#with how well written it is
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waspgrave · 18 days ago
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Feeling emotional about the Hans romance. What do you mean this is the best enemies to friends to lovers story I've ever experienced AND they're also knights....the knights story Hans tells without knowing the word for what he feels for Henry. Then hearing the conflicted and emotional im sorry after Hans kisses him, thinking he ruined what they have...the emotional lift in music as Henry locks the door and turns to go back to him to properly return the kiss...ugh...kingdom come in that noble
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barghest-land · 10 months ago
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Where the tired come to rest, and the famished come to feed - lavishly. Go on. Partake. Enjoy your supper. After all… It might just be your last.
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cardo-de-comer · 2 months ago
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inspired by this post
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beif0ngs · 1 year ago
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alright look, i just wanna know who is the writer that came up with the dumbass idea of replacing the line “Ever since I lost my son, I think of you as my own” with “Lu Ten would have been proud to have you as his father” in this scene for the Netflix live action series???
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stump-not-found · 1 month ago
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Second or Third Contact
part 1 /part 2 / part 3 / part 4
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and they never ever had any problems ever . the end
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doodlefox2 · 1 year ago
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good girl
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fortunatelychaoticphantom · 2 months ago
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This past year and three months have been such an awakening for Jewish people, but one with a certain flair of absurdity. It feels like un-reality, like a wicked nightmare you can't wake up from. It's like the entire world has lost its mind and when you try to tell them this isn't normal, that what they're doing is wrong, they twist reality itself to say that no it is actually normal, it is you who is wrong. They dehumanize you, treat you as a symbol of evil and disgust. It's like we all woke up a year ago no longer humans, something else, something vile, like a bug, like a... oh. oh.
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raisinchallah · 6 months ago
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why isnt anybody properly repressed in modern fiction like repression has been a staple of human creativity since the dawn of time but tbh i think we have been seeing a steep decrease in severely repressed fictional characters since the 80s not sure what we are going to do about it are we suddenly all too good for repression or something personally i love repression
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atomicjellyb3an · 3 months ago
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Vi
I feel like the final shot of Caitvi isn’t talked about enough and the significance of it. It’s one of the few times in the show that we see Vi allowing herself to receive comfort
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Consistently throughout the show, she’s an affectionate person, but on her terms. She hugs other characters to comfort them, but rarely allows the luxury for herself. Maybe the first instance we see if this is with Caitlyn brushing her cheek in season 1, though earlier in the season Vi pushed her away when she tried this.
However with the huge debate around who is top and bottom and “Vi must be the top because she made the first move in the cell scene, she was more dominant” I’d actually argue that she HAD to initiate that course of events. Caitlyn despite being the one who kisses her before, knows that their relationship is too fragile and knows in good conscience that she doesn’t have the right to make the first move again
Vi making the first move was her finally allowing herself to be selfish, we see this again when she lets Caitlyn hold her hand at the table and again in the final shot of them where Vi SEEKS out Caitlyn for comfort
anyway yeah i just wanted to ramble about that
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triona-tribblescore · 1 year ago
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TW// Abuse implication
Thinking about possible Vox and Angel's interactions and how they'd go down. Theres such a unique mix of hatred to each other and common ground with their different experiences with Valentino, has me thinking.
Also just want to clarify I love Vox's character a LOT but ofc obv don't sympathise with him or think he is any way shape or form a decent individual, cant with stupid toxic dumbass x
AND IF YOU SEE ANY MISTAKES OR TYPOS NO YOU DONT- (i was so tired when drawing it forgive me TwT)
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casscainmainly · 7 months ago
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Reading Red Robin after having heard all the fanon takes is hilarious. It's like, oh. That didn't happen. That person didn't say that. That person did say that, but it meant something totally different in context. That happened, but it wasn't as big a deal as people say. That didn't happen. That person didn't say that. Again and again every issue it's actually so funny.
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elodieunderglass · 1 year ago
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Horror isekai where Perceiving the Weird Eldritch Thing gets you catapulted into a nightmare labyrinth of puzzle-solving.
I.e Those Who Perceive The Hunt of the Goblin King Must Partake In The Labyrinth and Can Only Be Freed If They Complete It In One Day and One Night. By Fae Law. For Reasons.
But the definition of “perception” clearly needs to be updated because some normal guy simply films the Hunt of the Goblin King Behind Arby’s, and puts it on Facebook -
No, not instagram or TikTok, it’s important that it be Facebook -
Because the rules are pretty clear, “the rules are the rules” as is carved ominously in elvish runes above the grim gate, and the Contract is Sealed. and so therefore the guy and 25 of their most random real-life acquaintances must run the gauntlet together. It’s Some Guy, their immediate neighbors, their first partner’s mom, their friends from hobby Facebook groups (oh this poor guy and their hobbies; the elderly birdwatchers from Facebook and the young up-and-coming drag king community), their random teen kid niece, college friends, a dog who also watched the video, a couple consisting of a woman who is the guy’s Facebook friend and showed her husband the video, and the husband doesn’t even know Some Guy, so he’s in the labyrinth and absolutely furious about being forced to be involved, and they proceed to break up over the course of the puzzle.
It’s important that the narrative keeps trying to be a sexy dark horror isekai! but within this the comedic reality of Catherine, 52, the guy’s horse-riding instructor, being passionately involved in escape-room-style puzzle solving and grappling with minor goblins. They are in fact speedrunning the gauntlet.
The Goblin King finally has to say: all right, actually, I only really set all this up to fuck with one (1) guy at a time, thanks for your willingness to participate, but I think all 25 of you can consider the gauntlet fully run.
And the group would be quite hurt by that. The rules are the rules. We have a contract, actually. Let Catherine cook.
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choccy-milky · 7 months ago
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omianne wip from over a year ago that ill never properly finish (redraw of 'the other father' by mac conner)
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consultingfujoshi · 2 months ago
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some thoughts wrt the two established "romances" in severance so far (burt/irving and helly/mark) inspired by @figmentof who pointed out how irving had to find out mark and helly kissed from the corporate video in s2 e1 and how he must have felt seeing his co-workers' love affair like portrayed like that, and how it ties into the queer narrative at play here which uses workplace dynamics and policies as very clear analogues for real-life prejudice against queer couples. I mean, just look at this:
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it's not just documented, but celebrated. used as propaganda for how the conditions on the severance floor have improved. proof that the severed workers are happy. and how even though he is unaware of the sociopolitical meaning of all this, lumon is very not-subtly telling him that what he had with burt is inherently lower and less valuable than this.
irving doesn't even know homophobia exists and yet he is still affected by it, it still seeps into every corner of the way his and burt's romance progresses. burt is positioned as an unacceptable love interest from the jump. irv is actively discouraged at every turn from pursuing it. their friendship is viewed with disgust and apprehension from their coworkers. burt working in a different department that's hated by MDR. dylan himself not being homophobic in the sense he opposes their relationship because they're both men but his attempts to keep them apart still has a parallel sort of prejudice behind it and still ultimately has the same effect as if it WERE driven by homophobia. irving is made to feel perverse for wanting contact with burt. he's told this is for his own good.
and then, just as they manage to overcome that immediate resistance from their peers and escape to a place where they can explore this blossoming romance on their own terms, burt retires. for all it matters to irv, he's dead. and then irving is given the option to live the rest of his life with grief that will never heal, or kill himself too, because there is no reality where they get to be together. that's just the way things are. of course they wouldn't get to be together. he was unreasonable and childish for ever hoping that could happen. this is just the way it goes for innies. he's told to get ahold of himself and not make a scene.
but the thing is, the standards are not the same for all. a heterosexual romance gets upheld as the shining example of success and fulfilment for the severed employees, whilst a homosexual romance is ridiculed and invalidated, and written off as something that was simply never meant to be. and even more importantly to irving, a heterosexual romance is APPROVED OF by lumon, and by extension, by kier. irv held back from allowing himself to even call his and burt's relationship a romance, because his god had told him it was wrong, he followed the handbook, thinking this was what kier wanted, and then finding out after suffering the worst heartbreak imaginable because of it, that this WASN'T EVEN TRUE. it's simply just that someone like HIM doesn't get to have something like this. his love is not the kind of love god wants. he does not approve of irv's love. cynical and manipulative though that approval may be (even within the context of the corporate video, the helly/mark romance is only being celebrated to further the narrative that lumon care for their workers, but the point still remains that it was THEIR romance specifically used to suit this end), when your entire life has been in pursuit of that approval, it must be devastating to learn it was never on the cards for you.
he and burt even used the fact kier met and fell in love with his wife in the same circumstances as them to justify this to each other - and they were RIGHT, god does approve of falling in love with your coworkers - this simply just doesn't apply to them specifically. and if irving needed any more proof that he no longer has a place at lumon, that he's better off not existing at all than existing with this pain that cannot be remedied, pain that won't even be acknowledged for what it is, a symptom of a sickness which plagues the entire severance system, pain that he is simply expected to choke down and get over - this is that proof.
and that's the POINT. they're TELLING us that this is unjust, and there's a double standard. they're using the ways the innies experience romance and the difference in lumon's reaction (lumon being the collective of all the management we've seen, lumon as a singular entity) to burt/irving vs helly/mark to comment on how queer people are not afforded the same level of respect or validation IN REAL LIFE, for their attachments, their love, their pain, their suffering. it is NOT just incidental that irving's romance is with a man. it would not WORK if his love interest was a woman. the POINT is that they are both men and how that puts them at a disadvantage, even if they aren't aware of the prejudices of the outside world, even if they don't TECHNICALLY apply on the severance floor, there are very clear analogues which still end up oppressing them in equivalent ways that they would be suffering if this were a normal workplace in the outside world.
it genuinely sickens me to my stomach that even in a world so divorced from reality and the sensibilities of regular society, a queer couple is still made to suffer and feel inferior in a way that perfectly mirrors their real-life counterparts. how they will never, EVER be allowed to exist in a world where their love could thrive freely and uninhibited - they never get to taste the joy our world has to offer people like them, but they are still somehow subjected to all the pain it has to offer them regardless. it's such horrifically devastating writing. it makes my skin crawl. I can't stop thinking about it
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mrspiffy123 · 2 months ago
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Hollow Knight's Adventures with Dewi
"Okay, dad! I'm heading out to the woods for a bit!" Dewi threw his bag over his shoulders and tied up his boots. He wanted to spend every possible moment in Hallownest that he could. His dad called back, "Again? You've gone out every day for the past month… just be sure you have your walkie talkie so I can reach you." Dewi was already halfway through the door as he shouted back, "Don't worry, I got it!" and leapt out of the front door, heading back to the cave to meet up with Ghost, Hornet, and all is other insectoid friends.
After some time, Dewi reached the cave Hornet had first brought him to. He'd gotten better at navigating with each visit. Just as Dewi was grabbing the flashlight out of his backpack, he heard a rustle coming from behind. Whatever it was, it sounded much larger than the squirrels and small prey he was used to seeing. He quickly turned around, but didn't see anything. Dewi held the flashlight close in case he needed to bonk anything and run. Suddenly, from a bush popped up to… horn? Antlers? They didn't look like any animal Dewi had seen before. Quickly, the rest of the figure followed until out from the bush appeared… a small, cloaked child. They looked even younger than Dewi, and the wooden mask they wore looked exactly like his friend, Little Ghost.
"Uh… hi?" Dewi lowered his flashlight.
The figure nodded.
"Sorry, I was just… um… meeting some friends here. Do- do you know them? They go by Hornet and Little Ghost- er, just Ghost… I guess"
They nodded again, this time more enthusiastically. The figure pointed to itself.
"You do know them? That's why you're wearing that mask, right?"
They shook their head and again pointed at themselves.
"You… Ghost, is that actually you?"
The figure nodded and walked up to Dewi. Even though Dewi could now see eyes through the mask, their gaze remained empty as usual. He did, however, notice a small sword hanging by their side. "You, still have your sword I see… no, what did Hornet call it? A nail! Though… I guess sword would be more appropriate now." Ghost followed Dewi's gaze and slowly unsheathed the sword. It hesitated in almost every action, like every movement was a conscious effort.
The sword was real, no doubt about it, but it was a far cry from the glowing, pure white metal either of them were used to. The edge was noticeably sharp, but the blade itself was made from a dull, gray alloy. As Ghost put the sword back in its sheathe, Dewi couldn't help but keep asking questions, "What's happening? Did this happen to anyone else? Are they okay? Are you okay? What's going on?" Ghost waited for Dewi to catch his breath before simply shaking their head once. "Nothing, you don't even know or why this happened? W-what's the last thing you remember? Can you act it out?" The little one thought for a moment. It took a step back and started mimicking vague actions. Old habits die hard, it seems, for even with its new limbs and dexterity, Ghost couldn't manage much beyond stiffly waving its arms about.
"I'm sorry, I- I'm not getting anything from that. You can stop." Ghost came back and sat on a nearby rock. The two sat together in silence for a minute, both trying to process what they've found themselves in. After a while, Dewi took off his backpack and began rifling around in it, "Are you… hungry? Do you still need to eat? Did you need to eat before?" Just as he asked, the two heard a rumbling straight from the little one's stomach! Ghost nearly fell off its seat in shock before quickly readying a hand on its sword. Dewi just let out a small chuckle, "I guess that answers all three! Here! It's the best thing I could pack this early in the morning." He handed Ghost a small foil packet. It took the packet, and simply… held it.
"Oh, right. You're probably not used to wrapping, let me get that for you," Dewi grabbed the snack and tore the top open to reveal two pink frosted poptarts. He handed one to Ghost, who again gave nothing but an empty gaze. "It… goes in here," Dewi pointed at his mouth a took a bite from his own poptart to demonstrate. Ghost followed suit, slipping the confection under its mask and pulling it back to reveal a small chunk taken from the corner. "Now chew it, like this," Dewi started chewing through his food, heavily exaggerating the motion. It took Ghost a moment to figure out the movements, but it eventually got a hang of the process. Dewi tried explaining the rest through a mouthful of frosting and jam filling, "now, you shwallow…" He grabbed his water bottle to wash down the rest. He was about to offer it to Ghost before seeing it clearly struggle to figure out the mechanics of swallowing. Dewi couldn't help but giggle at his friend so clearly out of its element.
"Dewi? Ghost? Is that you, little ones?" The two whipped around towards the voice. Behind them stood a woman much taller than Dewi. Her perfect posture would have made her look quite elegant if it wasn't for the ragged cloak she was wearing. In her hands were a ring and a small harpoon, both attached by a long thread of twine, and she wore a mask just like Ghost, only ceramic instead of wood. Dewi recognized her voice immediately, and her mask was unmistakable. Whatever happened to Ghost, it had happened to her too.
"Hornet!" Dewi nearly leapt at her with a hug. She tried to stop him, but the kid's enthusiasm broke through her guard and toppled them both to the ground. "Dewi, please refrain from doing that again! I am not yet familiar with having only four limbs." She nearly had to pry Dewi off her. "Sorry! You don't know how long I've waited for that, now that we're the same size! Well… human sized, at least," he did his best to help Hornet as she slowly got up from the dirt.
"Dewi, what have you done. How have you made us both higher beings such as yourself?" Hornet straightened her mask and dusted off her cloak.
"I didn't do anything! I don't know how to turn bugs into humans!" Dewi was getting increasingly exhausted with Hornet's insistence on Dewi's status as a "higher being". He sat back down on his tree stump, defeated. "To be honest, I kinda hoped I'd get to be a bug and explore Hallownest with you guys. That place sounds so cool…"
"I wouldn't wish such things, Dewi. Even after you and Little Ghost triumphed over the Radiance, Hallownest is still a dangerous place. With your luck, you would wind up alone, or worse, stuck with Lemm." Dewi perked up at the name, "Who's Lemm?" Even in the current situation, he couldn't stop asking about Hallownest. "Just a crotchety old hermit. Lives in the City of Tears, hoarding and obsessing over his relics. I do not believe he would take kindly to your presence, Dewi. Apologies, I did not mean that as an insult."
"Uh… none taken? Oh! You're probably hungry! Ghost is it okay if I…" he plucked the poptart out of Ghost's hands. It hadn't taken more than that first bite, anyway. "Here!"
"What is this?" Hornet eyed the pastry with suspicion.
"It's food!" Dewi continued to offer it with a smile, "it might be a little sweet, but I really like them!" Hornet grabbed the popart cautiously before breaking off a piece and slipping it under her mask, being sure to keep her face hidden from Dewi. She chewed for only a few seconds before spitting on the ground.
"PLEH! This is the food of higher beings!? Is this even natural?!" She was kind enough to give it back to Dewi instead of the ants.
"Well… my dad says they have all kinds of preservatives. He doesn't like me eating too many. Calls them 'an affront to the natural order' but I think they're really tasty!" He breaks a piece off for himself before giving it back to Ghost who continues to hold it absentmindedly. "Here, have some water," he offers the bottle to Hornet.
She grabs the bottle, "This is simply water? Not another disgusting concoction of higher beings?"
"Well you don't have to be mean about it… but yeah, it's just water." He takes the bottle when Hornet's finished and sets it back in his back. He offers Hornet a seat at their new, impromptu meeting spot, to which Hornet silently obliges.
"Dewi, we need to know what is happening, and we are unfamiliar with your world. We do not know if this has happened to anyone else, or who. Are you willing to guide us?"
@lilybug-02 @violetthunderstorm
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witchkittymeow · 3 months ago
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Dying might seem scary, but being alive is scary already
[ID: art of Eugene from Drawtectives. He's staring forward, surrounded by billowing green smoke and floating golden stars. His expression seems wary or maybe uncertain. End ID.]
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