours, we join up with them and fall in mutual weirdness and call it love." —Dr. Seuss

also! Unnamed Freak is Doug for the purpose of this fic because the book can fuck itself I say so 🖤

“Be real though, Ed,” the voice that filters through, and holds Steve’s hand from pushing the car door shut loud enough to notice, is fairly reasonable, like trying to talk down a suggestion absurd enough to send someone to the ER—which means, of the subjects at hand? It’s gotta be Jeff.

“You can’t actually be serious, here.”

Steve doesn’t like to eavesdrop, like, on principle.

Which is to say he totally does it.

He just doesn’t wholly approve of it, or think it’s a very good habit to have, while still doing it.

“You got me,” Eddie deadpans, but it’s like, venom-laced. It stings just to hear and Steve’s struck with how much his life’s changed since Spring Break, and more still since…well.

Since Eddie.

Because Steve is well aware the man can cut glass with how sharp his tongue can get, they did go to high school together whether they ran in the same circles or not.

It’s just strikes Steve in the moment that not once since Vecna, has Eddie turns that tongue on him.

Now, other uses of his tongue—

“I’m running my longest successful con to date. Yep, totally pulled it over on all you bitches,” and where it could be playful, every single word is sharpened to stab, to pierce, to drag the wound out so it bleeds, like a shiv to remind someone where they fucked up, in perpetuity.

“Please applaud.”

And oh, even Steve flinches at that tone, and he’s not even the target. Hell, he’s still in the driveway—he doesn’t make a rule of crashing band practice, no matter whose parents’ garage they’re using; Eddie’s van is just regularly in the shop for one thing or another, so he’s gotta come get his man. But he doesn’t, like, push his way in. Sometimes doesn’t even get out of the driver’s seat. He knows Eddie would more than welcome him; has the handful of times he’s ventured to step in to apologize for interrupting but remind him they have to pick up the shitheads. But one: Eddie is alone in his welcome, and like, the polar opposite of the other three guys, who range from staring daggers at Steve to sneering so scrunched up to the nose that it’d give Carol Perkins at her snittiest a run for her money.

And Steve wouldn’t have made it this far if he didn’t know how to recognise where he’s not wanted, and learn how to make the calculated decision of whether to walk or push his way in. And much as he loves Eddie? Steve actually wants his friends to eventually come around from probably, like, muttering ancestral curses under their breaths at him or something.

Plus, from what Steve understands? Jam sessions are personal. Sacred. Eddie had blushes and stammered the first time he let Steve listen in on works in progress; and Steve had rewarded him for the gift of it liberally and with genuine gusto. It’s earned him repeat performances on the regular, but Steve gets it’s a private thing in general. And these guys don’t know him, don’t presently care to—don’t trust him.

He figures it’s like…masturbating in front of someone. The art thing, the depth of making music and stuff. Showing your soul a little bit, losing control for the betterment of the final product.

Now, he and Eddie definitely have masturbated together, it’s actually fantastic foreplay, or even just a deliciously sloppy go on its own. But that’s neither here nor there. And also totally fucking different.

Steve really doesn’t want Eddie masturbating in front of anyone other than him, ever again. Steve’s sure as shit not looking to on his end; definitely not with the other members of Corroded fucking Coffin.

The metaphor might have gotten away from him. But you get the picture.

“No, man,” and that’s, that’s Gareth’s voice, Steve’s almost sure. Sharper. Concerned but also caustic on the undertow. “It’s just,” he snorts, the disbelieving sort: “this can’t be real.”

Okay, yeah. Tone plus actual words add up.

“Yeah, just,” Doug laughs a little nervous, like of all of them, Eddie’s verbal attack had the most weight in tempering his response of the three of them; “blink twice if you’re being held against your will.”

They all chuckle, but it’s toned down the whole way around—even Steve can clock that. These guys are boisterous when left to their devices, Steve’s taken note of that. Mostly watching from the sidelines—almost exclusively when they don’t know he’s there to watch.

Again: does not condone eavesdropping.

Does not try at all to refrain from doing it.

“I mean, you don’t expect us to believe you’re actually fucking him,” and oh, yeah, okay: Steve was pretty sure he was the topic conversation here, and despite some of the setbacks of recent years, he’s not insecure when it comes to relationships especially.

He’s definitely the only one fucking Eddie. And Eddie’s the only one fucking him.

And while he doesn’t really hold it against these guys for being wary of him—he wasn’t really a perpetrator of their high school woes, but he definitely didn’t do anything to make them less…woeful—so he’s mostly bummed about it for Eddie’s sake, and on principle, but like, seriously.

Doubting Steve successfully scoring Eddie Munson? Like, Eddie’s a catch, Steve of ll people is well aware, but. Steve’s also been long past fishing the shallow end of the pond, y’know?

Give him some credit.

“Right,” Steve narrows back in on what’s happening in the garage that he’s definitely feeling less guilty bout, seeing as he’s definitely a subject of the debate unfolding, but Eddie sounds…angry. Pissed off in that way he gets when he’s fed the fuck up.

“I’m out,” Steve hears scraping of equipment, the guitar case flipped open; “can’t actually make it next week,” he adds like a footnote.

It’s clear within a second he’s the only one who takes it with that same…energy.

“But we have to practice before the open mic—” Jeff, ever the voice of reason, sounds baffled; on his way to ticked off but not quite there yet.

Eddie, however—as is his wont in this type of mood—could not give two shits where the people around him land on the anger-o-meter; he’s exceeded them, even if only in his own head, and they are all therefore irrelevant to his very responsible decision to put distance between himself and doing something stupid he can’t take back.

It’s not the nicest way to deal but, honestly? Steve’s mostly just proud of Eddie for sticking with a coping mechanism that, while not without consequences, generally works better than most.

“I’ll see you guys in two, then. Probably.” And the case clicks shut, definitive, and Steve’s proud of that too; that Eddie’s not digging a hole when the guys re trying to bait him, intentionally or not, over Steve.

Steve doesn’t need Eddie to complicate his band, his friendships, over what the two of them have. One, it’s not their fucking business. And two?

Steve doesn’t thing he’s being self-important in saying he and Eddie…are bigger, and more, than even the very beat high school band.

Not that Steve would ever ask Eddie to choose or some bullshit like that. And he really does believe Eddie’s going places, if that’s what he decides he wants. But…there’s that.

Then there is them.

Different, like, stratospheres.

“What the fuck came up that you can’t make it next week? When we’re staring down our first actual shot at Battle of the Bands this year,” and yeah, of course, if anyone’s gonna try to drag the whole thing out, it’s Gareth. Kid’s got a fucking temper.

“Something more important.”

Which yeah, that’s what was going through Steve’s mind, basically, but—

“The hell could be more—“

“I have plans,” Eddie hisses, viper-quick and fucking deadly, shuts them all right up for it, but then he spins a 180–preens so big Steve swears he can hear his shoulders go back and his chest puff out:

“It’s my anniversary.”

So…yeah. Just because it was where Steve’s head had just been at doesn’t mean his whole chest goes all gooey to hear it said out loud.

And in front of Eddie’s band, who…they aren’t hiding from, but they have discussed keeping kinda mum around. For the same kinds of reasons Steve’s been privy to just in the past couple minutes.

But then Eddie’s voice follows the feeling in Steve’s chest like they’re tethered there, and honestly, more times than not?

Steve thinks they just might actually be, and he’s not proven wrong with the way Eddie halfway coos:

“Our anniversary.”

“Your what?”

Jeff, again, is that middle ground: actually confused, laced with being angry that Eddie’s ducking out.

“Six months,” Eddie answers, soft-like, a little dreamy but in this way that’s rooted somehow still, and in being struck all over again by a level of shock Steve understands, sometimes feels in reverse, but still doesn’t understand being felt so deep as it sounds, now, when it’s applied to…him.

It’s wild y’know?

“I’m like,” Steve hears Eddie’s curls brush against something as he shakes his head—Steve’s money’s on him crouched by his case, or having it already slung over his shoulder:

“Never thought I’d get something to celebrate like that in the first place, but get to keep it, that long without fucking it up?”

Steve, again, wants to give up the pretense and walk the fuck in there and kiss the shit out of his boyfriend because one, same, but two?

Dumbass.

Steve goddamn adores him.

“You mean, with Harrington?” Gareth’s spitting and Steve just shakes his head, a little sad—he doesn’t know what’s crawled up that kid’s ass about him, man; he’s not so much younger that Steve never saw him or didn’t know of him but godDamn: the circles he ran in at the time weren’t the ones doing shit yet when they were in the same elementary school, Steve was barely popular in middle school, and come high school the worst anyone he knew did to the frosh was bang them into a locker—not great, but.

Not worth this shit. And the worst part is if he doesn’t know what’s crawled he did to really piss Gareth off this bad? He can’t even try to Harrington-charm his way back into the guy’s tolerable category. Like, even his best fucking not-pot brownie recipe didn’t sway the fucker.

“Yes,” Eddie is answering, the answer emphatic, like he’s brimming with feeling over it, but then clipped too, like demonstrating that he was brimming and is now being forced to clip it all backis very much the intent: “of course I mean with Steve, who the fuck else?”

It’s not lost on Steve how Eddie says his name. Ever. All the name.

But right now, how he’s making a point to say it in that warm, kinda…beloved way, when anyone else uses his last name in a way that’s anything-but.

“You cannot be—” Gareth scoffs, Steve can imagine him throwing up his hands, that sort of deal, but then Eddie comes in, and it’s a tone Steve’s only ever hear when he’s about to run a campaign into the ground where the characters may never recover, and if somehow manage it, they’ll wish they hadn’t:

“Oh, I am deadly serious.”

Because it’s not Steve’s character, but in defense of Steve’s relationship, that tone trickles something molten through his veins and prickles up his spine and…he’s gone have to stick that one in his back pocket to explore at a later date, for sure.

“Six months?”

Jeff—and Steve kinda likes Jeff, and not for the reason his bandmates would like, that he kicks around Hawkins after graduation, too, but more because Steve knows why; that’s to make more money for a college outside Indiana, and Steve thinks that’s fucking cool—but it’s here where Jeff dips fully away from being angry to being stupefied. Steve lets himself smirk at nothing because fuck yes: him and Eddie.

Six whole goddamn months.

“I was actually gonna ask you guys to come over soon, introduce him properly and stuff,” Eddie says, the disappointment in his voice again; Steve’s niggling desire to go and hug him from behind, maybe kiss under his ear a little, back in full force.

“He picks you up from practice, we see him,” Doug pipes back up, likewise confused, but Steve just takes the useful confirmation that no one did catch on that he pulled up ages ago, now.

“We know who Steve Harrington is—” Gareth snaps, protests in the way that betrays his eye-rolling, his thin-wearing patience.

“No!”

And that comes out of Eddie fierce enough to echo down at least half the block they’re on—seems like Eddie’s patience was worn out a while ago.

“You don’t!”

And everyone is silent in that way Steve knows all too well: when shit’a gone down but now you’re waiting in the edge for the worse thing to hit.

Then it does:

“And it’s a good thing I didn’t bring it up because you dipshits aren’t ready,” Eddie snaps, says dipshitso different from how he does with the Party, theirParty, their kids; he says it here with something real fucking close to disgust.

“Asking hostage questions, fuck off,” he huffs, and Steve hears Eddie’s footsteps, can’t tell if he’s gonna leave it at that, come find Steve and know he’s been standing there but that’ll be fine, it’s not like Steve wasn’t going to let him know as soon as they left—but then:

“Look,” and Eddie sounds the way Steve sounds when he’s pinching the bridge of his nose to fight a growing migraine, the sting of tears for all sorts of pain behind his eyes, and that hurts to hear from his boyfriend, like, a lot.

It fucking hurts.

“I am not just fucking him,” Eddie growls through the bridge-pinching pain; “I mean, fuck yes, I am, but,” and Steve hears the way he swallows all the way down the drive:

“I’m in this for the long haul,” Eddie tells his bandmates like throwing down a gauntlet; “and if you can’t respect me enough, and my choices, that stings,” Steve knows Eddie shrugs then: “but I’ll live.”

Steve’s about a millisecond from saying fuck it, opening the door just to slam it to announce his approach, and then going to physically grab his boyfriend, drag him to the car, and park in the abandoned lot down from the Wheelers’ neighborhood to kiss him senseless because that’s the closest place he can think of and he doesn’t think he’ll make it to either of their homes before he can’t fucking handle himself.

“But if you are gonna disrespect the man I love, no. Absolutely not.”

Eddies voice is a deadly sort of whisper. Steve would cower at it, the way it washes through a person, if he hadn’t just…said.

That.

“You love him?”

And for what Steve thinks is the first time since he climbed out of the car and committed to listening where he wasn’t invited, Gareth sounds…muted. Genuinely asking a question.

Steve, for his own part, kinda expected that he’d be more breathless, heart racing and shit, to hear the answer but in reality?

“Of course I love him.”

Steve already knew that in his cells, in his bones.

In his steady, not all-that-fast but particularly-especially-happily beating heart.

“Have you guys, like, said it and stuff?”

And of course Steve already knows that answer, both the literal one and the one that matters more, but he does perk up a bit, curious to hear what—if anything of note—Eddie chooses to give away here.

“He has,” Eddie says, and now…now maybe Steve should stop listening because this part, the way Eddie says that as flat fact—Steve doesn’t knowthis part beyond speculation. But…

“I wanted to, like,” and eddies voice can’t hide the way he’s gotta have that soft smile, the one he used to hide behind his hair before Steve started pulling it back to see in full, so now he only brings his hair out just to tease, to okay.

“I don’t think I’ve wanted much in my whole life, but he’s,” and Steve thinks he hears how Eddie chews his bottom lip for a second, in the subtlest click of how it slips free before Eddie takes a deep breath and—

“He doesn’t know what he’s worth,” Eddie starts, a little mournful almost, even, and Steve is unexpectedly glued to the spot in his fucking Nikes.

“He doesn’t understand that I’d sell the sun and the moon just to keep him,” Eddie’s saying, and with passion. With whole-ass honesty. And here, maybe, is where Steve gets to have some of the heart:fluttery feeling after all:

“He comes out the gate with the whole you don’t have to say it back and I just,” Eddie sighs, sniffs a little before heaving another breath deep enough to stretch his shirt, which Steve’s not imagining or anything, at all;

“I couldn’t say it, not right then, and risk him everthinking it was something I’d done to like, match. Like that I didn’t mean it with everything I’ve got, when I mean it with everything I’ve got and then also everything else. Like, anywhere. Ever.”

Steve realized he’d stopped breathing at some point when the little dots start floating in front of his eyes and he sucks in a shaking breath because: he’s known Eddie loves him. Unshakeably.

But, but all this—

“I couldn’t say it and have him ever wondered if I wouldn’t rip my heart out of my chest just to keep his safe.”

And of-fucking-course Steve’s pulse is running fucking riot about how much he’s in love right now, make no goddamn mistake. Jesus, he—

“Fuck.”

And Steve has never heard Gareth Emerson pushed just this side of speechless but: that’s the best way Steve can describe the kind of breathless wonder he says it with, like watching a rare bird take flight.

“You mean it.”

And Steve can pick out Eddie’s huffs and categorize them, on demand at this point: he doesn’t need to see the eye-roll to know Eddie’s deemed the expression of pure shock to be so beneath him in this specific context that he’s deemed it unworthy of any more attention.

His heart’s not jumping that loud to have missed it. So.

Steve just kinda grins toward the blacktop under his shoes.

“Why didn’t you,” Doug starts, still—usually, really, in Steve’s limited experience at least—the peacekeeper, the one who’s most invested at the human level when he’s not getting swept up in whatever the rest of the gang has deemed the cool thing to laugh at or make fun of at any given moment.

The huff Eddie gives this time is his incredulous one, which allows for just the slightest bit more consideration:

“The fuck do you think?”

The slightest bit, being the operative point.

“I’d hoped you’d take it better but,” Eddie adds, and there’s less drama in it than Steve might have expected. He’s being serious with them, and he sounds…disappointed.

Steve kinda want to make some kind of noise, give away his position, and just…hug Eddie tight from behind, if nothing else. Be there. Solid against him, wrapped up around him. Never wavering. Always at his back as much as at his side.

But Eddie’s not done:

“I’m not even asking you to like him, just be decent,” and it sounds like it hurts him to say as much, and Steve knows why; he genuinely despises when anyone thinks Lea with a the very beat thing about Steve. Steve believes this to be n unreasonable standard, and has expressed as much to Eddie who nods and smiles and kisses Steve’s forehead and does absolutely nothing to change his stance, but deep down?

Steve fucking feels so…loved for it.

“And like I said,” Steve can hear the judgement in Eddie’s tone clear as day; “you’re not ready, and I’m not putting him in that kind of situation.”

Steve sucks on the inside of his cheek, lest his grin at the way Eddie is not just defending him, but…protecting him, not his honor but his heart…

No ones ever even tried that before. Steve may not need it, or maybe he just learned he couldn’t survive needing it.

Getting it now…now it’s just…

Wow.

“And I’m in this for keeps, like, this is a forever type thing, so long as he wants it,” Eddie saying, explaining the color of a sky to a small child like what these words are that fundamental, that unalterably true. “So—”

“We’ve known each other forever, man,” Gareth eventually mutters, sounds indignant, but mostly gutted.

Steve knows before it happens that it’s not gonna make a difference.

“And we can still know each other. Just not everything, anymore,” and Eddie does sound a little sad but he’s…he’s a monolith, unshakable. “I don’t trust you with the parts that revolve around him, yet,” and Steve feels more than hears the ways his friends deflate, maybe shrink for being deemed so…insufficient. In the eyes of their ostensible leader, no less.

“Eddie, we didn’t,” Jeff starts, slow, and he doesn’t sound remorseful but—Eddie has all those coping mechanisms for a reason, right?

Because he’s quick to feeling, good and bad, and sometimes neither is fit to the moment.

Steve can’t help but be kinda glad Eddie doesn’t bother with those mechanisms just now, though, if it means he gets to hear this part:

“I know you didn’t, that’s the fucking problem,” Eddie groans, Steve can see the way he lens, bends at the knees and throws his body around a little in sheer, undiluted exasperation. “

“Because I could tell you he’s changed since school, and that’d be true, but that’s not even it,” and there’s more of the frustrated stomping round, Steve can hear it, but he’s…he’s ready distracted by that thing in his chest that has to has to be tied up in Eddie’s, too, that thing tugging on him to pay the fuck attention.

And who is he to ignore it?

“he was never who we thought he was in school in the first place. He is,” Eddie licks his lips, just to snack them loud:

“He is kind and funny, and goofy, and such a fuckin’ nerd, and he’s smart in these incredible ways where he’s sees what everyone else misses, and he’s protective as fuck and he’s got a heart of gold,” and Eddie’s voice only gets more heartfelt in its own right that longer he goes and Steve just, he’s, it’s—

“And I would tear my skin off just so it doesn’t get so much as a scuff on it,” Eddie ends with the most scathing delivery imaginable: he fucking meansthis shit. And Steve is going o live and die next to this man, scuffed heart still kept safe to the fucking end, he will swear that shit to anyone who needs to hear it.

He is going to have a whole fucking life with Eddie Munson, and love him for every single breath of it.

“And I don’t trust you guys yet not to tempt me to tear off my skin,” Eddie says finally after enough silence to catch his breath, and temper his tone just enough to sound tired; a little dejected. “I don’t trust you with him, and until that changes, we’re still friends,” Eddie sniffs, breathes out long; “you just won’t get to know about that part of me.”

He says it so simple, like he’s not half-cutting off some of the longest, closest friendships he’s ever had, and for Steve.

Steve doesn’t know if it makes him a person, or a really selfish one or whatever, if he doesn’t feel any urge to talk Eddie down, to make him walk it back just a little.

He doesn’t think he cares, though, either way.

“Seems like a really big part of you,” Doug says, deflated entirely.

“It is,” Eddie answers, unapologetic in a way that swells and sparkles in Steve’s ribs. “He is.”

“You’d walk from the band?” Of course Gareth asks, but it’s the first time he sounds small in his words. Like he maybe knows the answer, and isn’t so okay with how he got around to it even before Eddie wishes all doubt:

“In half a fuckin’ heartbeat.” Boom. Done. No hesitation whatsoever.

Less than half-a-fuckin’-heartbeat.

“That’s not what I’m saying I’m doing right now, but,” Eddie laughs a little, and that probably cuts deeper than anything for the boys, Steve suspects, especially when Eddie makes it unquestionable:

“It’s not even a question.”

And…maybe that drives a knife deeper for the band, but for Steve?

Steve kinda wants to…giggle, or some shit. He hadn’t realized just how much he wanted someone who answered a question like that, exactly like that, who talked about Steve exactly like that, without anything to gain, just because they…believed it.

“Jesus,” Gareth mutters, sounds kinda blindsided, kinda thrown and then some.

“If we,” Jeff clears his throat after a long period of quiet; “if we do better, could we meet him someday?” And the way he says it, earnest and shit:, like he wants to at least think about, at least maybe try:

“Like, really meet him?”

Like Eddie means enough that he’ll try, and that sings sweet in Steve’s veins because goddamn straight, his Eddie deserves that from the people hecares about. No matter who or what Steve is, Eddiedeserves that much, and so much more.

But he sounds like even just this is something amazing, Steve can hear the smile in his voice:

“Yeah, man,” he answers Jeff, claps him audibly on the shoulder; “I look forward to it.”

And shit, y’know what?

So does Steve.

“See you in two weeks,” and Eddies footsteps follow, guitar slung over his back for the way his weight falls with each one, but then:

“Eddie!”

That’s Doug; the footsteps stop close to the edge of the garage door as another set rushes to catch up, where he’ll see Steve if he walks much farther, where Steve’s got his hand on the door handle of the car, slowly inching it open to push shut and look wholly-unsuspicious now that Eddie might be followed out to his ride:

“Get him flowers. For your anniversary,” Doug says, tone low like a secret; “I know, like, it might seem like guys wouldn’t want flowers, but,” and Steve actually has to strain to hear the next part:

“My mom gets my dad flowers on his birthday every year, and he lights up like the Fourth of July.”

Steve remembers the first time he ever got flowers. His favorites, even if he thinks he only knew it subconsciously because they were handed to him with the stammering explanation of I don’t even know if you like flowers, or like these ones, but you look at them when we’re out, like, just walking or something and your eyes linger, and these ones just remind me of you and—

Apparently, Steve loves hyacinths. And sunflowers make Eddie think of him.

Because of course Steve’s first gift of flowers came from Eddie.

“Thanks man,” Eddie sounds the lightest, most genuine Steve’s heard him since he pulled up and got out of the car; “they’re already ordered.”

And Doug chuckles, and Steve?

Steve bites down his smile to less exploding-star levels—if he’d just pulled up he doesn’t have a reason, save that Eddie is enough of a reason in Steve’s eyes, his mind, the way his chest expands just thinking on him—as he pulls the car door closed again, loud enough to be noticed.

For Eddie to walk out of the garage fast as anything and meet Steve with a smile of his own that justifies the fuck out of where Steve’s had started, anyway.

All star-bright and everything.

♥️🎸♥️

✨also on ao3✨

btw this is either titled ‘halcyon shoegazing’ or ‘heart in your shoes’ so if you have an opinion you should maybe tell me or something, my brain’s tired and is resisting decisions rn

✨permanent tag list: OPEN (lmk if you want to be added/removed): @ajeff855 @askitwithflours @awkwardgravity1 @bookworm0690 @bumblebeecuttlefishes @captain--low @depressed-freak13 @dragoon-ze-great @dreamercec @dreamwatch @dreamy-jeans137 @estrellami-1 @goodolefashionedloverboi @grtwdsmwhr @gunsknivesandplaid @hiei-harringtonmunson @hbyrde36 @imhereforthelolzdontyellatme @kimsnooks @live-laugh-love-dietrich @mensch-anthropos-human @nerdyglassescheeseychick @notaqueenakhaleesi @ollyxar @pearynice @perseus-notjackson @pretend-theres-a-name-here

divider credit here and here and here

[starry-bi-sky]

i think i'm hilarious -- aka i made blood blossom danny au memes

all of these come from my DpxDC prompt "i am pushing the batdad agenda--" and it's corresponding additions in the reblogs ksdjlf.

i am. rotating them in my head. forever and always. personally i think there should be more batdad aus in dpxdc, their dynamic could be neat. :)

[steveseddie]

coffee and contemplation

for the @steddiemicrofic prompt “dress, 350 words” | rated: t | cw: none | tags: pre-relationship, steve pov, good uncle wayne, he wants eddie to be happy and stop pining

Steve slips out of bed quietly. Eddie stirs but after nuzzling into Steve’s pillow, he falls back asleep.

Smiling softly, Steve dresses in yesterday’s clothes thinking he’ll need to go home and change before work, or Robin will be insufferable.

Not wanting to wake Wayne either, he tiptoes down the hall—

And finds him at the kitchen table, sipping coffee.

“Um, good morning.”

“Mornin’. Going somewhere?”

“Just work, sir.”

“Got time for some coffee?”

Steve checks his watch. Not really, he thinks but whatever. “Sure.”

“Help yourself.”

So Steve does, joining him at the table with a Garfield mug.

After a long silence, Wayne speaks, “Listen, kid, you don’t gotta sneak outta here, I got no problem with you spending the night. What you two get up to in there ain’t my business.”

Steve’s eyes widen. “Mr. Munson, we’re not—”

“Only ‘cause my boy is too chicken to do anything. Ed is as brave as they come, but he’s got a soft heart. It’s up to you to make a move ‘s what I’m saying.” He stands up, clasping Steve’s shoulder. “Just do this old man a favor and make it soon?”

Stunned, Steve nods just as Eddie saunters in.

“Mornin’, old— Stevie?” Noticing Steve’s spooked expression, Eddie’s smile falls. “Wayne, what did you say to him?” He asks, but Wayne’s already gone.

He turns to Steve. “Whatever he said, I’m sorry. You okay?”

“Just thinking,” Steve says, finding his voice. “Um, do you wanna go out tonight? Like on a date.”

Eddie squeaks. “What did Wayne say?”

“He suggested I make a move—”

“Oh God,” Eddie whines, covering his face. “That’s fucking embarrassing. He knows it’s not like that—”

“It can be, Eddie, I want it to be.”

“Oh.”

“So will you let me take you out?”

“Y-yeah.”

Grinning, Steve leans in— only to be stopped by a hand on his chest.

“Sweetheart, I wanna kiss you stupid more than anything but I won’t do it with morning breath and my uncle eavesdropping.”

Steve snorts. “Tonight then.”

“Tonight.”

“Bye, Eds.” Then louder, “bye Mr. Munson!”

“Call me Wayne, son!”

[braceletofteeth]

Evilive (1x03) || Strangers From Hell (1x08)

[jongwoojanu]

strangers from hell (2019)/ "the god of peace" from naoki urasawa's monster (1994-2001)/ BTS, 애매한 사이 (young love)/ susan howe, singularities (1990)/ claudia durastanti, strangers (2022)/ "자기"/"jagi" etymology by kirby cho on reddit/ mabel podcast (2017), episode 28/ junji ito's uzumaki (2000)

[crxzytogether]

it's the way the will/el comparisons started even before season 1 was out

also to have mike say "that's not will" which he doesn't actually in the show at least not in this moment but this implies that he thought that...

idk draw your own conclusions

[serpentface]

WARDI TERMS OF ENDEARMENT

emense [ɛmɛnse] (eh-mehn-say)

Has meaning close to 'beloved' or 'darling'. "Ya emense" (meaning 'my beloved'/'my darling') is often contracted "y'mense".

bubuch [bubuk] (boo-bookh)

Somewhat of a nonsense word, basically ‘big-big’. Tends to either be used for small children or flirtatiously between adults (kind in between 'baby' and 'big boy' in functionality, though without gendered implications of the latter). Sometimes instead used as a form of intense condescension.

ya mache mes [ja mɑke mes] (yah mah-kay mace)

Functionally means "my other face", using the figurative word for face describing a concept of fundamental nature rather than anatomy. Very intense term of endearment, expresses the recipient as a core part of one's identity. Kind of equivalent to 'my other half' but not exclusively romantic.

ya tsitsima [ja ͡tsi͡tsimə] (yah tsee-tsee-muh)

Means "my blood". This term is used more broadly to denote familial relations, and is more of a term of endearment when used outside of actual biological relationship (calling your sister 'my blood' is just an intense way of saying 'my [relative]', calling a non-relative 'my blood' is VERY pointedly affectionate).

ya ungande [ja ungɑnde] (yah oon-gahn-day)

Often contracted to y'ungande, dead literally means "my liver" as in the organ. Ungande alone is also used as a food-based term of endearment, similar to 'honey' except instead with delicious organ meat.

anuje [ɑnudʒe] (ah-noo-jay)

Food based term of endearment, referring to a tree sap that is the most commonly used form of sweetener. Functionally identical to 'honey' in usage.

anu tlansekoma [ɑnu tlɑnsekoʊmə] (ah-noo tlahn-say-koh-muh)

This one actually means 'honey' (dead literally 'bee sweet'). Less common than 'anuje' as a term of endearment due to general cultural preference for anuje as a sweetener and the relative rarity of beekeeping.

inyagit [injəgit] (een-yah-geet)

Diminutive form of 'sun'. 'Ya inya' (my sun) occurs as well, but is less common.

y'mit agai [j'mit ɑgaɪ] (yuh-meet ah-gai)

Contraction of 'ya amit agai', 'my blue moon'. This specification is more common than a general 'my moon(s)' and is fairly loaded, given this particular moon is the site of the afterlife for the most honored dead. The phrase both suggests a sort of celestial beauty and a sense of being honored and finding rest in the recipient. This is a VERY intense and almost exclusively romantic term of endearment.

coutomara [koʊtoʊmɑrə] (koh-to-mahr-uh)

Means 'handsome' or 'beautiful', implies masculine attractiveness. (Dead literally closer to 'strong face'/'strong featured').

jaimara [dʒaɪmɑrə] (jaim-mahr-uh)

Means 'pretty' or 'beautiful', implies feminine attractiveness (dead literally close to 'beautiful face'/'beautifully featured').

katsuy [kɑtsui] [kaht-soo'ee]

Sexually charged description of physical attractiveness, basically calling someone 'sexy'.

ya katsuymen [ja kɑtsuimɛn] (yah koht-soo'ee-mehn)

Related and also sexually charged, close in meaning to 'my desire'.

at akmatse yachouy [ɑt ɑkmɑtse jɑtʃɔɪ] (aht ahk-mat-say yah-choi )

Sexually explicit term of endearment. The dead literal translation is "one who makes me flower". The word "flower" here is not as euphemistic in context and is rather the nicest sounding possible way to say "makes me cum (HARD)". Not considered vulgar, rather cloyingly romantic if anything.

gan(ne) ama [gɑn(e) ɑmə] (gah(-nay) ahm-uh)

Means 'bull'. When used affectionately, implies masculine strength. Usually used in conjunction with an adjective (ie 'handsome bull') or more teasingly gannit ama (little/baby bull))

jaimeti [dʒaɪmɛti] (jai-meh-tee)

Means 'gazelle' (the name for the animal itself is close in meaning to 'beautiful horn'), heavily associated with grace and beauty. Also tends to be used with adjectives ('lovely gazelle' 'handsome gazelle' etc) or with a diminutive.

ansiba [ɑnsibɑ] (ahn-see-bah) or ansibit [ɑnsibit] (ahn-see-beet)

Means 'duck' and 'duckling' respectively, specifically refers to the animal and implies cuteness. Ansibit is a very common term of endearment for children.

"Wannaukoma such datse anmo" [wɑnaʊkoʊmə suk dɑtse ɑnmoʊ] (wahn-now-koh-muh sookh daht-say ahn-moh)

Means 'an ant could swallow you', implies cuteness (ie the recipient is so small and tiny an Ant could devour them whole). Usually used on children, occasionally used on adult women (in a way that feels intensely patronizing to many). 'Datse' (you) may be replaced by the recipients surname or honorific in the rare case that someone would dare calling someone this without being on first name basis with them.

wannaukomit [wɑnaʊkoʊmit] (wahn-now-koh-meet)

Means 'little ant', a term of endearment that borders on insulting even to babies.

OTHER:

-it [it] (eet)

This is a diminutive modifier, which can be added to a name or other word/term of endearment to denote affection (can also be condescending). It lacks internal meaning in everyday use and is closer to the English -y or -ie (billy johnny rosie susie puppy kitty ducky etc).

hippe [hipɛ] (heep-peh) (some dialects drop the h sound entirely)

Means 'small' or 'little', can be spoken with other words/names as an affectionate diminutive.

Other epithets-

Various epithets used in the language are not exclusively used as terms of endearment, but can be contextually. Most commonly, this will be the -machen epithet of the recipients zodiac birthsign (particularly those considered auspicious). Someone with the lion birthsign could be respectfully and/or affectionately called 'odomachen', or VERY affectionately called 'ya odo' ('my lion'). There's also a good variety of poetic epithets that have worked their way into common language as affectionate compliments/descriptors- ie ganatoche (dead literally 'cow-eye', more prettily 'ox-eyed') is a complimentary descriptor for brown eyes, anaemaitsa (dead literally 'river-haired', more prettily 'flowing-haired') compliments wavy hair.

Given name basis-

In Wardi culture, full names are spoken with the family name preceding the given name. When respectfully speaking to a stranger, peer, or authority figure, you refer to them by their family name, title, and/or an honorific. Being on an accepted given name basis with someone is generally indicative of closeness and affection.

datse [dɑtse] (dah-tsay)

This is the word for "you". Similarly to the use of a given name, actually referring to someone as 'you' (rather than a surname, title, or honorific in place of the pronoun) expresses familiarity and intimacy.

[wordsfromastranger]

Bliss✨

[the-meme-monarch]

legitimately fuckin irks me when cats are villainized for no reason other than Yeah Cats Are Evil Cats Are Mean. like i don't think it happens nearly as often anymore but I still see casual Cats Are Evil/Scheming shit. the At Least 1950s to the 2010s called they want their contrivances back. also they were always depicting them with their claws always out. they're retractable stupid

[hitlikehammers]

The One Where Wayne Munson KNOWS BETTER Than to Lend Air to IDLE GOSSIP

(and does it anyway on accident and ends up thinking his 💕boy's boy💕 might be ✖️stepping out) ——(1/3)

Wayne Munson’s lived his life mostly free from the hubbub of small town gossip. Some was unavoidable in his tiny holler as a boy; more was part and parcel to the service, and plain keeping half-sane in war—anything for a distraction. After all that though, Wayne’d had more’n his fill of even a teaspoon of hearsay, and compared to where he came from? Hawkins, Indiana was small potatoes for keepin’ his nose clear out of it.

Which is all to say he don’t mean to collect any of the latest scuttlebutt on his way just to town after he gets off his shift with the sun barely a glimmer, just past 5 for Leah’s to be open for a better cup-o-joe than the sludge he gets on the floor. All he wants is a hot nightcap because he knows damn well his boy didn’t pick up more grounds before Melvald’s closed last night, and Wayne doesn’t want to see his bed until he’s had a full mug of fair-to-middling coffee.

And honest: he don’t think that’s more than he’s earned to ask.

But it is more than he bargained for signing’ up to, when he sees the only other people in the diner at this hour on a Saturday.

Because the only other people are a girl he don’t know, though he can’t see her real well from the back, which only really means he sees her coffee date full-on and much too well in exchange because they’re leaned in and they’re being all touchy across the table, voices low but not too low—he don’t think they even noticed him come in, let alone come to wait close enough to hear ‘em while he insists on saving the lovely Leah herself the trip to a table when he can damn well carry his own drink, thanks kindly.

“You’re gonna have a coronary if you keep hiding this.”

The girl sounds…she sounds the way Wayne remembers his Mamaw sounding when she was about to hit his Grampy up the head over some harebrained such-and-such. Exasperated, but all from a deep well of unshakable loving.

Which is what perks up Wayne’s attention, and then churns his insides quick right-next, because—

Well. The boy this young lady’s being all over-fond at for his antics is Steve Harrington.

Who, for all that Wayne understands, is meant to be his boy’s boy.

“No, no,” Steve’s shaking his head, tone bowstring-taut; “I’m gonna tell him.” Kid sounds resolved for all of half-a-second before he’s groaning, running hands over his face: “Or, I mean—”

The thunk of the boy’s head to the tabletop clatters the cutlery, and if Wayne weren’t already clued into their conversation, he’d be wholly absolved for dropping eaves given how the noise echoes through the mostly-empty establishment bar-to-door.

“Dingus,” the girl says, and it drips with concern, with affection, with a deep choler that, again, sings loud of married-couple.

Which twists Wayne’s guts all the more to hear.

Because she’s talking to Wayne’s boy’s boy.

“I’m gonna, I promise,” Steve sounds not unlike a man on his way to the gallows, even more when he sighs deep as anything and traces out his lips with his fingers, hands shaky even out the corner of Wayne’s eye for a distance as he hisses low:

“Fuck.”

And Wayne, see, he don’t like borrowing trouble. He meant it about keeping his nose clean of the gossip and the hearsay. So he makes sure he reminds himself good in his own head that he don’t know the facts here, and jumpin’ to conclusions don’t do no favors to nobody.

It don’t do nothing for the way that what he does know, what he sees and hears with his own god-given senses in the now, don’t add up too kindly for the Harrington boy.

Not least because it seems to be adding up poor indeed for Wayne’s boy.

“Do you think he’ll—”

“Steve,” the girl’s voice goes softer, but also frantic almost, as Wayne sees her reach across the way and gather Steve’s hands with a familiarity to the motion that wouldn’t make sense unless…

Unless they’re something special to each other.

Wayne’s watched Eddie reach out for Steve that way. He’s watch Steve do the same. So it…it just don’t make sense—

“You’re shaking,” the girl says, all kinda pitiful, and Wayne’d seen it before, but now he chances a look again and: oh.

Boy’s a leaf in a cyclone.

“It’s a big deal,” Steve rasps out near under Wayne’s ability to hear it.

But he does hear it.

“You need to just lay it out,” the girl tells him, earnest now and more of that than any irritation, any frustration put-upon or otherwise; “be up front with him.”

And it ain’t fair, yet, even if all the signs are pointing that direction; but Wayne likes Steve. He doesn’t want to think the worst of him. And he doesn’t, really, in his heart, think Steve could do or be the worst, from all he’s learned and seen—Wayne’d had uncharitable thoughts about it he kid, before he knew better, based on hearsay which one more time, he don’t countenance as a rule, and he’d been taught better and quick from the second he saw Steve at his nephew’s bedside, and heard the only thing he’s proud and happy to have dropped in upon uninvited:

You nearly fucking died yourself dragging him out, Steve, what the hell—

That Henderson squirt, scolding Steve something fierce.

So Wayne reminds himself this boy loved his boy enough to risk himself to bring Eddie home. Before they were anything to one another. And Wayne knows damn well they’re both something to each other, now. It don’t make sense that Steve wants to…be up front about a notion with Eddie that could hurt.

But then: care can look a lot of different ways, and can change over time. Ain’t nobody to fault for that. And much as Wayne can’t quite believe the Steve he’s gotten to know these past many-months could swallow hurting his Eddie…

Wayne’s been proven incorrect about people more than enough in his life to know better than to think it’s impossible to be wrong about a man’s heart.

“Oh, I’m sure that’ll go over fucking fantastic,” Steve’s huffing, rolling his eyes—apparently he don’t want to be up front with the person they’re talking about. Wayne tries to remind himself that they’ve not flat out said it’s Eddie yet. Wayne shouldn’t go making assumptions.

“Why not?” the girl’s pressing him. “Be honest, with him,” then her tone does go a little judgemental; “you can’t honestly think he doesn’t suspect—”

“I really don’t think he does,” and it’s a strange thing, because no matter the words themselves, it don’t sound like Steve’s meaning to be deceitful about a thing. Kinda sounds a little like he’s mourning, like he’s just in a kind of pain. “If he did, then at least maybe I’d have some kind of,” he waves his hand in the air, looks frantic, at loose ends all around; “heads-up for where his head’s at.”

And they’re both quiet for a spell, and Wayne looks for Leah in the back, knew she was getting food ready and was happy to wait—for better or worse with the conversation he’s been privy to without permission unspooling at his side—but he’s starting to feel antsy for all that he’s hearing, and the way he can’t quite tamp down associating it all with Eddie, with touchy things Steve might have to tell Eddie—

“Tell him by the end of the weekend.”

And now: think he might have to tell, encouraged so damn strong and single-minded by his lady friend with her hand on his arm.

“That’s fucking tomorrow!”

“End,” she’s narrowing her eyes sharp enough Wayne notices more in the shift of the room than to see it head-on; “of,” and then she’s smacking Steve’s arm to emphasize hard enough it rings out; “the weekend.”

Then Wayne notices how her posture shifts, and she leans closer again, so much affection, and easy with it, and welcome for it, no doubt about it:

“I don’t like seeing you like this,” she says low and earnest; “especially not when the thing you’re like this about is,” and then her tone shifts to something bright, near-on hopeful, even:

“It’s such a good thing, Steve.”

“I mean,” Steve mumbles, kind of miserable really; “of course you think so.”

And Wayne don’t like where his head goes for things the girl who’s watching Steve with such soft eyes might think to be good, might think while she’s touching him so close and —

“He’ll,” and she huffs a touch before going all heartfelt again: “Eddie is going to—”

And the moment his plausible deniability about the subject of the discussion is gone, Wayne gives up waiting for his coffee at the counter and…retreats to the corner by the door, far as he can get from whatever’s said next. He’d leave, honest, but the truth of the matter’s this:

He can’t be expected in good faith to figure out how to bring any of this up with Ed if he don’t have no caffeine in him.

☕ 👀 ☕

✨ part ii >>>

For @thefreakandthehair, who requested 'Whatever our souls are made of, his and mine are the same.' at my HOBBIT-STYLE BIRTHDAY MONTH PROMPT FEST—and since this is almost a YEAR LATE, could I possibly offer it as a normal-amounts-of-late birthday gift, more than as an egregiously-and-unforgivably-late prompt fill for you?

✨permanent tag list: OPEN (lmk if you want to be added/removed): @askitwithflours @awkwardgravity1 @bookworm0690 @bumblebeecuttlefishes @captain--low @depressed-freak13 @dragoon-ze-great @dreamercec @dreamwatch @estrellami-1 @finntheehumaneater @goodolefashionedloverboi @grtwdsmwhr @hiei-harringtonmunson @hbyrde36 @imhereforthelolzdontyellatme @live-laugh-love-dietrich @mensch-anthropos-human @nerdyglassescheeseychick @notaqueenakhaleesi @pearynice @perseus-notjackson @pretend-theres-a-name-here @pukner @ravenfrog @sadisticaltarts @samsoble @sanctumdemunson @shrimply-a-menace @slashify @stealthysteveharrington @swimmingbirdrunningrock @theheadlessphilosopher @theintrovertedintrovert @themoonagainstmers @theohohmoment @tillystealeaves @tinyloonyteacups @tinyplanet95 @warlordess @wheneverfeasible @wordynerdygurl @wxrmland @yourmom-isgay @1-tehe-1

NOTE: it's important to me that you know that Wayne's accept belongs to nowhere, and is just the voice of someone I knew as a kid, who also sounded like a little of everywhere and then again nowhere. so if you think some turn of phrase doesn't fit what you think you're reading in terms of dialect? it's just that this way of stringing words together is—with intention—its own amalgam of places and times

divider credit here and here

[timetravelsong]

𝐈 𝐰𝐚𝐬 𝐡𝐞𝐫𝐞, 𝐈 𝐰𝐚𝐬 𝐭𝐡𝐞𝐫𝐞 𝐚𝐧𝐝 𝐧𝐨𝐰 𝐈’𝐦 𝐛𝐚𝐜𝐤 𝐚𝐠𝐚𝐢𝐧 𝐛𝐮𝐭 𝐧𝐨𝐭𝐡𝐢𝐧𝐠 𝐡𝐮𝐫𝐭𝐬 𝐦𝐨𝐫𝐞 𝐭𝐡𝐚𝐧 𝐥𝐨𝐬𝐢𝐧𝐠 𝐲𝐨𝐮𝐫 𝐛𝐞𝐬𝐭 𝐟𝐫𝐢𝐞𝐧𝐝.

excerpts from a book I’ll never write

[freakinator]

fans are replaceable just as ccs are replaceable, thats just the reality of the entertainment business lmao

[jongwoojanu]

"...is this who I really am?" - Yoon Jongwoo, Strangers from Hell (2019)

[ Fyodor Dostoyevsky, Notes from Underground// untitled sculpture, ceydajeevas on instagram// Franz Kafka, The Metamorphosis// Strangers from Hell (2019), dir Lee Chang-hee// Bora Chung, Cursed Bunny// Monster (2004)// Hieu Minh Nguyen, Elegy for the First// Perfect Blue (1997), dir Satoshi Kon// Naoki Urasawa, Monster (1994-2001) ]

[chirpsythismorning]

Welcome to a series I'm calling:

Yes, that scene did foreshadow Mike's monologue was disingenuous

Because you'd be surprised how many times the show (even prior to s4) has poked fun at Mike's monologue in the most random ways.

The Bingham's Beautiful Performance

First we have Suzie's sister on the floor, bedazzled and sporting a veil all while her brother is filming. This is basically the kids attempting to present a tale of a romance ending in gruesome tragedy.

Our bride here is El. The edition of the veil could be a nod to the loud majority's series long assumption that Mike and El are going to end the show together, preferably getting married.

Unfortunately, this is the closest thing they'll ever get to it, with the acknowledgement of that possibility in and of itself being mocked.

This next shot makes the likelihood that these scenes are connected pretty much indisputable, that being the edition of the record player behind the bride's head.

The only reason they made a point of having Will push the radio out of El's way, was to subtly connect this moment in Surfer boy to the beautiful performance we saw at the Bingham's only a few episodes prior (scenes that are widely known to be filled with foreshadowing for the season's ending).

A few bylers have already talked about these parallels, so this isn't new knowledge per say. But I do know some have dropped it altogether as possible foreshadowing for whatever reason, while most fans outside of the byler fandom insist it only foreshadowed Eddie's death. However, I think there are too many details that equally, if not more connect it to Mike's monologue than to Eddie's death.

Some fans have also noticed how Will was missing in quite a few shots at the Bingham's, which is interesting, but not all that surprising. Especially in this case...

Will. Will is the director

Director Will: GET THAT RADIO OUT OF MY SHOT!

Will directed the monologue when he used his feelings to inspire Mike, with the reminder of it (literally in the moment) directing Mike to confess to El, just like Suzie's brother directed that beautiful performance. Both performances convincingly left its audience thinking that the performers feelings in that moment were believable and...

genuine...