#wolves against the world

[wolves-against-the-world]

I’m about a month late but I couldn’t get this out of my head. Let’s ignore that Sasha is terrified of water and Milo gets seasick, that’s different universe.

Attila is a Coelacanth, because he’s the embodiment of „wait, you’re still alive???“

Sasha is a Sturgeon – not very flashy, but nothing to underestimate.

Milo is a Lionfish, attention–grabbing and dangerous.

Eike is a Rainbow fish because he’s cute and people don’t think he’s up to much but keeps the place together.

[thenefilim]

Review - Wolves Against the World (2024)

Quinn Armstrong follows The Exorcism of Saint Patrick up with the second film in his “Fresh Hell Trilogy”, Wolves Against the World.

https://www.voicesfromthebalcony.com/2024/09/02/wolves-against-the-world-2024-review/

[moviesandmania]

WOLVES AGAINST THE WORLD 2nd 'Fresh Hell' horror - trailer and release date

Wolves Against the World is a 2024 horror film in which two members of a defunct ultra-right-wing metal band reunite at the site where their bandmate took his own life. One sinks into depravity and grievance, one tries to atone for what he has done. What ensues is an occult battle of wills between two men who have done terrible things while one tries to lure the other back into the movement,…

[wolves-against-the-world]

Afraid. They were afraid, all in their own ways.

Pawel (later Attila) has just been moved into a monastery to begin his training as a novice. He doesn't know anyone, barely knows why he's there. He's hungry and sore from a beating.

Matthis (Milo) is one missed meal away from running away, because he knew his family did not have the means to feed everyone and he was the most disposable. He wonders what's scarier - starving here, or on the road. He'll find out soon.

Zacharias (Sasha) is hiding from his father, as he often did. He's done his work, as best he could with an injured arm, but his father usually found things to be angry about anyway. Zacharias wonders where his mother is, and why she's not protecting him. It would take a few more years for him to finally realize.

Josef (Eike) watches the parade with his parents and the rhythmic bangs of military boots make him nauseous. He knows little of politics, but he knows his mother cried when the election results were announced, and that father had spoken about leaving the country. The year is 1933.

What was your OC like when they were seven (7) years old?

(This prompt brought to you by Tumblr letting me know this blog turned seven today.)

[chulippi]

i hate how entitled I end up feeling bc this is my sentiment but . Really really resenting that my parents aren’t going to help me with school or rent or anything while they super can

[carefulfears]

txf30 day 4: favorite dynamic (besides the obvious): scully/mulder/skinner

y’all mind if i ramble for a second?? there are so many connections that are so important to this story, but i always come back to these three. i think everything does.

i say that memento mori is the most loving episode of the series, but when i think about that one, it’s not even the kiss in the hallway that stays with me. it’s skinner coming in to work, the first time scully was in the hospital, and finding mulder sitting in his office. and he’s just been sitting there. bypassed the secretary (lol), and just sat and waited. he doesn’t have anywhere else to go.

and the way that skinner tells him, no. don’t do it to yourself under any circumstances. that he is not to risk himself to try to save scully. ultimately, it’s not mulder that made the deal with the devil, it’s skinner who didn’t follow his own advice. (gave up everything he has, to save them both).

and these are just two weirdos who work for him in the basement!! he doesn’t owe them anything. but he’s the one there, at the end, no matter what. he’s the one who comes to get them when they’re hurt, or lost, or need help. they’re his emergency contacts, the people who show up, the people who advocate for him. the people who know him. (the bigfoot division are a.d. skinner’s silly rabbits etc etc etc)

in iwtb, after six years away, it’s skinner who comes to get scully, on the side of the road, next to mulder’s flipped car. tells her that they will find him, that he’s okay, to breathe. it’s skinner that holds mulder on the ground, in the end.

when mulder went back to bellefleur, it's skinner that scully sent with him. that girl has never trusted a single soul to so much as breathe mulder's air, but "i won't let you go alone," is immediately followed by skinner packing the car.

like trish said last night:

i think telling scully he "lost" mulder was the hardest thing he ever did. skinner loves mulder too, but mulder is scully's entire world. and this time around, he won't let scully be alone the way mulder was.

(and the kindest thing scully ever did: squeezing his hand, saying "i already heard.")

(skinner returns the favor: he tells mulder about william, so that scully doesn't have to.)

my favorite moment in requiem is the final scene, the two of them crying together. the only two people. the only two people who know.

when she tells him that she's pregnant, he's the first to know. the only person to know, for most of her pregnancy. 18 years later, he's still the first person thinking of their baby, looking out for him.

honestly, it always comes back to sein und zeit for me. when after 7 years, after 27 years, mulder says that it's just too much, and he wants to go home. he wants time away from work. the sequence in the car: mulder in the backseat, skinner behind the wheel, scully on the passenger's side. for so many years, mulder had to be searching, so that he wouldn't be alone. but now he stands in front of two people who love him, and admits to needing a break. to wanting it to stop. he's guided, he's guarded.

skinner is a hardass. it's not easy to manage their madness. it's not easy to write the footnotes, to be the person waiting, in this particular story. but like he tells mulder, 14 years after they last worked together: not a day goes by where he doesn't just wish they were there, trying to make things better.

[gothsuguru]

wolf imagery my utmost beloved

[wotb-blog-2024]

Idea: WoTB tarot cards

[redwingedwolves]

# Tag List #

─────────────────────────────

General

💚 #mike talks🐺💬 ~ text tag

💚 #snarls and growls🐺🗯 ~ vent tag

💚 #.answering howls🐺💌 ~ ask tag

💚 #painted pawprints🖌🐾 ~ art tag

💚 #written pawprints🖋🐾 ~ writing tag

─────────────────────────────

Blog

💚 #thinkin' 'bout you and me🐺💭 ~ imagines tag

💚 #and that's my gueue🐺📣 ~ queued posts

💚 #us against the world🐺💢 ~ negativity tag

💚 #sending you my love🐺🫶 ~ positivity tag

💚 #odds and ends🐺🖇 - miscellaneous tag

💚 #ask and ye shall receive🐺❔ ~ ask games

💚 #of games and things🐺🎰 ~ reblog games

💚 #tw: | #cw: ~ trigger tags - fill in the blank

💚 #tastes like spice🐺🌶 | #mdni ~ suggestive/what it says

─────────────────────────────

Selfship

💚 #the wolf🐺🐾 ~ s/I tag

💚 #the birb™🧡💕 ~ Keigo tag

💚 #hot stuff💙🔥 ~ Dabi tag

💚 #-🦅 ~ posts by Keigo

💚 #-🔥 ~ posts by Dabi

💚 #winged wolves🐺🦅 ~ me/Keigo

💚 #hell hounds🐺🔥 ~ me/Dabi

💚 #flying devil dogs🐺🦅🔥 ~ me/Keigo/Dabi

💚 #i ship it like fedex🐺💟 ~ other's selfships

─────────────────────────────

[rise-my-angel]

Me writing this new chapter like, I hope yall are sick of girl boss fully independent sassy badass girls who love to take charge. Cus I go hard in on the "Love doesnt make you whole, but the right love can help heal you where it matters" kind of relationship. I get the modern audience independent woman trope, but we are not writing this fic and pretending as if theres anything wrong with letting a caring, loving male partner take care of you when you need it.

I honestly just came up with the main plot ideas for HotGW and went "Okay, so the reader can fight, use a sword, shoot a bow, and wears armour. But do not be mistaken. She is NOT a badass. She is NOT a snarky girl boss queen that kicks men's asses. She is a grouchy house cat 90% of the time. Just glaring while being picked up by her owner against her will because shes too stubborn to admit she likes it when she gets cuddles."

[wolves-against-the-world]

St. Zacharias

Sasha had a lot of names in his life, few of them self-chosen. Growing up the son of a choleric miller and a traveller mother who seemingly abandoned him, he was looked upon with suspicion from an early age. He distinguished himself by being a brilliant strategist, ruthlessly efficient with zero patience for political asskissing and very comfortable with using his wolf-given abilities for violence. The Mad Mutt was one of the nicer names. If he had died a glorious death in the name of Christendom, he may just have been granted sainthood, like so many others with a questionable past. Except Sasha was just a bit too cynical to die a martyr. Having a good name after your death didn’t help you a whole lot if you died miserably, after all.

[redwingedwolvesafterdark]

# Tag List #

─────────────────────────────

General

🧡 #mike talks🐺💬 ~ text tag

🧡 #snarls and growls🐺🗯 ~ vent tag

🧡 #.answering howls🐺💌 ~ ask tag

🧡 #painted pawprints🖌🐾 ~ art tag

🧡 #written pawprints🖋🐾 writing tag

─────────────────────────────

Blog

🧡 #thinkin' 'bout you and me🐺💭 ~ imagines tag

🧡 #and that's my queue🐺📣 ~ queue tag

🧡 #us against the world🐺💢 ~ negativity tag

🧡 #sending you my love🐺🫶 ~ positivity tag

🧡 #odds and ends🐺🖇 - miscellaneous tag

🧡 #ask and ye shall receive🐺❔ ~ ask games

🧡 #of games and things🐺🎰 ~ reblog games

🧡 #tw: | #cw: ~ trigger tags - fill in the blank

─────────────────────────────

Selfship

🧡 #the wolf🐺🐾 ~ S/I tag

🧡 #the birb™🧡💕 ~ Keigo tag

🧡 #hot stuff💙🔥 ~ Dabi tag

🧡 #-🦅 ~ posts by Keigo

🧡 #-🔥 ~ posts by Dabi

🧡 #winged wolves🐺🦅 ~ me/Keigo

🧡 #hell hounds🐺🔥 ~ me/Dabi

🧡 #flying devil dogs🐺🦅🔥 ~ me/Keigo/Dabi

🧡 #i ship it like fedex🐺💟 ~ other's selfships

─────────────────────────────

[ohnonotthehorrors]

Can I... talk about the theory that winners help craft the next game?

Because, and I really can not say this enough, it puts So Much into perspective.

Everything starts out Normal. Three lives, simple, cut and dry, there hasn't been a winner yet. No one to help craft the game. (And there's something to be said about how simple it really was. Not even a real expectation of the world becoming pvp or combative. No idea of the war to come)

Then Grian wins. The green killer, the man who vowed his first life to the one whose life he took. The next game the boogie man is born. A mechanic that allows and, in fact, demands, a green kill. People can trade lives back and forth, currency and debt wrapped up in one. (can we still be friends? Said the red partner. A life time later and reds are hostile, alone. Maybe it's an answer: No. Not anymore)

Scott wins this time. He refuses to play the game. He will not kill his team, he will love and he will do so fiercely and with all of himself. The next game people are attached through to their very souls. Every bit of damage to one soul is done to its twin. There is no boogeyman. (There is no way for a widow to be left without their love)

Pearl wins and she wins a blood bath. Spent the game draped in red, only wolves for company. Sitting in her tower, shivering in ice, maybe she wanted it to end. To see where it would. Limited life rewards you for killing, limited life has a clock tick tick ticking down, you always no how long you have. A curse yes, but a blessing too.

Now It's Martyn's turn.

And what a turn it is.

Keep your secrets, says the disloyal man, keep them well. Everything hurts, everything Matters, says the man fracturing with every loss. (What if we could love each other without hurting? Says The Hand, who never wanted to be coated in blood)

More importantly, Martyn has always seen the watchers below the surface. Now, they're right here in front of him. Something that could almost... be rebelled against, no? Something that someone else could finally point to and say: hey, hey isn't that familiar?

[tojisun]

sugar, spice, everything on ice (hockey au)

hockey player simon riley x f!reader’s relationship, through the eyes of the fans // sort of smau

i was listening to 5sos’ slsp while writing this so!!! sorry i went bonkers 😔 i just love this au sm

simon riley is obsessed with his girl, and it is maddeningly endearing.

of course he’s in love with you, everyone could see even from a continent away, but there is something clingy, possessive, in the way simon hovers around you. like you’d disappear right before his eyes if he wasn’t pressed close; if his tattooed arm wasn’t looped around your waist or his thick fingers were not twined with yours.

it is new, unheard of, even riley’s loyal fans says so, but it’s just so—

nice.

(the word is inadequate, they know, but there’s nothing close that could describe how heart-fluttering his devotion to you is.)

riley has always been a private person, sharing only sparse details of his life. one can even easily locate his earliest instagram post because there’s just about twenty uploads in his account since its creation—from 2017, and it’s a broken hockey stick. even that throw-away picture continues to amass likes as new fans come scouring whatever of him they can find.

his latest post was during last season’s finals’ celebrations—a series of pictures of the boys carrying the stanley cup. the first few pictures were all professionally taken, but the rest splinters into blurred shots of mactavish and garrick, particularly, drinking from the cup from inside of the locker room.

it said: thank you all.

curt, direct, but not any less meaningful.

cut to this year, mid-regular season (january), and after five months of drought, the simon riley posted a picture. and it wasn’t just any picture, but it was a hard launch of his new partner.

it was a selfie, taken by you, the camera angled just slightly. your back was pressed to his chest, and his chin was hooked to your shoulder, and, cheek-to-cheek, the two of you grin up at the camera. the background was distinctly new york, central park, so it must have been taken after the specgru’s game against the rangers (0-4 for the specgru).

for the caption, he wrote: she’s never been here before.

in an instant, all of the speculations were confirmed—the most eligible bachelor of the franchise is, finally, in an official relationship.

news articles popped up after that, speculations bloating at the shocking news. some people have even said that they’re sure they’ve seen you prior to the announcement—weren’t you that one fan simon riley was flirting with while he was on ice, mid-game?

(you were.

you were even one of the people that was tagged in johnny’s story before it got preemptively taken down; and the same person seen with the other WAGs, sprinkles of your silhouette seen on pictures like the ones that are taken on the days when the franchise flies them for game nights or the countless ones during the unveiling of the season’s WAGs jackets.

you have been a part of their circle even before the world knew who you were and, somehow, that was comforting; how simon riley had not thrown you to the wolves—or vultures, as mactavish snarled when they’ve hounded him about his fiancee’s abrupt end of her season in the FIVB, like her health wasn’t the priority over her career—and instead made sure you were surrounded by people who knew how to survive amidst the scrutiny.)

and, just like that, the dam called simon-riley’s-secret-album-of-you broke.

what had been a sporadic activity in his account exploded into series of posts, one update every week. it was a whirlwind of excitement because no one from the hockey world has ever seen this much of simon riley’s life.

he was always unapproachable, distant, like there’s always a wall between him and the rest of the world. like in exchange of being called the living legend, the guiding star, simon riley gets to shirk away from the public whenever he chooses. and who can fault him for that? riley’s career has always been heavily documented—people knew him even before he was drafted into the league, they had betted on his rookie year, and then had put him in a lonely pedestal. so of course he is fiercely protective of his privacy.

only a select few get to truly know him, only a select few have stories of simon that isn’t about the ice or hockey or his in-the-works legacy. only a select few see him beyond his crown, and now he’s giving a piece of his true self to the world because of you.

because you are worth showing off.

because life with you is worth celebrating.

.

riley41

[it’s a candid image of you standing on the balcony, wearing a too-big of a shirt that is getting ruffled by the wind and pyjama pants, and leaning over the railing as you stare at the scenery. you’re all silhouette because your body is devoured by the orange rays of the sunrise, its tendrils spilling into the wooden floors of the hotel room.]

liked by jmactavish.91, reyenzo14, and others

riley41 ibiza

.

riley41

[it’s a series. the first image is of the two of you on his motorcycle, the picture taken from simon’s bike’s camera. you’re both wearing tinted helmets and leather gears, the background a blur of colours which indicates that this was taken mid-ride. you’re gripping him tightly and your body is almost fully-covered by his bulk, leaving only the top half of your helmet to be seen peering from his shoulders.

the second image is of the beach. it’s dusk, and the sky is an explosion of pinks and purples and blues.

the third image is a selfie with your visors up. you’re looking at the camera with a shy smile, your eyes squinted because of how bright it still is, while simon only has his eyes on you.]

liked by pricejhn2, alexkeller_, and others

riley41 vroom

.

riley41

[it’s a mirror selfie of the two of you, with simon taking the photo. the background is notably his house. your back is facing the mirror, your head tilted to rest on his shoulder, while his arm is curled around your waist. you’re wearing this season’s WAG jacket—it’s black and green, their colours. the pose now makes sense because you’re showing off the back of the jacket that spells out RILEY 41 in white. simon’s wearing their away-jersey.]

liked by kylegarrick, konig_76, and others

riley41 game six let’s go

.

riley41

[it’s a video; the angle shows that it is taken by someone else. you and simon are hugging, and are swaying lightly as the two of you dance to the faint sound of music booming from somewhere behind the camera. simon’s mouthing the lyrics to your ear, his cheeks flushed like he’s buzzed from drinking, while you giggle and softly rub your palm at his back.]

liked by jmactavish.91, kylegarrick, and others

riley41 my favourite person

.

.

yourname

[it’s a candid picture you’ve taken of simon sleeping while he uses your lap as pillow. the angle captures the way your fingers are playing with his hair and scratching his scalp gently. the picture is a little blurry because there’s not enough light to properly focus the lens.]

liked by riley41, jjoanne.spam, and others

yourname im the happiest when im with him

[enha-doodles]

please do a slytherin boys reacting to you being a hufflepuff pls

SLYTHERIN GUY'S REACTION TO YOU BEING A HUFFLEPUFF | ✧⁺。

Pairing : (Mattheo , Tom , Theodore, Lorenzo , Draco) x reader

Notes : okay so now only Slytherin left and next will definately be an enhypen post , it's been too long since I posted something for them 😭

Warnings : not proofread , written in a hurry my bad guys

MATTHEO RIDDLE

Mattheo's smirk widens as he gazes at you, unable to contain his amusement. "Well, well, well, my dear Hufflepuff," he begins, his tone playful yet affectionate, "aren't you just the epitome of kindness? It's like you're allergic to anything even remotely sinister." He chuckles softly, leaning in closer, his breath warm against your ear. "But fear not, my sweet, for I'll be your guide through the shadows. Together, we'll navigate the dark corners of Hogwarts, with your innocence as our secret weapon." He grins, his eyes sparkling with mischief.

"Who knows, maybe you'll even rub off on this Slytherin and teach me a thing or two about being... less evil." He winks, his playful tone laced with genuine fondness for you. "But until then, let's just enjoy the ride, shall we?" You can't help but laugh at his teasing, feeling a surge of affection for the charming Slytherin who's captured your heart.

TOM RIDDLE

Tom rolls his eyes at the mere mention of Hufflepuff, muttering about the insignificance of a house that values kindness above all else. He's determined to toughen you up, constantly pushing you to shed your soft exterior and embrace the cold, hard reality of the wizarding world. "Kindness is a weakness, darling," he'll growl, his gaze steely as he lectures you on the importance of ambition and cunning.

He'd manipulate you by turning you against your friends because in his eyes you are born to evil that's why you ended up with him , your friends are the wrong influence "And those so-called friends of yours? They're just wolves in sheep's clothing, waiting to take advantage of your sweet nature. But fear not, my dear, for I'll always be here to protect you" He's there even if it means scaring away every potential suitor with a well-timed glare.

THEODORE NOTT

Theodore can't help but chuckle at the irony of your Hufflepuff allegiance, but it's all in good fun. He'll mock you mercilessly, recounting every Slytherin victory over Hufflepuff in Quidditch or other competitions. Yet, despite his teasing, Theodore knows when to concede defeat, his love for you outweighing any petty house rivalry.

"Alright, alright, my little badger," he'll sigh, pulling you into a tight embrace. "I may be a Slytherin, but you've got me wrapped around your little finger. Just promise me you'll stop bringing up that time Hufflepuff beat us in the House Cup. It still stings, you know."

LORENZO BERKSHIRE

He'll even go as far as pretending to roar like a ferocious dog lion - oh the irony , whenever someone gets too close, much to your amusement.

Lorenzo can't resist the urge to baby you at every turn, his heart swelling with pride whenever he looks at you. He'll hover protectively by your side, his arm draped over your shoulders like a shield against the world. "My sweet little badger," he'll coo, pressing a kiss to your forehead. "I'll protect you from every danger, real or imagined. No one's laying a finger on my precious Hufflepuff, not while I'm around."

DRACO MALFOY

Draco's annoyance is as evident as ever, his aristocratic features twisted into a perpetual scowl (his resting face actually) as he begrudgingly accepts your Hufflepuff allegiance. He'll grumble about the stupidity of your house, his annoyance palpable in every word he utters. "Hufflepuff" he'll mutter under his breath, as if the mere mention of the word leaves a bitter taste in his mouth.

But despite his disdain, Draco can't help but crave the princess treatment you're all too willing to provide. "Fine, Hufflepuff," he'll huff, crossing his arms in a dramatic display of annoyance. "But don't think for a second that I'm not expecting extra cuddles to make up for it."

。　　　　✧　　　　⁺　 　 　。

[ratatattouille]

Why Arcane's Finale Fumbled Pt. 2

In my last post, I argued that Arcane's second season was artistically beautiful and thematically cheap. I broke down where I believed the writers fumbled with Vi's, Jinx's and Viktor's characters, and how the conflict of season 2 should have centred around a war between Piltover and Zaun rather than Piltover/Zaun against Ambessa and cosmic robots. I asserted the the real let-down of Season 2 had to do with its themes and its refusal to commit to the political story it had set up.

Well, folks, on further examination, it actually looks worse than I thought, and I'm going to use two characters--Silco and Mel--to break down what makes the message of Arcane so hollow and even a little dangerous.

Let's get into it.

Silco: The First Proposition

Silco and Vander:

Silco is a character CENTRAL to the themes of Arcane. The setup of the entire drama of the show, the central theme, are these questions: what is the price of progress and are we willing to pay it? Should we pay that price? Or as Silco says it quite bluntly to the first kid we see him give shimmer to: “Real power belongs to people who are willing to do anything to get it.” This story isn’t merely about ambition, but a dialogue on what actual progress costs and looks like. What does a better world look like? Is the better world we’re fighting for better for us or others? And what (or who) are we willing to sacrifice to achieve that goal? Vander, when faced with that question on the bridge answers, “No dream is worth the loss of those we love.”

The death on the Bridge of Progress during the early war/conflict had too high a cost to Vander. Silco, however, “had enough.” Unlike Vander, what happened on the Bridge of Progress radicalized him. Silco, while being drowned by Vander, realized in that moment that he would do anything, not just to live, but to achieve his dream of a free Zaun. With or without Vander. Even if he had to sacrifice Vander. And we soon see, that while Vander dedicated the rest of his life to keeping the vulnerable in The Lanes safe (even if it meant making deals with enforcers), Silco was willing to throw citizens of The Lanes to the wolves on his way to achieve independence for Zaun. Silco calls it, “The necessary violence for change.” And in this episode (3 of Season 1) Silco sets forth a proposition for the entire show: does the path to a better world require violence?

Silco and Sevika:

Silco’s new approach to crossing the bridge of progress, the path to freedom is winding and twisted. Silco embraces that, because only the goal matters: an independent Zaun. Silco won’t be at the mercy of the Council or anyone in The Lanes, and Sevika is into that shit. We saw that she percieved Vander as weak and servile to enforcers. Who she deems abhorrent without remorse (Vander and Grayson are both despised by Sevika and Marcus because they are percieved as being too lenient with their enemies). Silco, however, has an ACTUAL plan.

He creates a shimmer enterprise because having this control not only gives him a monopoly on The Lanes (and the gangs within), but leverage when it comes to manipulating the Council. Violence and the threat of war are the official languages of both Zaun and Piltover. It is how anyone bothers to listen to Silco both in The Lanes and within the Council. We know that the rich Piltovians (like those IRL) only speak money. “Progress” to them is prosperity and legacy (and I’ll get more into that later).

By creating the shimmer enterprise, Silco not only gets his foot in the door, monopoly over the other gangs and factions (thus uniting them), but a metaphorical seat at the table. His name has weight now, which positions him to make demands of Piltover and give Zaun a thriving industry (at least when it comes to money). Especially because (as we see with Salo and Lest) shimmer is also used by the elites. Silco is a brilliant tactician who exploits the hubris of Piltovians (like Marcus, who wanted to be in charge so he can neuter Zaunites indiscriminately), and manipulates them to his own advantage (much like Mel). But when Renni’s son is killed in the mines, Silco’s proposition is confronted once again: isn’t it easy to justify necessary violence when no one you love is the collateral?

Silco doesn’t care about Renni’s son, doesn’t see himself as remotely near Renni’s position. When Twitch calls Jinx his “dog” (something Sevika herself wanted to do lmao), Silco gets twitchy. He doesn’t recognize any similarity between his relationship with Jinx and Renni and her son. Jinx is not someone he would ever consider as up for debate. Which was the point of tension between him and Sevika (a Sevika who’s loyalty he KNEW he needed in order to keep control, especially in the wake of Jinx’s volatility and unpopularity). Nevertheless, Sevika doesn’t betray him in that moment, because she still sees Silco as stronger (even though she believes Jinx is a weakness he needs to get rid of). As with Vander, Sevika views affection for their own at the cost of freedom as weakness.

Yet, funnily enough, she is fiercely loyal. She, like Jinx, is Silco’s “dog.” She shares his weakness, the weakness that makes her zealous for a better world in the first place. But what Twitch and Renni pose to both Silco and Sevika is the unsettling question of: are you really willing to go far enough? Or do you still see yourself as an exception? Regardless, when it comes to Silco’s proposition, Silco WAS SUCCESSFUL (and also accurate in his deductions on what would get both cities to respect him and eventaully give him what he wanted - Zaun). His determination and focus paid off, indeed, it’s hard to see how he could have been successful without the “necessary violence”. It is clear that he wouldn’t have. No shimmer, no independence. Silco, for all his gruesome methods, WAS RIGHT. Except . . .

Silco and Marcus:

By exploiting and manipulating the vulnerable of The Lanes, Silco also ensured he would suffer the same fate as Marcus. Unlike Silco, Marcus did horrible things to protect his daughter. Marcus, at first, had started out as a zealous enforcer, eager to clean out the rats of The Lanes. Although he didn’t plan for Grayson to be killed, he was willing to get rid of her in order to ensure that he would get into a position that allowed him to do what he wanted to do: exterminate rats and be the hero of Piltover.

Silco offers him bodies for Stillwater in exchange for ease of shimmer distribution. Silco is willing to sacrifice his own people, the people Zaun is ironically for, in order to gain influence in Piltover. Silco, however, did the opposite. Because he loved Jinx, he recognized her deepest insecurity and sought to assuage it (inadvertently weaponizing it against her and those who loved her). He let Jinx get close and gave her responsibility so she could feel like she belonged (he let her drug his eye, a delicate process, while she was still thought of as reckless and untrustworthy). He brought her deeper into the heart of the violence and taught her to embrace it. He made her a child prodigy of warfare.

He takes a different approach to Vander (who kept telling the kids to stay out of trouble where they could and used himself as a buffer). So was Silco wrong? Was Vander? The answer was, quite poetically and profoundly, their deaths and the resulting silence. Both died, more or less, at the hands of their daughters. This is something overlooked often by fandom. It was Vi’s choice to lead her brothers and sister into Jayce’s apartment that would eventually bring the enforcers down to The Lanes, sparking the chain of events that would lead to Vander’s death (or had things gone “well,” his arrest). Vi is also how Powder got the arcane stones in the first place. Vi’s encouragement (well-meaning and innocent as it was) played a hand in the disaster that followed.

But the fact that both Vander and Silco die regardless, paints an excellent portrait of the constraints of oppression. Both tried different methods when it came to rearing their daughters. Both methods got them killed and thrust their children into peril. Vander could only have shielded Vi for so long, and Jinx could only have taken so much so young before she broke down completely. The fate of the girls is not merely their fathers’ fault, nor their sister’s. The tragedies of their lives happen due to the simple fact that they were born in The Lanes. No choice, on either Vander’s, Silco’s, Powder’s or Vi’s mattered in the end.

They were always playing a losing game, which is what makes it so fucking INFURIATING when S2 comes along and suggests that “ACKTUALLY the reason everyone’s happy in Ekko’s AU is because Vi died/hextech was no more/Silco and Vander made up).” All of those were symptoms of the bigger issue, not the issue itself. And that is the horrible irony of Silco’s story. He WAS right. But his folly was viewing himself and those he loved as exceptions to the rule. For when Zaun demands the final price, when Jayce asks for Jinx in exchange for his dream being realized, he isn’t willing to pay anymore.

Marcus only crossed the bridge of progress into Zaun for the sake of his daughter (as is shown in a chilling scene where he finds Silco playing with her in her room). Likewise, when Silco FINALLY finishes, after all those years, his march on The Bridge of Progress, like Marcus, he dies in a swarm of bullets. But unlike Marcus, he is afforded time to tell his daughter, “I wouldn’t have given you to them. Not for the world.” Not for his dream. So what did Season 2 do with that?

Summary of Fumblings:

-I’ll tell you what Season 2 did. Season 2 took the biggest shit on one of the most fascinating characters in animated history. The reason I didn’t put that much critique up there was to show you how complex, layered, deep and thoughtful Season 1 was with Silco’s character. Silco in S2 became a cheap gimmick flung in our faces like the marketing team was trying to sell Silco plushies following the release. His back-story in Season 2 clashes horribly with Season 1. If Vander, Silco and Felicia were such chums back then, why did neither Silco nor Vi recognize each other when they met in Season 1? They were quite grown by the time the March on The Bridge of Progress happened. Honestly, there’s too many mistakes and inconsistencies with how Season 2 handles the backstory I don’t even see a point in getting to it

-(excerpt from one of the writers) I can't BELIEVE MY FUCKING EYES! Silco’s respect for Vander, despite the fact that Vander tried to drown him (most likely after the carnage on the Bridge of Progress where Vander realized the cost of war), was that Vander remained dedicated to Zaun’s independence, at least, until he began prioritizing the safety of the children over Zaun’s freedom. Silco’s respect for Vander had never been a goal or motivation. Silco never expressed any desire to be respected by Vander. He merely expressed respect, ONLY because Vander, up until he became the enforcer’s “lapdog,” shared his pursuit of a free Zaun. Silco killed Vander for the same reason Vander tried to drown Silco: they had become a threat to what they held dear - Silco, his pursuit of Zaun, and Vander the safety of his adopted children.

-”We build our own prisons. Bars forged of oaths, codes, commitments.” This conversation is SO FUCKING—rips into mattress and pulls out stuffing Jinx hallucinates Silco from within the cell she’s in at Stillwater, maybe the same one Vi had been in. Silco starts off saying something like “It’s funny how Marcus thought putting Vi in this cell was a greater mercy than killing her,” cluing us in to not just Jinx’s mental state but the very real torment it must have been for Vi as a child as well. SO JUST TO RECAP, WE ARE TALKING ABOUT THE PRISON OF THE CYCLE OF KILLING AND VIOLENCE, OKAY. In addition to that already horrible quote above, Silco says, “. . . and it will continue, long after the two of you.” So, folks, IN CONCLUSION, this cycle of violence (which I have already established like a fucking broken record is EXPLICITLY started and perpetuated by Piltover) is eternal and inevitable. Just let that fucking sink in. Let it settle nice and sour in your gut and then tell me how that GERD feels. Not only is that an appalling thing to suggest about any oppressive regime, it’s also untrue. Yes, humanity has not gone a decade without some form of conflict and struggle, but individual societies have been PROVABLY capable of both progress and regress. Both of which require the agency and active participation of others. And Arcane seems to want to show that progress is indeed possible, but it has already declared it, to some extent, a pointless pursuit in this conversation. Which is it, Arcane S2 writers? Is progress worth striving for, or is it pointless? “Oh my god, you’re so dumb ratatatouille!” you say. “Of course they answered the former! Duh! In Ekko’s monologue when Jinx is trying to kill herself, he tells Jinx that someone special once told him that no matter what happened in the past, it’s never too late to build something new - someone worth building it for.” GREAT! DELICIOUS, EVEN! Now why is it that Ekko says this instead of Silco? Why isn’t this something Silco would say, given that this was the entire point of his and Vander’s story? That this is what his arc embodied and explored? “You’re so silly! Obviously Silco is a hallucination!” The show explicitly frames Silco as RIGHT and tries to tie in what Silco says with what Ekko says. More sympathetic viewers will say that since Ekko discovered that Jinx was never the problem, that hextech was, and that Jinx was actually the path towards progress - a path Silco had walked so she could run - Ekko approached her as someone he could finally save (and oh boy am I going to get into why that doesn’t work AT ALL later). Is is not Jinx, but the hextech, the ARCANE, that is dangerous. The hextech is the true jinx. It is what will keep the cycle going. That’s why Silco holds the arcane stone near his eye like that in the scene.

And to that I say . . . WELL THAT’S FUCKING STUPID. I don’t care that “Arcane” is the title of the show. It is the cheapest story gimmick I have seen since vibranium, except vibranium REMAINED a plot device and didn’t usurp the theme or political/interpersonal conflicts in Black Panther. Hextech was a PLOT DEVICE meant to be used to explore the themes which became the ENDPOINT. And this story SUFFERS SO MUCH from that simple change. This is why most critics of season 2 say the story should have remained focused on the interpersonal and political reasons characters did what they did, rather than siphoning all their stories into a mission to stop the evil, mystical stones. It is a fucking stupid distraction in S2, where in S1 it had been a beautiful metaphor, a fragment of a mirror that the characters held up to examine their faces.

But by claiming the cycle was the hextech all along, you just shat on everything that made S1 good.

Which brings me back to what Ekko tells Jinx, that she can still build a better world for the people she loves (like Vi, I guess). That’s why she comes back to help her sister. She cuts her hair (a symbol of letting go of the past) and joins Vi to defeat Ambessa and evil Viktor. This is treated as some kind of continuation (or the true point) of Silco’s “ending the cycle” speech. By letting go of Vi (literally) and Silco (also literally), she can finally . . . er . . . stop “running in circles.” So the show tells us she is BOTH supposed to fight one more time to achieve an autonomous Zaun AND fuck off to a new land to escape said cycle—which, what was the POINT of fighting if she still had to “escape” it in the end anyways?

NO S2 HALLUCINATION SILCO, JINX AND VI DID NOT BUILD THEIR OWN PRISONS. THEY SURVIVED THE CAGES THEY WERE PUT IN AS CHILDREN AND THEY DESERVED BETTER THAN THAT GODAWFUL DUMBASS SPEECH.

Do you see why this writing is so horrible? It contradicts itself so many fucking times, no matter how you splice it. Whether it’s about the cycle of violence being the fault of unforgiveness or hextech. None of it makes any sense because none of it was ever established in season 1 as being the cause for any of those things. And by even SUGGESTING that either or both of those could be the cause, the writers send us two very troubling messages: oppression is inevitable and also, somehow, the fault (rather than responsibility) of the oppressed. Actually no, I think the suggestion from the writers is even stupider: oppression is an option and you can opt in or out.

And that is the ultimate insult to Silco’s character and what he did for the story of the show.

Mel: The Counterpoint

Mel and Jayce:

Mel is Silco’s thematic counterpoint. In the story, Silco proposes that progress costs some “necessary violence.” Mel is faced with this same question as a child, when Ambessa presents her with the last remaining heir of a nation Noxus had conquered. Ambessa asks young Mel if they should kill or spare the girl. “Kino says war is a failure of statecraft,” Mel had said, when her mother told her about how her father had made her retrieve knives on the battlefield at ten so she’d know death. War, Mel is sure, is REGRESS not PROGRESS. It is the breaking down of the state, not the making of one. It’s obvious to Mel that sparing this girl, who looks about her age, is the progressive, less barbaric thing to do. Yet Ambessa insists, “Your brother thinks he can talk his way out of anything,” Likening him to being a fox among wolves when a good ruler needs to be both. To which Mel goes on to describe the kind of ruler the new conquered kingdom will need. A woman “with a kind, fat face to charm her subjects”, but moldable, to which Ambesaa basically says “So basically you? Cool. I’m down, but you have to prove yourself to me. Prove you can take it.” This is when Mel is presented with the ultimatum: choose to spare the girl or kill her. “We can show the people we are merciful,” she pleads on behalf of the girl. But Ambessa is firm. If Mel kills her now (a symbol of the old “regime”), she won’t (maybe) have to deal with any uprisings and kill thousands.

But Mel doesn’t swallow this poison, insists that diplomacy is the superior way, and is banished to Piltover, where she undertakes the task of proving herself. She tries to become the fox. She uses her kind, fat face to charm the Councilors of Piltover and utilizes Jayce to use hextech for Piltover so that her work in the city becomes impressive, cements her legacy as a Medarda, validates her as one of them, and ALSO proves her mother wrong, thus liberating herself from her mother’s cycle of violence and re-instating her rightful station as a worthy member of the Medarda clan.

But it’s not JUST that, though. Jayce’s enthusiasm to improve the world with hextech inspires Mel and validates what she felt so strongly as a child that Ambessa staunchly denied. When Jayce shares his dream with her, she goes all soft and says, “We’re (the Medarda’s) not often in the position to give back.” Which is . . . funny, lol. I think she was talking about herself rather than her entire family. Anyway, to Jayce, Mel was the one who gave him a second chance. He and Viktor wouldn’t have gone anywhere without her help. Jayce is likely the first person she’s felt capable of helping (especially outside Ambessa’s shadow), and likewise, Mel makes Jayce feel indominable (remember: “Nothing feels impossible when I’m with you”). Jayce makes her feel good about herself, hopeful that her ways can work. After all, being the fox has worked for Jayce and Piltover.

But Mel isn’t just the fox, and not for the reasons S2 thinks. Why? LONG before Ambessa sets foot in Piltover, Mel receives a letter from a correspondent overseas. She despairs that Jayce is not ready to be the success she needs him to be. Even after he confides in her about Viktor’s illness, to her it is not a personal loss. Like no matter what the meljayvik or melvik shippers say, Viktor and Mel DID NOT GIVE A FUCK ABOUT EACH OTHER OUTSIDE OF JAYCE. Jayce wants to uphold his promise in helping Viktor, the man who saved him from his own death (AND TRUST ME, WE’LL GET TO THAT) but Mel wants Jayce focused on keeping her investment and legacy IN PILTOVER safe from Ambessa.

So what does homegirl do? She manipulates Jayce into creating hextech weapons. The reason she moves for a vote to make Jayce a councilor on Progress Day is in light of Jinx’s attack. The councilors are worried that someone in the undercity got their hands on hextech and can use it against them. Jayce, feeling responsible for the situation (and that probably having something to do with Caitlyn nearly dying in the attack), proposes to pause all hextech developments until the threat is neutralized. Instantly, we see Viktor’s and Mel’s reactions—panic. Both are running out of time. Mel to make Piltover a success (in that it is able to defend itself from Ambessa), and Viktor to help those dying in The Lanes. So Mel proposes Jayce become a councilor instead.

We next see her examining Jinx’s bomb with Viktor and Jayce. Jayce asks Viktor if it’s possible that Jinx could create something resembling hextech. Viktor, who is busy marvelling at Jinx’s ingenuity and feeling a little proud of his people, says very confidently that “It’s a leap.” Meaning it’s far away from what Jayce and him are developing. But Mel needs SOMETHING to intimidate Ambessa. That, or she recognizes the undercity as a real threat to her dream of progress and prosperity. Legacy. The undercity is ugly and she wants to neutralize it before she loses her chance. Regardless, here, we see her make the choice to be the wolf. The relentless and unmerciful. Focused and driven by her ambition. She will be a Medarda, unlike last time. Armed and prepared. When Jayce asks if she knows for certain that Zaun intends to turn the gemstones into weapons, Mel says, “That doesn’t matter. We’ll assume,” which pisses Viktor off. But then she performs the ultimate manipulation on Jayce. She uses Jayce’s care for the Kirammans and Piltover to convince him that it’s necessary to “protect your people” which, Viktor can tell, does not extend to the people of the undercity.

Once again, Mel is demonstrating that she doesn’t see Zaunites as people. She barely acknowledges Viktor when he protests, saying “That’s not what we invented hextech for!” She merely looks at him, then looks back at Jayce and talks to Jayce. She repeatedly ignores Viktor, talks over him, as if he isn’t there. Doesn’t matter. After all, Jayce is the only one in Piltover worth her time. Piltover is her project, not the dirty undercity. Mel had already sown the seed for Jayce’s rampage by the time Ambessa showed up.

“Stay away from Jayce!” she says, and yet Mel is what brought Ambessa close to Jayce both physically and ideologically. For hextech and Piltover (the City of Progress) to be safe, Jayce has to commit some “necessary violence for change.”

This isn’t only Ambessa’s fault, but Mel’s and Jayce’s errors as leaders. By neglecting the undercity, Jayce fails to see how his innovations could be weapons until it's too late. Mel is also so focused on Ambessa as a threat that she neglects the threat of the undercity, a place that only became a threat because of YEARS of failed state-craft.

Jayce acquiesces to Ambessa's rhetoric since the attack at the bridge, and proposes to the other council members to go into The Lanes with force, which they are all (including Mel) hesitant to do. But then Jayce goes ahead anyways, and kills a kid (which we’ll come back to), and he not only regrets it, but does a 180 and returns, like Mel, back to his core values — peace and progress over prosperity or legacy. He makes a deal with Silco and then goes and tells the Council what’s up. Mel, now utterly convinced of her position, is the first to cast her vote in favor of an independent Zaun, and removes the Medarda ring while she does so, signalling her disdain for all the clan represents. Not only that, but she smears gold over the Noxian ships in her painting, which her mother correctly reads as a rejection of Noxus and an embrace of the Piltover her and Jayce want to build. Mel does not anticipate the attack, and Mel, in the last frame of the finale of Season 1, is the first target of Jinx’s bomb, the first councilor it was going to hit while her back was turned to it.

Mel and Viktor:

Mel’s parallel with Viktor is interesting. Mel’s interest in hextech (and initially Jayce) are to her own ends, later becoming altruistic (Viktor’s interest in Jayce also starts as an interest in his theories although his motivations were altruistic from the start). Jayce reminded her what she wanted to be in the first place. That her family name, like Jayce’s was to his, was a ball and chain around her neck. Holding her back from true progress. From a better world. A better legacy. Viktor comes from nowhere-land. Viktor doesn’t have a family legacy to inherit. Viktor is a Zaunite. And soon, much like Viktor, Mel is going to have to work hard to create her own legacy. Both Viktor and Mel are sort of outsiders in Piltover. As is shown in S2 with Salo, Piltover, the Fake City of Progress, has no accommodations for the disabled, which makes Viktor stand out like a sore thumb (also, Viktor is the one who made his own leg brace). Mel is a foreigner who has to make a name for herself before she can latch onto the Medarda title. Viktor wants the city to be good, while Mel wants the city (and herself) to look good by matching the strength and prosperity of Noxus.

This is why Viktor gets so sassy with her lmao. He sees through her manipulations and notices that she is pulling Jayce away from what they’d set out to do together (he is also annoyed at how easy it is for Jayce to forget). Mel is the one who tells Jayce it would be wiser to let the council members get away with their criminality (all while cracking down on The Lanes), which makes them wealthier, something that pushes Jayce deeper into his own prejudices against Zaun, where he starts seeing himself as primarily a caretaker of Piltover rather than hextech, as a councilor rather than a scientist, and it jeopardizes his relationship with Viktor.

But Jayce helped her re-connect with the values all three of them shared deep down. The desire to help people and make the world a better place. After the bridge massacre, Mel wants to put her charm and diplomacy to good use, and she does so in the Council Room when she votes for Zaun’s independence.

But here’s where the FUMBLE happens. In S2, we see that Mel’s magic seems to have shielded Jayce and herself, but not Viktor. Not only that, but it’s hinted that Viktor’s magic is resistant to her touch. We don’t get any answer as to why that is (although I’d like to think that was Viktor being petty even while unconscious). This is especially weird since the arcane is alluded to be where the mages get their power (and isn’t it convenient that Viktor became a mindless war machine controlled by the corrupted/corrupting arcane instead of a mage when we see that in other universes he is indeed a mage already?). Not only that, but Viktor can clearly “touch” her magic through the puppet, later on.

Jayce keeps asking her why he was spared and Viktor wasn’t, and Mel, once again, cannot answer him. She knows that her magic protected her and Jayce, but once again, Jayce is lowkey asking why all these horrible things keep happening to Viktor instead of him. Why he is spared instead of Viktor. Unlike Mel, I have an answer. The answer IS PRIVILEGE JAYCE NOT THE FUCKING ARCANE AND THE MYSTICAL NATURE OF MAGIC OR SOME UNKNOWN FORCE OF FATE. Viktor’s tragedy was something that could be helped by both hextech and just Piltover not being a bunch of fucking asswipes. Viktor’s “bad luck” was actually just piss poor governance, or as Kino would say, “a failure of statecraft.” When Mel forsook her original ideals in order to pursue her mother’s acceptance and her family legacy, she did what all the other council members did: make themselves comfortable in places of power at the expense of the oppressed. In order for her to reclaim herself, she had to abandon Noxus and her dream of returning or belonging to the Medarda Clan. Mel has to choose between her family’s legacy and her own longing for progress and dedication to mercy over violence.

Mel and Ambessa:

While Jayce has to fight Victor (who is really now reduced to just another weapon Jayce created that’s gotten into the wrong hands - and more on THAT later), Mel’s task is facing down her mother. By removing the context of oppressed/oppressor inherent to the Piltover/Zaun dynamic, we fail to explore S1’s setup for Mel. IT SHOULD BE NOTED that the reason diplomacy worked for Mel and not Silco was because of their differences in power. When Viktor tells Jayce “There is always a choice” after Jayce expresses his doubts regarding what Mel said about the Zaunites making hextech, Viktor was talking about Jayce’s choice. Mel’s choice. Mel could have chosen to be diplomatic, even with the threat of Jinx. But instead she forsook her ideals in pursuit of her desire to become a Medarda and, like her mother in her dream, preferred to eliminate the threat rather than integrate (Zaun). Even if she back-tracked by the time her mom came back.

Mel has to face the fact that, like Jayce, she betrayed her values and initiated something horrible: the war she’d always dreaded and despised. Mel is why Ambessa heard of the weapons in the first place. But S2 doesn’t focus on this at all. It barely acknowledges it. Instead, Mel is sucked into the Black Rose and told she’s a mage and that her mother must die for the sake of nameless nations the Black Rose mentions. You see, Ambessa is a scapegoat. An excuse to halt and dissolve any meaningful discussion on Piltover’s (and Mel’s) hand in the plight of The Lanes.

By making Ambessa the big bad, the council members and other Piltovians complicit in Zaun’s desperation get a free pass. Both in the show and by fandom. In fact, Mel can now be regarded as a hero (one of the GOATs of Arcane, if I recall) for killing Ambessa, then being christened the wolf by her mother. We don’t have to reckon with the fact that for most of the time she ignored Zaun, and that when Zaun got her attention, her first instinct was to weaponize Piltover, saying, “The peace was already broken.” And I’m pretty sure the reason she did this was LARGELY for ambition, because not more than an episode later, she’s backtracking, insisting that Jayce doesn’t know war like she does, that they should simply give Silco what he wants.

So Viktor was right. She wasn’t forced to create hextech weapons. She wanted to do it for her own gain. And Jayce rightfully gets mad at her in S2 when he recognizes her manipulations (even if he himself was complicit). He does, however tell her that “No one can control you and you’ll never be a passenger.” Once again affirming her incredible power—only this time, the focus is magic and not her political prowess. AND ISN’T IT CONVENIENT THAT MEL “DOESN’T UNDERSTAND” HER EMPATHIC POWERS SO SHE CAN BE TECHNICALLY EXCUSED FROM HER DECISIONS IN S1? HOW COOL IS THAT?!

Lmao when Mel starts lecturing her mother in the finale with “Mother, look at the price of your ambition,” it’s like . . . okay? You exacerbated this war long before your mother, girl. You were the one on the council for YEARS before she arrived. Mel, like Caitlyn, gets to play saviour while barely taking any credit for the fact that she was largely responsible for where Zaun and Piltover ended up (sis literally determined council votes singlehandedly). When Mel stands on the other side of the Bridge of Progress, she sees a trail of violence. She decides to cling even more firmly to her core values. Silco was right, but so was Mel. You see, diplomacy wouldn't have worked for Silco, but it could work for Mel, because Mel had power.

Summary of Fumblings:

-And what was that, “(Piltover is) the city I built for my family” BS? By the end of S1, it is clear that Mel wants NOTHING to do with being a Medarda anymore. She wants to keep Noxus and Piltover SEPARATE. So why does she tell her mother, “You will never be a Medarda” as some kind of gotcha? Lmao, like why tf does that matter? How would she know? Why would she care? Other than her and Kino, what other benevolent Medardas are out there that makes her say this?

-The Black Rose warns Mel of Ambessa’s “thirst for legacy” (much like Mel’s) leading to a worldwide calamity. Mel wants to imagine that her mother prizes her own children over her pride, but the Black Rose insists that’s not true. That Ambessa is willing to sacrifice her children for more power and legacy. We do understand, however, that when Ambessa is confronted by the Black Rose, she is resorting to hextech so she can avoid using Mel (”she’s safer as our enemy”). AND THAT WOULD MAKE SENSE IF THE THIRD ACT ACTUALLY ACTED LIKE IT. How is Mel going to be this really great weapon that Ambessa doesn’t want to use because she loves her (which like, why didn’t she love Kino then if it wasn’t about magic?), but also simultaneously SENT AWAY TO A DISTANT LAND OUT OF HER WATCH? So now she’s hiding Mel, but she wants to pursue the arcane that is waking her mage-ness up and making it impossible for Mel to hide? Ambessa was literally there in the council room in the aftermath of the explosion. She knew Mel had used magic to protect herself and Jayce, but she didn’t do anything? Say anything?

Now most of this is clearly setting up another story in Runeterra (which means my criticism will ultimately be left to conjecture), so I’m going to focus instead on her last words to Mel: “You are the wolf.” The wolf being a symbol (at least in callback to season 1) of ruthlessness and fearlessness: the opposite of mercy. Why does her mother say this? Because Mel finally made a kill? Or because she killed to protect what she built? Finally embraced her power? Yeah, let’s go with that last one. Mel’s development in S2 becomes one where we focus on the power she’s always had, both magical and influential. Yet the show focuses more on the cool magic part than the rammys of Mel’s decisions in S1. It ignores her political power and frontlines her magical abilities, even making her political prowess partly due to her magical empath powers . . . like . . .

-Mel had dislodged her legacy from the Medardas by the time S2 rolls around. . . except no she hasn’t. In the end, Mel is sailing back on the Noxian ships she painted over, and she is doing so as the new Warlord (even wearing what looks like her mother’s cape) because she is the badass wolf, the leader that her mom wasn’t. And how did she achieve that power? Magic. Why does she want to go back? To reform the Medarda name? To take on the mission her mother couldn’t finish against The Deceiver? Because Jayce is dead? Who even cares at this point, this is mainly happening for the spinoff. It isn’t illogical, it’s just the least interesting approach to her character. Mel had much more agency in S1, and her political prowess made her formidable. But that doesn’t matter anymore.

-Her whole arc in S1 was all about her finding the courage to leave the Medarda name behind in pursuit of true progress, but then she kills her mother and sails away from Piltover, the city she fought to protect and killed her mother for and is all about probably reforming the Medarda name—and that’s her job done? Is it me, or is that a reversal of her—pardon the pun—progress? Also, she grew up in Piltover, it must be more of her home than Noxus ever was. Not only that, but making Ambessa go from an imperialist tyrant to this woman bravely fighting against a larger, more powerful threat cheapens what Noxus represented for me. Sometimes conquerors do be conquering, and they make threats up to justify their greed. Not the other way around. It’s not too egregious, but it would’ve been nice if the Black Rose had been more of an epilogue thing.

-sigh I know I’ve said it before but it’s because it’s true . . . the conflict should have remained between Zaun and Piltover and Ambessa was a cheap way out of what S1 was building up

-Ambessa was not who Mel needed to physically defeat, but someone she needed to ideologically defeat. And we don’t see any of that. By the time Ambessa calls Mel “the wolf” it’s hollow, because it’s about Mel being a more powerful combatant than a wise ruler. In this moment, her “foxness” is about how she figured out the “deception” of the Black Rose and not how she outmaneuvered her mother politically. Perhaps it would be epic if we knew what the fuck she meant by “I see your face deceiver!” and then super sayan-ing out of nowhere. Her not having mercy on her mother is about being a Medarda, a question that wasn’t the focus of season 1, merely a catalyst. Becoming a Medarda was the goal Mel had, not the need. She needed to learn how to rule. Instead, she learns how to kill. And then she’s off to her home in Noxus as more of a soldier and spy than a queen. 

Which likely means two things:

-S2 got bored of Mel and just gave her cool reflective powers to make up for it. Making every interesting development about her character happen off-screen, in the writers room, or on another show.

-S2 was deliberately trying to communicate that it sided with Ambessa. That violence and combat, war, is not merely a failure of state craft, but necessary or inevitable to political growth. That militarism is the only thing that can answer militarism. That the only way to ensure the progress you make is secure is arming yourself. Even though this topic has some grey areas, Arcane explicitly picks a side by narratively using Ambessa to justify Piltover’s weaponization of hextech.

i know fandom has a lot to say about Mel being a “strong-black woman” character, but as a black woman myself, I hated how they stripped her of what made her such a strong, enigmatic presence in S1. Her prowess, her wit and cleverness. Her sheer intellectual power made her so FORMIDABLE.

She’s just a lost, hurt uwu little puppy for most of S2 before she’s given her US government assigned Avengers superhero uniform.

Mel in Act I was already using Lest to spy and we almost got a good story then—POOF!—Black Rose.

-Mel’s contribution to the development of hex-tech every step of the way is completely ignored. Instead Viktor and Jayce take full responsibility.

Conclusion:

Mel and Silco's arcs both ask: is violence necessary for progress? Both answer yes, but Mel's remains a little unsatisfactory. Because Mel had a choice. She had power. Power that Silco was willing to do (almost) anything to get. Both Mel and Silco's presence in S1 were formidable, and what made them so intriguing was there thorough understanding of people, both the good and the bad. But in S2, at least for Mel, what made her such an agentive character is thrust aside for spinoff hype. It's not that it isn't cool, it is. It's just one of the things that made S2 feel not only chunky, but disconnected from the roots of its story in S1. Both Silco's and Mel's characters in S2 reveal a very poor (or troubling) view of oppression, power dynamics and politics.

Anyway, that's just me. I was gonna do Ekko, Caitlyn and Jayce as well, but this post got too lengthy. I'll probably need to whittle it all down later. I've already cut so much.