#with 'actually' and 'creator' on your own definitions lol

[podcast-bookclub]

Audio drama creators: what moment made you feel like you were *actually* a creator?

[genericpuff]

i find it funny that one of rachel’s drawings of herself in the afterword that just went up is just fully persephone. is that something she does a lot?

Alright so I've been making it a general rule for myself to like, not harp on Rachel in any way outside of LO as much because frankly the horse is dead now and there's not much left to say outside of what can be analyzed in hindsight. I think despite everything I have to say about her and her work, she still deserves to get away from this nonsense and I don't wanna spend eternity hovering over her shoulder.

But the afterword was posted within the LO series and is clearly meant for readers of LO in the functioning of being an afterword so let's just call it fair game LOL

I will say, on the whole, it does feel very honest and sentimental and I can respect Rachel for taking the time to write out and illustrate her afterword in a way that was personal to both her and her fans. I can understand why she went at it from the angle that she did and I'm not gonna fault her for that.

But there's also something that feels deeply... disingenuous about her approach right from the starting gun. I will say, before I continue, that I'm well aware I am biased towards Rachel as a creator, and I fully acknowledge that I could very well be reading too much into things. This is just my opinion, take it with mountains of salt.

I can get looking back on your own childhood, your past self, whatever, and going "see! it all got better!" because sure! For a lot of creators like Rachel, it must be wild to look back on where they came from and there's a lot of sentimentality on expressing that through an afterword like this where she reflects on where she came from. Though she STILL didn't acknowledge her other comics outside of LO, I can understand if she wants to leave those skeletons in the closet.

But I feel like her drawing herself as a child who's being given an Eisner by her adult self and all that just feels like some gross attempt to disarm any criticism of her because "don't make fun of me, I'm just a sad lonely baby girl!"

She's not a child. Child Rachel didn't grossly misappropriate Greek myth into their own self-indulged vanity project. Child Rachel didn't claim herself a folklorist of a culture's works only to bastardize them completely. Child Rachel didn't create a hostile environment within her fanbase by bullying anyone who she perceived as a threat, sneaking into critical spaces to try and cause trouble, and writing her own clapbacks into her comic. Child Rachel didn't claim to be challenging misogyny and purity culture only to reinforce misogyny and purity culture through her own self-insert baby-virgin-gets-rescued-by-rich-tycoon power fantasy that regularly glorified abuse towards women and the lower class.

30-almost-40-year-old Rachel did though.

At best it comes across as really cringe sentimentality from a Greek-weeb (heh, greeboo) and goes to show how much Rachel inserted herself into Greek myth without ever absorbing its messages or cultural contexts, it was all about her and her feelings as a sad New Zealand girl with dyslexia who thought Persephone's story was about another sad girl being rescued from her "horrible childhood".

At worst it's an active attempt to play on people's heartstrings by drawing herself as a child who people will naturally not want to criticize. I don't want to assume she's doing it intentionally, I really don't want to leave her afterword on a bad foot, as I can definitely understand as both a creator and a person who struggled with learning disabilities in their own childhood how and why she wants to pay homage to her past and where she came from... but let's just say, as someone who's also gotten way too "lost in the sauce" concerning personal self-reflective projects, I think there's a lot to say about how this confirms that Rachel made LO entirely for herself, about herself, without any actual intention to respect the original myths, because she never truly separated them from herself when she was a child. And, in my humble opinion as someone who has Been There with the self-insert OC's and self-reflective angsty plotlines, I can fully attest to the fact that that's not fucking healthy. Even with personal projects, you NEED to learn to get your head out of the sauce, you NEED to learn to objectively separate yourself from the narrative so the story doesn't fall apart under your own hubris and ego, you NEED to learn to draw a line if you want to have any sort of identity as a human being outside of what you make for people. And that's with just normal original stories, this was a story based on Greek myth which doesn't belong to her.

And this goes for a lot of the things she's said and done in the past, so much of her own "sources" even are tethered to things that she read / watched in her childhood and only vaguely remembers, as if she never mentally left her childhood at all, which just... if the point was to highlight her past and the traumas she went through and how they contributed to her present, an Eisner isn't going to validate those experiences. And drawing attention to her past through the lens of her childhood self absolutely 100% does not absolve her of the negative effect her work has had on the modern Greek myth zeitgeist nor the things she's said and done as a 38 year old woman who should absolutely know better.

The community she entered and took from will forever remain changed by her influence and taking, in many ways not for the better. She has the privilege of walking away and never having to think about it again, with all the awards and accolades that were bought for her, the bravado that she built around being a "folklorist" with zero credentials, and the platform she was given over many other creators struggling to even be heard.

That "place" she claims to have now was built entirely on inserting herself into another culture's works and doing nothing but taking, taking, taking, while offering nothing in return but vanity and lip service. That "place" was paid for and brought to you by Webtoons.

[thatdeadaquarius]

GREETINGS! How are you doing? I've been practically gobbling up your posts (there very tasty)

Ok so hear me out- I've seen a couple posts like this but imagine-

The almighty all powerful wise creator isss

✨️A literal child✨️

Thanks for hearing me out! For you ->->❤️

Baby you taking on the world aw

DAMN SORRY FOR TAKING FOREVER!! i started fics before i answered my askbox :/

Aw i fucking love child reader stuff,

Lots of isekai animes/manhwa/manga do it and i eat that shit up everytime-

I also deeply appreciate when its not done creepily, like being turned 8 again, and having crushes on others who are... yknow, actually 8 yrs old or sm fucked up shit, like even if its 16 yr olds that doesnt make it any better, bc the protag will actually be like,, actually 20?!?!💀 the straights r wild man, i feel like it happens either way too, like its usually a male MC but thats just bc theyre more common tbh, like regardless of gender of protag 🥲

☆

Sun: Child God Reader (you/they/them)

Orbit: Short Headcanons

Stars: Mondstadt ppl bc i don't show them i love them enough

Comets & Meteors: Content Warnings: none known & Trigger Warnings: none known.

Please comment any I missed. /gen

Klee has recruited converted you to throwing bombs with her.

You are the only leash on that child too and the only thing standing between Jean and full head of gray hair. 💀

Kaeya doesn’t know whether he’s endlessly worried or endlessly amused that the most powerful god is currently a child

if Jean isnt freaking out over ur whereabouts, Diluc is instead, and worst case scenario, Noelle/Lisa/Albedo is in charge of you

and YES someone has to look out for you, bc ur ass will just start making a hot springs spot like ur in ur teapot or smth in dragonspine (Albedo was fascinated it stayed warm despite the weather so he let you make it/enjoy it before asking u to restore natural order lol)

(Albedo has definitely asked to study you and, unfortunately for Jean, asked u to demonstrate several powers u have)

You do work as a lucky charm for Bennett tho so he does babysit u sometimes

it mostly consists of Fischl, Benny, and Razor “adventuring” by trying to do smth like who can jump on the Anemo slimes and ride them around longest

(the answer is you btw, u managed to get a small fleet of them to bus you around, the teens were simultaneously terrified running around below u to catch you and also amazed)

Noelle is so happy making toddler you all the pancakes you can eat, Sucrose had to stop her from going overboard and not just listening completely to kids when it comes to food

She is now very concerned with making you a balanced diet, tho she will still make u an ungodly tall stack of pancakes every now and then <3

They kind of all equally provide for you, obv ur their god, and ur a literal cutie patootie child, they cant just leave you

(also u might like move a mountain or change the weather or smth if they don't watch you so most are a little paranoid of that too)

Lisa gets u all kinds of cute outfits, still stuff you'd like, but definitely snuck in some sumeru looking clothing lol

Fischl lends you all kinds of books to read, Bennett shows u all the cool views in the city and outside of it (when Jean lets him get away with taking u that far), and Razor…

Razor brings you to Andrius and the wolf pack for a wolf pack party and gives u all kinds of shiny trinkets he’d collected for you

Diluc/Jean/Noelle/Eula nearly had a heart attack when they found out

Amber lets you have all the piggyback rides you want lol

she even managed with her own crafting powers (and your probably editing the game code or smth) she somehow makes a reinforced glider with a small harness on the back for you to glide with her

(Venti has definitely helped for some fun flights by boosting the winds for you two)

SPEAKING OF BARBATOS

ur absolutely spoiled rotten by him (and Dvalin, and Andrius, and the wind sprites)

if this god had money he’d spend it on wine and you lol

takes u flying all the time, any time, would drop everything to go to Mondstadt wilds and use his archon form wings to take you wherever you wanna go

tries to bring u to Angel’s Share but Diluc nearly hits him on the head with a wine bottle and brings you back home after kicking Venti out and giving you grape juice (yes you get all you want, within a healthy amount)

anyway the most important part abt you being a god and child is that you can now fulfill your childhood dreams of riding a dragon whenever you want

(one way to quickly get Mondstadt citizens to trust Dvalin again was just constantly seeing him flying overhead, occasionally seeing a small child on his back also helped lol)

(neither you nor Venti tell Jean you ride Dvalin and keep it an active secret from her.)

☆

srry i took so long! i hope u liked my hot mess of writing (i think its even sloppier than usual bc of all the fic writing full sentences lately)

and if not, I'm sorrryyy 😭😭

I'm focusing on getting thru a haul of asks before getting around to posting that Eldritch AU Part 2 if anyone reads this :)

hope u guys are have a great weekend, thanks for all the birthday wishes!! :D

Safe Travels Anon,

💀♒

If you wanna join a taglist, DM me what for! "Pspspsss, please tag me for [All SAGAU posts, Only SAGAU Language AUs, diff fandom, etc.]!"

(If you ever wanna drop, just DM me! "No more taglists/[specifically this AU/fandom] please!")

♡the beloveds♡

@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist / @thedevioussmirk / @the-dumber-scaramouche / @chocogi / @fallen-starr / @areaderofbooks / @devilangel657 / @esthelily / @justinsomniachild / @nanithefuck / @questionotmystopit

@kiyomi-uchiha777

[werewolf-witchboy]

😇✨ Sugar Daddy Lucifer Morningstar X Gender Neutral Sugar Baby Reader ✨😇

SUMMARY: you're the king of Hell’s favorite influencer and he wants to make it very clear how much he appreciates you and loves your content, thus starting a transactional relationship between the two of you that slowly turns into something more.

WARNING: light stalker stuff going on for a little bit lol ┐(￣ヮ￣)┌ also some sugar baby catching feelings for sugar daddy nonsense

(also- i'm using the terms "sugar daddy" and "sugar baby" pretty loosely, and there are no sexual transactions in this story)

NOTE: I keep going back and forth between saying “livestream” and “video,” so just assume that in the story y/n mainly does livestreams and uploads them as videos later.

•You started out as a humble influencer in Hell.

•What you didn't know is that you happened to be the favorite influencer of THE king of Hell Lucifer himself.

•I personally headcanon that when this man finds something he likes, he REALLY obsesses over it.

•I can imagine him laying in bed with a cozy blanket and a snack, kicking his knees while watching your latest upload.

•Not gonna lie Luci got kinda stalker-ish in order to find you and know you in person.

•He is the king after all, so therefore he has ways to find and keep track of his people.

•It started as him sending you money anonymously as a way to give his appreciation to his favorite content creator.

•You'd sometimes get small donations here and there from different people, but you definitely noticed the big donations you'd consistently get. Even though they were all anonymous, you assumed they were all from the same person because it was usually always an absurd amount of money to donate to an influencer.

•While livestreaming one day you mentioned that you wanted to find out who this anonymous donor was and somehow do something special to thank them.

•Lucifer NEVER misses one of your livestreams and felt extra fanboyish thinking about his fav influencer doing something special specifically for him.

•He knew he couldn't just message you and say “I'm your anonymous donor” because he didn't have a public account. If he were to message with his anonymous account saying that he's the king of Hell you'd obviously think he was lying.

•HERE is where his stalker era starts. 💀

•Luci comes up with this convoluted plan that actually somehow ends up working exactly the way he wanted.

•He happens to “find” you at a place he knew is your favorite café just outside of Cannibal Town.

•He pretends to just be casually walking by (well, as “casual” as the king of Hell can be)

”Oh hey! I've seen a few of your videos, I like your content!”

•You're absolutely baffled that the man in front of you praising your content is Lucifer himself.

•Lucifer invites himself to sit down with you, and how could you possibly refuse.

(He knows using his status to get what he wants is a lil problematic, but he easily pushes any guilt aside cuz he gets to be in your presence. He honestly wonders why he hadn't done this sooner.)

•He uses this opportunity to ask you a bunch of questions he's always wanted to ask, as if this were his personal Q&A with you. You happily answer his questions and even ask your own, eager to get to know Lucifer.

•Eventually he asks the main question that'll set his plan into place.

“Have you ever done any collabs?”

Of course he already knows the answer is no.

•”I've never asked anyone to collaborate with me, I'm a little insecure and automatically think they'll say no.”

•”I'm shocked! I'd personally love to be in one of your videos!” He boasts.

•Even though you've been talking for a while now, your brain still hasn't been fully able to compute that you're not only talking to Lucifer Morningstar, he says he enjoys your content, AND he just said he'd like to be in one of your videos.

•”Wha- I'm sure you've got so much more important things to do!”

•”I've got spare time!”

•When he realized he was probably starting to sound desperate, he backed it up a bit;

“I'm not trying to invite myself into one of your videos, but what I am saying is that IF I were one of those people you were to ask then I'd definitely accept your offer!” He twiddled his fingers nervously under the table, his smile never faltering.

•”oH I mean I do want to ask you- I am asking you!” You become just as nervous as Lucifer, fumbling over your words a bit.

•Before you can say anything else he raises from his seat and extends his hand out in agreement. “Sounds good to me!” You quickly stand to take his hand and shake it.

•The two of you calm down a bit and start discussing times and dates, even though Lucifer knows he's just going to accept whatever day you suggest and cancel any plans that he might already have for that day.

•Lucifer's little plot went perfectly.

•The day came when Luci got to feature in a video with his fav influencer.

•The video blew up super quickly, you gained a whole new wave of fame.

•Not only was he in the video with you, but he also got to spend the whole day with you.

•Somewhere along the way he kind of forgot that he was with his fav influencer and started to feel more like he was just hanging with a friend…which, honestly, he hasn't really had a friend in a long time.

•Also- you had noticed that during the stream with Lucifer you didn't get any donations from your special anonymous donor who never missed any of your previous streams.

•THIS MOMENT is where Lucifer knows he could potentially ruin everything with you, but he wants to be honest.

•He tells you that he's the anonymous donor, and that he can prove it with receipts. He admits that he didn't just casually watch your content like he said previously, and that he's actually a super huge fan. He doesn't go into detail about the stalker-ish extent he went to find you though.

•You take a second to process everything.

•I think if it were any other man you'd probably be a bit weirded out. It's definitely mainly because he's the king of Hell, but also he's just so charming that it's kinda hard for you not to be flattered.

•Now the king of Hell is in your phone contacts and you've got a viral video of the two of you together that shows literally everyone that you know him, it all feels so surreal.

•You still get donations from him on your streams, they still say they're anonymous but you know it's him.

•Lucifer calls you ALL THE TIME, usually to talk about absolutely nothing and everything at the same time.

•Suddenly he started showing up at your door with random gifts. Usually things that you mention very briefly on social media.

•Like one day you posted a pic on your story of a cute pair of shoes that you'd like to have, and the next day he's on your doorstep with a shoebox in hand.

•This escalated to him taking you out to dinner quite frequently, and he'd always go out of his way to reserve a special private area or even book out the whole restaurant.

•Then he started inviting you to visit him. Movie nights at his place, or he wants to show you something new he made.

•Eventually it turned into you staying the night at his place sometimes. You'd fall asleep during movie night and he didn't wanna wake you, or your home is just so far away and he didn't wanna let you go home in the dark.

•THEN it became you staying at his place for multiple days in a row, and sometimes it felt like you practically lived with him.

•You’d always ask Lucifer what you could do to repay him for all of the stuff he does for you, and he just replies that your company is enough to satisfy him and when you aren't around he still gets to watch your new videos.

•After getting to know the king of Hell over the span of almost a full year, you've come to realize that he was a pretty lonely man before you met him.

•He almost never talks to his own wife, whom you aren't even sure is his wife anymore. He rarely talks to his daughter, and is terrified of not being a good enough dad to her. Most of his time is spent home alone if he isn't tending to somekind of personal royal business.

•You knew Lucifer meant it when he told you that your company is enough to repay him.

•Somewhere down the line, you've started catching yourself contemplating your feelings for him.

•Don't get me wrong, he's always made you swoon and get flustered. It's really hard not to when a handsome man is literally handing you everything you want on a golden platter.

•There are much more raw moments you have with him, when you're just sitting on the couch together and you start to think about your possible future together.

•You usually end up getting slapped with reality when you remember who it is you're looking at. The king of Hell.

•Being in a relationship with a man of such status could never be in the cards for you. You're aware that you're basically just his sugar baby and that's probably all you'll ever be.

•You were definitely fine with the transactional relationship between the two of you, in fact you enjoyed it.

•Now, with these feelings constantly creeping up on you it made everything so much more complicated, and it made it hard for you to be around him knowing you'll never be anything more to him than a sugar baby.

•Lucifer is a sweet man, but you know there's another side of him that's a powerful king. His wife was an equally powerful queen. You're not enough for him, he just wants someone to keep him company.

•What you don't know is that while you're sitting there on the couch next to him having an inner depressive episode, he's got a box in his pocket that he's waiting for the perfect moment to whip out.

•In the box is a flashy custom engagement ring that he wants everyone to be able to see from a mile away.

•That man wants to make you officially his and he has been trying his hardest to make that VERY clear.

•You're just kinda insecure and don't think high enough of yourself. ಥ⌣ಥ

[auroraeternal]

And last but not least simblreen gift will give you absolutely unique and gothique experience for your sims 3 games. I'm proudly presents you...

BLOODSUCKER UI

This would be a long-read, sorry for that!

I can consider myself one of the quickest creator of the most complete default UI for TS3 😅 But it would be impossible without help of @mookymilksims ❤ I used her BGM UI as a base, also for some reason regular method of creating DRs of loading screen doesn't work for me, so I used @justmiha97 Clean UI Loading Screen as a reference, what files Ii need to replace. And of course dino_rex with this thread on MTS. I also want to give a huge thanks for the testing and taking screenshots of the mod to @sagasimsworld and Mary_WW (she isn't on tumblr), because without them I couldn't find and fix most critical bugs in time. Also, even if most of the UI is replaced and it's fully playable, It's still need polishing and testing, so if you see any bug or some of the parts of UI that looks bad (e.g buttons that are near each other having different shades or smth like that), send me PM or ask with screenshots. Also this mod needs testing with different reshade presets, because I worry that some of them may enhance red colors of the UI and that may cause eyestrain. All screenshots are taken without reshade.

More info and screenshots:

Recolored most of the CAS, CASt, CAP, CAB (plumbots editor), Live mode, Build & Buy mode and Town mode (except map tags):

Loading Screen is compatible with any language (but has only translated in english and russian in main file and ukrainian translation in separated package (AE_BloodsuckerUI_LoadingScreen_UA), that contains translated files only for english and russian version. For working ukrainian translation in english game you need font replacement (Montserrat).

Yeah, image that I used on loading screen is different from that one I showed you on this post (it's my desktop wallpaper now lol). It's because required image for ts3 loading screens is 1024x768, and when I resize original collage it became squished, so I added more images:

In main file of the UI are added this mods, so if you have them, you need to remove it from your game: @fanaskhe-r update of More slots for topical details mod, cmar_nyc's Skintone Panel, Recolored version of Menaceman's Pets Relationships Icons (other relationship headlines recolored as well!).

I created my own replacement for occults in relationship panel, so @sweetdevil-sims icons or removing of halos isn't needed anymore.

For opportunities tab I used recolored correct Shang Simla Forbidden city icon by @thebleedingwoodland, and I definitely recommend installing the whole mod, just delete with S3PE opp_generic_china image so they wouldn't conflict.

Icons are from Freepik. You are allowed to use them for creating "Minimalistic occult relationship panel" with vanilla UI or other UI default.

Also I created compatible and recolored versions for some popular mods, that replaces parts of UI, you can download them in ADDONS archive:

Recolored version of Expanded Tattoo module of Nraas MasterController (installation in Overrides, and don't forget about CmarNYC Tattoos File):

Recolored and compatible version of @lazyduchess Catalog Search Mod (installation in Overrides):

Compatible version of Arro's 4t3 Replacements of Seasons and Lunar Cycle Icons (3 versions, install only one in Overrides folder):

Compatible and/or recolored versions of Gamefreak130 World Loading Screens Overhaul (Choose only one):

Recolored @xiasimla HD icons (both regular and medieval). Totally optional.

Not an actual mod, but desktop icons (.ico format) for TS3 with logo (2 ver.) and plumbob that I created for this UI.

TOU

DOWNLOAD MAIN FILES | ALT

DOWNLOAD ADDONS | ALT

SIMBLR.CC DOWNLOAD

Credits: @mookymilksims, Fanaskher, cmar_nyc, Menaceman44, @thebleedingwoodland, Nraas team, @lazyduchess, Arro, Gamefreak130, @xiasimla for their mods; EA/Maxis, Freepik, Tumblr, Pinterest and Landing for images.

Used programs: Adobe Photoshop, Landing, S3PE, Notepad++, EasySTBL.

Fully compatible and recommended UI mods:

4t3 Cursors by Arro (I don't want make my own custom cursors).

Arro's No mod info.

Nraas Portrait Panel.

Ingredients Thumbnails fix by @tasteslikefridge.

Equestrian Centre map tag replacements by Menacemen.

Rabbitholes Map Tags Visibility Changes.

Font defaults: Font replacement by @simstate and Bigger size font.

Defaults by @alverdinesims: Build Grid, Objects placement, Skill and progress meters.

CC Icons Defaults: Replacement or Completely Remove.

CAS & Stylist Room Defaults: Monotone by @agnelid, Different by @cherdawn66, Empty CAS/Stylist, Gothic by @bast-sims.

Moodlets Icons Defaults: 2t3, 4t3.

Traits Icons Defaults (except Social Groups): 2t3, 4t3, Medieval, Medieval LTR by @aprilrainsimblr.

@pis3update @wanderingsimsfinds @bloodys-s3ccfinds @sssvitlanz @nightoccfinds @ninthcirclets3cc @kpccfinds

[erinwantstowrite]

SPOILERS FOR ANYONE!!

So after falling down the Peter in Gotham rabbit hole, I noticed a lot of other creators coming our or updating with fics with very similar ideas to you and alighterwoods. Recently, I saw someone talk about a fic with Peter being biologically related to Dick. Is that a common theme you think, with those two being related? Or is Peter with the batfam just a very similar fan base where they are all inspired? What do you think about that, and how does it make you feel to see creators having closely related to similar fics to yours?

There were a few of the Dick and Peter being related, and I remember reading some of them (I can't remember the names off the top of my head), but I don't think it was a popular tag before. But there are a lot more of them now after LoF, which is really cool to me! The Peter & Batfam tag has a lot of fics that are heavily inspired by each other (like the most common trope with Peter coming from a Laz Pit. I think that originated from Dark Matter, but don't quote me on that lol). I think with the more popular it gets, we might see more diverse tropes and aus shine through.

I love seeing all of the fics that people tagged LoF for "inspired by" on ao3, I read all of them! I especially love how much people enjoyed the way I write the spider-sense. I kind of took that from ITSV though (this might be shocking, but Miles is actually my favorite Spider-Man).

(Mild spoilers for Into The Spider-Verse under cut)

In that one scene after Miles was bitten by the spider and he goes back to look for it, then gets pulled into Kingpin's plan, there's that second where everything gets so quiet, and his spider sense comes together for the first time. This scene is one of my favorites. Making it look so much like a comic panel and having it be completely silent to mimic how the spider-sense is silent, like an instinct? I love it!

Like, it even being behind the windows to tell him the direction it's coming from, AKA, about to blast through that window??? I couldn't do that in a written form, but I definitely wanted to incorporate that feeling somehow. I figured that if I have the ability to mess with the formatting, why don't I make the spider-sense like it's own character, having it's own space to occupy?

I could go on for hours about the spider-sense I think (￣▽￣)"

[mmmkaybye]

Why Zutara Shippers are Wrong (JK, You can ship who you want lol)

(Although, I don't care if you do actually ship Zutara, that's your prerogative, I'm just waiting for better arguments for the relationship and for people to stop negatively viewing Kataang)

First of all, I'm premising this with the fact that I don't think that ATLA should have ended with Katara and Aang kissing. I think it would have been fine to just end with a slightly more intimate-than-friends hug/cuddle. I would have personally preferred that two children who survived being literal child soldiers get the chance to be kids before they delve into a more mature relationship with one another, but they didn't exactly have adults of the modern culture there to guide them a different way, now did they?

BUT! I am a firm believer that Zuko and Katara would never have worked out romantically and that Katara and Aang's relationship 1. makes more sense and 2. is actually healthier in the scope of trauma and trauma responses.

First of all, I don't understand how the creators of ATLA managed to craft literally the MOST traumatic childhood backstory ever with incredible detail and nuance and everyone just fricking glosses over it like WTF??? Not to mention, the creators did an amazing job diversifying trauma responses to similar trauma experiences.

Let's discuss Katara's childhood trauma, which was not healed magically after a little side quest with Zuko. Katara carries immense survivor's guilt over her mother's murder. Katara understands very well how and why her mother was brutally murdered in their family home. She has been deeply aware of this since the day of her mother's murder - and she fully blames herself. Katara understands that a fire nation soldier killed her mother, but he killed her because of Katara - she said so herself. Then, Katara, who was the last person to interact with her mother, discovers her mother's body, and it is insinuated that Katara might have even witnessed her mother's brutal execution-style murder. This forever alters Katara down to her core personality traits. Katara is 'bossy' because of her trauma. I work with kids from pre-k through graduating american high school. It's pretty normal for girls to do what I call 'mothering' to their peers and to kids younger than them. It often is described as being 'bossy' and some girls are in fact bossy, but for the most part, they are roleplaying a caretaker mentality as they are most familiar with. In Katara's deep guilt of being the reason her mother was murdered, her trauma response was burden herself with the role of mother. This is further antagonized when her father leaves with the rest of the adult men to fight against the Fire Nation. He might've well as died too due to lack of communication for many years. Sokka does not allow Katara to mother him for very long, so she doesn't get to have a chance to work through her personal trauma response to her grief because she has no one to safely and consistently direct these mothering tendencies towards. The other children in the village are not orphans, their mothers are most likely very alive and very involved with them, so they would be temporary fillers at best. Sokka has stepped into the role of village man and definitely would reject Katara's mothering, which often led to tension between the siblings. Toph had the very reaction to Katara's mothering tendencies as I expect a young Sokka had to them. He lost his mother, too, he didn't want a replacement, nor did he want to lose his sister to the role of mother.

Zuko, in the same fashion as Sokka, had a mother who he loved, and lost, and was not looking to replace. Zuko's mother was also a topic that is deeply rooted in a lot of Zuko's personal trauma as well. Zuko did not get to spend much time with Katara for her mothering tendencies to be extended over him, but he definitely would have aggressively rejected them as Katara's trauma response would have negatively triggered his own. Their trauma would have deeply and negatively impacted any romantic relationship they could have developed because of how they would react to each other. Their relationship would have crashed and burned very quickly.

On top of that. Katara would have never left the South Pole indefinitely - that is her home, and she consistently returned to it throughout her life. That is an effect of her cultural upbringing. Zuko couldn't leave the Fire Nation, and as we saw in the graphic novels that followed, Zuko's personal welfare suffered greatly because his whole world was upended and now he was responsible for the one nation that didn't get peace at the end of the war. It's incredibly naive and slightly delusional for people to desperately push romantic wishes upon a sixteen-year-old boy who was burdened with the responsibility of healing an entire nation, one that fought him every step of the way in many aspects. He did not have the emotional energy to expend upon a frivolous relationship. That's why Mai and he broke up, not because they didn't love each other, but because Zuko simply could not have personal relationships until his reign and nation had stabilized - that alone would take upwards of 10 years. Plus, Zuko may have helped others work through parts of their trauma, but he had to address his trauma too, which we saw the beginnings of during the graphic novels. Simply put, by the end of ATLA and all of the graphic novels, Zuko was in no place emotionally, mentally, and even physically and politically to seek out a relationship that was meaningful and healthy. And I know that Zuko would have changed the tradition of political marriage, at the very least he deserves to have married for love at the end of everything he suffered through. Zuko is a great opportunity to normalize waiting until you're in your mid-twenties -thirties before seeking out romantic relationships. Logistically speaking, I don't think there would have been much opportunity for romantic feelings to develop between the two of them. I especially don't think Katara would have easily been able to live in the Fire Nation because the Fire Nation was directly responsible for her trauma, and that is also why I don't think she would have every pursued a relationship with a Fire Nation man, Zuko or not.

Now onto Aang. Everyone always jumps onto this idea that Katara and Aang had a very mother-son relationship - which is wrong. Aang comes from a culture that literally does not have mother and fatherhood. There are NO mothers and fathers in the Air Nomad Nation. Sure, kids had birth parents, but parenthood was not part of their culture, nor did Aang ever seek out that kind of relationship. Aang may have been kid-like, but he was the most adultified kid in the group. He was incredibly independent and confident in his ability to travel internationally by himself at 12. Katara had never thought to leave the South Pole to seek out a waterbending master in the North Pole because she didn't have that confidence or training. The Air Nomads thrived on a mentorship-based village raising of children. So, Aang never thought of Katara as his mother. He literally couldn't, because he had no scope of reference for such a relationship, same with fatherhood. He never had a parental relationship with Monk Gyasto. It was more like a fun uncle mentorship. I think that's why everyone thinks Aang was a bad father, but he was an outlier in the Air Nomad nation because there was no Air Nomad nation when he had children. The village that raised the children in his culture was gone. He was actually a fairly decent father and the two older children probably felt bitter because Tenzin was the only other air bender in existence so it obviously Aang is going to spend a lot of one on one time with Tenzin in the scope of mentoring Tenzin in the way of Air Nomad culture. Aang was not an absentee father like how many people assumed from the very one-sided and brief explanation given by the two older, jaded siblings. Was he perfect? No, he literally had no clue how to be a father. Did he and Tenzin leave to get milk and never come back? Also no. That being said, Aang was the only individual who was comfortable with Katara mothering him, he never felt threatened or overburdened by her trauma response, which allowed for Katara to genuinely work through her grief and mature out of the extreme bossy mothering we first saw in book one. If you pay attention, yes Katara does retain that 'bossy' kind of personality, but that was permanent fixture due to her childhood trauma and a little bit of cultural influence as well. I think, if Katara had never been traumatized, she would have always leaned towards a very soothing and nuturing type of personality, which we began to see in the middle of book three. Her bossiness/mothering trauma response gradually lessened the longer she 'mothered' Aang. Once again, neither of the two saw each other as Mother-son. They were simple too close in age and Aang also had the added sense of duty-boundness due to being the Avatar. Katara was always going to be a caretaker archetype personality, trauma or no, and that simply wasn't the type of person that Zuko would lean towards for a romantic relationship due to his own personal upbringing and culture. Aang is a much more gentle and playfully empathetic personality that works with Katara's firm care and sassy disposition.

In the graphic novels, I personally saw a great deal of healing and maturation in Katara in relation to her trauma. She was less mothering towards Aang, too, and I think that had a lot to do with the fact that Aang matured a lot as well and the change in their once platonic relationship to a more romantic-leaning one. Was their relationship perfect? No, they are kids who survived a horrific war and many many trauma-inducing situations. However, once Katara fully leaned away from the mothering habit, we get to see that Aang allows Katara to relax and be more playful. She genuinely was just happy with Aang. He pushed her to be a little more child-like and to have child-like fun even as they grew up into adulthood. Katara helped Aang mature and face a lot of adult burdens that were placed child.

In the end, Katara and Aang always brought out the best in each other. Katara and Zuko didn't have enough time together in ATLA to develop an individual relationship outside of the group. There simply isn't enough time outside of their little side-quest in which Katara and Zuko interact solo- which was definitely NOT Katara's best, and in fact was Katara lashing out aggressively towards people who loved and cared for her and she them. Zuko was also not his 'best' in that time either as he was also being triggered emotionally. In fact, during ATLA, there's way too much negative tension between the two of them that leads to really intense disagreements and emotional outbursts more often than not until Katara begrudgingly accepts Zuko into the group, they don't even positively interact until Ember Island which is what, two weeks? She's not exactly nice when she pretty much demands him to help her hunt down the man that murdered her mother. Zuko is all gung-ho about vengeance too. Of course, they both have a lesson learning moment, but that episode cemented in my brain that Aang is the better partner for Katara than Zuko. Aang, once again the most mature in the Gaang, fight me on this, has a deep, empathetic understanding of the world, he doesn't do a great job trying to explain to Katara, but I think that's because no one in the Gaang understands how Appa is not just an air bison, and Aang never views Appa as an air bison like how everyone else in ATLA do. To everyone else, Appa's an animal, but to Aang and Aang's culture that is deeply offensive, Appa is an individual with emotions and value outside of what he can offer the group in terms of transportation and that's never really explicitly clarified to the audience either (because despite being a kid's cartoon, the creators knew their audience well and did not treat the audience like we are stupid and can in fact infer and read between the lines). If Katara had killed that pathetic worm of a man, it would have absolutely destroyed her as a person. She would not have been able to heal from her trauma and would probably suffer even more trauma and guilt. This side-quest was a plot point to lead up to the big debate of killing Ozai, and not many, in fact I don't know if anyone has talked about that fact. I have no doubt that Zuko has probably killed people, at the very least, he's deeply desensitized to people dying as I think he probably at some point did experience or witness some form of warfare battle before he began chasing Aang down.

Once again, I don't really care if you do ship Katara and Zuko. In fact, I think that's a-okay. But, with the Netflix live action adaptation's take on the Secret Tunnel scene, I've seen a lot of people speculating and even hoping for it to become canon and there have even been some opinions of Kataang that have resurfaced that really rub me the wrong way because it feels like many individuals are just looking at the surface level of ATLA. There's so much nuance to each individual character in terms of culture, societal norms, age and gender, and most importantly, trauma and trauma responses. The creators did an amazing job world building and story telling that a lot of what I put up in my opinion in preference for Kataang over Zutara is information that I inferred from the show and graphic novels due to my personal experience and education in familial relationships and childhood trauma. My thoughts are not the end all be all to this debate, nor do I think they should be, I've seen some really solid opinions in favor of Zutara that I can understand and somewhat agree with. I think a lot of those details and moments that people look to as indicators of romance between Katara and Zuko were remnants of the creators' previous intention, but I think that the change to Aang and Katara as end game was logistically and realistically more accurate. I never thought that Katara and Zuko were meant to be, and I always struggled to put to words as to why until I had pursued my psych studies in college that focused on child development, childhood trauma, and marriage and family counselling. I think that the creators instinctually were seeing the red flags that would have occurred naturally within Zutara and changed course accordingly. There were just a lot of details and nuances that I noticed personally that I wished more people would discuss.

Anyways, thank you for coming to my TedTalk, I'd love to hear some of your opinions about this.

[hubristicassholefight]

Hubristic Assholes tourney Round 1 part 3a

Herbert West (Re-Animator, both book and film) vs Victor Frankenstein (Frankenstein)

Propaganda below cut

Herbet

Literally has a whole monologue about defying god in the second movie. (https://youtu.be/BOt0rRhofuI?si=o7wCwAaT347jUmcp)

Playing God by defying death itself

Victor

"ouh im gonna create life from scratch and it's gonna be Pog and Slay" WRONG it wwas FUCKT . he didnt give that thang enough SKIN even . and then it killed his whole family, well he is just a silly guy .

Textbook definition of fuck around and find out. To his credit - yeah, he was a genius who sped through All Of Chemistry Classes in 2 years and revolutionized the field of natural sciences at his university while he was barely 20, arguably invented biochemistry (and then never told anyone) and created a human(ish) being from scratch (and again, never told anyone), BUT Honestly I don't even need to say anything here, I can literally just paste a direct quote: "Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me. No father could claim the gratitude of his child so completely as I should deserve theirs." He saw LIFE AND DEATH ITSELF as just a STARTING POINT ffs Needless to say, the "find out" stage hit him like a freight train making the rest of his life just one long trauma conga line until he died completely alone before even hitting 30 Give it up to our king of hubris, Greatest pathetic wet meow meow of gothic literature tbh

thought he could be better than God by making his own man so that he could later bring people (his mother) back to life. whole thing blew up in his face cause 1. he made it way too big and way too able to kill people 2. he immediately got scared of it and ran away 3. he left it alone without teaching it how to actually function as a human, further adding to the murderous tendencies.

Thinks making life is easy. Does not consider the life he made actually worth anything, He's like the platonic ideal of a shitty parent who wants recognition for Being A Parent without actually having the ability to care for someone else, just taken to a cartoonish extreme. Look where that got him.

Tries to create a whole ass person from scratch. It does not go well; The guy needs no introduction. Guy tries creates a whole human person cobbled together from dead bodies, breathes life into it, immediately abandons his creation, and proceeds to have his life completely destroyed when said creation goes on a rampage of revenge. Subtitle of the book is literally the 'Modern Prometheus.'

Do I really have to explain this one. He made a Guy. He played God. Then the Guy killed his entire family and (boy)friend; He is Pathetic

Victor wanted to play god. Created monster. Monster tried to kill him. Killed his brother, his gf, and his BFF, and came after him. A horror icon, and the modern archetype of the mad scientist in fiction. He's a pathetic pissbaby that needs to be punched. Cunt dies in the end get rekked lol.

I mean come on, Please he's like the guy

[the-au-collector]

What creator does your favorite portrayal of your favorite character? How do they do that?

+ (100% optional) Any creators make you like a character you don't usually like? (Not even dislike, they'll just never make your top 3)

Thanks for the ask anon 💖💖💖

Once again I have to applaud @bokettochild for her portrayal of Legend. I just really love how Legend is portrayed as so good at heart and soft but also tired and bad at communication, and her portrayal of him has definitely seeped into my own headcanons (Hi Ketto, is it ok that I use the headcanon "Ravio makes Legend hot coca, and Legend makes Ravio cider"?) Also the emotion she writes is amazing!

She's actually the reaason I love Legend so much in the first place. I didn’t think much of Legend at first (I actually used to be a Time fan when I first found LU). Then I got hooked on Ketto’s fics and it was over for me lol (it was actually her Fluffy Adventures of a Bunny Merchant and his Heroes series that made me love Legend (and Ravio too), definitely recommend it).

For your second question, she's also the answer. I used to not be a huge fan of Warriors. I never hated him, I just thought he was boring, but since he shows up in so many of her fics, I’ve begun to warm up to him.

[voidarchivefiles]

Ancient void practices

I went through some success stories and tagged the ones that entered the void through yoga nidra and lucid dreaming cos these two ancient practices have always fascinated me since they're deeply centred around our state of consciousness and are also known portals to out of body experiences/shifting/the void. Read them if you need some motivation! Also see my recent post on lucid dreaming if you're interested in entering the void through that.

Anyway, if you have doubts about the void, I think a great anchor is leaning into practices that have roots dating back to ancient times and researching them and of course, reading more widely than just Tumblr. When you do this, you'll know that this state isn't something that was invented by Tumblr and has existed since.. forever because well, it's pure consciousness lol. And the void/turiya/samadhi has been known way before Neville's time. From my research, it's the main goal of yoga practitioners as well but they pursue it for the purpose of enlightenment and peace as opposed to manifesting desires.

The rest of this post is a dump of interesting excerpts from my research on yoga, samadhi and turiya and its links to manifesting, reality shifting and the void state. You can also do your own research although there's no need to overdo it :)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

This extract seems to be talking about reality shifting/manifesting/instant creation. I am curious on where we could learn more about yogis doing this!

Trapped in Your Own World Many yogis have created their own worlds and been trapped in realities like this. I am going into an area which is a twilight zone, but there are many yogis who have created their own world around themselves. A yogi goes into a cave and actually creates his own universe and lives there. This is not a joke. He creates everything that he wants – his own kind of planets, his own kind of earth, his own kind of everything – and lives there very happily. A universe is contained inside the cave. You can create a whole universe in an atom’s space because “here and there” and “this much and that much” are a creation of the mind. There are many yogis like this, but they are no closer to realization than you. He lives in a different world, that is all. He is probably more caught up than you, because he is also the creator. He has learned the art of creation. This does not become an ultimate release. This just becomes a different kind of action, a different way of doing things. An artist draws a new world on a canvas. A yogi actually creates it. The artist’s creation is two-dimensional, whereas the yogi’s is three-dimensional. This is more deceptive. An artist can get so involved in the world he is creating that he starts believing it is true, and it is true for him. A poet believes that whatever he writes is the truth. Similarly, a painter deeply involved in what he is doing believes what he is painting is the truth. When two-dimensional things are like this, if you create three-dimensional things around yourself, you are definitely going to be more caught up with them. Source

To be honest, I have no idea what the difference is between samadhi and turiya in yoga terms. I tried looking into it but it's still not clear to me. If you research into both terms, they come up with very similar definitions.

Yoga nidra and the void (turiya)

By means of Yoga Nidra, skilled practitioners seek to access Turiya, not just when in meditation or absorbed samadhi states, but in all variations of consciousness- encompassing waking, dreaming and deep sleep. They seek lucidity in all states. Yoga Nidra is a powerful practice that guides us beyond mind and in fact turns mind upon itself where its obscuring nature is dissolved to reveal the inner Light that is perennially Bright, with eyes closed or open. Source

What is turiya?

Source: Radiant Rest: Yoga Nidra for Deep Relaxation and Awakened Clarity by Tracee Stanley

Turiya is not a state apart from the grosser states but pervades all levels of reality as superconsciousness. Ramana Maharshi interprets turiya as the natural state that permeates the other states, the only whole reality. The Mandukya Upanishad discusses turiya as pure consciousness, which is indescribable, incomprehensible, and unthinkable by the mind, but ultimately realized as the one true self. Source

The four states of consciousness are jagrat, svapna, shushupti and turiya. Jagrat is waking consciousness, svapna is the dream consciousness, shushupti is the deep sleep consciousness and turiya is higher consciousness which is beyond all previous states. Entering the state of turiya requires inner silence. It can be achieved when the mind is free of mental blocks and bondages with time and space. The goal of yoga and meditation is to achieve turiya, where oneness is felt with the universe. Source

There are three states only, the waking, dream and sleep. Turiya is not a fourth one; it is what underlies these three. But people do not readily understand it. Therefore it is said that this is the fourth state and the only Reality. In fact it is not apart from anything, for it forms the substratum of all happenings; it is the only Truth; it is your very Being. The three states appear as fleeting phenomena on it and then sink into it alone. Therefore they are unreal. Source

[arimiadev]

Developer Interview — Making A Date with Death

6 months ago, a brand new self-insert romance visual novel hit the market called A Date with Death, created by visual novel veterans Two and a Half Studios. Coming off of the success of The Divine Speaker, they dived into the chat sim space in visual novels with a huge splash. A Date with Death is currently sitting at over 5,000 positive reviews on Steam with a Kickstarter for an after story launching this week.

Read the interview on my blog or read it below.

Arimia: Hi Gabby, thanks for sitting down to talk about A Date with Death! Both of us have been into visual novels for quite a while, but what got you into them?

Gabby: I feel like my introduction to visual novels was probably similar to a lot of people my age…. and that was being on Tumblr too much and being introduced to Dramatical Murder much too young, and installing the fantranslation for myself and all of my friends, hahaha. From there I played the rest of the N+C games, and then moved to things like No Thank You! since it had a translation. After that I moved further to Japanese games that didn’t have a translation. These were 95% BL as well – I’ve played one or two otome games in my time but never really been super into them.

Actually, when I first got into development, I hadn’t played any Western visual novels yet. It was only after I started in game development that I tried more indie visual novels in general.

As for my favorite VNs, I have a few favorites! My first favorite and it’ll always have my heart is Lamento. It was kind of the culmination of a lot of different things I love in media, and I still love the game. There’s another untranslated game I really like called Pigeon Blood. I actually helped with some editing of translations for some of the routes a looong, long time ago. A more recent favorite, and probably my favorite overall, is MAMIYA! MAMIYA is a Japanese indie visual novel by KENKOULAND which I will happily shill over my own games (LOL) about a group of people at the “end of the world”. The way the story is presented, I don’t think I’ve ever played anything like it, and I found it very inspiring. I was lucky enough to work with the creator Kokoroten on an animation for my own game Dreambound, which was fantastic.

Arimia: Would you believe I’ve never played DMMD? Definitely cut from the same cloth though about being exposed from too much Tumblr time and hearing about all of these Japanese VNs that would never get localized over here, but now Fate/Stay Night is coming to Steam in a few months…. the visual novel landscape has changed so much.

You’ve worked on several boys love and girls love titles before A Date With Death that are more in the fantasy historical realm – how did you come up with the idea for ADWD?

Gabby: Well, we’d actually been wanting to try something more modern for awhile now, despite our love for fantasy settings, and we only happened across a screenshot from another developer’s chat sim and I kind of fell in love with the format. I’ve been really wanting to try my hand at something “cozy”, and though A Date with Death doesn’t really sound cozy on the box, we have a lot of features that I think set well with that crowd. I’m a very big fan of the informal aspect of the writing. I think even in my more serious games, I always lean into humor a little bit and I really enjoy writing banter, so the chat sim format was perfect for that.

(I styled my MC after my character Rose. he’d probably wind up in a shady chatroom like this)

Arimia: Having played some of A Date with Death, I can definitely see how it’s more “cozy” than some of your other games, and I think a lot of the player reactions I’ve seen have shown that too. The overall scope of the game is also on the smaller side, despite the player customization. How did you go about deciding the size of the game? Were there any parts/features you wanted to include but didn’t?

Gabby: Actually, the size is a lot BIGGER than we originally planned. Being our first free to play game, it’s always a little bit of a risk to put a lot of money into something when visual novel development is your livelihood, and obviously with a free game there’s no guarantee of a return. We originally planned for each “day” of the game to be only around 2000 words, for a grand total of 14,000 words for the game. Very short and sweet. Over the development we realized we had a lot more words than originally planned that we wanted to tell, and part of that is owing to just how many choices and options there are. There’s some conversations in the game which people are honestly surprised about because they’ve never managed to get them on any of their playthroughs. The game actually ended up being around 60,000 words, and this should be near doubled when Beyond the Bet releases.

We also included a lot of other things that weren’t originally planned when we concepted the game. We knew we wanted character creation and some degree of room decorating, but we also added a lot of small missable content – like interacting with your pet, watering your plant, reading books on your bookcase, minigames and websites on your computer, eavesdropping on your neighbor… the one thing we had originally planned but cut was voice acting. It’s something we really wanted to do, and we wrote Casper’s character with a very talented voice actor in mind, but it was a bit too much of a risk with the price of it and the unknown of releasing a free game but still making money on it. We don’t believe in having people work for us for free, even on free projects or jam games, so it wasn’t something we were prepared to have someone do for free even though I’m certain we could have.

Luckily, in the end we decided to hold a Kickstarter for the project, and that allows us the possibility of adding voice acting if it goes well!

Arimia: Yeah, it’s definitely a risk to spend so much time and effort on a free project, but I’m glad it worked out in the end. When announcing the game, what was your strategy? Did it differ any from how you announced and marketed your previous games?

Gabby: It was a little different! This is the first time we’ve had TikTok as one of our platforms when announcing a new project, and we knew we wanted to focus a lot of our attention there. Video content is very strong performing we’ve found, but it is definitely a skill in and of itself. We spent a lot of time honing down on our hook and how we could make people get it in a single line. On a platform like TikTok, you have a split second to catch someone’s attention.

We also had a much shorter amount of marketing time than our usual multi-year projects. We knew we wanted it out within a few months of announcing it, so we needed as much impact as possible in a short amount of time. We knew we wanted to get an animated opening since it can be a very powerful piece of marketing material, and I think that was a great idea and we’ll likely continue it going forward.

At the time of announcement, we had less than 10,000 followers on Twitter. Twitter is probably my favorite platform, but it was kind of falling off for us a little when we were ready to announce A Date with Death – but it just took off after we announced the game. We had a multi-month document with marketing beats and announcements we’d make over the few months we had, but with everything taking off much more than we expected we added to it a lot. I think you always have to be ready to adapt to change quickly in this field.

We actually never planned to market the game as “tease the babygirl”, but it’s something fans latched onto, and you can’t make that kind of marketing yourself, I think. We really leaned into our audience and what THEY thought of the game, and used that to our advantage in a way. I’m very thankful for whoever first asked if he was a babygirl.

Arimia: Twitter (was) probably my favorite platform too, mainly because it’s so easy to just make a quick post or update. TikTok has so much reach but it’s just so much easier to tweet a meme out somedays.

A little side question- with the name having the word “death” in it, were you worried about SEO / being censored on social media, or did it affect you? When I was creating Drops of Death years ago, I was worried social media platforms would suppress posts about it but ultimately went with it because it fit with the serial killer theme.

Gabby: Actually we weren’t too worried about that – we’ve definitely used words like death, kill, murderer, etc. in relation to our other games before and haven’t have much trouble. There ARE certain words especially on TikTok that it’s best to censor, but I haven’t had any problem using the name anywhere and we were prepared to risk it to use the name we wanted.

Arimia: It’s definitely a catchy name that summarizes the experience well. Back to the part where when people were first getting exposed to the concept and came up with Grim being a babygirl— how would you advise other devs to understand what keywords and pitches work better for their games?

Gabby: My first suggestion is to look at similar games to yours and the words they use. Look at the concept of your story and try to boil it down to a paragraph, then a sentence. Look at what makes your game unique, or how you can lean into what fans will get out of your work. Give your players elements that they can recognize instantly without a lengthy explanation.

“A romance chat sim where you flirt with and/or bully the Grim Reaper”

“Compete against the Grim Reaper to keep your soul… or die trying”

“Create your custom MC and flirt with the man trying to take your soul”

I use all of these in our marketing, because even though there’s a lot more to the game we’re not talking about, this is a hook that can capture someone’s attention straight away and then you can funnel them to your game.

Arimia: Getting hooks down can be such a difficult part but it’s so, so important. What do you think helped you most marketing-wise?

Gabby: It’s a tough question. We did a lot, and had huge amount of attention from all over the place and it just snowballed more, and more, and more. I think honestly what started the snowball was TikTok. Once we had one video go big, we were having multiple a week go 30k-400k views. We were getting 500-1300 wishlists per day for months. A lot of people joined our Discord from there and went to follow us on Twitter. TikTok is hard and the format is a lot to handle when you’re new to the platform, but it was absolutely worthwhile for us. Another thing I’ll quickly note – reuse your content. I just repost my TikToks to Insta Reels and they get a similar, if not more views, for no extra effort.

View this post on Instagram

A post shared by Two and a Half Studios (@twohalfstudios)

Arimia: Yeah, it’s wild how quickly TikTok can blow up for someone. I’ve had posts get 100k+ views and then a few posts later they’ll struggle to hit 1k.

Side note: Gabby has written about her experiences with TikTok on her blog. You can also read about my discussions on TikTok marketing for visual novels here.

What do you think was the least effective thing you did for marketing?

Gabby: I suppose Steam events this time around kind of paled in comparison to our own marketing efforts. They’re always worth doing though – any Steam events you can get into, participate in them! You’ll always see some kind of return. But for us, an event giving 200-300 wishlists was just a drop in the water. Not at all not worth doing, but certainly it wasn’t a huge focus for us this time around.

[A]ny Steam events you can get into, participate in them!

Apart from that, I posted also to some other social media sites like bluesky, but I didn’t find it very worthwhile and stopped rather quickly. There’s only so much time in a day, and as the only person handling all of the marketing, it just wasn’t worth it.

Arimia: For newbie devs, what would you recommend they focus on? TikTok, Twitter, or something else?

Gabby: I think TikTok is the easiest platform to hit it big on “fast”. I say “fast” because it’s not guaranteed that you’re going to hit it big, it really depends how well you adapt to the platform, but your content there has a chance of being seen, even without any followers at all. That’s probably why I recommend it as a platform for new and old visual novel devs alike.

I think you’ll also find that once you pick up the format, it can be pretty fun to make. I think platforms like Twitter are easier to use, but getting started on them is hard. VNs are so visual heavy so we already have so much content that works well on TikTok. Of course, there could be problems in the future with using TikTok in the US, so we’ll see how that goes.

It’s best to focus on a few places though, and not to put all of your eggs in one basket. When you’re putting your audience in places that can go away, it’s always a risk, so it’s good to spread them between places like TikTok, Twitter, Tumblr, etc.

Arimia: Yeah, I think one thing devs forget is that these social media platforms are ran by big tech that don’t care about the little guys – if your account gets banned or falsely flagged, what are you going to do if you can’t get it back? Always best to have more than one site you’re posting on, but you don’t want to spread yourself too thin.

At what point in ADWD’s development cycle did you start marketing it? It was a pretty short development cycle to begin with.

Gabby: We started working on the concept of A Date with Death January of last year, and announced it on the 5th of July. This wasn’t really 6-7 months of dev time though – we were working on two of our other games at the time. By that point, we’d finished maybe half of the game and announced the game in time for the Steam Visual Novel Fest a month later.

This was actually pretty successful for us, and gave us a decent boost to start from. We then released the demo at the end of September in time for Steam Next Fest, which was a bit more meh for us despite going in with a high wishlist velocity. We then released the game at the start of December. But, like I said, we were working full time on Dreambound and The Divine Speaker: The Sun and the Moon, so I think we could have made it in much less time if we didn’t have other games on our plate.

My suggestion is to announce the game and start marketing early, but not so early you run out of content you can post. My strat is usually announce the game at the same time the Steam page is ready, so you can use the announcement to drive people straight to it. A trailer can be another marketing beat, and then lead up to the demo release. Going in with a solid marketing plan is a great idea, too.

Side note: despite the short amount of time to market the game, they were able to enter it into at least 2 different Steam-ran festivals! That’s a great boost to wishlists and they usually don’t require much work from yourself.

[A]nnounce the game and start marketing early, but not so early you run out of content you can post.

Arimia: Once you’ve worked on a few games it’s a lot easier to gauge when that sweet spot is, but when you haven’t it’s definitely hard to figure out. I usually go with how much progress I have towards something playable like a demo. When ADWD was ready to release, how did you reach out to press?

Gabby: Actually, I didn’t sent out any press releases for the full game! I can’t tell you exactly if this was a good thing or not – but the way I’ve done it for all of my other games is that I send out a press release and streamer keys for the demo only. Especially for A Date with Death, we already had a lot of press and streamer interest naturally, so we decided to use our time for other forms of marketing and polishing up the game instead.

For the demo though, we curated a list of ~70 people to send out early keys to. I think this is quite worthwhile in hyping up the demo release, and it’s quite easy these days with tools like sullygnome.

Arimia: What lessons learnt from your previous games did you bring with you when making ADWD?

Gabby: We’ve been very lucky to work with our amazing artist Fuyuure for over six years now, so we came in with a great team who worked incredibly well together. I think that was a big bonus – working on something like a big character creator can be a difficult task for many artists, because of the sheer amount of assets you need. So, I would say coming in with a talented team who were ready for their tasks was a massive boon.

I think working on so many games beforehand prepared us to make the game in the time we did. We usually work on bigger, multi-year projects, and this was our first proper commercial endeavor into a smaller game. Our experience helped us to pinpoint exactly what we would need, which is a lot less than our other projects. The game actually only has 5 CGs, which is less than usual for us, but I think we managed to do it in a way where it doesn’t feel lacking, either. Getting scope right is a difficult thing and it’s easy to want to include anything and everything, but we were very particular about what we wanted and how long it would take.

Arimia: I can definitely see how that helped – working with people you’re already comfortable with can alleviate a lot of stress. For the A Date with Death: Beyond the Bet Kickstarter, how did you prepare the marketing campaign for it? How long did that pre-planning take you?

Gabby: We really started planning the new DLC the day A Date with Death launched last December. We knew we wanted to make more content, and with Dreambound nearly complete it was a good time to start thinking of running a new campaign. I would say the preplanning took a couple of months – working on a good date, working with lots of artists on new merch, setting up the page, getting the page to our graphic designer to make some images up for it… running a Kickstarter is definitely a lot of work! Even organizing the tiers takes some time.

We prepared mostly by getting the prelaunch page up as early as possible and getting the word out on all of our socials – Twitter, Tumblr, TikTok, Reels, Steam itself, Discord, our email list, itch…. basically, did a big blast out everywhere and we had a huge amount of people come and prelaunch straight away. We also really enjoy doing countdown images the week before launching – it lets us work with a bunch of amazing artists, and we use the art for rewards during the campaign too (as prints). Being our third campaign, we came into it knowing what we had to do, which is a big timesaver. For new developers, I’ll say don’t sleep on the prelaunch time – it’s not a good idea to put up a Kickstarter and instantly launch it. You need to bring an audience with you and get as many pledges lined up on that first day as possible.

Honestly, the support so far has blown our mind. With a similar amount of prep, Dreambound launched with less than 300 followers on the page, but as of writing this we’re already over 4500 on A Date with Death.

[I]t’s not a good idea to put up a Kickstarter and instantly launch it. You need to bring an audience with you and get as many pledges lined up on that first day as possible.

Arimia: Even though I’ve helped run and advised several Kickstarters before, there’s always something I forget or push off until the last minute. Was there anything you learned from the Dreambound KS that you used/did differently for the ADWD KS?

Gabby: Oh, for sure. I learned a lot about my tiers and page organization from our past Kickstarters. We actually have a lot more tiers than usual on this Kickstarter and I don’t think we’d be able to manage that without our past experiences.

If I had to pick one thing from the Dreambound Kickstarter that I’ve changed for A Date with Death’s, we decided to have all of our stretch goals viewable from the get-go. I enjoyed the “unlocking” of stretch goals we had before, but with the amount of attention I think we’ll get, it’s just easier to lay everything out for everyone.

Arimia: Yeah, I imagine you’ll probably be hitting stretch goals pretty early on with how many people are excited for the KS. Aside from social media like TikTok and Twitter, how do you keep your audience interested?

Gabby: I think one of the things that mobile games have as an advantage is continuously adding more content and patches. That really keeps people interested and coming back to your game and characters. Obviously we don’t really have a big enough team or enough time to be adding more and more content, so keeping people interested can be quite tough. We were very conscious of this when deciding WHEN to hold a Kickstarter in the first place – if we wait too long, people will move on. It’s already been 6 months since the game released, after all.

There’s multiple ways we’ve kept people interested during these months. One is that we funneled a lot of people to our Patreon, where we have exclusive art every month from the game, as well as behind the scenes stuff about the new DLC. We then can tease these on social media too, and drip feeding content works pretty well to keep people interested.

Another is we now have near 8000 members in our Discord, and these people become some of your core audience. We encourage interaction with each other and the game by weekly game questions that players can answer. If you had enough time to organize it, I honestly think even doing daily questions would be a really great idea. Anything to kind of keep people chatting and thinking about the game.

Arimia: To wrap this up – what advice would you give to other visual novel devs?

Gabby: There’s so much I’d like to say, but I’ll just give a few pieces of advice that I think could help newer developers. Don’t think of marketing as a bad thing, or an annoying thing. I see a lot of new developers come in and say “I won’t market. I feel like a shill and my game will speak for itself”. I think this is a huge mistake, because people won’t play your game if they don’t know it exists. Marketing can be fun! Share your little stories with the world proudly, don’t feel bad about that.

If you want to do game dev as just a hobby, then that’s absolutely fine – but it’s totally possible to do this as a profession, too. My partner and I have been working on visual novels full time for over two years now. A lot of people tend to think that’s there’s no money in visual novels, but I would say that’s not true at all. It’s hard work – like all small businesses are – and not every game is going to be wildly profitable, but it’s totally possible with a good game and good marketing. Keep making the games you love, doing market research to see what other people love, and you might be able to find a good crossover.

-------------------

And there you have it, some insight into the development and creation of A Date with Death! If you haven’t already, check the game out – the base game is completely free to play on Steam and itch.io. You can check out their social media here:

Twitter – TikTok – Tumblr

Support their Kickstarter!

[kiwiana-writes]

I dont think anyone subscribes to you for t rated 5 +1s in your own au lol. Chop chop with those wip’s porn girl!

Well. Quite a bit to unpack here on an otherwise unassuming Friday!

#1:

#2: I actually track this stuff. Admittedly the E-rated percentage is a bit higher if you look at RWRB only, but overall...

#3: I think anyone who subscribes to me on AO3, or indeed anyone who follows the kiwiana-writes tag here on tumblr and sees all those fucking WIPs, knows that I like to write a bit of variety. That's not to say there aren't definite underpinnings of, like, themes and vibes that I return to over and over (which I can only assume are why people subscribe to me), but if someone only likes my college AUs, or only likes my post-canon stuff, or only likes my E-rated stuff, or only wants to listen to my podfics, they're probably going to have a much more successful time saving the tag search than subscribing to me at the author level. Or they've mastered the art of archiving and moving on without complaining about it, like I do when the authors I'm subscribed to write something that doesn't interest me. It's a useful skill! I highly recommend cultivating it.

#4: AO3 not giving series stats is and continues to be the bane of my life, but based on the number of people who subscribed to the OG actor AU, there's probably a significant chunk of people who aren't subscribed to me as an author and only want the actor AU verse stuff. And good for them! I LOVE that AO3 offers multiple ways to subscribe so you can get notified for the stuff you want (my kingdom for the ability to subscribe to individual pseuds, though.)

#5: This fandom is OVERFLOWING right now. Like, I can't keep up. You only want to read E-rated stuff? Awesome! Well over 100 E-rated fics have been posted in the RWRB bookverse tag just this week (it looks like most of the movieverse smut has also been tagged bookverse, but either way it's also very easy to find). Or go back to older fics and find some hidden gems—there's nothing an author loves more than for someone to come in and gush about a fic they wrote a year or two ago.

#6: You don't pay me, and I'm not subject to annual review. One of my favourite authors was talking this morning about how sometimes she thinks about taking a break from writing for RWRB because it's starting to feel a little rat racey, and that would suck for me personally because I love her stuff but god knows I couldn't blame her, because the (extreme minority but still exhausting) entitled comments and rudeness really do not help. Stop treating your favourite authors like content creators who owe you something new on a regular schedule, because that's a damn good way to ensure they don't want to create anything new ever again. Like... anon, you haven't even bothered to couch this in a compliment. The bar is ten feet underground and somehow you still managed to trip over it.

#7: Not to be all 'back in my day' but... well, back in my day, snippets and peeks into the universe of a remotely popular longfic were pretty much the standard lol. Nobody is forcing you to read them, I promise.

#8: I've posted two E-rated fics in the last two weeks.

#9: Honestly I just really want to reiterate #1 because what the hell lol. While pronouns don't equal gender, it's pretty reasonable to extrapolate from pronouns if you don't have any other info to go on—and of the three "main/standard" pronouns, the one most closely associated with 'girl' is the only one that ISN'T in my bio 🤦

[genericpuff]

Have you seen the Webtoon "Working with an Editor" Video? I feel like this explains a lot of how the platform's Originals end up in the states that they do. Based on that vid, it seems their editors are less the developmental or copy types, and more acquisitions and managerial focused. Which explains how some series have "an editor" for editorial oversight, while not being what readers would consider "edited".

oh there are... definitely things about the editors I can tell you based on what I've read and even been told directly by some Originals creators (obviously their names are going to remain anonymous here lol) Before I go into it, every editor and every contract is different, I have no way of actually knowing what goes on behind the scenes due to not being an Originals creator myself, so please take what I'm about to say with mountains of salt as much of it was either learned secondhand through creator AMA's and at best, firsthand through anonymous Originals creators who I've communicated directly with. Ultimately you should be getting your facts from the creators who actually speak up on this matter, not me.

1.) WT has a VERY small pool of editors who are currently being stretched incredibly thin. Bre Boswell, as an example, currently oversees 20+ comics, including Lore Olympus (though not anymore haha), Nevermore, The Kiss Bet, Down to Earth, and Castle Swimmer. She is not the only one with this big of a workload. Obviously with one person having to oversee this many series at once, it's virtually impossible for them to do the actual "editing" part of their jobs, even if they genuinely want to.

2.) The role of WT editor isn't the same as a traditional editor - many of them are simply liasons between creators and Webtoons, meaning any questions creators have about their schedules, salaries, etc. are directed to their editors who then contact WT on their behalf and relay the response back to the creators. The bare minimum requirement for their job seems to be just making sure that creators are following terms of services. The traditional role of editing - proofreading, offering advice and storytelling tweaks, etc. - seems to be entirely optional and dependent on how much time the editor can devote to the series (see #1) + how much creative input the creator is willing to accept.

3.) With how low WT's standards are and how overworked a lot of editors have become, many editors actually stop reading their respective comics after the first few episodes once they're confident that the creator can handle the series on their own without needing check-ups that they're following ToS. So in that respect they truly do just become messenger owls between the creators and WT (and IIRC creators send their episodes to their editors to upload, they don't do it manually themselves). This is also why there are webtoons that share the same editor but differ greatly in quality of writing and art - how well a webtoon is written and drawn is often entirely dependent on the creators making it (it's why Nevermore manages to be so consistently good despite having the same editor as Lore Olympus which is consistently awful lmao).

As an added little thing, I will not say who, but there is a specific editor who... often gets a looot of special treatment from WT, from what I've been told and heard. A lot of their series get away with way more than what others do and get a lot more advertising privileges.

(and no, it's actually not Bre LOL from what I've been told Bre is actually a very sweet person who's very chill to work with haha)

[choicesficwriterscreations]

January Creator of the Month: Jerzwriter

Each month, CFWC highlights one of our talented fanfic writers or artists, and this month’s creator of the month is CFWC's own @jerzwriter.  The writer is selected at random. More info can be found on the navigation page.

Quick Links:

Tumblr Blog Complete Masterlist

How do you want to be known on Tumblr? 

Elsa

More below...

1- When did you start playing Choices? What was the first book you played? 

It was sometime in 2017, and the first book I ever played was The Royal Romance, Book 1.

2- When and why did you join Choices fandom?

I joined a couple Facebook groups in 2019. I just wanted to discuss stories with others who were interested, as no one in my real life reads Choices. I didn't even know I was entering a fandom. lol I started reading fanfic on Tumblr the following year, but I found Tumblr intimidating, so I was mostly a silent reader. I didn’t start writing and contributing until May 2021, mostly because Open Heart was ending and I was in denial. 🙂

3- How did you pick your blog name? 

It’s pretty boring, actually. I’m from NJ, and I write. I wanted it to be JerZwriter, so people would know it is Jer-ZEE-Writer, but that wasn’t doable, so it’s Jerzwriter, and most think it is Jerz-Writer. Oh, well!  

4- Pull up the first and last posts in your archive, and tell us about them!  

My first post was the first chapter of my Ethan x Casey x Tobias love triangle, Delaying the Inevitable (OH).  It was my very first fanfic and I really didn't think I'd write anything beyond that.  I was so green back then, not only to fanfic but to the fandom as well. I’m really glad that I was naive because I don’t think I would have had the courage to post it if I had, but I’m glad that I did. 

My last post was Falling for You, a little drabble I wrote for Tobias x Casey (OH), and it featured a commission by the talented artist @weetlebeetle. It was a light, fun piece that took place early in Tobias and Casey's relationship, and it shows Tobias at his absolute simpiest. Lol 

5- Do you write fanfiction, create fan art, or are you one of those really gifted people who do both? 

Oh, how I wish I could draw, but I can't.  So, I’m strictly a writer. I may try giving drawing a go again, but I don't expect much to come of it. lol

6- How long have you been creating for Choices and for any other fandoms?

Choices was the first fandom I ever wrote for, and I started in May of 2021.  So, just over two and a half years. I have written a little bit for some other fandoms since that time, but I primarily write for Choices.

7- What is your favorite Choices book, and what is your favorite Choices book to create for?

Tough question.  I write for Open Heart, Crimes of Passion, and Wake the Dead, and they are three of my favorite stories. I also loved Desire & Decorum, but I never wrote for it.  Though, I’m planning a re-read, and you never know. 🙂

8- Share your first Choices fanfic or fan art that you posted with us. Do you still like it, or would you change it if you were creating it today?

It was the first chapter of Delaying the Inevitable. I was so green when I started that series that I’m sure there are things I would change, but I’m still very proud of it.  That series will always have a special place in my heart.  I’d like to revisit it one day to “clean it up”, it could use some condensing. But I would never change the storyline.

9- What is your favorite piece of fiction or art that you created? 

This is such an unfair question. lol The Delaying the Inevitable Series definitely comes to mind, but I’m also very proud of my Eli Sipes prequel stories, A Mother’s Journal, Coming Up Blank, and The End of the World. But Tobias and Casey are my favorite pairing, and I simply love the world I created for them. And while my headcanon for them is my favorite, I cannot pick just one fic for them, and I'm not going to! lol But, I've also written a bunch of AUs for them, and Friends* is one of my favorites.

10- Do you have a fic/art that you didn’t expect to be well received, but it was? What about one you expected to do well but found it could use a little more love?

Yes, to both! The fandom is much smaller today, but back when we were more active, I learned you couldn't predict how a fic would be received.  There are too many to name, but I will say whenever my smut does well (and quite a few of them have), I’m always astounded. lol 

11-  If you could write only angst, fluff, or smut for the rest of your writing life, which would it be and why? 

This is such a difficult question because I believe the best stories incorporate a little of each, and, as a writer, exploring all three helps spur creativity. Also, my absolute favorite is angst with a happy ending, so there is definitely some fluff in there (and I'm never mad at a little smut being thrown in!) But if I were forced to choose, it would probably be angst.  I think that's where I am strongest, and I just love raw emotion. I think that’s where character development really occurs. I have not written as much angst recently, and I miss it.  Perhaps I need a change in 2024. 

12 - Do you ever recognize yourself in any of your MCs or in your writing?

There are definitely parts of me in my MCs and OCs, but I do my best to prevent them from becoming self-inserts.  I'm not as cool as any of them, that's for sure! lol That said, I do find inspiration for my fics in real life, so there is bound to be a little crossover. When using real-life inspiration, I try to change details so that the fiction is not a carbon copy of the real-life event. Normally, by the time I'm done, they're hardly recognizable.

13 - What element of writing/art do you struggle with most? Where do you feel you are strongest?

I struggle most with setting a scene. Dialogue is my strong suit, and that just flows for me. It flows so much that sometimes I forget to describe what's going on around the conversation. I think this is particularly easy to do in fanfiction because so much of the "world" has already been provided for us, so I recognize this more when I'm writing original works.

The other thing I struggle with? Brevity. I know I can go on, and on, and on. lol I've gotten much better at this, but there is still room for improvement.

14 - Do you have any neglected work you really want to finish?

(Elsa leaves the room, quietly crawls under her desk, and hides…) YES!!! Far, far too many, and no matter how much I share those posts that say, "You don't have to finish! If you're not feeling it, move on!" I don't believe it! lol I really want to make wrapping them up a priority in 2024.  But I also know writing - particularly good writing - cannot be forced.  So, it's a goal, but I'll only do it if I feel it’s right. 

15 - If someone you know in real life (who isn’t involved in fandoms) asked to see your work, would you let them? If yes, what would you show them first? 

It would depend on who asked.  I’m not ashamed of writing fanfic at all, but if I believed the person would be judgemental, I wouldn't be willing to share.  A few of my friends have read select pieces of my fanfic, and I’ve always received positive feedback from them. I wouldn’t be opposed to sharing more.  What I'd share would depend greatly on the person asking.

16 - Are there any writers (published authors and/or fanfic writers) who influenced your writing or art? Are there any artists that influence you?

There are many published writers that I admire, but I don’t think they've influenced my writing here. Within the fandom, there are many writers who have inspired me in different ways. There is no way I can ever name them all. But I'd like to give a shout-out to some.

@jamespotterthefirst and @bex-la-get were among the first writers I read when I joined Tumblr. I found their passion for both canon and the worlds they created inspiring, especially as Open Heart was nearing its end and all of us addicts needed our fill. Reading their works helped keep the story alive for me and so many others, and it inspired me to try my hand at it as well. To my shock, they were both so encouraging and supportive of me when I arrived, and I'm forever grateful. Back then, I thought they were rockstars - and they are! But now, they're also friends. I wasn't familiar with @alwaysmychoices from the start, but when I came across their work, I was just blown away.  Weekend with Dr. Ramsey will live rent-free in my head forever, and that headcanon about Charlie calling Ethan the night before she marries someone else. (I faint.) Ohhh, the delicious angst! The way she made me feel what Charlie felt was just mind-boggling, and it encouraged me to really dig into my character's emotions and bring them to life in a more meaningful way.

Early on, I read @utterlyinevitable, and the thing that impressed me the most was how Dom was willing to "write stories that “went "go there.”  They tackled issues that others wouldn't touch.  In their world, everything wasn’t perfect, including the characters themselves. I admired that vision and, frankly, bravery, and it definitely encouraged me to write what I wanted to and not what I felt was expected of me.

More recently, @mydemonsdrivealimo inspired me to explore parts of my MCs that I have not delved into in the past.  In particular, Casey's bisexuality. It can be challenging to represent a bisexual character when they are in a straight-presenting relationship, and you risk alienating readers no matter what you do (looking at all readers here.) So it becomes easier to be lazy and ignore it. But that's a disservice to the character as much as it's a disservice to people living similar situations in real life... like I have many times. Through MJ's writing and our conversations, they've helped me become more aware and do a better job in this regard, and I'm not even sure if they know this - it may totally be news to them lol - but I'm eternally grateful. Now, I feel my girl Casey is free, and OMG, how I love our characters playing together in HC now!

Then there are @lilyoffandoms and @storyofmychoices, who bring joy to all that they touch. Who knew when Lily created a little drabble putting our characters in a new world together, it would end up being one of the brightest fandom spots of 2023? Who knew that so much more would stem from that one work? Seriously, it's been one of the highlights of my fandom experience this year, and it's helped me to find inspiration at times when I felt like it was lost. Thank you both - I am so lucky to have you both here!

There are so many more I could mention, but I'd still forget people and feel horrible, so I want to take the chance to thank every writer in the fandom for sharing their gifts with us. Each of you is an inspiration in your own way; each of you can give someone an idea, and you have no idea where that spark will lead. So, never stop sharing!

17-  Which one of your stories would you most like to see as a movie/series? 

Delaying the Inevitable, Friends*, All in the Past, and the WIP What’s Forever For. I also think some of my Ethan x Tobias works would have made for a good sitcom, and how I wish my Tobias x Casey friendship with Bryce x Jensen would be an epic sitcom. The world needs it! lol   (Jensen belongs to @mydemonsdrivealimo.)

19- Do you write original fiction or create non-fandom art? 

I do. Mostly shorter stories that will never see the light of day, but also some more substantive works... which will also never see the light of day! lol I wrote a novel-length political thriller some time ago. It would need a ton of work to bring it up to 2024, as the political landscape has changed so much. I also have two original WIPs I've been writing. One is an angsty story about a friendship that's loosely based on a childhood friend I lost to cancer a few years ago.  The other is a polyamorous romance about two best friends who fall for the same person. It's really a beautiful, emotional story. If I like the end result, maybe I'll let it see the light of day... maybe. lol

20-  What other hobbies do you have?

I enjoy theater, and I'm lucky enough to live in the best part of the world to partake in that.  I go to a lot of Broadway, Off-Broadway, and local theater productions. I also love going to concerts - they’re like group therapy! Trust me, I got more out of seeing Noah Kahan and Hozier in 2023 than I did from the entirety of sessions with my therapist - and I loved my therapist. lol

Prior to 2020, I did a fair amount of traveling, and I hope to start doing a little more this year.  But I have to admit, since the lockdown, I’ve become more of a homebody, and I like it, so we’ll see how that goes! 

I used to be very involved with activism and advocacy for women’s, lgbtq+, and mental health issues. I still am, but in a different capacity than I was in the past. These issues require people fighting for them, and doing so has always been a huge part of who I am, but it can be draining, and burnout is real. I really reached the end of my rope. So, nowadays, I work as a volunteer for a couple local organizations that really mean a lot to me. I'm not involved in grassroots efforts or taking trips to talk to legislators as often, but I'm helping people on a smaller scale, and that still goes a long, long way.

22: BONUS - tell us anything you’d like (if you want to).

As most of you know, I’m one of the mods here at CFWC, so it was a little weird when my the wheel landed on my name.  But, honestly, it’s happened before, and I've just spun again, even though I am eligible. But this time around, I decided to do it. This fandom really means a lot to me, and I wanted to share a little more about myself and my crazy pixelated people.

I'm truly grateful to everyone in the fandom who does their part to make this a place that many, like me, still see as a place they want to be. We're smaller, it's imperfect, it has plenty of problems, but I am choosing to focus on the good... because there is much more of that than there is bad. So, thank you to each of you... and I hope we all have a wonderful 2024! xo

PS... My header... I know Tobias wasn't technically an LI... which was truly criminal. So, that's what fandom is for, fixing what canon effed up. lol My favorite canon LI is Trystan Thorne (COP). I tried adding their picture to the header alongside Tobias, but it looked terrible, so here I am. :)

Thanks for taking the time to read this, and I can't wait to highlight more of you in 2024! :)

[ravangie]

Your lesbian Charming reminded me that there's actually a canonically implied lesbian princess Charming.

Ever After High, it's where children of fairytale characters go to live out the same fairytales their parents, grandparents, and so on did. But it got to a point where they started rebelling, wanting to live their lives for themselves.

Well, Apple White (daughter of Snow White) was destined to be with a child of a Prince Charming, and everyone thought it'd be one of his sons, Daring. But one time when Apple fell into a magical coma, him kissing her didn't work. However, when his sister Daring gave her mouth-to-mouth CPR (Kiss of life, as some may call it), Apple woke up.

And in Darling's introduction episode, it might have implied a little that before she was revealed to be a woman in bulky armor, the daughter of Hansel and Gretel's witch developed a small crush on her with the way she looked back before moving on.

Oh ya, Darling's also got really light hair, too.

The creator also wanted more LGBTQ+ stuff in both this and Monster High, but most he was allowed was vaguely hinted stuff.

So lesbian Charmings for the win!

Oooooooooooooh ok ok! Sounds about right to me!

I think lesbian Charming should definitely be canon in SOME universe (apart from the one in my noggin hahah) it just makes perfect sense and feels like it was always meant to be at this point 🤷‍♀️

But maybe I'm just too wrapped in my own little universe that I created in my head lol. Which I'm not complaining about. It's a great universe. Very lovely. Very lesbian 🥰🌈💖✨

[wildpeachfarm]

at the end of the day her career won’t last in this field like not to be mean but the majority of the attention she gets is from vaguing other creators. i remember when some anti minecraft creator guy was in the heat of shit talking dream, his girlfriend would also shit talk dream and those tweets got like 3k likes but one of her selfies thag was like “new outfit!! feel so pretty today!” would only get like 50 likes 😭😭 if you have a fanbase that’s only there for you bringing another creator down, you will not last in the industry especially when the people you love to complain about have a super established youtube fanbase. youtube will always be way more sustainable than streaming

Oh for sure I definitely think basing your content or online presence around the existence of other creators is never going to be good. I honestly didn’t even know she was a CC for the longest time because I never saw her actually talk about her own content lol