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iridescentmirrorsgenshin · 7 months ago

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An Analysis of Alhaitham’s Story Quest In Its Relation To Kaveh & Queercoding In Pride and Prejudice

An inherently romantic connotation can be found in Alhaitham’s Story Quest, as the last quest of The Illusions of the Mob is entitled ‘Pride and Prejudice’. Firstly, the content of Alhaitham’s Story Quest and how it can be related to Kaveh will be explored in order to further identify the romantic connotations present here.

Within ‘The Illusions of The Mob’ similarities exist between Ilyas and Kaveh, not only in their views on conformity, but also in overcoming prejudices formed around Alhaitham’s character. As The Illusions of The Mob story quest deals with Alhaitham’s views on the individual as compared to the collective, just as expounded upon in his character stories. Considering this, it makes sense that Kaveh be of relevance within this story quest, since, as previously discussed, Kaveh and Alhaitham’s character stories are written in response to one another, particularly on their respective ideas on individual talent and the collective. Therefore, whilst these parallels between Alhaitham’s story quest and Kaveh are speculatory – lacking conclusive textual evidence that these links are deliberate – it is still relevant to discuss Ilyas’s character development within this quest, as it can be seen to closely align with that of the narrative push for Kaveh’s progression.

Ilyas is part of Siraj’s Hive Mind, in which he functions as an extension of Siraj and is therefore subject to Siraj’s thoughts and emotions. Ilyas consented to becoming part of the Hive Mind due to his longing to conform to a mass collective after reporting the fraud of a revered researcher, was labelled as a ‘hero’, and therefore was shunned by other scholars, ultimately misunderstood by those around him.

In an attempt to avoid being singled out as ‘other’, he sought the collective as a means of comfort, and thus rejected his own merits and individualism. This mirrors that of Kaveh’s longing to fit in which stems from his prioritisation of others above himself, and with this, his rejection of the title as a ‘genius’, due to this ostracising himself from others.

After the dismantlement of the Hive Mind, Ilyas reveals that where he initially wanted to conform in order to fit into the collective, he could not perpetually commit himself to do so, as his own differing opinions still set him apart. He realises that the collective is not “powerful” like he had previously thought, and this understanding encourages him to aspire to not care about conforming, “just like Alhaitham."

In this sense, it is of note that Alhaitham asserts that the Hive Mind’s downfall was ultimately down to people’s differing thoughts and opinions, and that they were reminded of their own individuality due to Alhaitham’s promptings: “A few words were enough. Believe in the power of words...”

Ilyas opting to reject the collective in favour of considering himself more mirrors that of Alhaitham’s desire for Kaveh to better prioritise himself in order to be free of expectations and obligations forced upon him by others (this is discussed more in detail here). It is how Ilyas is able to realise this which is of particular interest, as it is ultimately through Alhaitham’s words to him commenting on his own merits which led to downfall of the Hive Mind: “… What I said to Ilyas was the trigger for all of this."

Through Alhaitham, and through Alhaitham’s words, does Ilyas choose to prioritise himself. By drawing this parallel between Kaveh and Ilyas, a possibility can be surmised of what Kaveh could benefit from adopting this particular aspect of Alhaitham’s philosophy in the potential betterment of himself. However, this appears to only be possible through mutual understanding in expression (this is further explored here), as Alhaitham’s words and how he conveys his meaning can serve as the catalyst for Kaveh’s potential betterment, just as they serve Ilyas.

In terms of prejudices, there exists a link between the pride and prejudice propagated within Siraj’s Hive Mind and that of the relationship between Kaveh and Alhaitham. In this, Ilyas can be viewed as a narrative foil for Kaveh. Whereas Ilyas’ prejudices and his innate “loathing” of Alhaitham stemmed from the leader of the Hive Mind, Siraj, he recognises that these prejudices he holds against Alhaitham are, actually, unfounded, as he finds Alhaitham to not be someone he would dislike to such an extent.

Upon returning to the Hive, Ilyas’ personal perception of Alhaitham is introduced to the collective consciousness and thus contradicts the prejudices against Alhaitham that Siraj has propagated. This gives rise to “new conflict” as these two differing perceptions of Alhaitham struggle to co-exist. These juxtaposing impressions of Alhaitham act as the catalyst for the collapse of the Hive Mind.

This contradiction of perceptions is interesting in considering Kaveh’s dual versions of Alhaitham, in which he appears to recognise that there is a mutual regard between him and Alhaitham in that they are ultimately known only, through and through, by the other, all the while believing that Alhaitham holds “disdain” for him and his ideologies.

Ilyas’ prejudice against Alhaitham is founded on Siraj’s hatred of Alhaitham due to Alhaitham having once rejected Siraj’s research proposal. This caused Siraj to believe that Alhaitham saw himself as superior due to his perceived arrogance that comes from the title of being a ‘genius’.

However, Alhaitham states that, contrarily, he never looked down upon Siraj and instead exercised objectivity, which Siraj misinterpreted to his particular way of thinking, and ultimately his own arrogance due to his need to be correct, and therefore his dependence on other people’s opinions of him.

There are similarities present between the conception of Siraj’s prejudice against Alhaitham and that of Kaveh’s, both being formed from an assertion of their own ideals to be correct; that Alhaitham distancing himself from others is due to a perceived arrogance; and that Alhaitham’s rejection of their ideals is an assertion of this arrogance, and therefore a personal attack. Ilyas, then, harbouring Siraj’s hatred for Alhaitham is a prejudice, which Ilyas himself debunks once understanding why Alhaitham behaves in the way that he does, being that of objectivity rather than arrogance, and thus, this contradicts with Siraj’s impression of Alhaitham.

In this, Ilyas can be viewed as a narrative foil for Kaveh. Upon discovering that Siraj’s hatred of Alhaitham is unfounded, and that his prejudice is incorrect, Ilyas reinterprets Alhaitham through his own perspective, and decides, that he does not dislike Alhaitham, and ultimately, he admires that Alhaitham has no fear in not conforming to the collective in order to stay true to his ideologies.

With Kaveh holding dual versions of Alhaitham, his prejudices borne from a belief of Alhaitham’s arrogance must be surmounted in order to reinterpret Alhaitham, and with this, the meaning behind Alhaitham’s behaviour. Just as with Ilyas, as established, this has the potential to be achieved through communication, as with Alhaitham’s words does Ilyas understand why Alhaitham behaves the way he does. If communicated properly, it is possible that Kaveh can interpret Alhaitham’s comments on his detrimental philosophies as concern, rather than arrogance, and therefore forego the belief that Alhaitham holds “disdain” for him.

The parallels between Ilyas and Kaveh can further be drawn when the Traveler and Paimon are invited back to Alhaitham’s house, and Kaveh is introduced as Alhaitham’s roommate. Kaveh shows embarrassment over being discovered living with Alhaitham, due to his fronting as a successful architect, and begs the Traveler and Paimon not to disclose this information to others.

Alhaitham follows this by stating that he has books on “collectives” at home, referring to them being the reason he invited the Traveller and Paimon over. Kaveh’s desperation in avoiding his financial situation to be discovered by others, the collective that he seeks to conform to, is directly tied in with the nature of Alhaitham’s story quest, being that of focussing on the individual rather than the collective.

Returning to queercoding, romantic connotation can be located within a less speculatory aspect of The Illusions of The Mob and stems from its final quest title. The inherent nature of Alhaitham’s Story Quest pertaining to Kaveh and their miscommunication holds an explicit romantic connotation when considering the origin of the quest title ‘Pride and Prejudice’. This title serves as a reference to the novel of the same title by Jane Austen published in 1813.

To reference Pride and Prejudice within Alhaitham’s Story Quest is to make direct parallels between Elizabeth Bennet and Mr. Darcy to Kaveh and Alhaitham, which are irrevocably romantic parallels. Elizabeth Bennet can be identified as the ‘Pride’ in the title, whereas Mr. Darcy is identified as ‘Prejudice’. Kaveh, then, can easily be assigned as ‘pride’ due to it being labelled as his shortcoming by Alhaitham in A Parade of Providence.

The role of Mr. Darcy can then be assigned to Alhaitham, who, although may not be blinded by prejudice, shares common attributes of Mr. Darcy’s character, in being socially adverse and blunt in his manner of speaking, despite having great awareness of social etiquette, thus allowing for others to easily form misconceptions of him.

Relating this to the analysis of The Illusions of the Mob, then, the parallels between Ilyas and Kaveh can be used to ascertain a potential future for Alhaitham and Kaveh. Kaveh overcoming his pride borne from the “correctness” of his ideals, in comparison to those that Alhaitham perceivably once asserted over him, goes hand in hand with the overturning of the prejudices formed against Alhaitham – just as Elizabeth Bennet must overcome the misconceptions formed of Mr. Darcy’s character in order to better to both understand herself and Mr. Darcy.

The romantic connotation here is conceived from the alignment of Mr. Darcy and Elizabeth Bennett’s opposing viewpoints ultimately leading to matrimony. This future romantic attachment as a potentiality is generated upon the quest title of ‘Pride and Prejudice’, with Alhaitham and Kaveh being narratively assigned the roles of Mr. Darcy and Elizabeth Bennet. Considering this, the purpose of identifying this queercoding is not to allude to a potential canonical confirmation of a romantic relationship between the two, but instead highlight the romantic speculation that can be garnered by the game's referencing this novel.

#haikaveh #kavetham #alhaitham #kaveh #haikaveh meta #genshin meta #i asked and you voted!!#this excerpt drove me crazy when i first wrote it because the more the dots kept lining up the more i was convinced i was seeing things #this is speculatory but its FUN #but the pride and prejudice thing is not speculatory pls #haikaveh are austen coded!!#ive written more about this in the essay!! that should be coming soon!! thank you for your patience hehehe

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