#won't ever be accurate

[televisionenjoyer]

I think the failure on many people's argument against AI art is that they forget when photography was invented they said manual art was over too. If anything, actually, we landscape photographers at the moment are more endanger by the rise of AI than manual artists.

[soothsayerditty]

★I don’t know the reason why Running through this endless sky I can’t see the journey’s end Yet I swear I’ll try again Wish the world could always be Like the light that’s shining here with me★

★BNA - NIGHT RUNNING★

[unproduciblesmackdown]

has happened plenty around iconis goings on but what an all-timer

[wavebiders]

Been trying to figure out what age Shadowheart was supposed to be in the wolf flashbacks, and turns out Viconia really did just kidnap a whole 8 year old huh?

[dirtytransmasc]

Are yyou team green or black? And why?

team green, though I'm not in support of every green character (namely Otto though my opinion of him is complicated. I also have opinions on Aegon and his characterization that makes it even more complicated)

[I have only read bits and pieces of the book, so my opinion is based almost solely on the show. keep this in mind]

I'm team green for 3 big reasons. they're more complex, thought not perfect by any means, more morally "right", and are simply more my vibe when it comes to characters. now this is very simplified and not at all nuanced, so stick with me for a minute.

Firstly, they're more complex. the greens have very deep, detailed, and nuanced lives and stories that lead to them being very complex characters that can't be put into a box. Alicent was a child bride who had lost her mother young became a mother young and suffered at the hands of power and men all her life. her children were affected by this and the world they were forced to grow up in throughout their lives. even individually her kids are drastically different; aegon the child who was forced into a life he did not want and suffered due to his father neglect and mother pain. Helaena who was never understood and grew up treated like an oddity. Aemond who was never seen to his full potential, always ignored or looked over, angry throughout his life. each of them has strengths and weaknesses, flaws and benefits, they're imperfect but never completely horrid. they're also never simplified (not entirely, even when the plot and writers seek to simplify them) to the point that they put on a moral pedestal or made straight evil (i'd even argue that the attempts of the writer to oversimplify them as evil and in the wrong makes them 10x more fascinating). I find TB characters tended to miss the mark on that, always put in the moral light, not even allowed a moment to reflect on their actions, lives, or positions in any nuanced or meaningful way, so they always just feel dull. they're also out on a moral highground that they can never be budged from, which makes them harder to like and honestly, really boring. they get away with everything instead of being emotionally and morally nuanced.

secondly, they're more morally "right". I will never say that any of the greens are perfect, they are far from it (with the exception of Helaena and her kids, who have done literally nothing to anyone, but I digress). what I will say, 9/10 times there is some level of reasoning that has some level of reasoning. Alicent always tries to do whats best for everyone, all throughout the series she tried to do best by the court, the king, her children, the realm, and Rhaenyra. did she always succeed? no, but she always tried and her mistakes were almost always honest. I will say she held resentment towards Rhaenya, but honestly, I can't blame her. Rhaenyra's lies and behavior hurt Alicent over and over again so for her to be angry is expected.when it came to succession, Alicent backed Rhaenyra until it was made clear she and Daemon would be a threat to her children's lives and even than she held mercy for Rhaenyra. Aegon's drinking can be blamed on the abuse and neglect he suffered at Viserys, Otto, and Alicent's (though the abuse and neglect from his mother is insanely different and nuanced. she perpetuated her pain onto him because she couldn't heal herself. so I hesitate to call it abuse, cause its so much more complicated than that) hands. though nothing will justify his rape of Dyana, I personally think it was a bad add in on the writers part, and leave it at that. Aemonds rage after years of being ignored doesn't entirely justify what he did to luke, but he had reason for his cruelty after years of Luke (and jace tbh) being cruel just because they could. TB characters tend to do terrible things in response to either A. nothing B. their own terrible things. Daemon kills who he wants when he feels like it, even for stating facts. Rhaneyra will lie and hurt those around her to protect her bastard children. both of them conspire to protect themselves and allow themselves to be wed, really just cause. while there are times they have their reasons, its a lot less of the time, and typically the backing to their actions, is they were trying to unbury themselves from within their own graves. (to preface, I don't care about rhaenyra sleeping around, it doesn't bother me, but its the fact that she will hurt everyone around her to protect her lies, allowing a child to be maimed and people to be murdered)

thirdly, they're my vibe. I like morally complex character, who are, to be frank, pathetic. I like characters with complex trauma's and issues, who aren't perfect people but its not entirely their fault. I would much rather watch a whole show about alicent, a child bride who tries so hard to be a good wife, queen, and mother while not prepared for any such role. Aegon who is a boy with severe mommy and daddy issues, a drinking problem, a flawed past, and constantly wet eyes. Helaena an ignored girl who has suffered for no better reason then her family. and Aemond, a boy who was tormented, bullied, maimed, and made stronger by it at the cost of his compassion and emotional stability - over a nepo baby who was coddled by her father, her murderous husband with a knack for unneeded violence, and her similarly coddled children (the show boiled them down to this, in my opinion). one is simply more up my alley than the other. I want character that need to be dissected, who have suffered, who hurt me to look at.

also, team black created almost all of their own problems. seeing as the main source of contention had to do with Rhaenyra's kids being bastards, which was Rhaenyra's problem, which she caused, and kept digging and digging that grave (faking Laenors death just so she could marry daemon, turning the blame on aemond when luke maimed him furthering the divide amongst the house, trying to wed Helaena to Jace putting her in danger, trying to take the driftmark throne and killing Vaemond for a claim her sons did not have, etc,) till viserys's death, earns her a lot less pity from me. at the end of the day, her being a woman was only a needle in a haystack worth of problems she caused herself that hurt her claim. if she had just strived to create to connection with ancient and her kids, and didn't make herself look like a threat to everyone who lessened her claim (which alicents kids would be the first people to be taken out) alicent would have backed like she had all season and there would have been no war, maybe conflict, but no war.

theres also the effect of the fans on my opinion. I have faced more cruelty, terrible media analysis, and outright ableism/misogny/(blood and sexual based) purist ideology/etc. from the TB fans then I have ever witness by TG fans. TB fans have ruined almost all of the TB characters for me in more ways than I can count, so I will say I am very biased.

thats why I'm team green. as a whole they are simply more appealing, their stories are more interesting, demand more attention to detail and emotional understanding, and from my point of view were the "right" side to be on in the war (the war was wrong on both sides, but my chips lie in the favour of the greens).

[ben-wisehart]

I just don't get the argument that banning AI-generated works from ao3 would be pointless because people will continue to post AI works but stop labelling them as such, so they'll be harder to avoid. You can say that about literally any crime. There are always going to be people who ignore the rules, but that doesn't mean the rules should not exist.

Right now, AI-generated works are a novelty. People are posting them openly because it seems like fun. The posters of these fics (I will not call them authors) aren't trying to cheat anyone, they just find the concept neat and want to share them with others, but they're not actually trying to receive praise for something they didn't do.

The people who are trying to pass AI-generated works off as genuine fanworks are already doing so. If 50% of AI works currently on the archive are marked as such, and 50% are not, then banning AI works would result in the openly-AI works being removed. Of those, perhaps half of the people posting them would be so determined to do so anyway that they'll lie and repost them less-conspicuously—but that's still 25% fewer AI works on the archive. (and frankly I think this is being very generous about the number of genuine grifters)

Placeholder "fic to be written" works, "help me find this fic" works, and other works that treat the archive like a social media site are already against the terms of service. These can and do get reported and taken down. If you're a regular user of the archive you'll know that works like this still get posted on a pretty regular basis, but the fact that they're generally known to be against the TOS means there is a precedent to stop them becoming more commonplace.

AI-generated works are not fanworks. They simply aren't. They have no place taking up server space and pushing genuine creators further down in the search results, making it just a little bit harder for authors starting out to get noticed. They don't belong there any more than advertisements for discord servers or future fics.

The only other concern I've seen expressed is that genuine inexperienced authors might get mistaken for AI-posters and reported. Personally, I think it's still pretty easy to tell the difference between the structurally perfect but utterly soulless prose of AI and the error-ridden works of inexperienced human authors, but assuming that changes...it's already basically impossible to get fics taken down that don't openly admit to breaking the rules. These reports are assessed by real people and the Archive's policy is maximum inclusiveness when there is any doubt whatsoever.

If all a ban on AI-works does is remove the hundreds of fics that are currently open about being AI-generated, that is already enough for it to be a good thing, even if it does lead to a few more being posted in secret

[recre8ed]

what chess piece are you?

→ white bishop.

You are a White Bishop. There is something you believe in, be it an oath, a phrase, a promise. It's what keeps the bishop on the diagonal path it takes on the board. You live by this creed and infect others with it. You are empathetic, able to feel others' pain like it's your own, and offer advice or help to them. But be careful, because every bleeding heart runs out of blood eventually. Every leader crumbles to the next generation.

tagged by: @dreadedwxlf tagging: @vastiitas , @mkoshi ( any muse! ), whoever else wants to.

[medicinemane]

.

[beecreeper]

Please ignore my dirty mirror and my cheap ass accessories and my first ever attempt at beard makeup done with makeup three years out of date. Just ignore all of this actually. This is for me.

[wasabikitcat]

Has anyone in this Olympics women's boxing argument ever stopped and thought about whether it would make any sense for women to be more susceptible to being injured in boxing than men? Like sure, it's a fairly common assumption that men are physically stronger than women, and therefore a man would have an advantage at boxing because he can punch harder... But how would that make you more resilient to being punched in the nose? Like I would think the assumed advantage would be that women can't hit as hard and therefore would require more effort to take someone down, but what everyone is arguing over is a woman having her nose broken from a punch to the face, when a man's nose would be just as broken from the same punch. Women don't have like, daintier and weaker facial bones or something. Being punched in the face "by a man" when you're a woman is literally no different than being punched in the face by the same person as a man. If we are to assume that men (note: the person being debated about here isn't a man or even a trans woman, she is cisgender, but I digress) are so Herculean that their punches are just too dangerous for women, then men's boxing should be banned outright because it's just too dangerous for men to be punching each other with that strength when a punch to the face is exactly the same for a man as it is to a woman.

[ssspringroll]

Saddens me greatly that even with my giant/tiny slider, i will never be able to make my favorite ocs height-accurate. The tallest one is 20ft (6m). That's like a 2 story building. Game just can't handle dudes that huge ;-;

[daz4i]

daily "i wanna get back into cosplay but i'm gonna look so bad and no one will recognize who i'm supposed to be and it's gonna fit all awkward so what's the point" time

[daisywords]

nothing like getting very minorly told off at work to make me feel physically ill for the rest of the day

[unusualshrimp]

.

[espopstar]

Armchair diagnosed npd by the mutuals

Makes one post. Is immediately diagnosed by tumblr.

[unproduciblesmackdown]

also to go "wow this is just like in pentiment" about absolutely anything and/or "wow this is just like iphigenia crash land falls on the neon shell that was once her heart (a rave fable)" about absolutely anything further:

the Narratives within crash land falls where like, in the end iphigenia being Given the story of both "this is going to happen anyways" and "so why don't you see it as a noble sacrifice to accept." the situation happening to Create a story that she was killed, so her father must be tragic, and sympathetic. that iphigenia does take on that Narrative of taking on the Noble Willing Sacrifice, and it kills her, but she also would have been killed anyways, as everyone also knows. that we even get a bit of pentimentesque [other characters observe & assess things] like, the fresa girls as a chorus, and one at the end like yeah She Was No Saint, i saw everything, but being cut off by The News that's like yeah looks like iphigenia was killed, that seguing into her father saying yeah she was killed, god's will was done, She's A Saint now. seguing to the emcee who introduced the play, but that superceded by achilles, and that superceded with iphigenia's extasis monologue as the end of the play. that whether iphigenia's a saint or not, she dies. that [the whole play] tells us as much, like, this isn't a What If kind of retelling where she escapes her fate, this is a retelling examining itself like, she Will die because the story's preset, so what to do with this as the story that has to take her there, what to do with this as iphigenia who has to go there

that iphigenia takes on another narrative in addition to the one offered by like, violeta as guide and oracle telling her she has to die (As A Noble Sacrifice), that again (as per iphigenia in aulis being like uh hey daughter. let's go to aulis so you can uh marry achilles (it is to be sacrificed)) achilles is this bait, but it's only in the ending that there's any Story about being with achilles, and when iphigenia goes to the mercenary soldier who she knows will kill her, she's the one telling him what to tell her about where she's going and why, i want you to tell me achilles is waiting for me....and she still dies, because This Is The Story. as also applied to the reality, iphigenia as another dead and missing girl following & preceding many; any disappeared deaths when consumed as disposable & replaceable, not given part of any narrative about it. while also iphigenia only gets a chorus of fresa girls from there being crosses put on the factory wall with their names, with one girl even remarking like hey they spelled my name right for once. but at the same time they're also like, both mere Apparitions but also like standins for people who are simply alive. real [shades]esque kind of, i suppose, but like they're not Sanctified for dying either, they'll comment on iphigenia but not with any like, divine knowledge, just as this out of place rich girl. whether iphigenia's A Saint or Not A Saint, she's still dead either way. she wants to be a fresa girl, they maybe want to be her, but everyone's doomed anyways thanks to way larger forces and the Stories that have been told and will be told again

but there's also the moment right before the final section wherein, before she's having to say what she wants within the bounds of [she has to die], there's achilles asking "you still want me" and iphigenia answering with "i want everything" and her vision for, like, getting to be alive actually, i'm on the gulf where the sea is gray, and no one wants a piece of me....the whole inciting event here where iphigenia wants to evade her fate however she can, exiting the bounds of her life, the physical bounds and the family unit and walking away from the rank of status / class / wealth, trying for [have her body for herself] and what the body wants, the sensuous indulgences of (a rave fable), let's hear some more about the roman state like "we don't like the examination and challenge and upending of class and convention in a bacchanalia, so only do the official versions we permit;" the Threat of people's desires for themselves, when that's going to be counter to those in power who'd want these people to be resources at their disposal; the burden on the disempowered to suffer [the only way out is through] with the Additional pain & loss that has to be taken on in pursuit of their autonomy, while also of course suffering for the autonomy they lack, that restricted and controlled and mitigated versions of what you might want are deigned to be provided or permitted so that you have Something, but that everyone's actual undeniable personhood will always be spilling past those bounds, the potential power of transgressive pleasure when one's wellbeing and autonomous choices are counter to the power structures that have to constantly try to suppress and preclude this. achilles just as bait, doomed to die like iphigenia is also still doomed, sex was never going to save everyone and the [recognizing connection as these two parallel people / We're The Same] with your lover here is not going to save everyone but it still makes more things possible for them both; iphigenia does know what she wants, and gets some of it because she wants it, same with achilles in turn, while it can't save anyone from their fates still. but it can mean something even if it doesn't transcend, like even a fleeting night of insignificant dancing that doesn't change anything can mean something, and we all die, but that doesn't mean it's Nothing to be killed any more than it's Nothing to have your desires or choices one way or another to be wrung out of your life before you are

anyways, the stories. the Looking and Presenting here. achilles and iphigenia first encountering each other as images put together and presented by someone else for their own purposes. the presence of what's seen through film/camera/recording versus in person; the potential power relations and even violence in framing, presenting, and the intended looking and assessing. repeated language about eyes/looks that burn, while also that connection between iphigenia and achilles, and their finding the least room in what they do have of their lives for more of their own wants and selves and something genuine and not predetermined, is also connected to eyes and looking and being seen and light and burning. while they're also connected to the protection and possibility of night and darkness, getting to exist and be Without being lit up or seen; that with the power that's still in play, it's never like, well then you should have nothing / no reason to hide; the penultimate moment in the play with achilles being one that's in person and fades into darkness, rather than coming in from the light of a projection / video onscreen as the introduction....iphigenia needing to be guided through a crossroads to even get to achilles in person; violeta giving the Advice and Story and Tradition to pray to eleggua, as iphigenia does before getting to encounter achilles for real, who also doesn't get to break out of a role or a fate in full in any way, but their tragedies are like, pointing towards [autonomy, imagine it] in both the ways they manage to find a little bit of it for themselves, in no small part for simply recognizing each other as in the same boat here, and in the ways they still don't have it and still can't get it

and anyways it's also inevitably saying like, telling a story?? this Play is a told story!! looking? assessing? interpreting? you're doing that in the course of experiencing it! and it's really so fucking true.