#will still write an actual thing about them and etc
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hi. guy who works adjacent to this field as a day job here. typically these are three documents. specific laws vary by state (so some of what i say here may differ). prices of these documents vary by practice. but never, ever, ever, ever, ever, ever do one of those "easy online docs" because in most cases they aren't legally valid and do not permit you to write specific clauses.
lawyers are like doctors in that they specialize in different fields of law. you are looking for a "wills and estates" or an "elder law" lawyer. all of these documents will need to be notarized (by a notary) for a small fee. most law offices have notaries in-house. shop around if you can - ask what different offices charge for a set of three docs and compare prices.
only the original document, on official letterhead, with a notary seal is a valid legal document. you can have copies of a document for reference purposes, but copies alone are not sufficient for actual legal purposes. always keep your originals somewhere safe, like a safe deposit box at a bank. i'm serious. not a drawer, not under your bed. these documents must be kept safe from fire, water damage, theft. because if they are destroyed or missing, the state rules that you never had documents at all, and it defeats the purpose of having them made in the first place. unless there is a local law in your area that prevents it, insist upon taking your original documents so you can decide where and how they are stored, rather than being trapped in some lawyer's office
always go to a lawyer for updates on documents. hand-written addendums (like last-minute wills scribbled on napkins) are not recognized by law in most states, and even in states where they are, the validity is often contested because these are not witnessed/notarized, so it's hard to know if they are authentic or staged.
Power of Attorney - A person (or persons) of your choosing has access to things like bank accounts, real estate, business stuff, medical records, etc. while you are still living. Often, elderly persons seek out POAs (usually their adult children) to help handle their affairs, but generally it is good for a person of any age to have one for emergencies so they can advocate on your behalf. POAs can be fired by you at any time, and are held accountable by law should they violate this document.
Medical Directive (also called "Medical Power of Attorney" or "Living Will") - This is a document that grants power to a person (or persons) of your choosing to make medical decisions for you if you are unable to communicate (example: coma, brain death). You designate whether or not you want to donate organs, whether or not you consent to life support, etc. - and it is up to your agent to ensure that your wishes are respected.
Will - The document most people know about. It determines who inherits your estate after you die, who your executor is (person in charge of estate), any distribution of material objects/properties/money, etc. - also if you have any specific requests.
your documents can be updated as many times as you deem necessary. and, in fact, should be updated throughout your life depending on circumstance. your ex husband should not be your Medical Directive agent, for example. maybe you don't want to leave a generous donation in your will to such-and-such organization because they turned out to be bigots. but if your documents hold up five, ten, twenty years from now... if it ain't broke, don't fix it.
Before January 2025:
If you are a USAmerican in a relationship that might be affected by legislation that dissolves same-sex marriages, who may no longer be recognized as next-of-kin, especially if you have children, get your rights in writing!
Your marriage certificate may not be enough to prove you have rights to make medical decisions for non-biological children or for a same-sex spouse or partner.
Go to a lawyer, get it spelled out as clearly as possible that you have a voice in emergency medical and legal situations.
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Rook's backgrounds make no sense or gatekeeping is good, actually
It's didn't sit well with me ever since bioware admitted that all 6 background for Rook can be played by any race you choose
Looking back at Origins it's clear why most of the backgrounds were race-specific. Not only it provided a better understanding of the separate cultures (you wouldn't really understand what dwarfs are about if you were able to play as a surface dwarf commoner) it also established the rules of the world (elves are opressed, you can't become a queen/king cuz the nobles will riot, humans colonize them and inforce their religion and rules on everyone, dwarfs are considered weird)
Now, looking at the veilguard, I can't help but ask:
How can a fully grown dalish with vallaslin be a crow? They buy slaves as a way to get more assassins, usually elves, children, so they could easier ruin their psyche. why the hell would a dalish stand for it?
How can a qunari be a Gray Warden? Wardens don't discriminate, sure, but this far, we haven't even heard of a qunari warden. Rook should be a legend, Rook should be questioned at actually being a warden by NPCs, OR sit in some Warden outpost and being studied by their mages, because no one actually knows how Blight and joining might work with Kossith body instead of running around with Varric.
Veiljumpers were organized by dalish, right? Then why in the world would a human be allowed to join? How and why did they change their minds to accept literally anyone, even if it's a potential threat/thief(Morrigan)/zealot/etc..?
How can a dwarf, someone who isn't even connected to the fade be a Veiljumper?
How can a dwarf be a part of the Mourn Watch? A Mortalitasi, an exclusively MAGE order? What can they even do?? Preform a non magical mummifications with herbs and salts like Egyptians did? Sweep the mausoleum? Be some sort of a funeral organizer/lawyer/genealogist? That could've been really interesting if only the game actually bothered to say anything about it. It did not
"Well it's up to your headcanons!" then why make the backgrounds in the first place??? They don't matter anyway!
I mean, obviously it was just a way to promote the game to older fans. Look, the backstories! The thing you've been craving for is back in game! Only they forgot what actually made them so great. The most important part. They mattered, they created a basis for my character. They gave them families, connections. They changed the way my character is perceived (elves in general) and what they can do plotwise (become a monarch/paragon).
I don't fucking care if 3-5 NPCs might have some additional dialogues for me, cuz they don't matter anyway. I don't even know these people, i never met them before, my character did, but I didn't. And now I don't care enough to know. like, i'm playing as a mourn watcher, but before going to Nevarra i barely knew anything about them, and what i know now is still rather surface level shit
Let alone the fact that all the backgrounds are practically the same. You pissed off some influencial people by doing good and was send away. Bravo.
........if this post gets one like I'm writing my own ideas for DA4 protagonist's backgrounds
#i'm one mental breakdown away from making a self indulgent visual novel to wipe this shit out of my memories#veilguard critical#dragon age#dav#veilguard spoilers#bioware critical
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Why I fucking hate "The Handmaid's Tale" comparisons to real life (ie "this means THT is going to come true!!!")
that was not an elected government in the story. it was a fringe group that slaughtered the entire US government and took control by force. which makes little sense if you think about it, but that's because it doesn't matter HOW the dystopia happened; it just had to be there for the fiction to make a comment upon the author's present.
Dystopia is never a future prediction. see above: it's always a comment on the present in which it's written
That is massively fucking insulting to women who have actually lived with systemic oppression. They don't have to take away your name or your ability to read and write or put you in a color-coded costume. That's not what violent systemic misogyny looks like, because we KNOW what it looks like.
Sarah Emerson (1762-1784) could absolutely read. Based on what was expected of wealthy girls in her era, she probably spoke at least two languages- English and some French -as well as having knowledge of household accounting, basic first aid, history, literature, drawing, music, etc. She was still married to a man in his twenties when she was fourteen, because he wanted the inheritance her parents had left her (property she owned because, yes, women COULD own property back then). His family disapproved- they called her "the child bride" -but it still happened.
Women in the 19th century who couldn't vote, were discouraged strongly from public speaking (as in, speeches, not conversation), who sometimes had no control over that property they could in fact own, if they married, did normal things. They laughed and cried and petted cute animals. They spoke their minds. They wore what they wanted, albeit with societal constraints. They had names and voices and they still had so few rights under the law.
Women who died from backalley abortions as late as the 1960s could read and write. They had jobs. They dressed in ways we wouldn't consider remarkable today. They voted. They had access to the fucking pill, for gods' sakes. And yet that still happened to them. And yet they still died because the government didn't care about their lives as much as clumps of cells inside them.
Shirley Jackson (1916-1965) was a popular author with a rapier wit that she wasn't above using freely, living once again in a time we'd recognize many features of today. she married a Jewish man over the objections of...well, most of society back then, really. the nurse still wrote "housewife" for her career when she said "writer," during hospital admission to deliver her daughter Sarah
and that's all without getting into the double-damnations of women who aren't white, who aren't Christian, who aren't straight or cisgender. women in non-western countries where some of those things- like clothing laws or movement restrictions -have come to pass, but still not all and not in that way precisely
It doesn't have to be The Handmaid's Tale. In fact, it usually isn't, historically speaking. It's Call the Midwife. It's Harlots. It's Hidden Figures. it's Carol. It's astonishingly normal, among normal women living relatively normal- even happy lives, many of them.
Don't insult their memories by implying that it has to be speculative fiction to be real.
#long post#misogyny#systemic misogyny#abortion#and I even LIKE The Handmaid's Tale! I've been watching it a lot lately precisely because it's so fantastical that#it doesn't scare me#it's less realistic than something like (again) Call the Midwife which I have been avoiding like the plague
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Sometimes the delulu IS the solulu.
After some thought, and reading a lot of really insightful thoughts here and on Discord, I think I've reached a conclusion.
I'm going full tinhat. Not in an unhinged way, though.
I don't think this is the end.
I'm not going to count on it. I'm barely going to hope for it. But I am going to...keep an eye out for it.
The one common refrain we've heard from each other is that this did not feel like a permanent breakup. It felt so obviously and blatantly like a setup for Buck to fight for the relationship. It was that "one partner freaks out a bit and the other has to show their commitment" relationship hurdle which is so common it's a trope. In fact, most of us assumed that's just what it was...until those interviews
Now, I do not put Tim Minear up on some kind of pedestal of writerly greatness - far from it. And he did not write this episode, but the plotlines all go through him.
BUT.
He has always been very attached to Tommy as a character and to this relationship. He loves it. He loved red string theory so much that he wrote it into this episode. And I'm about halfway convinced he's in love with Lou but that's beside the point. (I mean, we get it, Tim.)
Tommy's what he always said he wanted to get for Buck. Firefighter, integrated into the 118, yadda yadda, we've been over this a lot. Someone he chooses, someone he works to build something with. Someone who shows up for him. He had Buck SAY in this episode that he'd never felt like this since Abby.
The thread of Tommy wanting a found family like Buck's. The intense settled/caregiving vibe of 8x05. It all felt so...purposeful. And yes, I agree that this could have been done just to punch up the angst for Buck when it ends. But that's not the only explanation.
The many, many comments of wanting to move Buck along in his personal life. Oliver wanting to do settled, domestic storylines with him. Giving Tommy the big hero romcom entrance in that hospital.
And what now? Cycle Buck through another love interest? It's hard to imagine recapturing what he had with Tommy with anybody else, or for the GA to embrace it as much as they did. What little we can see of the GA reaction (because the official socials are weirdly quiet and have not posted) is that they're not happy about this. Tim knows this.
I can buy Tim making some dumb writing decisions but he's not stupid. I find it very hard to swallow that he'd voluntarily toss away all this, and this potential, and what they'd already established, and a pairing/character/actor he loves, for what? For nothing.
So I think that it's not for nothing.
I think the plan IS to reunite them...
...they just don't know when, or how.
For some reason he wants to give it a break for awhile. I don't know why. There could be off-camera reasons. But I think it happened recently. Two weeks ago we got interviews talking about hurdles being overcome, relationships deepening, etc etc. It's a great episode for them, came out of Oliver's mouth. Not important, not consequential - great. And hey, what happened to that very important Bobby conversation where he gave Buck important advice? It wasn't there.
I think a change was made in the last two weeks. And yes, I know the loft stills were dated 9/17.
Two weeks is plenty of time to reshoot one scene, between when those interviews came out and last night. The stills could be from the first time it was shot, in September. Put the guys in the same wardrobe, we'd never know the difference, or that those stills weren't from the scene we actually saw.
OR
The scene was always the one we saw, but was always meant to be temporary, and the change was in how they talked about it in the interviews from last night. That is a simpler explanation, as it doesn't involve reshoots, but it doesn't explain those very incongruous interviews we got two weeks ago that do not match the scene we saw. Now, they have always vagued it up, and talked around things in interviews, but this was an entirely new level of misdirection and outright lying that isn't typical.
I'm really tinhatting it up now, but hey, what have I got to lose? I'm not investing anything in this. It's just...a thought.
If you think the network interfered (I don't, at least not for plot-related reasons, see below) or Oliver demanded the relationship be cut (I don't - I know lots of you are mad at him but I'm not), whatever it was...I just get a vibe. It could be as simple as money. It could be a ratings thing. Honestly? It could be that they've found out they're getting cancelled, and were ordered to cut bait on guest stars. They could be kicking the can down the road to goose ratings for spring when they do bring it back. There are lots of reasons I can think of and probably more that I can't.
I read a thoughtful and reasonable post about how it was more or less a mercy killing to post those interviews - most showrunners like to keep viewers guessing and coming back, so for them to say definitely BT was dead meant it's really, really dead (although how definitive they actually were is another question).
They might be right about that. I don't know.
Or they just might not know themselves. Even if the plan IS to reunite them eventually - if they don't have a plan for how or when, the safest course is to shut it down. No guarantees they can make it work, so play it safe. Oliver and Lou might not be looped in on this.
It's pretty thin. They probably would be, although we have ample evidence of actors not knowing stuff until the last minute. The other option is that they are looped in and are intentionally lying but I think that's very unlikely - although Lou has demonstrated a keen skill in keeping his mouth shut when necessary.
I'm not going to get nuts about this and neither should anybody else. I'm not going to be scouring socials or the internet looking for support or clues. I'm not going to be holding my breath waiting for a sign.
The only thing I'll keep an eye on is how they handle any flirtation or dating Buck does in the near future. How they handle it might be telling.
This is ALL very unlikely, let's be real.
I'm still tinhatting, though. Why not? What have we got to lose?
But if I'm right, I expect that red dodgeball in my inbox toot sweet.
(And Buddie still isn't going canon, btw.)
#911 abc#911 speculation#911 spoilers#bucktommy#tevan#hope springs eternal#not for nothing but I accurately predicted that the Miceli's scene would be their first and it would be their 6 month anniversary
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okay okay okay!!
txt vs no nut november! and maybe single / with a partner and regular sex life
like, would / wouldn't participate (and why), how long it would take for them to lose (if lose at all, I look at you taehyun), why they would lose (idek, forgot, were too stressed, too horny, etc)
would there be a member who would be like "I'll cum at 0:01, november the first, and will enjoy the whole month looking at you all suffer, losers"?
ahhhh now I think of requesting yeonkai x reader about nnn...
txt v. no nut november
warnings: 🔞!!! gn!reader, mentions of masturbation/sex, cockwarming, edging, prob forgot some sorry
wc: 0.7k total
an: hiiii @apeachty you're my favorite because you can read my mind on exactly what I want to write next lol I don't know if I got everything you asked for but I hope you enjoy!
[m.list] [1kevent m.list]
taehyun .ᐟ
if you didn't think taehyun was winning I don't know what you're on but it's just known that he would hold out the longest. If he did lose it was because the clocks had just turned to midnight when he finished effectively ending his need to even participate in a game he knows is arbitrary. This does not mean that he doesn't still try because he loves a challenge. Will spend more time in the gym because of it but he will never complain. The guys will make fun of him saying he's not even in the game anymore seeing as he failed first, will actually go on into the first week of December just to prove a point.
beomgyu .ᐟ
Now I don't think beomgyu is very competitive about most things and if he is it's only because of teasing and needing to prove people wrong. But November is his time to shine. He will actively encourage the other’s partners to tease the boys just so that he can ‘win’ the bet. Will make it through the month but the end is an absolute struggle, suddenly he's getting boners left and right like he's a teenager again. The last day of November is the day he breaks. Technically all the other boys have already lost if you look past taehyun going past November. This is his excuse and doesn't even make it through the morning before he's cumming. By the end of the day, he is three orgasms down and doesn't even care about winning the title besides the fact he can joke about it until next year.
yeonjun .ᐟ
He tries so hard and wants to beat beomgyu because he is his only real competition. Actually masturbates a lot and just edges himself because he likes teasing and the ache it gives him. Avoiding his partner as if that will help anything, his imagination is just well enough. Only makes it a little more than halfway through the month before he's given up. He's not able to stay away from his partner and needs them too much to stop himself. Although he tries to just edge himself again, cockwarming only works until he's absentmindedly thrusting, cursing when he accidentally finishes. Just shrugs and goes another round this time without even feeling sorry.
kai .ᐟ
Doesn't even remember that he's not supposed to be having sex, and doubly doesn't remember not to cum. He lasts a few days max and only because hadn't been near his partner. But as soon as they come near he's a needy mess, begging to get off because he just missed them so much. Remembers the last second about the group chat and the threats of having to pay for everyone's dinner if he's first to lose. Feels like a failure for only a second before shrugging just glad he doesn't have to worry about it anymore. Promises to win next year even if it's the last thing he does.
soobin .ᐟ
Talks big talk about winning but forgets exactly how often he finishes in a month. Will put himself into a bad mood and it's only been a few hours into November 1st. Has to avoid opening certain apps because he knows his feed will be evil and show him exactly what he wants to see but can't use to get him off. Surprises himself by even making it through the day only not really because he's got his hand down his pants only an hour before midnight. Cums multiple times and doesn't even bring it up that he's lost, actually lies about still holding out until he confesses to Kai that he too did not last long at all. “No, it was actually torture, the only thing I could think about was getting off and wondering exactly where you guys would pick to eat and if it would be that crazy to just send my card info in the chat to get it over with,”
He and Taehyun have a full back-and-forth that lasts longer than it should about who should give their card to the waiter. The very serious debate ends after the laughter from the other boys is so loud people are looking their way. Soobin grumbles as he pays but knows it's only fair because he technically did lose first. He also knows that he was only a minute shy of actually finishing at midnight before the day even started for their competition and would have ended up paying anyway because unlike taehyun he would not have just continued the competition but would have just given up without even trying.
taglist 🏷: @kissmekissykissme @bts-txt-ateez @apeachty want to be added to the taglist? check out my rules to see how to join! want to be taken off the taglist? send an ask!
#cams!1kevent#cams!hardhours#txt headcanons#txt hard hours#yeonjun x reader#soobin x reader#beomgyu x reader#taehyun x reader#huening kai x reader#yeonjun hard hours#soobin hard hours#beomgyu hard hours#taehyun hard hours#huening kai hard hours#txt x reader
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tit summary/thoughts/spoilers under the cut!! <3
hiii wanted to make one of these just so I can ramble about everything bc what a crazy night LMAOO gonna make another post about the day so this is just about the show
my soul left my body when the lights went dark omfg, that is literally one of my favourite parts about concerts/live shows. the smoke and lights was a lot but the second they came out it’s like everything cleared up, i loveee how they come out with their backs to us and then the happy silly music when they’re running around saying hi hehehehe
the whole intro/beginning part was so fun i just loved the bits when they were just talking to us, canada love, the history of dnp/why we're all here etc etc. the dolls/diorama is such a fun little phistory recap, though i will say it was not as wild as i was maybe expecting or what they've done on other nights lol. they "wrestled" in the first one, nothing in the manchester apartment, "kissed" (69-ed lol) in the london one and that was it but they were all SO well made (shoutout pj and sophie), i loved phil's hoodie for the 2 apartment era hehe
role model or no-le model: very fun section, i wish i could tell you all the fill in the blanks we did but i can't remember for the life of me lol i shouted yaoi so loud for all of the lawyer dan ones but alas :( but i do remember lawyer dan writes erotica about timbits, then when the side by sides came up on the screens after it had been changed to "Phim Phbits" which made them both genuinely laugh it was so sweetie. we killed regular dan and doctor phil
phanspiracies were: toilet, clothes, tour bus and wedding. honestly very solid picks, it was so surreal seeing those "phan proof" comps of them wearing the same clothes on the screen down to the zoomed in picture of the underwear from the christmas cookies video 😭 the tour bus clip will never not be crazy but it was SO funny bc we cheered so loudly after phil said it was true that they shared the bed and dan was judging us but all i could think about is the stunned silence from phantwerp day one, i will never forget listening to that live and it's probably been so entertaining for them to see the shift from that lmao. the wedding edits were so funny dan was like "i know you had that as your desktop background for 6 years" and someone behind me was like "YES I DID", dan's little kick and cheeky smile at "i'm just opposed to anything traditional" ok sure
i can't remember which section this was during it was something to do with discussing a past era but phil said "maybe I was just horny" and i screamed lmao
the boxing segment ajdjkskjsf i have been waiting for it my entire goddamn life tbh and it was so fun. no one told me about the visuals on the screen ok why do they look so GOOD in them?? i wasn't actually expecting them to knock each other out or anything but it did seem a tinyy bit tamed down from what i've seen before, like they were being very gentle with each other lol but it was cute, the bite was still bite-y and the run around the theatre was craaaazy, the camera following them is so good lol
they yapped for moose. meese. meeses for a minute straight and i forgot it was supposed to be a bit it was so natural they're good at it whether they like it or not
oh yeah that's the other thing. they are fucking INCREDIBLE performers. like, they are so good at what they do and it was one of the highlights of my life getting to experience it irl. the show is incredibly well paced, the script is funny, the audience participation makes it but it's so insane to see how well they work together. the comfort and familiarity after so many years plays a huge part (there was a solid like 7 shoulder touches btw) but their dynamic is soooo good, they play off of each other so well. literally everything @cheekyvank described to me about dan as a performer is true. he was ALWAYS moving, he moves his mouth and bends and grooves and does the absolute most but it's soooo natural, like he has so much fun doing it. that man is a theatre kid all grown up and it's incredibly endearing but he's also a master, like he was MADE to be on a stage, he's so fucking good at balancing between roasting and teasing us and pointing out at people and winking and he called out someone filming without actually saying anything and it was so smooth and lowkey hot but also like jesus i didn't even risk TRYING to take a picture i am sooooooo scared of him. also thanks to you @jonsaremembers i was looking forward to the 4 g's all night, i am their geeky girlie forever and ever 🫶
and phil. oh my sweet precious baby angel. my heart was burstingggg with phil love all night. he is so, so so so good literally everything right with this world tbh. you can tell he has SO much fun on the stage as well, there's moments where his smile softens or he just looks out onto the audience and i want to shower him with love and affection (and we did! i honestly think one of the loudest screams was for "normal phil" during role model hehe). he is so effortlessly funny, the silly little run over to the microphone every time for the "hiatus" was one of my favourite bits of the show. i absolutely loved his getting real with us bit, it reminded me so much of his youtube videos- and i hope he knows how powerful and meaningful that "light entertainment" is for us. his voice was soooo soft and gentle it was like we were his children he was talking to which i guess we kind of are in this context. i love him forever and ever
sister daniel. INCREDIBLE follow up. i knew it was coming and nothing prepared me for Her. another part of the set design/production that is so well done, the visuals and the bass dropping when she comes out is SOOO fucking good. i have never screamed so loudly in my life. i would do anything she asked me to. the underwear were so fucking short i could not see a THINGGG like. fucking hell. lots of pulling the dress down and legs crossed/staying sat the whole time though lol which fair but the confessions and water spraying was fun, it will never not be funny when dan shames people for opening their mouths after they say it's sister daniel's bath water lmfaooo
the SONG!!!!!!!! the most fun. in the entire world. it's so good it's so fun. the lyrics, them going FULL boy band mode, the hands folding over and doob grab was infinitely more devastating irl. dan is so fucking good at the dance i love you forever terminal theatre kid and i think phil has reached the peak of how well he can do it and i want to give him his flowers for trying his damn best every time you keep doing you baby. the part where it kinda slows down and they're just doing the geekiest moves ever like those are my BABIESSS dfjksajdks standing up to rave with dnp in a room full of phannies was the highlight of my entire fucking life.
this was SO much longer than i anticipated and i'm probably still gonna go on about things as i remember it but it was genuinely the most fun and memorable night of my life. i love these two silly little guys so much, it was so surreal seeing them in person after over a decade and i would do anything to experience it again but i'm so, so grateful i got to do it once and i will cherish the memories forever. and this has only made me more insane about them and cemented the fact that i wholeheartedly believe they love us, this new era, and that they're not going away anytime soon so i WILL see you guys back on the internet and hopefully outside of it one day again too <3
(i lied here’s the one picture I took aka far from dan’s prying eyes during the part where they’re not there being gay getting out of their clothes)
#dnp#dan and phil#phan#tit tour#titspoilers#tit spoilers#terrible influence tour#titronto#titblossoms#my show
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DITTO — Gojo Satoru a rewrite of this post.
prologue. → brave, lucky, courageous. these are the words that people bestow upon you when the dust has cleared, and the king of curses is no more. you disagree, for if you were lucky, gojo satoru would still be standing at your side. instead you've been left to stare at the ocean shoreline on your own, without your best friend (the love of your life) by your side.
pairing. gojo satoru x afab!reader
warnings+. unfulfilled/unresolved love. angst, hurt, comfort, fluff. your usual shenanigans. sfw! implied, minor satosugu (mb because geto is my beautiful sad princess and i love him so he has to be a part of everything). pining, idiots in love. grief, and what you do after you've lost what you treasure the most etc u get it. reader is from an unnamed clan, has a younger brother. reader also wears skirts, dresses sometimes, character death + injury
word count. 11k! 😭 song inspiration. ditto — newjeans / 뉴진스 (2022) a/n. i wrote rough headcanons and posted them yesterday but i woke up thinking dang i should actually write something better about that lmao. update: i thought i'd finish this in a few hours, why did this take me like 2 days? update #2: dawg this is long as fuck...this kinda depressed me to write
mp3. do you think about me now, yeah. all the time...
✉️ — 1995. 💬 — gojo.
these meeting rooms were hushed, grand, and the kind of place that simply swallowed up any sound and echo; where the wood-panelled walls were lined with the tapestries and polished symbols of his clan.
and in the hush, gojo had sat cross-legged on the tatami mat, trying to listen to the conversation of the adults, with their low and steady voices that droned on. this was so boring. they were always speaking of things that he just couldn't understand, but his parents said these meetings were important, and so he was dragged along - much to his eternal chagrin. still, he shifted in place, glancing around at the detailed screens painting around the corners of the room, in varying shades of blue.
across the room, there was another kid. one who sat beside her father, fidgeting just as he was. and gojo could tell by the way that you kept glancing towards the door that you, too, longed to escape. your gaze caught his, and there was that flicker of mutual boredom that sparked between you two. you had scrunched up her nose, as if to say 'this is so boring, isn't it?'
gojo grinned, stifling a giggle. he had leaned back, just a little, surveying the adults who paid no heed to him, before letting himself inch across the rough texture of the mat towards the door.
"do you want to see the garden?" he mouthed silently, his words exaggerated and slow, so you would understand.
your eyes had lit up, and you nodded, just as your father (well, he assumed it was her father) leaned down to whisper something in your ear, his voice a low rumble that was far too quiet for gojo to catch. you were nodding obediently, but your eyes were now fixed with the glimmer of excitement, and he quickly held the door open for you as you scrambled out the door, following him quietly as they creaked down the long hallway.
and soon, they reached the back of the estate, where the garden stretched out like a hidden oasis, filled with the flowering bushes, the winding stone paths, and the pond that glistened in the morning light. suddenly, he stopped by the edge of the pond, brushing pale hair out of his stinging eyes, "i'm satoru, by the way."
you had sat down quickly, as though the long walk had winded her (gojo had barely needed to stop to catch is breath), and your robes dipped into the pond, letting the water seep up slowly, "i've heard of you. my parents say you're an only child."
gojo shrugged, trying to think of something important he could tell you, "it's not so bad. one day, i'm going to be the head of my clan," puffing up his chest a little.
you had nodded, "i would like to be too, but my younger brother would get it. because...you know."
gojo didn't quite know but he nodded like he understood, and he tried to think of something smarter to say, "well the job isn't that fun anyway. it's just sitting around reading papers, and telling people what to do."
you had pouted, frowning, "i want to tell people what to do all day. and i would get the nicest robes too as clan head."
and you had looked so unhappy at the prospect that you were being robbed of a stellar wardrobe that gojo made up his mind, right then and there, "tell you what, when i become my clan head, i'll make sure you get the nicest robes, how's that?"
your face had lit up, holding your little pinky up to his, "promise?"
gojo linked his finger with hers, sealing this silly vow and laughing, "why not?"
✉️ — 1996. 💬 — you.
when you're seven years old, you’ve resigned yourself to trailing behind gojo, watching as your friend takes on the world with the same reckless, eager energy that he seems to pour into everything that he does.
his voice has picked up a confidence that you haven't felt yet, and there's a permanent, flashy grin on his face that says he doesn't care what anyone thinks about him, not his parents, nor his clan.
and today, gojo's decided that the old shrine on the edge of your family estate needs exploring. you're a little less certain, especially since your father had told you that this shrine was haunted, but you find yourself following the boy anyway, and there's that silent agreement in place: he leads, you follow. you're alright with that, that's just the way it's always been.
he's dressed, as usual, in a loose grey hoodie that's two sizes too big for him, and his jeans have a hole in the knee; some small rebellion against his clan's strict sense of tradition. even his hair is awfully emssy, tousled and getting a little too long, and you know he hates it when his mother tries to comb it down, and you easily suspect that gojo just ruffles it on purpose to get a reaction out of those around him. he probably does everything on purpose for a round of reactions, honestly.
you, on the other hand, have your nicest lilac skirt on, and there's a small bow in your hair that the maidservants had pinned themselves (your mother had been too deep in her cups all morning). but you had fluttered around, feeling quite pretty in your skirt; like you were a fairy that would sprout wings and live in the clouds.
gojo glances back at you, and rolls his eyes, "you know, you look like you're going to one of the clan meetings," he mutters, but there's a playful glint in his eye. he's pulled a twig from the ground, and he's waving it around like a sword, slicing through imaginary enemies as he marches forward like an idiot.
you just shrug, quietly watching him cut through the tall grass ahead, "i like looking nice," you mumble, a little embarrassed. you can feel the careful way the sweet, old servant (she turned seventy last week!) had arranged your hair, and the press of the bow keeping it every lock in place.
"well, if you ever decide to look like you're not on your way to sit for a court painting, let me know," gojo says, smirking (he thinks he's funny) as he waves his 'sword' around, battling on the false frontlines.
but despite yourself, you laugh, and quicken your pace to keep up with him, and so, gojo slows just a bit, enough that you're walking side by side now, and his arm brushes against yours.
"did you know that they say that this shrine is spooked?" he asks, his voice falling to a dramatic whisper.
"i live here, satoru. obviously, duh," and the shrine comes into view, and it's small, weathered with age, but to you, it looks grand and mysterious, even magical, "do you believe it's haunted?"
gojo shrugs, unfazed, "nah, probably just an old rock. but it would be cool if it was. maybe, we'll see a ghost."
now you've taken a hesitant step back, but gojo just grins, grabbing your wrist and pulling you forward, and his hand is warm and steady in yours.
"c'mon, don't be a chicken," he teases, laughing as he drags you closer, and you plant your feet firmly in the ground, watching as clouds begin to roll over the sky, ominous and gloomy.
oh, this place is definitely haunted. your father was right, it's so over for you now. a massive, ugly curse is going to pop out and eat you alive, and steal your pretty hair bow. you mutter a small prayer under your breath. gojo satoru, you will pay for this.
✉️ — 2000. 💬 — you.
you'd always heard whispers about yourself from the other kids, how you were too quiet, or you tried far too hard to be perfect — unwilling to roughhouse the way they did. perhaps they were right, and it was true that you preferred to sit alone. you think it was the feeling of order you enjoyed, of a world you could control, even if it was just through lines on a piece of paper.
but today, their voices were louder than usual. a small group had gathered near the cherry blossom tree where you'd settle yourself, and they circled around like hungry wolves sniffing out something they could tear apart.
one girl wrinkled her nose and called you prissy (well, okay) and another boy had snickered and muttered that you were so boring, and it was a wonder that you even had a friend like gojo.
ouch.
their words felt like small, precise cuts, sharper than expected. you had heard these things before. after all, everyone had reached the age where they were aware of their abilities, their techniques as jujutsu sorcerers.
you didn't mind your own technique, making sure to channel time and energy to learn so you could grow up and be as good as your father one day (a well established sorcerer in his own right, if a bit out of shape).
but you didn't have to be very smart to know that gojo's abilities stood out entirely in a different way, and you heard your parents whisper in hushed tones at how lucky his clan was to have a child like that. with the right training and moulding, he could be the most powerful man to walk the earth.
how silly. gojo was all laughs, and smiles, and stupid jokes and bright, clever eyes. you thought it was dumb how they all spoke about an eleven year old boy like he was a weapon, kept in its sheath until it was ready to be drawn.
but of course, all the kids wanted to be friends with him instead. and today, these barbs hurt more — and you kept your eyes down, clutching your books a bit tighter, willing for these supposed 'friends' of yours to go away.
but before you could say anything, you heard his stomps.
"hey!"
gojo's voice was unmistakable, sharp and sudden as he clamoured over, all brashness and bravado. he had gotten a bad haircut recently (entirely his own fault for thinking he could put scissors to his own hair, but you had laughed so hard as he swore curses) so white tufts stuck out all over his head, making him look like he got stuck in a wall socket, even crazier than usual.
but gojo didn't look at you, just planted himself between you and the group, bruised fists clenched (they trained him too hard), and shoulders set, "what's your problem?"
the other kids stammered, clearly surprised, but that didn't stop him, he who looked like a small, lanky and angry polar bear.
"you think you're so funny? talking like that? say it again, and i'll knock your teeth out."
"ah, satoru -" you ran your tongue behind your teeth, the last thing everyone needed was another fight of bruised pride, and yanked hair, rolling around in the dust.
but one of the boys had muttered something under his breath, taking a half-step back. the others followed, shuffling, rolling their eyes and looking anywhere but at you and gojo.
and your best friend didn't move until they had scattered completely, leaving behind only the faint echos of their derision as they fled. and then he turned to you, his scowl fading into something kinder (good, you didn't like seeing him so upset) as he dropped onto the bench, beside you, pulling his knee up onto the bench so he could rest his chin against it casually.
"they're just idiots," he said, rolling his eyes, and his voice was softer, playful again, "don't listen to them."
you gave him a small smile, nodding, as the knot in chest loosened a little, "i wasn't really listening to them," you murmured, even though you probably knew that was a bold-faced lie.
gojo released a loud laugh, much too loud and forced, as he nudged you with his elbow, and he must have known it too, but he was smiling, "good, that's the spirit."
You managed a small smile, nodding, the knot in your chest loosening a little.
the world was quiet again as you both sat in silence, the soft breeze ruffling the grass and the cherry blossoms overhead. and then, with a shyer glance, you managed to look over at your friend, watching as messy tufts of his snowy hair moved ever so slightly in the breeze.
"thanks, 'toru," you said, quietly, but he just shrugged it off, brushing it away as though it was nothing.
"hey, what am i here for?"
✉️ — 2003. 💬 — you.
gojo was sprawled across your wide bed, looking at you as if you were the most ridiculous person in the entire world. his own suitcase sat beside him, already paced with the very few things he needed, and now he watched you with that eager, restless gleam in his blue eyes, like he could barely sit still.
"you're so overthinking this," he said, bright voice full of impatience, "just throw some stuff in a bag, and we're good to go. it's just tokyo, not the end of the world."
you scowled at the boy, holding up two sweaters; one sensible in a shade of pale blue, and the other thick, deep red and woollen, "but what if it gets cold? or rains?"
gojo rolled his eyes, throwing his head back dramatically onto your pillow, hands behind his head as he sprawled around like a snooty prince with all the time in the world.
"it's summer, it's tokyo, and it's not like we're moving to america," he smiled, "besides, if you pack any slower, we'll miss our first year."
you tried to brush it off, and something about his easy confidence made you feel a sharp twinge of nerve. this was really happening, you were truly leaving the bounds of your family estates, stepping out into the world, to attend jujutsu tech, a school in tokyo that you had heard so much about. well, there was another school here, in kyoto, but god, it would just be nice to get out of these ancient walls.
and yet -
gojo simply looked like he couldn't wait to shake the dust of his home off his sneakers, you felt something pull at you, like a sudden-appearing string that tied you to your home city, and it wouldn't let you go.
your best friend had caught the look on your face, and softened — just a bit, as he twiddled with a brand new pair of sunglasses, and he sat up closer, watching you carefully, "you're really going to miss it here, aren't you?"
and you shrugged, fidgeting with the sleeves of the red sweater, "i don't know. maybe, i suppose. don't you feel that way at all, satoru?"
he shook his head, resolute, "not even a little," but he saw your uncertainty, "listen, you'll be fine. you'll love tokyo. and hey," he nudged you gently with his knee, "i'll be right there with you anyway."
you appreciated that his confidence felt like a promise, something that you could at least hold onto, even in the big capital, and with a big, exaggerated sigh you tossed both sweaters into the suitcase.
"finally!"
✉️ — 2003. 💬 — gojo.
the both of you had arrived, bright-eyed and tired, as he clambered off the tall bus that had parked on the outskirts of tokyo, where jujutsu high was located.
gojo stood beside you, hands stuffed in his denim pockets, plastering a disinterested expression on his face. but he couldn't help how his eyes flittered to the sid,e underneath the dark shades of his glasses, watching you fawn over another new student, another boy who had arrived from some small town, who-knows-where, from a non-sorcerer family.
geto suguru.
well it was no lie that gojo liked him a lot too. there was no denying that he seemed polite, clever, maybe a bit shy. and effortlessly cool.
gojo had grown up in the stifling, grand estates of the big clans, constantly fussed over, and robed in fine silks printed with his clan motifs. all of those stuffy rules would sit, push around and make space in one's head, like a constant mantra from the elders.
he didn't need to look at you too closely to see what was going on, and he could tell right away, just from how you reacted. your smile stretched wider, and your eyes lit up like you were meeting someone who you really wanted to talk to.
geto who hadn't even changed into his uniform yet, with his stray strands of dark hair falling out of the knot on the back of his head, looking politely aloof, but cheerful, in worn black jeans and converse, and some baggy band t-shirt that would get gojo scolded by his mother for even wearing that inside the estate.
gojo noticed everything, especially the way your fingers slipped up to tuck your hair behind your ear when geto grinned at you (all because you’d recognised the band on his t-shirt, so what?) he saw how your eyes brightened, like geto suguru had unlocked some hidden code only you could decipher.
it annoyed him to realise that geto's calm, quiet charm was exactly the kind of thing you’d be drawn to. that’s what you liked, wasn’t it? the understated, thoughtful types who let the world come to them. not the loudmouth who cracked jokes at every opportunity, hoping to pull a laugh from his best friend.
well, fuck, he had to be a part of this too now.
✉️ — 2005. 💬 — both.
gojo's new obsession had a sleek, silver body and an olympus logo stamped on it in black, a camera that he'd been itching to buy; refusing to settle for anything less than the latest model. suddenly, he was determined to capture tokyo through his own eyes, and you and your friends had quickly become his reluctant muses on an impromptu day trip to the ameya-yokocho market.
"stop! stay right there, don't move! fuck, no! a little to the left!"
he waved his hands around, motioning for everyone to gather just as he wanted. you all exchanged amused glances, with shoko huffing around dramatically, as gojo crouched down on his long legs, then stood back up, and then crouched down again, as one of jujutsu high's most powerful sorcerers struggled to bring a camera into focus.
eventually, geto had laughed — raven hair falling over his beautiful face, and had gotten up to help gojo, fiddling with the lens as the rest of you milled around.
and then, suddenly gojo turned the camera directly on you. he pointed his finger your way, wide grin half-hidden but unmistakably earnest, 'c'mon, turn that frown upside down!'
he needn't have said a word, just seeing your best friend there, with his hair tousled and carefree grin, with the camera strap hanging off his neck, was enough to make you laugh, the kind that felt as bright as it sounded.
and so, you found yourself standing in the middle of the bustling market street, surrounded by friends and fellow students, and the lively hum of the weekend crowds, as you looked directly into the lens, with your smile softening under his gaze, as though the rest of the world had blurred into the background.
afterwards, gojo had taken a good look at the photo, and he didn't say much, but the look on his face lingered, almost like he was seeing something that he wasn't sure he was allowed to hold onto. you had shyly asked him later, coming up beside his shoulder, whether he had printed a spare copy of the photo, but he shook his head with the lie rolling off his tongue.
love was a selfish endeavour, to its core. he wasn’t about to tell you that he wanted to keep that photo for himself. and later, when no-one was looking, he slipped the small print into his wallet, right between his train pass and some spare change.
✉️ — 2006. 💬 — you.
your best friend, your dear satoru, had always been resilient; the kind of guy who threw himself at life with reckless energy, shrugging off injuries like they were just a part of the ride. he'd laugh off a scraped knee or a bloodied lip, flashing that cocky grin and a shrug as if pain was something for other people.
life for you went on, with your own routines and small moments. you learnt long ago that you didn't quite possess the natural, raw sheer jujutsu power that gojo had (or geto for that matter) but you could certainly hold your own in a scuffle. regardless, you had chosen to turn to academics, flitting between classes and study sessions, arm in arm with sweet shoko.
there was joy in sneaking off campus with friends, or scrolling through lists of new albums to download onto your mp3 player (you had been partial to the south korean boyband, tvxq!).
and so, life seemed both incredibly mundane and slightly electric, with days marked by shy smiles and inside jokes, with walks home on the streets wet from the spring rain.
but it had been late summer when gojo had returned from that last mission, when the days were still long and hot and the afternoons were bathed in a thick, heavy amber. and he had come back...different.
he moved carefully, as though each step was suspicious and took more effort than he'd let on, and his usual bright glimmer was dimmed, his laughter quiet, and his smiles withheld like a rare currency. he'd sit through the long evenings with you, in silence more often than not, hands stuffed into his wide pockets as he stared at a place that you just couldn't reach.
when you'd catch him alone in the courtyard after class, he'd be training hard, working through his cursed techniques with a relentless focus, perfecting each hand gesture as if he could shake off whatever shadow lingered behind him. and sometimes, he'd stay for hours after school, practicing beneath the dying and dusty light of the last days of summer, as if he could not afford to stop, to rest.
“gojo?” you called, hesitating as he finished a strike to some poor unsuspecting pile of soda cans, leaving them obliterated in the heat. “what's going on with you?”
he paused mid-motion, glancing at you, his face carefully blank. and you hated that, you hated how the flicker of distress would pass from his face before being schooled into that carefully constructed mask of 'the strongest.'
i love you, idiot. i love you, i love you, tell me what's bothering you and i will help, you're my best friend.
but these words never saw the light of day, always curling up and choking up in your throat, and instead being twisted into feigned, casual interest. losing the cloak of deep devotion that you held for a friend of ten years.
"oh - hey! nothing," gojo replied, too quickly, with that half-cocked smile that painted over his pink lips, "nothing that deep."
lately, this repeated lie had been hanging in the air between you, clear as the last streaks of summer sunlight that would soon give way to fall.
you crossed your arms over your uniform, dark fabric crinkling, "you're not fooling anyone, you know. geto told me about the mission, he said that you —," you swallowed, with the words just as heavy as the steadfast beat of your heart that you kept under lock and key, "he said you shouldn't have come back. what does that even mean?"
gojo's face flickered again, just for a second, before he barked out that irritating, false chuckle, "guess it's a good thing you weren't sent on tengen's fuckin' mission then," before reaching out and snatching your strawberry milk carton from your hands with a grin.
after a few punctuated slurps and lip-smacking (just to watch your face redden in fury, gojo would admit) he spoke again, voice strained, "you'd probably be crying about it still."
"hey!" you protested, grabbing for the carton again, prying his slender fingers off your sweet treat, "i don't cry that easily."
"could've fooled me. you cried during that american movie about zoo animals."
"madagascar was a sad movie about displacement and the loss of home! i know animal rights activists hate to see your ass coming to the zoo."
gojo snickered, drawing out the words, "fuck that zebra," but now, he was looking off into the golden haze of a beautiful sunset, with that frayed grin, "seriously, though. it's fine, it's all in the past."
over time, gojo never spoke many a word about what happened to the star plasma vessel, but he just seemed to move forward, like he always had. his resolve somehow sharper, tighter, and his laughter more intense when it finally did return. there were moments when you'd catch him staring into the great expanse of nothing, haunted (but beautiful), though he'd just shrug and smile when you prodded him about.
✉️ — 2007. 💬 — gojo.
gojo thought he was astoundingly self-aware, in his own humble opinion. he never let anything get to him, that was the trick, you see. to take life as it came at you, to carry that fire and stubbornness and throw it back in the face of the trouble.
and so he wanted to be angry, to be furious. why had suguru done this? why?
he had known that geto, one of his dearest friends (one who always been so sure of himself) had fallen into disquiet lately, and even gojo had prodded him on whether he had lost weight through sleepless nights. but suguru would have just turned his head back to his book, lost in thought, with his dark hair loose around his face.
had he been blind? how had suguru's silence been covered by what gojo (privately) considered his own loud, defiant return? no, he knew of ghosts. he knew that some spirits and spectres could not be shaken, and sometimes when gojo himself closed his eyes, he could feel the sharp sting of an assassin's blade ramming through his throat, leaving him for dead.
but to murder over a hundred innocent people...
you had found him alone that evening, where he had sprawled over the stairs as the sunset blazed, painting them aglow in dusky hues. but gojo could barely notice any of this beauty, and so he just stared, lost in his thoughts that wouldn't settle.
(are you the strongest because you're satoru gojo? or are you satoru gojo because you're the strongest?)
he didn't hear you approach, until you placed a gentle hand on his shoulders, causing him to flinch, surprised out of his sorrowful reverie.
the warmth of your touch steadied him, and he glanced at you out of the corner of his eye, and he wondered how you could always seem to know exactly when he needed you most.
but the thought twisted, sharp and bitter, for what if you would follow suguru the same way? had you not often looked at geto with light in your eyes? and you had never looked at him like that.
what if, someday, you left him the same way? what if you turned around and saw someone else worth following? he couldn't help his fists from clenching, tension rippling down his shoulders and painfully gripping his head.
"suguru..." his voice came out quieter than he meant, with a crack that he couldn't quite hide, and he heard you sharply inhale, "i can't believe he's gone. i don't know if...if i'll ever see him again. why would he -?"
you still didn't say anything, just tightening your hand on his shoulder. and satoru hated it. hated that he wanted to lean into the weight of your touch, hated that this is what being the strongest now entailed. that now he was plagued by fear, of losing you, of watching you slip through his fingers into another's orbit.
i'm only seventeen. what happened to my youth?
the thoughts are acidic, cynical and they leave him angry (with the world, with the higher ups, with himself, with his parents) and he can't help himself from blurting out the next question.
"did you like him?"
gojo tries to keep his tone light and casual, but he loathes how he sounds pleading, heavier. he feels the embarrassment of vulnerability shroud him as you meet his eyes, and he hates how your eyes are teary too.
you shouldn't cry. ever.
"like? as in like?"
"as in love," gojo mutters, "shoko said you did."
you sniff, and now your head is leaning on his shoulder and he can inhale the scent of your shampoo (apples? caramel?) and despite the crick in his neck, he lowers his shoulder further down so you are more comfortable.
"shoko talks too much sometimes," you laugh weakly, "but probably. i think i did."
gojo tries to tamper down the acrid lurch in his stomach, but you continue, "i think i did love him. but so did shoko. so did nanami, and haibara back when, -" you sigh, "and so did you. we all loved him. he was our friend."
his fingers had been hovering close to your hand for a while, almost as if he couldn't help himself, the pull. finally, he slid his smallest finger to let it curl around yours, drawing out a memory from over a decade ago.
"tell you what, when i become my clan head, i'll make sure you get the nicest robes, how's that?" "promise?" "why not?"
how silly that the hardest things in life had once been a bored child, and his new friend who fretted about her future wardrobe.
and when you clasped in hand entirely in its return, gojo's breath caught, his throat tightening. the words that he wanted to say, to spill from his throat, hovered in his mind but there was no infinite word strong enough to bring them out.
he wasn't an idiot, he wasn't daft and unobservant, he knew exactly what he wanted to say to you, to tell you from his lips to yours. but the way his heart laid itself bare in that moment unsettled him deeply, not the yearning itself, but how fierce it was. it disgusted him, the rawness of his desire, exposed right there in the open, where anyone could see it, including you. especially you.
with a realisation that was long coming, beneath the golden wash of the setting sun, he sighed deeply. if he ever lost you, if you ever looked at him with the same betrayal that he'd seen in suguru's eyes, he didn't know if he could survive it. it would cut deeper than his infinity could bear.
he tried speaking again, "if you ever -" but he doesn't get the chance to speak before you're leaning further into him, a quiet sniffle punctuating the silence.
"i won't."
✉️ — the next decade... 💬 — you.
"sweetheart, honey, my precious pumpkin pie."
you shot gojo a death glare, his attempt at flamboyant charm bouncing right off you, "i hate you. never speak to me again."
and your gaze dropped to what was left of your beautiful hermès scarf, once a beautiful concoction of cream-white silk, now reduced to tatters that fluttered pitifully in your hands, stained with some suspicious green goop.
you had cherished this pricey product, but gojo, in his infinite wisdom had decided to pick it up as a perfect blindfold right before a gnarly mission. and so, it got tangled with a nasty curse, and met its tragic, shredded end.
gojo raised his brows, feigning the innocence of a cherub, blinking his long lashes, "i'm sorry, i'll get you a new one, baby."
he drew out the pet name with exaggerated gusto that made you snarl, "enough with the pet names. you are a grown ass man."
and you gave him a first shove in the ribs that made the strongest sorcerer in the world stagger dramatically, only to catch himself with that easy grin still plastered on his face.
but before you could storm off and mourn whatever was left of your one-million yen possession, gojo darted in front of you, blocking your path with his ridiculously long arms. "come on, let me make it up to you, what if i had died on that mission?" he pleaded, looking at you with mock sincerity.
"i wouldn't have even come to the funeral," you sniffed, sticking your nose in the air, ignoring the fake choking sounds that came from the man as he clutched his chest.
months had turned into years, where you and gojo had grown up and graduated jujutsu tech together, carrying triumphs (you won valedictorian, out of a grand total of eight students), losses (gojo was a notoriously bad driver and almost crashed the car that the two of you were in) and countless moments in between.
the two of you had returned to your alma mater as teachers, and mentors, guiding younger sorcerers who were much like you'd once been; eager, impatient, and a little rough around the edges.
gojo took to teaching like he did most things, with his own reckless charm and devil-may-care attitude. he'd joke about skipping staff meetings, but he'd be there anyway, leaning back in his chair with his legs sprawled underneath him, mouthing snarky comments that only you could hear.
you'd like to think you'd grown more confident, no longer the uncertain teenager who used to glance at herself twice in the mirror. time had given you the chance to learn your strengths, and exorcising curses had left you all the more enduring.
gojo had noticed, though he'd never say it outright. he'd make some teasing comment about the way you would boss around a room, and you'd roll your eyes as you nudged him telling him that you had learnt from the biggest ego in tokyo. but sometimes, he'd watch you a little longer than he should, with that flicker in his gaze that he thought you hadn't noticed.
some things hadn't changed at all, and he still came back to you after every mission, every right. you'd hear him shuffling in from down the hall, his paper bags of desserts swinging as he tried to balance it along with his jacket, and whatever ridiculous trinket he'd picked up for you that week (you kept every single one).
and there the two of you would be, sitting cross-legged on your apartment floor, sharing sweets straight out of the boxes. he'd pass you a slice of cheesecake that he insisted that you simply must try, nudging your hand until your fingers enveloped his.
wouldn't it be a lie to claim that you didn't bask in the warmth of your best friend's gaze, even as he feigned interest in some story that he had overhead from the students on his way over from the school, with his low laughter filling the quiet around you.
sometimes, in the silence that would fall after the conversation ebbed, he’d reach over and trace circles absentmindedly on the back of your hand with his thumb, as if it were the most natural thing in the world. neither of you would move or speak. gojo would be looking anywhere but at you, yet his hand wouldn’t let go, tethering you to him in a way that made the apartment feel smaller — almost as if you’d already crossed some line neither of you dared to talk about.
what a pain to be haunted by someone who was already living and breathing right in front of you. sometimes, it left you nauseous, ill, and even screaming into your pillow after he left, and dialing shoko's number so she could give you an earful.
✉️ — october, 2018 💬 — you.
your car idled at the curb, the sounds of the city filtering in through the barely open window, with the faint chill of the october night brushing against your skin.
gojo looked up from his phone, tapping his fingers on the screen, and there was a sober look on his face that made your stomach twist. you watched as he ran his head through his white hair, and sighed, his eyes still on the screen.
"apparently i was summoned by name," he said quietly, "to shibuya. whatever curtain's been set up is only allowing sorcerers through."
you kept one hand on the wheel, "ijichi reached out to me too, but he wants me covering the perimeter on the other side, away from the metro. but who would summon you by name?"
"i know. do you think it's...?"
"the traitor everyone's guessing about? who else?"
gojo scoffed a little, "fuckin' surprise," he muttered, casting you a glance that spoke volumes of protectiveness, one that made you lurch ever so slightly. his eyes met yours, an unspoken worry passing between you. you bit the inside of your lip to keep yourself from blurting out the words that lived in the forefront of your mind.
and so, gojo reached for the door handle, and you saw him hesitate as his fingers drummed against the door, before pulling his blindfold up, "well, stay safe, yeah?"
you swallowed, trying to find some false platitude to offer back, "hey, i will if you will."
he gave a short laugh that must have not fully reached his eyes, but it softened the rest of his beautiful face in that way that you loved, "y'know, we could have been going trick-or-treating. dressed like idiots, stuffing our face with candy."
"tweedledee and tweedledum?"
gojo snorted, "next year then."
you hummed, "i'll keep that idea then, tweedledumb."
the bow of his lips quirked, and he looked away again before pushing himself out of the car, stepping out onto the suddenly cold, quiet sidewalk (too quiet, where was everyone?)
he paused, turning back to you through the window, as he lifted his hand up in a small wave, and you could tell he wanted to say something else — but the moment passed, and he closed his mouth, smiling instead in that way of his that said everything without a single word. and he pushed his hands back into his pocket, strolling away as you sat there, suddenly ever so lonely in your silent car, as chills went down your spine.
✉️ — october, 2018 💬 — you.
"gojo satoru has been sealed."
what the fuck?
the world has slowed down, every sound muffled as if you'd been submerged underwater. shibuya had left gojo sealed in the prison realm by...no. it couldn't be.
suguru geto was dead. dead, executed. had it not been almost a year? you had mourned, gojo had grieved. and yet, the impossible had clawed its way into reality, leaving you feeling like you were teetering on the edge of something dark and unknowable.
soon the shock twisted into dread, an icy grip that clenched tight around your chest, left the blood draining from your face. god, your hair must just turn as white as his from the stress alone. your best friend, the one who had been beside you in sickness and health.
it was cruel, you thought, to not even be allowed the time to fall apart, now now. there was little space for it in the chaos that had erupted the next day, when waves of curses crashed through the city like nothing you had ever seen. what fresh hell was this, you wondered as you nursed a nasty set of wounds, trailing after (tormented, sweet, far too young) itadori yuji, and his supposed older brother, some blood manipulation user that had done his fair share of damage throughout the night.
the culling games.
the brutality of it shocked you, and several times during the upcoming days, you had to blink back hot tears as sorcerers were summoned, drafted, and thrown into what was quickly a gladiator spectacle, some devilry concocted from geto's, no, kenjaku's mind. and the stakes were not just your own survival, but the students you had mentored — the young souls who had grown under your watch, and needed you now more than ever.
it quickly cost you an eye. a clash with a fierce, blood-thirsty wayward sorcerer had left you bloody and bruised with a clean gash that ran through your right eye, and you had screamed, taken a life even. only the baritone, dulcet tone of the yuji's half-curse brother (choso? a member of the kamo clan? since when did half-curses even exist?) had pulled you away from launching the contents of your stomach over the pavement, as you stared at the crimson dripping off your hands. were you supposed to be grateful that you had survived this, when so many others had not? yuji's tears had kept you awake in the night, his sobs when he thought that no-one could hear him.
gojo's absence had become a wound, raw, with a side of constant ache that you could feel with every waking heartbeat. and so you tried to fight hard with his voice echoing in your ears, remembering the half-smile he'd flash when you'd land a difficult hit, or the grateful look in his eyes knowing that his students were safe.
days blurred together, and nights bled into ceaseless combat, of the terror of being on the run, and still gojo was with you. the thought of finding him, the thought of him being unsealed from the prison realm almost had you blurting false, desparate promises to the sky that you would tell him exactly what you felt for him, bare your heart out in its entirety for him to hold in his hands.
like it had always been.
✉️ — november, 2018 💬 — you.
it was surreal seeing him again, unsealed and standing there against the burnt umber of the sky, rough around the edges but undeniably gojo. nineteen days of living with the ache of his absence, of waking every morning with a hollow flower blooming in your chest, he was here — alive, breathing, real.
but god, it had been so beautiful to meet his blue gaze once more, and that fleeting smile cross his face before he rushed to pull you into his arms, closing the distance and pulling you into his arms with a new strength that almost lifted you off your feet. and if you closed your eye, you could pretend that nothing had happened, nothing at all. that it was just you pressed against the warm, beating heart in gojo's chest, unrestrained and fierce as thick arms pulled you close, filling your senses with smoke, and earth, and long-spilt blood.
"don't you look eye catching?"
you huffed and leaned away from him, slamming your fist on hard muscle in exasperation, but if you hadn't turned your gaze away, you would have seen gojo's eyes twitch as he took in your battle-worn appearance, the scar that ran underneath bandages where an eye would have once been. if you had paid more attention, you would have heard his intake of breath as he ran his tongue behind his teeth, with a vow, a promise.
"guess who's going to kick sukuna's ass so far back to the heian era," gojo murmured, and you let out a shaky laugh that echoes all the way down to the marrows of your bones.
"yeah, i thought you were just all talk."
"i'm still alive, aren't i?" he shot back, cocky and boyish once more, and your eyes traced over him, drinking in every small change, the sharper clench in his jaw, the tautness in his frame, the way his shoulders seemed broader, like he had been carved up in the prison realm anew. and it leaves you melancholic.
in another universe, the two of you were still young, hand in hand underneath the blue sky as the cool breeze ran through your hair. but battles had turned to war, and the night had no time for what ifs.
"hey, don't go worrying about me," gojo murmured, almost as though he had caught the shadow in your heart, and he plastered a grin on his face, stretching his toned arms in some show of nonchalance, but his gaze lingered on the ruins too long, on the mottled group of assembled sorcerers who seemed to brim with new-found confidence at his return.
and when he finally looked back at you with a new dullness in your eyes, a heaviness you hadn't seen in a long time. it left a dead weight in your chest, but you forced yourself to return his own bland smile, playing along with the front he was trying to maintain, "well, i guess i'll have to keep you out of trouble from now on."
✉️ — november-december, 2018 💬 — you.
the month began to stretch and pass in a blur on the endless horizon, complete with the aching and unbearable waiting where you knew something was going to happen, and yet you did not know when and where. shoko had forgone her own exhausation to see to the rest of the wounds, the ones that had festered under bandages and grimes, leaving faint trails over your skin but she had shaken her head sadly when it came to the socket on your face, even she could not restore an eye.
gojo had swapped his suits and jackets for loose martial pants, and a tight black top that had clung to the muscular frame that he'd honed over the years, laughing off your concerns like they were nothing more than passing clouds.
"don't fret," he'd say, "how bad could this be? you know i told yuji once that even if sukuna was at his full power, i'd still wipe the floor with him. you believe me right?"
you weren't sure if his question was cocky, or a plea, and the fatigue had caused you to snap, "and now, yuji flinches when he hears loud sounds, and he's just another kid who can't fuckin' stop wringing his hands in blood! look what you've done to him!"
gojo's eyes had twitched afterwards, the corner of his mouth pulling down, but he hadn't gotten angry. and you hated it. you hated it all.
but you had wanted to believe in him, in his optimism. you wanted to let his smooth words settle into your bones like the warm comfort they should have been. but how could you feel at ease when everyone was now playing a role? each sorcerer in this building was feigning whatever mask or persona that they had painted and drawn across their face, just as you had. just as gojo did.
but nothing was the same anymore.
and neither were you.
the loss of your eye, the streaks of scars on your skin haunted you. it felt cowardly to say, but this was not the life you should have lived. you simply just didn't see yourself as strong enough, and your eyes watered thinking about the days when you dallied under a clear sky, skirts swaying along the grass as you trailed after your best friend, catching fireflies, exploring shrines, falling to the earth in child-like innocence.
the hollow space on your face, the empty socket served as a reminder of what you had survived, of the world that had fallen into pieces. was there anyone here who would recognise themselves in the mirror anymore?
some nights, the world felt impossibly still, and you would sit at the window and press your hands to the cold of the glass as you watched a scarred city sprawl ahead of you.
you didn't turn at the sound of footsteps at first, and you sat there, with your fingers still dancing on the edge of the window. you closed your eyes as you felt him approach, close, but not enough — you wished he would sit by you, press his soft head to your own, close enough for you to hold him in your hands, curl into his skin.
"satoru, can you make another promise?"
gojo's steps had paused, just a breath but it was enough to know that you had his attention. but when he spoke, "please tell me we're not doing theatrics right now," his voice was laced with that same dismissive edge that he always used when he was trying to push the truth far away.
"can't you shut up, just once? promise me you won't let sukuna kill you, i can't even imagine -" and how irritating, and how melancholic (fuck, this was like a bad soap opera) that your throat was already tightening, your voice wavering with tears that you had been holding back for weeks.
for a moment, gojo didn't respond, and he just stood there and you needn't have turned around to know that there was no trace of laughter nor joy on his face. no easy smirk to deflect the gravity of your well-founded fears. and the silence left you cold.
for the first time, you were suddenly hoping that he might say something blasé, to tell you to stop worrying, to brush it off and just reassure you. but he didn't, he was quiet.
and so you turned to face him, and you felt almost villainous for verbalising your future grief like this, to one who must already have carried such an eternal, heavy burden.
no longer did the blue of his eyes shine like a spring sky, with feather-like clouds that danced in his iris. now, there was only a fractured storm. and god, you loathed that for the first time in what must have been years, his own face was reddening, his eyes suddenly teary, clouds gathering torrential rain.
you knew he hated being seen like this. over a decade of holding him close to your heart had made you privy to his ways, to the way that he'd furiously rub at his face when upset, as if he could will the distress away and hide his tears.
gojo had outstretched his little finger towards you now, hooking it with your own, and your heart stuttered as he brought your finger to his lips, so quick that a ghost may have brushed your skin, with the seal of a promise.
"i will try. god, i swear, i...i promise, i will try." and you knew that gojo satoru was scared, terrified even of what december 24th would bring.
"i -"
you wanted to say it all, wanted to tell him everything. but the words stuck in your throat, love and want and need and ferocious, capricious grief all sat lodged within your beating heart that was so tightly bound in iron chains.
it was a shameful thing. you should have sat there, and comforted him instead. should have told him that it was alright, and you did not know a more powerful and capable sorcerer than he, that he'd leave sukuna in ashes. should have laid your hand on his brow to soothe the lines away from his pale, streaked face.
but you had always been selfish, held onto your heart like a being of folklore, guarded and self-assuming. you wept heart-aching tears, feeling them pool in your sleeves, and run hot salt trails over your lips. maybe it was a testament to how much gojo satoru loved you too, that he could not bear to see you in such grief, and he hesitated.
then he turned to leave you by the window.
✉️ — december 24, 2018 💬 — you.
the turn of the year felt cold, far too chilly, even though the night was still young. the city lights twinkled in solitary clumps outside, but they were just as dim as the heavy weight in your chest. the walls seemed to close in as gojo prepared to leave, to face sukuna — the king of curses. and you couldn't shake the feeling that something was slipping through your fingers, something that you would never be able to grasp again, no matter how tightly you gripped.
everyone had wished him luck, calling your their bravest words of encouragement as he walked past them, their voices echoing through the hall, as they slapped him on the back.
they all cheered the same platitudes.
"go fuck sukuna up!"
"language!"
"sorry, choso."
"show him what you're made of!"
"prove that you're not just a pretty face, gojo!"
and so you had plastered the same smile on your face, hoping that it would reach your eyes as gojo winked at you, "hey, before you start telling me off, now it's your turn to promise me something."
you had cocked your head up at him, ignoring shoko's narrowed, tired eyes, "yeah?"
"mhm," satoru nodded, pulling his arms around you, "after this, after all this bullshit, we get to take a vacation."
a barked laugh escaped you, before it collapsed into a giggle, "you want paid leave? that's all it is?"
your best friend's large hands gripped you, flat against your back, "yeah, that's all there is. we're gonna go take a holiday, sit by the beach, watch the ocean. keep it simple."
"a picnic too, eh?"
gojo nodded, humming, "we'll plan everything. about time we got to take a break. i'll be back before you even know it."
you felt his voice hitch against your ear, and your heart twisted painfully in response, he wasn't saying it but you both knew the cold truth, there was a real chance that he may never come back. before your vision could blur, you pressed his lips to his cheek, letting them linger for a moment on smooth skin (and you felt his arms tighten around you) and hoped that whatever you hoped to say, whatever spine you lacked, could be expressed so swiftly.
"come back then, please. i'll be ready." you whispered between his skin and your lips, the tremble leaving no space for air in your lungs.
for a moment, he didn't answer, just held you, and you tried to focus on the feeling of his chest rising and falling in slow, measured breaths. then, just as you were about to pull away, he spoke, the words falling from his mouth, so familiar and so effortless.
"of course i will. i always do."
there was a flicker of something raw there in his eyes, and you had seen it both before and after shibuya. his lips parted as if he were about to say something, but whatever it was, it never came. instead, he just nodded, a silent promise — unspoken, but felt deep in your bones.
without another word, he turned toward the door. and just before stepping out, he looked back one last time. that smile, that arrogant, confident smile that always made your heart race —i t was there, but it wasn’t the same. it was stretched thin, fragile. his blue eyes were tired, haunted, and for a moment, you saw the truth — the part of him he always kept hidden. the fear. the doubt.
"i'll be back," he repeated, but this time, it didn’t sound like a joke. it sounded like a prayer. a desperate, half-broken promise from the closest thing that the world had to a god.
you couldn’t speak. your heart was lodged in your throat, and the words that you needed to say just wouldn’t come. you wanted to tell him that you loved him, that you always had, that you were scared to lose him, that the world without him in it felt like a hollow echo of what it could be. but you couldn’t.
instead, you just nodded, your face a mask of emotions you couldn’t express.
and then, with one final look, a look that held everything neither of you had the courage to say — he stepped out into the cold, his footsteps fading into the distance.
✉️ — december 24, 2018 💬 — you.
gojo satoru was dead.
dead. killed.
for a moment, you stood frozen in the doorway of shoko's office, numbness seeping into your bones with a furious grief as you stared at the cold, unmoving form that was once satoru.
fuck, there was bile in your throat as a once lively boy now lay in four pieces, cleanly sliced by sukuna's unforgiving technique, and the sight was a nightmare made so real, something that you just couldn't reconcile with the man who had once been so vibrantly alive.
the warmth that had always clung to him had vanished, leaving his skin pale in the grasp of rigor mortis, and his lips were still flecked with dried blood that had painted a stark contrast against his stiff skin.
and his eyes, those striking blue eyes that used to glint with love and hope and dreams, were now dull, and still open. you had not the heart to close them, for once your hand pulled his eyelids down, you would never see them again, never look into his eyes until it was your time to pass from the circles of the world.
the last thing you’d seen of him had been that cocky grin, that wink that seemed so unbreakable, that laugh that lingered even as he left your embrace. he’d held you, promised you that he would come back, but now, as you stood there, that promise felt like a cruel lie, something that should’ve warned you but instead gave you nothing but hope.
you choked on a breath, your hand coming up to your mouth as you felt the weight of your unspoken words sink down like lead. i should have told him. you’d wanted to say it all, to let him know how much he meant to you, to tell him that he was your everything. but the words had died in your throat, held back by fear, by the delusion that there’d always be another chance, that he’d always come back.
you’d believed him. you’d believed, with every part of yourself, that he’d make it out alive.
but here he was, torn apart, the last shreds of life stolen from him by the king of curses. you had seen him being cut down, like a sheaf of wheat under a god's sickle, how sudden and gut wrenching it had been, and for the second time in a month, you had been on the edge of hurling onto the stone. but this time, the half-curse beside you, choso, hadn't stopped you from losing the contents of your stomach, as instead he had pressed his younger brother's cries to his broad chest, the grief swallowing the entire room.
gojo hadn’t been given the chance to fight back, hadn’t even been able to draw a breath before he’d been torn apart. and that final thought — that he’d been caught off guard, helpless, alone in his last moments — left you feeling shattered, grief clawing at you with merciless hands.
your knees felt weak as you moved toward him, your trembling fingers reaching out to touch his face, cold and unyielding beneath your hand. you traced the lines of his face, memorising every detail, as if somehow, through touch alone, you could keep a piece of him with you. a tear slipped down your cheek, landing on his lips, lips that had once murmured promises, had brushed against your skin in fleeting, unspoken moments. the tear brought moisture once more to the blood that splattered his face, but quickly, it disappeared, drying and taking away any life.
"i should’ve told you,” you whispered, your voice broken, raw, laced with the pain of regret, "i don't know if you ever knew how much i loved you."
you closed your eyes, the silence thickening around you, pressing down until it felt like you couldn’t breathe. your mind replayed every smile, every laugh, every word he’d ever spoken to you, each memory twisting the knife of grief deeper into your chest. the emptiness of the room swallowed you whole, and all that was left was the aching, unbearable reality that he was gone — that the man who had been your best friend, your confidant, your everything, was nothing more than a memory now.
you stayed there, your hand resting on his cold cheek, as if the warmth of your touch could somehow reach him, bring him back. but he was gone, and with him, he’d taken the words you’d never been able to say, the love you’d never been able to give.
and as the silence closed in around you, suffocating and absolute, you knew that part of you had died with him.
✉️ — not so long later. 💬 — you. it could only be you now, for you are the only one left.
the sun was beginning to set as you reached the shore, casting an amber glow over the ocean. the waves lapped quietly against the sand, as a gentle roll becoming a reminder that the world was still moving, even when the battles were done.
even though everything within you felt like it had come to a standstill. you clutched a folded piece of glossy card, and a box. two things that shoko said she found on him, things that she thought you should keep, she added quietly.
and so, you sat down on the sand, letting the evening wind sweep over you as you gazed out at the endless stretch of water. the ocean had always been something you had dreamed of seeing together, an endless horizon that was wild and untameable, just like gojo satoru had been. but he was gone, gone, and that promise would forever remain unkept.
you opened the folded glossy card, wincing as you tried not to press the faded creases further, brushing over the faded edges. it was dated to the fall of 2005, and you bit your lip as you saw your own image stare back at you. when the world had felt endless, and you had two wide eyes to see it with. there you were, that day in the market, laughing in the photo with your head thrown back sweetly, and you wetly laughed as you saw geto suguru's confused expression in the background, clearly exasperated with gojo's photography skills.
a choked sob escaped you as you traced your smile in the photo, so oblivious to what would come. you’d been so happy then, wrapped in a moment that had felt simple and whole. gojo had teased you relentlessly that day, snapping photos every chance he got, and you’d thought he was just being his usual, silly self. you’d never realised he’d kept this one one, never knew it meant enough for him to carry it all this time.
with a shaking hand, you opened the box, revealing the ring nestled inside. fuck.
it was beautiful, impossibly beautiful, as if he’d carefully chosen each detail with you in mind. the diamond glistened in the fading light, flecked with small blue stones that reminded you of his eyes, the eyes that used to light up every time he looked at you. this ring was supposed to be a promise, just as the ones you made when you locked little fingers — a promise he never got the chance to make, a life together that you’d both been too afraid to admit you wanted.
the first tear fell, splashing onto the sand below, followed by another, and then another, until you were trembling, the grief tearing out of you in waves, raw and unstoppable. you held the ring to your chest, clutching it as if somehow, by holding it close, you could feel him, hear his laughter, feel the warmth of his arms around you. you could almost hear his voice on the wind, that playful edge mixed with tenderness as he called you by one of his ridiculous pet names. Sweetheart, honey, my pumpkin pie, followed by your irritated huff telling him to drop those names.
but truly, here was nothing. just the sound of the waves, relentless and indifferent, echoing the hollow ache in your chest.
the what-ifs clawed at you, memories replaying over and over in your mind: moments when you’d almost reached for him, almost whispered the words, almost let your heart break free. but each time, you’d held back, too afraid to disrupt the delicate balance between you, too certain there’d be another day. but now, those moments were gone, scattered like dust in the wind, and the weight of those unsaid words felt unbearable.
you pressed the photograph to your lips, closing your eyes as if you could summon him back, if only for a moment. but when you opened your eyes, all that greeted you was the empty horizon, stretching out into nothingness.
"i love you,” you murmured, voice broken, barely more than a whisper. "i love you. i always loved you."
the words hung in the air, unheard, unanswered. it was too late, too late for confessions, too late for promises. the life you’d wanted with him, the life he’d carried in his pocket with a ring and a photograph, was gone, lost to the cruel twist of fate that had taken him from you.
you stayed there on the sand as the sky darkened, the weight of his absence pressing down on you like a storm. the wind whipped around you, cold and biting, and you shivered, clutching his ring, his memory, as if that alone could keep you grounded.
as night fell, the stars began to appear, dotting the sky with fragile points of light, distant and unreachable. and you sat there, letting the grief wash over you, lost in the silent, aching expanse of the ocean and the memories of a love that would remain forever unspoken, forever unfulfilled.
wasn't love the greatest curse of them all?
#jjk x reader#gojo satoru#gojo satoru x reader#jjk angst#jujutsu kaisen#jujutsu kaisen x reader#gojo#gojo x reader#gojo angst#satoru gojo#works#lol ive spent too long on this. will proofread later <3
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I agree with the person who said that Curufin had the exact same potential to do great things as his father and his son, but at first he was too wrapped up in Feanor/too focused on pleasing him to really branch out on his own and then the oath and subsequent war against Morgoth happened and he shifted all his mental focus and energy towards developing weaponry and armor and so on. Something he was good at, but didn't find particularly mentally stimulating or enjoyable. In my post-canon headcanons/fic that I dream of writing one day Curufin will be the one to eventually invent photography, however. A huge hit with the wider populace of Valinor who don't necessarily have Finwean-style money to have portraits of their babies or weddings done by a professional painter.
He also learns to detangle his existence from Feanor's post-canon (I headcanon he gets released from the Halls before Feanor does) and goes through some personal growth. He also manages to repair his relationships with Celebrimbor and Finrod during that time and grows closer to Nerdanel. He and Celebrimbor actually start collaborating on a whole bunch of projects together and the two of them are directly or partly responsibly for a lot of technologial innovations and revolutions in post-canon Valinor (I mean sure, Curufin is #problematic, but the things he comes up with are just too good/tempting to ignore. And Celebrimbor is okay in most people's books anyway, so...)
I personally am a Curufinrod shipper, but whether platonically or romantically, I think Curufin has a lot of strong feelings about Finrod, most of them quite overwhelming and difficult to deal with for him. And his tried and true method for dealing with such feelings is repressing them. Until he can't anymore and things get crazy. But anyway, one of the more straightforward and normal feelings he has towards Finrod is gratefulness for taking care of Tyelpe after he was re-embodied. I headcanon that Celebrimbor was re-embodied before Curufin and was and still rather unwell by that point, which caused Curufin a lot of worry. Celebrimbor canonically loves Finrod and I think the feeling is mutual (Finrod thinks of him as a son, in a way), so I feel it makes sense for Finrod to be there for Celebrimbor during that time period.
He's a disaster bisexual with internalised homophobia and everything else @gardensofthemoon mentioned on that subject.
He used to have a crush on Aredhel when he was a kid/teen and is still very fond of her.
He secretly craves affection and attention though under normal cicumstances he'd rather bite off his tongue than admit that out loud (or even to himself most of the time). Luckily for him, I headcanon Celegorm as being quite affectionate with the people he loves (in a very casual, easy-going, dude bro-y sort of way: he will slap people on the back, casually drop his arm around them and/or pull them into hugs, ruffle his younger brothers' hair etc.) Curufin will act annoyed with Celegorm when he does these kinds of things, but really, he doesn't mind at all. (In time, Curufin does get better at expressing his wants and needs though, and other people, like Finrod, also begin to understand this about him, so it all works out in the end.)
He's actually rather conflict-averse and tends to avoid direct confrontation in favor of scheming and manipulating his way through life. Direct confrontation rarely goes well for him when he does try, so he leaves that kind of thing Celegorm for the most part. (Another avantage of having Celegorm around. And Celegorm doesn't mind fighting some of Curufin's battles for him).
The siblings he has the most difficult relationships with are Maedhros and Caranthir: When he was younger Curufin felt somewhat resentful and jealous towards Maedhros for being the firstborn son (it should have been him, obviously). He claims Maedhros is doing a terrible job of being their father's heir by frequently going against Feanor or what Feanor would have wanted. A part of him admires Maedhros for being able to stand up to their father and following his own mind, but another part of him is just about self-aware enough to realize that this makes Maedhros more similar to Feanor than Curufin could ever be and resents Maedhros even more for it. He also can't help but feel that Maedhros can read him like an open book (which is true) and in his most paranoid moments Curufin is convinced that Maedhros thinks him pathetic and all kinds of other things he secretly fears about himself. Caranthir can also see right through Curufin, but unlike Maedhros, he doesn't mince his words and very bluntly says what he thinks of Curufin or his actions right to his face. Caranthir is also very close in age to Curufin and doesn't really have Maedhros' older brother instinct of "must protect my little sibling and be nice to him even when he's being a terrible brat". This means that Caranthir can and will say things that cut Curufin right to the core (and which will keep him awake at night because he can't stop thinking about them.)
He is what would nowadays be called neurodivergent (like most of his family) and has a bunch of very specific hyperfixations and interests that only very few people can relate to.
He also suffers from anxiety (something he has in common with Maedhros) and used to bite his nails when he was younger. He still does it sometimes, but he thinks it's a shameful habit and tries very hard not to.
He loves Celebrimbor above all else and genuinely tried his best as a parent (although he didn't always succeed and failed quite badly a couple of times). But particularly when Celebrimbor was younger? I really think he was a pretty involved and good father to him. Also is super proud of Celebrimbor (and Celebrimbor outdoing him bothers him much less than he himself being unable to live up to Feanor).
He usually calls people he loves by their mother names (incl. Celegorm, Celebrimbor and Finrod), but he himself doesn't like being called Atarinke. Most people he's close with just call him Curvo.
He's quite a picky eater and somewhat embarrassed by that as well (it's immature and childish in his mind), but he just can't bring himself to eat certain things.
I also agree with the people who mentioned him enjoying mathematics (he and Celebrimbor like poring over difficult math problems together in my mind), that dark blues and greens look much better on him than Feanorian red, that he's deeply insecure, that he's a night owl (he'll often stay up all night and sleep during the most random hours of the day) and that he speaks in a soft tone of voice.
Hey fellow people who presumably enjoy curufin. Can you reblog with some curufin hcs? I think we truly need more Curufin Attention (either positive or negative but if you hate him why are you even here) in this fandom and I will be the change the world desperately needs. Cheers
#well that turned out way longer than I intended#I just have a lot of feelings about this particular pointy-eared mess ok#curufin#silm headcanons
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HEY!!! YOU THERE!!!
Oh my gosh look at you!!!! You’re doing so good!!! I’m so proud of you!!! You’re so cool and amazing!!!!!
you don’t beleive me??
FINE! I’ll write an essay. (An actual 6 paragraph essay with real evidence, I literally did research.)
(Intro post here )
The person who is reading this is amazing because they are super cool, super strong, and I love them soooooo much/p. In this essay I will explain why these things are true and clear up some lies you may have been told.
You are amazing because you are super duper cool!! How do I know? Well first of all, you’re the only you- that is SO COOL!! Do you realize how cool that is??? In a world full of abunch of people, you are the only you to ever you!! Like- if everyone is different and you turn out the way you have, that makes you so cool!!! “scientists estimate the probability of your being born at about one in 400 trillion” says whoever wrote the article on HuffPost dot com. The chances of you being born are one in 400 trillion. You know how incredible and cool that is that you are the way you are? Super duper incredible and cool.
Secondly, you are SOOSOSOOSOOOO strong!!!! Do you realize, on average 80% of the population goes through severe hardship in their life, so considering you’re here, considering you are still here, YOU ARE STRONG! Soooooo strong because not everyone makes it, so the fact that you did? MC FUCKING AMAZING!!!! On top of this, 77% of people go through stress severe enough to effect physical health every year. Even further, you’ve gone through that and made it! Which is so very courageous and strong and incredible.
Lastly, you are amazing because I love you sosoososoosooo much/p. As said by me right now, “I love you sosososososo much” which means that I really value you and I care about you and I think you’re incredible. I also love you because you make me happy, you’re making me happy by being alive. You’re making me happy by reading this, you’re making me happy by being you. You are making me happy by simply existing. No matter your flaws, mistakes or hurts. That’s how I love you. And if you are ever on your last leg, maybe you aren’t being yourself because of hurt or pain or self preservation, I still love you because you deserve it. Thank you, internet stranger, for existing. I genuinely believe in you and your goals. And I wholeheartedly love that you exist. Thank you.
Now, to address a counter claim. Some stupid people may have told you ‘you’re not good’ or ‘you’re a bad person’ or ‘you’re useless/worthless/ugly/stupid etc’. THEY. ARE. WRONG. SO SO SO SO WRONG. THEY ARE LIARS. How do I know? Well, according to my sources(me, I’m the source btw) you are amazing and unique and cool and strong and smart. You are you and honestly that’s the best thing ever. People are flawed and complex. People are imperfect and make mistakes. That’s not and never has been a bad thing. Why? Well, if everyone is flawed, then no flaws are any worse than any others. Making you perfect because you are as you are meant to be. it’s kind of a contradiction and I know I’m not making any sense but if you gain anything from reading this I want it to be this. You are strong, and incredible and cool and talented and you are valued and love and no matter how horrible you may think you are, I, for sure, will always disagree. I could go on for hours about how wonderful you are, but then I would run out of space. I could talk forever about how much I love you for being you, but then my throat would run dry and I would lose my voice. Thank you, thank you, thank you. For existing. And thank you for everything you’ve ever done. Thank you for making mistakes and having flaws and being who you are because if you weren’t? The world would not be as incredible.
Sources
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I want to write a supernatural fic where Sam still hunts while in college.
Like, hunting has always been such a big part of his life that he just can't live without it, especially when he knows other people are going to die and/or suffer if he doesn't help them.
I want Sam to be one of those students that you know never goes to any of the classes but almost always gets an A (or at the very least a passing grade) on all the exams/assignments (he both knows from experience and studies in his free time while on the road).
I want Sam to be the weird/cool guy at school that everyone theorizes about ["Do you think he has a girlfriend?" "He must be rich or something, how else can he afford to travel so much while still attending school" (he's not BTW) "I wonder who that guy that always drives him to and from classes/exams is" (that's Dean) "So he's a passenger princess" (they've never seen him drive), etc].
Everything about the show is the same (I might keep Jess alive though, IDK, like that girl who ends up having a crush on him so she's looking into him and finds out some stuff) except he's still in school and he & Dean always cover their faces/only Dean impersonates people (that work with the state/law & stuff) so that the authorities won't be able to connect things too quickly and ambush them while there's a test or something.
Sam is literally the cryptid of the school after getting his powers, like people literally see him get visions/mumble about future events in the middle of those rare lessons he comes to/exams/assignments.
After Dean becomes a demon, people start thinking he's his drug dealer and that they're a part of some Mafia group that needs a new lawyer/future new lawyer (hence why Sam is learning law) after they keep hearing hushed conversations where Sam practically begs this Dean guy to "Just please give it to me, please Dean I don't think I can take it much longer" (assuming "it" probably means like heroin or some other type of drug. Also how they finally found out Dean's name) and Dean begrudgingly handing him a small red vial and telling him he'll give him more, sometimes directly from the source (his wrist), later. Sam also starts bringing a second, smaller, steel water bottle to school after those interactions start but almost nobody notices (or they do and there are a thousand and one new conspiracies about it and what it means, after all, it could just be coffee for all they know, they can't be sure though, and they're too scared to ask whenever they do see him and he actually stays in school for a little longer instead of instantly leaving to go somewhere. So they don't really get the chance to ask him even if they want to).
They see him "give a random girl hickeys" in the alley right beside the school (he's actually drinking Ruby's blood after she got her throat slashed/slashed her own throat just a little bit so that they won't look too suspicious) and they think that's his GF. And then some other students see him doing the same to his drug dealer's (Dean's) wrist a few days later and they don't know what to think anymore [he was desperate (read; needed a boost before a stressful exam/lesson/finals week), okay? He wasn't thinking straight and all three thought it was at least somewhat okay as long as they were being careful].
One day, during a lesson because the others know he won't answer during an exam, Bobby (because he still isn't talking to John, fuck you John) is calling him, saying it's an emergency and that they need him there ASAP. He doesn't remember to control his reaction in front of the class and now everyone further believes that he's in the Mafia and that was his boss talking to him [they vaguely remember hearing him, quietly whisper, if they need him to bring his extra guns at the start of the conversation/if he needs to kill someone/if anybody died towards the end of it (all said somewhat casually, considering the situation, mind you)].
I imagine Gabriel coming over to fuck with him one day at the school and people thinking he's part of a rival group/family (that may or may not have joined Sam's own after betraying said family, depending on the timeline) based on their interactions. On that same note, I want Castiel to be like the boss's right hand/messenger and that their boss's name/title is God/the lord (if I was in that situation, I would think their boss is very narcissistic, but I won't say anything about it because crime and I don't want to die yet). And then when Godstiel comes around, Dean, who at this point knows way more than Sam about these rumors (because unlike Sam he's actually been around), makes him seem like their new boss (he might just use it to help him get laid, like in that one episode, but IDK).
I really want to write it, and I might just do it, I just need to finish the series first so that I'll be characterizing them correctly (these are all characters I already somewhat know about/saw) so we'll see if I remember it by then.
Feel free to use this idea but also I want credit/link to the story (mainly a link) if you do use it, since I want to read it regardless of whether or not I actually write this (knowing myself, I probably will. Like 78% will).
#sam winchester#dean winchester#dean and sam#dean and sam winchester#sam and dean#sam and dean winchester#weirdcest#gencest#the winchester brothers#winchester brothers#the brothers winchester#castiel#castiel supernatural#gabriel supernatural#trickster#the trickster#bobby singer#supernatural#spn#supernatural fic#supernatural fanfiction#spn fanfic#spn fic#fic ideas#fic prompt#fanfic ideas#fanfic prompt#fanfiction ideas#fanfiction prompts#text post
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Helloo! could I humbly request relationship headcanons for Sasuke before and after the war? as in the difference between him then and after? I always thought he'd be a lot more mature and his views on things might change? especially since before he never would've had the time to actually consider things like romantic relationships and such to a deep extent? I'd love to hear your thoughts! I wish you a good day/night!
(fem reader or gn!neutral is up to you! I'm okay with either!)
author's note: hi, lovely! I am so glad to get a request for Sasuke, as he is one of my favourite boys, but I don't really get the chance to write a lot for him. I guess the "after the war" Sasuke can be a bit OOC if you follow Boruto, but as I haven't watched it and I don't really agree with how most of the characters developed... I just kind of wrote the way I envision it. I hope you enjoy! <3
BEFORE the war
It is very hard to imagine Sasuke having a relationship with someone during the time when the only thing that plagued his mind was the idea of revenge.
If he was to get interested in someone, I would imagine it would be a civilian/retired ninja during his travels with Team Taka. (I don't really imagine him falling for a ninja tbh)
I think even here, we have to separate before and after Itachi's death...
Let's roll with the idea that he meets his s/o before killing his brother. During this time he won't be really interested in forming a relationship - for a really long time he won't even understand what is that funny thing inside his chest and why he feel the need to visit his s/o's house every few months.
Sasuke has the tendency to do whatever he wants, whenever he wants, so I imagine that this is how he will behave with his s/o the same way - he will visit his their house at random times, always staying for different periods of time; demand that they heal him (if his s/o is a healer or had any basic medical knowledge); he would buy stuff for the house from the local market or leave some of his own (such as some of his clothes), almost as a way to establish a claim over them/their property.
He would never put a label on the type of "situationship" him and his s/o share, but it is clear to both that whatever is going on is deeper than a friendship.
Still very cold and reserved - would share very minimal information about his past or his goals, preferring to either sit in silence or ask his s/o questions.
Kind of grumpy and rude ALL THE DAMN TIME.
He didn't want to entertain the idea of having feelings for someone, yet he couldn't stay away. The intentions of his visits were always masked with some type of "excuse" - he was in "hiding"; he needed somewhere to "heal"; he wanted a "break" from his team etc. Yet he couldn't help but feel annoyed he was getting distracted from his main goal and he was taking it on his s/o in the form of snappy comments, rolling eyes, constant huffing and just in general bad attitude.
A silent protector - he would check on his s/o quite often, sometimes not even visiting their house, just watching from a distance to make sure they are okay. I imagine during this time he would be highly alert and worried Itachi may try to target his s/o, so he may even act a bit controlling by banning them from leaving their house after dark or letting any strangers inside.
Now Sasuke after killing Itachi and learning the truth about his clan... is a COMPLETELY different story.
We all know his mental health completely collapsed during this time and his mind spiraled downward. This would affect not only his actions, but also his relationship.
For starters, he would clearly establish that he consider them as "his" (if it was not clear before, it is now). His paranoia that everyone is after him, fueled with the fact that he not only wanted a revenge on Konoha, but also the belief that he needs to start rebuilding his clan soon, would push him into constantly trying to persuade his s/o to leave with him.
Now I've said that before, but I don't see Sasuke with the shy, agreeable type of partner... so most likely his s/o would just cuss him out and tell him to leave.
Lot's of arguments, jealousy and gaslighting - Sasuke is literally a walking RED FLAG during that time.
He also is not the type to give up easily, so even if his s/o tries to 'break things off', there is no getting rid of him - his s/o is HIS and he would make sure not only they understand it, but that the WHOLE WORLD does. Nobody loves like an Uchiha after all...
AFTER the war
If you expect head canons based on Sasuke's personality in Boruto... you better stop reading here! I've never seen Boruto, but I've read enough to know that (at least for me) almost all of the OG characters are ruined. So here is my interpretation of what type of partner Sasuke would be after the war...
Firstly, let's start with the fact that he will be by himself for a long time while travelling during his "exhile". Even if he had some type of partner/crush before the war, it is unlikely their relationship would survive after the war.
(which is quite good actually, because as I mentioned above, such relationship would be highly toxic and dysfunctional!)
I think at least a few years need to pass for him to really find himself, find his purpose and accept his past and that of his clan. He has been through a lot of trauma which needs a lot of healing and self-discovery.
Like mentioned above, I don't think he would fall in love with a ninja. In fact, I believe someone who is not really part of that bloody and cruel world would be perfect for him and he would finally have the chance to be himself.
Someone with a lot of patience would suit him well, because while he is more mature, I think he would be very insecure. He never really formed any significant bonds with other people, so he is unsure how to proceed and how to properly treat his s/o.
Definitely friends-to-lovers type of love story.
Sasuke after the war would be more patient and calm, but still fiercely overprotective. I still think he would scold his s/o of they are too careless or too trusting with strangers, he would be nearly as controlling as his younger self.
Tbh I never understood the character development in Boruto, because in my opinion adult Sasuke would totally want a quiet settled life with his partner, away from battles and more bloodshed.
It's already settled in him to be a provider and to be honest I imagine him as a very traditional male figure - the head of the family, the one taking care of his partner and kids, providing protection and security.
He still has a lot to learn and overcome, but the main thing that sets him apart from his younger self is the willingness to listen to his partner and work on himself.
He is still occasionally rude and snappy, and to an outsider way too cold and reserved toward his partner, but to his s/o it would be obvious that he does try to show affection in his own way - waking up before everyone else, so he can prepare breakfast; unconsciously shielding his partner (and kids) with his body in public; small gifts, most of which handmade; subtle touches on the arm or the lower back...
Overall, a piece of work... but definitely one that is worth it!
cc artwork: Christian Benavides
#sasuke x reader#sasuke uchiha x reader#sasuke headcanons#sasuke imagine#naruto requests#naruto imagines#naruto headcanons
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Okay, so! It's late and I should've been asleep hours ago so I probably won't be writing a fully in-depth/detailed response, but I can offer a little bit of perspective from the writing side of things (as someone with experience in the industry, who's worked on several mobage games)
So, a big part of the plot/story aspect is due to OM being a live service mobage. By the inherent nature of the genre, the story must always be able to continue going (ie: the story can never "end" because then the game itself would end)
This means that the writers will always be limited in how much they are allowed to do, because the story must still be able to continue after the current Lesson/Season/whatever. No matter how big or crazy you want to make the plot in S3, you still have to reel it back in by the end so that S4 can still happen. Status Quo is hugely important for this style of game. Making significant, permanent changes means having to commit to those changes and not revert back, which is risky from a development perspective (if players don't like the change, they may drop the game) but also means that all of your writers are now railroaded into writing within the bounds that this new permanent change has established. It's not that this is impossible, but it's common for management and executives to discourage it.
This is also the reason why it feels like character development never truly "sticks" even though we see the boys learning the same lessons over and over. No matter how many times Levi has a big moment where he learns to be more assertive and believe in himself, he'll be back to his usual characterisation next season. Ditto for Satan's relationship with Lucifer. Lucifer himself will re-learn not to keep secrets from his brothers or take the burden of responsibility alone, over and over again.
If a character is allowed to have an actual conclusion to their personal arc, then that means that their growth is now over. It's satisfying for players because we get to see them struggle, learn, grow, and have an actual conclusion. But the problem is...then what? The story itself still has to continue. And if a character's arc is "over" then that leaves them with much less for the writers to do as the story continues.
Stories need conflict, and the same is true of characters. They need to struggle, they need to learn and grow, otherwise they would be boring. If Satan never struggled with his anger issues or his relationship with Lucifer again after S2, then he would have very little to do in every following Season of the story. All of his personal growth is concluded, so what would there be to focus on? Sure, new struggles and new character arcs could be introduced, but then you start introducing the same narrative hurdles as mentioned above. You especially don't want to fiddle with the characters TOO much, because you'll risk losing that character's stans if their favourite blorbo is irrecoverably changed in a way they don't like.
With this genre of game, it's much preferred to keep the characters as consistent as possible, because you'll be writing these same characters continuously for many many years. OM itself is about to turn 5 years old, and "if it's not broken, don't fix it" is a big aspect that the writers will have drilled into them.
Speaking of the writers themselves, this is the last point I'll touch on for now. While we don't know absolutely everything about Solmare's inner workings as a company (for good reason) we DO know a few things. Mainly:
OM's writers are often split up into many different smaller teams, and will be working on multiple assignments (Main Story, Pop Quiz event stories, Devilgrams, etc) at the same time
It's not entirely uncommon for Solmare to bring in guest writers from outside of the company
Not all of the writers from 2018-2019 are still working at Solmare, and the staff will change regularly as older employees leave and new staff is hired (just like any other company)
Which all means that at any given time, completely different people could be writing the plot between one Lesson and the next. This is generally good for the writers themselves (since delegating the workload in this way is much better than having individual writers taking on far too much on their own) but it also means we get things like inconsistency with the characters, or continuity errors. Communication and management are much harder when you have a large team working on many different assignments at once. This is even more likely to be the case when a guest writer is brought in from outside, because they will be less familiar with the story and characters. (This is how we ended up with Lucifer's controversial "Lady" lyric in "Arcadia" - the songwriter was not a Solmare employee and not a member of the OM writing team)
This is something that happens with all written media, but the more writers you have working on a project means there will just be more chances for things like this to slip through the cracks.
Anyway, sorry to ramble like crazy on your post (and I'm tired so I'm not even sure if everything I said made sense) but hopefully this was at least interesting for some people to read!
i also think that either obm needs better writers OR if it’s not an issue with the writers themselves, that they should start thinking about where they want the game to go. the story is so… disjointed… and messy. with every season, it just feels like the story deteriorates in quality bc nothing is ever at stake + nothing changes. character development and plot points are easily forgotten in favor of having scenes with characters instead (which like i know that’s the main point of the game but … it all feels… cheap?? idk). nothing ever happens in the main storyline and thats just ?? wack
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Makidrey Word of God Endgame!
#will still write an actual thing about them and etc#makidrey#max x aki x audrey#max wolfe#aki menzies#audrey hope#gossip girl#gossip girl 2021#gossip girl reboot#ggrb
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I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol
#wax seal#crafts#wax stamp#stationery#Window one is kind of stinky.. I was imagining like a swirly night sky sort of looking thing so it would be a surreal contrast of a night#sky with a window in the middle that shows a daytime sky - but the silver and purple wax kind of mixed too much together#with the black and it just looks very plain black and not all that starry or anything hjbhj.. Of course the eye is probably my favorite#since all I ever do is draw eyes and still like eye imagery for some reason. The four leaf clover is very lumpy and skrunkty but also it wa#the smallest in size out of all of them so was easier to do multiple stamps of just to try it out.#The heart with eyes wax is actually more swirly in person. I wanted it to be a mix of light pink and red and white. and the wax#did kind of all blend together but in person you can definitely see MORE of the intentional swirlyness. in this it just looks plain pink.#I was going to do one eye in the heart but it looked weird. but now two seems too plain. i could have done 3?? in a pattern.. hmm#alas. I wish I could make actual metal ones. With the clay i have to paint them in a thin layer of olive oil before stamping because#otherwise the wax just kind of gets stuck in the grooves of the clay and then you can't pull it up. Very wacky ''unprofessional'' looking#set up where I'm hot gluing circles of sculpey clay to short stumps of a wooden dowel that I sawed apart with a serrated bread knife#and then using an old paintbrush to put olive oil on them whilst holding a spoon over a yankee candle flame hjbjh#ANYWAY.. I think if I were middle class/rich/etc. this would be one of the main things in my crafting room is like.. SO many colors#of wax. and all different custom made stamps designed by me. which could be much more elaborate in actual metal.. muahaha.... >:)c#RHGghhh... I actually don't want to talk much about it since (this is probably just my Obsessed With My Own World Artist Delusions) I#think I have a really cool idea for a game that could genuinely be successful if i ever get to make it and I don't want to give#everything away and spoil the whole plot/concept in hopes that one day I can actually do it - BUT - a game that I'd like to make after the#visual novel I'm making now has partially to do with the main character working as a sort of writer/scribe/artist assistant in an elven#city (set in my world/with my worldbuilding species and versions of elves and etc) and I was thinking of maybe incorporating#somehow being able to collect little writing type items like these like.. you can get different wax seal patterns or pens or etc. when I do#stuff like this in Real Life it always makes me think of that like.. ouh... this is good research.. what it shall be like to be a littol#elf collecting wax seals and such.. indeed... GRR i need to be finished with my current game NOWWW... i MUST work on other#thingss... aughh... ANYWAY.. yay. accomplishment to do One Single Thing other than Sit In The Summer Heat And Rot#though also hilarious as this was the first cool-ish day that was below 80F in a while hgvh#waking up like 'wow.. i actually feel okay today?? like I could do things?? how mysterious.. I wonder why..?? :0'' Its The Weather You Fool#Tis Always The Weather
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hi Silver! o/ because that fanart made me wonder - would you happen to know when/where Dick's stuffed elephant plush Zitka turns up in the comics?
GREETINGS CAM <3333 THAT ART WAS SO CUTE
Yeah, I think your instincts are right - it's a truly adorable bit of transformative fandom, but I'm 95% percent sure it's not comics canon. Barbara has canon plushies, but I don't think anyone else does.
I got kinda invested in the investigation (it's hard to prove a negative!) and I ended up typing out an entire History of Elinore/Zitka, so, uh, if you're curious, meet me below the cut for:
Where does Elinore / Zitka - the animal - appear in comics?
Did Dick ever have a stuffed elephant toy in comics?
Where does Elinore / Zitka appear in comics?
We're gonna go in chronological order!
Dick's circus elephant friend was first created for practical reasons: in Batman 436, Marv Wolfman does a big expanded flashback to Dick's circus backstory as a way to subtly show us Tim before officially introducing him (so that we can have a technically-solvable mystery-of-Tim's-identity in LPoD). In this comic, there's an elephant named Elinore who loves Dick:
Aww. Such a cute elephant!
Batman 436 comes out in August 1989. New Titans 60 comes out a few months later, in November, and guess what? When Dick visits the circus, he is suddenly surprised by an unexpected blast from the past! It turns out that even though it's been years, Elinore still remembers him!
Here's the part where Elinore remembers Dick:
SUCH a cute elephant. I love her.
(Guess who else still remembers Dick even though it was so long ago. Guess which other character is about to be an unexpected blast from the past. Guess which character Elinore is directly paralleling guess guess guess sorry everything is about Dick and Tim in my mind but I can focus I swear)
Four years later, in 1993, Batman: The Animated Series retells Dick's origin story. They like and keep Wolfman's elephant, but they change her name to Zitka:
Wolfman doesn't return to the elephant beyond those two appearances, and a few years down the line, New Titans gets cancelled and Wolfman's not writing Dick anymore anyway. So the animal gets abandoned for a while, until Devin Grayson, a fan of both Wolfman and B:tAS, revives the Wolfman-era Titans team in JLA/Titans and then the ongoing series Titans 1999.
Grayson then brings back the elephant in a flashback to Dick's past in Titans 16 (Jun 2000), where she imports the B:tAS name. Sometimes I'm skeptical of TV-to-comics imports, but honestly, I endorse this one. You lose the alliteration, which is a shame, but IMO Zitka is a better elephant name than Elinore.
Here's Dick with the newly-christened Zitka in Titans 16:
Grayson also briefly references the elephant in Gotham Knights 20 and - in a final angsty callback - in Nightwing 88 (Feb 2004), where Zitka tries futilely to comfort Dick in the midst of his trauma conga line:
... And... honestly, I think that's it for comic appearances? The two Wolfman comics plus the three Grayson comics.
Both Wolfman and Grayson are writing multiple titles - Batman, New Titans, Titans, Gotham Knights, and Nightwing between the two of them, spanning a big chunk of Dick's post-Crisis canon - and both writers use the elephant for heartwarming moments of nostalgia, which means if you're doing a post-Crisis readthrough for Dick, Elinore/Zitka feels memorable. But I don't think she actually shows up that much.
For post-2011, I am not as well-informed - throwing this out to the dash? anyone know? - but I feel like Zitka the heartwarming symbol of Dick's heartwarming circus past is, uh, thematically very at odds with the Court of Owls evil!circus vibes, so my instinct is that this story element was almost certainly dropped in the reboot.
Did Dick ever have a stuffed elephant toy in comics?
In WFA, yes; in main comics continuity, no. Technically, I have not read every comic ever published, so I could be wrong!! But I don't think so.
Below, find my rambling reasoning on the tonal vibes of pre-Crisis, post-Crisis, and post-2011, and why this particular story element doesn't seem right to me for the first two.
Pre-Crisis (...okay, mostly the Silver Age): stuffed animal, yes or no?
tl;dr no, requires too much background knowledge on the part of the reader, plus the elephant wasn't a thing until later
Elinore doesn't get created until post-Crisis, but also just generally, pre-Crisis callbacks are more along the lines of this reference in Batman 129 (published in 1960), where, wow, Batman and Robin are hunting jewel thieves - and it turns out Robin recognized this strongman! BUT HOW?!
The comic goes on to recap Dick's entire origin story in flashback, on the assumption that you may not know it.
(BTW, if you'd like to know more about Haly's Circus throughout the years, nightwingology has a great post here summarizing a lot of fun plotlines and characters!)
Basically: Silver Age comics are very self-consciously episodic and kid-friendly; they're not generally gonna do overly-elaborate callbacks because they don't know what comics their kid readers may have randomly picked up or remember.
By the time of post-Crisis, comic books were being written for an adult audience buying from the direct market, i.e. readers who are collecting whole runs & don't need or want Dick's origin story to be recapped to us in full every time it's referenced. That's why in post-Crisis, we get stuff like "hey, neat, this particular soda brand is getting mentioned in several different books!!" or "in order to understand this story arc, buy SIXTEEN DIFFERENT COMICS in FIVE DIFFERENT RUNS and read them ALL ACCORDING TO A NUMBERED ORDER and also you better be following the individual plotlines and recognize these five minor characters who we don't bother to introduce!! Good luck!!" But the elaborate post-Crisis plotlines - and subtler worldbuilding like a stuffed animal callback to Dick's backstory - don't make a lot of story sense UNLESS you're imagining your readers as completionist adult fans.
So IMO a stuffed animal wouldn't be a pre-Crisis thing unless it was The Episodic Story Of the Week, and I don't think a stuffed animal is action-adventure-y enough for the fast-paced storytelling of the Silver Age. (Unless it, like, came to life and tried to eat you or something.)
Post-Crisis: stuffed animals, yes or no?
tl;dr: no, Dick's a manly tough guy, he's not gonna have a stuffed animal, that'd be lame, like something Tim might do
Part of the edgy grimdark adult vibes in 80s/90s comics is that some characters who used to be kinda silly & goofy & lighthearted - like Batman and Robin - get reimagined as Serious and Angsty and Edgy in a Tough Cool Manly Brooding Way. This massively affects characterization for Bruce, Dick, and Bruce and Dick's relationship.
(I obviously love this change & love the tense Bruce-and-Dick interactions, but plenty of fans of the earlier fluffy comics really disliked the edgy retcons of Miller / Wolfman / Starlin / et al.)
The upshot is that post-Crisis is a period when you could have a recurring reference like a stuffed elephant, but you wouldn't have a stuffed elephant, not for Dick. I think a toy like that would be too cutesy / childish / effeminate to give a male character in post-Crisis, unless you were poking fun at him.
Now, you could probably let Tim have a stuffed animal, because Tim is sometimes cool but also sometimes a tryhard loser who is faking being cool and not entirely pulling it off (see e.g. the Robin comic where he practices tough-guy faces in the mirror, or the Teen Titans comic where Conner discovers his cringy Enya CD, or when he's fanboying over Connor and it's awkward, etc etc.). A stuffed animal would be deeply embarrassing, and you'd have to be careful to compensate by having Tim do something cool afterward - but Tim's character concept allows for "he's kind of a loser sometimes."
But Dick isn't!! In post-Crisis, Dick's a tough / impressive / "cool guy" character, the kind of guy anyone would want to be, even in the flashbacks where he's Robin, and even in the stories where he's more lighthearted than angsty. It'd be kinda lame for Dick to have a stuffed elephant, so he wouldn't. I feel like Dick would be more likely to poke fun at it if someone had one, like when he's making fun of Wally for liking the Hardy Boys. Dick could have a Batman action figure, at most, and if he had one he would have it ironically.
Basically: in post-Crisis, a male character hugging a stuffed elephant feels more likely to be a punchline to me, not something poignant. (Even with Tim, Tim could have an embarrassing stuffed animal, but he couldn't hug it when sad - that's too far. Maybe Booster Gold might do this. Probably he wouldn't, but spiritually, he would. Sorry Booster ilu! <3)
Instead, Dick instinctively deals with his inner turmoil like the TORTURED ACTION HERO he is: by punching things and brooding and yelling and joining the mob and sleeping on rooftops and going on obsessive secret missions and acquiring Angsty Stubble!! Just like Batman!
(Technically I don't know if Bruce ever joined the mob but you know he would.)
Anyway as you know this is my favorite continuity and I am poking fun affectionately, but uh, yeah sdfsfdsfs. No stuffed animals.
Post-2011 / Infinite Frontier / Wayne Family Adventures: stuffed animals, yes or no?
tl;dr it's in WFA! Probably not anywhere else, but it could be.
Post-2011 stuff tends to be cutesier overall, most of all in the current Infinite Frontier era. So I don't feel like this would be tonally out-of-line with IF comics. Taylor tends to go for more meme-y references rather than fanfic references, though.
So the obvious best fit is WFA, which is aiming for a rough approximation of Silver Age family-friendly vibes - wholesome, episodic plots, Teaching Good Moral Lessons For The Youth, etc. - plus lots of Easter eggs for fanfic readers and some comic references.
And look, here we are:
Aww.
Whew - that's everything I could find!
Anyway as you can probably tell, I LOVE the elephant, so this was a very entertaining rabbit hole to go down, thank you <3
#dick grayson#anyone with more info feel free to chime in & we can crowdsource <3#i do think the toy elephant is awfully cute though <3#total digression but i was thinking about it as i was writing:#i'm fascinated by the ways that the post-crisis batboys & their stories can intersect with 90s masculinity and all its issues with stoicism#and i'm pro-queering and gender-bending - 90s comics were a total boys' club so i think it's neat that transformative fandom isn't#but i do love 90s masculinity and All Its Issues too & one of the things i find compelling about the dick-tim-bruce trio#& especially dick's place in it - is the unspoken hierarchy whereby bruce is manlier than dick & dick is manlier than tim#and so dick's in the middle as this somewhat softer-character who aspires to be a harsher & more stoic & ultimate manly-man character#caught in the middle between robin & batman & what each role represents#and like. batman is both manhood & the only desirable thing to be AND ALSO it represents this immense narrowing of possibility#because so much of stereotypical masculinity is about reducing the range of emotions you're allowed to have or express#and dick is both incredibly conflicted about bruce AND wants to be just like him & by extension is conflicted about masculinity writ large#so a lot of dick's interactions with tim veer between trying on a frat-boy-ish 'I'm The Manly Guy' persona vs. giving up on it#or trying on imitations of Bruce's Batman persona but also trying to backtrack out of it bc he doesn't like how it feels etc etc#ANYWAY i think what i am trying to say is that if tim had a stuffed animal dick would be entertained & poke mild fun at him#and call him 'teddy' for the next hour or something while tim got increasingly defensive about how the teddy bear was steph's#and/or about how the teddy bear was OLD and tim doesn't even care about it and also WHATEVEr i'm above this#and to an uninformed observer this might look like bullying BUT ACTUALLY#this ritual would IN FACT be very reassuring to both of them + tim would feel WAY better afterward than if dick had ignored it#because by poking fun at him dick shows he still respects tim enough to tease him thus subtextually exorcising the threat of wimpiness#plus allowing tim to defend himself & demonstrate that he can take a joke so they've both reaffirmed their masculinity to each other#& they don't have to be scared of the teddy bear and all it represents anymore#however also afterward dick would have a brief nostalgic flashback to when he was a kid & had a teddy bear & feel weird about the memory#because he would be unable to articulate to himself that what he misses is a past when he allowed himself to be vulnerable#anyway this wouldn't actually happen in comics but it's what would happen in my soul. you know.#ask tag#zitka
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Okok so I am WAY overdue for a reread of the series so I might be misremembering some things but anyway, a lot of people have mentioned this already but more fairy culture!!! I wanna know what life is like for them, I want deep world building!! There's just so much to explore man. What do fairies eat? How do they cultivate their food? Did they have to change their diet when they moved underground? What clothes do they wear? Do they have more traditional outfits? I wanna know about centaur clothes and sprite clothing!! Faerie bodies are so different, what kind of beauty standards do they have? Are there any cultural differences between fairies that live in different areas? Between different races? Are there more underwater faerie civilisations besides Atlantis? What holidays do they celebrate? What are faerie schools like? Etc etc I could go on and on.
It also would've been really cool to have more gnomish in the books!! The message at the bottom is more of a cipher than a language and the books have mentioned what the actual gnomish is like (eg. The Atlantis complex mentioned the faerie number 4 iirc and of course there is the infamous d'arvit). I'd like to know more about gnomish!! Plus considering how Artemis learnt all his Gnomish from the Book I think it would've been cool if he struggled with gnomish a lil as opposed to being fluent. I get that he's a genius but c'mon!!! Language evolves, there is no way every faerie speaks in the same way as an ancient book. I want Arty's gnomish to come across a bit stilted and old fashioned (like the gnomish equivalent of using thee and thy), I want arty to struggle understanding gnomish slang! For that matter, I'd also like it if there were various faerie dialects!! Given how fairies have hidden underground for centuries and how hard it is for them to travel I think it's natural that language would've evolved differently and that they'd have a lot of dialects! Maybe it wouldn't make sense given how fairies have the ability to understand every language but like still!!! Fhjdkskd I love linguistics and I think this would just given the world building a bit more depth.
Also more information about demons post TLC! How did they integrate into modern faerie society? Like they've missed out on centuries technological advancements!! There's so much the demons have to get adjusted to and I wonder if the faerie government helped them get adjusted to these things at all. Were there literacy programs set up for demons? How did the general faerie society react to demons? Imagine being a wee 20 year old fae heading to preschool and suddenly a whole new race of people exist. Demons would probably struggle to find jobs given how they aren't fluent in gnomish nor can they read or write. There's just so much they have to get used to jdnfjdkd.
While we are on the topic of demons! The TLC code mentions demon sign language!!! That's cool and makes me wish we knew more about what being disabled as a faerie would be like! I imagine that the People's ability to understand every language doesn't extend to sign language so it's probably difficult to communicate with sign language to the average fae. Given the advancements in faerie technology I'd like to imagine that they have a lot of disability aids. Prosthetic wings for a disabled sprite, wheelchairs for centaurs, a seeing-eye robot for a blind faerie just CMON IT WOULD'VE BEEN SO COOL TO HAVE DISABLED FAERIES. fhdjsk.
I'm just so deeply interested in every part of what life must be like for these fictional creatures. Fjdjjjddk
Moving on from world building! Here's some of what I'd change about the characters!
Im a big ol sucker for siblings so more interaction between Arty and the twins would've been nice. What little we got in the books lives rent free in my head and makes me so so ill... Canon already had such good interactions between them and I crave more.
MORE ORION FOWL. Colfer's depiction of mental illness is far from perfect but it would've been nice to have the main character of a children's book series have DID for more than one book. Really it would've been nice for Artemis to have the Atlantis complex for more than one book. It would've been nice to see Arty learn to cope with his OCD and DID. It would've been nice to see Orion get to experience more of the real world. It would've been nice to have Orion and Artemis learnt to live together. Plus we all agree that it's ludicrous for Artemis to be "cured" in less than a month (iirc) right?
MORE ANGELINEEEE
Also if we're extending this to the Fowl Twins, although I haven't finished the series I would change a lot about it. For one thing I wouldn't send Artemis to mars. It doesn't make sense, what happened to his goals of reducing the effects of climate change? Why on earth is he going off to Mars!!!! It was bad enough when they send my darling No 1 to the moon and now Arty!!!! EPIN COLFER STOP SENDING MY FAVS TO SPACE PLEASEE. Plus I really would've liked if there was more Artemis in the TFT because as I mentioned before, the brothers make me ill.
Y’know what? I’m curious, and I wanna talk again-
Fellow AF fans, tell me how you would make Artemis Fowl if you were behind the writing wheel. It can be anything from “Juliet features more heavily in the plot” to reframing the LEP and fairies as a whole. I want to know!
I’ll give you mine- I’d make Artemis more interested in magical creatures than tech alone, and I’d have him wear suits less!
#wow this ended up much longer than i intended#sorry for all the rambling djjdjd this was a fun brain exercise!!#theres more i wanted to say but i kinda forgot what
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