#wing beats

[clockwayswrites]

Dick is so fun to write as a moody blorbo trying so hard to be happy.

-

The thud of the music reverberates in Dick's chest, pushing his heartbeat back out of focus. It's consuming and encompassing and reckless and Dick likes that. He likes how the music shuts does any chance of thought or conversation. He likes how it gives him an excuse to be off. He likes how it gives him an excuse to be just the pretty face everyone thinks he is.

It's almost like not existing at all.

Dick wants that in a way he shouldn't.

The club feels the safest way to get it.

He's already sweaty. His skin glimmers with glitter that he didn’t come in wearing. He's pretty sure that there's a rainbow of lipsticks smudged against his neck. It's perfect.

The beat changes and Dick slips away from the current throng of bodies—people whose names he would never know and didn't want to.

The world tilts for a moment, as if telling him he shouldn't be trying to rely on his own two feet. As if he only belongs to the throng now. Dick doesn't listen to the warning. It's been a long time since gravity has had any real hold over his life; not since—

The bar is busy, but Dick's blinding smile and cheeky wink gets him quick enough service. Soon he has a chilled, dangerously pink drink in hand and he's sucking it down gratefully to soothe his dry throat.

He keeps half an eye on the crowd, which is just a blur of colors and bodies. No one has caught Dick's eye yet, but maybe that was for the best. He's not sure if he wants to end up in someone's bed or just leave it all on the dance floor tonight.

There are already photos circulating of him out tonight. There has to be. He hasn’t tried to be subtle about it. Bruce would have something to say about it, as if he could talk as ‘Brucie’. Alfred would raise a pointed brow if Dick went to the manor any time soon. Some of the Titans might even try to call.

Or maybe not.

Dick doesn't know where he stands with them anymore, which is fine. It’s all fine.

He plucks the strawberry off the edge of his cup and pops it in his mouth. The sweet taste blooms across his tongue. It's distracting.

[imissthembutitwasntadisaster]

Hate hate hate how when I get angry there is a physical reaction but it's not glowing eyes or growing claws or something it's crying. This feels unfair.

[homicidal-lingonberry]

[puppetmaster13u]

Prompt 283

Now Jason would like it known that there was no mpreg situation going on. He isn’t even sure where people got that idea in the first place. Sure, he had taken a few Cores from the goons-in-white who had dared to set up in his turf. 

And sure maybe the excess energy from the pit (no wonder he’d been so irritable) was what said baby halfas (Okay, so they’re half human? Alright) had used to reform. And maybe the oldest is visibly less than a year old. 

But there Was No Mpreg Situation! He is this close to shooting someone! It was annoying (and slightly amusing) when it was just his goons, but now the Bats have seemingly got it in their heads! Dear Gotham it’s a good thing he’s not planning on like, ever revealing who he is because he would never be able to live this rumor down. 

[Winged Ghosts Au too, that seems to be getting lost in reblogs when it's just in the tags lol]

[ffverr]

Jotten pyjama meme for the people !!

[redthemarten]

So, uhhh, @lordincognito your angel/devil costume idea has been on my mind so much that it has turned into an AU and has been haunting me all week. LOOK WHAT YOU HAVE DONE

[chaoticneutraltor]

[cryptidlark]

Star-spray 🌟

[a-dauntless-daffodil]

vaggie, miss "im not used to fighting with long hair" who's out of practice actually battling someone or really stabbing ppl...

...still had the arm and hand strength, the REFLEXES, to do a bare handed blade catch on a SWORD, who's user had been doing an aerial dive with it aimed at vaggie's FACE

then sling around and THROW her opponent with it

i know she wants a peaceful-ish life with charlie, but i really wouldn't mind seeing her getting into just a FEW more fights >:D

also also side note: carmilla was able to eff her up earlier so easily bc vaggie fought like an exorcist, no thought to getting hurt or personal defense, the headspace of 'i can't get killed! wheee! DIE DIE DIE' that got that other exorcist killed

and the main advice vaggie got from carmilla was take advantage of that sure, but first and more importantly, defend yourself better

which kinda plays into the whole "be out for love thing" too

aka the fight isn't important, it's what you're fighting to still have Afterwards that matters- the people you love, having a life with them

(the hotel, the hazbins, charlie)

carmilla doesn't send vaggie off with a 'you're ready to go kill angels'. she's only satisfied and ends their little lesson / sparring match when she can say "you might just survive this"

feels like she wasn't teaching vaggie to take out angels. she was reminding her and showing her how NOT to get KILLED

so it's just so nice seeing vaggie blocking, dodging, and grappling lute later. how good she is at focusing on avoiding or neutralizing those attacks aimed at her. how Seriously she takes them

binding lute's both lute's arms and wedging them into her own body so lute's sword CAN'T be angled towards her

the way this shot emphasis's the THREAT of the sword hanging over vaggie

and how her flash-fast recovery and block shows she's READY for it

dodging, not attacking

she's not in this for blood or vengeance, this lady is trying to stay the fuck alive. she's got things and people to live for

things like the idea of mercy. that thing both her and charlie show their enemies, people who came down to hell for murder and spent this fight trying to kill them and got damn close to doing it.

and sure there's a pretty big tone difference between charlie's "Whoa whoa dad. He's had enough" and vaggie's "No, live. Live knowing that you only do because I let you" but both end at the same place, with someone who hates them still getting a second chance

(UNLESS ITS NIFFTY WITH THE ANGELIC BLAAADE)

and vaggie wants that second chance too. she wants a life with charlie, and fights hard so she can stick around for it

epic fail, lute... have you considered getting a hobby...?

[tavolgisvist]

Paul and drums

Our kid was first in a group with John called Quarrymen, and apparently, I’d forgotten the set of drums fell off the back of a lorry, as we say in Liverpool, and landed up in our house. So I was learning drums, and one of the Quarrymen came back and said, ‘I remember you’re coming down the house, and it was great when you played drums for us.’ I said, ‘Did I?’ I’d totally forgotten. But then I realized why I forgot. It’s because I broke my arm in a scout camp, and this hand dropped. It was dead, paralyzed. So it took several years to get it back, and at that time, those drums that I was learning on, first of all, my brother, no wonder the drums on the band on the road are good. That’s where he learned it from my drums. But I couldn’t play anything then. So I’d forgotten that I was even the drummer, and Ringo got the job.

(Mike McCartney)

Mersey Beat Founder and Editor, Bill Harry wrote a guest column for Beatle Fan Magazine in 2019. He stated “For their August 7, 1961 gig, the Litherland Town Hall classified advertisement in the Liverpool Echo carried the message: ‘Hear Pete Best Sing Tonight.’ Best had been talked into performing the song “Pinwheel Twist,” which Paul had written for him to sing. Pete recalled in a conversation with Spencer Leigh: ‘Paul wrote the song and asked me to do it. He coupled it with Joey Dee’s hit “The Peppermint Twist.’ I used to get up and do the twist onstage and Paul played my drums. It was a little novelty act and it went down well with the fans. When The Beatles performed it, Paul took over on drums, George played Paul’s left-handed bass right-handed and Pete sang.”

(Source)

I used to get on Pete’s case a bit. He’d often stay out all night. He got to know a stripper and they were boyfriend and girlfriend. She didn’t finish work until four in the morning, so he’d stay up with her and roll back at about ten in the morning and be going to bed when we were starting work…

(Paul McCartney, Anthology, 2001)

Q: When did you first play drums? A: My first recollection is in Hamburg. You’d get behind the kit to try and show the drummer what you wanted. That gradually grew to messing around on other people’s kits, which were lying around because there were a lot of groups playing in the places we played. You picked up the simplest beats very naturally. I remember one evening when Tony Sheridan’s drummer didn’t show up, so Tony said, “Come on, man, sit in!” I said, “No way! I can’t do this.” And he said, “Yeah, you can.” So I did it and then I was thinking, “Well! I’ve actually done a professional drumming gig!” Later, with The Beatles, there was a period where John, George, and I operated as a trio and picked up little bits of work. I remember playing in an illegal club in somebody’s basement on Upper Parliament Street in Liverpool’s Caribbean Quarter. One day this guy called Lord Woodbine, who ran the club, asked if we’d come in and accompany this stripper called Janine. We said, “Wow! Yeah, man! There’s a job.” He even paid us money. Q: It sounds like you would have paid him for that gig. A: Exactly [laughs]. So she came in and said, “Okay, I need you to play Ravel’s Bolero.” We said, “Oh, gee. Sorry, luv. We don’t read music. But we’ve got ’Raunchy.’ That might do.” I had somebody’s old drum kit, and I sat there with a broomstick between my legs, with a microphone tied to it so I could do a bit of vocals and drum at the same time. It was hilarious.

(Paul McCartney, interview with Robert L. Doerschuk for Drum!Magazine, 2005)

Q: When Ringo joined the band, that must have interrupted your emerging career on drums. A: Yeah, I was completely redundant. We loved Ringo so much. He was our favorite drummer in Liverpool, and when he joined the band, it was an explosion: Every song sounded new and fresh. He could pass what we felt was the true test for drummers, which was to be able to play “What’d I Say” — the cymbal work and the toms.

(Paul McCartney, interview with Robert L. Doerschuk for Drum!Magazine, 2005)

We did do a few little bits and pieces together before we all went our separate ways. John and I and Yoko did ‘The Ballad of John and Yoko’. He enlisted me for that because he knew it was a great way to make a record. ‘We’ll go round to Abbey Road Studios. Who lives near there? Paul. Who’s going to drum on this record? Paul. Who can play bass? Paul. And who’ll do it if I ask him nicely? Paul.’ He wasn’t at all sheepish about asking. He probably said something like, ‘Oh, I’ve got this song I want to record. Would you come round?’ And I probably said, ‘Yeah, why not?’

(Paul McCartney, The Lyrics, 2021, about Dear Friend)

Steve Miller happened to be there recording, late at night, and he just breezed in. ‘Hey, what’s happening, man? Can I use the studio?’ ‘Yeah!’ I said. ‘Can I drum for you? I just had a fucking unholy argument with the guys there.’ I explained it to him, took ten minutes to get it off my chest. So I did a track, he and I stayed that night and did a track of his called My Dark Hour. I thrashed everything out on the drums. There’s a surfeit of aggressive drum fills, that’s all I can say about that. We stayed up until late. I played bass, guitar and drums and sang backing vocals. It’s actually a pretty good track. It was a very strange time in my life and I swear I got my first grey hairs that month. I saw them appearing. I looked in the mirror, I thought, I can see you. You’re all coming now. Welcome.

(Paul McCartney in Many Years From Now by Barry Miles, 1997)

I really had to ask myself, “Do I want to give up music, or keep going?” I got a four-track Studer recording machine, like the Beatles used for Sgt. Pepper, put it in the corner of the living-room at my house in London and tried a very simple technique of just plugging directly into the back, not going through a mixing desk. It’s a cool way to record because it’s pure. If, say, I was doing a drum track, I’d play the drums, record it with one microphone, listen to it back, move the mike a little if there wasn’t enough hi-hat or cymbal, and then re-record. Then I’d add bass by plugging the mike into track two and overdubbing while listening to track one through headphones. I’d do that with all with four tracks. It was very hands-on, primitive way of working. <…> It was funky, and still sounds good to me.

(Paul McCartney, “Wingspan” documentary, 2001)

We did not see Ringo until the next night when he arrived at the session. He walked in and went straight to his drums…fiddled with them, then fiddled with them some more. “Somebody did something to my snare drum,” he said irritably. “Paul was here last night. He played them,” explained John. “He’s always fucking around with me things!” It sounded as though Ringo were back in Liverpool and all of them were still teenagers and nothing in their lives had changed. I realized then, that no matter what might happen among them, this was the way they would always relate to each other.

(May Pang, Loving John, 1983)

(Krla Beat, pic by lisamarie-vee)

So, I got into my studio in Scotland and started working, doing the drum track. I normally start with the drums. I sometimes use drum machines, but I like to redo it with real drums. I enjoy drumming. Then I put some bass on it. I was just doing an experimental thing. I was messing around and experimenting. Slowing down tapes, or speeding them up.

(Paul McCartney, The Lyrics, 2021, about Coming Up)

Paul and I were in England, having dinner together [along with our wives]. I told him I was making an EP, and I said, “Why don’t you write me a song?” He wrote the song [Feeling the Sunlight] and put bass on it, he put piano, he put the drums on — and I had to take the drums off. [Laughs.]

(Ringo Starr, interview with Rob Tannenbaum for AARP, Nov 2023)

George was the first one to make a solo album [Wonderwall Music], and I was the drummer. John started the Plastic Ono Band, and I was the drummer. Paul likes to play drums himself, or I would’ve been on his albums too.

(Ringo Starr, interview with Rob Tannenbaum for AARP, Nov 2023)

Q: As strong as you are on bass, keyboards, guitar, and as a singer and writer, is it frustrating to play your drum parts at a more limited level? A: That never intimidates me, though it probably should. I just have so much enthusiasm when I do things that I don’t even consider it. I’m lucky, because some people would wrack themselves with doubt, but when I came to this project I was like, “Man, let’s just have a bit of fun!” It didn’t occur to me that I was some idiot jumping on the kit. I know that a lot of drummers can play rings around me, but as long as I keep it simple and don’t get too flash, I can play with a steady, swampy feel, and that’ll do the job.

(Paul McCartney, interview with Robert L. Doerschuk for Drum!Magazine, 2005)

@i-am-the-oyster, I hope you will enjoy :)

+ this

[saturnsorbits]

Sero Hanta, early-twenties, sat in a small room with his pants around his ankles and a small pot in his hand. There’s porn magazines all over the place, something he’s never quite cared for, but he still manages to deposit his sample with the nurse within a break-neck 10 minutes. Blame his youthful exuberance and the fact he hasn’t touched himself for almost two weeks leading up to his appointment, he guesses.

And you, fifteen years later, with your son. A lanky boy who’s too tall for his age, with a mop of black hair and eyes of such a richly, dark brown they’re often mistaken for black.

[bonefall]

catch me up on the bramblecope. whats going on

Bright Guardian Akira (BGA) held a poll on their audience's "Least Favorite Warrior Cat." Bramblestar was voted absolute least favorite, right under Clear Sky.

Bramblestans are mad, as usual.

[probablyanalienindisguise]

Fym it's only a creature that shows up in like two boss fights and never gets mentioned again??

[natopi]

New oc +Winged creature design

[puppetmaster13u]

Prompt 296

Through a series of miscommunication, the League is now under the impression that Batman, strange cryptid that he is, may or may not have given birth to the other vigilantes running around in Gotham. This was not helped by Bruce referring to all of his children, no matter how big they get, as his babies. Nor was it helped by Red Robin, in the middle of a narcolepsy-fueled imminent crash, mentioned how he had no mother. 

It also doesn’t help that no one is aware that they are in fact completely normal people, and not aspects of Gotham itself brought to life. Though really that’s on the bats themselves, because at this point they should at least count as undead. 

[askblueandviolet]