#with another crowd of people

[clamorybus]

yeah humans have kinda always been morbid dicks about tragedies. like you look up any old timey murder case and 9 times out of ten there will be a crowd of lookey-lous wandering onto the crime scene and just taking shit

[poorly-drawn-mdzs]

Lan Wangji goes to Lotus Pier (No relation to the AU of the same name)

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[biblically-accurate-dca]

substitute

[bigfatbreak]

Hello I love your art!!! I was reading through your changeling au and Felix mentions that fae are creatures of mirth. They literally need attention to survive. But what kind of attention? I guess I'm wondering because Adrien has been in the public eye for a while now, but has been personally neglected for even longer. What does that mean for him? Is he starving? Is he in danger of dying? Does he even know it? (I assume not given he doesn't even know he's Fae).

If he is starving / in danger of starving who is the first to realize this?

it depends on the mirth, on the attention, on what it is they seek. Without making things too complicated - I don't like to define everything into neat little boxes after all, there's fun in nuance - Felix is just explaining from his experience, the Fae he was with tended to be "entertained" by certain aspects of their playing, which was the mirth that kept them relevant. Relevancy more than anything is really what keeps their wheels greased.

In Adrien's case though, the reason he's cloying for so many names and to have so many thralls and attendants is because he SHOULD be a more social creature and has been kept woefully alone. He is kinda starving in the way a fae starves - he's relevant, but only in an image his father constructs OF him, which means it isn't REALLY him - and he has no one to play with. No friends, no lovers, and no rivals, makes a very sad fae

[elder-millennial-of-zion]

Anti Zionism is not antisemitism and I’m gonna say it everytime yall try to play victim. it’s honestly disgusting that you think Palestinian people should die just because you want a country to “exist” your people are not in danger if they have enough time to gather near a fence in thousands of groups and cheer as bombs fall on the West Bank of Gaza, you say “Palestine shouldn’t exist” and then use the exuse “when I say in a Zionist, I mean I just want the state of Israel to simply exist” but you mean you want to wipe out an entire race of people to do so, you’re honestly disgusting and I hope karma hits you like a ton of bricks because Israel and the entire west is honestly disgusting. Kike

Thank you for this. I’ll keep it as a case study.

[imeriayapping]

The fallen idol

[munch-mumbles]

khan metro is such a funny fucking character i love the sections of the games where we have to follow him for a while because 90% of the time hes just giving you wisdom about how the metro is alive or whatever and 10% of the time youre on some insane jackass shit

WHAT THE FUCK ARE WE DOINNGGG

[key-rk]

Does Drake have any other friends than Launchpad?

what she said

-

I don't think so, not only is he a difficult guy to be around--he also tends to not let people in. If I recall his attitude to company in the first episode, he explicitly states; "I work alone." and generally didn't leave much wiggle room on that statement until he decided otherwise.

Also, just any episode involving any of the justice ducks, the episode 'adopt-a-con', and 'You Sweat your life away', all do a pretty good job highlighting his inability to be around people.

I'd also reckon he's not particularly upset about his lack of friends. Many times had he shown that his job came first--and friends would just get in the way (that episode w/ fenton crackshell did wonders to explain that.)

But yeah, no friends for that guy lol

[fluffytheocelot]

honestly homophobic of netflix to remove the interactive with the julethief canon events in it

AND ON THE DAY CARMEN ESCAPES VILE NO LESS 😒

rip To Steal or Not To Steal. you had the entire fandom in a chokehold over that ending <3

[serpentface]

Can you tell us more about the Usoma-Hibitte

The Usoma-Hittibe is a sister (typically the eldest) of the Usoma, the Wardi monarch.

((IMMEDIATE LINGUISTIC TANGENT: The phrase Usoma-Hittibe could be functionally translated "king-sister"- Usoma has been the word used for Wardi monarchs for much of their history, which does not actually Translate as 'king'. The word Usoma stems from a now obsolete concept-word referring to death as a 'catalyst of the cycle' (referring to death and birth as dualistic forces that sustain life via their perpetual cycling). This gradually became closer in meaning to 'benefactor of life' or just 'benefactor', which began to be applied to kings as an epithet, and eventually became their titles as sovereign with most other uses falling into obsolescence (though it also appears in the name of the Face Kusomache). Hittibe straightforwardly translates to 'sister', though dead literally is a feminine form of a word meaning 'of the (same) womb'.))

The modern day role is largely a remnant of traditions of the oldest Wardi monarchies and their lineage structures (most significantly the Ephenni, who developed the first monarchies and TREMENDOUSLY shaped all following models of Wardi kingship). All Wardi tribes had patriarchal systems of power (though with greatly varying intensities) throughout their recorded history, but not all have been patrilineal.

The Ephenni (and a lot of the other west-southwest proto-Wardi tribes) had matrilineal kinship structures for the vast majority of their history, with kinship passing from mother to son. This translated to a system of royal inheritance where kingship was passed from a king to his sister's eldest son, rather than to his own sons. The king and king-sister would each be wed to their own consorts, but only the king-sister's children would be potential heirs under normal circumstances.

In a societal context where power is patriarchal and inheritance is matrilineal, this system is Very effective for both ensuring inheritance remains in one family AND to prevent succession crises (which the incest approach to keeping rule within a family doesn't accomplish). A child's father generally cannot Technically be completely certain in a world without genetic testing, which in patrilineal kinship opens the door to claiming illegitimacy of heirs. A matrilineal structure where kingship passes from a man to his nephew via his sister negates this- the mother the a child is unambiguous (you can see her being pregnant and giving birth), and even if the child WAS born out of adultery, the illegitimate father does not ultimately matter to the child's status as legitimate heir. The child will bear the mother (and thus the king's) family name regardless, thus keeping power securely in one family with no avenues to dispute legitimacy.

The Usoma-Hittibe thus had profound importance as the mother of kings, outranking the Usoma's actual wife in significance. A Usoma's own sons would instead live out their lives as noblemen with no claim to the throne (though technically would be 'reserve' heirs in catastrophic failures where a Usoma-Hittibe and any other king-sisters fail to birth sons).

This matrilineal kinship structure was lost over the course of history through a combination of internal societal changes, centuries of occupation, and the assimilation of the various pre-Wardi peoples into collective Wardi identity. Imperial Wardi culture now exclusively uses a patrilineal kinship structure. However, before this change could fully occur, the Usoma-Hittibe's role had extended into numerous ceremonial and political roles and was deeply entrenched into the identity of Wardi royalty, and the position was thus retained even through her reproductive obsolescence.

The most obvious shift to the role of modern Usoma-Hittibe is that they are Not Only no longer the mothers of kings, but have absorbed the cultural 'celibate woman occupying positions of power' archetype and now remain unwed and ostensibly virgins for life, as well as having slightly 'masculinized' elements of their performance (their etiquette and some of their regalia is considered masculine, though not to the same extent as Odonii). This parallels the importance of celibacy and 'de-feminization' in Odonii, partly conceptualized as allowing a woman to retain strength in bodily and spiritual integrity that is otherwise deemed only natural to men. Like Odonii, the bodies of Usoma-Hittibe are politicized into symbols, imagined here as physical representations of the health, strength, and integrity of the royal family. She will be used as a proxy for the entire royal family in rites intending to bless and protect them. She is the public female face of the royal family, and serves ceremonial functions in most rites that would normally be taken by a family's wife.

In addition, a Usoma-Hittibe has a significant degree of hard political power. She is the default regent in case of an Usoma's early demise, has the ability to take action in his stead during absences, and can freely make appointments to the lower court (but not the council), giving her potentially tremendous influence over the court. Her power is still ultimately limited- a Usoma has absolute veto over any of her actions, she is prohibited from issuing military commands (even when acting as regent, this must be in coordination with the council), and the inner council has veto power by majority vote on actions she makes in a living Usoma's stead (though the council does not have generalized veto power over regent Usoma-Hittibe).

There has also been a significant shift in recent history to the Usoma-Hittibe gaining significant control over the state priesthood of the Face Kusomache (which is Partly assigned a role as the protector and legitimatizer of royalty). The Usoma-Hittibe is currently THE person who appoints a high priest to Kusomache as an aspect of her ceremonial roles, and the past few Usoma-Hittibe have negotiated privileges to perform rites otherwise exclusive to the priests (which is unprecedented, as this priesthood (and all other core cults to the Faces save for Odonii and Galenii) is closed and all-male). This has contributed to internal fracturing among this priesthood- cult traditions surrounding Kusomache focused on this Face representing death and safe transitions to the afterlife (as well as sacred mysteries and the movements of the cosmos), and the additional 'protector of royalty' trait was rather inorganically assigned by the merging of an entirely separate tradition. Many members of Kusomache's priesthood feel the Face is being warped and defiled, resent the Usoma-Hittibe's appointments of puppet high-priests, see tremendous insult in these royal lay-women integrating themselves into the cult's structure, and fear that these king-sisters will attempt to take over as high priests. Some have even broken off to form a separate sect to Kusomache in response, which by official decree are illegitimate, but is gaining public favor as one of many symptoms of growing distrust and dissatisfaction in the royal family.

---

SIDE NOTES ON THE QUEEN-CONSORT

The queen-consort's modern role is somewhat expanded in that she is now the mother of Usoma's heirs, but in few other capacities. Her powers are limited to those natural to her social status, and she has no hard political power whatsoever, even within the scope of the court (though some queens gain indirect power via personally influencing their husbands, sisters in law, and council). Imperial Wardi royal families have generally sought to display themselves as the ideal perfection of the familial sphere with the Usoma as the epitomical protective household patriarch, and thus a queen-consort typically lives in the utmost of feminine cloistering within the palace and is rarely (if ever) seen by the public (in the limited cases in which she travels outside of palace grounds, care will be taken to keep her out of sight within her carriage or litter). This functions to emphasize her privilege as the highest status wife within the domain, and by extension to show the invulnerability of the royal family as a whole by the unseeable and therefore untouchable nature of its Vulnerable wife/mother.

(The concept of a wife being able to exist in protection exclusively within the family home is considered an ideal, which isn't really attainable for nobility and is out of the goddamn question for the lower classes. You'll notice 'women's bodies being heavily politicized and abstracted' being a recurrent cultural theme here- the wife of a household is the vessel for a family's continued existence and conceptually the vulnerable representation of the family's survival, which must be controlled and protected. The social privilege of royalty allows for this to be utterly realized in the case of the queen).

The queen-consort is (apart from being known by name) functionally the abstract concept of the idealized wife and mother and the womb of kings rather than an individual person to most of the public. Attention is actively Drawn to her physical absence via a queen being represented in effigy in the vast majority of public appearances by the royal family (represented in statuary, and in abstraction in the form of the lotus sceptre held by the Usoma-Hittibe). Statues representing each current queen-consort are placed in major temples to Kusomache, Ganmache and Anaemache to gain the protection of these Faces and to be honored by the visiting public.

[bogkeep]

it's my third year at a school in sweden and i have just been very bad at Conversing with people - like i am on friendly terms with everyone, i can do surface level small talk with most people (unless they're trying to talk to me at a loud party. why do people do that, i literally Can Not hear and understand you). i Try to participate by joining i when i hear something i can actually talk about, but it happens so rarely i mostly just do my own introvert thing in the periphery. a large part of this is just the language barrier in combination with the broken auditory processing. another part is of course, the Autism, and that i'm too queer and weird and online to connect easily with normies (non-derogative). i'm sure many can relate to this struggle!! i know i'm not actually terrible at holding conversations, because once i'm among my people, we're GOING. talking for HOURS. i sometimes forget this, when i've been isolated from my crowd for too long.

anyway. i have at least one classmate who's online enough to even get what i'm talking about, which is nice. (he had to explain what a 'fantasy league' is to me. "oh, like sports headcanons?" "...sure. like that.") now there's also a guy in the 2nd year who i will, occasionally, when the stars align, have interesting conversations with that go a little deeper than what's going on at school. this is a great development for me, even though i still leave these occasions like "oh god that was too much i am a wretched tumblrina stereotype and i will face judgement for my cringe" but i must embrace it. i know who i am and i own it. anyway all this to say that i'm only a little bit ashamed at joining a conversation today because i heard them talk about the omegaverse. we had a very interesting talk about media literacy and conspiracy theories okay. i learnt about chromatherapy wands

[poorly-drawn-mdzs]

Wardrobe Woes

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[dapg-otmebytheballs]

Phil genuinely being so offended about Dan walking fast though like "excuse me why do you have a selfish mindset where I am being left behind" he didn't even say that Dan walks off too far he just said Dan walks "in front of him" but even that is unacceptable Phil wants them walking side by side hand in hand

[keeps-ache]

break time on the grass :)

[here's the timelapse !]

[delusionalbitchinthehouse]

From someone who attended a Sleep Token concert : idk if it's just me but the thingg with Vessel's mask is that you can't really see where, precisely, he's looking, so if he happens to turn his head in your general direction, it feels like he's staring into your soul, even if he probably isn't. Same thing for when he reaches out to the crowd. Maybe it's just me but it felt like he could be reaching out to anyone and everyone.

[sandwichmustbetasty]

gil-galad singing

in QUENYA

you may as well end me now, i will die happily (nah, i still need to see celebrimbanner)

we had hobbitish wandering song now he get elvish goodbye, time to sail song