#without understanding what they're writing.

[kashverse]

CAN you PLEASE PLEASE make a drabble of Toji taking care of sleepy Mamaguro and Megumi? I think it would be so adorable. 🧎

oh to continue writing happy toji and happy mamaguro reader... 🚬

the mission was simple: stay up until 12 a.m. to wish toji a happy birthday. you and megumi, the last-standing warriors of the fushiguro household, sat by the door like hyper puppies, waiting for your beloved husband—your fearless protector—your batman (you are not explaining to a six-year-old what an assassin is)—to return home. it was going perfectly until your phone buzzed.

gonna be late. emergency job. don’t wait up.

you stare at the screen. then at megumi. then back at the screen.

the bastard forgot his own birthday.

your son, wise beyond his years, folds his arms and scowls. “so, what, we just give up?” you slap the table dramatically. “absolutely not.”

if there was one thing you and megumi had in common—besides your unwavering judgment of toji’s life choices—it was stubbornness. this mission would not fail. if your husband wanted to be late to his own birthday, that was his problem. but you and megumi? you were gonna be ready. so, naturally, you both made the worst decision possible.

sugar boost.

you and your six-year-old co-conspirator sprawled across the couch, sharing a single pack of gummy bears like it was some kind of sacred ration. one gummy at a time. chewing slowly. blinking at the wall in utter silence like two very small, very deranged owls.

"mama."

"yeah, baby?"

"do you think papa is the strongest man alive?"

"of course."

megumi chews thoughtfully. "do you think he could lift a cow?"

you consider this. "...easily."

"two cows?"

you hesitate. 

-

it’s 11:57 p.m. standing in the doorway, looking like he just crawled out of a damn action movie, is toji. the duffel bag slung over his shoulder drops to the floor with a heavy THUD, and he’s met with—

a beautiful handmade "happy birthday, papa!!" banner, decorated with poorly drawn badtz-maru stickers, because megumi has commitment to the bit.

you, sprawled out on the couch like a crime scene victim.

megumi, passed out on top of you, his little hand still clutching a half-eaten gummy bear.

toji stares. something in his chest tightens. he lets out a quiet sigh, running a hand through his hair as he steps inside, shutting the door behind him. exhausted as he is, something about this sight makes his heart ache in that weird way—the kind of warmth he’s still getting used to, the kind that makes him feel like maybe, just maybe, he didn’t screw up as badly as he thought. without a word, he moves over to the couch. and because yes, he is that man—he lifts both you and megumi in one go. you stir slightly, groggy, mumbling, "cow..."

toji frowns. "what?"

megumi snorts in his sleep, muttering, "two cows..."

toji, confused as all hell, just grunts and carries his weird, sleep-deprived family to bed.

the next morning, as the sun peeks through the curtains and the birds chirp outside like they're personally taunting you, you and megumi prepare for phase two of toji’s birthday celebration: chaotic wake-up call.

toji, the strongest man alive (and also the biggest sleeper in the house), is sprawled out on the bed, dead to the world. he sleeps like a log, one arm thrown over his face, mouth slightly open, because even assassins need their beauty rest. you and megumi exchange a look. a silent nod of understanding. then, in perfect sync, you both take in a deep, deep breath and—

"HAPPY BIRTHDAYYYYYYYYYY!!!"

toji’s entire body jerks like he just got shot. his arms flail, his head snaps up, and before he can even process what's happening, you and megumi double down with a second round of high-pitched, ungodly shrieks right in his ear.

"what the hell—"

but before he can even think about grabbing a weapon (because let’s be real, his first instinct is to attack), he realizes exactly who the culprits are. and oh, oh, you two are in trouble. his sleep-deprived brain short-circuits for about half a second before years of combat training kick in.

he lunges.

"oh—RUN!" you shriek, shoving megumi, but it’s too late—toji grabs you both in one swift motion, rolling over and pinning you down, locking both of you in a vice-like headlock.

"GOTCHA!"

"NOOOO—!"

megumi screams in betrayal as toji mercilessly ruffles his hair. you’re not spared either, as he buries his face into your neck, delivering an absolutely brutal barrage of kisses like it’s a full-scale attack.

“YOU WANNA WAKE ME UP, HUH? THAT HOW WE’RE PLAYIN’ THIS?”

"toji stop—" you wheeze, kicking your legs as he plants an exaggeratedly loud kiss to your cheek. megumi shrieks, wiggling with all his might, but toji just grabs him tighter, pressing another series of dramatic, disgusting dad kisses to his forehead. "UGH, PAPAAAA!" megumi yells, offended.

"nah, nah, you started this, kid," toji cackles. "you and your big mouth—what was all that ‘two cows’ shit, huh?”

"STOP!" megumi flails harder, but he is six and toji is built different. eventually, though, he relents, flopping back with a satisfied smirk, letting you both gasp for air like shipwreck survivors. "you’re the worst," you pant. megumi, hair now a disaster, groans. "i hate birthdays."

toji just smirks, stretching. "eh, still my best one yet."

[meatballlady]

Every single fic after s1: "and then they went to Crowley's flat, and they confessed their eternal love, and they stared deeply into each other's eyes..."

Me, not realizing how bad it could be: "yeah, okay, love it, but some variety would be nice - "

Every fic after s2: "And then Aziraphale got to Heaven and immediately realized that he was a fucking idiot and wanted to turn around and grovel on his knees before Crowley but he couldn't because it was all a trap. Meanwhile, on earth, Crowley has been drinking for 84 years ... "

Me: *incoherent screaming*

[diushek]

Schrödinger's Cumplane: adopting a stray cat and they name him Bingpup, they share an apartment so that Shang Qinghua can write whatever he likes without fear of not having the money to pay the rent, they do their monthly shopping together choosing things that the other likes, they go to dinners and coffee shops just for entertainment (not as dates), they share room and bed sometimes even because of the number of times they fall asleep watching anime or criticizing dramas on the TV in Shen Yuan's room. Obviously, everyone - family, neighbors, friends, people from forums - thinks they are... something. Relationship. A couple. Married. God knows.

And Bingge appears in search of his Shizun's soul. A soul that has not been taken by another cheap copy of him... But, this little Shizun also seems to have been stolen by another cheap version of himself?!

Because the man who lives with that Shizun, with that wild hair, those disheveled clothes, even the broader shoulders!! It's like seeing a weaker, more worldly version of himself. They share the same eyebrows and eyes, even!

But the only "Bing" is that black cat who hisses him a lot, and... what kind of name is Airplane? Why does his little Shizun call that cheap copy of him that?

WHY HIS SHIZUN CALL HIM QINGHUA?

Luo Binghe only appears in their lifes to say: I will stay. This cheap copy of him is weak enough to not put up any resistance! And his little Shizun, after the initial shock, asks him a million questions and decides not to call the cops - what the hell are cops - decide what, well. It doesn't matter. They have a spare room anyway and Binghe can occupy it.

And Luo Binghe doesn't understand anything.

Well, if this Shizun is supposed to have already been taken over by that weak and mortal copy of him (not a hint of demonic blood, not a bit of spiritual power! Ha!), why doesn't he behave like a husband should? Why doesn't he cook for him, why doesn't he worship the ground he walks on like the other he?

That just means that Binghe has a better and easier chance to show his best against this Shizun! Ha! In your face cheap copy!

(Shang Qinghua has no idea why Luo Binghe hates him so much. He stays away, writes, complains every time Shen Yuan forces him to stop writing ABOUT BINGHE'S SEX WHILE THE REAL BINGHE IS IN THE SAME ROOM. Well, he is a man of habits, and his novel continues sell.)

(Shen Yuan feels a little intimidated by the fact that he has Luo Binghe living in his home. He also wants to beat up Shang Qinghua for the clear and obvious self insert mannerisms he put into his Stallion Protagonist. Damn, he would love to not see the similarities, but now he can't stop noticing and it's driving him crazy! They're like brothers! The same wrinkle of the nose when they don't like something, the same grimace of the lips before saying something unpleasant, the same fucking intense eyes! Fuck it!)

[tanadrin]

FWIW Shoemaker addresses the linguistic environment of the Quran in Chapter 5 of his book--the Quran is not particularly Hijazi, and is if anything Levantine in its language.

Further, I think @obiternihili is making kind of a mistaken assumption about the nature of the claims at work here? No one thinks that the early Muslim community was unusually mendacious or stupid; if anything, we see time and time again that the process of the formation of a Muslim religion and community is a very normal one for human ethnic and religious communities. There are parallels with early Christianity here, as well as early Israelite history, and while the formation of Islam played a little more quickly here than in the other two cases (very roughly 100 years instead of very roughly 200-300 years), it's not a huge outlier in terms of the forces at work.

A big role in the formation of any ideological community is a shared history that gives meaning to that community and weight to its circumstances and traditions. While to our modern historical eye it is useful to be able to say to what extent that shared history is accurate in its minutest detail, because we are often approaching these sacred histories with a desire to understand a larger, secular history (one element in a larger "etic" account of the past), that's not the role they play within these communities--their "emic" function includes the transmission of values and culture and identity, which means they're overloaded with respect to mere "factual" history. And mere "factual" history is, in the larger context of human civilization, a pretty niche interest! Even in modern times bare historical accounts get dragooned into the service of ideology, reprocessed, overloaded, and distorted according to the needs of the communities that press them into service, and they are often produced by historians trying for something like close literal accuracy.

More importantly, none of this requires lying or stupidity! It's very normal for humans to try to seek meaning in their personal experiences and in the experiences of their community, and for stories to get reworked according to the results of these process (and this can happen faster in an oral culture than it can in a literary one), and when your community is growing in size from a few thousand guys to a nascent empire which will soon rule a substantial chunk of the whole Mediterranean Basin and the regions beyond, how your community is constituted, and therefore how its traditions are transmitted, and how it interprets its own history, is going to be in a state of very rapid flux.

And I get the impression that--in the same way early Biblical archeologists started out with the assumption that the outlines of the Biblical history of Israel were more or less accurate--scholars have started with the assumption that the received narrative of Islam was more or less accurate; the trouble is what to do with all the data that complicated that picture. And there's been a huge problem, as Shoemaker notes in the beginning of his book, of western scholarship on Islam and the Quran simply refusing to interrogate key aspects of the received narrative, even as it becomes impossible to square them with the data available, even as the archeological picture of pre-Islamic Arabia improves.

I have a real problem with calling this "ancient aliens type patronization"! This is the opposite of being patronizing! For one, critics of the received narrative are working firmly within the norms of historical methodology like archeology and linguistics. Two, this is subjecting the early history of Islam to the exact same critical and historical tools we have subjected the early history of Judaism, Christianity, Buddhism, and countless other religious and cultural traditions to. Shoemaker writes in his introduction:

For many potential readers, the very notion of approaching the Qur'an as a historical artifact… without allowing the Islamic tradition to define the text and control its interpretation may be controversial or unwelcome. This is a particularly problematic issue in the study of early Islam, much more so, it would seem, than in most other areas of religious studies. Many scholars, including many non-Muslims, reject any departures from insider perspectives regarding the Qur'an and early Islam as being tantamount to an act of intellectual colonialism and even anti-Islamic. Such opposition comes partly as a consequence, I suspect, of the fact that the study of early Islam developed for most of its history outside religious studies and instead in departments of Middle Eastern studies, where philology and understanding of modern Middle Eastern cultures, rather than the critical historical study of religious traditions, were the primary forces. … There is, of course, a long-standing tendency within religious studies itself that would insist on privileging insider perspectives and would refrain from any sort of explanation that could be considered reductive or that believers would find objectionable. As Bruce Lincoln wryly observes, it is often the case that "with the possible exception of Economics, ours [religious studies] is the only academic field that is effectively organized to protect its (putative) object of study against critical examination. This trajectory has in fact had a particularly notable impact on the study of early Islam as it would eventually enter religious studies departments, owing in large part to the outsize influence of Wilfred Cantrell Smith on the study of Islam during the latter half of the twentieth century. According to Smith's approach to the study of religion, for any statement about a given religious tradition to be valid, it must be recognized as such and accepted by members of that religious community. … Smith's tradition of deference to the beliefs of religious adherents and his views regarding the Qur'an in particular have cast a long shadow on the subsequent study of Islam, particularly in North America, where a concern to accommodate the convictions of believers remains widespread.

Give me your Islam trutherism stance. Lay out the whole position. I think I've asked about this before but I forgot. I'm kind of an Islam head. Islam is the only Abrahamic religion I give a shit about. I think the other ones are bullshit. Academically I think critical scholarship on Islam is like just getting off the ground so we barely know anything about it yet. Anyway drop the trutherism. Mohammad was a girl... Mohammad was actually a beautiful anime woman...

well see the thing is. mohammad was almost certainly a real guy, who was some sort of leader of a group of people. POSSIBLY he never lead a large group, and the large group didnt form until afterwards. but it seems like he led at least a large-ish group. he probably had some sort of religious teaching, altho its unclear if he had any original doctrine or was just a passionate judeo-christian monotheist. oh and yknow, he lived and did stuff around arabia (well. some people say syria. probably not syria).

and that's...sort of all we can say for sure about the real muhammad! there's all sorts of other stuff that MIGHT be true about muhammad, especially after they got to medina. but his early life is a blank to us, the same way jesus' life before his ministry is a blank to us. who knows! but people who confidently tell you "mohammad lived in a city of pagans and converted them all" are exceedingly credulous. we have no good evidence that happened

one interesting thing the shwepisode talks about: so, obviously the islamic conquests "happened". in the sense that there wasn't a state there, and then there started being a large state there. but we dont see them archeologically! which is not crazy, they allowed people to surrender. they didnt just raze everything to the ground. but it's unfortunate, it would be nice if we could use archeology to say stuff about early islam. in part, we cant use archeology re: early islam because a huge number of artifacts were destroyed, there's a weirdly small amount of surviving stuff that could tell us about early islam. but it's not clear! posssibly even the *stories* about uthman destroying a whole bunch of alternate qurans aren't true!

its a very weird field. something that is clearly very important to a huge number of people, and yet is in some ways even more poorly evidence than the early history of the christian church, which we have a large number of texts from (i mean, starting in the early 2nd century. but christianity grew much more slowly, so "early christianity" lasted much longer than "early islam")

[heli-writes]

A dragon's heart, part 15.

Pairing: Barbarian!Bakugou Katsuki x female!reader

Summary: The dragonblood tribe is known for being cruel, barbarian warriors that slaughter, loot and rape all places they pass through. They are feared among the villagers and even bigger cities. Having lost most of their women to a plague, they're trying to ensure their tribe's survival by kidnapping women from other places. However, they're not the only monsters in human form out there. When y/n experiences this first hand, she has no choice but to ask for help from no other but the barbarian leader Katsuki Bakugou himself.

Disclaimer: mentions of mate marks, trust issues

[Please don't read if you are sensible to or triggered by the topics mentioned above.]

Note: I know, I know... It's been wayyyy too long. What can I say? Live happened. Also, I was super unmotivated to write since I didn't know where this story was going. But... I had some intense thoughts about it. So... voilá!

Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 10, Part 11, Part 12, Part 13, Part 14, Part 15

Series Masterlist

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

Carefully, y/n traces the soft pink skin on her neck. She wishes she had a mirror and looks at the scar that Katsuki left behind. She presses her lips together. Right now, she's sitting in the tub washing off the grime and sickness of the past week. Ever since waking up, Katsuki has been uncharacteristically attentive and careful around y/n.

Part of y/n still wants to be angry with Katsuki but she finds it hard to be harsh towards him when he lingers around her like a shy dog who got punished by its owner. She notices how he tries to keep his hands on himself. Only late at night can she feel him touching her gently when he thinks she's already deep asleep.

There's a rustle from the curtain that marks the doorway back into the tent. Katsuki enters the bath hut without announcing himself. Quickly, y/n tries to cover up herself with her arms.

“Nothin' I haven't seen yet, doll.”, Katsuki comments dryly.

It sours his mood that y/n is clearly uncomfortable with him seeing her naked. He thought that after the marking, she'd feel more relaxed and secure around him, but clearly, that's not the case. Instead of strengthening their relationship, the marking pushed them back. Y/n doesn't seem to trust him like before.

He strides over to the tub and holds out some fresh linen for y/n. Hesitantly, y/n takes the cloth and gestures for Katsuki to turn around.

Katsuki turns around in defeat. He tries to suppress the feeling of annoyance rising within him. He promised to take care of y/n, but he also wants them to be happy, preferably together. This also means gaining her trust again and making her see that there's nothing for her to fear.

He hears how y/n gets up and dries herself with the linen. When he turns around, he helps y/n get out of the tub by extending an arm to her.

Y/n waddles into the tent leaving wet footprints behind her. Katsuki watches for a moment how the footprints start to fade before following her.

Maybe I should get her some slippers. The floor must be cold, Katsuki thinks.

When he enters the tent, he sees y/n wrapped in the linen on the bed brushing her hair with her fingers.

She might need a hairbrush for that long-ass hair, too, he ponders.

Y/n looks up and meets his eyes.

“Are there any fresh clothes?”, she asks him and points towards the pile of old clothes on the floor.

Katsuki understands and pulls out a dress he asked one of the older women to make for y/n. He picked the color red to match his eyes and Drami's scales.

Y/n pulls a face. The dress Katsuki is presenting to her is way too revealing. Not in a I-don't-like-showing-off-what-I've-got way but in a it's-way-too-cold-for-that way. Y/n shakes her head disapprovingly. She doesn't fail to notice the disappointed look at Katsuki's face.

“I can't wear that. I'm gonna be sick. Again. Do you want that?”, she tells Katsuki.

Y/n hops off the bed and strides towards Katsuki's closet and starts pulling out more suitable clothes. Katsuki watches her with a scowl. While he finds it endearing that y/n keeps wearing his clothes, he's a bit disappointed that she refuses the dress he had made for her.

When y/n has found everything she needs, she gestures for Katsuki to turn around again. Katsuki sighs and drops the dress on the bed. Adverting his gaze, he starts peeling an apple.

He hears the rustling of clothes. He looks up again when he feels a dip in the bed. Y/n sits there bundled up in way too many layers of his clothes. Katsuki thinks she looks like a drowned rat in it. None of her attractive features are visible in the baggy clothes she's wearing. For a moment, he wonders if that's how her people dress their women but then he remembers the dress she wore when they first met. Actually, where did that dress go? He should keep an eye out for it.

Katsuki sighs and hands y/n the peeled apple slices he cut for her. Y/n happily grabs the plate and starts munching on one of the apple slices.

“Katsuki, you in there?”, he hears Kirishima call from outside the tent.

“Yes, what do you want?”, he calls back grumpily.

After a short moment of silence, Kirishima calls: “Can I come in or are you indecent?”.

Katsuki can feel the blood rising to his face as he gets up from the bed.

“Shut up shitty-face! Come in and tell me what you want!”, he yells back.

Swiftly, Kirishima enters the tent. His eyes fall onto y/n who gives him a small wave.

“The missus is happy, it seems?”, he asks his friend and leader who only gives him a low grumble in return. Kirishima sighs and shakes his head.

“Look, I know you're the leader and everything but let me give you some advice: Spending time with the mate is all good and well. Y/n having a baby would sure be good news to the tribe, but...”, Kirishima starts and Katsuki throws a mean glace his way.

“... but you also should show your face around the settlement. People are starting to question where their boss is.”, Kirishima finishes.

“What are you telling me, Kirishima? That I'm neglecting my role as chief?”, Katsuki barks back.

Kirishima gives him a blank look.

“Yes, Katsuki, that's what I'm saying.”, he answers his friend. Katsuki growls at that and turns around to y/n who almost finished her apple.

“The men talk.”, Kirishima informs him.

“They always do. What do I care about?”, Katsuki answers.

“They talk about you. That you neglect your duties. That this foreign woman bewitched you. That the course we're steering isn't for the good of the people.”, Kirishima says carefully.

“What course?”, Katsuki snaps at him. Kirishima holds his sharp gaze.

“They say that you're in over your head. They think you're afraid and therefore you restrict the tribe's movements. Some even express that the plan of focusing on women probably won't work considering that your own mate almost passed.”, Kirishima explains matter-of-factly.

At that, Katsuki grinds his teeth. Kirishima is loyal, so he's sure the man is telling the truth. But who do these men think they are? They've never led a whole tribe, let alone trying to save one from extinction.

“Fine”, Katsuki says, “Then let's give them something real to talk about.”

~*~*~*~

Y/n watches Katsuki put on his armor. He's been on edge all morning and she doesn't dare to question him about what's going on. He won't understand anyway which will probably put him into an even more sore mood.

Suddenly, Mitsuki enters the tent. She's holding a bowl with a blue paste inside.

“You're a fool.”, she tells his son.

“What?”, he snaps at her while sitting down at the edge of the bed securing a dagger to his side.

“You can't tell me that you think this is a good idea.”, she says but Katsuki only scoffs.

“I'm sure you heard what they say. They start to think I'm an unfit leader. I guess it's time to remind them why I've become their leader in the first place.”, he tells her as he gestures for his mother to

come closer.

Mitsuki only sighs and looks disapprovingly at her son. Then, she steps closer and starts painting stripes and other patterns onto his face and body. Y/n watches intently. She notices that the patterns are different than the ones that were put onto her when she was shown off to the tribe.

“You know I shouldn't be doing this.”, Mitsuki comments.

Katsuki doesn't answer.

“Painting you for war is your mate's task.”, she tells him and Katsuki scoffs again.

“She'll learn in time.”, he replies.

Mitsuki throws a glance at y/n.

“If you say so.”

~*~*~*~

After Mitsuki finishes painting Katsuki's body, she leaves the tent. Katsuki takes a moment to ready himself. Once they leave the tent, it will be all high energy until he returns.

He turns to y/n who is watching him intently. When he doesn't say anything, she tilts her head

questioningly.

Katsuki pats her head and gets up. He grabs his sword and secures it to his belt.

Suddenly, they hear drums outside of the tent.

“The drums of war are calling us.”, Katsuki tells y/n, “Time for us to go.”

He gestures for y/n to get up and follow him outside. Y/n does so without complaining.

Outside, it seems as if the whole tribe is on the street. Y/n sees all men wearing similar paint on their faces as Katsuki. Also, they're all heavily armed.

Y/n looks around alarmed. What's going on? Are they being attacked?

Suddenly she spots Kirishima in the crowd. He's wearing a dim expression. Kirishima makes his way over to Katsuki and y/n.

Y/n oggles at the swirling red patterns that were drawn around Kirishima's armor. Katsuki elbows her roughly and she quickly adverts her gaze.

When Kirishima reaches them, he only says: “You're a fool, Katsuki.”

“Yeah, I've been told so today already.”, Katsuki grumbles.

“I'm not sure if organizing a raid in Todoroki territory is a smart way of securing the loyalty of your subjects.”, Kirishima points out.

“They need to be reminded that I can easily kill them if I have to. The best way of reminding them is to wring a few necks of Todoroki soldiers.”, Katsuki tells him.

Kirishima gives him a long stare.

“I'm sure that's the best way to make your men believe in your leadership skills.”, Kirishima says sarcastically.

A blonde man passes them and gives Katsuki a clap on the back. Y/n remembers that she had seen him before on the day that they arrived at the settlement.

“We're gonna blast these suckers!”, the man whoops and disappears in the crowd again.

“Denki seems to agree.”, Katsuki notes and Kirishima sighs.

“Denki's an idiot. He'd pick a fight with a bear naked and still think he could win.”, Kirishima complains, but Katsuki only shrugs.

“Do you really think we'll have to fight Todoroki soldiers?”, he asks his chief. Katsuki nods.

“Considering the scouts report and the rising military presence even in the outskirts of the kingdom, we need to be prepared to fight trained soldiers with swords instead of scared farmers with pitchforks.”, Katsuki points out.

Now it's Kirishima's turn to sigh.

“Well, your plan for this raid better be good. I'd really hate to die because our chief's a fool.”, Kirishima replies and starts walking. Katsuki gestures y/n to follow him.

Y/n notes how the entire tribe is walking in the same direction. She didn't know that many people lived in the settlement. There are mostly men and some elderly people. However, she also spots some women here and there. When she tries to smile at them, they quickly avert their gaze.

Katsuki tucks at her arm and pulls her forward. Only then she notices where they are going. Towards the gorge where the dragons live.

The dragons are lined up infront of the gorge. Y/n spots Katsuki's dragon almost immediately. The red one is a lot bigger than all the other dragons, even the mean-looking black ones. At least the green one's not here, y/n thinks and shudders.

She watches as some of the men say goodbye to their loved ones and then heave themselves up on their dragons. She sees a man kissing a woman who looks just out of place like herself. She doesn't seem to enjoy the kiss.

“Y/n”, she hears Katsuki say and she turns to him.

Katsuki is staring sternly in the dragon's direction before turning around to meet her gaze.

“I'll bring glory to you and our tribe.”, he tells her. He doesn't know why he does. It's not like she'd get it.

Softly, he traces the side of her face. Y/n looks up to him with big eyes. He grips her hips and pulls her hips against his.

“I'll come back to ya.”, he promises while running his hand through her hair. Y/n steadies her stance by putting her hands on his chest. Katsuki runs his hand up and down her back before placing it in her hair again. Slowly, he pulls her face towards his and kisses her deeply. Y/n's frozen for a moment, but then she kisses him back carefully.

Eventually, Katsuki pulls back. He places a last kiss on her forehead. Y/n watches Katsuki striding over to his dragon and mounting it. The men cheer.

With a mighty gust of wind, Katsuki and his dragon rise to the sky. Y/n watches as the men follow him. The swarm of dragons set off east and the drums are pounded until the dragons look like tiny ants in the sky.

Y/n turns around and watches the remaining people retreat to the settlement. She's a bit unsure what to do next. Most likely, she can return to Katsuki's tent. But then what? Katsuki and Kirishima are gone and it's not like Nadia will be of any help. Speaking of which, y/n hasn't seen Nadia around anywhere. Did she not come to send off her husband? Probably not, y/n concludes.

Suddenly, a cold, strong hand wraps itself around her arm. Y/n whips her head upwards and is met with a pair of ruby eyes. For a moment, she thinks that Katsuki has returned for her. Of course, that's not the case. It's the woman that Katsuki argued with.

Great, y/n thinks, from all the people helping me out, it just has to be her.

Mitsuki yanks her arm and y/n stumbles after her. They walk back into the settlement in silence.

Mitsuki takes her back to her tent. Inside, her ladies-in-waiting are working on a variety of tasks. Mitsuki points her toward an ancient-looking woman who is sewing. Y/n walks over timidly and the old woman pats at a cushion beside her while talking. Obviously, y/n doesn't understand her but when she hands y/n a torn shirt, a needle and yarn, y/n understands that she wants her to help sewing.

Y/n isn't a great seamstress but she's repaired enough clothes to know what she's doing. Her family never had much money, so she's used to repairing things over and over again. Also, it's kind of a meditative task.

For the next few hours, y/n keeps sewing one clothing piece after another while listening to the chattering of the old woman. She has no clue what the woman is going on about, but she doesn't seem to be unsatisfied with y/n work. Maybe she's just trying to make conversation, y/n thinks. Y/n decides that she likes the old woman.

Eventually, the pile of clothes that needed mending is worked through. The old woman puts the clothes into a basket and with a few words to y/n, she's walking outside the tent. For a moment, y/n thinks about following her. However, the woman gave no indication that y/n should follow her.

Maybe I was just supposed to help out with the clothes, y/n thinks. She turns around looking for Mitsuki. Maybe the woman has a new task for y/n, but the woman cannot be found anywhere. None of the other women are paying attention to y/n, so y/n takes a moment to observe them.

There are two older women peeling potatoes. The women are engrossed in a loud conversation. A young girl is sitting next to them cutting the peeled potatoes into thinner slices. She looks timid and doesn't chirp into the older women's conversation.

Best not to bug these two, y/n decides.

On the other side of the tent, there are two other women around Mitsuki's age, sharpening knives. The one with the blonde hair and the black streaks looks kind of brutish. Y/n contemplates approaching them since her father showed her how to sharpen knives before. Before she can decide against it, she forces herself to approach the women.

The women look up when y/n approaches them. They ask her something but y/n doesn't know how to respond, so she only points at the knives. The women exchange a glance but then make some space for y/n. The woman with the blonde hair starts showing y/n how to sharpen the knife, but y/n already knows the procedure, so she simply takes one of the knives and starts sharpening it. The women watch her for a good minute before deciding that y/n doesn't need any help.

The three of them work in silence which y/n appreciates after the old woman has talked her ear off. Also sharpening knives is a more demanding task than mending clothes. Y/n has to concentrate so that she won't slip and cut herself.

She's so deep in concentration that she doesn't notice Mitsuki entering the tent again and approaching them.

Y/n continues her work and when she thinks the knife is sharp enough, she lifts it against the light to inspect the edge of it. When she lets down the knife again, she notices Mitsuki standing next to her.

A shiver runs down her spine. Gods damn it! How did I not notice her?, y/n thinks.

Mitsuki takes the knife from her and inspects it. The other two women and y/n watch her intently. Eventually, Mitsuki lowers the knife and nods. The blonde woman claps her back. Mitsuki barks an order towards the women and they go back to work. Mitsuki swirls around and leaves the tent again.

I guess that's as much approval as I will get from her, y/n thinks taking the next knife.

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

[It's been so long, I don't know who of you even is still reading this story. So, I'm probably going to reset the tag list.

Please comment beneath this update if you'd still like to be tagged in future chapters. If you don't tell me to continue to tag you, I won't.

You're new here and want to be tagged? Please also comment beneath the latest update.]

Tag list: @graviewaviee @cosmicbreathe @tsukikoxo @nnubee @witchbishsblog @elajede @bsallergy @frxcless @berryvioo @eyesforbkg @shamelesjaroflaffytaffy @pastelbaby1111 @iamlizardgod @plvt0fvtvre @hello-peanutdoodle-blog @kookiemyfeelsposts @sweetblueworm @54fangirl @sakurarr1122 @rv19 @leeliyah @king-dynamight @confused-smol-fan @xmaudx @waterstarz @pinkwhiskerglitter @adeline96 @zoom1374 @fingui @giuli-in-earth @colouringfrogssittinginleaves @futuristicallykawaiiturtle @tragedyofabrokensoul @dynakats @rebel-loves-anime @cloudxluv @itsssyagurll @sunshineandwitchery @cloudxluv @hollykanuki @atouchofmidnight @nutellaenjoyer @musicbecky @miacitocco @cassouandco @penguinlovestowrite @sleepykittycx @bakugouswh0r3 @xxjesshuxx @helenamaximoff @ssssssws-world @k1tk4tkatsuki @gh0stgirl333 @anon-mouse223 @bexxs @i-am-ms-rebel-heart @wannabeisekai @spragaraga @faemagic88 @kolakoke @faetoraa @cax-per @willy-the-witch @stardream14 @jiyuu-da @mintytalesblog @sparklyoperaroadpie @musicbecky @maria-patricia @mistermemister @katsukismrs @l0kisbitch @bakukiriswife @rebel-loves-anime @drink-water-456

[Please comment beneath the last update if you'd like to be tagged in future chapters]

[retiredteabag]

sorry for informality but i was stalking reading your pinned post and you’re in grad school at twenty!??!!!

unless i’m tripping or misunderstanding something, academic weapon tips please because holy shit that’s insane! what’s ur field of study if you want to talk about it/don’t mind me asking? any application tips/things you wished you knew before getting there/habits you wished you’d formed sooner? independent research has always been difficult for me because of how much i depend on structure (adhd imposter syndrome anxiety lets go) so if you’re working on a thesis/something similar, how has the process been in your experience?

i’m in undergrad atm and heavily debating going further, so i’d love to hear from someone my age who’s actually doing it! also unrelated, but i’m a certified notion/goodnotes girlie if you vibe with those as study resources!

🎸 tagging with an emoji in case i pop back around, yk?

I'm sorry to say, but my tips might come off as sort of typical... but I hope they're at least a little helpful!

I am currently in a masters program within the analytics field. Research/independent studies vary widely depending on the area of specialization, however, my program has an intensive practicum that is similar in nature. I have not started it yet, but what I can say for sure when it comes to research: make sure you are picking a topic that you could speak about for hours/answer argumentative questions about.

For applications, I would say to narrow your options down as much as possible and look into each program before applying. Know the curriculum and standard outline and what stands out to you as you decide.

^ on this same note, you will likely need at least one interview in the application process. Speak slowly and enunciate. Taking a moment to think of the proper words will always be better than speaking quickly without much thought. Most people say to use "down-speak" in these interviews, but in my experience, matching the examiners tone and energy makes the whole thing much more comfortable.

For study tips, I have a large notebook that I keep on my desk where I write down every assignment and the date that it is due. This is just for organization purposes, I find a physical copy helpful for a few reasons but also because crossing them off feels rewarding :]

Time managment is incredibly important. Everyone says this because it is true. Prep everything, organizing your day into chunks. Since you also like structure, this probably wont be an issue. I would also get comfortable with being self-aware of your priorities. There will come a time when you will need to choose between academics/work and other areas of your life.

Keep your spaces clean. Dedicate a day or so to just organizing/doing a deep clean. It will help you stay focused and minimize external anxiety. It’s also much easier to keep a place clean if you have put in such an effort.

Participate in class. I cannot make this clear enough. I promise it is not embarrassing to ask questions or "try". You will learn far easier if you put effort into the classroom/lecture setting.

It is a pretty typical "tip" is to just ask questions. Even if you feel like you might understand, just ask to make sure. And in this same vein, go to office hours if you need to.

Prioritize sleep lol, that and mental rest. You can't always be studying. For me, it is a real challenge to work and be full time in school so it's important to carve out those sections of "you time".

Try not to be on your phone tooooooooo much, I know it’s hard but I make an effort to not be on my phone while eating. Don’t use entertainment as a distraction, I find that it just delays anxiety :(

Lastly, apply for scholarships and know that you absolutely can appeal for more money.

I hope this was useful. Do know that it REALLY depends on your area of study and 5-year-plan. I would recommend not going to grad school unless you're absolutely sure it is worth it.

Good luck!

[callme-holly]

Hi! I love your work so so much omg it's so beautiful 💕 Could you do a Dallas x reader where Dallas is in the reader's room for the first time? And the reader has lots of vinyls and is showing them all to him and lots of books and poster and is just rambling about everything in their room. Just something cute yk. Thank you!!! 💕💕

𝐦𝐞𝐫𝐚𝐤𝐢 [𝐝𝐚𝐥𝐥𝐚𝐬 𝐰𝐢𝐧𝐬𝐭𝐨𝐧 𝐱 𝐫𝐞𝐚𝐝𝐞𝐫]

a/n: somehow writing dallas fics is comforting to me

If there was one place that represented you as a person, a single space that captured your entire personality, it would be your room. It was one of the only places that you truly felt like yourself, like you were exactly where you belonged. Your walls were adorned with posters, all displaying the things you loved most, shelves covering the wall opposite your bed, covered with books of different sizes, each one well-loved and cared for. Atop your dresser sat a small record player, a stack of vinyls beside it, one spinning under the needle, eliciting a crisp melody that drifted throughout the space.

Everything, every single thing in that room, held meaning, reflected you as a person, and Dallas had never felt more out of place in all his life. He was propped up against your headboard, watching you fondly as you bustled around the room, pointing all the little things out to him, showing him your newest vinyl like it was a prized trophy you held close to your heart.

He’d never really understood your interests; he didn’t get what was so special about records when you had the radio, and he certainly didn’t understand books. He’d only read one in his entire life, and he vowed to never read another after the entire gang had ribbed him for it. But right now, watching the way your whole face lit up as you spoke, he decided that listening to you ramble wasn’t so bad.

With a tentative, almost lazy gesture of his hand, he reached out for the vinyl you were holding, taking it from you and examining it carefully. He was barely registering the words that left your mouth as he read over the front and back, humming absently.

“It’s real nice,” he acknowledges after a moment, unable to contain his smirk as he watched you take it back and set it gently on the pile once more. “They don’t have feelings, ya know. You ain’t gotta pamper them and be all soft with them. They're records."

The look you gave him in response was the same as if he would have slapped you around the face. Shocked, horrified, and slightly hurt. "They're fragile, Dal. What if they broke?" do

He rolls his eyes but holds his arms out for you nonetheless, hating the thought of you being upset because of him. He winds his arms around your middle, pulling you into his lap, hands resting on your hips steadily.

"They're fine," he assures you, pressing a kiss to your jaw. "What else do you got to show me?" 

You smile widely at that, settling comfortably on his chest and letting out a long sigh of contentment. "Well... I got a new book... And I put up some new posters." You continue to talk for a few minutes, your world not really registering in Dallas' head, but he just likes listening to you speak, loves the way you relax. Without really thinking, he leans in and cuts you off with a kiss, smirking when you stare at him stunned for a moment.

"What was that for?" You huff, raising your eyebrows pointendly, earning a shrug from him.

"Dunno. You just looked real pretty, doll. Couldn't not kiss ya." His words cause your cheeks to flush, and you bury your face in the crook of his neck, your breath warm against his skin.

"Don't be an idiot." 

"wasn't trying to be," he hums, and you can hear the cocky lilt in his voice, his smugness shining through like the last rays of sun currently shining through the cracks in your blinds. "Just stating the facts."

You shake your head fondly and snuggle closer, enjoying the feel of his body heat against yours, his lips pressed softly to your hairline.

"Idiot..." you breathe, glancing up at him through your lashes. 

"You love me." he responds easily, and as much as you want to deny it just to keep his ego in check, you find that you can't, and instead melt against him like putty.

"Yeah... I do." 

[cosmmicdancer]

The people want to know- please share Jean Andrew thoughts 👀👀👀

hello anon, thank u for coming into my inbox and giving me the excuse to share more about my jeandrew au that's been living in my head rent free for the past few weeks

you can read the jeandrew fic i posted for kinkuary here

it got real long so im gonna put it under the cut, hope u enjoy <333

- in this au kevneil get together in college, andrew is their best friend. Jean still leaves the nest and goes to the trojans

- jean and andrew get drafted to the same pro team, neither of them interact much, maybe a nod or half smile after a good play. stays that way until they play kevin amd neils team, who invite them out after the game. kevneil are being argumentative and flirty so jean keeps making sarcastic comments under his breath and andrew doesnt laugh but he does buy jean drinks for the rest of the night

- they start bonding at an away match when neither of them can sleep they don't talk much but there's an understanding

- they're fwb whilst they play for the same team & the mutual understanding of their similar trauma allows them to experiment sexually in a safe environment

- andrew gets drafted away after a couple of seasons, cue both of them pining because turns out they def want to be more than friends

- jean flies out to whichever state andrew ends up at, legit romcom moment, standing in the rain, jean has a bunch of flowers because he is a romantic goddamit

- andrew is fucking obsessed with thia giant stood on his doorstep like a bedraggled cat & hates that he absolutely loves the fact that jean wants to romance him

- cue years of long distance, whilst they play on different teams. when they both retire they move in together, in the same city kevneil are still play. renee and jeremy are also close by. family finally together yayayyaya.

- their favourite date night is going to their local pretentious arthouse cinema then going for ice cream afterwards and shit talking whatever they saw

- jean write andrew poems, which andrew never mentions but keeps in a box in his bedside table

- they both love watching cooking shows, and andrew recreates whatever jean seems most interesting in

- kev and neil get cats and neil is convinced that cats are the source of pure happiness so when jeandrew are still long distance neil shows up on andrews doorstep with a cat hands it over without a word

- he does the same thing to jean

- kevneil love to argue about who clocked jeandrew first but what they don't know is that renee placed a bet on them with jeremy the second andrew started on jeans team

- jean is the only person andrew would ever submit to in the bedroom and jean takes this v seriously

- Andrew drives most of their d/s dynamic, jean only feels comfortable trying things that andrew wants

- jean will eventually ask for things but not until a few years into their retirement

- once they retire they get a dog, and then another one, and then another cat

- all of their pets come from Neil showing up, knowing exactly who can look after a small animal that needs a gentle home

- jeans favourite part of retirement is taking the dogs out on a hike, andrew refuses to go but saves all the photos jean sends him from his walks to a special folder in his phone

[sir-fenris]

AAAAAAAAA 🥹 I've lived for the day that I would be getting commentaries too. I can die happy. Thank you <33

Sorry for taking so long to answer. I read it before going to sleep and I giggled so much my cheeks hurt, but I was too tired to answer cohesively. And today I was busy pretty much the whole time :'(

But I was able to write this down while preparing and eating my dinner :D

(My responses organization is kinda messy, don't mind it please XD)

It is real and it is happening, I'm glad Cyrus's yearning was clear and that it seemed a strong start :) I went back and forth with SO MANY begginings, I think I wrote and deleted more than 10 completely different starting paragraphs XD.

I might put the rp on the masterpost soon! I wanted to ask you if I could, first. And find a way to organize it in a way I feel is nice to read.

And well... about the gloves, who knows? :) is it because he can use his magic with any skin contact? What I can say is that all handlers do have gloves with technology, but usually, they're are fingerless gloves. Wilson's hands and arms are fully covered.

(I already changed your emoji <3)

Yes, protection barriers makes him nauseous when he goes in, because it's designed exatcly to keep his magic contained in the tent in case he uses it unauthorized, so it gives him a bad feeling. Once Wilson gives him authorization, the barriers are set down. When the authorization is revoked, they come back up. That's one of the many reasons why Wilson has to communicate when he's about to turn the nullification back of the collar.

A lot of safety measures 😃

Well... I wouldn't say he's allowed to actually refuse food. Wilson just sometimes is "merciful" and allows him to take his breakfast after his comedown is done, because usually Cyrus feels sick before getting to work. (If Cyrus... makes a mess, yk, Wilson will have to report and take care of the situation, and that's too troublesome)

And I'm not one for underestimating trope either, but I guess in LW whump it's interesting because adds to the familiar dehumanization and because the LW is actually very powerful and that gets proven.

"ohhh :( he makes me sad I'm definitely gonna read the comfort ask"

My comfort is also whumpy, because I don't wanna spoil Cyrus too much yet, he's still on the whump arc... but I hope you find the hurt/comfort good enough XD.

":( he knelt fast then. man..."

He dropped down on his knees :') Wilson doesn't let him kneel down slowly.

And Wilson whispered the "behave". Rhe others around don't need to hear the weapon being reminded to behave, just know that it will.

About the other gifted. I'll show the sketches of the gloves soon, but you'll see that it does need a metal manipulator, or else it has to be cut off and re-made on his hand every time. It's 100% closed. So that's why they use other gifted to do it.

(Usually metalokinetics are used around for stuff like that, menial tasks. They only go to battlefield if they are strong enough to destroy enemy's weapons and machines.)

"yeah I know </3 man this is a bunch of info I know cause I've already been exposed to bits of this story but for future newcomers this is probably necessary clarification"

That was the hardest part :') I wanted anyone who didn't knew any context to be able to understand the first chapter (though that's really really hard without a beta/proof reader) and the people who did have context to enjoy it anyway, even though it's pretty much a retelling of the drabble a lot of you already read. I was afraid of giving too little information and making it hard to understand, and of giving too much information and making it too dense.

60% of the chaotic editing was because of this. And 50% of the typos is because I kept changing sentences and missing to change a word or to (like making a sentence about one of his hands, then decide it should be both hands, but forget to put one of the words in plural)

Speaking of that, I need to do a typo checking on the chapter asap... already caught 2 yesterday.

"ugh he's so well trained"

His handler is proud to hear that.

I'LL GIVE YOU ALL THE GRASS EVER SWEET LOVELY BOY </3

Own, that's adorable. He'll have grass in recovery, lots of it, don't worry.

(The bar is very low when touching grass is almost an ultimate reward...)

aaaaaaaaa? wilson my beloved he's so cold

"Wilson" and "beloved" in the same sentence is........ something I was not expecting ever. Huh.

ooooooo :D I remember wondering why the art of him showed him with blue lines in his collar when he was a threat level red!!! fascinating :3

😊 when the nullification is on, it stays blue. When he's being shocked, it flashes yellow, and when his magic is free, it turns red. :D safety measures, too.

About the withering description, thank you! I really think it might be too abstract or dense to some people, especially those who don't have any context, but there's really not much I could do. From Cyrus's view, he's not seeing what the magic is actually doing, and this needed to be included on the first chapter.

But I'll try to slide in some description from Wilson's view of his powers in a canon chapter to make it clearer, perhaps make a separate post showing his vision vs what's actually happening, if I can.

And yeah! On the drabble I was really thinking about that song. But on canon, it became more like a curious fact, because I made it so it's from another language. It doesn't have a set lyrics, though the translation would be something akin to the hurt incantation. No one knows what Cyrus's murmuring means, not even him, it's gibberish to them all.

Yeaaah! I'm happy you saw that "Sweet Creature" follows the same line that "Magic Euphoria" drabble. It's pretty much that drabble, but from his perspective, plus a bit more at the beginning and end. This chapter is the truly canon, since when I did the drabble I didn't have the characters in mind, but Cyrus really does say "yes, sir" because his conditioning runs deep. He doesn't say "okay" ever.

(But Wilson is also an unreliable narrator, so you can consider the drabble him remembering Cyrus's words to be more disobedient than it actually was, since he spoke quietly)

(Poor baby, being shocked not even knowing why, loosing his warmth, being remembered as disrespectful even when he wasn't...)

Metallokinetic whumpee is not well :(

"oooo so he has gloves on when not working got it got it. leather! I assume it's to avoid skin to skin contact? or his hands are the most effective conduit and the higher-ups don't want him touching anything with his hands?"

I like the way you're going :)

(Both Cyrus and Wilson have gloves, but Cyrud's is restrictive)

About the den (his cabin) and mattress.... eh, don't get too happy. Remember, unreliable narrator. And this ask is very important.

(Oh, you reminded me that I wanted to put the images of his cabin and capsule on the chapter, thanks, I'll do that later)

"oooo is his collar nullifying it? or the gloves? capsule??? I think it's the collar"

All of the above. Plus the glasses too. Safety measures :)

the euphoria narration thing is. so fucking good man. but why'd he get shocked?? this isn't in the wilson pov chapter 😔

First, thank you <3

Second, it's not defined, it could have been a lot of different things. But my favorite option is that he started singing without realizing it.

"someone please give him a blanket istg. I know this is a different kind of cold but can he have a blanket :("

He can only earn blanket privileges when he's at the central base. In caimpaings there are no blanket privileges.

If he's very very good, tho, he might earn one night with a blanket.

!!! sneaky :0

🥰 He would look down ashamed at your words. He really didn't mean to be... he just wanted to relieve some of the painful uneasiness.

also love that. “his handler always sees everything.” !!! love love love that love the sheer amount of fear and expecting danger

YEAAA, that's the emotions I wanted to show. Especially since Cyrus is blinded so often. He rarely knows when Wilson is looking, to what he pays attention, what is his expression. It's kinda like the Panopticon Prison. You never know when you're being watched, so you stay on edge the whole time.

Wilson is a smart handler :)

HE'S NOT EVEN ALLOWED TO MOVE WITHOUT PERMISSION??? I mean I expected that but damn. also gloves again. is it a military thing or is this the skin contact thing

He's not allowed to move in the ways Wilson doesn't approve. What moves does Wilson approve? Only Wilson knows.

Cyrus discovers when he's shocked for doing the ones on the "no" list.

And the gloves, ah the gloves. Who knows?

Wilson knows, he's the one that changed their designs too.

pfft I love those moments of like. passive caring about everyday stuff in whump. they're funny but then they're not funny

Yeah, I really like doing that :D

Cyrus doesn't want to go through an hour of Wilson getting his anger out in his hair, leaving him with a sore scalp and holding back tears. His hair is full of broken strands because of it already.

HEY DON'T CALL HIM SNEAKY I DID IT FONDLY >:(

I let out a really genuine laugh 🤣

ough.. he's so scared poor baby

Of Wilson? Always.

D: man I don't even know what to say this is just rlly fuckin good. guilt my beloved

Oh well, thank you <3

huh??? how come he didn't get physically close to any of it

His comedown has really fun hallucinations :)

Auditory, visual, gustatory, tactile, proprioceptive and interoceptive ones. Not all together or at the same comedown, it varies.

WOW!!! love the logic and treating cyrus like so much of an object wilson can just talk out loud while he's there.

:)

man. I love cyrus. I love wilson. I have so many feelings about them both... I rlly love handler whumpers those are so neat I love cold whumpers that are professional. wilson has such a presence in this chapter. cyrus is so cute I wanna wrap him in blankets...

I loved how this was like. stractured with the euphoria and comedown and everything. I also love how despite everything cyrus is still so caring towards others it's so. ough </3

Really, thank you for this <333 I'm really pleasently surprise to see people saying stuff like "doing the fenris thing" for the commentaries. It really makes me happy, like... YEAH? Please do! With me and with others. It's so cool to read these. Even tired, even busy, I just wanted to keep coming here to read yours and others comments.

So thank you <3 really enjoyed reading this, and I really like the way you think :)

-

Sweet Creature

Content: magical living weapon, dehumanization, "it" briefly used as pronoun, dangerous whumpee, magical euphoria, shock collar, sensory (visual) deprivation, manhandling, military whump, implied institutionalized whump, magical slavery, heavily implied mass murder, hallucinations.

(chapter 1) | next chapter ->

(Curse of Withering masterpost)

Cyrus wishes to at least have a look around while outside. It would only be a military camp, soldiers walking around, tents set up, maybe some horses on one side. Not a very pleasant nor interesting view.

But at least he would be seeing the sky, and the grass, and people.

He's not. He's seeing pure black from behind his nullification glasses, being guided by an unrelenting hand on his neck, just above his heavy collar. Not even allowed to feel skin, only the tough material of a glove.

Around Cyrus, talk dies down, and muttering comes to life, as he's used to. It never stops making him feel ashamed.

Also not allowed to curl up or hide in any way, he's just dragged forward to keep walking.

A strong sensation of nausea hits him when they enter his designed post tent of this campaign. It feels like the protection barriers put around the tents are getting stronger each campaign.

Being on an empty stomach doesn't help, either. Regret fills him from refusing breakfast, but he's sure his stomach wouldn't have kept it down anyway.

"... This is it? The rumors made it look spine-chilling, not... this." A voice from his right side says, a bit far back. Further into the tent, then. Cyrus doesn't recognize the voice, but the words are familiar.

The gloved hand on his neck squeezes, and he stops after a second of trying to figure out if it was out of frustration or a command to stand still.

No scolding comes, so it must have been a command. Or both.

"Wait until you see it destroying a whole military camp while laughing like a maniac," Mr. Wilson says. That voice he does recognizes in the very core of his being. And by the coldness of it, his handler is audibly used to that question as well.

Cyrus doesn't have time to feel ashamed of the words before a pressure on his neck commands him to kneel down. Even with the knee pads, a mercy not chosen by his handler, the impact hurts a bit.

"Behave." Is what reaches his ear before the leather gloves are unfastened from his wrists.

Magic wraps around the metal gloves that were beneath the leather ones and bend it open. Cyrus didn't even hear the metallokinetic's handler telling them to do that. Maybe this gifted doesn't have a handler, he knows there's some free Gifted that serve the military willingly.

Unlike Cyrus.

He obediently waits with unmoving hands until his handler applies pressure on his head in another silent command. No one speaks as the nullification glasses are unlocked from his bowed head, nor when his half-necrotic fingertips find the floor beneath him.

It's not grass, it's rocks. He suppresses a disappointed sigh.

Cyrus knows better than to look around or shift from his position, but he's still able to see a bit of the tent's inside. The metallokinetic does in fact have a handler, and a black eye. He can't see anyone else, they're all behind him for safety.

That black eye must hurt, there's probably more bruises under the clothing, it never stops at just one.

Cyrus shouldn't care that the gifted was hurt. But he did. They deserve someone to care.

Mr. Wilson blocks his vision of the gifted by crouching down. The direct, practical delineation of where the enemy camp is sinks into his mind easily as his handler speaks. It's easy to map in his head exactly where he needs to focus on.

"You have permission to use your power, Wither." An uncomfortable eagerness blooms in him at the words.

"Yes, sir," Cyrus whispers and his collar beeps, its blue lights turning red as magic comes to life under his skin once again.

𝚃𝚑𝚎𝚛𝚎 𝚢𝚘𝚞 𝚊𝚛𝚎, 𝚜𝚠𝚎𝚎𝚝 𝚌𝚛𝚎𝚊𝚝𝚞𝚛𝚎.

Pain doesn't even register in the sea of feelings building up in his body. The rocks puncturing the palms of his hands aren't nearly enough to ground him, not after years of the magic slowly numbing his nerves.

The tent disappears and all he can see is colors erupting from the blackness, like thousands of little roots travelling through the grass. Ignoring the surrounding life had become easier over the years, and the withering knew to travel until it's closer to the delineated area than to him before branching to reach all soldiers of the other side.

It took less than a minute for him to spiral into euphoria this time.

Faintly, he knew his lips were moving, in that same eerie murmur of always, singing words he couldn't understand, but also couldn't forget. An incantation that breaks the laws of nature. A chant that was never created... only repeated. The echo of something that always existed.

And so he repeats. From the words, waves of withering magic follows the colorful branches and pushes it forward.

His hands crack and dug further into the ground, and he repeats the chant again. Again, again, again...

𝙰𝚐𝚊𝚒𝚗.

Cyrus could see, or in a way feel, the life bursting out of the enemy's camp. It was hard to separate what was greenery and what was people, but it didn't matter in the end.

Wither magic fills the entire enemy camp with thousands of black ramifications that only he sees the colors of. Growing, rotting, decaying.

Every cell in his body beams with giddy energy.

A warm mist swirls on his arms pleasantly. Something similar started filling his eyes, and Cyrus's head was pure delight. His chest shudders with a bubbly feeling as a smile grows on his face.

And then everything goes black. The cold, painful reality crashes down on him, harshly taking all the cheerfulness away and leaving behind an itch, a hysteric uneasiness. A faint beeping of his collar tells him he's done today, it had turned blue again.

Cyrus didn't even know he had made a noise until the collar beeps again with a warning electrical shock. With a flinch, he goes dead quiet. An argument was happening over his head.

Cyrus wants to keep using his magic, why can't he? It's so warm and happy-

"It was fucking smiling, it is fine to keep on! What is the point of having a weapon that can't be used?!" A man behind him almost yells. Not the same one from before, a slightly more familiar one. It might be the general, but without seeing it's hard to be sure.

Yes, Cyrus was fine to keep going, he was! It's been less than a minute with the nullification glasses back on, but he misses the colorful cheerfulness already, his body is taut with the need to move, to do something, anything.

But Mr. Wilson is right there, so he stays obediently still.

"I'm not telling it to launch an attack again! The magic would consume it's head and-" Mr. Wilson pauses, and Cyrus recognizes his temper rising. It's an effort not to flinch. "Ugh, you have no idea how bad it gets. Wither. Up, we're leaving."

"Mmn?" The order takes a second to click. "Oh... yes, sir..." To speak was hard, his tongue didn't move the okay he wanted it to. Cyrus could hear the ecstatic smile on his own voice, and he almost winces at it, but without knowing why. To smile was good, wasn't it?

Should he even be speaking, actually? Wilson doesn't usually like him speaking. Did he say "Sir" as he was supposed to? He doesn't think so... but no shock comes. Perhaps he did. It's hard to remember.

The floor seemed to spin beneath Cyrus when he stood up.

A gloved grip squeezes his arm and Cyrus knows to stay completely still, despite the dizziness. Magic envelops his hands as the metal gloves are bent to fit them again. He still couldn't hear the metallokinetic's handler telling them to do it, maybe it had been a silent command.

He feels the leather gloves being fastened on his wrists, too, before Mr. Wilson grabs him by the upper nape and guides him out. The sound of many boots around them tells him the escort team is here already.

On the way back, there's no longer any murmuring. Even blinded, he knows everyone is just staring. There's only the sound of heavy steps and the wind slowly bringing the smell of death into the camp.

The heavy metal door shuts with the escort team outside, and the only steps that echo inside the container are his and Mr. Wilson.

Blindly, he's pushed to sit inside his resting capsule. Oh, that's right, he's at a campaign, his den isn't here... the sad longing only lasts a second.

The thin mattress is cold, and the restraints are too tight. Cyrus hates the cold, but it feels so weird, he can't help but giggle. It sounds off, but he can't pinpoint why.

"Quiet," Mr. Wilson scolds sternly, fastening his legs securely inside the capsule. Cyrus flinches and tenses from the upcoming shock that doesn't arrive.

What a silly thing, to flinch from something that didn't even happen. He suppresses another fit of giggles.

The pressure building up behind his eyes and neck is getting harder to ignore. His fingers twitch with the need to use his magic again, but the nullification doesn't let him.

The pressure gets worse.

𝚂𝚒𝚗𝚐 𝚏𝚘𝚛 𝚞𝚜, 𝚜𝚠𝚎𝚎𝚝 𝚌𝚛𝚎𝚊𝚝𝚞𝚛𝚎.

Now the shock comes, and Cyrus's flinch is not so funny this time. It wasn't just a warning shock, but he doesn't know why he has been punished. Mr. Wilson doesn't clarify it, either. He's scared of not knowing.

The twitches are getting worse. He wants to move. The cold is starting to creep in again, and he wants the warmth back.

His hands move slowly under the temporarily loose restrictions, trying to relieve some of the painful nervous energy without grabbing Mr. Wilson's attention.

It doesn't work. His handler always sees everything.

"Did I say you could move, Wither?" Cyrus freezes from the gelid tone. His shoulders go up chastened just before a gloved hand fists his hair harshly. That'll form a knot later... he wants to wash up and detangle his hair already, before it gets too bad.

From how harsh Mr. Wilson's grip is, he doesn't think he'll be allowed that so soon.

"Stop trying to be sneaky, that's the only warning you'll be given." Cold and firm as always. Frightening as always.

"Yes, sir," Cyrus answers quietly. It's weird how he still feels afraid and sad even when he's feeling giggly and euphoric.

Euphoric. Didn't that word mean something important? The headache is getting worse.

Mr. Wilson's grip only grows even more painful. There's more to be said, but Cyrus's head is not working well. He doesn't want to talk, he wants to move.

What weapons want doesn't matter.

He tries again. "I'm... I won't be sneaky again. I'm sorry, Mr. Wilson," he tries. The hand leaves his hair without any further words.

The need to move only gets worse in the silent. He knows Mr. Wilson knows. Cyrus's body is so tense it hurts.

He needs to use his magic, he needs to. It hurts, it's bad, he wants the giddy energy back, and not this nervous, restless cold creeping in. Everything is still pitch black, and the restraints are too heavy, and he wants his magic free again-

So you can kill more people with it?

No. What? No, no, no-

Your handler stopped you before the euphoria truly took place. Where is your gratitude, you vile thing? Why must others die just so you can smile?

That's not what he wants, he just... he just wants the colors back, the happy feeling of-

Of killing.

The memories of colored forms change. Those were people.

People you killed.

"Are you crashing already?" Comes the distant, cold voice. It takes long seconds for Cyrus to recognize it's Mr. Wilson's.

Crashing. Yes. Yes, he's crashing, and he's still on war camp, so he doesn't even get his white den-

Images strafe his mind. People died. People were killed. By him. And he was just smiling. He giggled to people losing their lives. Not only soldiers, there were medics, and servants, and-

A cold, sharp thing runs his arm and he flinched away, swallowing hard. He tastes blood. He knows it's not his.

Vile thing. You're a plague on earth that should be eradicated.

Cyrus's back presses against the capsule mattress, and he can barely separate what is real touch and what isn't. Sharp goosebumps run up his arm, his hands are being held, there's a pressure on his chest and a numbness on his left leg.

"It's euphoric state was pretty fast this time, it was a good timing to retrieve it," Mr. Wilson's out loud thinking reaches his ear along with a faint noise of screams that mustn't be true.

They're true, you're just hearing them too late.

"Today will be easy, then."

Cyrus couldn't disagree more with his handler.

-

-

-

Want to see Mr. Wilson's pov? This is the drabble this series began as. You can consider it a loose version of this chapter, but in Mr. Wilson's view.

Taglist: @whump-till-ya-jump @floral-comet-whump @paingoes @bonbonbobomb @inhurtandincomfort @half-duck @scoundrelwithboba

-

[stromuprisahat]

Invisible army

Siege and Storm- Chapter 22 (Leigh Bardugo)

The Darkling needs mountain passes cleared of scouts to successfully move through, but crosses whole country in a week without anyone noticing?

Either he's alone or with a small unit, using mostly nichevo'ya, therefore traveling via goat roads shouldn't be a problem, OR he is followed by his Second Army, but then they would hardly be invisible deep inside Ravkan territory. Secret allies or not, the Darkling (or Grisha for that matter) isn't so widely loved such operation would be kept secret.

And why does reopening logging roads mean withdrawing scouts? Isn't a chunk of their job description "remaining unnoticed"?

[jonsnowunemploymentera]

And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....

Oh yes he would!

One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014

GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017

In fact he already has ☺️

[beneathsilverstars]

i keep adding things to this one post and then realizing they'd make more sense as a separate post. so here's how the party explained what happened in dagger ending au to bonnie:

Siffrin was very sad and worried about everyone leaving, because he was alone before he met us and he didn't want to be alone again. But he didn't talk about it because we all had plans that seemed very important, and he didn't want to get in the way, and he didn't want to admit that he didn't have anything else to do. It sounds pretty silly when you put it like that, but the rest of us were nervous to admit how much we cared about each other, too! Sometimes it's hard to tell someone how important they are to you, if you don't know whether you're important to them.

During the quest it was okay, because Siffrin knew we would stay together until Vaugarde was saved. But getting to Dormont meant the quest was almost over, and they got so upset at the idea of everyone leaving, that they didn't really care about what they were doing. Why did it matter what happened to them, when they were going to be sad and alone tomorrow either way? So they weren't very careful while they were training, and they got hurt. Luckily Odile saw, and Mirabelle healed them right up.

Now, he's really glad that we all decided to stay together longer! But he might still feel worried for a while, because it's hard to believe that everyone isn't leaving, after he's been dreading it for so long. And sometimes when you're sad for a long time, your brain just tries to keep being sad even when there isn't any reason to be. But if we keep reminding him that we love him just as much as he loves us, it'll start to stick in his brain better! We might also need to remind him to be careful and take care of himself, because that can be hard to remember when you're sad. And while he practices that, we can help take care of him, too!

[c-rankshaft]

This addition might be considered a little bit off topic, so feel free to tell me to make my own post if you wish OP(s)!

Elder Scrolls games seem to have some kind of disease about them that makes it so they just cannot grasp the scale of JUST HOW BAD things are. Morrowind (edited bc my dumb ass forgot about beautiful Daggerfall and I own up to my mistakes), in my opinion, came the closest, but that's another post for another time. I think one of the problems with Skyrim and the Alduin storyline is that there's not really any true incentive in the game to seek out this information. You can ABSOLUTELY play the game not knowing anything but the bare dry bones of what is going on. Then, with no incentive TO learn deeper outside of having the question in the box go from white to grey, the incentive is more found in NOT asking the questions- gets you back to the ""fun"" gameplay quicker.

This DOES allow for player character variation (say you want to make your LDB an idiot or something) alongside an easier route for people who have already played before, but it doesn't work for portraying a world that is supposedly ending, or one that is being overtaken by dragon cults. To get the gravity of that to truly WEIGH on the player, you have to make it so not knowing, like not seeking out the books or the extra dialogue, in some way disadvantages the player.

However, this doesn't really tackle the issue of the confusing and overly simplistic way they handled Alduin in the first place. As said above, there's a huge unanswered question taken from the main storyline of "What the hell was he even trying to do?" that comes from different characters implying different sentiments. Perhaps this was supposed to be an attempt at pitting many theories against each other A LA Battle of Red Mountain(?), but without any elaboration on anything and no true incentive to seek out more information, alongside the fact that some of the MOST interesting stuff on Alduin isn't even in the game at all, it all just falls flat. You don't get a coherent story OR the full weight of the situation from the game, at all.

I'm, personally, fully convinced that this is the result of suppressing creative writing/portrayal ideas in the interests of making the game marketable. You can feel as you play the game, that it was intended to hit a very very wide audience. It's designed to be easily picked up and played by literally anyone, and that's a HUGE part of where the massive success came from. It was simplistic enough story wise so that nobody ever would have a single issue understanding. Big reach = Big money, and big money is more important to a game studio than a good story. Combine that reach with the fact that they've re-released the game (arguably) 17 times on 10 different consoles, it makes it pretty clear that they're more focused on creating and adding aspects to the game (and other games currently being worked on in the series) that make it lucrative-- not necessarily new, inventive, creative, or gripping story-wise.

Basically, this post is so correct it kinda hurts a bit. There are ways to make all of this information work. They don't really bother because they'd have to put more budget into story, and what if not every single person on the planet is pleased with the story? Bad for business. Better make it as generic as possible so it sells better. Fire every writer who cares. Underpay and mistreat the rest so they can't care. Now put Skyrim on the Switch. Now put it on VR. Now add paid mods. Now encourage everyone to play your MMO. Now release paid DLC. Now add something to the Crown Store. Now release paid DLC. Now add something to the Crown Store. Now release paid DLC. Now add something to the Crown Store. Now release paid DLC. Now add something to the Crown Store.

alright i might be misremembering some things bc it's been a while since i played the skyrim mq but.... man i really wish we could've had a proper conversation with alduin near the end of the game like we do with dagoth ur. like he's the one villain who isn't some Bad Guy gone mad with power he's literally a GOD. he's literally just doing his job!!!!! of ending the world!

i don't like how he's depicted as just a generic power hungry bad guy like isn't being the world eater literally his Purpose....you even have conversations w arngeir and paarthurnax, iirc, about the ethics of killing the "world eater" and if it's okay to let the current kalpa keep going when it's supposed to end. i wish that was a moral dilemma explored more in the game. i would've loved a final conversation between the ldb and alduin where he talks to you and asks you if you know what you're doing, if you know what it means to keep this world going. discussing if it's really your choice to decide when the world ends or stays. about death, rebirth and creation. who are you to interfere with this natural cycle?

[waterlinkedgirl]

Musical Touken Ranbu: Michinooku ~ Hitotsu Hachisu (Michinooku ~ A Single Lotus)

Here we go! Only a few days after the archive release and toumyu's ninth anniversary (congratulations!)

Michioku, or Michihasu, is a myu I have many conflicting feelings about, both positive and negative. However, I do believe that with the right amount of care in the next Mika-related story myu, the negative can still be cleared. Plus, I'm glad about a lot of things being re-established. The writer does need to step up her game a little on the plot-writing side of things, as well as the understanding-and-respecting-past-myu side of things, but as long as she does, this can still be given a proper place within what was already established.

Keep in mind that these are only the subtitle files, timed and tled to the DMM senshuuraku and the bluray respectively. The archive version will have a talk at the start, so the starting times of the subs will have to be delayed accordingly.

You can find the subtitles and my TL notes document here!

[solivagantingrebel]

The commenting situation in this fandom is really fucking atrocious, huh.

[eegasleega-will-change-this-l8r]

Rambling About New Pork City

This is just a long series of ideas for how I envision New Pork City's layout (mostly from planning for my Minecraft build)

My vision differs a lot from the layout in the game, since that's only a 2D representation of the city, and there's probably a lot we don't see So I want my version of it to fit in a 3D environment, while also having some extra worldbuilding for flavour ^^

So something I've seen debated a few times is where exactly NPC actually is! In the game, we only reach it through a flying limousine, so we don't get any sense of where we've actually gone. It's not marked on the map, and there's not really any strong clues in the city itself to suggest where it's located. (early in development, it was actually gonna be New Pork Island, which is interesting) Personally, I recently started liking the idea that it's actually located in the Death Desert! It's mysteriously blocked off after the timeskip, the only area in the game we can't return to Plus, it's situated right over the 7th Needle, which Fassad presumably lived nearby (like the other Magi), while his floor in the Empire Porky Building is decorated to look like a desert. There's obviously nothing concrete, but that's where I place it in my mind!

So let's start at the earliest point in the timeline of NPC's development: Porky first arrives in the Nowhere Islands, around the vicinity of Locria's house. They meet, exchange ideas, etc, Porky sways him to his side. Soon after, he starts pulling in his armies and all the people who will form his empire. At the site of his arrival, the Pigmasks begin construction of some very basic buildings. Simple things like barracks, armories, the very first labs, etc. Really just a small compound built around Fassad's house while the empire starts.

Over time, more and more buildings were added to this spot, expanding upwards and forming a chaotic, mountainous "city," the Pigmask's capital. This is still at the beginning of the Pigmasks' expansion into the Islands, so everything is very shoddy and crude, purely functional and with none of the sophistication of their later structures. (Fassad's house is airlifted out and temporarily relocated elsewhere).

During the 3 years following the third chapter of the game, as the Pigmasks solidly establish their presence across the Islands, the King deems the old city to be unfit for the grandeur of his empire. As such, the entire city is buried under a mountain of dirt and concrete, to serve as the foundation for the brand new capital of the Nowhere Islands. A shaft is dug from the base of the mountain to its summit, and an elevator is installed to allow for quick travel to the future city.

3 years after the Pigmasks' arrival in Tazmily Village, New Pork City is finally completed (mostly). It sits on top of the buried husk of the old city, which can still be accessed through several points (the sewers and the MT Apartments are both parts of the old city). A section of the highway leads to the main elevator (now incorporated into the Empire Porky Building, and later into the caves underneath the desert), where newcomers from Tazmily can enter the city. The city itself also contains a landing pad for Porky's private limousine, but this is reserved just for him and his special guest.

The city is arranged so that all the most interesting sights are oriented towards the landing pad, providing the King's guests with the best possible first impression of his empire's capital. Though it's largely a monument to himself, it was also Porky's express desire that New Pork City be the perfect utopia for his special guest, with everything he could possibly dream of.

The entrance to the Empire Porky Building sits at the top of the city, but parts of the building actually extend downwards into the ground, connecting it to the main elevator shaft, which the building sits centered directly on top of. The rest of the city spirals down from the building's entrance, built into and around the mountain's summit. Most of the city is just wooden cutouts of course (including the seemingly-larger city in the background), and as said above, they're all pointed to face towards the limousine pad. As such, the city's entire facade falls apart once one starts to make their way upwards to the top level and passes behind all of the false buildings on their way. Most of these are also placed to cover up the uglier parts of the city, dumpsters and grimy service doors, etc.

Few random things to finish up: There's speakers all over the city constantly blaring music (Porky can also take control of these if he wishes). Heck, they probably have things pumping smells into the streets like Disneyland. Pretty constant rains of confetti, too. Porky snatched a bunch of old-world things from all over the place and scattered them around the city to fill up empty space, hence why there's so many random objects placed everywhere (like the greek pillars, the masks, etc. did that christmas tree belong to someone). He told the Pigmasks to go uproot the coolest tree they could find so he could incorporate it into the city and finally have the world's coolest treehouse. Honestly idk what he was thinking with the Rollercoaster that Just Kills You

So yeah, that's all the stuff I have in my head about New Pork City, minus all the stuff specific to my interpretation of Porky's characterization (which'll be it's own post... some day...) :D And this sort of shows how I wanna go about designing it in Minecraft... still going slow, but it's going! I've figured out a style i think works, and I've figured out a rough idea of how I wanna scale it ^^