#with other characters i feel a bit more limited i guess | Explore Tumblr posts and blogs

cursedcola · 9 months ago

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Prompt: "Will You Marry Me?"- Proposal Headcannons Characters: Everyone :) Part(s): Heartslabyul, Savanaclaw, Octavinelle, Scarabia, Pomefiore, Ignihyde, Diasomnia (Pt.1 !) (Pt.2 Here!) Fandom: Twisted Wonderland Warning(s): None. I mean, unless you don't want to marry any of them. Just don't read if that's the case. ALSO SLIGHT SPOILER FOR CHAPTER 7 IN SILVER Note: These are all if he is the one proposing btw. Also, I went overboard. I had to break Diasomnia into 2 parts because I exceeded tumblr's character limit. I have favorites I guess :/

This man is a child masquerading as an adult. As in to say that he resists any illogical emotions until they bottle up and explode. The traditional pathway for finding a life partner typically follows: stranger -> acquaintance -> friend -> crush -> lover ->partner. You know, as it normally goes when bonds form.

Sebek....is not a textbook case in this regard. His path is a bit more customizable

stranger -> person he is forced to interact with -> acquaintance of Lord Malleus -> Acquaintance of Lord Malleus that Sebek approves of -> Friend that Lord Malleus approves of -> Repressed Crush -> Acquaintance that Sebek avoids at all costs -> Acknowledged crush -> Acknowledged crush that Lord Malleus approves of -> Respected individual with mitigated interactions -> Courting -> awkward situationship -> lover -> awkward situationship (with better communication) -> spouse

Enough said.

This process isn’t as complicated as it may seem on paper. While there are many steps, Sebek is fortunate enough to have people in his life willing to force commitments onto him. It also helps that he has blind trust in a select few. This makes him a bit naive and easily influenced. A boon in the right hands, and a bane in others.

In short, Sebek is emotionally constipated and only acts when there’s a driving force. Otherwise he just gets frustrated. This is extremely apparent at two stages: ‘repressed crush’ and ‘awkward situationship’. Scratch that. Three stages.

Beginning at ‘repressed crush’ - Sebek realizes that he likes you when you ask about how his training is going. He happened by your dorm during his morning jog, and was more than happy to go off on a tangent of the strict regimen developed to forge a perfect knight.

Except that’s not what you wanted to hear. You were more interested in his health and how he was enjoying himself rather than how his work was benefitting Malleus.

His heart fluttered, as if a shock of electricity thrummed through his body. Having never felt this before, Sebek mistakes it for a lapse in his strength and runs off at a much faster speed than before. Forget a light jog, he had enough energy to run 500 laps around the school track.

Don’t you get it human?! You were distracting him! His body was at rest too long. Now shoo, you’re hindering him from doing his duty.

He represses these budding romantic feelings and ‘misinterprets’ them as deviant behavior. He even goes so far as to blame it on ‘useless hormones’ and convinces himself that it’ll pass. He spares it no thought until his pining becomes apparent to everyone except for himself

Que the driving force. Despite Sebek believing otherwise, he does have friends and his entire love-life can be credited to their affectionate stupidity.

Simply put, Ace takes every chance to seamlessly flirt with you whenever Sebek is around. Not in a subtle way either - he's making some risky comments and trying to eat up every moment of your time. The others in your year are well aware of what he's doing too. Deuce thinks he's being unnecessary, but also agrees that Sebek needs a push so he lets it happen. Epel has his gripes with Sebek, but admires him for his manly tenacity. So he's 100% in support of giving an extra push and even tries to copy Ace. Except... yeah, he's pretty bad at flirting so he gives up after one try. Jack is against it at first, not wanting to hurt your feelings in the process but gets talked into it after seeing you get salty over Sebek being distant. Ortho, bless his innocent soul, thinks of it as a fun experiment. Lil guy just wants everyone to be happy.

You have no idea though, which is great because all of Ace's attempts fail hardcore. Sebek and his chivalrous ways (jealousy) won't stand by if you're being constantly bombarded with 'unwanted' romantic affections.

Nevermind that you don't seem to be taking Ace seriously at all. It is still not proper behavior! It would be a stain to his Lord's image if Sebek knowingly let Malleus' beloved friend endure such a hardship.

Every time Ace makes an attempt, Sebek shuts him down faster than you ever could. You have no idea how he does it, but Sebek is always around when it happens. The timing is honestly creepy....until you catch on to what's happening because the Ramshackle prefect isn't a dumdum.

"So....prefect, how about we go get dinner together tomorrow? Just you and me, what do ya say?" Ace slides into the seat to your right during breakfast. He leans in on his fist, eyeing you with a mischievous grin that crinkles the heart on his cheek. Just as he does, Sebek occupies the seat at your left and pushes Ace back with his palm.

"Do you ever rest?! They will do no such thing, now eat your meal before it runs cold. The chefs worked too hard for their efforts to be wasted by a delinquent!" Sebek answers on your behalf like clockwork. This event was not an uncommon sight to anyone, neither was Sebek failing to control his volume, so no other student paid the show any mind.

Normally you'd let them spit a few words at each other before returning to their own devices. Yet letting this continue just felt cruel, especially knowing that Ace was doing it to get a rise from your friend. Although Sebek wasn't innocent in the matter either

"Alright - Ace, would you knock it off? You don't even like me that way so quit messing with my head. I thought you were better than this," you say in between bites, side-eyeing your friend with a disapproving glare "And you!" you turn to Sebek, "I can answer for myself. Why do you even care? It's not like you're in charge of my love life. Just because someone wants to date me doesn't make them a delinquent...sheesh"

Why...why does he care? Sebek short circuits at your scolding, opening and closing his mouth to rebuttal yet coming up with nothing. Angered by his own turmoil, he grabs his meal and goes to sit with others from his dorm.

Stupid human. How dare you be so haughty and ungrateful? He was just protecting you from....from, what exactly? It's not like you going out with Ace would impact him in any way. It's not like you were in danger or upset with his advances. If anything. he was doing a good job at keeping your relationship professional for the sake of his liege!

Go ahead and date that childish hooligan for all he cares! Sebek won't be there to protect you when you're lost, or lend you a scarf on cold winter days. Ace can be the one to call you before bed every night, and keep your yearbook photo on his desk. Possibly keep his favorite candid photo as a bookmark for his diary, not that Sebek would know anyone that keeps a journal. He can have your birthday written in his calendar with a heart drawn around it, and have your picture in his wristwatch. He can set alarms to know when your classes end and walk you home. He can worry when you're sick and listen to your obnoxious prying....he can receive all your affections, and have your loyalty. Listen to your silly ramblings and receive those random 'i just thought of you' presents that Sebek always has a dilemma over what their purpose serves

You can be Ace's headache, and Sebek's heart will be lighter for it. These attachments he's formed were a lapse in judgement and will never be allowed again.

...

Sebek asks his lord for permission to court you. The next morning Malleus wakes to find the devotee bowed outside his bedroom, forehead attached to the floor and hands laid flat on the ground in reverence. Sebek proceeds to begin a long rant about how he's succumbed to his inner demons, and that he has sinned for letting another in his heart - Malleus cuts him off, happy to see love blossoming and interested to watch it all play out. He tells Sebek to take good care of you, before leaving. Meanwhile Sebek is sobbing at his lord's blessing

Once he's gathered himself, Sebek runs to your dorm and pounds on the door with fervor despite the early hour

Grim shakes you out of sleep, grumbling something about an 'annoying bastard' at the door before flopping back in bed. He shoves two pillows over his ears and tells you to fix the problem. That's when you hear the thumping, it's relentless and somehow sours your mood beyond what you thought possible. Mornings were not meant to exist on the weekend. So with an irritated groan, you slip on a robe over your pajamas and answer the door. A fist pauses in the air, moments from striking you. Sebek freezes momentarily, his body going ridged before coughing into his fist. A light blush dusts his cheeks.

“G-good morning, human. I apologize if I've disturbed your sleep, but I have an important announcement that cannot wait any longer" Sebeck studders, focusing on the door pane instead of your disheveled morning appearance.

“Alright" you sigh, resigning yourself to his whims, "what is it?"

Sebeck bows at the waist. "I am in love with you. Please accept my affections."

And so the motions continued on. A most unconventional pairing - possibly the hottest topic of the school year, in the words of Cater Diamond - was formed. Sebek was cautious of Ace at first, their previous spats leaving a bitter taste in his mouth. When he found out the truth, he was both appalled and grateful. So much that he scorned all his friends for weeks on end for pulling a stunt like that - but also thanking them. He apologizes for calling Ace a delinquent, and his heart changes a bit in response to their 'unique' display of care. Their intentions were good, and in the end it worked out. So he can pardon the indiscretion.

Life goes on until your relationship forms an 'awkward situationship'. The first time is brief. As it is with most cases of young love, the binding force that ties you to them crumbles. On earth it is highschool. In Twisted Wonderland it is NRC. Sebek knows where he's going - to serve the Draconias . The grey area is what you plan to do...because as much as his affections have grown, Sebek isn't willing to give up his dreams for you.

He's astonished when you decide to follow him to Briar Valley. He doesn't even have to breech the topic - arrangements were already being made without his input. You wouldn't be staying at the palace against his Lord's wishes. Instead a small cottage was built at a safe distance from the main city. Close enough for you to visit the castle, and far enough for you to feel comfortable and not out of place.

Seeing you taking his wants into consideration alters Sebek's perception of your relationship. You truly were lovers, and not a passing 'hormonal induced fling'. You loved him, and it's here when he truly begins to consider a forever. It was like the time when he first called your name, no longer calling you by 'prefect' or 'human'. He had done it many times in private, yet doing so to your face altered his brain chemistry. He loved the way your name rolled off his tongue, and the way your attention became his at the call.

Which leads us to the third and final major block-aid. Years have passed, and Sebek's well grown as an established knight for the Draconia family. He works alongside Silver, and many other comrades in arms. Everything is exactly as he dreamed. Malleus has become a beloved, strong king. Sebek is respected, and you are thriving as well. He didn't have much faith in your ability to last alone - it's not that he doubts your abilities, but he did doubt his people. When you first moved to Briar Valley Sebek was well aware that there were many like his past self - fae with a hatred for humans. He worried you would struggle to fit in.

Yet you surprised him. The tensions did exist against your kind, but you managed to card a space for yourself in Briar Valley with ease. You didn't even work in the palace, instead choosing to work towards becoming a children's teacher and work towards helping future generations of fae feel comfortable around humans.

His family adored you - with his mother in particular fawning over how Sebek fell down the same pipeline she did. His father offers you both advice on being an interspecies couple - and Sebek actually found himself listening.

Huh. Character growth. Is this what it's like to mature?

All is perfect, yet not. Sebek is forced to confront this when news travels that a human was attacked on their way to the palace. The dread that coursed through his veins was unlike anything Sebek's felt in his entire life. Under Malleus' rule, humans were slowly becoming more prevalent in Briar Valley. They hadn't mentioned your name specifically, but he jumped the gun.

Against his better judgement, Sebek abandons his post and rushed to the city's clinic. The injured human wasn't you, thank the seven, but the dread lingered. So he ran to the school you taught at and practically barged into your classroom. Luckily it was empty as the day was near end. Sebek hadn't known that yet still behaved recklessly.

He rushed to your side, talking faster than your brain could keep up with while checking over your body. He flipped topics like a teen trying to pick a college major - scolding you for worrying him, blubbering gibberish about how you'd no longer be allowed to walk alone, and myriad of other things.

Sebek was so shook, that he completely forgot about his knightly station. Malleus didn't punish him for abandoning his post. Not like it mattered, considering Sebek was already doing ample damage on his own. The realization hit him like a stone punch to the gut - there was a threat to his liege, and instead of focusing on apprehending the criminal he chose to find you.

Malleus' power or his dismissal of the matter meant little in the overall picture. Sebek failed. He's ashamed beyond belief.

and yet, he can't help but wonder what ight have been. What if you were the one attacked and he chose to stay? He would have failed you in that scenario.

He's surprised to find that the prospect his failure hurts just as much - if not more. His lord is powerful, and there are many to serve him. Your last moments could have been spent in a cold medical bed, surrounded by strangers. Fading away and taking Sebek's dreams with you.

............

Ah. Since when had that word become plural? His dream was always to serve Lord Malleus. Now there are more - he wants a family, and he wants to go to that play you were organizing with the valley's children next weekend. He wants to become a greater knight to protect the city that houses all the people he cares about. Again, plural. Lilia, Silver, his siblings and parents, all the human and fae who are loyal subjects to his most revered. You, and your decedents to come.

It's frightening. How valuable one's life can become. His always belonged to the Draconia bloodline to do with at they pleased - now Sebek's in pieces. Is he truly worthy of being a knight if he cannot give his whole heart?

He doesn't blame you for this. In his youth Sebek might have tossed your relationship aside in a heartbeat - that, or he might've demanded Malleus dismiss him and send him to repent in exile or whatever. Sebek has a problem with embellishing with dramatics.

BUT... he's more mature now. Mature enough to realize that maybe he can have his cake and eat it too.

So, he asks Lilia for advice. At this time the general merely lazes around the castle like a bat on the wall - acting as an advisor and observer. Surely he'd know what to do.

"There is nothing wrong with sharing a heart amongst many. If anything, the toughest decisions make us stronger. The more you have to lose, the stronger you will become to protect"

Preach it grandpappy. Lilia wants to see his grandkids so stop the slow burn already.

It's deja vu because Sebek wants to propose as quick as possible. Just like when he confessed, the man nearly runs to your home on impulse. You can thank Lilia for your proposal not taking place at 3am with your door being broke in two (Sebek is much stronger than he was in his teens, and sometimes miscalculates his strength).

Instead, Sebek finds himself anxiously clutching a ring in his pocket the following week. It was the night of a school play you were hosting - one he was looking forward to since you were so proud in your work. Ergo, Sebek felt pride as well by default.

How unfortunate that he can't focus on the show. With his mind reeling so much, it's taking all he has to sit quietly in the audience. His eyes follow your movements as you direct the kids, and for a brief moment you smile at him from the stage.

Zap. Alright. Don't clutch metal when you're a living thunderbolt. Duly noted. If anything the jolt of pain brings him back to reality.

When the play ends, and all the children have gone home with their families, he finds you back stage sweeping confetti. His plan was to congratulate you, and take you to a nice restaurant where he could do this properly.

Except he can't wait. When you turn around from putting the broom away, he's already taken a knee and holding the ring out. Those diligent gold iris' not pulling away for one moment, as he holds the ring out between two fingers and his other hand placed over his heart as if taking an oath.

"Before you say anything - You have sacrificed time and time again for my happiness - my efforts are insignificant in comparison. I have taken your patience for granted like a spoiled juvenile. There was a time when I found this kindness of yours unnecessary. I thought it a distraction - a test of my strength to fulfill my destiny. I see now that I was foolish”

Sebek pauses, grinding his teeth together in regret and anguish.

“I had not known fear until you. I have more to lose now than ever before. Last week I abandoned my post - my purpose- In that moment, all I could think about was if you’d been attacked, then my life would be over. You make me lose all sense of logic and reason…so I demand that you take responsibility and marry me!”

{A gold band with an obsidian base. Gold and silver flakes are sealed atop the obsidian plate using resin. Very practical, yet charming nonetheless. Humans typically wear matching bands, yes? Sebek sees no purpose in getting separate designs since the point is to show proof of partnership. He needs a practical shape that will not interfere with combat, yet also wants it to be an aesthetic choice. Sebek could care less about looks, but if he’s going to give you a ring then it will be the best possible option to match to your worth}

Silver is beautiful like still ocean waters. He's breathtaking - literally and figuratively. With the beauty of a fairytale prince, personality of a wise knight, and deadliness of the deep sea. It's easy to be sucked in when Silver seemingly has no flaws. So easy that at one point there were rumors of him being a living doll, created by the fae to be a perfect solider.

These perceptions all rely on his outward appearance: the knight in shining armor. Albeit so, being so perfect almost makes him unnoticeable. Compared to his rowdy peers with quirks and notable personalities - Silver truly is a doll. Like the complacent child praised for being more mature than their siblings. He is as easily forgotten as he is admired.

Some would say that this is a flaw in itself - because no one is naturally perfect. No one is so complacent and calm at birth. It's simply a desirable flaw. One that hurts him, yet has ben praised by others.

Silver is strong. Silver is diligent. Silver is beautiful. Silver is breathtaking and yet not the showstopper - like gold. Gold brings warmth while silver is cold. Imperfections in gold give it character, and can be seen as art. Imperfections in silver are seen as unsightly scratches.

Silver knows this, yet doesn't want to be gold. He doesn't deserve to be gold.

Silver doesn't deserve anything. He has already taken so much simply by living. He has a world to be grateful for, and not enough time to repay his debts.

He is content being Silver - if he could then he'd be copper. Lesser. Yet he is Silver, a reminder of the blood he carries.

He will remain unremarkable yet dedicated. He will dedicate everything to his family and friends - do whatever he can to break free of his sleeping curse and help others. He will give until he cannot give anymore. Then he will give more, to repay all he has received.

....For as much as he is content with this life, Silver still envies gold.

You are beautiful like a new dawn. Ushering in each day with a vibrant display that commands attention. People instinctively admire you despite the risk of hurting their eyes. You heal the world naturally, and help others simply by existing. People take you for granted, because inevitably the moon will rise, and the cold will inevitably return.

You were bathed in golden light. This Silver noticed the moment he laid eyes on you. He couldn't tear his eyes away.

Silver envies gold.

........

You envy Silver. His calm, his family, his dedication despite being limited by his crippling drowsiness. Out of the students from Diasomnia, he was the one you lingered towards more often than not. The freshmen revered him for his skills, and he was a true gentle soul. You at first couldn't believe that he was Lilia's son - how did such a kind boy come from a rambunctious tease? Revelations of his past brought much to light, and now you couldn't think of him being anyone else.

Silver was loved like the first snowfall. He had a family that loved him dearly, no matter how short his time with them would be. He was raised to bring happiness to others, and protect their hearts using his demure temperament.

Silver was modest, and silver glistened when you'd expect him to the least. As the wind caressed his hair during an afternoon siesta, or sparks lit in his eyes while swinging his sword. How the horses nuzzle his side after equestrian practice, showing full trust and affection. Even in the sweat dripping from his brow, shining as he easily finishes a set of push ups.

Yet nothing struck your heart more than the melancholy he'd emit when no one was looking. How quickly he'd fade into the background, only popping in when necessary or if someone gave him note. In these moments Silver gleamed brilliantly, yet a shadow put out his shine.

You thought the melancholy inviting. It felt so natural, so real. Except you believed it balanced dangerously between despair and serene. The larger question being which side would he evidently fall towards.

.........

Silver admires gold.

He couldn't stop the pull. He just couldn't. Not with how you seemingly watch him when no one else does. Who wouldn't feel special? With the way you take note of things he normally wouldn't think of, and recklessly delve into helping others with no regard for yourself. Whether you desire the trouble is beyond him - the matter is that you see every issue through. There isn't a soul who doesn't know of the ramshackle prefect.

Perhaps this is his torment to endure. To get a taste for what he could have been, and willingly be tied to it.

Silver stares into a vanity mirror, his expression neutral despite the growing emotions inside. A slightly tattered sheet is tied around his neck like a bib, covering his front and part of his back. A shiver runs down his spine as you comb through his hair, deftly trimming the edges with a pair of kitchen scissors with the precision of a professional. A shiver runs down his spine every time your fingers linger against his scalp, either from tucking stray strands or combing through layers with your fingertips.

Your expression is stern, eyes intensely focused as you cut around his ear, afraid to nick him in the process. He finds the expression adorable yet bites his tongue. Silver couldn't think those thoughts. Not when you offered to do this out of the kindness of your heart.

Nonetheless, his heart thrums. If it were possible he'd think the organ about to pop out at any moment.

"Finished!" you smile in satisfaction and tussle Silver's soft locks for good measure. In one fell swoop, you undo the knot around his neck and pull the makeshift apron off of him. Silver nods, a slight smile teasing the edge of his lips. He stands from the chair and steps over any hair on the floor, reaching for the broom to clean before you could think to. "Thank you. I no longer need to schedule with a barber. This will save much time," In truth he had no intentions for a haircut. Either himself or his father would trim the ends once they started interfering with his sight, but he was too busy as of late. You were the one to notice how his bangs hindered his vision, and offered to help. Silver couldn't bring himself to deny your kindness. "You really like it? Hehe. Y'know, maybe I should start a shop on campus? I only started doing this since there aren't any affordable salons....maybe with it I can finally afford to fix the guest room!" you cheer and prattle on about all the different possibilities. Occasionally you'll ask for Silver's input, or even give an off hand compliment about how he was the perfect 'test subject'. Your company is intoxicating, he realizes. Talking with you is as easy as drinking water. Before Silver realizes, night has fallen and you've fallen asleep on the couch. Despite his better judgement, he finds himself wandering the Ramshackle door. He compulsively cleans up the mess you'd both left behind during his visit, doing the dishes from dinner and rearranging things here and there. As he does so, Silver notes all the little improvements around the dorm. It feels more like a home than a school building. Then again you do live alone. He wonders how often you host visitors, and if you unknowingly ensnared them just as you've done to him. He covers your shoulders with a blanket and steps outside under the moonlight.

It’s cold.

...............

You wake up the following day to find all the windows shut, your living room clean, and a warm blanket covering your shoulders. Your eyes peer around for silver, yet turn up empty.

Of course. Silver has a dorm to return to and people that would miss him if he returned late.

Shuffling around the silent dorm, the rickey old floorboards creek underneath your weight. In manufactured motions, you brew a cup of tea and pour it into the only well-used cup from the cabinet.

As your cup brews, you sit at the table with the blanket still clutched tight over your shoulders.

The tea goes cold, yet you are warm.

................

Silver loves gold.

but silver and gold don't mix. The question always is: silver or gold? When deciding a piece of jewelry to match your skin tone, people will ask 'silver or gold'? The metals are not meant to mix because they clash. It's an outfit catastrophe.

Yet, Silver cannot help but wonder. As he lays with his head in your lap and the sun and silence coaxing him to slumber - what if an outfit existed to compliment both silver and gold?

"Silver..are you sleeping again?" you tap his cheek with one hand, and his eyes open instinctively. Despite his drowsiness he will always look for you. Yet right now he's never regretted the magnetic pull more. With the sun casting a golden overcast, you peer down at him from above with tender eyes typically reserved for one's child. Your glow is breathtaking, and he cannot help the sinking feeling in his stomach that he is unworthy. With such gentle hands combing across his scalp and eyes that look upon him so tenderly - he is afraid to steal your warmth. And yet… "You are beautiful," Silver lets it slip, his hand reaching to brush against your jaw as if under a spell. He feels unnervingly calm. Not in his usual way, where he is constantly observing and playing a game of mental chess. This is a true calm, and he knows now that this is a point of no return.

Silver is beautiful like a still ocean. You are beautiful like the rising sun. When combined, a perfect image is formed just waiting for an artist to stumble upon it.

Against his wishes, the world has granted the child of dawn another gift. The gift of true love. 'True love's kiss will break the curse' and while it is childish to believe so in this case, Silver does so wholeheartedly.

When with you, the days pass like minutes. He wants nothing more than to forgo need for sleep, if only to work harder towards becoming a man worthy.

Silver envies gold for it's effortless demand for love, yet he no longer wants to be gold. He no longer wishes he were born copper.

Gold loves silver, so Silver he will be.

And with time, both Silver and Gold will be ground to dust regardless.

He thinks of this on a winter evening while holding a ring up into the moonlight. It's cold outside, yet he doesn't mind. The chill atop his nose does nothing but tinge it a lovely rosy color.

He looks through the windowpane into a home masquerading as a school building. His reflection is familiar yet changing rapidly in comparison to his family. The years have aged him, yet not by much. Silver is stronger, his soft jaw a bit sharper. His bangs have grown long again, it would soon be time for a cut. Perhaps he'd enlist a 'barber' after relocating back to the castle in briar valley.

Inside you sit at the couch, sipping from a well-used mug with Grim on your lap and watching cartoons. Silver's bag rests on the armchair, unzipped with nightly necessities spilling out the side. A slightly newer baby blue mug sits on the coffee table, with steam evaporating into the air as it waits to be used.

Silver smiles, walking towards the door and walking inside. Heat warms his cheeks and he is calm.

"I know I am unworthy of you, the thought plagues me to this very moment. Yet I cannot help but love you - like wishing on a star yet knowing deep in the depths of your heart that miracles are made not granted. I've received many, so I would know. My father gifted me life through love - and with you I understand how it is possible. I cannot imagine life without you. I promise this, I will cherish you and protect you for as long as you allow it. Would you marry me?"

Months later a ceremony is held in a secluded forest, in the yard of a cottage where a child first learned love. As an adult, he joins his most precious in matrimony, offering his sword to be sworn faithful.

You are beautiful like the first breech of daylight - and for once, Silver is happy to be a man of dawn.

Silver and gold.

Everyone wishes for silver and gold.

How do you measure it's worth?

Just by the pleasure it gives here on earth.

{A ring forged from a silver band, gold leaf embellishments, and a moss agate core. Enough said.}

#twisted wonderland #twst #twst x reader #twisted wonderland x reader #diasomnia #sebek zigvolt #sebek zigvolt x reader #silver x reader #twst silver x reader #silver vanrouge #twisted wonderland imagines #twisted wonderland scenarios #twst imagines #I FREAKIN FINALLYT FINISHED THIS SERIES

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naughtyjjk · 2 months ago

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just a massage (pt. 2)

characters: nanami x fem reader warnings: 18+, smut, massage, sexual tension, dirty talk, fingering, masturbation, a bit of exhibitionism/voyeurism notes: if you haven't already, make sure to read part 1 here first!

it’s been a week and nanami hasn’t been able to stop thinking about you. it’s terrible for him mentally, for his day-to-day living in general. every time he closes his eyes, you’re there in his mind. you with your naked body and perfect curves and smooth skin… the way you were so vocal and reactive to his touches…

he’s thought about you more than he’d ever admit, especially at night, after a long day of work, when he’s finally able to take off his clothes and lie down in bed and wrap a hand around his aching cock. yes, he’s jerked off to the thought of you—multiple times. he can’t seem to stop, addicted to the fantasy that he conjures. and it’s bad, it’s so bad of him, but he’s also never come so hard before and you make him irrationally horny.

today, nanami gets to the massage parlor and opens up his schedule. that’s when he sees your name there, a session booked for 1:30 pm. he blinks, wondering if it’s a dream. it’s not. he moves through the whole morning on autopilot, speaking politely to clients who are not you. they’re all irrelevant and he’s both looking forward to and dreading the time of your appointment.

he promised that he wouldn’t repeat what happened last time. it had been far to inappropriate, far too unprofessional, and he could easily get fired if anyone found out. but… his cock has other ideas. he doesn’t know if he would be able to hold back once he sees you again, in person, there to tempt him with your hot, sexy body. at the same time, a part of him wants to find out how far he can push you, test the limits to see how much you’re able to endure. it had been obvious that you were into it just as much as he was last time.

inhaling, nanami looks at the clock. it shouldn’t be long now before you get here. he has to tame his thoughts so that he doesn’t get himself all worked up over nothing.

but fuck, he wants you. he wants you so fucking bad.

“you booked a longer session this time,” nanami greets you as you walk into the room. he’s shirtless again, of course. at this point, you can probably guess that it’s a deliberate choice, as if he’s testing your resolve from the very start. like last time, the only piece of clothing he has on is a pair of shorts that barely does anything to hide what he’s packing down there.

you divert your eyes before you end up staring for too long. everything about the massage parlor looks exactly the same as it had when you visited last week, with its white walls and minimalistic decorations and the different bottles of oils all lined up on the counter which, as nanami has proved previously, can be used for more than their intended purposes. but there is something that changed, though, and you sense it as soon as you see nanami.

“well,” you reply eventually, “we left off with some unfinished business.”

there’s no beating around the bush anymore. neither of you bother to keep up pretenses this time because it’s inevitable where this will lead. and this is something you both clearly want. you know that you’re not the only one who had been looking forward to today, that nanami wants it just as much as you.

“right. but you know,” nanami drawls, “last time, while you were in the changeroom after our session, i think i heard some… noises. any idea what that could be?”

flushing, you feel your entire body heating up with embarrassment. you curse yourself for not being quieter at the time and you clear throat, glancing away. “i have no idea what you’re talking about.”

“hm.” nanami looks at you unconvinced. he takes a step closer. “it couldn’t have been that you were doing anything naughty in there, right?”

“o-of course not,” you say, hating how guilty you sound.

thankfully, nanami doesn’t press you any further. “good. i mean, no one else heard you… but it would’ve been bad if someone did.” he grabs a few of the items from the counter and walks over to the bed. “now, where would you like me to massage this time?”

sitting back, you make a vague gesture. “just—continue where we left off. same as before.”

nanami raises an eyebrow. “come on, now. let’s be a bit more honest,” he says, pausing to lick his lips. “we both know what you’re really here for.”

“everywhere,” you blurt out, arousal hitting you without warning. “my whole body… the front this time, too. make me feel good.”

eyes darkening with desire, nanami nods, pleased with your answer. “much better. we’ll start with you lying down on the bed again.”

you position yourself the same as last time, on your stomach with your face down and legs spreading apart instinctively. you hear nanami chuckle at your eagerness.

soon, oil is poured over your back, warm hands spreading it all over. your muscles relax at once and you’re reminded of how skilled nanami is. along your spine, he applies pressure to his palms, drawing out soft sounds from you. nanami runs his hands parallel, gliding them down all the way to your legs, then back up again, and repeating the process until heat starts to coil inside you.

after a moment, nanami asks, with just a hint of amusement in his voice, “what are you thinking about?”

“nothing,” you mumble. a lie, obviously. there’s only one thing that could be occupying your mind while nanami is touching you like this, rubbing your body sensually, and that’s—

“hm.” nanami says. “want to know what i’m thinking about?”

“wh-what?”

“how much i want to fuck you.” nanami’s voice is low and he uses both hands to squeeze your ass over the towel. in response, you moan, arousal hitting you hard. “how horny you make me. i've been thinking about it since our last session…”

breath hitching, you feel a rush of heat spreading throughout your body like wildfire, a wetness starting to soak your pussy. it’s no secret that you’ve been imagining the same scenario for the past few days, every second that you’ve been apart.

“how long has it been since you’ve had sex, darling?”

“ah—i don’t know. weeks, maybe,” you say, exhaling. you’re losing himself to the sensation of nanami’s hands as he moves them again, this time drawing circles on your inner thighs. “months.”

skirting along the edge of the towel, nanami’s fingers slip under just for a second to brush against your ass. “and how are you feeling? pent up from all those months without relief?”

“y-yeah.” you swallow hard. you’ve been more on edge than you’d like to admit, more irritable in general the longer you go without getting laid. sometimes, you’ll be flooded with dirty thoughts at the most inappropriate times, often waking up to wet dreams and an ache in your pussy to be filled.

“mm, and do you miss it? having sex?” nanami’s hot breath is right by your ear, a low whisper when he asks, “getting fucked?”

shuddering, you can’t help but moan softly. “yes.”

“it’s not enough to satisfy the craving by yourself, is it? it’s been so long…” nanami murmurs. “you want someone there with you, someone to touch you, someone to make you feel good.”

“kento… oh…”

last time, this was the point in the massage when he had stopped. but nanami shows no signs of slowing down, and even when his hands lift from your body, he makes sure that you know he’s not done yet.

“don’t worry, i’ll take good care of you today,” nanami tells you, and you’re hit with another wave of arousal. “now, turn around for me.”

you do as you’re told, flipping over on the bed to lie on your back, facing up at the ceiling. your heart hammers away in your chest as nanami eyes you up and down. you expect him to start working down from your shoulders, but he seems to have other plans when his hands move directly to untie the towel around your waist.

“w-wait, i—”

pausing, nanami glances at you, a smirk on his face. “what’s wrong? are you embarrassed that you’re wet already?” he slides the towel lower just a little. “have you forgotten how you were begging for it last time?”

nanami doesn’t wait for you to reply before unwrapping the towel all the way. like this, you can’t hide your desire anymore. and you’re more than aware of how wet you’ve gotten, pussy dripping and soaking the bed. you see nanami’s gaze flicker down, pausing in his actions to admire your body. you feel so exposed like this, naked on the bed while presenting yourself to him, and the tension between you grows thicker by the second. it’s all so arousing.

taking the bottle of oil, nanami holds it over you and pours out the liquid directly so that it leaves a trail from your chest all the way to your stomach. you can’t help but flinch slightly, feeling it tickle as it drips. a few drops fall directly onto your pussy, causing it to throb, and your breath hitches as you bite back a moan. nanami licks his lips and then his hands are on you again.

first, he runs a single finger down the center of your body, between your breasts, over your stomach, stopping just before touching your pussy, above your clit. the process is slow. slow and sensual. spreading the rest of the oil evenly across your skin, nanami takes his time in feeling you all over, making the anticipation build and build inside you.

next, your breasts are the main area of focus as he draws large circles on both sides, dipping near your armpits, along the underside, and trailing back up the center. slowly, the circles get smaller with each round, closing in on your nipples. but as soon as he’s about to come into contact with those hardened nubs, nanami retreats and starts all over again. he does it three more times—large circles spiraling closer, closer, closer. tracing just around it. caressing the sides. and you always think that this time, this time, he’s going to finally reach your nipples.

he never does. you groan, frustrated. it’s the first time you’ve experienced something like this; the first time you’ve ever wanted your nipples to be touched so badly. the worst part is that it’s really getting to you, turned on from barely anything. your pussy begs for attention, leaking more of your arousal as you mentally curse nanami for being such a fucking tease.

at that moment, nanami leans in so that his mouth is hovering just above one of your breasts and your heart pounds at the possibility of what’s to come. but all he does is blow against it gently and chuckle.

“your nipples are so hard…” his tongue pokes out, swirling it in the air just above your skin, exactly like how he would if he were to suck and lick at the sensitive nub. he holds your gaze but never makes contact with his tongue. still, you can feel the phantom sensations there, and you want so badly for him to take you in his mouth. “want me to touch you?”

god, yes. you let out a whine. all of this teasing is going straight to your pussy, so wet with desire. but nanami’s mouth retreats and he goes back to using his hands, circling your breasts with his fingers.

when you don’t think that you could take it anymore, you feel it—a single finger brushing across both your nipples, just grazing them, the lightest of touches. you’re so turned on at this point, the anticipation having built up inside you, that you gasp, squirming on the spot as you try to adjust to the sudden, unexpected jolt of pleasure.

“ah—”

“look at you. so sensitive, so riled up from barely anything,” nanami says, waiting for you to regain your composure.

it’s not your fault. nanami made sure that your body would be extra responsive by taking it slow, making you crave it, and one barely-there touch is hardly enough to satisfy you. but that’s all you get for a while as nanami repeats his actions with the sole mission of making the experience as agonizing as possible for you.

eventually, when you least expect it, the pattern changes. nanami flattens his hands over your nipples and rubs them, going from palms to fingertips, the oil adding a delicious glide to every movement. he grabs both your breasts and fondles them, massages them. cupping them with his palms and squeezing with his large hands.

“ohh…” you moan, arching into the touch. soon, nanami switches to grasping your nipples between his fingers, pinching the delicate nubs with the perfect amount of pressure, and it sends a rush of sensation throughout your body. you whimper. “fuck, k-kento…”

“does it turn you on when i play with your nipples?” nanami asks, hyperattentive, watching every reaction that your body makes. “such a naughty girl.”

fuck, it’s only your second session here but nanami has already figured out your body’s weaknesses, all of your most sensitive areas, the erogenous zones, and how to take you apart. you shouldn’t be falling for every one of nanami’s tricks. you shouldn’t be this easy. but you gave up control the moment you laid down on this bed, and nanami just seems to have that effect on you.

having gotten the reaction he wanted, nanami moves on. he had spent so long playing with your nipples that you almost forgot the feeling of those tantalizing hands on the rest of his body. but you’re quickly reminded when he travels down to your stomach, your lower abdomen, purposely avoiding your pussy and going straight to your legs.

it’s the assault on your inner thighs that eventually ruins you. because nanami is running his hands up your thighs, stopping right at your pelvis, and doing it over and over and over—repeatedly, for what seems like forever. occasionally, his fingertips will brush against the outside of your folds, but the touch is fleeting and never goes any further than that, only serving to taunt you.

you groan, wishing nanami would just get on with it. when you express this, you only get an amused chuckle in response.

“so impatient. and you’re all wet for me already…” nanami says, those words making you even more aroused. “that’s it, let your body crave it. i would love to eat you out and taste you on my tongue.”

you certainly wouldn’t complain if he did just that. but nanami only spreads your legs and runs a finger past your pussy, spreading your wetness there. he circles your clit once, and you moan. then he goes further down until he finds your entrance but doesn’t push inside. he continues to do that—playing with you, teasing you, turning you into a writhing mess on the bed.

oh, you want him so bad. you’ve never wanted a man this fucking bad before. your body is burning, the need and desire growing exponentially by the second.

“there are so many things i want to do to you.” nanami swallows, looking like he wants to devour you but is doing everything he can to hold himself back. “but i’ll keep it simple for today. you look like you won’t be able to last much longer, anyway.”

without warning, nanami slides his hand back up to your clit, pinching it between two fingers, slick with oil. your entire body jolts as you feel pressure being applied there, a choked out moan escaping your lips. nanami rolls the pads of his fingers around the sensitive nub and you throb at his touch, breathing significantly harder now.

it had already been overwhelming before, but now your whole body burns with pleasure, with desire—wild and untamed. heat sears through you, fast, hot, making you somewhat delirious. you lose control of yourself as you buck up and circle your hips, trying to feel more of it.

“remember, this is still a massage,” nanami says, voice low, and you’re not sure who he’s trying to fool. he pinches you again, the perfect amount of pressure, and you arch off the bed with a whimper. “all i’m doing is giving you a massage…”

his hand flattens and he rubs your clit up and down, then in circles, slow at first and gradually increasing in speed. there’s no pattern to his movements; nanami is completely unpredictable, leaving you guessing, never allowing you to adjust to the sensation at any given moment. all you can do is lie there and take it, at his mercy, chasing after whatever he’s willing to give you. but you can’t exactly complain, though, not when it feels this fucking good.

“k-kento—” you cry out as all your nerves ignite at once, tingles of pleasure spreading all throughout your body.

“is this how you touched yourself in the changeroom last time?” the pace quickens, nanami drawing tight circles around your clit. “did you imagine that i was the one touching you? getting you closer and closer?”

moaning, you try to reply but your head is swimming with pleasure and it’s infinitely more arousing now that nanami is really here, playing with your pussy. it’s not just a fantasy anymore.

and then—it hits you fast, hard, entirely by surprise. one minute nanami is changing up his rhythm and the next, you find yourself bucking into the air uncontrollably, moaning loud and needy, and fuck, you’re—oh god, you’re going to come, you’re going to come—

“not yet, baby,” nanami says, voice low and stern. a command. his hand immediately withdraws from your body, keeping you right on the edge but never tipping over, and instead moves to hold your hips in place as you convulse on the bed, helpless to ride it out as your orgasm ebbs away. your pussy throbs and throbs, aching, dripping with your wetness. you’re left painfully unsatisfied. fuck, it’s not fair.

chest heaving, you whimper, having been denied your release. your whole body is on fire, and you’re so fucking turned on. you need to come. you need to come so fucking bad.

“kento,” you plead, willing to do anything to get his hands back on you. if this gets drawn out any longer, you’re not sure if you’ll survive. “kento, please—i’m—i can’t—please—”

almost idly, nanami trails a hand around the outside of your pussy, keeping his touch gentle like he has all the time in the world. it’s only a single finger grazing against you, but your hips flinch, moaning at the feeling of it. “do you really want it to end that quickly? i would love to see how desperate you can get. it won’t take much more for you to come, will it?”

you’re trembling and your pussy throbs every time nanami makes contact with it. you’re still unbelievably close to the edge despite calming down a bit now, and you’re sure that all it’ll take is a bit more stimulation from nanami before you reach your climax.

“can you—oh,” you start, words dissolving into a moan as nanami touches you again, fingers prodding at your entrance this time. it takes deliberate effort for you to gather your thoughts and finish the sentence, but you’ve become shameless, too aroused and horny to maintain any sense of dignity. “c-can you fuck me instead? i wanna—hah—wanna come on your cock.”

“mm, tempting. really tempting. but i don’t think so,” nanami tells you. his fingers latch onto your clit again, circling around it faster than before, and it’s so fucking good, so distracting that you’re barely able to hang on to his words. “i won’t fuck you today. i want to get you really desperate for it, let the tension build up until it makes you lose control. and when i finally give you what you want—tomorrow, or the next day, or even a week from now—i’ll break you apart slowly and leave you writhing under me. think of how good it’ll feel to finally have my cock in you after all this time, hard and aching inside you, filling up that tight little pussy.”

whimpering, you’re not even able to formulate a reply. that has to be the hottest proposal you’ve ever heard, like nanami has somehow figured out all of your dirtiest fantasies and is making them a reality. your mind is clouded with an arousal so strong that you’re struggling to process everything. but nanami isn’t even done yet.

“eventually, if i fuck you… when i fuck you, i’m going to take you apart slowly and push you to your limits until you show me just how badly you need it. you’ll be shaking under me, begging to have my cock in you. god, darling, i’ve wanted to ruin you since our first session together.”

you moan brokenly, hips thrusting wildly on the bed in response to his words. holy shit. nanami knows exactly how to get you all worked up. what’s worse is that every word he says is a cruel reminder that his cock isn’t inside you, isn’t fucking you, isn’t even out of those tight, tight pants yet.

“hah—fuck, your cock—n-need your cock—”

“i’ll give you something just as good.” nanami is watching you intensely, taking in the way your body responds. he bends your legs, hands sliding almost innocently across your entrance. “i can massage your insides. how does that sound?”

it sounds incredibly fucking hot, that’s what. and suddenly, you’ve never desired anything so badly before. “y-yeah—ngh, please—”

“spread your legs for me, baby,” nanami tell you. doing as you’re told, you follow his guidance to expose your pussy even more, aroused and horny beyond belief. “good girl. you’ve been waiting for this, haven’t you?”

a finger runs along the outside of your pussy, slick with oil, and you choke out a moan, lifting your hips to try and feel more of it. thankfully, it goes in soon enough, not wasting any time, and nanami sinks a finger into you, the slick oil helping to ease his length inside. you let out a startled gasp as he goes deeper and deeper, past the first and second knuckle, all the way until his whole finger has been swallowed up.

once he’s all the way in, nanami groans at the tightness that envelopes him, the way you clam down as if refusing to let him go. but he starts pulling back out, inch by inch, and you’re helpless to it; all you can do is moan at how good it feels. he pumps it in and out a few times almost experimentally, taking in how quickly you’re falling apart on the bed before him.

“you can imagine that it’s my cock fucking you if that helps,” nanami whispers in your ear and the suggestion has you whimpering. “but of course, my cock is bigger than this. think you can take another?”

“Y-yes—ah—yes, yes, more—”

“look at me,” nanami says, waiting until you turn your head before adding a second digit, stretching you open. you gasp, panting as soon as he starts to thrust into you properly. “see how hard i am because of you? my cock feels like it’s going to burst out of these pants.”

and it’s true; your gaze falls on nanami’s bulge, so hot and obscene within the confines of his pants. the fabric shifts every time it twitches, pulsing like it’s trying to break out, wet and damp where the tip is. nanami’s free hand moves to touch himself, hips rolling into his palms, giving himself some relief for the very first time.

god, you swallow. you would do anything to have him pull out his cock already.

but nanami’s only goal seems to be to get you as worked up as possible, bringing you right to the edge with his dirty words. “mm, yeah. think about how fucking good it’ll feel to have my cock throbbing inside you. thrusting into your tight little pussy, nice and deep.”

his fingers curl, sending an unexpected jolt through your entire body. you cry out, back arching off the bed, head thrown back as an intense wave of pleasure overtakes you. “a-ah—! shit, kento—o-oh my god—”

grinning, nanami makes sure to aim for the same place again. “is this the spot? does it feel good here?”

“hah—fuck—y-yeah, good—hng, so fucking good—”

nanami hums, but the next few thrusts he makes purposely avoids your g-spot. each one is shallower than the last and you can’t help but squirm as you get increasingly frustrated, until he pulls out altogether.

“that’s a good look on you. it seriously turns me on to see how desperate you are now,” nanami says, licking his lips. his eyes are dark and full of desire as he takes in the sight of you, running his hands along your thighs and watching your pussy throb. “it’s almost a shame we have to end things here today.”

you take a few seconds to process what he’s saying, and once you do, all you can think is, no, no. not again. you didn’t get to come yet. you need more, need your release, need those fingers back in you. need to—

“th-that’s it?” you ask in disbelief when it becomes clear that nanami isn’t going to continue. the towel is wrapped around you once again. your pussy aches in protest at how abruptly things ended, still dripping and dripping and dripping with unresolved arousal.

fuck. you refuse to let nanami leave him like this again; you’re determined to get a better outcome, unlike last time when you had to get yourself off in the changeroom. you’ll break down and beg if you have to. you want to come on nanami’s cock, on nanami’s fingers, and you know that nanami wants it, too. but whenever it seems that he’s about to go further, he always stops, right when you’re most anticipating it.

it’s especially frustrating because he’s gotten you all worked up, so fucking horny that you can hardly even think straight, but it never goes far enough for you to be fully satisfied. you’re kept on the brink of release, never allowed to come. it’s so cruel. it only works to turn you on more, to an unbearable degree.

but nanami doesn’t even acknowledge it. he only looks at you innocently. “our time is up for today,” he says, then leans in close, voice lowering to a whisper. “did you really think that i would let you come so easily? you’ve been a very naughty girl.”

fuck, that shouldn’t sound as hot and sexy as it does. it definitely shouldn’t be making you even more turned on.

“i—” shit, you think. you glance down at nanami’s very obvious erection, the desire he clearly has, too. i want your cock—want you to fuck me. but it’s clear that he doesn’t plan on going any further today, so you only manage to stammer out, “i don’t think i can go out like this.”

because you’re in arguably a worse state than nanami. despite the towel doing the bare minimum of hiding your arousal, your legs are still trembling slightly and the wetness between your legs isn’t going away.

“ah.” nanami’s eyes flicker down as he licks his lips. “you’re right, we can’t have you leaving like that. why don’t you take care of yourself now?”

you stare at him. when nanami only meets your gaze expectantly, you ask, “you mean… right here?”

“yes. we pride ourselves on customer satisfaction, you know. i can’t let you go when you clearly still have… unfinished business.” nanami smirks, evidently smug for getting you to such a state. “and don’t mind me. there’s still some time before the next appointment, so i’ll just be cleaning up the room.”

and you can’t believe it. what nanami is essentially asking you to do is masturbate, get yourself off, while you’re being watched.

the idea of it is crazy. but it’s undeniably hot, too. so fucking hot.

a few steps away, nanami is busying himself with setting up the equipment, but it’s obvious that he never strays too far. he’s still paying attention, making sure to keep you in his peripheral vision, intent on not missing out on anything.

hesitantly, you unwrap the towel around your waist until you’re fully naked once more. you sigh and glance down at yourself. it’s almost embarrassing because it’s far too noticeable just how fucking horny you are, with the way your pussy is swollen and so, so wet, making a mess on the bed.

across the room, nanami’s movements have stopped. he’s openly staring at you now, taking in the sight of you greedily. there’s hunger in his gaze as he grips the counter next to him, transfixed on the way your pussy is fully exposed, practically begging for attention.

you make eye contact, and a charge of tension passes between you before nanami nods once. “go on. show me how you make yourself feel good.”

so, you get comfortable again on the bed, hyperaware that your every action is being watched. it makes you more excited than you’d ever admit as the shame and embarrassment and humiliation all mix together with intense arousal, clouding your mind. you run your hands over your own body, starting with your breasts, cupping them and teasing your hardened nipples. just like nanami did earlier. soft moans escape you, pleasure surging throughout as you turn your head to look at nanami with half-lidded eyes.

nanami remains silent, but his expression gives him away. there’s no mistake that this is turning him on too, and you swear that you see him twitching in his pants, the fabric shifting over his bulge. but still, he’s far too composed, and you want to break down his self-control, get him so worked up that he can’t resist coming over and fucking you anymore.

traveling down your chest, across the planes of his stomach, your hands come to a stop at your hips. you spread your legs, bending your knees so that your feet are planted flat on the bed, giving you easier access to your aching pussy.

you’ve waited long enough. the slow tease of nanami’s massage and the beyond erotic proposal of masturbating in front of him have all caught up to you and you can’t delay this any longer. trailing a hand down to your entrance, you push a finger inside and immediately moan at the feeling of being filled again.

“fuck… yes,” you breathe out, eyes fluttering shut as you give yourself over to the sensation. you’ve only just touched himself, barely even started at all, but you’re already feeling it.

it’s hot and wet inside your pussy, the oil helping to loosen you up. you drag your finger, moving in and out of yourself, feeling how needy and pent-up you are as your hips roll slightly, growing impatient. you squeeze a second finger inside. moaning, you scissor them apart and pleasure floods through you.

and then you begin to thrust, going at a fairly slow pace. but still, it’s enough to have your thighs shaking, so fucking sensitive. you can feel yourself falling apart.

your fingers curl, angled just right, and your nerves come to life, firing jolts all the way up your spine. “o-oh—ngh, shit—kento—”

at the sound of nanami’s name slipping past your lips, mixed in with a moan, you hear the hitch of a breath to your side. opening your eyes again, you blink to clear your vision, and see that nanami has made his way over to the bed, standing right beside you. something about him being this close, watching over you with his cock hard and bulging in his pants, has your arousal spiking.

suddenly, you can’t stand the slow buildup anymore. your speed increases, thrusting into yourself faster before you even realize it, pushing as deep as you can go. the rush of pleasure is immediate, and your head falls back, breaths growing ragged. there’s a moan but this time it doesn’t come from you; nanami is the one who made the sound, low and strained. he looks like he’s at his limit just by being there as a bystander, watching you on display.

“fuck, that’s it,” nanami encourages you, fingers twitching like he wants to reach out and touch. replace your fingers with his own. “in and out, steady thrusts. just like that…”

receiving instructions from nanami only makes you more turned on. your hips lift off the bed involuntarily and you can’t help staring at the twitching erection in his pants. “ah, feels—feels so good—"

“i bet it does,” nanami says. “look at how much you’re getting off on this. you secretly like being watched, don’t you?”

“f-fuck,” you break off into a moan. the answer to his question is evident in the way you’re dripping from your pussy, walls clenching around your own fingers.

and nanami must notice it too because he tells you, “don’t forget about your clit, baby. i know you like it there.”

reaching down with your other hand, you circle around your sensitive clit, body jerking at the added stimulation. and this is going to be your undoing, you know, because you feel the familiar buildup of your orgasm reaching a peak inside you, the crescendo of something bigger. already, you feel like you could come at any moment.

on top of that, nanami is relentless. “good girl,” he murmurs. “faster now. get yourself real close for me.”

you obey because you have no choice, because nanami has always been the one in control here. it’s getting dangerous now as you finger yourself faster, drawing tight circles around your clit, whining at the pure pleasure that’s accumulating in your stomach, between your legs. and you’re squirming, unable to contain the sheer amount of arousal inside you.

“shit—hah—o-oh my god, fuck, fuck—” you moan brokenly. then you use all of your willpower to force yourself to stop, both hands pulling away. your hips buck up in the air desperately, but you don’t want to come yet. you look over at nanami, chest heaving, and plead, “i-i want you, kento…”

growling, nanami grips onto the side of the bed, fingers digging into it to physically restrain himself. you can see the way the muscles of his arms contract, so strong, so tense. holding himself back.

“trust me, i want to fuck you so damn bad,” nanami says, and his voice alone is enough to make you more aroused. “you have no idea how hard it’s been to keep my hands off you. if it weren’t for my next appointment, i would bend you over right here and have my way with you until you’re screaming.” he swallows, gaze dark and filled with desire. “but today, it’s enough for me to just watch your pleasure. so, be a good girl for me and use your fingers to fuck that pretty pussy of yours and get yourself off properly this time.”

holy fuck. you’re throbbing hard just from those words alone, before you even touch yourself again. you can’t possibly resist; your hand moves automatically to do as you’re told, two fingers sinking into yourself again, pumping in and out with urgency. your other hand resumes its assault on your clit, gasping and moaning, overwhelmed.

there’s no buildup this time—you go fast and hard right away, too fucking turned on to make yourself wait any longer. beside you, nanami hums with approval, always watching.

“hah—hah—ah—yes, k-kento—kento—”

“god, you’re so fucking hot,” nanami says. “find your g-spot for me. come on, baby. i want to see you make yourself come.”

you cry out when you do exactly what nanami tells you, applying pressure to the most sensitive nerves inside you. your hips are thrusting wildly, out of control, and all of the stimulation combined is bringing you closer and closer to the edge.

“oh fuck, o-oh fuck—” you choke out a moan, sounding wrecked. “i-i can’t—ngh, can’t take it anymore—i’m—hah—i’m gonna—”

nanami groans. “yeah, let it out. make yourself come.” his voice is strained, eyes transfixed on your body. “that’s it, such a good girl… make a mess of yourself and come for me.”

god. god. the dirty talk has your pussy throbbing, throbbing, clenching tight around your fingers, preparing for your release. you’re trembling, so close to being pushed past the limit. so fucking close. there’s no way you’ll last much longer now.

“hng—fuck—” once again, your eyes land on nanami’s cock in his pants, bulging out, stretching the fabric thin, and it’s the thought of his cock—touching it, sucking on it, fuck, having it inside you, stretching you open and filling you up—that eventually tips you over. you moan loud. “ah, c-coming—i’m coming—”

your release hits you less than a second later. you pump your fingers, curling to your g-spot, other hand rubbing your clit urgently, and that does it for you, back arching beautifully off the bed as your orgasm crashes through your body. your mouth falls open in a silent cry. it’s mind-numbing, absolutely filthy, pussy pulsing and pulsing. you ride out the pleasure in waves, panting, feeling like you might lose consciousness from how good it is.

in you half-delirious state, slowly coming down from your orgasm, you look up at nanami. you’re both impressed and extremely frustrated at his level of self-control. throughout the entire session, he never touched himself even once, despite the fact that you know he must be aching for it, so hard that it has to be painful. and he’s gotten no relief at all, his cock still locked away in the confines of his pants this whole time, occasionally twitching and throbbing without any stimulation.

maybe it’s because the timing just didn’t work out for the two of you. maybe nanami really does have to prepare for his next client. but if your positions were reversed and you happened to be the one watching nanami masturbate, such an erotic and filthy sight at your place of work, you has no doubt that you would’ve succumbed long ago.

you wonder, what would it take for nanami to finally give in? this is the second time that you’ve had to get off using your own hands at the massage parlor. and you just came, which felt good, incredible, but you’re still left somewhat unsatisfied because what you really wants is for nanami to fuck you already.

getting up from the bed, you brush a hand against the bulge between nanami’s legs. nothing more than a graze of your fingers. but that alone is enough to make him gasp, swallowing back the moan rising in his throat.

you asks, “can you really go back to work like this?”

nanami swats your hand away, cursing. he shuts his eyes to even out his breathing before settling his gaze on you again. “fuck, are you still that horny?”

grinning, you lick your lips. “if i say that i am, will you finally fuck me?”

nanami sucks in a breath, glancing over at the clock. “you really should go now. i wasn’t lying when i said that the next client will be here any minute.”

it’s not exactly the answer you were looking for, but you know when to accept your loss and drop the subject. for now, at least.

“i’ll go for today, but you’ve teased me twice already,” you say. then you lean forward, whispering into his ear, “next time i come, i won’t be leaving until i get what i want.”

part 3 will be the last part! also tumblr has been buggy recently and won’t let me tag some people... i’m sorry if your name is here but you didn’t get a notification :(

tag list: @megumisdivinedogs @urlilwhore @l0rdgeosupport3rr @purple-obsidian @l0rdgeosupport3rr @minni-creations @fos-tis-zois @the-reas0n-is-y0u @cantfeelherface @rxmbzzz @lysaray @zelzablues @str4wbrrycandy @that-goth-bisexual @simping4u @iminlovewqr0w @sharks31 @pseudowho @jisoonunn @outkasti @anathemaspeaks @fushigur0slut4 @barryatsumu @d0nk3y-k0ng @shasaaa15 @wil10wthetree @maskedpacific @genshingeeksworld @itsnotmelo

(comment to be added!)

#jjk #jujutsu kaisen #jjk men #jjk smut #jjk imagine #nanami kento #nanami smut #jjk nanami #nanami imagine #nanami x reader #naughtyjjk

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1moreff-creator · 1 month ago

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DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him.

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible.

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways.

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea.

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person!

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet.

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

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