#wilson literally buys him a condo and the only thing in it that’s was wilson’s was the organ but the organ was for house if that’s not love
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hilsonisthecure · 2 years ago
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wilson
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the term boy best friend seems a little sus ඞ
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hilsonapologist · 4 years ago
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ok so let me get this straight. house tries to pressure wilson into buying furniture to make him figure out who he is, and the only thing wilson, shown to be extremely indecisive and anxious all through the episode, finds himself capable of buying is an amazing piano that he correctly predicts-- knows-- house will love. and house breaks into a wide smile. and says i like what this says about you, wilson. ok. ok.
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wienerbarnes · 4 years ago
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Play Dead Until You’re Dead
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Pairing: Bucky x Reader (Cheek to Cheek)
Word Count: 3,149
Warnings: Lowkey angst ngl but nothing too bad
A/N: YAY im so excited for this part bc I've had this in my head for a while now and it gonna change so much for the story but I'm so excited for one shots in the future! also this is kinda not edited ill go through it again tomorrow :) enjoy!
MAIN MASTERLIST | CHEEK TO CHEEK MASTERLIST
A slow knock interrupts your plant watering and you glance at the time. Bucky said he’d be by in the afternoon, not the morning. You place your cup of water down and walk over to the door and open it cautiously before your eyes widen and a gasp escapes you as you see who awaits you on the other side.
Sam Wilson, dressed in civilian clothing, shoots you a smirk, “Why don’t we go for a drive?”
You don’t have time to answer. You don’t have time to think. Your blood is cold, your hands are cold, and your feet are cold as they slip into the sandals you keep by the door. You silently - and anxiously - step out into the hallway and shut the door behind you, never taking your eyes off of Sam.
“After you.” he gestures with a smile. You walk.
Sam Wilson and Bucky Barnes have a lot of unspoken conversations. Although the rocky start they got off too all those years ago, they’ve grown incredibly close and trust each other like no one else.
So when Bucky calls him late at night, sounding confused, nervous, and unsure, Sam notices. Especially when Bucky then suddenly forgets why he called and what he needed to talk to him about.
Sam’s first thought was that he was drugged. Bucky was given something that clouded his mind. But when Sam saw him the next day, he seemed perfectly fine. So, he proceeded to his second thought.
Bucky was keeping a secret from him.
When Sam was passed the shield, there was one thing each of them asked of each other. Bucky asked to not be a part of the Avengers full time. Sam asked for no secrets and no lying (which he later asked the same from Sharon).
And since then, Bucky has been solely tasked with training new recruits for their seven week training which occurs twice a year, as well as to help on especially difficult cases called to them by the government. And in return, Bucky has not told a single lie to him or kept a single secret. Until now.
So Sam begins to get unimaginably curious. Bucky hasn’t picked up any new hobbies, and after a quick and encrypted check up, none of his extended family have passed away or had anything big happen to them, either. The last thing that Sam can think of to have caused such an odd change in Bucky is a girlfriend. But, if it is a girlfriend, why wouldn’t he tell Sam? Unless, it was someone he knew Sam wouldn’t like.
And that’s when he knew he had to figure out who it was.
So he waited. Until the perfect clue presented itself.
“No, I can’t tonight, man.”
“Why not? I know it’s Friday night, but, what, you got a hot date, or something?”
“Something like that - look, I just have plans I can’t cancel tonight. How about next Friday we go out?”
That was all Sam needed. The plans he couldn’t cancel. So, he waited until later that night and went over to Bucky’s apartment. He’d figure a harmless cock-blocking will teach him not to keep secrets from him anymore.
Until when he put his car into park and gathered his belongings to put them in his pockets, he noticed someone exiting the front of the apartment building; specifically a head of fiery red hair.
Imagine his surprise when he recognizes the face as you.
It doesn’t take long for Sam to figure out where you were. Everyone had already assumed you to be dead, or at least be far away from the country. But now that he knew you were still in New York, a few hours digging into your past and your file led him to a few key locations. From being so separated from society for so long, chances were that you’d find a place you were familiar with, if not the same place, the same area.
Kathleen Grover’s apartment is the first place he checks, but it’s since been turned into higher end condos, a place you probably wouldn’t be able to get away with staying at considering that you probably don’t have an ID or any money. So he checks for the absolute cheapest and low-lying apartments in the neighborhood. Which gives him two results. He just so happened to be lucky on the first one he chose to look into.
Which leads to now, the two of you riding in complete silence, on the way to the Tower, unbeknownst to you.
The only thing that’s going through your mind is Bucky. You hate the idea that he sold you out, because not only would it hurt your feelings, but it would mean those annoying voices in your head would’ve been right.
Yeah, time to put your big girl pants back on. What, you thought you’d live a normal life at some point? Buy a big house? Go out to fancy, populated restaurants? Maybe DisneyWorld? Get a grip! You were always a mistake and a failure. And you’re going right back where you belong, in that box! And Bucky will be right there in that observation room when they stick the needle in your arm and end you for good.
You swallow down the bile that comes up at the thought of going back to prison.
It was fun while it lasted. Decorating the apartment. The tattoos. The new recipes. The movie nights with Bucky. The sleepovers with Bucky. The list with Bucky. The long road trips with Bucky. The music playlists with Bucky. Bucky.
You’ll miss Bucky the most in prison. You’ll think about him everyday. You won’t be able to write him and he won’t be able to write you, not that he’d want to given the fact that he ratted you out, but there was no paper or writing utensils allowed, especially for you.
You’ll dream about his singing when he’d clean, his hugs after waking up, still warm from the sheets, and the unbelievable comfort his eyes provided.
...
“Hey, Sam, how are you?” Bucky absentmindedly answers as he finishes up watering the plants in his living room.
“Hey, man. You busy? Mind meeting me at the tower?” Bucky can hear his car in the background.
“Uh, yea, sure I can. New case?” He asks, setting down his watering kettle and walking towards his room to put on a fresh pair of socks and sneakers. If it’s a new case, there’s no point in getting all done up to listen to Sam debrief him.
“Something like that. Just get here, yea?”
That’s odd.
Normally when Sam calls Bucky about a case, he gives him at least some of the details. That was a part of their plan, their deal. Bucky only joins on missions on special occasions and with specific circumstances. So why wouldn’t Sam give the tiniest hint of what’s going on?
Unless it’s something Bucky’s involved in.
Is Zemo dead? Has he escaped? Some other big Hydra villain that’s come to light?
Bucky’s mouth goes dry like cotton at the thought of something involving you. Did someone recognize you and turn you in? Did Sam find you? No, no, he couldn’t have. The both of you had been so unbelievably careful, there was no way anyone found you.
Bucky lets out a shaky sigh before grabbing his keys and his wallet and heading out.
That phone call hurt. Hearing Bucky’s voice, for what will probably be the last time in a long, long time. Even if he betrayed you, even if he turned you in, even if he used you, backstabbed you, whatever. That fifteen second phone call caused an excruciating pain in your heart and it was so hard to hold back tears.
You didn’t want to cry. Captain America and Bucky Barnes had humiliated you enough for you to be crying on the way to the Avengers Tower. They don’t deserve your tears, and you don’t even deserve to be shedding them. This is exactly what you had coming to you.
Although the car ride felt like it lasted hours, the two of you arrived at the Avengers tower sooner than you would have liked.
Sam drove the car up though a back entrance, the back of the building opening up like recognizing Sam’s car. The ride in the elevator was quiet as Sam flashes a crystal-looking card and presses one of the thirty-seven buttons of the building.
He hadn’t put you in handcuffs and it seems he’s chosen a rather secretive way of transporting you here. Granted, you know you wouldn’t win a fight against Sam Wilson, even if you had Marine and HYDRA training under your belt, but, who knows what if you had a knife? Or were secretly an incredibly skilled fighter? What if your powers allowed you to, like, melt people’s brains and he had no idea? That’d probably be your best bet anyway, considering you're in custody at the Avengers Tower in sandals and no bra under your shirt.
The two of you exit out into an empty hallway, quiet, too, you notice. As the two of you approach the end of the hallway, swaying towards the door on the left wall, an interrogation room you deduct from peeking into the small window, a voice stops you.
“Hey, Sam? F.R.I.D.A.Y. told me you’d be here, what’s-”
His voice catches in his throat seeing you and Sam turn around to face him. He feels his eyes widen, his skin pale, his hands become clammy. This can’t be happening. This can not be happening. He walks closer and his steps slow as he’s standing in front of you. He’s literally speechless and as much as he wants to talk, to scream, to question what’s going on, he doesn’t.
His mouth hangs open even though no words come out, and you spit in his face before he gets the chance. He flinches and Sam pushes you into the room before you can react any further.
Bucky wipes your saliva from his cheek and he wants to cry. He wants to choke. He wants to throw a fucking tantrum in the middle of the hallway because he has absolutely no idea what’s going on. He feels a panic attack coming on and uses all of this strength to push it down as Sam exits the room. Relax. Figure out what’s going on so you can fix it; so you can get her the fuck out of here.
“You are going to tell me everything. And I mean everything. Absolutely no one knows that she’s here, or that she’s even alive. Sharon will remain unaware until you give me an explanation.” Sam tells him, his Captain voice taking over, and Bucky silently nods because he’s scared.
This is all so fucked up. And he hopes the truth he’s about to tell Sam will help you more than hurt you.
It’s funny how being in a familiar place affects your mind and body, regardless of how long it’s been. In the time that you’ve been in this interrogation room, your nerves have been completely on edge in a way that they haven’t been since being in prison, the voices have returned in your head, chatty as ever, and you haven’t been so angry since you killed that guard all those years ago in that first prison.
You pick and pull at your cuticles until they bleed and chew at the inside of your cheek until you taste metal.
Think they’ll let you decorate your cell this time? Or do you think they’ll just strap you straight into the medical chair and tie your arm up? No need to waste food, water, and a cot on you. Maybe they’ll bring back the electric chair or the firing squad just for this special occasion! Maybe they’ll have Bucky pull the lever-
“Shut up.” You mumble audibly, already feeling a headache coming on.
Spitting at Bucky felt good and bad at the same time. Good, because he deserves it, and more, after doing this to you; giving you the best and freest two and a half years of your life before snatching it all away from you in a second. Did he do it for fun? Did he like the game, the teasing of befriending you, taking care of you, all because he knew he’d do this and have the last laugh in the end?
It felt bad because as much as this sucks, you can’t find it in you hate Bucky. He’s become your best friend, your only friend, someone you actually trust in this new life you’ve been living. You want to forgive him, hug him, tell him it’s okay, that you’re not mad, that you could never be mad at him. Because you couldn’t. And that might actually be the worst part to all of this.
A click interrupts your thoughts and you stare at the Captain as he pulls out the seat across from you and sits down at the small table. How you wish there was a clock in here; how long had you been waiting for him here?
“What are you feelin’ right now?”
“Sorta like how your little wingman Riley felt when he fell out of the fucking sky.” You snap.
Sam doesn’t react. He remembers the way you’d act during the investigation years ago when they would question you in prison; he’d see the way you snap at them, at the guards, at the other inmates, how you’d really dig deep into people feelings and thoughts to say the worst thing to them in order to bring up bad memories. So, he was kind of already expecting that.
You’re upset, that he can tell from your attitude, your chipped and chewed fingernails, and you slouched sitting position, arms crossed across your chest as you lean against the back of the chair. He doesn’t blame you though, he’d probably be pretty upset, too.
“F.R.I.D.A.Y., stop all audio and video recording from this room from today and erase it completely from every system, please.”
“Clearance level 1 or 2 necessary for that, Captain.”
“Clearance level 2; Wilson, Samuel T.”
“Thank you, Captain. All recordings have been erased and stopped.”
Huh?
“I have a proposition for you.” Sam begins. Your confusion clouds your mind and you don’t process his statement fast enough to respond before he continues.
“I will announce to the press that your body has been found along the coast of the Pacific after following a lead on your whereabouts, I will clarify that you have been found dead and that you drowned, closing the case looking for you. I will provide you with a new identity; that includes a false birth certificate, passport, and other forms of identification with a new name, new birth date, new everything.”
“Is this a fucking joke?” He ignores you.
“There will be a few rules you will have to follow in return. You will have to stay completely hidden out of the populated public for one full year after this announcement is made. You will have to change your appearance; cut your hair, dye it, whatever. You will stay here at the tower where you will be monitored.”
He pauses, like he knows this will be the part you hate most.
“And you will be required to use your abilities to help on future cases the Avengers are tasked with; the same way you did when we came to you with those two cases in the past.”
You’re silent for a moment, “And if I say no?” Your voice is small. You really don’t want to do this. You want to go back to your apartment, you want your clothes, your plants, your blankets, your mugs.
“Then you will be arrested and sent back to prison, in the same exact place on death row you were before.” Your eyes shut, the headache hitting fully.
“Why.” You demand.
“I talked to Bucky,” A roll of your eyes. “He didn’t rat you out, if that’s what you're thinking. I found you all by myself. And I made Bucky tell me absolutely everything. And from there I’m making the decision myself to offer this to you. It’s not my first time helping a globally wanted criminal. Or my second. Or my third. And it honestly probably won’t be my last at this point.”
Do you believe him? Does it even matter if he’s telling the truth or not? You clearly don’t have a choice here.
He knows this. And depending on how deep he spoke with Bucky, he knows you won’t go back to prison.
“I’ll show you to your quarters. You’ll have your own bathroom and kitchen. Tomorrow morning you will be briefed with your new identity by myself, Bucky, Agent Carter, and Director Fury. F.R.I.D.A.Y will help you with that in the morning.”
The walk was just as miserable as it was when you arrived. You wonder where Bucky is. Does he have a room here? Is he back home in his apartment? Is he coming back? Is he thinking about you? Is he mad that you spit on him?
I mean, probably a little bit. I would be at least.
You take a moment to look around your new room; your new living quarters for pretty much forever. There’s so much stuff; a large bed covered with folded blankets and soft pillows, a folded pair of clothes, a rug beneath your feet that sits under a desk and a large bookshelf, filled with books of differing genres and notebooks, the desk is bare except for a small lamp and a cup of pens and pencil. The kitchenette is to your left and seems to be pretty modern, you can’t imagine it’s missing anything you’d need. The closed door against the wall you assume is your promised bathroom, but you don’t feel like settling in.
It’s strange, living almost all your life with nothing; as a child being poor with your family, having less than that in the Marines, and having nothing in Hydra. When you had your apartment, you had nothing, you cleaned the apartment building to make money to pay your cheap rent, you’d steal your clothes, food, and decorations, everything that Bucky didn’t buy you, anyway.
And now, you’re standing in a room that has everything you’d need, no need to pay rent, supplies and resources at your request; all that’s needed in return is the use of your powers.
But you hate it. All of it.
The colors are dull. The decor is boring. There’s no light. Nothing happy. No colorful blankets, no wacky mugs, no cute earrings, no mismatched socks and labeled underwear with the days of the week. No Bucky.
No Bucky.
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curious-minx · 4 years ago
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October 2010s Music Deep Dive!
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A mock up poster for the only possible music festival line-up I would be willing to risk my life attending. Tony Allen’s passing has caused the entire Octoberfest to be cancelled indefinitely, but all proceeds from ticks will be given back to the community. 
Hope all of you special nobodies and overblown somebodies reading this right now are having a smashing start your first o November. All last month I had taken it upon myself to listen to as many albums and fragments of albums released sometime during the month of October spanning the entire 10’s decade, 2010 through 2019. This is all probably a result of drinking too much dead water, Quarantine brain, undiagnosed Autism, magical thinking and the death of boredom. I have created a Spotify playlist sporting 25 hours and 4 minutes worth of music with an arbitrary amount of albums getting multiple songs, but largely one song/album. This project did create a sense of madness because of the volume of music that gets cranked out. How can we expect anyone to properly criticize music when it is nearly impossible to keep up with it all? I largely culled these albums from Allmusic’s Editorial Choice section, but I did have to use Rateyourmusic to fill out the hip-hop and R&B gaps. In gathering up all of this music I am attempting to see if spooky music was relegated to the October season and any other possible trends. Even though October has been laid to rest her swelling calendar breast still contains a treasure trove of music worth discussing. Grab your broom, sharpen your heels and get the cobwebs out of your ears because we’re going on a Deep Dive! 
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The 2010s Old Souls and Musical Auteurs 
I consider any musician or band that endures more than a decade worthy of this veteran label. Music biz lifers seem found solace in the October release schedule. A trend that has carried onto the new decade with October 2020 offering revitalized releases by Elvis Costello and Bruce Springsteen reunited with the E Street Band. All three main members of Sonic Youth, Moore, Gordon and Renaldo are still harnessing that spooky Bad Moon Rising energy and carrying it over into their solo releases. 
KIM GORDON’s NO RECORD HOME
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The first truly proper solo album by Kim Gordon following up her pretty good noise rock releases under the Body/Head moniker with Bill Nace. No Record Home towers over Thurston Moore and Lee Renaldo’s mostly okay solo releases because of how truly experimental and refreshingly modern sounding No Record Home is. This album sounds like it could easily have come out from a young Pacific Northwest Trip-Angle (RIP) label upstart. Instead, Gordon is defiantly aging gracefully and remains an all around important feminist voice in experimental rock music. No Record Home did not pop up on a lot of “Best of the Year” lists in 2019, nor did Gordon embark on any kind of touring for the release. I am hoping that more people will eventually discover this great album and realize that Gordon was truly the best, most truly experimental aspect of Sonic Youth. Her vocals on this album are the best she’s ever sounded because she built these songs and sounds with the intergral collaborator, producer Justin Raisen. A glimpse at Raisen’s Wikipedia page is a who’s who of great artists of the past decade: Yves Tumor, Charli XCX, and Sky Ferreira. The collaboration occurred at an AirBnB shared between Gordon and Raisen and birthed the first single of the project “Air BnB.” A song that completely sets the tone of the album and features one of those amazing music videos in the same line us Young Thug’s “Wyclef Jean. “
Björk - Biophilia
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Can you name the last album the rolled out with its own app? Nine years have come and gone and I certainly can’t think of another album with such wholesome ambitions. Björk was getting passionate about ecological concerns in her native Icelandic home with Sigur Ros and using her sphere of influence to try to good. 2014 the app has found a permanent home in the MOMA, but outside of this curio status the album itself is still a worthwhile addition to the Björk canon. Biophilia finds Björk in musical scientist mode using sounds captured from a Tesla coil and making a whole musical universe onto herself. The rest of the 2010s found Björk going for bigger and more ambitious projects that continue to frustrate those who wish she would go back to her poppier roots. She remains one of those most consistent solo artists around and someone no one will be able to predict what she does next. The only thing is certain is that it will be visionary and will probably include a wildly ambitious rollout and a new piece of physical art like Biophilia’s $800 tuning forks.
NENEH CHERRY - BROKEN POLITICS
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Featuring production duties for the second time from Four Tet (who also pops up in the October playlist with his 2013 album Beautiful Rewind). Broken Politics in Cherry’s words, “is about feeling broken, disappointed, and sad, but having perseverance. It’s a fight against the extinction of free thought and spirit.” The music video for single “Natural Skin Deep” was filmed in Beirut, a backdrop made even more painful given 2020’s Explosion. Cherry is an artist with deep spiritual and blood connections with artists central to jazz’s history. Broken Politics also features songs built around Ornette Coleman samples. This is all to say that Neneh Cherry is always going to be someone tapping into a creative cosmic vein that spans generations, and with that comes a hard wisdom. Two years later we’re still dealing with the same god damn guts and guns of history. 
OTHER NOTABLES:
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(Cat Power - The Wanderer; John Cale - Shifty Adventures in Nookie Wood; Tony Allen - Film of Life ; Neil Young & Crazy Horse - Psychedelic Pill ;Bryan Ferry - Olympia; Nick Cave & The Bad Seeds - Ghosteen ;Yoko Ono - Warzone; Vashti Bunyan - Heartleap; Elvis Costello & The Imposters - Look Now; The Chills - Silver Bullets; Weezer - Everything Will Be Alright In The End;Laurie Anderson - Heart of A Dog;Janet Jackson - Unbrekable;The Mercury Rev - Light In You;  Rocketship - Thanks To You; Van Dyke Parks & Gaby Moreno - Spangled; Donald Fagen - Sunken Condos; Prefab Sprout - Crimson Red; Pere Ubu - 20 Years in a Montana Missile Silo; Negativland - True False )
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TRILOGY OF BLACKSTARS
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Three last albums released by three titans of 20th century songwriting. Two of them follow the trajectory of an older artist getting rejuvenated by a younger backing band. Lulu is beyond a meme at this point and is considered one of the most confounding flops since Metallic Music. Like Metallic Music, Lulu will get a reappraisal and find its audience. Mr. Blackstar himself Bowie considered  Lulu one of his favorite releases. “Junior Dad” alone makes this album a worthy addition in Lou Reed’s discography. Scott Walker invited some similarly hairy and intense younger rock studs into his private castle and pulls off a far more natural combination. Soused fits like a velvet glove on a elegant corpse hand swirling thick slabs of guitar and demonic percussion. Scott Walker effortlessly orchestrates between elegance and moribundity whereas Lulu wallows and thrashes against  the ugly riffage. 
No riffs or oozing wall of sound are  anywhere to be found on the sparse and pointedly elegiac You Want it Darker. Leonard Cohen never went full on sleazy I’m Your Man ever again but he didn’t become adult contemporary either. You Want It Darker finds Leonard and his son Adam Cohen. When Leonard passed away he was the only one to get a full David Bowie like museum tribute, Lou Reed only got a corner of a library. Cohen is far and away the most accessible mystical Jewish Buddhist monk with a penchant for fedoras and having a masked man with a leather belt beat him in the recording booth [citation needed]. You Want It Darker is the only one of these mortality laden kiss offs to win a Grammy. I do wonder if Cohen would have ever allowed a more adventurous production to touch his staid and timeless old fashioned sound. Tom Scharpling divides Leonard Cohen into his Pre-Fedora and Post-Fedora days. If you are being literal about that demarcation that still gives you a pretty vast body of music I just want sad bloated blurry black and white Leonard Cohen with a banana or the smiling cad on Songs of Love and Hate. Even the floppy fedora era has worthwhile albums and he sounds like if Serge Gainsbourgh was a muppet Gargoyle, he’s reliable. I will always beat myself for not buying that official Leonard Cohen raincoat at the Jewish Museum Leonard Cohen exhibit, but I hope someone has and they are finding comfort with Cohen’s music. A lot of his latter day period is comforting in a sardonic sexy mind bending nursing home sort of way. 
I am glad that these men were ultimately spared from having to deal with Covid times and even someone as tasteless as Brian Wilson’s Ghost can acknowledge that it’s more important than ever to keep your elderly loved ones locked away in a well ventilated pod. 
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(INSERT ARTIST HERE) SEASON
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For a few sticky sweet select few artists the month of October proved to be a suitable release launch pad for more than one album. The Mountain Goats and clipping. have just joined the October two-timer club this year. The reigning queen of October releases is Taylor Swift and Adrianne Lenker. In chronological order swift released Speak Now, Red and 1989 probably Swift’s biggest run in terms of critical and commercial success. None of these albums have a particularly big place in my heart, in fact speaking on behalf of Brian Wilson’s Ghost Ltd. I’m not the biggest fan of America’s Sweetheart, Sweet Tea Poet Laureate.  All three of these albums all came out in the latter part of October and based on the Target brand synergy roll-out felt as inevitable as pumpkin spice. Haunted. Sad Beautiful Tragic. Out of the Woods. These are either song titles taken from these three albums are the names of the under utilized Romantic Halloween Horror Comedy genre. Lady Gaga might have been spooking it up on American Horror Story, but Swift gives a far more chilling performance in Tom Hooper’s midnight madness of Cats and I could envision Swift excelling really well as a horror film actor. Especially in a role like Scarlett Johansson’s Under the Skin. 
You cannot get more polar opposite from Swift than Adrianne Lenker. Who released her first solo album abysskiss   and the second Big Thief album of 2019 Two Hands. Lenker will have also gone on to make her third October release this year with her second solo album songs & instrumentals. Striking that such a ghostly autumnal band would have only released one album in October, but autumnal feeling albums are not beholden to release calendars. The song “Not” from the Big Thief album Two Hands is a watershed breakthrough moment for the band and put Lenker and her band on the map. In 2019 Big Thief became a band that could get booked onto a Goodmorning American performance slot and more or less made Big Thief one of the rare 2010s indie bands to become more or less a household name. 
Other notable artists to have released more than one album on October 2010s:
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Less notable artists to have multiple October releases: James Blunt Korn
Calvin Harris 
Kings of Leon
Pentatonix 
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FORMER HARBINGERS OF HYPE
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These are October releases from artists that once felt like whenever they put out an album a wider array of outlets and publications seemed to care more and would spill more digital ink over them. The big three artists that had the biggest drop off in attention and acclaim that stick out to me the most are Titus Andronicus,  Justice and Why? All three artists debuted with strong starts back in the aughts, but according to critical reception more or less crashed and burned. Titus Andronicus’ Local Business was one of the last times Titus Andronicus would get positive marks from Pitchfork. Local Business a fun and shaggy follow-up to one of the most self-serious concept albums of the 2010s. 
Justice’s Audio, Video, Disco similarly is a follow up to a highly acclaimed album that set the bar high enough to doom Justice into never living up to the hype. Justice’s 2007 s/t heralded them as the next Daft Punk, but unlike those soulful and thoughtful robots Justice mainly wanted to make big ridiculous unfashionable synth prog rock. Audio, Video, Disco is simply cheesy fun and even though we live in a world better off without parties and gatherings this album helps you feel like you are in high-def IMAX monster mash on the moon. 
The leaves us with Why?’s Mump’s Etc. an album that already had the job of following up an already divisive follow up record Eskimo Snow. Why’s Alopecia is a really important 2008 indie blog rap album that helped thrust the online indie blogs into the hip-hop genre hybrid experimentalism. Why? would never make another universally beloved album again and with Mump’s Etc. ended up permanently in Pitchfork’s hate pit. In the original release review the Pitchfork writer essentially deems this album an act of “career suicide.” The whole review is essentially an assignation of Why?’s figurehead Yoni Wolf and taking him to task for all of his awkward lyrical blunders and the fact he is narcissistic enough to be a musician writing about his career in a meta fashion. Yet when I listen to Mump’s Etc. I am more or less enjoying Yoni Wolf’s personality and find the whole thing to be pretty charming. A perfectly serviceable 3.5/5 release that a media outlet like Pitchfork turns into a flexing opportunity to show how that they have the power to make or break a career. 
A.C. Newman, an artist who appears on this playlist with his terrific 2012 Shut Down The Streets took to Twitter to scoff at the idea that a good Pitchfork review has done anything for his career. Shut Down The Streets currently remains the last solo album Newman has released under his name choosing to focus on his main gig with the New Pornographers. The Internet based hype machine is even more ADHD addled and twitchier by the day. The joy of doing this deep dive allowed me to revisit a lot of these artists and acts that I had fallen out of touch with. I had completely forgotten about King of Convenience’s Erlend Øye who released the album Legao in 2014. I rediscovered a good deal of bands like the Editors, The Dodos, Kisses, Black Milk, Crocodiles, Empire of the Sun, Juana Molina, Jagwar Ma, Here We Go Magic, Dale Earnhardt Jr. Jr., YACHT, Peaking Lights, The Twilight Sad, Elf Power, Swet Shop Boys, Radio Dept, Allo’ Darlin, Foxes In Fiction, and HOMESHAKE are all bands not trying to change the world or challenge listeners with avant garde experimentation. Instead I feel like I maintaining relationships with old friends on the edge of obscurity. 
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A HISTORY OF CHRISTMAS IN OCTOBER 
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A tradition stretching back as far as 2014 not October’s Idina Menzel’s Holiday Wishes, but Seth McFarland’s Holiday For Swing sweatily released on CD, digital, and vinyl on September 30, 2014.  2015 then brings us a Chris Tomlin and Ru Paul Christmas albums because every force of Neo-liberal good must be balanced with evangelical contemporary Christian music *shutters.* 2016 finds the Christmas in October era reaching a complete and utter nadir with R. Kelly’s final official LP 12 Nights of Christmas and A Pentatonix Christmas, but also buffered by Kacey Musgrave’s Christmas. 2017 only had time for Gwen Stefani’s You Make It Feel Like Christmas and no one else could evoke this feeling in October. On 2018, Michelle and Barack Obama’s combined one and only Christmas wish comes true, no not cancelling those drone strikes, but getting John Legend to join the October release jamboree; Eric Clapton claps open his guitar’s butt cheeks and hatefully squats out a half assed Xmas album defiantly opening the album with “White Christmas” [eyeroll emoji]; and finally 2018 found the Pentatonix announcing in October that Christmas Is Here. I apologize for all of that crude butt talk about the hateful racist Eric Clapton, but(t) I have festive gluteus Maximus on the mind, because in 2019 Norah Jones got her alternative country gal trio back together to remind us to shake our Christmas butts. Eat shit commercial shit, today’s Santa’s birthday! That’s the magic of the October release schedule! 
The hallowed Christmas in October tradition continues on in 2020 with Dolly I-Beg-Thee-Pardon  releasing A Holly Dolly Christmas right on time on October 2, 2020 (Carrie Underwood missed the memo and unwraps her unwanted My Gift in September 2020). Meghan Trainor, Goo Goo Dolls, and Tori Kelly released Christmas albums. Can you believe Seth MacFarlane comes up twice in this article, because his sleazy J. Michigan Frog croon is processed and grated like Parmesan cheese snow flakes all over a rendition of White Christmas.  What a time to be alive! 
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WHERE DID THEY GO?
A Brief Case For Class Actress’s Rapproacher
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Among my October music travels I encountered one artist that really impressed me with her proper LP debut Rapprocher. The trio fronted by Elizabeth Vanessa Harper is essentially peddling the kind of competent moody 80’s inspired synth pop that belongs on a lost Donnie Darko sequel. Harper’s vocals are striking and expressive and they are melded with constantly propulsive bed of shiny synths and glossy barely-there gated percussion. Outside of an 2015  EP called Movies featuring exciting production contributions from Italo-disco icon Giorgio Moroder there has been nothing else from Class Actress. Highly recommend you check them out especially if you want to find the sweet spot between Chromatics and Kylie Minogue. 
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THE OCTOBER 2010s MASTERPIECES 
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(Robyn - Honey, Big K.R.I.T. - 4eva is a Mighty Long Time  ,Miguel -  Kaleidoscope Dream, Crying - Beyond The Fleeting Gale , M83 Hurry Up, We’re Dreaming ,SRSQ - Unreality, Sufjan Stevens - age of adz, Joanna Newsom - divers, VV Brown Samson and Delilah, Kelela - tear me apart , Neon Indian - VEGA Intl., Fever Ray - Plunge , Antony and The Johnsons - Swanlights (goodbye album) , Caroline Polachek - Pang , Sky Ferreira - Night Time, My Time . Bat For Lashes  Haunted Man, James Ferraro - Far Side Virtual , Grouper -  Ruins , Kero Kero Bonito -Bonito Generation , DJ Rashad - Double Cup)
Maybe if I surround this VV Brown album with more well known artists she’ll finally get some more clicks? I should also mention that Joanna Newsom’s Divers is nowhere on my Spotify October Music playlist because Joanna Newsom thinks Spotify is bananas, and she hates bananas. I know I should also mention Kendrick Lamar’s good kid, m.A.A.d city and Tame Impala’s Lonerism. That’s the maddening thing about October music that just when you think you covered all your ground you find another hidden hump underneath the carpet.  I feel remiss without mentioning striking debut and instant hidden gem Tinashe’s Aquarius, which did you know has a new album art on Spotify. Death Grip’s No Love Deep Web. T_T I didn’t even get around to making a big verbal mosaic to Thom Yorke’s witchy Suspiria soundtrack.Corpus Christi! I forgot to highlight The Orb album in the collage with my other veteran artists!  As you can see this project nearly ruined me. I did not necessarily listen to all of these albums from front to back, but I did listen all of the songs on the playlist and chose them from the immense collection of October releases. I am pretty sure this is the kind of content for no one in particular but I really needed to get it out of my system. Let’s meet back up October 2030!!!!!
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(Thank you to my beloved partner, best friend and Spotify provider Maddie Johnson XD)
https://open.spotify.com/playlist/7sdLaNNaqWpKEKXRZ3jNqY?si=SLZxUwLMQYOQ5wA1xuZc7w
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