#without understanding what they're writing.

[imjustdreamingig]

Isn't that sweet, I guess so

Part 1, Part 2

pairing: Steve Harrington x fem!reader

summary: The secret's out, Steve's proud of himself, and you can't seem to keep your mouth shut

A/N: chat there is no way I put out 2 fic in the past week, this has never happened to me before! yay everyone cheer. again, i have no idea where this story is going how far im gonna go, i def want to try writing other stuff and idk if this is the best place to put and end to whatever this series is but again, we shall see i guess. thank you all so much on the love on my last two works you have no idea what that means to me! please please PLEASE send me asks or comment what you'd like me to write next or if you want a pt4 i need help people

warnings: sfw, swearing, fluff, idiots who like each other

Facing your fears is tough. No matter what it is, no one would actually choose putting themselves through a situation in which they know would cause them extreme distress. For some that may be going on a rollercoaster, interacting with a clown, going into a dark forrest alone, it could even be making a phone call by yourself to schedule a doctor's appointment (which is a valid fear to have, thank you very much.)

And here you were, facing your fears: being sat in your living room with Steve Harrington 3 feet away from you for an extended period of time. It's only been about 15 minutes, where no talking has happened since minute two.

You hope you can get to 30 minutes without fainting.

As you attempted to focus on the book in front of you, Jane Austen's words, who usually kept your focused for hours on end, were not being absorbed by you in the slightest. How could they, when Steve fucking Harrington was in your house.

Steve is the type of guy who Jane Austen would write about, you thought, eyes flickering towards him as he hunched over his book, face crinkled in concentration, trying to understand said author's musings.

The swoop of his hair, the two moles near his neck, his deep, beautiful, chocolate eyes, his gorgeous smile, and my god those arms? Yep, Jane would be absolutely obsessed with him.

"God, why did I agree to do this book?" You are snapped out of your daze at Steve's words. "What do you mean?", you replied. He gave you a look that can only be described as "seriously?"

"I mean, that I can barley understand what any of these characters are saying half the time, and honestly, it's a bit boring. I thought you would have better book recommendations," he said, running a hand through his hair to push it out of his face.

A scoff left your mouth before you could stop it. "Excuse me, are you actually hating on Pride and Prejudice, the best romance story of all time, the romance story, period." You leaned over and snatched his book. "I mean, come on! You are literally only 6 pages in, you can't just judge it that quickly, you haven't even gotten to the good parts yet!", you exclaim.

Steve watched you with an amused look on his face, unbeknownst to you, who kept rambling on, trying to convince Steve this book was worth continuing.

"— and Elizabeth, she is just funny, like actually hilarious. There is one part where she basically tells someone that I'd rather not be wasting my air talking to someone like you, like please, how did she even come up with that? Also, I'm just obsessed with this proper English style of speaking, or writing I guess, because they're basically talking shit but covering it up with fancy words! And when—"

"You talk a lot, don't you?"

You look up from the book and towards Steve, eyes widening slightly, realizing you had indeed been talking too much.

"One of my greatest faults, some may say, and by faults I mean my mom, but she only tells me this when we're arguing, so..." You glance away from Steve's face for a little reprieve. God, he's so hot.

"Well, like a good partner," you continue. "I'm trying to help you get some of this project done, and maybe if Robin were here, she could've helped," you defended yourself, crossing your arms, "which I'm still confused about, by the way. You said something about her telling you earlier how I invited you guys and some other people to work on the project together, but then she doesn't show?"

Steve leans back in his chair, also crossing his arms. You glance down for a quick second and send a quick thank you to anyone who's that Steve is wearing a tight shirt that beautifully enunciates his biceps. Or maybe you should be mad at them, you don't know yet.

"Maybe it's the fact that she noticed, like I did, that it's been a month since this project was assigned and we haven't even started," Steve countered, "which is unlike you, you usually want to get stuff done ASAP."

You look at him in confusion. "How the fuck do you know that?"

Steve smirks, "I also happen to know that you don't have a sister, thanks to that lovely dinner with your mom." You shake your head in disbelief, mentally making a note to yell at your mom later.

"Isn't that what you said one of the many times I asked you to work on the project?" Steve looked so amused with himself, all cocky and proud that he had uncovered your lie. Your brain tried desperately to come up with a realistic enough explanation, but nothing was coming up.

You throw your hands up in defeat. "Ok, fine! I lied! Is it just so hard for you to believe that maybe, just maybe, not everyone in that high school wants to spend time with you outside of it?" Oh my God, why the fuck would you say that, you screamed internally.

Steve stared at you for a second before letting out a chuckle. " You know, I did think of that actually, but only for a bit." He reaches out for the book and grabs it from your grasp, flipping to a random page.

"You can only run away from a guy so many times before he catches a hint," he peers over at you, " and I mean literally, you're a fast runner, did you ever do track?"

"Yeah, in middle school," you answer quickly. Steve lets out a hum of agreement before placing his attention back on the book. You open your mouth, about to quip about being careful to not rip the pages when he speaks again. "I know I'm dumb, but I'm not an idiot, ya know?"

Your gaze snaps to his face. "Steve, I don't think you're dumb." He doesn't look too convinced. "Eh, I think you do. But you're interesting, you took me a lot longer to figure out than the others since girls just typically throw themselves at me."

You make a face of disgust, "Ok, you sound like a total prick, you know."

"Yep, heard it after I said it, but that's not the point here." He point his finger at you, "You have a crush on me."

You splutter out a sound of indignation. "Hello, what?" In your head, fire alarms are sounding. It's a code red, all hell is breaking loose. "Pfft, no I absolutely do not."

Steve raises his eyebrows. "Then how else do you explain the running away when you see me anywhere at school? You always have an insane excuse why we're not able to meet up to start the project, which some are hilarious," he admits, "but you've got me complaining about not doing homework, look what you've done to me!"

At this point you've gone silent, mouth agape with an excuse stuck in your throat refusing to come out. Steve's expression has changed, his eyes bore into yours with earnest, almost as if he's anticipating a certain answer, hoping for it. "So?"

You muster all the courage you have left and just when you're about to respond, Steve interrupts you again for like, the 15th time.

"Anyways, I've to get going, have some things to do and whatever." He gets up, shrugs on his jacket and then places his books in his backpack. You get up too, having absolutely no clue how to tell him not to go, that you want him to stay. "Steve, what do you mean?"

He glances over at you, "Nothing, I just have to go. I'm a busy guy." He starts making his way to your front door, leaving you behind in the kitchen, trying to understand what the fuck just happened. First, he accuses you of having a crush on him, which you do, and then he just thinks he can leave?

Oh, absolutely not.

With a new wave of determination, you catch up to Steve just as he's finishing putting on his shoes. "Say thanks to your mom for me for dinner, it was great," he says as he grabs the door handle. You don't let him continue with whatever stupid thing he was going to say next.

"Listen Harrington, I don't know what the fuck just happened back there, but the fact you think can just, leave after dropping a bomb like that is ridiculous," you say, glaring at him in annoyance, and Steve's just staring back at you with that stupid, stupid, smirk that has not left his face since the moment he stepped foot in here.

"So what if I did like you, huh? What if I did have a crush on you? Because I do, but that, quite frankly, is none of your business, none of your concern, actually, so... yeah." Steve is looking at you and you're looking at him, a little out of breath after your declaration. You don't have the energy right now to fully process what you just said.

All of a sudden, Steve seems to break character, the smugness gone, replaced with subtle endearment. He leans down and presses a swift kiss on your cheek before whispering, "Well, it's a good thing I like you too." He straightness back up and says, "I told you I knew you were different, you're a mystery. You're lucky running away seemed to work on me, by the way. I don't think it would for everyone else," he says while you stare at him in shock. You've been rendered silent once again, with nothing but the thought that Steve likes you back, repeating over and over again.

You clear your throat before speaking, "Well! Um, yay?" You truly have no idea what to do right now. Steve chuckles at your reaction, like he can't believe his words have caused you of all people, who continuously talk and talk and talk, to not have anything profound to say for once. He's kind of into it.

Steve grabs your hand and encases it with the other. "Come over to my house tomorrow after school, I'll drive you. We can work on the project and you know, talk, if you want." You nod fervently, "Yeah, yeah ok."

He smiles and drops your hand. "I really do have to go though, I wasn't making that up," he remarks as he opens the front door. "Oh, sure, that's fine," you reply. You hold open the door for him and watch as he descends the steps and makes his way towards his car. You watch him, holding onto the door for dear life.

As Steve gets into the car, he looks over at you and waves, "I'll see you tomorrow!" You wave back and yell back, "Yeah, tomorrow!" You don't go back inside until the car is out of sight. As you shut the door, you press your back against it, trying to wrap your head around what exactly happened in the last few hours.

Holy shit, you though, Steve Harrington likes me. Steve fucking Harrington. You let out an involuntarily squeal of excitement and immediately regret doing it as your mother calls down from upstairs. "Mija, are you ok? What happened?" Hearing her voice reminds you of her involvement over the events that transpired tonight.

Putting your happiness on hold for a moment, you start to storm up the stairs. "Mom!", you yelled, "How could you embarrass me like that, asking him to stay over for dinner, you know how I feel about him, I just about fainted 5 times throughout the night, how does that make you feel!? You almost killed me an—"

You would thank your mom later, because ultimately she helped, but for now, you'll stick to this.

[snarp]

90% of documentation sucks. 99% of LLM documentation sucks. Why? Possibilities:

LLM devs lack the necessary skills to write docs because they're under the age of 25 and have been working on the same couple projects that whole time.

LLM devs don't understand why docs are important because they're under the age of 25 and have been working on the same couple projects that whole time.

LLM devs view their work in the way that mystery cults view their worship, and enter an ecstatic state not conducive to communication upon opening Jupyter Notebook/Google Colab/etc. (It's like when a snake-handling churchgoer picks up the snake.)

LLM devs choose not to write docs because they think that providing publicly-accessible information on how their code can be used makes their expertise less-valuable in the job market:

"If I'm the only one who understands the tools I made, people who want to use my work will have to pay me."

-- Final words of 10,000 naive LLM devs who have spent the last 2 years duplicating each other's work without realizing it, because they have never provided a coherent public explanation of what their work is intended to do, making it impossible either for them to find each other or for prospective users to find them. They died of dysentery.

If they had lived only a few months longer, they'd have gotten back in the computer chair and discovered, with mounting horror, that they no longer know how to use their own work, because they spent a few months doing something else (hospital, PT, etc) and the unwritten knowledge that they thought they had hoarded - in fact recalled only due to near-daily repetition - fell out of their heads, teaching them an important lesson about their own fallibility.

They didn't, though. They died of dysentery. Very sad.

[crime-scene-psychic]

I honestly think that the Nolan Batman trilogy was the best and worst thing to happen to the Batman franchise, because on one hand, it was the first live-action instance of trying to make Batman more gritty and serious (because while the Keaton, Kilmer, Clooney movies took the story much more seriously than the 60s television show, they were still goofy at times, which is why I honestly think they're the best rendition of Batman, because they were able to balance silliness with seriousness, which is what Batman is all about, but that's obviously an entirely different thesis) which then allowed for more people to take comic book movies serious, consequently leading to the rise of the DCEU and, obviously, the MCU (we would not have the MCU today and the actual good movies that came out of it without Nolan's trilogy, there's simply no argument there).

However, the Nolan trilogy also unfortunately made "dark, gritty Batman" the norm, meaning that once anyone tries to actually have some fun with Batman, they immediately get shit on by comic book dude bros. It also created the most annoying characterization of the Joker that everyone has been trying to replicate since and no one will be able to replicate, because they simply do not understand the character (I honest to God think the closest live-action actor who has ever made a Joker character work besider Heath Ledger was Cameron Monaghan in the Gotham television show, and he wasn't even really Joker??? but at least he didn't make it everyone else's problem and was a good mix of goofy and psychotic, not just psychotic) and will never be Heath Ledger (but they don't stop trying much to my forever annoyment).

And while I can recognize the cultural and significant impact on the comic and film community that Nolan's trilogy had, it is still by far my least favorite adaptation because of how serious it takes itself (and of course, the racism. The racism is actually the bigger one for me. Fuck Christopher Nolan for that. Ra's al Ghul is NOT a white man just because you want a plot twist, and you CANNOT just erase Bane being mixed race because you fucking FEEL LIKE IT because him being mixed race is extremely relevant to his origin). Batman has had serious moments in the comics, don't get me wrong, and I know things must evolve and change over time and that I cannot expect an 80 year old character to not be further developed throughout the decades, but it almost feels as if Nolan and Goyer (the writer) read a Sparks Notes version of the history of Batman, cracked their knuckles, and said "yeah, I think I got it."

Spoiler alert: they did not get it.

When I watch the Nolan trilogy (which I haven't in quite some time and I really don't want to, even to prove a point to people on the Internet) I notice how uninspired it feels, story-wise. While the action and cinematography is excellent, the story is lacking for me, and when you're telling a story like Batman, that has decades of content, you cannot just forgo storytelling for cool special effects.

I'd much rather watch a Batman adaptation that has the shittiest effects known to man with a writer who whole-heartily cares for the characters they're writing and has taken time to research. And that's honestly one of the biggest problems the comic book film industry is having now, both DC and Marvel. They're not hiring people who actually care about these characters to write them and they're focusing much more at appealing to everyone they can instead of who the movies should be made for: fans.

You're gonna have such a harder time convincing my mom, a woman who only cares about Wonder Woman, to watch the new Captain America film than you would someone who has read the Sam Wilson Cap comic run. And while this entire issue stems from the fact that the film industry is just that, an industry, and has become less about filmmakers making art and more-so how much money investors and producers can get out of ticket sales, it is still infuriating to see franchises you care deeply about be ruined by guys just there to cash their paychecks and be done with it.

And really, the film industry as we know it needs to be fucking demolished from the inside out, but that will never happen and now we're a bit off-topic. So, back to Batman.

I think another issue I have with newer live-action Batman adaptations is that they choose to forgo a VERY IMPORTANT character when it comes to Batman/Bruce Wayne's evolution as a character and story line.

Robin.

Since whatever the fuck the casting of Chris O'Donnell in 1995 was (why was he, like, a grown man?), people have been afraid to touch a live-action Dick Grayson with a six-foot pole (besides Titans, which I'm gonna get to in a sec). Which is ridiculous, because he is, like I said, an insanely important character when it comes to showing the growth Bruce Wayne goes through.

Bruce Wayne becomes Batman because he is so angry about his parent's deaths and the corruption of Gotham that he doesn't know what else to do. All the money in the world cannot change things for the better, his own father tried and died for his troubles, and he is left with no other option. Bruce Wayne works during the day to fight corruption via charity and his company, Batman works during the night and is able to do what Bruce Wayne can't (beating the shit out of people, mainly). The two are separate sides of the same coin.

And despite this seeming like a good arrangement, it's pretty obvious in most adaptations (at least they get THAT right) that beating the shit out of people in back alleys is not a good replacement for therapy. You're able to see the toll being Batman has on Bruce. He quickly becomes more occupied with being a vigilante than being himself. Bruce needs something to break through this internal struggle and help him balance both lives.

And so a boy named Dick Grayson comes along.

Dick's so important (and so are the other Robins, of course, but Dick being the first means I have to talk about him a bit more) because he forced Bruce to get his shit together. Here's a boy who's about the same age Bruce was when his parents died, who also just saw his parents killed in front of him, and is so full of rage he has no idea what to do. Sounds familiar...

Bruce is able to help himself by helping Dick. He gives him an outlet to vent his anger and frustrations while also looking out for him in the best way he can. While there are many issues with how Robin comes to be in various comic runs (and if this was real life it would be fucking ridiculous) Dick becoming Robin is extremely important. If he hadn't been taken in by Bruce Wayne, if he'd been allowed to let that anger continue to bubble up inside of him, he probably would have killed Tony Zucco and that would have been enough to set Dick down a terrible path he might not recover from.

The same goes for Bruce. If he were to set out and kill the person who shot his parents, he wouldn't be a hero anymore because that single event would shatter the entire point of Batman, which is that he is not meant to decide who lives and dies. If he were, how would he be any different than all the villains in Gotham that he fights as Batman? How would he be better than the corrupt businessman and politicians that he has to battle as Bruce Wayne? He wouldn't.

Batman needs Robin and Robin needs Batman, because they are yin and yang. Light within darkness, darkness within light. You cannot separate these characters and still tell an accurate story, it's impossible. I think that's a huge issue Nolan's movies have, on top of many others. You cannot accurately present to me a Batman story if there is no Robin, just as you couldn't give me a Robin story without Batman.

Every Robin is so important to how Bruce Wayne as a character is developed, and disregarding this as a creator is not only disrespectful to the character, it misses the entire point. I refuse to take your adaptation of Batman seriously if you can't figure out how important Robin is. He isn't just some kid sidekick, he isn't an optional side character, he is what makes Batman human. You cannot have gritty, Neo-noir Batman and forgo Robin just because you see him as the sidekick in tights. When Batman was silly and took itself less seriously, sure, there wasn't a lot to Robin nor Batman's troubling pasts. But now that you want to deep dive into Bruce Wayne's psyche and pick apart what makes him the way he is you wanna throw in the towel and erase the part that humanizes him? Fuck. You.

You can't make a complex Bruce Wayne and take away parts that help audiences understand his complexities, that's fucking STUPID!

Titans, for all its faults and problems, will always have my gratitude as it had the fucking balls to give, without a doubt, the best and most rounded live-action adaptation of Dick Grayson we have ever seen. Titans introduces Dick at a very important and rocky time in his character arch: him leaving Bruce.

If you're not in the know, there's a falling out between Bruce and Dick that's been written a couple different ways over the years, but all comes down to Dick being "fired" from being Robin and leaving Gotham. This is a bit of a newer story line in comparison to how long the character of Dick Grayson has been around, and eventually leads to Dick becoming independent from Bruce, signalling his evolution from "side kick" to his own hero, Nightwing. However, there's issues with Dick having to give up the Robin mantel, because it's something that is whole-heartily Dick Grayson. Robin wasn't something Bruce Wayne came up with, it was the nickname his parents gave to him. Even the colors are his, those were the colors of the Flying Graysons' uniforms. Robin is much more than just a vigilante alter-ego to Dick, it is the last link he has to his past and his parents. So when this is taken away from him and given to another, this causes a huge internal struggle for Dick, as he has to deal with the anger he now has for Bruce, a man he originally looked up to and idolized. This is Dick seeing how wrong it was for Bruce to do some of the things he did to Dick, despite at the time those choices being what both needed.

The way Titans is able to portray this extremely delicate time in Dick's story line in a way that not only makes sense for his character, but also allows for growth is really admirable. Like I said, the show isn't perfect by any means (can I PLEASE get a Romani actor to play Dick PLEASE) but it's the first time I feel that the character is wholeheartedly taken serious in a live-action setting. You can tell the writers have a better idea about how the characters should interact in a live-action setting and while some choices are questionable to me, the heart is there.

Nolan's movies in comparison feel soulless and devoid of all creativity and love. He does not care about these characters, no matter how much he tries to make you think that, and he never will. Christopher Nolan, you will NEVER convince me that you give two shits about Bruce Wayne. And if you, the director, can't bother to care, why should the audience? Why should I care about your adaptation if you can't even be bothered to put an ounce of individuality into it?

With Matt Reeves' Batman films underway, things are getting worse again. For a while, we only had to deal with the shitty Joker adaptations that tried to replicate Ledger's Joker, but with the Reeves Batman movies, the film bros are making themselves known again. I remember when the new design for the Riddler dropped and I said it was shit and people on Twitter and YouTube got SO PISSY at me and told me I just don't understand Batman and that I'm childish for enjoying the designs for Gotham Riddler/ Batman Forever Riddler and whatever and that I'm stupid, which none of those things are true, I hate to be confident in anything, but I think I know more about Batman than you do, Twitter troll.

The suit sucked and the character sucked. They just created a new character but gave him the Riddler's name. That's NOT the Riddler. That's honestly closer to Hush than Riddler, so just... do that? But of course, less people know about Hush than Riddler, and you're not trying to make a film for fans, you're trying to make money, so why would you ever be so silly as to do that! I'm not gonna talk to much about the new Riddler, just because it's super old news and it's not the point I was trying to make here, it's just something that continues to piss me off when it comes to gritty recreations of characters, because Riddler really never was supposed to be some Zodiac Killer wannabe, he's supposed to be a guy who leaves you riddles and makes you solve them and he's supposed to be a little silly about it. And I'm not saying you can't do a more gritty Riddler, because Arkham Knights did it super well imo! Just don't reinvent the wheel! Don't just make a new character and call him by another's name, that's a disservice to the character themselves and their creators.

This is a hard topic, because you have people who get the point of these characters (people who have actually read a comic before and paid attention to the story) but you also have insufferable film/comic bros who worship the ground Nolan and Reeves walks upon and who don't even take time to explore the rest of the Batfamily comics (his gang of vigilante children show up in the stand-alone Batman comics, though, so I don't know how they're missing this, unless they have the reading comprehension of a goldfish, which they probably do tbh). It's why I think a lot of these weirdos don't like Gotham Knights or Wayne Family Adventures, because they hate the thought of there being any semblance of fun in the Batman franchise. Not everything needs to be doom and gloom! Let Dick Grayson be bisexual and let Bruce Wayne have a PTA rival! You can have your cake and eat it too!

I know this seems like a silly sentiment coming from a person who just wrote an entire essay on this, but maybe don't take Batman so seriously? I don't mean, of course, that you can't care about these characters, I'm actually saying the opposite! I care very deeply for these characters, so much that I obviously spat all this out. I just think some people need to fucking chill when it comes to realistically portraying Batman. There's nothing wrong with taking a more serious approach to the characters and I have no problem modernizing them, but you can't just have action hero Batman, you have to have the human behind the mask too. And if you can't balance that, then I'm sorry, but you shouldn't be making Batman adaptations, because you obviously don't understand what the character is about.

I'm nervous to see where Reeves will go with the character, and only time will tell. I've heard rumors he plans to introduce Robin, I've heard rumors he doesn't. Either way, it's obviously out of my hands and I'll have opinions either way, but I really hope he has a better understanding of the history of the franchise than Nolan. While I appreciate, again, what Nolan did for revolutionizing not only the Batman franchise but the comic movie industry as well, I can still find faults in how he went about things. I truly don't believe we can have a worthy adaptation of Batman live action without Robin and without embracing the silliness of Batman's villains and I really hope producers, writers, and directors realize that soon.

Sorry if you read all that...

[july-19th-club]

everybody in the goodreads one-stars dislikes outlander because it's got too much rape and dubcon in it, which is fair and is in fact what turned me off of the show in college. but many of them dont like the sex in this book in a puritanical way and they're WRONG it's not bad because it's sex! it's not even necessarily bad because it's sexualized violence. it's bad because it's poorly contextualized, not justified by the text enough to bear as much repetition as it gets, and neither fits nor deconstructs the genre it's trying to play around with.

like, the marriage/sex/punishment-by-force fantasy is clearly a fetish of gabaldon's, so the book bends over backwards to present opportunities for it whether they make story sense or not, and in so doing gives readers a skewed understanding of the period and location it's simultaneously attempting to do historical fiction in. WHICH WOULD BE FINE IF: this was georgette heyer we were talking about, por ejemplo, and the whole scene was established as the kind of pseudo-history fantasy realm such fetishes often take place in. after all, there's a particular brand of time-tested romance fiction where the whole conceit is a fluttery but undeniable "but you don't understand - i had no other choice!" which allows our heroine the chance to indulge sexually without being considered a slut (see dan lavery's piece on this subject). which i think is what gabaldon's trying to do with the plot contortions that require claire to get married, and then REQUIRE their marriage to be consummated With Witnesses, and then REQUIRE him to beat her in order to maintain standing...etc, etc, etc. a good british woman doesn't want to commit adultery, a good british woman doesn't like it rough, a good british woman doesn't get off on humiliation, etc. which, described that way, almost talks me back into the whole idea.

except the description i just gave is not how it reads in the book. in the book there's no indication that she's performing mental gymnastics to get past her hangups, or that there's some underlying Understanding between characters, author, and reader. it reads like she's married a budding young abuser who claims 'this is normal here' to get what he wants. WHICH brings us to the whole 'savage man-beast...but i WANT him...but he's so violent! but i can TAME him' trope. it's only this side of racist here because the scottish people in this book are white. this man can't be expected to have respectful attitudes, those are modern. and he's from a strong, manly culture! and there's no use looking around for some other kind of guy, because everybody's like that here, and that's history, man. there's a scene in this book where her tarzan in tartan believes that all sex is doggie style and is shocked to learn it isn't. this scene made it into the show.

what im trying to say is. she's both trying to write serious hist fic AND trying to have the protagonist get raped every other page so as to justify the amount of sex in the book. like...i feel insane saying she's doing it wrong when i read carey with gusto, but again, there we are in the 'context' issue. carey's context is that the protagonist is a) a professional sex worker and b) a confirmed masochist, so it's no shock to the reader when she goes to have sex with a patron and he lays into her with a flail. people who don't want BDSM aren't going to be reading Jacqueline Carey. she even has goddamn safewords, for chrissake. and while it absolutely can be argued that the absence of a declared scene in-text IS part of the fantasy for some readers - and must be for at least a few of the outlander fanbase, since people think these books are sexy - there's just too much failure to commit. either claire is into it or she's not, either this is a wish fulfillment kink book or it's hist fic. a better writer might be able to thread that needle in such a way as to keep it both sexy and consistent, but gabaldon's not that writer. her fetishes come off uncomfortably; her details are sometimes wrong enough that even not very historically minded readers point them out and find themselves jarred out of the story.

and...worst of all? she's not at all interested in the time travel aspect of her book, which may not seem like the worst sin here, but let me go out by tying this into its origins. she based the books on doctor who, a show about travel through time and space. rarely do her 1740s characters make it to the 1940s, where the story starts - she doesn't care about the nineteen forties, or later the sixties, after the time skip. they are where stodgy frank is from. they are where claire is exiled after she's torn away from her highland lover! she doesn't care about this timeline except insofar as they constitute a Modern place (but not too modern!) to act as a bland counterweight to the pull of those glorious days of old. the interplay of timelines is never really about culture shock or culture sharing, never really about what it would be like to survive culloden and then find out about the nineteen sixties. not in a funny, lighthearted way; not in a serious, all-implications-delved-into way. in diana gabaldon's time travel, the twentieth century is only there to get away from, to leave for some imagined romantic past where men are real men, women are real women, and small furry creatures from alpha centauri - except, wait. we don't know, do we, if the small furry creatures from alpha centauri are real small furry creatures from alpha centauri. in diana gabaldon's story, the scottish guy doesn't even go anywhere near alpha centaurai. truly there's no fixing this one.

[shades-o-grey]

HELP! GOOD OMENS FIC WRITERS <3

Hello, my fellow lovelies - I'm taking a shot out here in the tumblr scape since I don't know where else to look without getting lost.

Basically I would like to find some people willing to help beta some of my writting or some direction to a community or discord with fellow fic writers or even just enthusiasts in this fandom.

I've gotten mutual help from a friend of mine with my current projects - but they're very busy with life and their own projects, plus our writing style are very different and they're not someone who's seen the show or read the book.

It's great for getting a fresher and objective look - but for more stylistic writting choices and flairs I'd love to find a community who has the same level of Good Omens brain rot as I do who might understand my writting better more creatively?

If that makes sense.

Basically i have so manny ideas a projects and writting things that I want to bounce of someone who can pick up what I'm putting down but don't know where to look.

And shouting out concepts and ficlets into void can only get you so far.

So If you know a place and would like to share, I'd be very grateful - or if you're personally interested please leave a comment or dm me!

If you need an idea of what I sound like when writting- I'd say this post is a pretty good indicator (so if you find my writting annoying in this I'm probably not your cup of tea).

Current projects is a re-work of a 'in canon' fic i wrote last year about the apology dance. It didn't perform as well as I wanted it to so I'm giving it another polish before I re-post it.

If you're curious, here's the link "The Little Dance" - please be gentle with me.

Basically that it - I'd love some writing help and would love to help beta other people writting too - tit for tat. I also draw so if people are looking for some art/banners or covers for thier work I'd love to do that too.

I'm 22 - English is my primary and only language. I am comfortable with mature and sexual themes even though I myself identify in the ace-spec.

Any further inquiries hit up my asks or leave a comment. I'm desperate for some interaction.

Anyway Ciao~ <3

[tumbleaboutit]

This calls for a read more.

I'm currently part of a LARP, though admittedly it's more "tabletop with costumes" due to space limitations.

…oh gosh, it was fifteen fuckin' years ago now. I had just graduated and was hanging with some friends I'd met through online gaming, and they asked if I was interested in trying out tabletop. I'd been eyeballing a book that said "werewolf" on it because I thought werewolves were cool, and the rest is history.

Mash-up: We're using "Ghost Council" and "Gale Stalkers" because those are more appropriate names, but we still have the Get of Fenris and Crinos-born Garou because throwing those out with the bathwater was short-sighted. Also we made "redeemed" versions of the Mockery Breeds; they are absolutely playable and I've got write-ups for anyone who wants them. Oh, and were-elephants. We made a whole damn splat book for were-elephants as a birthday present for someone who really likes elephants. They are also completely playable.

I don't really have a favorite. So far, I've played a Child of Gaia, a Silent Strider, a Bone Gnawer, a Shadow Lord, and am currently playing a Silver Fang. I've enjoyed all of them for different reasons, and I'm looking forward to getting to the others.

I don't have a least favorite, but someone saying that the Get of Fenris is their favorite tribe usually makes me wary of them until they elaborate as to why. You gotta find the Get players who want to fight the bad Get players.

I tend to create characters collaboratively with another person, so I don't currently have any concepts in the pipe. But I do want to get around to playing all of the auspices (only Galliard left!) and all of the Tribes.

"Divide" is currently at the top of my list due to my Shadow Lord having used it as the (absolutely brutal) capstone of her Revenge Quest. If you're gonna fuck with a Shadow Lord, maybe don't pick the Lost Cub who weighed all her options and became a Shadow Lord on purpose.

Rite of Contrition, because it's always fun to see what item a character brings as an apology present, what that item says about them, and how the character they're apologizing to reacts.

Much like I don't have a favorite Tribe, I don't have a favorite Patron spirit either.

Bloody Bandages, due to the absolutely hilarious "leech dance" chiminage that my friend came up with: basically hopping around, legs together and arms flat at your sides, and then leaning toward people and making a slurping noise. You must perform it with a large group of people nearby so that you have many opportunities to slurp.

Most of the Frenzies I've had or seen have gone fairly well due to the presence of other Garou dog-piling the Frenzying one before they can do too much damage. But a Fostern Philodox player character did get killed by a Ahroun Cub in a Frenzy one time because they were alone together.

I'm pretty much just in it for the games!

Shadow Lord endears herself to Gale Stalker against his will and his better judgment. He is grumpy about it even after he dies.

Six official characters across games, plus various temps and NPCs as needed. Special shout-outs to NPCs "grumpy-ass gila monster Mokolé who beat up biker and stole his jacket", and the two Get of Fenris high school jocks who formed a pack under Goat as a Norse myth in-joke.

My first character was Emily Chews-on-Silver, a Child of Gaia Philodox, who grew up in the circus and shared her First Change with the lion Bastet that she performed with after they were attacked by Black Spirals. She was extremely shy and retiring outside of the ring, and the pack they were in kept getting swept up in these Grand Adventures that meant that the spirits kept promoting her in rank without her actually understanding much about what being a Philodox meant.

All of my characters eventually end up being growth characters in one way or another. But I get a lot of joy out of Stacia, my Mean Girl Shadow Lord Ragabash, because I have successfully made other people like her as much as I do.

Stacia I've played long enough to officially get her to her early twenties, so she's technically the oldest. Genie is the youngest, both because she's my newest character and also because she's lupus-born and hasn't even hit double-digits yet. They'd get along okay as long as they don't have to work too closely together; and they'd bond over their mutual addiction to Starbucks (caffeine and sugar for Stacia, Pup Cups for Genie).

Emily taught me that playing the "Shy" flaw when you already have IRL social anxiety isn't that much fun. I'm sure we share unofficial flaws/traits, but it's hard to put my finger on them from the inside.

Alice-in-the-Mirrors, whose Slip Sideways flaw was so bad that it would yeet her into the Deep Umbra, was meant to be an easy character that I could play whenever I managed to make the four-hour trip to game from graduate school. Ha. Hahahahaha. She turned into a personal growth character pretty fast.

Oh…no thank you. I don't want to be in the World of Darkness, and I have a very different skillset than any of my characters. If I absolutely had to, probably Alice.

Stacia, definitely. She'd be able to maintain my life instead of absolutely blowing it up.

Doc (short for "Document") didn't get much play and the game she was in didn't last very long. She's being recycled for parts and lives on in Genie (generally even-tempered Lupus born and raised in a wolf sanctuary).

I like to build characters collaboratively with a friend or two, WtA is great for that because you need a solid reason to not have a pack at least in the works.

Wyrm; the idea of "everything stays the same forever" is a fuckin' nightmare.

Luna; you don't get into werewolves without having a lot of feelings about the moon.

Older Brother; I'm an information professional IRL!

Shadow Lords, if only for the True Breed requirements of the Silver Fangs.

Wisdom keeps you alive long enough to get the other two.

Changing Breeds; I'm completely happy to keep playing werewolves and let other people have fun with the Fera. (Though I do have a concept for a redeemed Cockroach shifter…)

Hispo. I wanna be a wolf the size of a pony!

I'm skipping the bonus questions because I know a lot of people it would be fun to play with. As long as I have a good group, I know I'm going to have a good time.

WTA ASKS: ABOUT THE PLAYER EDITION

Inspired by (and drawing heavily from, with permission) @diableriedoll's vtm player asks!!! Werewolf divider by @strangergraphics :)

We all know everyone's characters, but what do we know about the player behind the Garou? Let's find out!

1.Are you a WtA player, storyteller, both or neither? If neither, how do you get your WtA fix? 2. How and when did you get into WtA? 3. Which edition do you play/ prefer? 4. What's your favorite tribe? Why? 5. What's your least favorite tribe? Why? 6. Which tribe/auspice haven't you played/ developed but would love to try? 7. What is your favorite Gift? Why? 8. What is your favorite Rite? Why? 9. What's your favorite patron spirit? Why? 10. What's your favorite Talisman or Talen? Why? 11. Describe your worst Brutal Result and/ or Frenzy that you've played/ seen/ suffered 12. What's your favorite piece of WtA Media? eg. Games, books- pick your fancy! 13. What's been your favorite interaction throughout your WtA experiences? Can be in game, playing video games.. anything.

You and Your Characters

14. How many characters do you have? 15. Who was your first Character? 16. Do you have a comfort character? What makes them special to you? 17. Who is the (in character) oldest and the (in character) youngest? Would they like each other? 18. Do any of your characters have a trait or flaw of your own? If so, what is it? 19. Do you have a character that was created from a dumb/ silly idea but now you can't imagine not having them? 20. You suddenly switch places with one of your characters, which one would you prefer to be? 21. One of your characters takes your place, which one would you prefer to control of your life? 22. Which character is least spoken about? Speak about them now! 23. Is there something specific that influences you for your character creations?

This or That

24. Weaver or Wyrm? 25. Luna or Helios? 26. Older Brother or Younger Brother? Middle Brother? 27. Silver Fang or Shadow Lords?  28. Glory, Honor, or Wisdom?  29. Changing Breeds or Mockery Breeds?  30. Hispo or Glabro?

BONUS QUESTIONS! You have been given a chance to play your perfect Chronicle, let's build it!  31. Who is your Storyteller? 32. Where and when is it set? 33. What is your Auspice? 34. What tribe do you join? 35. Your pack is yourself plus four other players. Who are they? (Can be anyone!). Anyone else you'd want to add to your sept?

[stromuprisahat]

Invisible army

Siege and Storm- Chapter 22 (Leigh Bardugo)

The Darkling needs mountain passes cleared of scouts to successfully move through, but crosses whole country in a week without anyone noticing?

Either he's alone or with a small unit, using mostly nichevo'ya, therefore traveling via goat roads shouldn't be a problem, OR he is followed by his Second Army, but then they would hardly be invisible deep inside Ravkan territory. Secret allies or not, the Darkling (or Grisha for that matter) isn't so widely loved such operation would be kept secret.

And why does reopening logging roads mean withdrawing scouts? Isn't a chunk of their job description "remaining unnoticed"?

[jonsnowunemploymentera]

And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....

Oh yes he would!

One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014

GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017

In fact he already has ☺️

[waterlinkedgirl]

Musical Touken Ranbu: Michinooku ~ Hitotsu Hachisu (Michinooku ~ A Single Lotus)

Here we go! Only a few days after the archive release and toumyu's ninth anniversary (congratulations!)

Michioku, or Michihasu, is a myu I have many conflicting feelings about, both positive and negative. However, I do believe that with the right amount of care in the next Mika-related story myu, the negative can still be cleared. Plus, I'm glad about a lot of things being re-established. The writer does need to step up her game a little on the plot-writing side of things, as well as the understanding-and-respecting-past-myu side of things, but as long as she does, this can still be given a proper place within what was already established.

Keep in mind that these are only the subtitle files, timed and tled to the DMM senshuuraku and the bluray respectively. The archive version will have a talk at the start, so the starting times of the subs will have to be delayed accordingly.

You can find the subtitles and my TL notes document here!

[mothmans-left-buttcheek]

I know I have no reason to do this but I'm adding commentary to my wife's writing again, mostly as an advertisement to encourage you to read her fic. Light spoiler warning so if you want to understand my reactions go and read the fic!!

“You ever read clan of the cave bear?” OH MY GOD I REMEMBER THIS SHIT FROM THE FIRST TIME

“He’s sad because no girl on earth can handle his huge fucking winer.” THERE IT IS

“Eddie screamed.” Me too the first time I read the og chapter I stg I was literally rolling over

“… and then you go and fuck it all up writing about sad peepee man over here.” Average media with a male ever tbh

Tag yourself, I’m “a yellowed glass relic perched haphazardly on the front seat’s armrest”

“Unless…” he teased, “You wanna… you know, be a good girl and go to second period…?” EDDIE SAY MORE THINGS

“What say you to us having a little alone time in my rather… unorthodox school hang out spots?” GIRL HAMILTON THIS SHIT RIGHT NOW, DONT THROW AWAY YOUR SHOT

“Yeah. Lover’s Lake.” Gnawing at the bars of my FUCKING CAGE. THEY'RE GONNA BE LOVERS. AT LOVERS LAKE. A LAKE WITH LOVERS.

“Alejandra laced her fingers with his, eventually grabbing onto his arm as they weaved through throngs of students.” AHHHHHHHHHH

"Dune's pretty much one of the major foundations for like, every science fiction world out there.” NERDDDD/jk

“Without Dune, they’d have Han Solo pushing either booger sugar or disco biscuits instead of spice, considering it was what shaped the sci-fi genre of the 70’s." Damn wait you right, this lore drop teaching me shit

“She had been buried deep in the desert sands of Arrakis ever since second grade” NERDDDDDD/again jk

“I… I don’t really talk to a lot of other girls.” TALK TO MEEEEE PLEASEEEE IM ON MY HANDS AND KNEES BABY GIRL

“Got called a “wetback Elvira” Pretty sure Elvira usually has a wet back HEYOOOO

“You know… I like you too.” Eddie murmured.” AHHHHHHHHHHHHHHHHHH

“… even if I’m the weird kid you just met…?”… “Especially because you’re the weird kid I just met.” Yeah girl this man is odd, the bar is on the floor with him lol

“Slowly, Alejandra’s hands left Eddie’s and cupped his cheeks, and she found herself pressing lips against his. Eager to find out.” GUYS MY WIFE AND MY HUSBAND ARE KISSING THIS IS GREAT

“Pinche mamon!” She hissed.” YOU RIGHT! SPEAK ON IT!

"Good girl.” He whispered, leaning in towards her, “You keep your mouth just like that…” EDDIE SAY MORE THINGSSSS

“I am not... yet, I occurred. ” A Dune quote to top it off is SO FUCKING FIRE

Bloody brilliant, so cute and nerdy and a lil spicy and just a very good revision of the og, I love seeing Allie finally painting the original writing in her full spectrum of color <3

A Freak and A Basket Case: The Seven Inches of Satanic Panic Edition

Chapter 3: Here Comes The Feeling

“ Oh God, where were you when I needed you?

I know that you, no,

You would never have betrayed me… ”

A/N: I’m back, bitches.

I took a break between Gladiator fics to pretty up chapter 3 of my OC fic. This was a really fun one to gussy up, especially during the rewriting of the Dune flashback. I don’t know what kind of hold Dune has on me, but it’s very much still there. However I’m more hung up on the 1984 version, Kyle MacLachlan has me in a chokehold.

Hope you all enjoy. Thanks so much for sticking with me so far.

Masterlist | Previous

Credits: Dividers by @strangergraphics-archive

Tag List: @melodymunson @writhingg @jozstankovich @rxqueenotd @trashmouth-richie @i-trash-about-things @ali-r3n @somnambulic-thing @mothmans-left-buttcheek @theold-ultraviolence

Warnings: Direct reference to specific instances of period typical racism, references to drug use, some smutty themes

“You ever read Clan of the Cave Bear?” Alejandra asked.

It was such a non sequitur. She heard an obnoxious snort threaten to turn into laughter.

“No, what… what the hell is that?” Eddie was red faced. Giggling.

“Prehistoric science fiction, bro.” She said in a low voice, “Caveman shit.”

“Cavemen?!”

Eddie guffawed. Covering his face with his hands as his giggles threatened again.

“It’s not funny!” She whined, unable to control her own cackling.

The distinctly pungent, acrid odor of Eddie’s own stash of what he called “longbottom leaf” (really, just a bad code name for his own recreational reefer) had already gone stale in the enclosed space they found themselves in. The shared smoke had gone stale in her baby lungs, and Alejandra coughed as she laughed.

“I’m so… ha! I… I’m sorry…” Eddie insisted, taking a deep breath and exhaling through pursed lips. “I’m sorry. But you said… you said it’s about cavemen?”

It took Alejandra a while to maintain herself. Spittle had shot down the wrong pipe and made her nearly gag. Holding up a finger, she made sure it all hacked out, inhaled deeply, then nodded with a grin.

“Yeah like, a girl from the Cro-Magnon people gets adopted by a group of Neanderthals and she becomes this hunter who’s all bad, right?” She said, moving her hands as though she was holding a spear, “Then she gets kicked out of her cave after giving up her son to start her own path, and the second book opens up with her in this valley where she tames a horse and a lion cub. Real girl power shit. But it’s crap.”

“Why crap?”

“Because the girl then turns into this air headed romance novel heroine, and she meets her perfect jock caveman boyfriend.” Alejandra said. “And the book gets all torcido in the second novel. You wanna know what her boyfriend Jondalar’s biggest flaw is?”

Eddie raised an eyebrow, clearly entertained by Alejandra’s retelling of the best selling prehistoric fiction novel.

"Lay it on me. What's the great character flaw of Jondalar, the Flintstone-era Mr. Perfect?"

“He’s sad because no girl on earth can handle his huge fucking wiener.”

Eddie screamed.

Honest to god screamed.

Screamed like a banshee being gutted, and then dissolved into the worst fit of laughter she had ever seen. Eddie collapsed against the van door, laughing so hard Alejandra could have sworn she saw his butt cheeks clenching in his worn Wrangler Jeans. The kind of clenching that comes from trying not to laugh so hard you accidentally fart.

Eddie took a deep breath, trying to compose himself, but the idea of a sad, dimwitted caveman crying over his mammoth dick was too much.

"I swea… I… I swear… Oh Jesus H. Christ!” he paused, wheezing before he finally inhaled and managed to speak, “God dammit. What the fuck is this… How in hell did edgy caveman sex even get the go ahead from a publisher?!"

“Evidently Jean M. Auel had a lot of money and a lot of free time to be traveling to sites where they dug up remains. So the first one was just creative enough to get published, then the second sold purely on sex.”

Alejandra sat up straight on the leather seats of Eddie’s 1979 GMC Gaucho. Her fingers danced along the leather of the back bench seat, silently enjoying the tactile wonderland where the top grain of the leather had begun to disintegrate.

“Like… imagine though?” She said, voice lowering to a conspiratory whisper, as if Jean M. Auel herself was squatting outside of the windows listening in, “You spend all kinds of money to actually learn how to make stone tools and a lean to, and then you go and fuck it all up writing about sad peepee man over here.”

Eddie laughed even harder, his shoulders shaking and his face now burning red as a tomato.

"Peepee man, oh my fucking God... all that free time and money to learn about the Stone Age, just to turn it into a cringe-fest with Jondalar and his mammoth-size... oh shit!"

There was a frantic scrambling to prevent disaster after Eddie’s muddy Reeboks knocked over a full ashtray— a yellowed glass relic perched haphazardly on the front seat’s armrest. A few old roaches flew with the stubby blunt in a sea of ashes onto the already filthy floor. Eddie looked at Alejandra, looked at the mess, then began howling again with laughter. She burst into laughter too, a delayed reaction when she realized what happened.

When they both finally looked up at one another after a moment of calm, she noticed Eddie was staring directly at her, smiling widely.

“Damn… you're a bundle of laughs when you're stoned, aren't you? I’ve never met a dork like you who was so captivated by prehistoric wiener.”

“What?! No! I don’t want Jondalar’s unwashed dong!”

“Oh you totally do. What, you like ‘em big like a third leg?”

Pressing his lips together in a firm line, Eddie made a buzzing elephant-like sound, sticking his forearm near his crotch and flapping upwards for emphasis.

“Stop it…” Alejandra threatened, shoulders shaking with barely contained laughter, “Don’t make me laugh… I… I’m gonna pee…!”

He was about five seconds away from laughter himself. Biting his lower lip to stop the sound.

“Oh? You want me to stop? Because believe it or not, I’ve got a whole arsenal of stupid shit I can whip out to see how bad you really need to pee… I just don’t have the mammoth trunk package you want me to whip out—…”

A loud yelp erupted from his throat, followed by laughter when Alejandra began swatting him with her Carhartt jacket. The fabric made a snapping sound as it connected with his skin. Eddie wasted no time to hit her back with his denim vest.

They looked like two jocks in the midst of a locker room towel brawl, the jackets making a solid thwack against bare skin amidst their howling and animalistic grunting noises that started up after Eddie started screeching like a capuchin.

Before the van, before the two of them shared the reefer, Eddie had still been holding Alejandra by the waist back at Hawkins High. The two of them were hellbent on basking in the presence of one another, interrupted only when the bell rang to dismiss first period, and Alejandra had honest to god pouted when she heard the obnoxiously loud clanging.

“Don’t make that face.” Eddie had grinned, “Who says we’re going to second period?”

“Huh?!”

“You really think I’m going to let you go to class? Away from me? Hell no, we’ve got better things to do. You’re sticking with me today, lamb chop.”

His voice dropped down into a conspirator’s whisper, hot breath ghosting along her ear as he spoke again.

“Unless…” he teased, “You wanna… you know, be a good girl and go to second period…?”

“Hell no.”

“Didn’t think so.” He grinned. “After all, we only just started getting properly acquainted. What say you to us having a little alone time in my rather… unorthodox school hang out spots?”

He gave a light squeeze. A promise of an exciting adventure.

Alejandra scowled.

“… Bro, I don’t even wanna be at school.” she murmured. “I hate it here.”

His expression softened.

Maybe it was the hint of vulnerability in her voice, or the fact that she looked wilted and drained from her attempts at biting back at the masses. Whatever the reason, it didn’t matter. Lamb chop said she didn’t want to be here, and Eddie seemed determined to make it happen. Desperately trying to please her, from the looks of things.

“Yeah, okay… no, I feel you. This dump was never designed for us cool cats. Let’s face it, we’re too cool for school, lamb chop.”

For a moment Alejandra looked around. Confused as to who Eddie was talking to. Who the hell around here was cool besides him? Certainly not her.

“New game plan: let’s ditch class and go on an adventure. Just you and me.” He said, holding firm to her waist.

“Okay but like… What’s there to do here?”

“Hawkins is our oyster. There’s a lot we can do. We could go cruising, drive to the park, or the lake. There’s even an abandoned scary house on Denfield we can break into. Perfect place to get chased by ghosts, while accompanied by a psychedelic synth number. Hell, sky’s the limit. Anywhere’s more exciting than this shithole.”

“… there’s a lake?”

Alejandra knew lakes. Liked them even. Abiquiu back home was a particular favorite. With the outcropping of mountains in caramel and umber surrounding the blue water in summer, it was a perfect wilderness retreat. Surely, this Hawkins lake would at least be as picturesque with its midwestern greenery and lush forest.

“Yeah. Lover’s Lake. It’s quiet there on a school day. Especially now in the morning. Perfect for an adventure. You in?” Eddie asked.

“I wanna go!”

She sounded like a damn kid. So eager…

No one had ever invited her anywhere before like this. Plenty of her classmates back home ditched class and never faced consequence. One girl back in Pojoaque took off during a pizza party in Geometry— simply because she didn’t bring any cash to chip in— instead she just walked out of the room like nothing while Alejandra sat there watching at her desk, gaping like a fish.

She always wished she had the balls and audacity that girl had. Now she had the opportunity to grow a pair.

Eddie was grinning at her attitude.

“Atta girl! We’d better be sneaky about it, though. I don’t feel like catching hell from dirty old Higgs for a joyride.”

He didn’t wait for her to put out her hand. Eddie grabbed her sweaty palm and began walking to the front doors, dragging her along to follow.

Alejandra laced her fingers with his, eventually grabbing onto his arm as they weaved through throngs of students. Every now and then they looked behind them to see if anyone noticed their flight from Hawkins High. For the most part students and faculty alike avoided Eddie like the plague. Especially now that they saw him coming; with his features set in a resting bitch-faced scowl. A mousy stage five clinger like Alejandra wasn’t even a blip on their radar.

Once outside, the humid summer air punched them both in the face. By the time Eddie led her over to his van, parked all the way in the far corner of the lot, Alejandra was sweating and dying to get in it. She wiped the back of her neck with her hand, letting the cotton duck fabric of her jacket soak up the sweat like a thirsty wick.

Eddie finally parked the two of them in front of the vehicle, holding out his hand. The “ta-dah” was silent, but implied heavily.

“Allow me to introduce my valiant steed: Large Marge.” He said in a deep voice, “Your white-… well, uh, green horse for the day.”

“Large Marge?!”

They both burst out laughing. Eddie even did the Paul Reubens laugh— the one that sounded like a drunk version of The Road Runner, and Alejandra doubled over wheezing.

“A la ve, eres muy pendejo, bro.” Alex laughed.

Immediately she tried the door handle. Just gave it a yank without even making sure the door was unlocked (it was) and hopped into the passenger’s side. Eddie didn’t hesitate either, he just did the Peewee laugh again before he hopped in, slamming the door behind him and making the engine sputter to life when he stuck the key in the ignition.

Without looking in the rearview mirror to make sure anyone was behind him, Eddie peeled out of the lot the second he put the gear in reverse. Alejandra hadn’t even buckled in her belt before he was doing fifty in the school zone lane, hitting every speed bump and pothole on the way out.

"Jesus H., all it took was a Peewee Herman reference to get you in my van?! You're either fearless, oblivious, or just damn crazy," he laughed, rolling down the driver’s side window. “Did McGruff the Crime Dog teach you nothing? I’m pretty sure the first lesson was: don’t get in a strange man’s big ass van.”

“At this point I wouldn’t even care if you were Baron Harkonnen himself.” she said, re-adjusting her belt so it wasn’t strangling her, “I’d still go with you.”

"Well, I promise I'm nothing as sinister as Baron Harkonnen. Just a humble dork who appreciates good humor. Although, I do sometimes dabble in the melange trade." He winked at her as he steered the van.

The ever turning record of thought in Alejandra’s brain scratched to a halt.

Hold on…

“Hold the fucking phone… you… you actually know who the Baron is?” Alejandra asked, looking incredulous.

No one had ever been familiar with her references to Dune, and here was Eddie just casually dropping lines about the Siridar-Baron, and spice melange…

"Of course. Who doesn't know who Baron Vladimir Harkonnen is?" he replied casually, one hand steady on the steering wheel while the other fumbled for a cigarette in the pocket of his denim battle vest.

He must have done it a thousand times. Mesmerized, she watched as— with practiced ease— Eddie steered with one knee, lit his cigarette with one hand using a dented Zippo lighter, sucked in the sweet tobacco of filtered Camels, and blew the smoke out of the window he was cranking down with his remaining free hand.

"Dune's pretty much one of the major foundations for like, every science fiction world out there.” He said nonchalantly, one hand returning to the steering wheel, “It’s got everything. Space, politics, giant sandworms... Without Dune, they’d have Han Solo pushing either booger sugar or disco biscuits instead of spice, considering it was what shaped the sci-fi genre of the 70’s."

“Yeah but…” she protested, unsure how to voice what she was thinking.

"But what? You seem surprised I know of Dune's existence," Eddie said, scratching his chin as he turned onto Mulberry.

“I kind of am.” Alejandra admitted, chewing on her jacket cuff, “I never met no one who could really keep up with my weirding ways…”

She had been buried deep in the desert sands of Arrakis ever since second grade; ever since her father had been tasked with reading her a bedtime story.

Sick with pneumonia and bronchitis, the doctor told her parents that she had to be kept home at least a week, possibly two if the antibiotics did not work. And they hadn’t worked all that well.

Alejandra was inconsolable.

Second grade was so fun because Mrs. Viola made it fun, and at recess Alejandra always played Candy Candy with her best friend Yesenia— and this week it was Alejandra’s turn to be Candy. Yesenia had even promised to let her hold her stuffed raccoon toy.

Instead, her parents kept her home, and force fed Alejandra this disgusting bubblegum pink antibiotic syrup that made her gag. Dad wasn’t working at the time, it would be another month before he started back up with hauling. So instead of dealing with just mom and Jaime, Dad was there to make caldito and read to her from one of his hardcovers from the Waldenbooks in Dallas that he’d bought two summers ago.

The way Dad played the characters was magical. Alejandra loved the gentle intonations of his voice as he read in the Voice of the Kwisatz Haderac: Paul Usul Muad’Dib Atreides, his very birth orchestrated by one of the fearless women of the Bene Gesserit space witches.

Arrakis was Alejandra’s second home. An escape from the world that did not understand her. When she grew into adolescence and longed to be accepted, she filled her lonely days with yearning to ride through burning sand dunes atop Shai-Hulud. She wanted to hold the Gom Jabbar with Alia Atreides as she killed the evil Baron Harkonnen, and to drink the water of life with Lady Jessica to become the next Reverend Mother of Arrakis, the cunning harbinger of an abomination.

She even wanted to join Stilgar and Chani in their holy war, feeling like a Fremen child herself as she had been born and raised in the desert dunes just as they were… Alejandra knew the sacred importance of water, of self sufficiency among the burning sands, and of a culture that often dealt with the realities of the drug trade and the higher powers that orchestrated them.

Six novels and eleven years later, on all levels except physical, she was still very much buried under the spice tinged sands of Dune. If one bothered to look closely, she fancied they might have seen the way the sclera of her eyes had begun to tinge just the slightest hint of blue…

"I've read the first book and seen the David Lynch movie, I went with one of my friends last year." Eddie smiled, glancing over at her briefly before returning to the road, taking a long pull on his cigarette.

“You’re not the only person in Hawkins who's been tainted by the Weirding Way. So I’ll be privy to any little Bene Gesserit mind tricks you try on me, you little space witch.”

"You know, you're really different from anyone I've ever met before. I mean that in a good way."

It took her a second to remember that she was in Hawkins, not on a desert planet or even a desert state. Instead she was laying back on a leather bench seat, in the back of a green 1979 GMC Gaucho named Large Marge, smoking pot with a guy that looked exactly like Eddie Van Halen.

“I’m different?”

She was shocked. Almost offended. What? Was it not normal to get philosophical about prehistoric caveman fiction?

“That’s… that’s kinda cliche, don’t you think…?” She groused.

Eddie shrugged, his smirk turning into a lighthearted grin.

"Maybe it is cliche, but I mean it. You're not afraid to speak your mind, even if it's about some fictional dude's wiener."

Alejandra couldn’t help the giggle that came out, covering her face.

“… I guess so…” she finally admitted bashfully. “I guess I just didn’t realize people don’t talk about book characters like it’s some hot school gossip. I… I don’t really talk to a lot of other girls.”

It sounded shitty. Even she could admit that.

“I… I don’t really have friends.” She whispered, her face red.

It sounded selfish and shitty, like she hated other women for simply existing. When in reality, she wanted another girl to talk to. Above all else, Alejandra really was just like any other young woman. She craved affection, and attention, perhaps even more than was normal.

At times, she wanted to be part of the cliques she was always excluded from. Cliquey friends came with so many benefits: at any given time, you had an entourage with which to laugh and look cool with. Someone always was free to go with you to the bathroom, sometimes everyone all at once.

Cliquey groupies giggled and gushed over cute boys, and fixed each other’s curls in the mirror before class started. They traded gum, scrunchies, and various fads that circulated in and out of the school halls. Last year, friendship bracelets were the big thing that everyone got into, and girls would have hundreds of them layered on their wrists. It was a caste system of the teenaged-mind’s creation; whosoever did not fit in was not always publicly humiliated, but rather silently shunned.

Alejandra had shamefully made her own to wear on her wrist, but it was awkward getting asked who she was matching with— or, god forbid, getting confronted for copying another girl’s “colors”— so she stopped wearing them altogether.

"Hey… hey, lamb chop."

Eddie’s warm hand brushed against her bare shoulder, raising the goose flesh against her skin. She looked at his hand, refusing to make eye contact directly.

"You shouldn't say that.” Eddie said gently, “I'm sure there's plenty people in Hawkins who want to be your friend. You just... you need to find your people.”

The hurt of his words stung in her heart.

Find your people?

All she had done that first day was piss people off, and look where she ended up. Shoved into a locker for it. Screamed at. Got called a “wetback Elvira”. Got tripped, and caught her jacket on a doorknob. With the way small town rumor mills ran, she knew any attempts she made here on out to make a friend would be FUBAR— Fucked Up Beyond All Recognition.

“I don’t know… I don’t… I don’t think there’s really anyone on earth, let alone here in Hawkins, who wants to be my friend.”

Eddie paused for a moment, the deafening silence making Alejandra’s heart clench.

"I'd be your friend." He said after a moment.

Alejandra tensed up. Gulping. Not wanting to look him in the eyes.

“Really?” She whispered.

"Yeah. You're smart, you're funny, and you've got a love for fantasy. Those are all… that’s badass, dude."

She turned away. Looked at the bucket seat in front of her, thence to the parking break, thence to the floor and the scattered ashes infused with butts and roaches.

“Are you serious to me right now?”

Her voice was so small, so helpless. As if she couldn’t believe it. She said this as if she couldn’t even imagine Eddie, for all his laughter at her antics and his handsy nature, even wanted to consider being her friend. The idea was laughable. There was no way he liked her like that. Maybe she was just a fun time? Something silly to do on a Monday morning instead of school.

Maybe, she thought, maybe he was just secretly some deadbeat dude who wanted dirty sex and was promising friendship in exchange. Using promises of companionship and understanding as legal tender to exchange for her “goods and services”. Playing up acting like a good person, just so he could stick his smelly cock in some panocha, as her brother would often so eloquently warn her about.

For all she knew, Eddie could be just a typical pig. Wanting a warm hole in between looking for someone better looking, more conventionally attractive, to show off on his arm.

But Alejandra wasn’t sure what was more sad: the fact that she was making a judgement based on unfounded allegations, or the fact that she was so desperate for attention, that she was actually considering giving it up just so Eddie would speak kindness to her.

Eddie's grip on her shoulder tightened. After avoiding him so long, she couldn’t anymore when he turned her around to face him. Red rimmed, watery brown eyes bored holes into hers, curtained by black brown, wild curls.

"Yeah, really.” He murmured, “I'm serious. I'd be honored to have a friend like you."

He gave a soft, genuine smile, with his laugh lines cutting deep divots in his cheeks. Alejandra let out a breath she wasn’t aware she’d been holding.

“Well that’s real cool because I really like you and-…” she immediately slapped a hand over her mouth, a squeak erupting from the throat when she realized she had just admitted the quiet part out loud.

The reefer had made her tongue loose. Ordinarily she would have kept the affection she felt for Eddie under wraps until the day she died. Old Alejandra would have made an ass of herself agonizing over shooting her shot. Probably would have gone to her grave regretting never telling Eddie that she was starting to feel the dreaded “like” feelings.

Eddie's smirk faded into a look of surprise as he heard the words come vomiting out.

"Alejandra..."

He said her name softly, his eyes searching her face and taking in the flushed expression.

"You... you really like me?"

She didn’t look at him, just kept her mouth covered as she looked down shamefully. Slowly, she nodded her head yes.

“You know… I like you too.” Eddie murmured.

“You do…?”

“Yeah, I do. I like you a lot.”

“… even if I’m the weird kid you just met…?”

“Especially because you’re the weird kid I just met.” He scooted closer, cupping her face in his hands.

“You think you’re the only one in this van that does weird, out there shit? We’re both weird. We’re both freaks. I don't care if you're weird. I like it. I like you."

Her hands hesitantly reached up, palms over his as she stroked his fingers. Every little sensation was like magic. From the worn feel of his callouses, to the jewelry adorning his fingers, it was all so uniquely him. So very much Eddie, that her fingertips finally moved of their own accord and ran along the grooves and ridges of his many rings, finding comfort in the shapes and feel of the metal designs.

“… really warm…”

Eddie's breath hitched as he felt her hands on his. He let out a low, soft laugh.

"What’s warm? My hands?"

“Yeah…” Alejandra nodded. “And your rings too… People… people say that rings are cold but… yours… the metal band is warm…”

She looked up at Eddie, and noticed something magical happening.

When the morning sun hit just right, his iris glowed a warm amber, like cognac. And when the cognac of his eyes illuminated his face, she could see all the beautiful little lines he possessed: the eye bags, the early signs of crow's feet in the corners of his eyes when he smiled, those goddamn dimple divots on either side of his mouth… Even the way he smiled was mischievous.

She couldn’t help herself. Brown eyes darted down to his rosy lips, chapped and a little dry, but plump. Kissable lips.

Did he taste like cigarettes? Weed? Maybe minty, like toothpaste?

Slowly, Alejandra’s hands left Eddie’s and cupped his cheeks, and she found herself pressing lips against his. Eager to find out.

At first he stiffened, totally caught off guard by the movements. It took a second or two, but at last he began to reciprocate, immediately wrapping his arms around her and pressing her further into his chest.

This didn’t feel real. Alejandra couldn’t believe she was really doing this… A moment ago the two were having the time of their lives. Nearly pissing themselves with laughter, enjoying the bantering back and forth and being real friends.

His lips were chapped. Bitten perhaps during a bout of nervous habit, but… oh, so warm…

His fingers tangled in her curly hair, a wet lathing at her bottom lip as his tongue gently stroked across. Eddie was pulling desperately at her too, as if trying to get her to hop onto his lap, and Alejandra responded by eagerly scrambling onto him. She frowned when she realized he was licking at her bottom lip sloppily, rapidly, as if he was an eager Saint Bernard looking for peanut butter.

“What are you doing…?” Alejandra asked.

Eddie blinked, pulled out of his momentary stupor by the question. He quickly tried to explain himself, a hint of guilt in his voice.

"Fuck... I didn't mean to! I just... I thought... Oh shit, I'm sorry-..."

“No like… what are you doing with your tongue?” She asked, genuinely confused.

Eddie shook his head and blinked at the same time. As if resetting.

"It's... I’m kissing you? Y’know, like, Frenching? You stick your tongue out and... and kind of…”

What the fuck was he talking about?

It took her a hot minute. A really hot minute to figure it out, and just before Eddie made like he was going to push her off him, she clung to his arms.

“Like wait no, hold on… is that… is that what they’re doing on tv…?” Alejandra asked softly.

Eddie nodded awkwardly. Unsure of what to say.

"Yeah... yeah, it is. When you kiss and... then you kinda slip the tongue. It's called... making out…"

“I mean I know what making out is called but like… I didn’t know that’s what was happening… inside.” She said, feeling a little stupid.

"Are you telling me you've never kissed someone with tongue before?"

“… I’ve never kissed anyone in my life… let alone done that tongue thing.”

“Jesus H. Christ, you’re a fucking virgin!” Eddie laughed loudly and obnoxiously, as though reveling in the revelation of the awkward secret.

Now it was her turn to huff indignantly, only staying because Eddie had put his arms around her and held her in place.

“I’m sorr… sorry!” He wheezed. “I’m sorry! No… no that’s not funny.”

“Pinche mamon!” She hissed.

He shook his head, wiping a tear from his eye as he smiled at you gently. His hands began rubbing at her bare shoulders, enjoying the sight of her in a sleeveless, linen summer dress.

"Would you like to try it again...?” He asked softly, “The tongue thing?"

She curled soft legs around his thin waist, Chuck Taylors pressing into the armrest of the leather bench seats of the van. His body responded automatically, intimates standing to attention in a single fluid contraction of throbbing hot flesh through denim…

When she felt him get hard, how could she stay mad at him?

“Yeah… teach me, how do you do the tongue thing…?” She asked.

He gently pressed his forehead to hers, faces mere inches apart.

"Well, it's pretty simple."

He paused for a moment, leaning in slightly closer as he spoke in a soft, low voice.

"Gimme the Gene Simmons, like this..."

He slowly stuck his tongue out, the tip brushing against Alejandra’s lips. She giggled, mimicking him and laughing when his long tongue flicked against hers.

“Then what?” She asked. Words were a bit garbled because her tongue was still lolled out.

"Well, lamb chop, once our tongues are out, we... we kind of… You know…”

He paused, his eyes locked on her lips before leaning in a little closer.

"Start licking each other..."

“O-oh…”

Eddie smiled at the quiet, accepting response.

"Don't worry, we'll go slow. We don’t have anywhere to be." He said, eyes never quite leaving her lips.

"Close your eyes, lamb chop. You don’t keep them open when you kiss."

She obediently closed them, lips parted slightly as she felt Eddie’s warm breath caress her face. He evidently decided he would skip the gentle pecks and go for the tongue thing right away, so she kept her mouth a little open this time.

"Good girl.” He whispered, leaning in towards her, “You keep your mouth just like that…”

It was then she realized that not only did he taste like the Camels he smoked, but he also tasted like cheap beer, chocolate, and some kind of cereal she couldn’t quite place. All a myriad and fucked up mishmash of different flavors and scents that either complemented, or contradicted one another.

And Alejandra loved every single minute of it.

“ The flesh surrenders itself, he thought. Eternity takes back its own. Our bodies stirred these waters briefly, danced with a certain intoxication before the love of life and self, dealt with a few strange ideas, then submitted to the instruments of Time. What can we say of this? I occurred. I am not... yet, I occurred. ”

- Frank Herbert

[eegasleega-will-change-this-l8r]

Rambling About New Pork City

This is just a long series of ideas for how I envision New Pork City's layout (mostly from planning for my Minecraft build)

My vision differs a lot from the layout in the game, since that's only a 2D representation of the city, and there's probably a lot we don't see So I want my version of it to fit in a 3D environment, while also having some extra worldbuilding for flavour ^^

So something I've seen debated a few times is where exactly NPC actually is! In the game, we only reach it through a flying limousine, so we don't get any sense of where we've actually gone. It's not marked on the map, and there's not really any strong clues in the city itself to suggest where it's located. (early in development, it was actually gonna be New Pork Island, which is interesting) Personally, I recently started liking the idea that it's actually located in the Death Desert! It's mysteriously blocked off after the timeskip, the only area in the game we can't return to Plus, it's situated right over the 7th Needle, which Fassad presumably lived nearby (like the other Magi), while his floor in the Empire Porky Building is decorated to look like a desert. There's obviously nothing concrete, but that's where I place it in my mind!

So let's start at the earliest point in the timeline of NPC's development: Porky first arrives in the Nowhere Islands, around the vicinity of Locria's house. They meet, exchange ideas, etc, Porky sways him to his side. Soon after, he starts pulling in his armies and all the people who will form his empire. At the site of his arrival, the Pigmasks begin construction of some very basic buildings. Simple things like barracks, armories, the very first labs, etc. Really just a small compound built around Fassad's house while the empire starts.

Over time, more and more buildings were added to this spot, expanding upwards and forming a chaotic, mountainous "city," the Pigmask's capital. This is still at the beginning of the Pigmasks' expansion into the Islands, so everything is very shoddy and crude, purely functional and with none of the sophistication of their later structures. (Fassad's house is airlifted out and temporarily relocated elsewhere).

During the 3 years following the third chapter of the game, as the Pigmasks solidly establish their presence across the Islands, the King deems the old city to be unfit for the grandeur of his empire. As such, the entire city is buried under a mountain of dirt and concrete, to serve as the foundation for the brand new capital of the Nowhere Islands. A shaft is dug from the base of the mountain to its summit, and an elevator is installed to allow for quick travel to the future city.

3 years after the Pigmasks' arrival in Tazmily Village, New Pork City is finally completed (mostly). It sits on top of the buried husk of the old city, which can still be accessed through several points (the sewers and the MT Apartments are both parts of the old city). A section of the highway leads to the main elevator (now incorporated into the Empire Porky Building, and later into the caves underneath the desert), where newcomers from Tazmily can enter the city. The city itself also contains a landing pad for Porky's private limousine, but this is reserved just for him and his special guest.

The city is arranged so that all the most interesting sights are oriented towards the landing pad, providing the King's guests with the best possible first impression of his empire's capital. Though it's largely a monument to himself, it was also Porky's express desire that New Pork City be the perfect utopia for his special guest, with everything he could possibly dream of.

The entrance to the Empire Porky Building sits at the top of the city, but parts of the building actually extend downwards into the ground, connecting it to the main elevator shaft, which the building sits centered directly on top of. The rest of the city spirals down from the building's entrance, built into and around the mountain's summit. Most of the city is just wooden cutouts of course (including the seemingly-larger city in the background), and as said above, they're all pointed to face towards the limousine pad. As such, the city's entire facade falls apart once one starts to make their way upwards to the top level and passes behind all of the false buildings on their way. Most of these are also placed to cover up the uglier parts of the city, dumpsters and grimy service doors, etc.

Few random things to finish up: There's speakers all over the city constantly blaring music (Porky can also take control of these if he wishes). Heck, they probably have things pumping smells into the streets like Disneyland. Pretty constant rains of confetti, too. Porky snatched a bunch of old-world things from all over the place and scattered them around the city to fill up empty space, hence why there's so many random objects placed everywhere (like the greek pillars, the masks, etc. did that christmas tree belong to someone). He told the Pigmasks to go uproot the coolest tree they could find so he could incorporate it into the city and finally have the world's coolest treehouse. Honestly idk what he was thinking with the Rollercoaster that Just Kills You

So yeah, that's all the stuff I have in my head about New Pork City, minus all the stuff specific to my interpretation of Porky's characterization (which'll be it's own post... some day...) :D And this sort of shows how I wanna go about designing it in Minecraft... still going slow, but it's going! I've figured out a style i think works, and I've figured out a rough idea of how I wanna scale it ^^

[greenerteacups]

What do you think as Hermione's career would be post battle of Hogwarts? To me her being minister for magic really doesn't make sense. She does not have patience or tact to wade through murky waters of politics 😭😭

So hard to say! The Trio are so, so young when we leave them, I find it almost impossible to project their futures farther than a few years out. The job that suited me at 17 would be radically unsuited to me now. That's why of all the Trio, Ron's ending strikes me as the most realistic — he jumps straight into the save-the-world business again, burns out, realizes he's actually Done The Fuck Enough, Thanks, and pivots into a low-stress career where he gets to see his family a lot. Feels accurate! The others are weirder to me because they do seem to just... pick a lane and stay there.

With Hermione, you could spin her a couple ways. You could say that she leans into her bookish side and does research or teaching, which is not my preference for a couple reasons (namely, I don't think Hermione would like academia as a profession; she finds her classwork interesting and enjoys intellectual validation, but she'd be stifled and wasted in a DPhil program, and she'd be infuriated by the administrative politicking of your average higher-ed faculty). You could say that she gets disaffected with politics and ends up as a barrister or a lobbyist of some kind, but if anything that requires more political finesse, because you don't actually have institutional power, you're just handling the people who make decisions and trying to persuade them of your goals. This is not Hermione's preferred method of influence. She's not even particularly good at persuasion, she just happens to be smart enough (and right often enough) that people take her ideas seriously.

Or you could say her brashness fades with the years into a softened flavor of tell-you-like-it-is honesty, which some politicians actually do successfully trade on; as we see in British politics today, you don't have to be all that charming or clever to get ahead, you just need to be really driven and well-connected (which Hermione completely is; she fought shoulder-to-shoulder with the first postwar Minister and her bestie, the Literal Messiah, runs the Auror Office.) But I don't know if Hermione especially wants to be Minister, after the war. She's just watched years of horrendous bureaucratic incompetence plunge the country into a violent civil conflict. She's had not one, but two Ministers of Magic try to bully or shame her friends into complicity with fascism. Her view of government is... likely extremely dark.

But Hermione also isn't the kind of person who sees her life as a quest for happiness. Babygirl has a savior complex that makes Harry look selfish. (She basically kills her parents — yeah, obliviating is a form of murder, #changemymind — "for their own good," and justifies every batshit, vindictive, mean-spirited move she ever pulls on the grounds that it "helps" one of her friends.) She is a mean, lean, dragon-slaying machine, and she needs a dragon. After Voldemort, the Ministry is the no. 1 threat to muggle-borns and non-wizarding Beings. As a war heroine with basically infinite political capital, I'd be surprised if she didn't try to do something there. That said, Hermione is so vivacious and dynamic that she could potentially grow in a hundred different directions; it's possible that all of this, while true of her at 18, becomes completely inaccurate by 22. That's why I'm not too fussed about any particular fanon interpretation.

[buttercupshands]

Congratulations on nothing. I'm back to drawing LoV again after a bit of a break

those are mostly just a redraw practice for fun Toga is a try in "more canon way of drawing" with color practice too

I'm sorry that it's in russian because I have to have some will to localize jokes that came into my head while drawing it

it's like... a robot au??? or something, mostly just a joke "what if AFo just built Tenko and changed what he wanted"

and this is a joke about our 'favorite' 419 plot twist so it's basically just a bunch of joked about AFO failing to get any way to get control instead Tenko's head is not empty. It downloaded games, friends and stuff about being a hero but NOT as a literal hero, more on "villains need help I'm a hero then" way

and yes that text behind is "hands" written all over the place bc I wanted to add hands in handwritten form

[aeimygdala]

I'mm more awake now, so:

YES, EXACTLY, TO BOTH. Describing how accurately it reflects every other queerbaiting with male characters really drives it home. For some reason, I've also been thinking about the kids shows Victorious and Sam and Cat queerbaiting, too. It wasn't until reviewing it as an adult that I realized they knew full well that their audiences cared and were invested in these female relationships as romantic. They knew what they were doing, and that's really what defines queerbaiting.

It's like, 20years ago the WWDITS writers would've faced a LOT of backlash for so many sex jokes about people being bisexual simply bc being LGBTQ was still just being treated as something so ugly and wrong in the 2000s, even in a rated R show. And they have more freedom Now to make jokes about gay sex without the joke relying on disgust or other homophobic drivel. And I will say wholeheartedly that I think Guillermo being gay was handled quite nicely and earnestly! Like, genuinely!

... But note how that was done After they got a bunch of articles and realized a bunch of LGBTQ fans were invested because it seemed like "Oh, the showrunners acknowledge we exist and don't see us as subhuman, so maybe they'll do more with us" and because an actually gay man, a member of our community, was playing a major role and had his thoughts about his character's feelings

But is it really the queer representation we want when besides Guillermo, it's just stock variety "depraved/promiscuous bisexuality"? They got all this credit and hype for being so "queer-friendly" long before they confirmed Guillermo was gay Because of those jokes.

it's not groundbreaking just bc they're happy to say "yeah these people aren't all washboard straight," and I think too many people thought it was because we'd been directly lead to believe there'd be romantic payoff with two of the main male characters. That WOULD'VE meant something. Like it would've meant something in every fucking other show that queerbaited two main characters like this. This one really stings because the main Changes and Development happen regarding Guillermo and Nandor's relationship!

Now we know all of that stuff we saw as rep was just jokes about how funny it is when people are sexually free and don't understand or care about modern day homophobia. That wouldn't be the worst thing in the world, just kinda obnoxious, but it really is an ugly look when they've spent this long shipbaiting.

Men being in complicated but very openly gay relationships just doesn't suit the show's "Sense Of Humor" but Nadja and Lazlo's marriage always gets to be heartwarming. and there got to be plenty of nice moments of growth.

The writers really took nothing they wrote seriously when they didn't want to, which is also what really killed the show this final season. WE'RE the fools for expecting something serious and better from the "vampires are out of touch and insane" show because obviously that's all it ever was, to them, unless they wanted otherwise, and they didn't when it came to this. But they'd be happy to bait us with whatever made us watch it. They knew what they were doing, and they knew they didn't respect the audience and the LGBTQ following the show had garnered.

So, still queerbaiting. Because they mostly treated LGBTQ people as a marketable audience and a subject of half their sex jokes (specifically, mostly bisexuals.) Or they saw every person hoping for Guillermo and Nandor to get together as an obnoxious person unable to see or enjoy the show past shipping, which, like, I'm the first person to say that people NEED to be able to enjoy media without fixating on shipping, but people picking up what they're Deliberately putting down Isn't That. People Caring and following the writing of a thing they're watching isn't That.

And I don't really enjoy fanfics, I just wanted to see what felt like a really messy Rollercoaster of a relationship and how it changes and improves between two lead mlm and pay off in a show that isn't explicitly about gay romance, because actually seeing that in media matters. It means LGBTQ people aren't jokes!

Honestly, I would've been irritated but accepted it ending the way it did if they hadn't put the whole hypnosis ending thing. It would've been one last annoying wink at the camera with no Canon payoff, but it wouldn't have been the writers showing their asses and mocking everyone who wanted to see the two together, telling us what we wanted was a different show. It's just so mean spirited.

I'm still glad I watched the series and Guillermo being queer really does matter a lot, but it doesn't mean they didn't know what they were doing.

I think the thing people aren't acknowledging about WWDITS is that yeah the main characters are all queer. And yet, the only established and long lasting main couple is M/F, regardless of how many jokes are made about them also being queer. im not saying bi/pan m/f rep isnt important, but it is relevant to note. most of the mentions of other characters being queer (besides Guillermo being gay) are basically "promiscuous bisexuality is funny and surprising" when you actually think about them seriously. I actually hated everything with lazlo's dad, ngl. looking back at the entire shitfest of season 6, it feels like everyone gives its "representation" too much credit when defending its shipbaiting. like you understand this was intentional, and it's obvious the intent was never to actually deliver on queer relationships long term, even if it gives us queer characters? like, it's cool that you have queer characters, but are you doing to deliver on what you've been implying regarding them?

we get heartwarming moment after heartwarming moment with Lazlo and Nadja. idk I don't think it's Evil but I think a lot.of us collectively gave it too much credit for how much it actually gave a shit. it's a sitcom, and it made it soo clear, and we're pissed at realizing it.

idk, but looking back, a lot of shipbaiting and jokes reslly feel kind of mean-spirited and mocking. like we know you CAN write meaningful relationships, everything with nandor and Guillermo this season was leading up to the extreme improvement in their relationship and interactions, soooo.

I think people who are pissed really deserve to be bc it really leaves a bad taste in your mouth bc you KNOW. the shipbaiting was deliberate. n we'd rather be funny here than actually deliver on queer relationships and happiness. and it's always been that way, and that isn't EVIL or anything , I guess, and it's fine, but it sucks that I gave it too much credit thinking otherwise because I want happy m/m relationship rep or something lol

feels like a slap in the face to people who just wanted something nice!!! I'm not a shipper, I don't exist in the wwdits Fandom, I'm just a queer fan that was eagerly hoping they'd actually have a payoff for all they were doing!!

[solivagantingrebel]

The commenting situation in this fandom is really fucking atrocious, huh.

[longagoitwastuesday]

Kusakabe, dear, you're too beautiful to be saying that kind of stuff