#witches and nobility

[lilithblackwood]

It took me a bit to remind myself of your LMK OCs but my question is: What would be your character's theme songs or songs that would play when they walk into a room? This can be answered as either one question or two! ^^ 👍

Oh, that’s a really good question! I’ve actually recently arranged their Spotify playlists, but if I had to choose just one for each character, it would probably be arranged like this👇

Danica: https://open.spotify.com/track/0XPsOSYzDJZJArevQNm2AR?si=mRZb7oVbQ62nxxk8tQIvpg

Lan: https://open.spotify.com/track/6iJsXHavLjQME8c1yq9O7O?si=01qxMsuYS3u4SDOq-noZ6w

Barbie: https://open.spotify.com/track/1fh4rarBaLB8l5ALt1UvPv?si=G45x8ZYfR-W-TU7qJglwhA

[darkness-holds-eternal-light]

Really I don't think that Pureblood society is all about classicism, eugenics and elitism. 🤔 Originally it is not and I totally understand why they would want to preserve the original ancestral lines of magic.

This may be a broader subject but I think the original motive is quite beautiful. It's just that it has accumulated so much abuse and pain along the way. I enjoy diving into this world though, even if we don't hear that much about it canonically. Even more fascinating to think about these unseen parts. 😊

[fischerfrey]

founders’ era: fergus and iseult

the origins of the malinda family trace back to fergus, the bastard son of godric gryffindor. he met and fell in love with a norman witch, iseult, during the tumultuous years of conflict after the founding of hogwarts.

iseult was the daughter of the rich and powerful mage, richard of caen, who proclaimed himself witch-king of the franks in the power vacuum left by eadric spinebreaker’s death and the disappearance of his most fearsome weapon, the dragon thorog.

fergus and iseult weren’t allowed to marry due to their different stations, so they eloped and lived in a hamlet near hogwarts. iseult’s father died by assassination a few years later. it was said he was killed by a shadow shaped like a woman but such things were the stuff of blood magic, were they not...?

[puppetlooselystrung]

duality of man is playing a genuinely nice tabaxi divination wizard whos a little out of touch with society and then also playing a fallen aasimar warlock who people either see as this bright sunny summer themed person or this like. awful demonic being. and they will never let you know which one is correct

[agoodflyting]

Why Aziraphale is completely ridiculous in the Bastille scene (and I love him so much for it)

A while ago I posted a comparison of Aziraphale and Crowley's costumes in the 1793 flashback in Good Omens and I wanted to add these little tidbits. (Because they haunt me.)

I feel like most people know this but IF YOU DON'T, Paris in 1793 is right in the middle of something called La Terreur.

HISTORY LESSON If you didn't learn this in school the French Revolution was when, after years of escalating social tension, a coalition representing the working classes of France revolted against the monarchy, violently overthrew King Louis XVI, and declared France to be a republic.

The new National Convention governing France ruled that King Louis XVI and his wife Marie Antoinette were traitors to the people of France because of how they had spent ridiculous amounts of money on luxuries for themselves while vast numbers of the lower classes were literally starving to death. (keep the bold in mind - wealth and class disparities were one of the key causes of the whole-ass revolution)

In 1793 (year of the flashback) both the King and Queen were executed by guillotine for their crimes.

This kicks of something called The Reign of Terror (La Terreur if you want to be French about it). A multi-year-long period in which the National Convention goes on a bloody witch hunt for any and every member of the middle or upper classes who could even possibly be considered a traitor by those same standards.

If you A) had money or privilege, and B) had ever used your money or privilege to treat yourself, you were getting executed. Over 25,000 people died during the Reign of Terror, half of them by guillotine. In fact, the iconic guillotine was used because it was physically impossible to keep up with the sheer number of people they were executing in Paris every single day.

Some things that could get you killed (actually and completely seriously) during the Reign of Terror:

Implying in any way you were sympathetic to the monarchy

Having a noble title

Having expensive things

Wearing expensive, luxurious clothes (*cough* AZIRAPHALE)

helping or sympathizing with anyone who did any of the above

a working-class person saying you were mean to them once

And then there's this bitch...

I AM NOBILITY PLEASE KILL ME So we have established that Paris in 1793 is in the middle of a frenzied, state-sanctioned bloodbath in which the working classes are massacring everyone even remotely nobility-adjacent. And in the middle of this frenzy, Aziraphale proceeds to roll up in Paris in this outfit:

How will this outfit get him killed? Let me count the ways...

First off- at this point everyone with even the tiniest shred of self- preservation is hiding the fact that they are in any way associated with the monarchy. The wealthy are straight-up abandoning mansions. The middle-class are plastering over decorations to make their house look 'poor'. The only people dressed remotely decent are the guys leading the National Convention and that's just because nobody can stop them. Everyone else is in 24/7 peasant cosplay or else they are covering themselves in cockades and sashes on to show they're pro-Republic.

Aziraphale is basically a giant shiny white sign saying I AM NOBILITY PLEASE KILL ME.

First off the lace jabot and lace cuffs are both associated with the old-school wealthy in the 1790's.

His coat is also decorated in gold braid and silver buttons, which are both marks of wealth and luxury.

He basically looks like he works for Louis XIV - not just rich, but old school rich.

We know it's his natural hair color, but hair powdering (with clay and starch) had been a big trend with the rich all throughout the 18th century to get that clean white venerable look . To someone who doesn't know it's natural, it would very much look like he's wearing hair powder.

He's wearing shades of cream and white, which are very hard to keep clean and clearly states that the wearer is rich and can afford the upkeep necessary to keep an outfit like that stain-free.

He's wearing white knee-breeches and stockings, also called culottes. See above about laundry and how rich you had to be to wear white, but also working-class men wore long pants like this:

A large faction involved in the Revolution were the Sans-Culottes (no-culottes aka we wear long pants LIKE GOOD OLD WORKING MEN). Culottes are specifically associated with everything the revolution hated. That's right - Aziraphale is literally wearing The Fanciest of Fancy Pants in a city where a group called The Men Against Fancy Pants are running around murdering people.

And then there are his shoes.

Oh god his shoes

I could do a whole post about Aziraphale's blessed little white satin pumps and how ridiculous they are.

Actually I might just do that because this is getting so long and I still have to talk about the brioche.

So I can't remember if it's in the script book or if it's from Neil Gaiman's tumblr, but it's apparently canon (?) that Aziraphale was going around in that outfit asking people where he could get crepes and brioche when he was arrested.

The Affair of the Brioches

So... uh... we've all heard the line attributed to Marie Antoinette- how when she was told that her people were starving because there was no bread left in Paris, she famously said...

It's morphed into 'let them eat cake', but the line is first recorded as, "Then let them eat brioches."

While it's unlikely she ever actually said it, the important thing is that... people in 1793 would have thought she said it. It was used as political smear to show how arrogant and out of touch the monarchy was. Marie Antoinette in particular was reviled by the people of France, who thought she was the main cause of their economic problems. That's why she was executed too.

Bread and brioche and the lines between poverty and privilege were a big thing in Revolutionary France. There was a lot of political connotation to what you ate. The French Revolution came about because of decades of suffering among the lower classes of France. It wasn't something that some dudes just decided to do. The people of Paris have been through years of the absolute worst, most oppressive poverty and starvation you can imagine, all while watching the rich throw money around crazy.

So let us recap.

Aziraphale is dressed so ridiculously posh that he looks like a joke parody of a nobleman... and he is bumbling around Paris during the Reign of Terror. Asking people. For brioche. How I imagine everyone looked at him:

It is so astoundingly tone deaf and tactless. He is basically cosplaying as Marie Antoinette and then going around asking the poor for cake.

I just.... Aziraphale. babygirl. no. oh no. You're lucky they even bothered to take you to prison. I am amazed Crowley ever let him live that down.

I have no conclusion other than this. Aziraphale is ridiculous and I love him so much.

YES YOU REALLY SHOULD SIR.

[afanofmanyhats]

One of my favorite things about Tolkien's writing is that he has a very specific, recurring trope. For lack of a better term, I'm dubbing this the Tolkien Wife-Guy.

This is mainly obvious in the Silmarillion, but Tolkien loves to write couples where the man is a notable individual- nobility, commits a great deed, or both- but the wife is at least equally notable, if not more beloved or powerful. Manwe is the king of the Valar and Eru's main representative in Arda? Everyone loves Varda more, and Melkor fears her more than his own brother. Elu Thingol is the king of the Silvan Elves? His wife is Melian, whose Girdle is the magic that keeps Morgoth's forces at bay. Beren is a chief among the Edain, who befriends animals and survives one of the most nightmarish places in Beleriand? His wife is Luthien.

Even in Lord of the Rings we see this occur, though the couples are on more even footing. Tom Bombadil is... Tom Bombadil, but Goldberry is the River-daughter, and Tom adores her above everything else, and the hobbits are completely taken in with her when she's their host. Similarly, while Celeborn is a mighty lord among Elves, Galadriel is one of the only Noldor in Middle-earth who saw the Two Trees, and her hair inspired Feanor to make the Silmarils, not to mention her own accomplishments in the war against Morgoth. Aragorn is the king of Gondor and Arnor, but Arwen is the Evenstar of the Elves, the descendant of three(?) different royal Elven lines. And Faramir becomes the Steward of Gondor and is one of the noblest men alive, but Eowyn killed the Witch-king, so you know. She got the grander moment for the saga.

But with (most) of these couples, we never get the impression that the man views his wife as Less-Than, or as a junior partner. Thingol is the main exception to this in how he dismisses Melian's counsel, and that's made out to be his foolishness within the text. Otherwise, Manwe treats Varda as his co-ruler, Beren never tries to downplay Luthien's achievements, and I'm pretty sure most of Tom Bombadil's dialogue is about how gorgeous Goldberry is. It's really sweet.

All of these examples really testify to how much Tolkien loved his wife. People rightly point to Beren and Luthien as the prime example of that, but I think you can find it in these other couples too. Even though Edith is mainly known to history as Mrs. Tolkien, it's evident to me that Jirt saw her as a whole person worthy of admiration outside of being his wife.

[seresinhangmanjake]

Becoming His

Feyd-Rautha Harkonnen x concubine!reader

Summary: Feyd chooses you as his concubine

Notes/Warnings: Smut (but not an overwhelming amount), so 18+. Possessiveness (ownership of other human beings and whatnot). It changes from third person perspective to second person, so i’m sorry if that irritates some people, but I just thought that it expressed the feelings of the story better, considering the tonal switch. This is based on a request. Sorry if there are typos.

It can be read as stand-alone, but it goes along with the following fics: His, Don't Touch What's His, and Only His. This fic takes place before any of those.

Words: 2400

Feyd-Rautha Masterlist / Main Masterlist / Tag list

Feyd was sent for peace. The Baron sees use in House Wallach and very specifically instructed his favorite nephew to arrange a deal. With House Wallach’s planet producing items of value, the Baron would not attempt domination over their world in exchange for those items. That seemed fair—as fair as the Harkonnens get—but if one party fails to deliver, consequences follow. Sometimes, that means the taking of other items of value.

They aren’t prisoners of war—they can’t be considered such when war did not actually occur—but they’re close enough: women taken from their home planet after their leaders failed to protect them, leaving them weak and vulnerable and unprepared for what their new lives will thrust upon them. For the first time in their blip of existence, they are a foreigner's property; the most humiliating of circumstances for women of their status: three high-ranking handmaids, the live-in bene gesserit, and the daughter of their Lord and Lady. And Feyd has to choose one. 

“It’s within your right,” the Baron tells him. “And expected. To turn them away without taking one for yourself would be a showing of weakness.”

Feyd scans each one. He supposes they’re all appealing in their own ways. The handmaids were raised to obey, an ability Feyd would have them exercise often. The bene gesserit has knowledge beyond her years. And the benefits of owning an heir of a Great House can be summed up by title alone. 

However, they have their faults as well. The handmaids aren’t particularly beautiful, and as they stand there, shaking, huddled together, with their eyes down and chins tucked into their chests, Feyd finds them grossly undesirable. If he wanted a mouse, he would take one of his own servants. 

The bene gesserit, regardless of appearance, is a witch whose most vital loyalty will belong to the Reverend Mother and her followers before House Harkonnen—a traitorous snake in the making. He cannot have a woman in his bed that he will be unable to trust.  

The one remaining, the Lady, she’s fearless. He can see it already in the set pout of her pretty lips. He doesn’t like fearlessness; it’s disrespectful, potentially disobedient, but at the same time, she encapsulates everything else he could want: a face he doesn’t hate to look upon, to say the very least; nobility, a reminder that he claimed something invaluable to an entire planet; and perhaps most intriguing: she’ll be a challenge—not easily torn down—and the more he looks at her, the more the others fade into nonexistence. 

Feyd steps closer to her, drawn in by delicate features, and waves of hair, and luscious curves. 

“This one,” he says. 

With those two words, a spark shoots across her irises. Her knitted brow soothes. Her mouth, now unburdened by the weight of the pout, twitches up in the corners. There’s a hint of a dimple in her right cheek that is there and then gone, taken from him before he can fully understand why his heart thumped at the sight of it. 

“Fine,” the Baron replies. 

Commanding his guards, he says, “Rid of the others,” prompting gasps and tears of fear, and even Feyd is unsure what will become of them. Slaves? Entertainment in the arena? Perhaps his uncle will let him feed them to his pets.

To his servants, the Baron says, “Clean her up.”

And to his nephew, he says, “She’ll be brought to you later,” just before two small Harkonnen women take her by the arms and lead her away.

—

He thought all afternoon of the noises he would soon be forcing from you. The yelps, the squeals, the cracking from your grinding teeth. Everyone’s flesh makes a unique sound when sliced open, and he imagined what sound your flesh would make. The masterpiece your face would be after your tears melt your makeup he’d be proud to claim as his work. 

But then his servants bring you to him. They push you through the door and position you in front of him before skittering away, and in the silence they leave behind, Feyd can only detect his own heartbeat. 

He liked you in the pinkish-toned clothing traditional of your house—it made you stick out amongst the darkness surrounding you, like uncorrupted sweetness in its last moments—but in Harkonnen black, you’re something else entirely. 

He’s read of goddesses and angels, deities and divine spirits lost with those who once worshipped them, and he always wondered how such beings cultivated mass devotion without the consistent doling out of immense pain. But he gets it now. He understands the draw of the ethereal. 

After minutes of staring, his eyes feel dry, scratchy; he needs to blink, he needs to close his parted mouth, but he can’t, nor can he form a coherent thought separated from the way your hair frames your face and how the silk cascading down your body doesn’t do a perfect job of hiding everything underneath. Touch. He wants to touch. Run hands over soft skin. Press his lips to–

He stops himself. That’s wrong. He is meant to sink his teeth into you. He should be digging his nails into flesh, draining blood, staining sheets, licking tears from cheeks like the men before him have done to their concubines. 

She’s yours, so train her well—that’s what his uncle said, and Feyd knows for a fact that the Harkonnen method of training a woman is devoid of anything but pure torture. Harkonnen training is rough, crude, brutal on the body and mind to break someone down. Only the strong build themselves back up into warriors—like he did—and concubines are not meant to attempt that feat.

“Am I going to stand here all night?”

Your voice sends a chill down his spine, yanking him out of his head. He finally blinks. As his eyes meet yours, he swallows and says, “Do you want to stand there all night?”

“Not particularly,” you tell him. “And I don’t think your servants spent hours fixing me up just so I can take post like a statue at the foot of your bed.”

He wouldn’t mind a statue in your likeness, actually. He’d feel a lot less conflicted if he had two of you at his disposal; one for what a concubine is meant for, and one unaltered from the way you are right now—no pain in your eyes, no quiver to your lip, no marks marring your skin. 

“They did not,” he confirms. 

He pushes off the desk he had been leaning against and uncrosses his arms as he steps toward you, stopping just before colliding with your body. Your head tilts back, and he knows he is supposed to smirk at your powerlessness; his eyes should be pouring with the promises of a painful future, but he can’t access that otherwise always-accessible emotion. The hatred is not quite there. The vile pool of black sludge that has resided within him from the moment he pierced his mother’s throat with a blade has started to drain because of the doe eyes that stare up at him. 

“I’m not scared of you,” he hears, and for a second, he cannot tell if the words came from your mouth or from his. But you don’t reply, so that must be his role.

“It's stupid not to be scared of me.”

“Maybe,” you say, your head cocking, “but you don't look at me like you want me to be scared of you.”

That right there—he should kill you for that. You see too much. He wonders if you see his thoughts as well. He doesn’t need a woman with eyes that see more than what is tangibly in front of her. 

Instead of his body operating on its own, he has to force his hand to wrap around the neck of the threat before him. But five seconds of the delicate column in his grasp goes by, and then ten, and then fifteen, and his fingers have yet to squeeze any tighter. Surprise is etched onto your face, but it’s different. It’s not the look of a woman suddenly in a vulnerable position. By the way your eyes trail from his face to bicep to forearm, it’s more like you’re shocked that his touch is as warm as it is, as if you expected the paleness of his skin to mean hot blood does not course through his veins. 

Tentatively, your hands reach up until your palms are cupping his cheeks. He can’t bring himself to jerk away as your tongue slides out to wet your lips and you rise on your toes. You gently tilt his head down to yours, and then you brush your mouth over his. 

Feyd’s lungs tighten in his chest as you do it again. The hand around your neck slides into your hair, holding your head in place so he can take more, kiss harder. But it’s not long that he’s devouring your taste before he comes to his senses and shoves you away. 

“Stop that,” he spits, his brow drawn. “I did not tell you to do that.” 

Your teeth trap your bottom lip. “Then what do you want me to do?”

“Lay on the bed,” he says, then quickly adds, “On your stomach.” It’s better that way. If he isn’t focusing on you, your eyes, your lips, then he won’t be distracted from his own pleasure.

You don’t hesitate to do as he says, and you walk past him to the mattress. He doesn’t turn to watch you shed your thin gown, fearing what the combined vision of face and bare body will do to him, so he works on removing his own clothes, facing you only once he hears the shifting of the coverings on his bed. 

Your arms are bent, hands overlapped under your head as you wait for him to join, and after taking in the curvature of spine and the dip in lower back before the swell of bottom, he does, settling behind you. 

He doesn’t know where to start. There’s so much to take in and he does his best to memorize it all until, eventually, he lets his palm slide up the center of your back. When it causes you to shiver, he rips his hand away.

“It wasn’t bad,” you tell him. “I’m fine.”

Feyd hums in a manner intended to come off much more displeased than it does. He didn’t ask if you were fine, and a scolding is on the tip of his tongue for even suggesting the idea, but the piece of him that knows he would’ve stopped if you had said the opposite keeps the words from reaching past his throat.

Feyd tries once more, this time placing his hand at your hip for purchase as he guides himself inside of you with the other. With great effort, he swallows his gasp before he falls forward on clenched fists that press into the mattress on either side of your breasts. 

You’re warmer than he expected. Tight and slick and warm, and amidst the sensations that take over his entire being, he somehow manages to find enough clarity to question the normalcy of your body. 

Harkonnen women aren’t warm like this. Warm, yes, but your warmth is more comforting, more engulfing. He’ll feel an unpleasant chill when he removes himself from you and so decides it might be best to stay right there inside of you for as long as he can. But after he hears the little sound you make through the ringing in his ears, he doesn’t know how much longer that will be.

He pulls out slightly and then pushes in, and he receives another of your sounds, louder this time. Your hips lift an inch off the mattress, pushing back into his. He thrusts again and his brain fuzzes. When he shoves in deeper, you yelp at the spot he hits and he loses his mind entirely, left with the sole desire to see how many notes he can get you to sing for him. He finds there are many more, and as you continue to belt out a chorus along with each of his movements, he suddenly thinks: fuck everything else. Fuck the things he is supposed to be doing to you. Fuck the lessons he is supposed to be teaching you. Fuck the training that is supposed to be putting you in your place. He needs to see you. 

Your head lifts and you look back at him as best you can when he leaves your body. “Why did you st–”

“Turn over,” he demands with heavy breaths.

“What?”

You’re not fast enough. His hands firmly grip your hips and he flips you onto your back, spreading your legs and stuffing himself back inside of you. You moan. Your eyelashes flutter. Your mouth stays perfectly parted as you reach over your head to tighten your fingers into the pillow. 

That’s exactly what he wanted, and that’s all it takes to shun his cares for anything other than the way you look beneath him. His chest meets yours and he darts his tongue out to lick the bottom of your upper lip before capturing your mouth with his. You kiss him just as much as he is kissing you. You touch him as much as he is touching you. Your legs wrap around him, taking everything he has until his hips stutter and he’s coating the walls that are milking him with each pulsating squeeze. 

He pulls out with ragged breaths, body falling beside yours, and as you both stare at the ceiling, his mind finally clears with the sudden realization that what he just did might’ve stolen some of his power and handed it to you. You know of the Harkonnens’ cruelty—everyone does—but what he gave you was not that, and he cannot allow you to get the wrong impression.

“You're mine,” he reminds you. “I own you. You follow my orders. Don’t irritate me. Don’t speak unless I am the one speaking to you. You go where I tell you to go. You do what I want you to do. And don’t get any ideas that you’re not disposable to me.”

Minutes pass in silence, but then you say, “What happens if you end up liking me?”

That question hits him right in the gut. He doesn’t know. He doesn’t know what the fuck happens if he likes you more than he already does. It won’t do him any good; he knows that. 

His back teeth clench. “I won't,” he says. “So don’t ever ask me that again.”

[star--nymph]

Vivienne's fear being 'becoming irrelevant' isn't something that's linked explicitly to her pride, no matter what Solas says about her (and the irony of Mr.Pride himself saying that should not be lost on you), it reveals what and who Vivienne truly is.

She's a survivalist.

Because we don't spend as much time in the Free Marches or Orlesian circles, we don't get to experience what being a mage is in these cultures. In Ferelden and Kirkwall, a mage is a lesser being without freedom no matter what they do--but in the Free Marches and Orlais specifically, mages are commodities that are given freedom so long as they play an entertaining enough role. They can explore the world if they have a noble patron, if they catch the right person's eye. They are, in a way, two sides of the same coin--refusing mages agency and forcing them to relay on higher powers. Vivienne lucked out, as sad as it is, when Bastion fell in love with her; she found someone who was contrarian enough to recognize her as a full person and also someone with power that could help her rise through the ranks. This is not to say that Vivienne on her own wasn't an exceedingly talented and intelligent individual--by nineteen she was already the youngest full fledged mage in Circle history and she was skilled enough to make herself an enchanter. But, I can not emphasize this enough, none of that matters if she didn't also play the Game and impress enough people.

Vivienne could have been the most brilliant mage in the history of Thedas and it means nothing if she was overlooked by nobility.

So when Bastion made her his mistress, she gained not just a lover but also a means to an end. Now she can use her magic to protect herself. Now she can roam where she wants and not be question for it because she's Madame Vivienne. Now, she can walk into the Orlasian court and belong there.

And what happens? Celene notices her and makes her the Court Enchanter, a position that has always been the equivalent of a jester. Vivienne took that title, ignored that it was essentially a glorified insult to who she is, and made it a position of power. She made the Court Enchanter into an advisor, a political rank. She had done the impossible and made mages an actual political entity in the Orlasian Court, something that wasn't seen outside of Tervinter (not counting what players can do under very specific conditions if they made mages in DAO and DA2).

All that, however, only continues as long as the court recognizes her as something worth their attention. Vivienne needs to maintain her act as Madame De Fer, The Lady of Iron, the Court Enchanter, The Jewel of the High Court, because the second she just becomes Vivienne, it's over for her. The assassins coming raining in, her name gets devoured by rumors and gossip, and she'll be found dead at bottom of the stair case with a dagger in her back if she's lucky.

So of course when the Circles fall apart during the Rebellion, she clings to that Loyalist Mages to maintain that structure--of course she moves her pieces to the Inquisition, knowing that if the Circle DOES fall, she at least as another place for herself and mages latch onto--of course when she hears that Celene replaced her with a new Court Enchanter that appeared out of no where, she grows to resent Morrigan.

Like, Morrigan literally pops up out of thin air, makes herself invaluable to Celene, and then plants herself in the place Vivienne had to claw her way up to and create so she could survive. Would you not be resentful when your life's work is usurped by some random witch of the wilds because she happened to charm the Empress? Everything Vivienne strived for all whisked away because the court find a gem who glimmers ever so slightly more than Vivienne.

So yes, Vivienne fears becoming irrelevant because the world has made it so that irrelevance for an Orlesian mage means death.

[occudo]

wait, yo there’s an entire mage magic system in this au? Might I ask for more details?

Sooo...

The short answer is that is a soft magic system, with no hard rules, it's just fun with the characters.

The long answer on the other hand...

I had a similar ask before, but since then some things changed, so I guess I try to explain it as best as I can.

So! This is a magical-fantasy-medieval AU, I was loosely inspired by arthurameslove 's fic This Lonely Knight, but since then I made my own version of a similar premise. The magic system is based on the original fears, the avatars are people who are affected by their magic, in one way or another. The more close to the fear the person is, the more magical effect it has.

The most known magic users are witches. They go to school to study, and from there, they can go and become advisors in small kingdoms where they can get gifted titles like Lady and Lord, but they don't get actual lands or servants.

Jon is not an advisor, but Elias' protégé and he can afford to employ Martin, who is a Knight, and previously worked for Lord Lucas. Elias is the advisor of King Magnus.

The kingdoms are based around the Fears, with most avatars being nobility or witches. (I wasn't sure if I wanted to make Simon a noble or a mage, maybe he is not so open about his skills) The witches are glass cannons- they can be really powerful in some situations but otherwise, kinda weak so is a common thing to have a designated knight bodyguarding them if they leave their palaces.

Martin is 'touched' but can't do magic the way Jon, or other witches.

If a witch finishes school, they are respected and believed that they can control powerful magic (with circles and runes) without it affecting their bodies and minds negatively - not like Jane Prentiss, for example. She was a noblewoman who got- corrupted.

Not every witch goes to serve nobility, there are plenty of small village witches, and Gertrude also tried to leave the palace and become a bog witch kinda deal.

Innisially for this au, I made the 'witch factor' the characters' connection to the eye in canon. I didn't see either Tim or Martin really eye-aligned, so I made them knights instead.

Since then I added Sky Mages for the Vast avatars- I just tought flying and stars and sky really deserve their own coven.

I'm not sure about the other fears names and schools jet. The phrase Seer Mage came from @skell3 's fanfic inspired by my comic, and I loved it so much that I baked it in my au. Also, the thought that eye-aligned mages are all about seeking truth and other's secrets, while can't really fly or fight mutch was funny to me.

So this is a loosy-goosy system that I'm still working on. I'm also open to suggestions- like with Basira and Daisy- they ended up being witch hunters.

or Georgie and Melanie

And I changed Michael from a jester to an actual noble/prince

So yeah, I hope this answers your question. Mostly a character-based, case-by-case thingy.

[lilithblackwood]

Be honest with me, guys! For the next post or two, which story lore are you guys interested in so far? Because I’m always happy to talk about my works! (Definitely not because I’m needy for people’s opinions about what I write – )

Learn more about them with their summaries underneath the cut!

Witches and Nobility:

es·o·ter·ic

/ˌesəˈterik/

intended for or likely to be understood by only a small number of people with a specialized knowledge or interest.

Danica is a mysterious young witch who's affiliated with the infamous Edalyn Clawthorne, AKA Eda the Owl Lady. Blessed with incredible magic and a sharp mind, she is a force to be reckoned with.

When a young human girl named Luz Noceda accidentally wanders into the Boiling Isles and joins them to learn how to become a witch herself, Danica soon finds herself swept up in a tidal wave of dark secrets, hidden tales, and a twisted history that could change everything.

What are her reasons for affiliating with a fugitive like Eda? What is her connection to the Emperor's Coven? And what exactly are the full details of her past?

Lotus of Rebirth:

Lan is a soft-spoken and gentle young woman with a unique green thumb. She works part-time as a florist and lives next to a a noodles restaurant called Pigsy's Noodles, alongside an optimistic young boy by the name of MK, who serves as the delivery boy. Despite the demanding work and rough city life, Lan couldn't be any more content with her life.

Her peaceful lifestyle abruptly comes to an end when the Demon Bull King is released from his prison after thousands of years of imprisonment. The trouble seems to grow when MK is chosen to be none other than the successor of the famous Monkey King himself, as he is the one to wield his mighty staff.

Join Lan as she helps MK on his journey to become the next Monkey King, tasked with protecting humanity against the forces of evil. But it won't be easy...

Something is stirring behind the scenes.

Something that could change the world itself for the worse.

And it may have something to do with Lan's powers and these strange dreams she has been having lately...

𝕎𝕆ℕ𝔻𝔼ℝ𝕃𝔸ℕ𝔻.𝔼𝕏𝔼:

Barbie's very first memory was waking up in the Amazing Digital Circus, an eccentric virtual circus world filled with never-before seen wonders and horrors alike, all under the control of the bizarre ringleader Caine.

At first, it's a dream come true. But there's just one problem.

Every human that enters this virtual world is not only forever trapped in their digital avatars, but face the risk of "Abstraction": the moment when someone finally reaches their breaking point from the insanity of their eternal imprisonment.

Join Barbie and the others as they struggle to survive and escape their new home with the threat of insanity looming over their shoulders, along with something far more sinister working behind the scenes of the program trapping them.

...but it looks like Barbie is not who...or rather, what she appears to be.

And she doesn't seem to be very keen at the thought of escape.

[within-your-eyes-if]

Within Your Eyes Intro Post

DEMO [Last Updated June 22nd, 2024]

You are a Warden, a monster hunter who has come to the Kingdom of Auris which has become the forefront runner in it’s acceptance of magic and supernatural alike within the West Highlands. But when strange happenstances occur, you are called upon not just because of skill, but also because of your condition. A condition you’ve lied about for last 12 years.

Unearth the secrets that magic holds as a new form is discovered.

Befriend or romance those who attempt to worm through the cracks of the mask you wear. Or will you fight to keep them at arms length?

Regardless of where your journey takes you, your feathered friend will be at your side. As he always has been.

This story will be 18+ for the following reasons:

Explicit and erotic intimate scenes

Death, including of a child

Violence, blood and gore

Thoughts of suicide

Mentions of suicide

Self harm

Explicit language

Mental trauma

Horror elements

Feelings of being watched

NOTE: Your character will be pretending to have a disability (blindness), not because of a disorder but out of self preservation.

This list may be updated.

You are running away from your past. As you take a this new job, you're forced to confront it. What vices do you use to cope? Will you learn to rely on others or will your raven be your only source of comfort? Will you feel guilty for your lies? Yours will be a journey of self-forgiveness, or maybe you'll only fall deeper into despair.

Play as a man, woman, or non-binary. Gay, straight, or bi.

Plenty of customization options from physical appearance to clothes.

Φ Admos de Le Wren ─ Male | Draconian | Second-Born

Admos, the Dragon Lord of Auris, ascended to the throne following a devastating conflict with his father, bypassing his older brother's claim. This decision deepened the rift among his siblings. As he enters his fifth year as sovereign, Admos grapples with guilt and uncertainty about his role in the family's discord. Will you help him find clarity or fuel his doubts?

Φ Lyth/Lyari de Le Wren ─ Gender Selectable | Draconian | Tenth-Born

Ly took on the role of Viceroy/Vicereine in Auris and became their brother Admos's Right Hand, playing a vital part in the kingdom's recovery after a conflict with their father. However, an incident they triggered over a year and a half ago almost led to another war, casting doubt on their suitability for their position and their aid to their brother. Will you help Ly grapple with their past actions and uncertainties about their role as Viceroy/Vicereine, or will their internal conflicts remain unresolved?

Φ Leese/Lea van Laere ─ Gender Selectable | Human | Vampire

Born into nobility, Lee's life as the child of prominent figures in Lenia took an unexpected turn when they were turned into a vampire. Forced to leave their home, Lee now wrestles with their new identity, desperately seeking meaning in their existence and if it's worth maintaining.

Is Lee a monster consumed by instinct, or can you help them reclaim their humanity?

Φ Xiang Xiaowen/Xiaodan ─ Gender Selectable | Human

Xiao, an ambassador dispatched to Auris to aid the Dragon Lord in Council matters, fought hard to secure their role. Serving as an unofficial advisor, they frequently share insights to assist Admos. Yet their unwavering dedication to obtaining this position hints at a deeper motivation. Perhaps they will reveal it to you.

Φ Gabriel Duarte ─ Gender Selectable | Human

Assigned to you as an assistant of sorts, the recently knighted guard is searching for their place within the Order. Perhaps their new mission will set them on a path for glory, or sink them beneath the turmoils it takes to obtain.

Φ Hestia ─ She/They | Elf? | Witch

Even the most kind have their secrets.

Φ ???

Poly Routes: Lyth/Lyari and Gabriel | Leese/Lea and Gabriel | Xiaowen/Xiaodan and Hestia

Love Triangle: Admos and ???

------------------------------------------------------------------------------

FAQ

Romance Information Post

Ko-Fi

Tumblr Asks are disabled for the time being.

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WYE will always be free with chapters released once they are finished.

This is a planned trilogy.

Thank you for reading and for your support! ♥

[indie-ttrpg-of-the-week]

Trans made TTRPGs

Due to… recent events that I would rather not talk about, today's post is a highlight of different tabletop games made by trans peeps! These games are fantastic in their own right, of course, but you can also know that they were made by incredibly cool and attractive people

(Also, these are flyover descs of the game, they'll get more in-depth singular posts later, this is because I am lazy)

Perfect Draw is a phenomenal card game TTRPG that was funded in less than a day on backerkit, it's incredibly fun and has simple to learn hard to master rules for creating custom cards, go check it out!

Songs for the dusk is fucking good, pardon my language, but it's a damn good post apocalyptic game about building community in a post-capitalist-post-apocalypse-post-whatever world. do yourself a favor and if you only check out one game in this list, check this one out, its a beautiful game.

Flying Circus is set in a WW1 inspired fantasy setting full of witches, weird eldritch fish people (who are chill as hell), cults, dead nobility, and other such things. It's inspired by Porco Rosso primarily but it has other touchstones.

Wanderhome is a game about being cute little guys going on a silly adventure and growing as the seasons change, its GMless and very fun

https://weregazelle.itch.io/armour-astir Armour Astir has been featured in here before but its so damn good I had to post it twice. AA demonstrates a fundamental knowledge of the themes of mech shows in a way that very few other games show, its awesome

Kitchen Knightmares is… more of a LARP but its still really dang cool, its about being a knight serving people in a restaurant, its played using discord so its incredibly accessible

https://grimogre.itch.io/michtim Michtim is a game about being small critters protecting their forest from nasty people who wish to harm it, not via brutal violence (sadly) but via friendship and understanding (which is a good substitute to violence)

ok this technically doesn't count but I'm putting it here anyways cuz its like one of my favorite ttrpgs of all time TSL is a game about baring your heart and dueling away with people who you'll probably kiss 10 minutes later, its very very fanfic-ey and inspired by queer narratives. I put it here because its made by a team, and the expansion has a setting specifically meant to be a trans "allegory", so I'll say it counts, honestly just go check it out its good shit

https://willuhl.itch.io/mystic-lilies

Mystic Lillies is a game inspired by ZUN's Touhou Project about witches dueling powerful foes, each other, and themselves. Mystic Lillies features rapid character creation and a unique diceless form of rolling which instead uses a standard playing card deck.

https://preview.drivethrurpg.com/en/product/141424/nobilis-the-game-of-sovereign-powers-2002-edition I… want to do a more general overview on Jenna K as an important figure in indie RPG design, but for now just know that Nobilis is good

https://temporalhiccup.itch.io/apocalypse-keys Apocalypse Keys is a game inspired by Doom Patrol, Hellboy, X-men, and other comics about monstrousness being an allegory for disenfranchisement. Apocalypse Keys is also here because its published by Evilhat so its very cleaned up and fancy but I love how the second you check out the dev's other stuff you can tell they are a lot more experimental with their stuff, this is not a critique, it is in fact a compliment

Fellowship! I've posted about this game before, but it is again here. Fellowship has a fun concept that it uses very well mostly, its a game about defining your character's culture, and I think that's really really cool

Voidheart Symphony is a really cool game about psychic rebellion in a city that really does not like you, the more you discover for yourself the better

Panic at the Dojo is a phenomenal ttrpg based on what the Brazilian would call "Pancadaria", which basically means, fucking other's people shit up. Character Creation is incredibly open and free, meaning that many character concepts are available

Legacy 2e is a game about controlling an entire faction's choices across time, its very fun

remember to be kind to a trans person today! oh also don't even try to be transphobic in the reblogs or replies, you will be blocked so fast your head will spin

[calamari-inari]

"... you become what you believe."

Dimitri and AM!Ferdinand mini doujin, 7 pages. Read right to left!

Transcript and personal captions under the cut

CW: blood

Comic transcript. Thoughts/monologues are in parentheses. Background dialogue is in brackets.

PAGE 1

D: Ferdinand.

D: I've been wanting to ask you a question...

F: (He looks like a demon..!)

F: Yes? What is it? Please speak properly...

PAGE 2

D: Why did you leave the Empire?

D: I remember how you were during our time at the Officers Academy.

D: You placed so much pride in your heritage.

F: What is the use of pride if I have nothing left?

F: The former Duke Aegir was dismissed. My title, my land... They are all gone now.

D: ...It's because of that woman.

D: Tell me, what do you seek?

PAGE 3

F: I am not sure I understand.

D: Last night, I entrusted one task to you.

[P-please! I'll tell you what I know!]

F: Yes. I killed the Imperial soldier as you had instructed me.

D: That is what I mean.

D: You are simply following my orders.

D: You did not want to kill him, correct?

F: Dimitri, he had vital information for us and you did not let him finish!

PAGE 4

D: Anyway, similarly, I also lost the throne. I have little care for that, however.

D: Now, I'm fighting with a single mission: avenging the dead. They will not be satisfied until I have her head.

F: *sigh* You had said that, but you should not accept that as true.

D: What rubbish. Anyone that deserves to die will die.

F: Dimitri! That is-

PAGE 5

D: Silence, Ferdinand!

D: This hatred and regret I feel... Nothing I do will ever be enough until that witch is gone.

D: What are you-

PAGE 6

D: ... Hmph. What a pest you are.

D: Why do you insist on staying by my side? As you used to closely affiliate with that woman, I could easily kill you here and now.

F: You do not wish to, do you? Because your heart says otherwise. Learn to forgive yourself.

D: But do I deserve forgiveness? The guilt that weighs down on me is...

PAGE 7

F: Dimitri, while I may have left the Empire behind, my nobility has not dulled.

F: Create the grandest vision for yourself because you become what you believe. Do you understand? It is a noble's duty to support you until the end, no matter how far you may stray.

F: That is why I am here for you.

💙🧡💙🧡💙🧡

I don't really draw comics often, but this was certainly worth the effort!! I've always thought Ferdinand is the greatest support character ever, and with him joining the Blue Lions, his role won't change. Just like in the stories of Pan and Loog, Ferdinand would choose to help Dimitri on his path to become the restoration king of Faerghus without ever taking any credit. It's quite evident in his character based on some of his paired endings. I just think that's one of the things that makes them so great and sweet 🥺 I imagine Ferdinand wouldn't hate Edelgard in AM, but rather, he wants to show her that he's able to support his lord (Dimitri) in a way that she never would have thought of. After all in AM, Edelgard only ever knew his snobby academy version who would always childishly rival her.

Please let me know if you liked it!! I'm definitely creating more fanart of these two (maybe a little more intimate next time because I want to lol 🫶)

[sideprince]

Eileen Prince

I'm relentlessly curious about how a witch from Slytherin, a house that values cunning and ambition on paper, and bloodlines/nobility in its culture, ended up living in a muggle slum.

Unfortunately for me, she's a barely mentioned character written by an author who consistently fails to portray female characters with depth or dimension. The women in Harry Potter are portrayed as either maternal or villains, or, in Ginny Weasley's case, as redeemed by their masculine traits (because Rowling's Thatcher era feminism dictates that equality for women = emulating patriarchal ideas of manhood). About as much as you can expect from an author who's as unable to acknowledge the personhood of trans women as she is to write women as actual people. This leaves a lot of room for interpreting or delving into what Eileen Prince's life may have looked like, and how that would have affected her son's development.

There are three direct mentions of Eileen in the text :

“The picture showed a skinny girl of around fifteen. She was not pretty; she looked simultaneously cross and sullen, with heavy brows and a long, pallid face. Underneath the photograph was the caption: Eileen Prince, Captain of the Hogwarts Gobstones Team.”

HBP Ch. 25

“I was going through the rest of the old Prophets and there was a tiny announcement about Eileen Prince marrying a man called Tobias Snape, and then later an announcement saying that she’d given birth to a" “ — murderer,” spat Harry.

HBP ch. 30

“Harry looked around: he was on platform nine and three-quarters, and Snape stood beside him, slightly hunched, next to a thin, sallow-faced, sour-looking woman who greatly resembled him.”

DH Ch. 33

(Shoutout to Harry James Potter, who didn't recognize Eileen's fifth year photo despite her resemblance to Snape, the teacher whose classroom he got his used Potions book from. Shoutout also to Harry James Potter who didn't connect the dots between the Prince's handwriting and Snape's, a teacher who regularly wrote instructions on the board. "I needed to make the plot work, ok?" - JK Rowling, probably.)

Other relevant excerpts:

“Snape staggered - his wand flew upwards, away from Harry - and suddenly Harry’s mind was teeming with memories that were not his: a hook-nosed man was shouting at a cowering woman, while a small dark-haired boy cried in a corner ”

OoTP Ch. 26

“Harry delved into his trunk and pulled out his copy of Advanced Potion-Making before getting into bed. There he turned its pages, searching, until he finally found, at the front of the book, the date that it had been published. It was nearly fifty years old.”

HBP Ch. 16

Supplemental material re: Gobstones from JK Rowling:

"...it remains a minority sport within the wizarding world, and does not enjoy a very ‘cool’ reputation, something its devotees tend to resent. Gobstones is most popular among very young wizards and witches, but they generally ‘grow out’ of the game, becoming more interested in Quidditch as they grow older.  ... Gobstones enjoys limited popularity at Hogwarts, ranking low among recreational activities, way behind Quidditch and even Wizarding Chess." [There's an additional sentence on the Harry Potter wiki's Gobstones page: "...it is also known as 'the thinking wizard's Quidditch.'"]

A few conclusions can be drawn from what little information we're given about Eileen:

She's described as "cross and sullen" around the age of 15, and as "sallow-faced, sour-looking" when she's older.

She's captain of the Gobstones club around her fifth year, so she likely marched to the beat of her own drum - given that Gobstones isn't particularly popular - and owns it proudly enough to take, or even seek out, a leadership role.

The sport is described as "the thinking wizard's Quidditch" which would imply Eileen was more interested in intellectual challenges and was clever (and can be paralleled with a young Severus' comment about "if you'd rather be brawny than brainy" to James Potter when they first meet on the Hogwarts Express).

Her marriage and the birth of her son are both announced in the paper, which might mean the family she came from was of some importance or note, or perhaps something else... but we'll get to that.

If we assume that Severus' secondhand copy of Advanced Potion Making was originally Eileen's (reasonable, though there is no textual evidence) then its publication date is likely around the time she was a sixth year, given that this particular text was specific to students beginning to prep for N.E.W.T. exams. Harry begins his sixth year in 1996 when the book is "nearly fifty years old," so we can assume Eileen was 16 years old sometime not long after 1946. Severus was born in 1960, which would mean Eileen was in her mid-late 20s at the time.

Her marriage was dysfunctional at best, abusive at worst. As per a Pottermore post that is still up on WizardingWorld.com: "...the desperately lonely and unhappy childhood [Severus] had with a harsh father who didn’t hold back when it came to the whip." Based on this, we can assume Tobias was abusive, and given Eileen's cowering as he shouted at her, she presumably feared him.

From these bits of information emerges the image of a woman who either had a surly personality, or at the very least was guarded, though perhaps just formal. There isn't really any difference in how her face is set when she's in an everyday setting like King's Cross, or when she's having her picture taken for the Gobstones Club. It's possible she was a stern, unsmiling person, but it's also possible - given that her wedding and child were announced in the paper - that she came from a family of some standing and was raised to conduct herself with hallmarks of British class, such as dignity and unaffectedness. After all, there are several wizarding families - such as the Potters - who are wealthy purebloods with social standing but are not part of the Sacred 28. Additionally, the Gobstones Club portrait would have been taken around the mid-1940s, when portraits were formal and their subjects did not often smile, and given that we see only a snippet of Eileen, we don't have enough information that she was unhappy or sour. It's also important to remember that we see her portrait and Snape's memory of her through Harry's perspective and, like his perception of Snape himself, this may convey Harry's biases.

We also know from the text that Snape had a house in a deserted part of Cokeworth, a fictional Midlands town that presumably had a collapsed milling industry, at the end of a street called Spinner's End. There's a great thread that goes into details about the kind of 2 up 2 down house it would have been, and we can assume that this is Snape's family home given that we know he and Lily grew up in Cokeworth. For all intents and purposes, the conclusion we can draw from this being the Snape family's home in the 60s is that they were working class and cripplingly poor. Most estates like this had been cleared by the 60s, and no longer exist today.

This begs the question: how did a witch from a possibly well-off family end up in an abusive marriage in an irrelevant slum?

Buckle up kids, we're leaving the world of textual references and veering into deep meta territory now. I won't label any of this as head canon because I'm not set on these interpretations, and am just drawing conclusions from the text, but some of it may be a bit loose even for meta.

If Eileen was 16 years old not long after 1946, then she would have finished school in the late 40s, possibly even 1950. While some people (including past me) posit the theory that Tobias may have been injured in WWII and his injuries debilitated him, forcing him to go on the dole and affecting his mental health, I'm increasingly skeptical of this theory. It would make more sense if Eileen had known him before he was drafted/enlisted and had committed to a relationship with him, which would then have changed when he came back from the war and was altered. If we assume Eileen's age based on the idea that it was her own copy of Advanced Potion Making Severus used, then she would still have been at school during WWII (which makes an interesting parallel with Severus' own experience of spending the bulk of the first wizarding war against Voldemort as a student at school).

I do think, however, that there's merit in the theory that Tobias suffered some kind of altering injury and that he wasn't necessarily abusive before Eileen committed herself to him. It makes little sense for a Slytherin graduate who was confident and self-posessed enough to be the face of an unpopular club to be drawn to a partner so abusive his shouts caused her to cower and who whipped his child freely. If, however, he was a charming, happy man when they met who suffered a life-altering injury, the trauma of which left him a shell of his former self, then someone like Eileen might stick around for the sake of the parts of his old self she can still see in him.

It's interesting that she didn't seem to use her magic to protect herself or her son, or even to dress her son in clothing that fit, but we know from the text that depression can cause a wizard's powers to wane:

“...it is also possible that her unrequited love and the attendant despair sapped her of her powers; that can happen”

HBP Ch. 13 (Dumbledore talking about Merope Gaunt)

The fact that the Snapes retained the house in Spinner's End seems to indicate that they continued to live there even when the local industry dried up and the slum was cleared as workers were moved to other parts of the country where they were needed (presumably what happened given *gestures at British history*). The most likely explanation for this would be that Tobias wasn't able to work, and perhaps did suffer an injury, only it was at work, and not during the war. This would mean the family lived on the dole (ie. welfare) and also that he would have spent a lot more time at home. It would also explain his anger and frustration that led to abusive behavior (which isn't to say that disabled people are abusive by any means, but it would have been emasculating for a man who considered himself the breadwinner in the 60s, and chronic pain coupled with limited abilities would give anyone a short fuse).

Moreover, this living situation seems to indicate that there is no additional support coming from anywhere. Where is Eileen's family? Why were they not helping? There's no indication in the text that there is any connection with them at all. We can infer from Snape's memories that, as a child, he learned what he knew about the magical world from his mother. This implies that she talked to him about it a fair amount, and his conviction that he and Lily were going to Hogwarts well before they got their letters also implies that Eileen expected him to go there and was set on her son having a magical education, despite how little she seemed to use her own powers.

Severus knows a lot about the wizarding world as a child, including that prisoners are sent to Azkaban and that it's guarded by Dementors, Hogwarts' house structure and what to expect when he and Lily get there, and about the Statute of Secrecy and the laws around it. When Lily asks him if it makes a difference being Muggleborn, Severus hesitates before replying no, presumably because he's aware of pureblood bias being a part of wizarding culture.

Perhaps that's the reason Eileen's family doesn't seem to be in the picture. My own theory is that Eileen hadn't planned to commit herself to Tobias long-term, and Severus was an accidental outcome of an innocent tryst in which a young Eileen, an educated witch from a well to do pureblood family, was having fun slumming it with a working class muggle and ended up pregnant. While we don't know the wizarding world's attitude around pregnancy and abortion, we do know it's a conservative and classist society that parallels muggle British culture fairly closely, and that the late 50s/early 60s were a time when an out of wedlock baby would have been considered a disgrace.

Add to that the anti-muggle bias of a pureblood family and it sounds like Eileen was disowned her for her mistake (and don't @ me, but even though I know that not all Slytherins are purebloods, it does seem to be a persistent cultural value of the house reaching back to Salazar Slytherin himself, so Eileen's being sorted into it can reasonably be taken as an indication of her blood status). Perhaps the marriage and birth announcements in the Daily Prophet were put in by Eileen herself, if she was a woman from a family where this was customary. It may have been her way of letting her family know of the events, or even of asserting herself and even deliberately defying them, announcing to the whole wizarding world that a Prince married and had a child with a muggle. It makes sense that the girl who wasn't just in the Gobstones club, but became captain, would also say to herself, why shouldn't I have my marriage announced in the paper like everyone else in the family?

It's worth noting that mid-late 20s is pretty young to have a baby in the wizarding world, where the life expectancy and child bearing years are much longer than they are for a muggle. According to the Harry Potter wiki:

"Wizard life expectancy in Britain reached an average 137¾ years in the mid-1990s, according to the Ministry of Divine Health ... Wizards in general have a much longer life expectancy than Muggles, usually living two or three times as long as their non magical counterparts, some living even longer than that depending on circumstances. In addition, seeing as James Potter's parents had him "late in life,” witches likely have significantly longer childbearing years than Muggle women."

Although we see several characters in Severus' generation getting married and having kids not long after leaving school, there's a mention in the text that a lot of people were doing this during Voldemort's reign, as the fear he inspired made people more eager to get a move on with life since they thought they might die any day (I think Mrs. Weasley says this but I can't find the quote, @ me if you do). It's clear this wasn't the norm in the wizarding world. Eileen was a Slytherin, a house that values cunning, ambition, and strong wizarding heritage. Something must have gone very wrong in Eileen's life for her to end up having a child so young and living in a muggle slum.

And so it's possible Eileen Prince found herself pregnant and alone, having been disowned by her family to save face in light of her disgrace, and dependent on the only person she was still close to, the father of her child. It's the kind of storyline that Rowling would write, and it would parallel fairly closely the story of Voldemort's mother, thus adding another to the long list of similarities between Voldemort and Snape.

Lorrie Kim makes an interesting point when she talks about how Snape has a strong reaction to other people having a love life or romantic experiences (the context being Rowling's intention of his love for Lily being romantic and unrequited), but doesn't react particularly strongly to mothers sacrificing themselves for their children, whereas Voldemort does. Her insight, and I think it's a reasonable one, is that Severus accepts the idea of mothers making sacrifices for their children, whether it's Lily giving her life for Harry or Narcissa risking all she did to ask for his help in protecting Draco, because his own mother protected him from his father as much as she could.

There's a lot of room for interpretation on what Eileen's relationship with her son looked like, and what it says about her own state. She may have prioritized not angering Tobias to protect Severus, who as a child might have perceived her actions as a form of rejection. At the same time, she seems to have prepared him thoroughly for life in the magical world, perhaps in the hope that he would find his place in it and escape home. Perhaps she missed it and told him so much about it so she could live through her own memories.

The only time we see her argue with Tobias, in Severus' memory, she's cowering as he shouts. We know from JK Rowling that Tobias used corporal punishment liberally, which implies Eileen didn't stop him despite her magical abilities. We also see in the text, however, that while at school Severus stood up for himself against bullies and fought back, and that he was an exceptionally clever and powerful wizard. As an adult he was brave enough to face Dumbledore when he betrayed Voldemort, and later fought against Voldemort right under his nose (or lack thereof). So it stands to reason that at some point Severus began to stand up against Tobias too.

How much of that was Eileen's influence, or the result of Severus seeing her acceptance of her fate and rejecting it for himself, is hard to say. As for what happened to Tobias and Eileen that their house was Severus' by the mid-90s and they were nowhere in sight, I don't think there's enough information in the text to infer.

[rayroseu]

source

The character preview for Book 7 Chapter 8 seems to be Pomefiore dorm!!!

I'm so glad 😭😭!! I missed them!!! Also because out of all the dorms, they share the same values as Diasomnia: nobility, tenacity, and elegance, also both dorms are heavy on being powerful and "celebrating witches".

I feel like theres importance behind the fact that Vil shared magic from Malleus when he turned old, and how Vil still has favor to pay when Malleus fixed his mess after his VDC overblot.

Maybe Vil will be more familiar with recognizing that hes under Malleus' spell??? because he has a relation with Malleus' magic??? Idk

Also the fact that Sleepy Kiss (Crimson Kiss)(?)which is Epel's UM is literally a miniature version of Fae of Maleficence, maybe this time Epel will provide info on how "magic that traps you into sleep" works??

Especially because their UM dont even care if the magician is stronger than Epel or Malleus(the caster), they'll still fall asleep like how Epel easily immobilized Riddle on GloMas despite Riddle having a lot of magical power, its not like other psychological UM (like Snake Whisper) where if a person is (mentally) strong enough, they'll be out of it.

Also I feel like its Rook's dream world that we're going lol I feel like he'll be a great comrade to have in repelling Malleus KABDKAJDS I really like their interaction in that vignette, I need more raging Malleus 🙏😭✨

[neechees]

A lot of what people say about witches is just inaccurate

People in the "dark ages" or middle ages didn't really care about witches the way media make them out to, they didn't believe people could do magic or do devil worship because they thought only God could make things magically happen. In a way, they thought witches didn't really exist because their magic didn't work, so they weren't much of a concern. It was even pretty common for medieval people to do little superstitious practices and "magic" without issue.

Medieval people (besides like, the nobility) would not give a shit if you spent a lot of time in or lived in the woods, they would think you were foraging, hunting, or gathering wood (which was allowed jf you paid tribute to the Lord/King, but obvi sometimes ppl just did it anyway), OR if anything, think you were a criminal: it was common for gangs to hang out in the woods to avoid being caught & punished and because they were going against the Forest Laws, that's where the trope of Robin Hood & his Merry men living in the forest comes from.

Most people were not burned for witch craft, they were hung. Burning was for heresy,

A shitton of people targeted for being "witches" were people who weren't Christian (Jewish people & Muslims) and/or not White (same as earlier, and Native Americans & Black people). This is because, along with the other stupid beliefs of what witches allegedly do or how you can "tell" someone is a witch came from the book The Hammer of The Witches which was made by a Christian dude who used a lot of antisemitic (like blood libel, a lot of beliefs about witches comes from antisemitism) & Islamophobic stereotypes as well as random shit he made up. So the idea of witches mostly started during the Tudor era, and then witch hunts REALLY revved up again specifically because of that guy. This Jewish youtuber goes over it in this video.

Like I hate to be that guy but you would not be called a "witch" for doing some very normal things and you are not the "daughter of witches they couldn't burn" because they didn't burn witches in the first place, and a lot of the people persecuted for supposed witch craft themselves were pointing fingers at others for being "witches"