hello fellow shades. hades 2 nation. free icarus reminder for the night: not only did he burn, he drowned after. maybe it's just my experience with dying via drowning¹ but i think we should play in that particular space more.
melis not the sun, and she's never going to be. she's not the moon beat for beat either. shes the beautiful distorted reflection of the moon on churning powerful waves, shifting, a bright spot in an almost perfect void. and when you fall (and you will fall) its going to hurt, that impact, the water filling your lungs, the weightlessness disorienting, but you look for it, that reflection, that fixed point...
cough. anyway, how we feelin' tonight. we good?
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uhghhggghhhh i know ive been on about it before but the hook office reception cutscenes right at the end of canard always Get My Ass. the way roland Immediately jumps to "hey are you good? dont worry about what they said ok what you are doesnt matter to me. its fucking crazy out here-- hey let me fill you in here, you gotta be careful its dangerous; hey--"
angela still keeps a lot of her distance but man. Man. man. she is very open with him very quickly. i wonder if she feels any particular relief in having someone to talk to that doesnt hold all that baggage of needing to hold up That Particular Front. like she very much Is still presenting very formally, very notably, but even this early she's still sharing a lot.
their dynamic is so fucking good even right from the get-go
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Rossi employs similar psychological warfare, with added charm. “I’m always amazed what Rossi says about his competitors, ” says another GP great, Wayne Rainey. “It’s like he actually wants them to like him.”
Indeed so; when Rossi gets beaten he makes sure to praise whoever has defeated him. In the past he has lauded Casey Stoner for riding “like a god” and James Toseland for “riding like the devil”. And last year he always made sure to offer his congratulations when Lorenzo won races.
More often than not, the charm offensive works because it’s basic human psychology: if you and a rival are hurtling side by side into a 120mph turn, both aiming for the same apex, your rival is probably going to be kinder to you if he doesn’t hate you. And even if your rival doesn’t fall for your friendliness, it will almost certainly have him confused, because most racers don’t know what to do if you’re matey with them.
Trouble is, Rossi is running out of friends. For the first time he goes into a new season with his two main rivals as sworn enemies. Rossi’s friendship spell on Stoner wore off at Laguna 2008 when Rossi unleashed a vicious assault which turned the tide of that year’s championship.
Mat Oxley, 2011
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no one knows just how hard I work at things. how I have to work 1000000x more than the average person to compensate for being autistic and adhd and probably other things i'm working out with therapist, and having a sort of physical disability i've not received any help or treatment for. everyone assumes I don't try or give up too soon. they think I just started, need more practice. they think I expect everything handed to me immediately with no work or effort and don't acknowledge the multiple years i've put into things. they think I have no right to be upset about still failing to get where I want even after working my entire life to get there, while watching people around me surpass even my meager goals within a fraction of the time and work i've out into the same thing. constantly getting surpassed by everyone around me who seem to barely do any work to get there compared to me. it's all handed to them and falls into their lap so easily. all because they don't have the extra obstacles to overcome and work around that I do. while they go from point A to Z immediately with no major stops in between, I have to go through every single letter and then some, often getting sent back to the start. but it's always *my* fault, according to everyone. it's not the fault of those around me who ignore me, don't support me, don't help me, don't believe in me, etc. it's my fault they don't do those things. because doing the work of 10 people in one isn't enough, just because it's me. and not reaching Z as fast as everyone else means I don't deserve any of the support or help or anything else and means i'm not trying hard enough. it doesn't matter that I *need* to work harder than 100 "normal" people combined to get even half the result! Just because I can't reach what they do means i'm not trying hard enough! ugh.
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have a lil snippet from the siren AU! changing up my writing process for this piece - I'm drafting this one in prose rather than my usual zero-drafty style, so we'll see how that changes things!
The first thing your uncle says to you when he picks you up from the station is: "Stay away from the water."
You pause halfway in the front seat, mouth still poised to shape the syllables of, Fine, how are you?
If this were coming from anyone else, you would have written it off as a joke. You may not know your uncle very well - you wouldn't even have recognized him if not for your mother showing you his picture before you got on the train. The crease between his eyebrows, though, tells you that this is not a man who smiles very often, let alone laughs.
"...What?" you ask warily, car door still open as though leaving yourself the chance to bolt right back onto the next train home.
"The ocean," Dojima clarifies. "You've never been, right?"
You shake your head. If you're being honest, there isn't much you're looking forward to about this trip - a city boy through and through, you're far too familiar with all of the horror stories about the countryside - but the one exception to that is the ocean.
It's one thing to know that you live on an island, to know that Japan is surrounded by water: the Sea of Okhotsk, the Sea of Japan, the East China Sea, and the crown jewel, the Pacific Ocean. But picturing it is something you've never managed to do. Sure, you've seen pictures of the ocean before - but where does it end? What must it feel like, to be faced with that much raw power? To gaze out at that endless expanse of blue, and see no end in sight?
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I'm very fond of the nagireo getting together scenario of Nagi attempting to confess with his actions because he'd fumble it with words, but they are already so comfortable and intimate with each other that his small gestures of affection are indistinguishable from their normal dynamic and Reo remains oblivious to the millionth confession tucked away in the crook of his neck, his heartbeat steady under Nagi's cheek, while Nagi's lips are so close to his pulse point and yet so painfully distant
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Every day, I wish and hope that I'll wake up and be in the 1920's. Not because everything was better back then, but just because things were more alive back then. Or at least, it feels that way.
You look at some dance routines today, and there is most definitely talent on display, sure, but then you go and watch someone like Gene Kelly or especially The Nicolas Brothers dance and you're left sitting there like, "...what happened? Why don't we do this anymore?"
Music performances too. There are truly some talented people doing amazing stuff today, but it just doesn't feel as vibrant and alive as watching a big jazz band improv with each other in front of a crowd.
Singers weren't trying to sell, they were just, well, singing. There was more flexibility in vocal performance from what I can tell, and honestly this one warrants its own post.
Tap dance is considered stupid largely by non-dancers, when it's actually REALLY HARD and fully of such joy and whimsy. You're a musical instrument and dancing at the same time! What's not to love? Not to mention, the physical toll that takes on a person. Insane.
The only dance I was taught as a kid was the slow dance. If I wanted to learn anything else, my parents said no, unless it was ballet, but I was never interested in that personally. Now, I look back on things like the Charleston or the Lindy Hop and I just wanna learn how to move like that; to let go and be in the moment. I don't know how, and none of the adults in my life can tell me, either.
The movies back then were so creative and grand, considering the budget and scale they were allowed to work with. Stuff like Robin Hood or Metropolis are absolutely jaw-dropping, and yes, we could make that today, but it'd be with CGI or super realism, when a huge part of the charm came from the use of miniatures and spot-on performances and choreography.
Listen. We still have all of these today. Even tap dancing is still around, even if it's largely (wrongfully) considered silly by many. But it just doesn't feel the same. I'm not sure how to put it into words. The 1920's was where our modern times were really born, I think, with inventions like the camera, the radio, animation, jazz, ect all coming together in this decade to launch new art forms, entertainment, and way of life. They weren't called "The Roaring 20s" for nothing.
I wanna live in that so bad.
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here's a thing about palestine/israel that i can't stop thinking about. supporting an ethnostate, apartheid, and/or genocide seems like just about the most un-jewish thing one could possibly do. i genuinely do not get it.
like. irl, i've been osmosizing jewish culture and scholarship for the past several years. the impression i’ve gotten is of a people who has undergone untold amounts of discrimination and violence over the past couple millennia, and who is proud of their resilience in the face of that oppression. i know that enduring oppression doesn’t necessarily make someone a good person. and obviously, no group is a monolith. but my impression has been that recognizing that harm and defending other downtrodden groups was a common principle of jewish culture. hell, that’s why my alma mater was founded — so i was living in that legacy for the past ~6 years.
even if you think jewish people have the sole right to the land that we call israel, the israeli state's treatment of palestinians flies in the face of all of that. to go "fuck you, i got mine"*, treat another ethnic group as second-class citizens, and concentrate, blockade, and slaughter them seems completely irreconcilable with what i have come to know and appreciate as jewish values. a complete betrayal.
like. am i missing something big here or
*or, more accurately, “i will fuck you over to get mine”
edit: obviously not every jewish person supposed israel/is zionist. but, as we’ve all seen jewish anti-zionists say recently, most jewish ppl in the imperial core are. and this genocidal ethnostate calls itself ~the jewish state~.
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