#will probably end up doing a more in depth analysis of this design choice

[kaitothefirst]

Independent Academic Excursion: Tokyo Tower- May 10

Article: Tokyo Tower and Tokyo Skytree: History and Symbolism in Contemporary Japan by Yunuen Ysela Mandujano-Salazar- https://www.semanticscholar.org/paper/Tokyo-Tower-and-Tokyo-Skytree%3A-History-and-in-Japan-Mandujano-Salazar/89575e1e56d1b3481321c8135c1d610082fc8fa2

Summary

This article discusses the history, cultural significance, and physical appearance of Tokyo Tower and Tokyo Skytree. Mandujano-Salazar mentions the contrast between past and present perceptions of the Tokyo Tower’s symbolism, its media portrayals, the inspiration behind its design, and its status as a tourist destination.

Traveling to Tokyo Tower

Tokyo Tower felt like an obvious choice to travel to for my independent excursion. Throughout my childhood, I read and watched media, such as Sailor Moon and Tokyo Mew Mew, that depict Tokyo Tower as a powerful architectural symbol to bind the characters and their setting to the real world. Although we saw its peak when walking in and out of the Tokyo American Club, I felt the need to see it during the daytime when it stands out in red and white among the other buildings (without the lights). I also really wanted to be able to see its base. As such, I took the train over and found a good spot to admire it without any crowding buildings. Pictures do not seem to do justice to the massive size of the tower. It almost had an intimidating presence when I could occasionally see it from far away through building clearings. However, I was not exactly interested in paying to go up onto its observation decks, as we had already been up the much taller Tokyo Skytree (which probably gave a better view). Despite my recent habit of hopping trains to constantly get moving to other places in Tokyo, after I took my pictures of the tower, I ended up just sitting by its base and looking up at it for a solid 45 minutes. Just about the only thing that kept me from staying there longer was my self-discipline to be back at the hotel before dark. Tokyo Tower really had me thinking about the immense and internationally recognized cultural importance of the city through which I have going on excursions. It was definitely a good choice to take my time with this sight given how much more I was able to appreciate Tokyo afterwards.

Academic Reflection

It seems almost painfully obvious to state that Tokyo Tower represents so much more than the functional tourist destination that so many Americans visit on their trips to Japan. An analysis of its symbolism calls to attention the initial intent behind its construction. Mandujano-Salazar describes how Tokyo Tower’s historical context involves Japan wishing to display an icon of their rapidly growing and hopeful nation in the years after World War II and the American occupation. Specifically, Hisakichi Maeda, founder of the Nippon Television City Corporation, intended to build a broadcasting tower that resembled the Eiffel Tower but bigger. After visiting the tower, I can say that he definitely succeeded in terms of constructing a truly grand representation of an optimistic society. Now that I’ve seen the base in person, the way it is divided into four “legs” to anchor itself to the ground really reminded me of the Eiffel Tower. Its exaggerated stature, shooting off into a point towards the sky, gave off the intended impression of the growing world power that Japan was in the 20th century. The way it noticeably protruded from behind other buildings as I walked closer conveyed the notion of a force to be reckoned with. Even as I was leaving back to the station, nearby pedestrians were looking up at the tower from far away an exclaiming at how big it is. Considering these angles on its structure, Tokyo Tower provides a glimpse into the past regarding how the Japanese viewed their nation.

The pop culture media aspect of Tokyo Tower is another important factor in understanding the depth of its cultural significance (and one that I clearly appreciate). Mandujano-Salazar describes how many portrayals of the tower in media involve themes of magic or love. This seems to appeal to Tokyo Tower’s “softer” symbolism outside of the “growing powerful nation” portrayal. Looking at the tower’s surreal shape, impressive size, and bright red and white visuals among the many surrounding neutral-colored buildings, it makes sense that it would be romanticized in such a way. However, romanticization is not the only way Tokyo Tower fits into many stories. Mandujano-Salazar also explains that the tower is a common victim of destruction in many mid-20th-century giant monster (kaiju) films. This depiction, as stated in the article, reflects the traumatic memories of much of the Japanese public regarding what was its recent defeat (and, in many areas, destruction) at the end of World War II. It seems that, even when it was first constructed, the tower captured the hearts of Japanese people as it stood for everything that they recovered for themselves in the aftermath of destruction. Another common means by which Tokyo Tower appears in Japanese media, according to Mandujano-Salazar, is as a symbol of wealth. He states that, as it is located in a relatively wealthy area of Tokyo, its appearance in media gives off the impression that the characters are in a highly important place. This aspect of its portrayal became very understandable to me on my way to the tower. I walked there from the area around Azabu-juban and Roppongi, where there was absolutely no shortage of luxury European cars and Japan-residing Americans wearing clearly expensive clothing. Even I felt important just simply being surrounded by so many people who were enjoying their time off work by driving around in their Porsche SUVs. With so many different media portrayals, the visibility and status of Tokyo Tower as an icon of the city only grows. Even my visit could be considered the product of the tower’s abundant media-prone features. In this sense, Tokyo Tower maintains a complex role in the minds of the Japanese public and people around the world who have engaged with it by different mediums. Visiting the tower up close helped me fully understand the reasoning behind the many different perspectives that individuals maintain about such an iconic building.

[the-writing-warg]

Something I've noticed that I haven't seen others talk about very much is this

The armour elrond wears in the hobbit is the base for the armour he wears in the war of the last alliance.

And it's not cause its his only suit of armour because in the first hobbit film we see him wearing this suit

He really went and pulled out the fancy armour to go rescue gandalf.

[feralphoenix]

a thing that i really love about hollow knight is that part of its incredibly strict Show Don’t Tell policy means it works a lot in juxtapositions. comparisons and parallels.

like, rather than Telling us what makes for a good and responsible ruler, we get to know about various different heads of state in the various nations of the crater, and we can observe how they handled international relations, public policy, etc and the consequences/effects of their choices, and draw conclusions by ourselves.

there are lots of different parent-child relationships, and sibling relationships, so that we have many examples to compare ghost and their family to.

there are also a number of higher beings around and you can compare them to each other to understand their different approaches to godhood, how they handled being the center of a culture & the responsibilities that entails (radi, unn, tpk) or the ways they sidestepped those roles (white lady, grimm). in addition to forming our opinions of these characters this also contextualizes what ghost does when they attain godhood in the godseeker endings & after the delicate flower variant, in godseeker mode.

like you can use these points of reference for a lot of different analysis topics!!! but one of the things that always Gets Me In My Emotions is the direct juxtaposition between herrah, radiance, and tpk and how differently these three characters handle the cost of fighting Existential Crisis.

the pale king’s policy is officially No Cost Too Great, but just like the hunter says in hollow’s bestiary entry, for tpk “cost” was a thing for other people to pay, and he was not willing to risk any sort of harm to his own person. his plan to deal with the infection involved sacrificing the dreamers & the hollow knight, and his plan to create a hollow knight involved birthing hundreds of thousands of children who were designed to be expendable - they were there so he could experiment on them, select a candidate, cull the failures, and then sacrifice said candidate.

the worst tpk might have experienced through all this is emotional turmoil, and it’s left ambiguous in-game whether he was actually conflicted about the child sacrifice/felt attachment to hollow or whether his personal low point throughout all this was being butthurt about his wife walking out rather than birth a second batch of vessels for the slaughter. (he must’ve been pretty darn butthurt to have lied to the kingdom that the white lady was dead.)

as soon as his plan failed and he had no other recourse, tpk fled rather than expose himself to any potential harm. he was willing to - perhaps desperate enough to - expend any number of chess pieces if it would save hallownest, but his own life and safety was NEVER on the table.

just like tpk, radiance is trying to protect herself and her people. just like tpk and herrah, she too is willing to go to any lengths necessary to get the settlers to fucking step off, give her children back, and leave her alone.

for her this entails being willing to bend her own principles - i’ve talked about this in depth before so you can find all that in my essay tag if you’re interested, but in-game evidence points to radiance having been a pacifist like the rest of her tribe pre-hallownest. and the infection is a curse that’s only sometimes fatal, but it causes extreme amounts of harm and fear and chaos to inflicted parties. and this level of harm is something she’s willing to do just to threaten/pressure tpk into backing down.

her method also causes a large amount of collateral damage (including lateral harm to other indigenous bugs!), suggesting that she either doesn’t have the emotional wherewithal to worry about who might get hurt, or just plain doesn’t care. if you squint, it’s possible to make the argument that radiance might have warned unn before her counterattack against hallownest, but even then forewarning was the only mitigation she was able and willing to provide. if this is what it takes to protect herself and her tribe, then so be it.

so, compared to tpk, who chose to actively sacrifice the lives of individuals to protect the institution of hallownest, and radiance, who doesn’t care about splash damage to bystanders as long as she can save her tribe... what i find extraordinary about herrah is that when she determined that sacrifice was necessary to protect deepnest, she took all that sacrifice upon herself.

most obviously herrah accepts the role of dreamer in hopes of ending the plague, sacrificing her life. in order to keep tpk from taking advantage of that to conquer deepnest, she also negotiates that he has to provide her with an heir, thus ensuring deepnest’s sovereignty... but this means she has to have sex with the very creature who has been trying to commit genocide against the spiders for generations. she has to let her lifelong worst enemy who she’s been fighting alone since the death of her husband impregnate her. this decision had to have come with some form of emotional distress for her, and yet herrah shoulders it and soldiers through it.

and then even through this, it’s implied in the white lady and midwife’s dialogue (+ posed in the dev notes/style guide) that tpk snatched up hornet when she was a child to raise her in the white palace. it’s unclear whether he did this to keep hornet as a hostage to make sure herrah couldn’t renege on their treaty now she’d got what she wanted out of the bargain, to ensure his offspring would be raised in the culture he created rather than in deepnest, which he clearly believed to be barbaric and uncivilized, or both.

yet instead of calling bullshit and flouncing on the deal or trying to steal hornet back, thereby exposing deepnest to the threat of both the infection And aggression from hallownest once more, herrah stuck with it. midwife says that herrah paid dearly for her involvement with this plan, but herrah valued deepnest’s survival over her own individual life, and saw it through to the end no matter how tpk’s plan caused her to suffer or hurt her dignity.

there’s an incredible amount of nobility and integrity herrah shows here. she refuses to let any harm come to her country, and insists that any and all sacrifice required of her as a leader be her sole responsibility. her courage, her political intelligence, and her strength of character as a leader are all nothing short of awe-inspiring.

at the same time, there is still a downside to herrah’s spirit of self-sacrifice. as anyone who’s ever watched steven universe can tell you, self-sacrifice is actually kind of a shitty solution to one’s problems because self-destruction hurts the people who love you.

we get glimpses of hornet’s intense emotional torment over her mother’s fate and her understanding that it’s necessary to let ghost murder herrah to change the status quo; similarly we can understand the crushing amount of personal responsibility hornet feels towards the whole crater comes from knowing the cost of her own birth, and having front row seats to her parents’ political power struggle.

we hear from herrah herself that everything she does is done for hornet, so hornet’s pain is probably the last thing herrah would have wanted, but ironically what hornet goes through in hollow knight is a direct consequence of herrah choosing to martyr herself.

anyway all of this speaks SO much for herrah and radi and tpk’s individual priorities and problem-solving strategies and also their blind spots... plus, there’s a lot about herrah’s character that goes underappreciated and this is one of those unsung aspects. fandom... fandom blease be SAD about SPIDER MAMA with me

[utilitycaster]

I guess my question is less about specifically what Rue did, and more about why they did it and how that plays into their characterization over all. Like, we saw in an early episode Rue casting command on Wuvvy in a situation where that was totally unnecessary, and at the time, I sort of dismissed it as like, one of those quirks about dnd magic that sort of pretends the moral and ethical implications of using certain spells doesn't really matter. But now, Rue is admitting that they broke up the engagement specifically because they didn't approve of the reasoning behind it. Never mind that everyone involved agreed to it, got something out of it. And their criticism of Hob's motivations in that same scene. It all rubbed me the wrong way. I know the theme of the season is love, and that's powerful. But what does it say about who Rue is that they are willing to so forcefully assert their values onto others and interfeare with their choices, simply because they do not see the value in the reasoning behind those choices?

Or maybe I'm lacking perspective?

Hey anon,

To be totally honest - you should do this analysis! I think you've got some good points here, and it's extremely worth digging into. But I have to admit that even after a good night's rest I have zero recollection of Rue casting command - which doesn't mean it didn't happen, just that this isn't something I've been tracking week to week and probably dismissed it as a quirk of D&D magic so hard that I never considered it.

I do think it's fair to judge Rue for this idealism, notably since they've been treated well by the Court of Wonder but many have been harmed by it. I also think it's sort of a natural tendency of a master of ceremonies to be something of a control freak.

I don't have much else to say. I tend not to watch D20 with an intent to write meta. I'm less involved in the specific fandom beyond the occasional liveblogging so I often don't have the same depth of knowledge I have for CR and therefore can't do the same level of anaysis, which isn't a knock on D20 and more just a statement that D20 is usually much more plot-driven, by design. I think a lot of meta I'd have for D20 would end up being "yeah they need to do this because of the restrictions of the sets/schedule"; I'm also less confident in commenting on comedy since there is something of an intuitive/personal taste element there. But I think having this kind of meta out there would be good!

[dana-chan-the-control-brain]

Hey, did you saw the film theory on Invader Zim on Membrane that Low-key makes sense

NO. IT. DOESN’T!

Okay, maybe this is my personal bias shining through, because I really don’t like Mattpatt sometimes... No. Okay, I have nothing against the guy personally. More frankly, I don’t like his fanbase or the way he structures his videos.

The way Mattpatt words and structures his videos acts like he’s the first person who thought of this idea, it’s the main contributor to why I stopped watching his videos a long time ago.

He speaks in a lot of rhetorics and strawman arguments rather than just saying what he wants to say. Like “If you don’t believe me... look no further then...” and that’s the one thing I ABSOLUTELY HATE on theory videos.

And some of Mattpatts own theories he doesn’t take seriously, but this is what you get when you base your INCOME off of youtube ad revenue and browse the reddit forums for new ideas. A completely monopolized way of theorizing. (and this is why there are several paragraphs in my current chapter of Tech Support of Zim’s Computer complaining about the concept of youtube entertainment in general.)

Sure, I don’t think Mattpatt will run out of theories... but I really hate the structure of his videos follows along strawman arguments, acting like he’s always arguing with an imaginary audience for entertainment value rather than just say what he wants to say.

That, and people will often cling to theories of someone with good editing software and a youtube channel then Their own opinions.

Something that I learned was incredibly dangerous to do. I learned my lesson with “That Guy with the Glasses dot com” and I don’t plan to act like I know something or am better than someone else cause I agree with someone who said something on youtube once.

I do watch Internet reviews and theory videos for entertainment, but that’s all they are to me. I don’t like to watch youtube videos to give me opinions on how I feel about things. And I seriously think a wide margin of his subscribers lack critical thinking skills at times, as well as a majority of the youtube audience, or from what I’ve seen in the comment section.

However, remember... These are just my thoughts on the matter... My thoughts are not law and I never claim them to be.

Like when I first joined the fandom and posed my GIR analysis questions... I even said:

“I don’t know if the fandom has talked about this in depth or not... I just got here... or if someone put it into this many words before but...”  

Also... the thing that bothers me about his Invader Zim theory...

A lot of Mattpatt’s sources are just..... Wrong...

(for the next few minutes I will be talking about this video, feel free to watch or don’t)

Okay.. “Membrane is an Irken” this has been a popular fan theory since before I even entered the fandom and there are old fics about this. I have read Irken Membrane stories before.

It’s not personally my cup of tea, but it’s fun to think about.

But the straws Mattpatt grasps in his video.... Really upset me because there is some thought to the theory back in the day.. ... Like back in 2002??? but like.... NOW?!

Okay, I’ll pick apart this a little... bit by bit...

He says that Membrane takes a hard stance against anything paranormal.

Kinda... but no.. Membrane never outright denies the existence of aliens. (except in ETF... which he mainly says out of frustration...) This is what Membrane says about “there are no aliens” in the show:

Membrane just says that there are no “intelligent” aliens...None that are able to travel the massive distance to Earth, anyways... If aliens existed at all, (like the cryptoids Dib talks of) they would have traveled the distance to the planet and communicated with them by now.

However, this is a nitpick of a minor issue. One that a majority of the fandom tends to overlook when viewing Professor Membrane and Dib’s relationship in general. 

And I do find it weird that he used this for evidence when he cut out the most important snippet from the full lecture he gives Dib here.... JUST to support his claim... as if he’s intentionally leaving that part out.... hmmmm

However, I can let this slide, because it’s a nitpick and really doesn’t change anything that Membrane is very dissuasive of Dib’s alien-hunting hobbies. (I have a theory as to why and I explain it here in my own way)

The point is, Membrane is dismissive of anything alien... maybe because he’s an Irken...okay, good, yes. fair. 

A lot of Mattpatts claims from then on are pretty solid, and I won’t bunk them with “But in my headcanon/Fanfic verse...”  Because what he is saying is all true.

Membrane denying the existence of aliens even after being taken to space jail doesn’t have much of an explanation and is played for comedy and there are many ways you can go with this, and I am not going to bring up my fanfics or my own headcanons to argue with him here.

Because there is no explanation, and he is going with the “Membrane is Irken” theory... So that’s very solid when he’s talking about Membrane denying the Hallucinations. 

Mattpatt claimed that Membrane wore his face covering at all times and had been dressed this way since he was a child.

I will not deny this. This is true.

However, isn’t bringing up Membrane’s childhood kinda put a hole in your own argument?

MEMBRANE WAS A CHILD.

He had been shown to have childhood memories in the comics and the show.

Irkens don’t really have a “Childhood” per say, at least not in the way that humans do. They are a smeet, then elite, then Invader..

If he’s claiming that Membrane came to earth as an Irken SMEET....How, why, and when? 

That kinda raises more questions than it answers.... What are you proving by bringing up Membrane’s baby pictures on Earth exactly? It kind of works against your own argument? 

Saying that they’re Irken because they all have the same hair.... that’s just stupid... and he’s citing the Invader Zim wiki on this .... oh boy.

Yeah, Like before I watched the show I thought Dib and Disguised Zim were the same character or brothers...

But I don’t think character design here is a solid enough reason in this case... At least not when it comes to the hairstyles... That’s a stretch.

“Hmmm Membrane’s hair forms an M shape... What could the M stand for? Mirken?! SUSPICIOUS!” (this is just a joke)

Also... the lack of ears thing... He did say it would be hard for Membrane to hear if his headpiece was covering his ears, but not necessarily... The entire thing is a headset and he is the man of science, he can really do whatever the fuck he wants cause Science is like magic in a show like this. So if Membrane wears a headset that doesn’t obstruct his hearing at all, I can buy it... Also.. it’s equally possible his ears got blown off in a chem lab accident or he’s legally deaf and that headset acts as a hearing aide and HELPS him hear... 

Actually, I always noticed how in Membrane’s original design from the show, the headset looked a lot like a hearing aid. Specifically one with a head clip, It’s one of the things I first noticed about his design in the show.

And it’s just something I always assumed because he’s a scientist who deals with explosions in his face on a daily basis... (in fact he experiences one in episode 2B) So on first viewing, I thought that his headset served as a hearing aid as well as prescription glasses and a communication device. 

I’m just throwing out possibilities because the “lack of ears” is also kinda a stretch.

Mattpatt complaining about “lack of nose” however... Okay, yeah I’ll give him that one. It’s a character design choice that is a little odd for Professor Membrane, but it does fit with the Irken theory, since a majority of human characters, in fact, all have noses. So, Yes the “lack of nose” does fit more into the Irken theory. 

However.... Florpus anime Membrane DOES have a nose...

Meant to be drawn in a more semi-realistic artsyle, you can clearly see the bridge of his nose here.

And he looks very similar to anime Dib... Sooooo... Shrug-city... 

It’s likely that Membrane not having a nose in the show is simply a stylistic choice than anything else. Basically, the bridge of the nose is there... we just don’t see it.

Especially since Nightmare Membrane has a nose as well..

Membrane is like Home Improvement’s Wilson. We will never see his face, and that’s part of the gag. The man probably sleeps in his labcoat honestly...

I also find the voice pattern thing a bit of a stretch. Membrane and Zim are just eccentric characters who yell to emote or emphasize a point or emote stronger. And Membrane’s inflections are never the same as Zim’s.

Remember, no other Irken TALKS like Zim. Professor Membrane doesn’t really go around screaming: “I AM PROFESSOR MEMBRANE” either..... 

If anything... it just kinda proves both characters have auditory processing issues or hearing problems more then anything.

And there is a lot of screaming on this show.... Screaming from Dib, screaming from Membrane, Screaming from GIR, screaming from Zim... Screaming is funny... and characters scream so much that the characters with their mouths wide open is somewhat a staple of the show.

This is more because of Johnen Vasquez’s voice direction...

Especially since no other Irken really talks like Zim..

Zim’s manor of Speach is strictly a Zim thing and not an Irken thing.

Professor Membrane’s manner of speech is simply a Membrane thing and not a human thing.

I will give Mattpatt that. That a lot of tech in the show looks similar to Membrane’s. I feel this is mostly a stylistic choice, but it really does fit in with the Irken theory. 

Like that Zim just so happens to use the same operating system as Dib is played off as a joke. But it does add some small credence to the theory here... I need to point out when he does get it right... some pats on the back.

These are very good points and does follow through with what he’s trying to prove by the end of the day.

(even if Membrane was lying about the destruction of all mankind with the beans thing, but that’s a minor nitpick here) 

But his entire paragraph comparing Membrane’s tech to Irken tech is a really good one. Props there.

This whole paragraph about there being only Tall or short irkens cause their society is height based and there are no “medium-sized” irkens....cause they were “dealt with”

Okay.

....

Sure Mattpatt. Let’s just entirely ignore the existence of the Frylord and this entire character even though you mentioned it in the synopsis at the start of your video... Showing that Taller irkens are in positions of power against the shorter, also... Zim is a tiny irken... there are many Irkens that stand taller then Zim.

Being tall in Irken society is a rarity, and Almighty Tallest Purple said that he and Red “became” the Tallest. How? We don’t know, but we do know at one point the current Tallest looked like this:

How do Irkens get that Tall? Body modifications? Maybe... it’s never explained, but considering the Frylord is super big and probably eats a lot of snacks might have something to do with it. We don’t know.

It’s safe to say that being Tall in their society is a rarity and Tallests are either born or made special from the cloning chamber from the get go.

Not to mention, Membrane is Taller than the current Tallest are already...

 and you said earlier in the video that Membrane would have gone to Earth as a child...

When he was no taller than a wrapped Christmas box of socks...

So why would Membrane take refuge on Earth at this point? Mattpatt says that Membrane was sent on a mission to Earth because the Tallest felt threatened by his rule...

BY MEMBRANE’S RULE?!?

HE’S THE SIZE OF A CHRISTMAS BOX OF SOCKS!

What do they have to be threatened by? 

Because... Mattpatt DID bring up Membrane as a child earlier in the video... meaning Membrane came to earth when he was about the same size as Zim.

SO THEY HAD NOTHING TO BE WORRIED ABOUT AND HAD NO EVIDENCE TO BELIEVE MEMBRANE WOULD GROW TO BE TALL ORE EVEN VIEW HIM AS A THREAT

You bunked your own argument. Congradulations.

Membrane conquered the world through his inventions. In a way, sure. Membrane Labs does own a lot of stuff. But he doesn’t own everything. A majority of the Corporations that keep the population stupid usually don’t have anything to do with Membrane Labs and aren’t affiliated at all. 

But this does fit into the “Membrane is an Irken” theory so I will give him that one.

However, Membrane being an evil corporate dictator is a hot take I never really appreciate at all and I can never get behind it.

It hits too close to home in the real world, and I always like to view Membrane as a self-made man and a World loving hippie at his core who just wants to make the world a better place, much like his son, but he actively does something about it. (which can also be why he encourages Dib with real science so much cause he knows Dib wants to save the Earth as much as he does)

Just calling Membrane a capitalist billionaire that doesn’t care about the little guy kinda seems disingenuous towards his character for me. 

Especially when Membrane in “Ten Minutes to Doom” created a machine (foodio) that completely end world hunger... which was in BETA in the unreleased episode...

 but by the time the movie rolls around... Foodio exists... past his BETA, meaning that he’s probably no expensive than a common household microwave and can materialize food from nothing:

Yeah. Membrane completely ended world hunger off-screen. thanks. (something no capitalist would ever do...)

Membrane also does appearances for charity (in the comics), and often takes funding for sponsorships when he is low on funds and he had to find a cure for pig mouth. 

Sure “Membrane conquered the world” fits the Irken theory...

But I never appreciate that take on his character and that is admittedly, very personal bais. 

I just wanted to say my peace a little bit here about how I 100% don’t vibe with the “Membrane capitalist/billionaire scum” especially since he ended world hunger...and invented a cure for the un-common cold.

Works for the theory, so good on Mattpatt for that one, but I personally don’t vibe with it.

Mattpatt compared Zim and Dib’s head shape as something to argue... Like because Dib has a similar head shape to Zim... that Dib has to be an alien... Okay... But If you look at the Invader Zim artbook (which I own)

The show has a very distinct look on how they draw characters’ heads. It’s a very distinct stylistic choice and there are pages upon pages in the artbook describing the style and how it looks in motion, and many revision notes to the Korean animators.

There are lots of pages on the artbook describing in detail the differences between the main characters’ heads, what to do, and what not to do.

It’s a difficult style to replicate, and Dib having a big head was mostly a joke from the showrunners to the showrunners, cause they kept drawing Dib’s head slightly bigger to make him look more appealing.

A majority of the audience doesn’t really notice because all the children in the show have big heads. All the kids are like 3-4 feet tall and have huge heads. 

Also... Dib’s head is far more rounder then Zim’s in the comics and the Movie... comparing their head shape as an arguing point, when Dib’s head shape changed midway season 1 when the designs got slightly more streamlined is just... bad form..

Dib and Zim’s heads never really look the same from the early episodes as they do later on.

Comparing this character design similarity just because of the artstyle is really stupid.

This is the most infuriating thing about the video... because Mattpatt disproves his own argument with his own footage not a few seconds earlier. 

He claims that Gaz sarcastically mentioning she has a squeedly spooch is a canon fact...... but ... hmm.. Mattpatt... can I rewind the footage of your video, please?

Where’s her squeedly spooch?

IS IT BEHIND HER CLEARLY HUMAN ORGANS?! I DON’T SEE IT?

And this isn’t just a stylistic choice... here’s a picture of another human’s organs for comparison.

Mattpatt literally disproved his own argument and ignored the fact that we saw an X-ray of Gaz’s organs in the very same episode...

Gaz doesn’t have a squeedly spooch and she literally was being sarcastic.

and the whole thing is disproved very easily.

Everything Mattpatt says in between those two points, about Dib being taken aboard an alien ship as a baby, and that there is no mother, and the Clone theory... That is all good stuff and this is what the theory video should have speculated and focused on, because there is some digging to be had here... I feel he focused a lot on the wrong points in his video...

And this is the most outrageous point he makes in his video. It’s the thing that pissed me off the most... and lead me to write this essay in the first place.

He claimed Eric Trueheart himself confirmed the clone theory and had story plans where Dib would discover his clone origins.

HE DID NOT!

IN FACT, Eric Trueheart himself published Volume One of the Invader Zim script book AND THIS IS WHAT HE SAID:

Eric neither confirmed nor denied the rumor.

But for Mattpatt to blatantly say that Eric said that Clone Dib was a planned thing by the screenwriters?!

He is BLATANTLY putting words into a Screenwriter’s mouth! Something that you should NEVER do.

Because it is 100% a lie.

He had no source for this claim. He probably just read the same rumor on the wiki and has no source.

This is the reason why I don’t trust videos like Mattpatt. The truth is often stretched for entertainment value, or information is just made up to prove “they were right” about whatever the topic of the day was. He doesn’t even bother to cite the source he got “Eric Trueheart’s word of mouth” from... because it was wrong.

Sorry if this whole thing is more hostile than it intended to be... But Mattpatt was looking at the ENTIRELY wrong evidence for this show....

Irken Membrane is a fun theory... but Mattpatt picked the entirely wrong topics and points of discussion, even to the point of hiding the truth and straight-up lying to his audience about his sources.

It’s kinda like saying “Birds eat ghost peppers because they’re part dragon and dragons can handle spicy food”

While, yeah, Birds are descended from dinos, it’s kinda missing the full story there and it’s not the reason why birds can eat spicy food.

Irken Membrane is a fun fan theory... do what you want with it. I am not here to dissuade Irken Membrane headcanons...

I’m just here to encourage critical thinking, and perhaps NOT put words into content creators' mouths when there is no credible source for it just because it benefits your argument.

[sashannarcy]

hi op what are your thoughts on uhhhh *spins wheel* sasha's season 2b arc (hope that's not too broad a subject)

edit: putting this under a cut bc it got LONG but. enjoy (???)

okay I gotta start by saying I didn't expect the depth of it at ALL; I knew Sash was featured prominently in the ending episodes of s2 based off of what my friend informed me, but like. I was not expecting 4.5 episodes to be almost ENTIRELY centered on their character arc and design (the .5 being the first half of True Colors).

that being said, I think Sash's 2b arc is PHENOMENAL bc of the way the nuance in it is written so incredibly well. this character is about to perform the most antagonistic move that they've pulled in the whole series so far, which is the act of betraying both Anne and Marcy in order to support Grime and get them home safe, if they so choose to go home (as an aside, I think at this point Sash has probably decided that she likes it more in Amphibia than back home, and there's one line that I'll get to that seems to be VERYYYY indicative of that. and if this is the case, it makes sense to me why Sasha would want to help Grime at all and why they don't really seem quite eager to follow Anne and Marcy back home. but! important to note that they still give those two the choice to go back if they wish, because at the end of the day Sash loves them and wouldn't try to force them to stay). and yet we see!! this back and forth!! this FIGHT that's happening in their mind, the way there's a flash of guilt they express at the very end of The Third Temple directly after confirming to Grime that things are still going according to plan, their convo w Anne at the end of The Dinner, the entire plot arc of BotB, and ofc the Sashanne duel in True Colors. I want to make an analysis post for each of these episodes because they're so fucking PACKED w shit to analyze, but I'll try my best to touch on all points here.

obviously we first learn of Sasha's plans to betray Anne and Marcy in The Third Temple. but what's important is that throughout the entire episode, there's several points where Sash switches back and forth between manipulation and honesty. I can talk abt this w confidence just based off of the whole. *gestures vaguely at myself.* but Sasha's initial apology in this episode was sheer manipulation, I think we all know that. however, when Sasha has to do their final test in the temple, those few lines they exchange w Anne in the moments before they raise themself up off the floor and launch themself into battle... those were genuine. they know they've been a shitty friend, and they're willing to accept that. so you have this game, almost, where Sash keeps flipping between putting on a mask to ensure they can keep up their facade until Grime secures the city and genuinely acknowledging their behavior and knowing that what they are doing is not going to sit well w Anne and Marcy.

so with that, The Third Temple sets the premise for the rest of the episodes of the season as far as Sasha's character arc. The Dinner is such a good fucking episode to follow with, because it hammers in the fact that Sasha has not changed. what it ALSO hammers in is she is still acting in her own self-interest - to put it in her words, she wants to get the friendship back under control. they still lash out, they still have a short fuse, they're still heavily opinionated and rough around the edges and prickly because this is an environment where they feel threatened. they're finally reuniting with the two people that mean the absolute most to them, only to realize they've been left out of the narrative. also not for nothing, but their trauma in Reunion got joked about in this episode which led to them blowing up over it, and like. I'm giving that one a pass bc man. anyway. at the end of the episode they say they like who they are, but it's said with a frown, which I think is fucking GENIUS. because there's an actual meaning to this line - they don't ACTUALLY like who they are. we have plenty of evidence that they don't like themself. what they MEAN is that they don't want to change, because that would mean giving up a security that they need in order to keep themself together. AND THIS IS DEMONSTRATED CRYSTAL CLEAR IN BOTB. they literally PURPOSEFULLY detach themself from Anne and Marcy bc they know they want control but they ALSO know that their behavior is just going to hurt the other two, so instead of compromising, they just go hey I'm gonna do my thing and you guys can do yours. and we'll both get what we want. and if that's not evidence that this character is fucking GRAPPLING with how to grow and change as a person, idk what is

and then. sigh. we get to True Colors. ofc Sash goes through on their betrayal - they're loyal to a fucking T once you dig beneath the surface, and they wouldn't just not follow through for Grime. what is absolutely KEY here is the fact that they are still leaving room for their friends' best interests, as in they're not trapping them in Amphibia but rather explaining how they're gonna help Grime take over, implying they'll go back home once they're done, but if Anne and Marcy wanna go back now, that's cool. if she didn't give a fuck abt their wellbeing, she'd just keep them there w her. but she doesn't. and then Anne starts retaliating, and. well. we ALL know Sasha does NOT do well with criticism of any kind. so they just go okay I'll send you back now then (and this is STILL an action motivated by what they think is best for Anne). BUT THE LINE. OHHHH THE SUPER IMPORTANT LINE THAT MADE MY HEAD SNAP UP AND MADE ME PHYSICALLY GO "YIKES" OUT LOUD. is Sasha saying "say hi to your parents for me." it's like a goddamn full-on sucker punch packed into one sentence - seven words, and all of a sudden we know for sure this kid does not have a good home life. I could go into elaboration on Sasha and the way she views familial ties throughout the show, but I won't bc that's gonna take this already super long answer and make it even worse. regardless, Sasha has once again flipped the switch and is indulging in their worst behaviors, which is full on controlling and holding power to act on what THEY think is best in the moment. and the moment Anne snaps, the moment Anne yells about Sasha being a horrible person, literally EVERYTHING shifts and the reaction from Sasha is VISCERAL. and what I mean by that is. it's not just the look in their eyes at those words. it's not just the sudden and complete loss of meaning, of self, of motivation after they've lost Anne's support. it's not just the way they stare at their own reflection in a sword that represents the color of the person they're trying their hardest to protect. it's the way that for the rest of the goddamn episode, they spend it trying to do the one thing they fear the most: giving up control. I'm gonna elaborate on this whole aspect in a different ask bc I was asked abt it, but the way Sasha acts towards Anne after the fallout, especially at the beginning of the duel and during the confrontation w Andrias, is fucking monumental. they struggle so much with how to change their own behavior, yet the very moment they lose the support of the people they've been trying so hard to love and care for in their roundabout way, they can change the way they act. because who the fuck is Sasha Waybright without Anne Boonchuy and Marcy Wu? in her mind, no one. she doesn't have any idea of who she is outside of this, so ofc she can act differently when she's thrown out in the cold. after all, it doesn't take much to warp an identity that doesn't exist.

tldr; god. how do I sum this up. Sash's 2b arc is smth that's incredibly intricate and complex from the way they constantly flip between desperately needing control and feeling guilty that this is the way they need to live. and True Colors is able to finally demonstrate to us the final piece in how they operate - without their friends, they lose sense of who they are, and their personality comes undone. in 4.5 episodes the writers managed to give us 1000 aspects to their character that we hadn't gotten to explore, and we can see that Sasha was never meant to be the villain. so. final review is that's some good shit👍

[amphibious-entity]

TMBS Book 1 Brain Dump

~An Embarrassingly Long Post~

I don’t know why I’m writing this or why I’m so determined to do it. Maybe to finally assume my true form and become a mega dork on main, or maybe just for fun!

This is basically a compilation of all the main points running through my head after reading The Mysterious Benedict Society (2007) for the first time. Rather than posting a ton and spamming the tag, everything’s here in one neat package! (hopefully this gets it all out of my system rip)

Contents:

The Book Itself

The Book Itself, for real this time

The Characters

A Funny Parallel

The S.Q. Section

Lines & Scenes I Liked

Spoilers abound!

The Book Itself

Upon acquiring the first three books (don’t judge me pls), I was surprised at just how long they are. Like, they’re still pretty light being paperbacks and all, but these books are hefty lads.

The first book has this Disney+ Original Series circle thing printed on it, which is kind of unfortunate. Regardless, I love the cover illustration and yellow is actually my favorite color :D It made me weirdly quite happy whenever I saw the book lying around in my room

Also, it’s really cute how there’s a letter from Mr. Benedict at the end! (It only reveals that you can find out his first name if you “know the code”, meaning the bit of Morse printed below the summary on the back.) Shock and horror, though, as I realized I’m starting to recognize some of the letters

The Book Itself, for real this time

It’s wonderful how the tone of the book really shone through to the show adaptation. Something about the deliberateness of the aesthetic, from the set designs to the fashion to scene compositions, that really sells that particular style— like it’s very clear that this story is being told to us, rather than one we’re seeing unfold, if that makes sense.

Where that narration style stood out to me the most was the first chapter. We are told (rather than shown) how Reynie gets himself to the point of the second test, and there’s this whole twisty time maneuver for that whole sequence of events that’s really interesting

A super secret fun fact about me is that I wanted to be a writer when I was younger! So this particular balance of show vs. tell is really neat, since it runs counter to my own tendencies. The sheer amount of commas in every sentence is also kind of comforting, since Ahah, I Do That in those few serious-ish attempts at writing lol

Overall this book’s style reminds me a lot of Roald Dahl’s books, which are very nostalgic for me :D The whole “kids are more competent than adults” angle helps a lot too haha

The Characters

Oh boy here’s where I get a little bit critical! Overall I did really like this book!! it’s just that that expresses itself in all this weird “”analysis”” lol

Reynie - much better in the books than in the show

It’s sort of a lukewarm take but I feel like show!Reynie is kind of boring? He doesn’t have a lot going on flaw-wise, and obviously since he’s the protagonist he can’t have too many weird traits or else the kids watching can’t project themselves onto him as easily

(I call it the difference between an aspirational protagonist and a vessel protagonist. Going off of the Roald Dahl vibes, think Matilda vs Charlie. show!Reynie is more of a Charlie)

Thus when we get to see him really struggle with the Whisperer and doubt himself it gives him a lot more dimension, at least in my opinion

It is a federal crime that the white knight scenes were not adapted into the show

Sticky - my son

I’ve long held to no one besides myself and my long suffering sister that Sticky is The Best Member of the Society

He happened to hit a lot of the Bingo squares of Stuff I Like In Characters: glasses, anxious, nice :), kind of a coward but ultimately is there for his friends, etc

For some reason I don’t talk about him nearly as much as you-know-who, but I love him just as dearly

Kate & Constance - I don’t have much to say

Kate is really interesting in this book! I like how we get to see more of her depths, in particular that one passage about her belief that she is invincible being the only thing that keeps her from falling apart? :c

Also her constant fidgeting is relatable lol

Constance is somehow a lot more tolerable in the book. I think I’m just one of those people with no patience for small children, unfortunately lol

(Some of) The Adults

It’s interesting that they had such an offscreen presence for most of the book. Giving them more time was probably one of the stronger changes of the show

However if that decision was made at the expense of the white knight scenes I think the choice should have been clear

I like the way Rhonda and Number Two are written

Milligan always on sad boy hours 😔✊

The “mill again” passage is touching but kind of messes up the pacing of the getaway, at least for me. Maybe I should read it again to make sure I didn’t miss something

Miss Perumal is much better in the show. We see so little of her in the book she doesn’t function well as an emotional anchor for Reynie, imo

The Institute Gang

Jackson and Jillson serve their purpose well, and Martina was surprising to say the least. I like the direction they took her in the show! I can’t imagine how funny it must have been to watch the tetherball subplot come out of nowhere lolol

These sections were written out of sequence, so random tidbit I couldn’t fit in The S.Q. Section: I like how he stumbles over his words. relatable

Mr. Curtain

While I think I know why they decided to not give Curtain the wheelchair in the show, we were totally robbed of Actor Tony Hale’s performance for the reveal during the final confrontation

Speaking of the wheelchair, it’s such a powerful symbol of his need for control or rather, his fear of losing it

The Contrast between him and Mr. Benedict. This point is expanded on in A Funny Parallel

Mr. Benedict

Oh boy, Mr. Benedict… How do I say this

I find it hard to trust Mr. Benedict, unfortunately

I mean to say, I do in the sense that I know he would never hurt the kids, thanks to knowing that a) this is a children’s book series and b) the meta (tumblr) states that he is really nice and lovable and stuff, but seriously. Why do the kids trust him at first?? I probably missed something somewhere

I like to think I’m an optimistic person, but unfortunately I’m also super paranoid. The premise of “a bunch of vulnerable orphans team up with a strange old man” is just so odd to me I don’t know how to explain it

I don’t know!!! I really want to trust Mr. Benedict

One of the strengths of the show is that we get to see him more often, and thus he gets to acknowledge more often that the plan is weird and that he feels really badly for putting the kids in danger and that he’s trustworthy and genuine

But his lack of presence for most of the book just makes him into something of a specter, invisible and unknowable, speaking only in riddles from across the bay

Which is why the white knight scene is so important!! I loved that scene ;-;

Because here’s an actual emotional connection! We can actually see it happening, rather than only being told that it exists

Reynie asking for advice and receiving encouragement, in words that demonstrate that Mr. Benedict actually cares about him and worries about him and agghh

It is a federal crime that the white knight scenes were not adapted into the show

But overall this whole issue didn’t ruin my enjoyment of the book at all! It’s just ->

A Funny Parallel

Okay, ready for my biggest brain, hottest take ever??

Mr. Benedict and Mr. Curtain…. are… the same

I mean obviously not entirely, given that one is benevolent and kind and the other is… Mr. Curtain

But seriously. Genius old man seeks out children (mainly orphans) to enact a plan. Said children often end up incredibly devoted to his cause and deeply admire him this is a little flimsy

Undoubtedly that’s intentional and is supposed to show the difference between them, like some kind of cautionary tale? “Let yourself be vulnerable and let others help you, lest you turn eeeeviiillll”

I guess that’s where the aforementioned epic contrast comes in. You get Mr. Curtain, strapped into his wheelchair and hiding behind those mirrored sunglasses, terrified (but unwilling to admit it) of ever showing the tiniest hint of vulnerability, vs. Mr. Benedict, who can let himself fall knowing that someone will catch him :’)

Anyhow I have nothing against the parallels, I just think it’s funny

The S.Q. Section

The S.Q. Quarantine Thread so it doesn’t leak out everywhere else <3

I’d like to meet the emo angstlord genius who read this book and decided to make SQ into Dr. Curtain’s son. What in the world

Okay I should probably preface this by saying that I absolutely adore both book!S.Q. and show!SQ with all my heart. Somehow, despite being a completely different character in both mediums, he has managed to be one of the best characters in either and certainly one of my favorites (besides Sticky of course) in the entire franchise, despite the fact that I’ve only read the first book/watched the show so far. I am confident in this statement.

But seriously! How?? Why?? I could probably write a whole other essay about why show!SQ is such an interesting character, and the change works so incredibly well. I’m just. Baffled

Okay, focus. book!S.Q. is such a sweetheart, oh my goodness. Like, 100% one of the most endearing characters in the book. Poor guy. I don’t even know where to start!!

He just seems to be a genuinely good guy at heart, despite being technically one of the bad guys. He’s genuinely happy for Reynie and Sticky when they became Messengers and helped Kate when she “fell” and was concerned about Constance when she looked sick and how he was in that meeting with Mr. Curtain and Martina?!!? aaahhhhghgh ;-; he just wants people to be happy TT-TT

Comparing him against literally every character at the Institute is probably what makes him so endearing tbh. When everyone else is so awful to the kids, it really makes him stand out. Like a cheerful little nightlight in the worst, most humid and rank bathroom you’ve ever been in

It’s kind of pointless to theorize about a book series that’s already concluded (I think?) but. Is the implication of S.Q.’s forgetfulness supposed to be that Mr. Curtain used him in brainsweeping experiments somehow? The timeline probably definitely absolutely doesn’t line up but like. How did he get to being a Messenger being the way he is now, given how cutthroat the process is? And then of course Mr. Curtain keeps him around as an Executive because he’s fun to mess with and presumably his loyalty. I’m very curious as to how their relationship develops in the other books, if at all. Those are probably where the seeds of the “let’s make them family” logic were planted

But wouldn’t it be hilarious if the reason we don’t know what “S.Q.” stands for in the books is that he just. Forgot

Another thing that occurred to me. Given that he and the other Executives were Messengers at some point, what were their worst fears? What is S.Q.’s worst fear?? Inquiring minds need to know

One last horrible little anecdote: I was thinking about book!S.Q. while eating breakfast, as one does, and suddenly it hit me.

I want to believe The Author Trenton Lee Stewart had the name for a character, S.Q. Pedalian, and was like, “Hm! What sort of quirky trait should this young fellow have?” Because, of course, in this style of fiction every character has to have at least one cartoonish or otherwise distinguishing trait to stand out in the minds of children. (For instance, Kate has her bucket, Sticky has his glasses, Constance is angry, and Reynie is Emmett from the Lego Movie)

Anyhow, he looks around the room, searching for inspiration. Suddenly he comes across a jumbo box of plastic wrap. Completely innocuous in design, save for one line of text. 300 SQ FT.

“…large… S.Q. …feet? THAT’S IT!” i’m sorry

Lines & Scenes I Liked

In no particular order!

Sticky quotes Sun Tzu, The Art of War

Evil combination aerobics/square dancing in the gym with the Executives

Everyone being happy at the end :’)

Everyone partying after Sticky reunites with his parents, and later finding Mr. Benedict asleep at his desk from the moment they shook hands :’’)

Literally any scene with Sticky in it

Any time Kate says “you boys” or “gosh”

[“Um, sir?” S.Q. said timidly, raising his hand. “A thought just occurred to me.” / Mr. Curtain raised his eyebrows. “That’s remarkable, S.Q. What is it?”] clown prince of my heart </3

S.Q.’s determined monologue about searching for clues after he bungled up the first time

Literally any scene with S.Q. in it (please refer to The S.Q. Section)

Reynie trying to resist the Whisperer.

[Let us begin. / First let me polish my spectacles, Reynie thought. / Let us begin. / Not without my bucket, Reynie insisted. He heard Mr. Curtain muttering behind him. / Let us begin, let us begin, let us begin. / Rules and schools are tools for fools, Reynie thought.]

NO MORE HURTIN’ WITH CURTAIN

Milligan showing up on the island!!

Remember the white knight hhhhhh

“controle”

A Super Secret Bonus Section

I would be extremely surprised if anyone read through all the way down here lol. Regardless, here’s a little acknowledgements section :D not tagging anyone since I don’t want to bother all of these people

Special shoutout to tumblr blog stonetowns for unknowingly yet singlehandedly demolishing my reluctance to read the books by posting a ton of cute quotes. Thank you for your service o7

Thanks to the two OGs that liked the post I made right before this one, for being my unwitting enablers and for sticking around despite being a) technically an internet stranger (hello!) and b) someone I haven’t spoken to irl in literal years (hey!!)

Last but not least thankz 2 my sister for putting up with me ranting about the book when I first got it and for asking about “CQ” sometimes lol. (i desperately hope you’re not reading this orz)

[crimeronan]

Can you explain the appeal of Julian Blackthorn? This is a genuine question because I read the books and came away utterly bored by him and unconvinced of his moral greyness as opposed to like, Adam Parrish’s. He seemed so one dimensional to me but I want to know if I’m Wrong TM considering I tend to be very very biased toward my favourite characters and bored by the rest, and my favourites were Mark and Kieran. So maybe I just didn’t pay him enough attention??

it’s been a while since i wrote any earnest tsc meta but cringe culture is dead and the chance to infodump about my julian thoughts has me vibrating where i’m sitting so.  yes okay.

technical stuff

(aka: things pertaining to How The Story Is Constructed)

cassandra clare’s characterization has become much stronger just in general since she first began writing the series like twenty years ago

perhaps most importantly: the more recent stuff i’ve read from her has involved characters who actually grow, change, and learn from their past mistakes 

rather than repeating the same stupid decisions over and over again

and over and over and over some more

seriously take a shot every time someone in tmi miscommunicates or self-destructs in ways They Have Learned Not To Do for no real reason. u will die of alcohol poisoning

in tda this shines ESPECIALLY with the evolution of mark, kieran, and cristina’s relationship, but that’s a separate post

clare’s trademark is also the angsty traumatized jerkass love interest with a secret heart of gold

the woman is almost singlehandedly responsible for draco in leather pants and the proliferation of this kind of character type in fandom and teen lit. this isn’t a criticism it’s me marveling at how if you commit hard enough to a single trope you truly can change the world.  follow your dreams

sad jackass with a heart of gold isn’t an Inherently Problematic Character Type

but poorly done it can lead to relationship dynamics in which one partner is constantly being hurt by and then forgiving the other despite them making no real effort to change, because they are narratively absolved due to being sad

(there’s a lot of this with earlier jace content.  in some ways i think will was later created specifically to be a same-archetype protagonist who actually does get called on his shit and grow. that’s also another post)

also if all of your sexy male love interests are tortured jackasses with a heart of gold then people start calling you a one-trick pony

enter julian blackthorn!

from the very start everything about him is designed to be the INVERSE of the heart of gold jackass.  which immediately makes him interesting just from a meta perspective

(mark and kieran are also both alternate angles on this time-honored archetype.  mark gets the heart of gold and kieran gets the jackass and then they’re both much more deeply messy than that.  yet another post)

julian is kind, self-sacrificing, empathetic, artistic, emotionally supportive, responsible, and favored by old grannies everywhere

so a completely nonthreatening milquetoast guy, right

immediately forgettable if you’re only here for the dramatic conflicts and shithead antics of clare’s other protags

except that he is A Mess

and that he has structured his priorities very carefully, and they are as selfless as you expect from The Hero (TM) but they are also Not Heroic (TM) and they do not align with the moral framework The Hero (TM) is supposed to use

moral ambiguity in characters always exists in relation to their narratives imo. you mention adam parrish - trc’s narrative already mucks around in different ethical shades of gray, and adam falls on the canon scale about where julian does on his canon scale.  both more willing than the average pov character to do the ruthless thing or make the fucked-up choice if the ends justify the means; both with an intensely strong sense of internal priorities that they adhere to at all costs, both so unbelievably fucking down for murder; etc

i do think there are ways julian’s choices could have been pushed even further, but considering the number of readers who hate his guts already, i can see why clare opted not to go for the most controversial possible conflicts

so we’re flipping the narrative

instead of seeing this angsty bad boy and peeling back the layers of his trauma to find his heart of gold, we’re seeing the put-together selfless family man and peeling back the layers of his Responsibility Mask to expose the rotting husk underneath

MMMMMMMMMMMMMMM

THAT IS FUN AS FUCK

then when julian DOES lash out in hurtful, uncontrolled ways, he has significantly more narrative justification for it than most of clare’s protagonists (will elaborate in characterization thoughts)

julian is also interesting as fuck because of how his struggles allow for a more in-depth look at the failings of shadowhunter society, something that’s also sorely lacking in clare’s earlier work

his apparent amorality is simply the result of him making pragmatic and impossible choices because he has been faced with fucked-up ethical dilemmas since age 12 Because Society Has Failed Him

which opens the door for narrative exploration of how and why he’s been failed so badly & what needs to change

i also love that he has such a coldly calculated way of analyzing situations and allowing harm to occur when need be, bc a lot of clare’s early protagonists have such a bad case of Rush In And Get Myself Killed Because I’ve Got Feelings About Impulsive Heroism syndrome that i wanna push them in front of a truck

probably there’s other meta narrative stuff i could say but i’m stopping myself and moving on to character analysis

characterization stuff

(aka: reasons why i’m also attached to him in a vacuum)

i don’t read him as one-dimensional at all tbh

u may feel the narrative pushes “ruthless julian blackthorn” too much without delivering enough actual ruthless julian But i don’t think that’s the same as having only one dimension

from the get-go, the big question centered on julian is always “how far are you willing to go?” and the narrative pushes the stakes slowly higher and higher to continuously test julian’s “the price is always justified” mindset

he has a far more layered and realistic response to trauma than clare’s early protagonists - trauma affects every single aspect of his personality and how he conducts himself, and the effects vary depending on the circumstances

his conviction that he has to be the perfect parent to his siblings because they will fall apart if they see him show weakness??  rooted in how he feels like he’s fallen apart since losing the stable adult support he once relied upon

his willingness to hurt semi-innocent people, commit coldblooded murder, manipulate people using political leverage, allow harm to befall any stranger if it protects his family??  rooted in how he has already had to ask himself how much he’s willing to sacrifice, and how his family is his only source of stability when the world has never done Shit for him

his conviction that he has a darker heart than anyone else because he killed his possessed father, even though intellectually he knows he was saving his brother’s life??  rooted in having no means of processing this trauma and being unable to voice his feelings for fear of backlash from a deeply non-understanding society

the way he represses every single negative emotion he ever has, to the point where emma - his actual literal magic soulmate who can feel his emotions - is startled to find him hurting or angry??  once again all about how he has to be the perfect father or he’s failed completely

the way his anger is so totally disproportionate to different situations and the way his negative emotions can only come out in completely uncontrolled breaks??  all that repression baybey.  this kid has not processed a single bad feeling in five years.  every single real grievance and petty annoyance has been festering indefinitely inside him like a slowly spreading infection

julian’s arc involves him needing to get thru being his worst self to actually start to heal

as in, he has to actually learn to acknowledge his feelings, take care of himself, lean on his family, and let other people take some responsibility

he also has to learn that in his quest to be the perfect emotionally controlled authority figure, he has not actually learned how to control or deal with his emotions. like. At Fucking All. good god

the narrative setup is also about asking “how far are you willing to go?” until the answer is finally “not this far.  not this far”

and once he reaches that point, he has to reevaluate everything about how he weighs his priorities and morals and plans, etc

(i also like that emma has a perpendicular arc in which she’s always the one tempering julian and telling him “no we can’t go that far” until she’s willing to do something horrific that he absolutely won’t and HE has to stop HER. very sexy)

it’s also just really nice to have a character who’s learned to relate so well to literally every single member of his family while still having a very detached ruthless interior consciousness. i have similar feelings about how adam teaches himself to love people, but with julian it’s spelled out more explicitly in canon & it’s a more central character theme

i’m sure i’m also forgetting stuff here but this post is long enough so i’m gonna say good enough

and like i said in the tags on my other post, there are things i’d personally write differently if it were my story - plot points i’d shift, character contrasts i’d up, themes i’d explore differently, pacing i’d adjust, etc.  i have plenty of ways i could be nitpicky and editorial about the effectiveness of julian’s arc.  but i also don’t feel like writing them out at the moment & none of my critiques on effectiveness have an impact on the core appeal of his character 2 me.  he’s so fucking good

[redgillan]

Under Pastel Skies - 1

Sugar daddy!Bucky Barnes x Reader

Summary: Modern!AU Bucky doesn’t need anyone, especially not a sugar baby. He isn’t that desperate… but she smiles so sweetly and she’s endearingly awkward, and he’s so lonely. She’s an artist, a painter, the type of person who always puts others before herself. Throwing caution to the wind Bucky offers her a place to live, a place where she can finally paint whatever her heart desires. He doesn’t need much in return; a friend, a muse.

Word Count: 2,183

Warnings: none

A/N: This is brand new and probably one of the softest series I’ve ever written. I hope you enjoy it, these two are going to fall in love so hard!

“I don’t feel good.”

You started rocking back and forth, your breathing coming too fast and too shallow. A drop of sweat rolled down from your armpit, making you hyperaware of the fact that you were looking like a mess. You pressed the back of your hand to your forehead and groaned; your hairline was wet.

Looking at your dress, you felt bile rise up in your throat.

You should have worn the blue dress. Blue was a nice colour, everyone loved blue. Blue made people calm and at ease. No, instead, you had taken Natasha’s advice and put on the tight orange-red dress that clung to your body and made your breasts look incredible.

But now the dress stuck uncomfortably to your body, the space between your breasts was wet and glistening. You couldn’t breathe, you couldn’t think. Red was the colour of passion, of anger and danger, and you just had to deal with your poor life decision.

Although deep down, you knew it wasn’t about the dress, or its colour.

“Relax,” Natasha said, sipping her lemonade. “I’m here, it’s going to be fine.”

“I am not fucking relaxed, Nat,” you repeated with a scoff. “I’m at a bar, about to meet a potential sugar daddy; that’s not what normal people do on a Friday night.”

“You’d be surprised,” she sassed. You gave her an unimpressed look. “Look, you can live with me for as long as you like, and you can work odd shifts at the hotel for the rest of your life if that’s what you want. But I know you, you’re an artist, and artists need freedom and benefactors. Sam is the reason I finished paying my tuition. You can call him my sugar daddy, but I prefer the word scholarship.”

Yeah, it was only a matter of perspective –and vocabulary. Some may call this whole thing brilliant, others stupid. You weren’t quite sure what to think yet.

“And this guy’s legit?” you asked for the nth time.

“Yes, Sam says he’s a great guy; sweet, handsome, thoughtful. He’s the whole package.”

“Mmmh.”

You eyed the pair of napkins the waiter had placed on the table along with your drinks, and wondered if it would be appropriate to stick them under your armpits to sop up the sweat trickling down your sides.

“Oh, fuck it,” you grumbled, reaching for the napkins.

You patted your armpits dry while you anxiously scanned the growing crowd. It was a high end bar, definitely not your usual hang out spot. The patrons were dressed in designer clothes and wore jewellery that cost more than your three years of art classes at the School of Visual Arts.

“Do we really have to stay sober?”

Natasha cocked a brow at you. “You don’t drink.”

You only groaned in response.

“I know how you’re feeling, I’ve been there, too,” she replied. “It’ll be like a normal first date. You’ll get to know each other, see if you guys hit it off, and if everything goes well you’ll talk about the arrangement. You can’t give consent if you’re under the influence of alcohol, so drink your lemonade and stop fussing, yeah?”

Like an obedient child, you brought the bent straw to your lips and took a quick sip of the icy refreshment. You toyed with the straw and watched the ice cubes slowly shrink. It was strangely soothing.

“They’re here.”

And just like that, your panic returned full force. You snapped your head up and tried to smile when you saw Sam approaching your table. You set your drink down on the coffee table and wiped your clammy hands on your dress.

Natasha stood up and gave Sam a kiss. While she wiped off a smudge of lipstick she had left on his upper lip, you glanced at the man behind Sam.

He was tall, muscular, and had a mysterious air about him. He was dressed casually, in black jeans and white t-shirt with a maroon bomber jacket that suited his pale complexion. The left sleeve of his jacket was tucked inside, empty.

Even without being an expert in behaviour analysis, you could tell he felt uncomfortable. He bowed his head to hide his face and kept looking around as if someone was going to attack him or as if he wanted to know where the nearest exit was.

Sam whispered something in the man’s ear and clapped him on the back before he turned to you.

“Okay, we’ll let you guys get to know each other.” Natasha looped her arm through Sam’s, and gave you an encouraging smile. You heard Sam whispering to his friend again. “Buck, seriously, you look like someone shoved a broomstick up your ass. Relax, man.”

“We’ll be over at the bar if you need anything.”

She gave you a thumbs-up as Sam led her across the crowd, toward the bar. With an authoritative look, Sam pointed to the seat across from yours and mouthed ‘sit’ at his friend who rolled his eyes and ground his teeth in response.

“Hi,” you started, trying to sound cheerful but the slight tremble in your voice gave you away.

“Hey, I’m sorry,” he cut you off, “you seem like a nice girl but I’m not looking for anyone, least of all a sugar baby. I told Sam it was a stupid idea, but he never listens. This has nothing to do with you, I’m sure you’re great. I’m really sorry, I hope you’re not disappointed.”

He had barely made eye contact with you during his long-winded speech but you did notice that they were blue. Now that you knew this wasn’t going anywhere, your shoulders lowered and you felt yourself smiling.

“Of course, I understand. I wasn’t particularly thrilled, too. No offense.”

He bent his head and ran a hand through his hair, his lips curved up in a soft smile. “Is your friend as meddling as mine?”

You let out a loud laugh, your eyes widening. “More! If meddling were an Olympic sport, Nat would have more medals than Michael Phelps.”

His shoulders shook in a soundless chuckle but he still wasn’t looking at you. “So why’d you agree?”

You took your glass of lemonade and played with the straw while you searched for an answer that wouldn’t sound too desperate or dramatic. You majestically failed.

“I guess I felt like I had nothing to lose.” You shrugged. “It’s like when you’re standing on the edge of a cliff and you only have two options; jumping off the cliff or getting eaten by a pack of wolves,” you said, checking them off on your fingers as you enumerated them. “You have to choose the lesser of two evils.”

He frowned, a curious glint in his eyes and a hint of a smile curved his lips. Your eyes widened when you realized you might have offended him.

“Not that I think you’re evil,” you rushed to add. “What I meant to say is that sometimes you don’t really have a choice. And when you have no other option but to jump, well... your chances are infinite. Anything can happen.”

He slowly raised his eyes to meet yours, a form of understanding in the depth of his icy blue eyes. He was truly handsome; a little older than the men you usually went out with, but he had kind eyes and very, very nice lips. You looked away, feeling a little foolish.

“Wow, I’m fun at parties, uh? Guess you dodged a bullet,” you laughed, cringing a little as you said it.

He returned a tight smile, loaded with something sad. He looked at you a moment longer and you held your breath, suddenly hoping he would stay and chat. A solemn expression crossed his face and he seemed to go through some kind of inner struggle before he reached a decision.

“It was nice meeting you,” he said, shaking your hand before wishing you goodnight. You watched him leave the bar, his shoulders hunched forward, looking as tense as he did when he entered.

That tiny flicker of hope left with him.

“Hey!” Sam called out, a deep frown on his face as he approached you. “Where is he going?”

“It didn’t work out,” you answered with a shrug.

Sam deflated. “I bet he didn’t even try.”

“Does it really matter?” you replied, shrugging into your coat, something way too thin for the changing weather. “He’s not ready, and honestly, you can’t blame him. This sugar daddy-baby thing isn’t for everyone.”

“I know that,” Sam argued, blowing out a frustrated breath. He turned to Natasha, silently pleading with her to understand, but she was as clueless as you were.

There were lots of reasons Sam wanted Bucky to meet you, and none of them included sex. It was difficult to explain his motivations without betraying his friend’s trust; without telling you too much about Bucky.

“I’m not trying to find him a girlfriend,” Sam continued. “He needs more friends, and he has connections to help you in the art world. I thought you two could help each other out.”

You wrapped your scarf around your neck and grabbed the backpack you had shoved under your seat. It contained your work uniform, clean underwear, toiletries, a bottle of water, your wallet, and a couple of granola bars. Your whole life was in that backpack.

“I’m sorry, Sam,” you said, adjusting the trap of your bag. “I guess it wasn’t meant to be.” You turned to Nat. “I’m going to stay at the hotel tonight, my shift starts at 6 so you’ll have the apartment to yourself.”

Without waiting for an answer, you disappeared into the crowd and headed for the door. Outside the wind was blowing, the cold air biting at your face and bare legs. You took a deep breath, watching as the cold air turned your breath into white smoke.

People were milling about, taking pictures of the skyscrapers, walking hand-in-hand and marvelling at pretty much anything. New York was full of contradictions; kind and hard, smooth and rough, poor and rich. It was exciting to live here, it was exciting to see how people lived together despite their differences. For an artist such as yourself, it was a gold mine of infinite inspiration.

In front of you, a taxi drove closer to the curb, then slowed as a man stepped onto the street and opened the door. He looked over his shoulder and saw you standing there. Sam’s friend smiled at you.

He noticed your light coat, your backpack and your scuffed ankle boots. It was hard to believe that under your coat, you were wearing a sexy little number. He imagined that this was more your style, and he liked it. It was fresh, laidback, casual. He could even see a few drops of paint on the toe of your boots, a smattering of orange and blue.

“Hi, again,” he said. “Wanna share a cab?”

You nodded eagerly, your face half buried in your scarf. You were positively freezing, you didn’t even think twice about following him. He let you climb in first and jumped in after you, angling his body to hide his missing arm.

You gave the driver the address of a Holiday Inn in the Flatiron District and sank into the seat. It dawned on you that you didn’t even know his name. Sam had called him Buck, but you were pretty sure it was one of those nicknames only long-time friends are allowed to use.

“Bucky,” he said with a genuine smile after you told him your name. “I’m sorry I ruined your evening. How long are you going to stay in town?”

“No worries, you didn’t ruin anything. And I live in New York. I live with Natasha.”

“Aren’t we going to a hotel?” Bucky asked, looking out the window with a frown.

“Yup, I work there. Breakfast attendant. I figured Sam and Nat would like some privacy and sometimes my co-worker at the front desk let me borrow a room for the night.”

The car pulled to a stop at the curb and you reached into the front pocket of your backpack to retrieve your wallet. Bucky stopped you.

“Please, let me pay,” he said. “As a sorry for dragging you to a bar and leaving without even telling you my name.”

“Ouch, yes, when you put it like that it wasn’t a great night,” you said with a crooked smile. He responded with an exaggerated cringe. It made you laugh. “Hey, it wasn’t you who dragged me to a bar, it was Sam. You can always tell him to pay you back.”

His eyes brightened. “I definitely will.”

“Goodnight, Bucky,” you giggled, closing the door behind you. You walked up to the big automatic doors and waved goodbye one last time.

“’Night, angel.”

Bucky asked the driver to wait until you were safe inside before driving away. As he watched you, he thought back to what you had said earlier.

Your chances are infinite. Anything can happen.

This time, it made him smile.

part 2

[sugar-petals]

Bts voice analysis anon here! I just wanted to thank you for taking the time to respond ❤ it made complete sense why yoongi is the deepest I kinda feel bad for him everytime he wants to sounds cheerful or speak in a way so people can hear him he strains his voice

lot to talk about, i’d like to expand on this. especially what his voice being the deepest means for bts’ songs. plus, where his undiscovered vocal talents are, and in what manner his voice will not strain.

that he’s very introverted contributes to what you say, but yoongi is certainly the odd one out voice-wise, such low baritones hardly sound upbeat. similar to how taehyung being the odd one out in the vocal line whose head voices are literal superpowers. i really respect him for singing with jin and jimin who can climb one octave higher than him, up to C#5! and with jk who has the best technique and breaks into the 6th octave if he goes on like that.

it’s very much like yoongi who probably has to mix their tracks back and forth to fit his parts with hobi (who is a tenor as a rapper! — very uncommon) and namjoon who raps in several modes. very low, very high, very impactfully. he’s the most full-bodied baritone in the group even if he’s only the third-deepest. the tone is just so rich. both hoseok and RM are extreme vocal chameleons on top of that. in speaking and in their music you can hear the difference to yoongi all the time. they don’t suddenly drop in pitch and they’re vocal acrobats.

hobi in particular, this guy can do anything. the sheer agility my god, he connects his registers. he can go up and down, impersonate and do a million effects, adlibs, you know the drill. it’s him who actually owns the “cheerful/loud and clear” brand you mention. which is good if not fantastic for yoongi’s production endeavours, the group mood, and how bts cannot be ignored — but tough for yoongi’s voice and comparison thinking, and when he tries to make a point in interviews. maybe it’s not bad that bts have to slow down sometimes to let yoongi speak, but his tone is drowned out (not intentionally of course) in other occasions and he wakes up hoarse often as we saw. which might sound hot, but it’s not good for him as you say.

to be clear. i wouldn’t chalk down his more monotonous and silent tone as a weakness, it’s just outside of bts’ other vocal variety. he makes up for it with speed and good lungs anyway. we just have to listen more closely to him in talks/episodes/conferences but i think he shouldn’t worry about it either or try to sound more enthusiastic, the fans love his soothing speech for its pure sake. he does change it regardless to be more poignant and blend in. it has pros and cons but it wears him out.

yoongi’s voice is under that strain not just in conversation but also in the studio if he wants to bring connection to the rap line parts instead of having 3 songs in 1. which usually ends up happening anyway. that’s also why the cyphers (!) switch genres mid-song so often: their voices are all strong in different registers! yoongi the lowest, joon midrange, and hoseok up high. 

that’s why cypher pt2 is a HUGE stunt and production masterpiece: hoseok’s part is tuned differently, then other instrumentals start with namjoon. and you can literally hear, okay alright a deep voice is coming! from there it just gets deeper and deeper until yoongi is just rapping over a bass guitar (every baritone’s best friend lmao!). god, please give yoongi a big bassline for his every part. “ugh” is the exact opposite: yoongi has to start too high and namjoon also has problems with the key, only hoseok can fully take off after 1:50 with perfect vocal stability. guess which song is autotuned: it’s not cypher pt2! a 3 in 1 song fuels the rapline in a way where they are most comfortable. it’s crazy how far apart they are among each other vocally and it has to be considered.

it’s a dilemma but also why bts’ rap line can tackle any song with at least one member suiting it. they complement each other, every register (except the rare whistle register, aka what mariah/ariana do) is covered. i think that contributed to bts’ fame, it’s so important. however usually, the song caters to hoseok since tenors are preferred in kpop music, or it caters to RM as he’s the central songwriting entity even if mind you, he always thinks about all the members and works closely with yoongi.

but even with joon’s support, it doesn’t work if yoongi is caught in his wish to be a tenor. we’ve seen how much the guy talks about wanting his range to become wider and how he even tried singing quite high for his standards on d-2. he goes as far as collabing only with sopranos to help him achieve that pitch. yoongi is invested to pretty much change his entire vocal type 🙁because the environment simps for high notes so bad (which is fair, falsetto is related to releasing certain happy hormones and highlights parts in songs, but still).

... he actually can’t, unless he wants to damage his throat. that’s the last thing we want. a listener can get the serotonin from a very deep voice equally if they got good taste.

thing is. you cannot morph yourself into a different vocal type and shift your range to the opposite of your comfort zone unless you’re whitney houston. even one in a million tenors like baekhyun can’t make themselves a baritone. his lowest notes are less clear no matter how hard he practices, even if his chest voice is almost operatic and his technique excels. meanwhile, chanyeol (who’s a lyric baritone and exo’s deepest voice) effortlessly hits them without (!!) that kind of decade-long training. have baekhyun or jimin been called bad singers for not being able to cover the other end of the spectrum? nope. so: why would yoongi be a bad vocalist who needs autotune. with lessons, oh man, he could do a lot and many things he dreams of. he has a very unique timbre and enough musical knowledge to do so.

so, we see the magic of your natural supported range. it’s simply given to you. imagine that: if you know you’re not a tenor, you could sort of outsing jungkook — obviously not by technique, but projection— as long as the song is tailored to you and the notes are low enough. yep, jk’s lower register is not extremely forward. each note is perfectly sung because he’s jk, but his power vocals are settled much higher. joon/tae/yoongi would sound much fuller with huge oomph in those lines. that’s where yoongi would be much more clear-sounding to us. a lot of baritone rappers in kpop would be damn good singers. 

that’s why it’s good how a lot of rappers produce solos on their own so they can try it out. 

you just have to respect that your range usually (not always) goes in one direction. once yoongi rightfully decides to abandon his high note fantasy and goes lower just for fun, we are not safe anymore lmao! exception for range: female singers have an advantage there. trained mezzo-sopranos have great access to the head voice and lower registers since they’re in the perfect middle of the scale. but the guys, forget it, even the baritenors. yoongi’s fullest voice will always be coming from a chesty depth and we love him for it. guy just needs to realize.

that’s why his real challenge is rather somehow tweaking the rap parts so his voice finds good resonance like in “혼술” or even “ddaeng”. where his voice is strong, relaxed, and full and flowing. ddaeng — “boy with luv”, too— is ironically in a very high pitch and again caters to hobi’s tone the most, but: yoongi just scales down to his own octave and it still fits, so — great key choice and musicality! and adaptation. it’s not easy to do. you can tell he plays piano.

he either becomes less easy on the ear or has to autotune himself entirely if he works against his voice. or: goes on a track way outside his supported range (dynamite, WOW). it’s a shame. “daechwita” and “agust d” are such a case: both go into the head voice where your resonance should show the most aka the chorus. there are aggressive belts/snarls/shouts that make more sense for higher, trained voices. yoongi is most famous for raps that are literally designed to fuck up his vocal cords 😷that he’s so skilled as a rapper prevents him from that to a degree, but it’s still not healthy. he adapts a lot to bts’ overall delivery but he doesn’t have to, in fact: he could go in the other direction and it would work even better.

the reason for the title track issue: they are the most energetic. in k-pop, energetic means amping up the pitch. and that’s probably a logical choice and a natural human association. if you make a baritone kpop track with a lot of energy, it probably becomes pretty creepy, uneasy, film noir. but i think that’s exactly yoongi’s thing: to unsettle and critique and rage. i think it could work out. lil nas x is a baritone pulling it off. he achieves energetic title tracks, he honors his vocal type well imo. his live singing is cool af, i need this so hard in the rap landscape. so, it’s not impossible to do.

the trick is probably setting everything to minor key. surprise... yoongi’s challenging title tracks are all in major key. boy with luv: minor key, interesting. the former are extremely difficult for him to do so hats off. “shadow” is more suitable for his baritone as is “burn it”. it needs a very heavy, dark track. which is why it’s good that yoongi has that kind of public image. a baritone’s best genre is not super light and whimsical. that’s why all of our baritone faves are not main vocalists but main rappers. kai, taehyung, jaehyun: low voices in vocal lines are soldiers.

---

now a note on yoongi’s best method of singing since it reflects his voice type and brings out the fullness of it. as in, how does it crack and strain less? guess why “사람” is yoongi’s favorite d-2 song to sing. it’s ALL his comfortable range and the singing — very beautifully done —  is in mixed register (= head + chest)! which imo might be his secret weapon. it allows him to do what he longs to do successfuly without going extremely high. bingo.

because: even with baritones, the golden middle is still important. they’re not as deep as a bass, after all. that’s why their voices are so honey-laced in the mixed range and it sounds amazing. heaven, their timbre sounds so seductive. so, it’s wonderful when they find their middle and dare to sing. 

i wish yoongi gets/makes more tracks aimed at just that. in “outro tear” he has to go both too low and too high so it takes a lot of production effort to patch it together. the rapline is doing god’s work to make all their voices sound cohesive without being trained singers. it’s always a trade-off and risk, an immense balance act. “paldogangsan” is hard on yoongi’s voice but works as a whole plus it caters to namjoon to carry the song’s message. the cyphers are chopped up and not chart-friendly but each member is in their comfort zone. 

PS: i said bts’ rap line covers all registers except one. i think that jin is the one to complete bts’ entire spectrum coming from the vocal line. i’m no whistle note expert but dionysus went pretty high up there, i think he might be able to do it. it’s very impressive, even jungkook and jimin probably don’t have access to that register. so, another point for bts being a very ‘complete’ group.

[davidmann95]

I think you’ll enjoy the Snyder Cut as funny as that outcome will be, but honestly the only analysis of the DCEU from you I’m interested in is comparing Cavill and Hoechlin. S&L shows that it’s not necessarily a darker tone or “realism” that caused the problems with Cavill.

You guessed true! I was indeed made a fool of for maximum comedic value. And now that we’re through Superman & Lois’s first ‘act’ for its inaugural season I’d say there’s a decent amount of material to work with for comparison. It’s actually a fair one to make: along with the series drawing a lot on Man of Steel aesthetically both takes on Superman are rooted in the notion of realistic consequence, albeit one focusing on the personal and the other on the global. But curiously if not surprisingly, the shorthand impressions of the two have pretty grievously screwed up the general interpretations on the two not only in terms of relative depth, but what sources they’re drawing on.

It’s funny; when Hoechlin debuted on Supergirl it was just about the most positive press Superman had gotten in over a decade, but by the time he showed up again the narrative had fully set in that he was a shameless, inauthentic carbon-copy of Christopher Reeve designed in contrast to Cavill, and it held until the debut of his solo show made people reckon with the quality of his performance on a weekly basis. And even that opened with a lovely bit of nostalgia bait that reinforced the idea that Hoechlin is a neo-classical ‘iconic’ take on the character shaped by his mass-media, while Cavill is the modernized serious update rooted in Deep Comic Book Lore. The truth is that between the two it’s the big screen take who hews a lot closer to the Christopher Reeve model, stoic in the face of danger, sweet when given the opportunity, somewhat distant most of the time but unquestionable in his good intent. Hoechlin meanwhile while paying his dues to almost every mass-media Superman interpretation to date one way or another is as a personality rooted in the comics in a way no prior adaptation approaches. Especially the work of Busiek and Morrison as a modernization of ideas originally stemming from the 60s and 70s of Superman as an emotionally vulnerable figure, unshakable in his heroism but driven by unique personal experience and a mindset bordering on neurosis almost as much as decency.

Perhaps the core of the divide that the differences in their performances stem from - beyond that from day one back in the Supergirl days, for me at least, Hoechlin simply felt a lot more authentic and charismatic - is specificity of motivation. Henry Cavill’s Clark Kent is a burdened figure, with no shortage of factors in his life acting against his journey to becoming Superman so as to make that transformation all the more remarkable: a lack of built-in inclinations in the same way as the rest of his species, his powers tormenting him throughout his childhood, social isolation, his family discouraging his heroics out of concern for his safety, the looming threat of the global sociopolitical impact should his existence be revealed. But for all that buildup, there’s little effort given to why in spite of all of that he would become Superman anyway, other than - for all the effort to make this a grounded, ‘real’ take on the character - that he is Superman, and when offered a chance at greatness as either one who does good or evil, he will naturally choose good. He’s a largely passive everyman figure, adrift for years until a place is given to him, and then in the tradition established by Byrne and company in the 1980s (reversing Siegel and Shuster’s original concept) only able to fully unclench when wearing the glasses rather than when enacting the mission and role he finds thrust upon him. He’s just a perfectly okay joe doing the best he can under increasingly impossible circumstances because he has no real choice but to go with the flow lest he let everyone down. Weird dickishness when Batman’s around aside, he’s broadly who ‘you’ would hope you could be if you were handed a cape and told to save the world.

With Hoechlin it’s incredibly clear where most of his driving traits come from even by the end of the pilot: his community-minded sense of ethics from his parents, his sense of larger duty and destiny from the literal voice of his heritage, his alienation from his unique responsibilities and powers and the secrets that come with them, his protectiveness from just about all of the above with the death of his father probably playing no small part. They’re traits that make him a natural as a big savior hero - he doesn’t need to put on an act or force himself into it, he’s really like that, especially with his natural goofy earnestness - but massively complicate his life as Clark Kent dealing with interpersonal relationships, tripping him up and complicating his priorities. He powers through on determination and the fact that under his issues he’s fundamentally a good person, but not all that deep down he’s someone with a lot of powerful and frequently conflicting drives that don’t always manifest in the healthiest ways even as he tries to improve.

Neither’s my ‘ideal’ version of Superman - there’s stuff I’d change or refocus with the both of them, even if Hoechlin’s a lot closer to what I’m looking for. But their outward presentations are misleading as to which of the two takes the character more seriously: the array of weights on Cavill’s shoulders are such that he as a person is largely squeezed out. The version Hoechlin plays however, in taking Superman at face value, ends up asking harder questions of what would shape that sort of person and how those personality traits would play out, and the results capture nuances that across 80 years no other major adaptation has managed.

[atarahderek]

Lord Protector Oliver Cromwell - a Wolfwalkers analysis

To follow up on my review of Wolfwalkers, I would like to discuss the villain in depth. This analysis will contain spoilers, so if you haven’t seen the movie and don’t want to be spoiled, click or scroll away now. You have been warned.

The first thing one needs to understand about Oliver Cromwell is that he is a historical domain character. Cromwell was an English statesman, born in 1599, who held the official title of Lord Protector of the Commonwealth of England, Scotland and Ireland from 1653 until his death in 1658. Some creative license is taken in Wolfwalkers, as while Cromwell did take over much of Ireland, including Kilkenny, by force of arms in 1650, when the film is set, it would be another three years before he attained the title and duties of Lord Protector. Cromwell was Anglican, and had been raised to hate Catholics (a bitter grudge held over from when Protestants were severely persecuted under the Catholic queen Bloody Mary). This led him to act with extreme brutality toward the mostly Catholic Irish, and to this day, the Irish see Cromwell as nothing but a monster. The remaining countries in Britain give him mixed reviews, though he’s generally perceived as a pretty good guy in England.

Cromwell being so hated in Ireland led to his character being given something of a historical villain upgrade in Wolfwalkers--depending on who you ask, of course. Undoubtedly, some Irish would say he wasn’t portrayed as evil enough. His character design is fairly true to life, though it does evoke images of Pocahontas’ main villain John Ratcliffe. His personality is reminiscent of Judge Claude Frollo from Disney’s adaptation of the Hunchback of Notre Dame. He sees his path as the only righteous one. It’s been done before, but with Cromwell, it’s taken to a new extreme. Cromwell deifies himself. It’s kind of brilliant, actually.

In the film, Cromwell’s name is never given. He goes strictly by Lord Protector. His insistence on being addressed only by his title reflects his real life actions, where he began to insist on being addressed as “his highness,” and signed his letters “Oliver P,” in the fashion of kings who would sign their names as “George R,” or the like, with ‘P’ standing for ‘Protector’ the way ‘R’ stood for ‘Rex.’ Cromwell habitually ends his orders and decrees with, “That is the Lord’s will.” Between this habit and his exclusive title, he begins to seem a bit blasphemous. And that appears to be the intention. When he proclaims “the Lord’s will,” he’s not talking about the will of the Lord God, Creator of heaven and earth. He’s talking about the will of the Lord Protector; himself. He equates Lord Protector of the Commonwealths with Lord God, Almighty Protector, and elevates himself to that status. This results in a very cold, cruel, distant man who is baffled by the idea that a man would rather mourn for his seemingly dead daughter than follow his orders to the letter. Which is, honestly, very standard behavior for any man who thinks himself a god.

So does Cromwell give any indication of acknowledging a God higher than himself? Yes; all of twice in the movie. He’s seen praying once, but this too could be interpreted as talking to himself, as he again says only “Lord” and not “Lord God,” and he ends his prayer insisting that what he wants to do must be “the Lord’s will.” His prayer was likely to assure himself that he was still a humble man, so he could go out and continue to deify himself without guilt. At the climax of the movie, when Bill, who was bitten by Moll while she was trying to defend Mebh, takes on his new wolf form for the first time, Cromwell becomes genuinely terrified by the enormous wolf in front of him and cries out for the Lord God Almighty to protect him. It is the only time in the entire movie when Cromwell actually turns to a higher power than himself for help--and after everything else he’s done up to this point, it’s too late to curry any favor with God.

The climax ends with Cromwell’s death, as he allows himself to fall off a cliff rather than be turned into a Wolfwalker by Bill’s bite. The false god plunges to his demise, purportedly surrendering his soul to the God of heaven. This is more historical license, as the real Cromwell died of natural causes eight years after the movie is set.

Some viewers of the film have interpreted Cromwell vs. the Wolfwalkers as Christianity vs. paganism, conveniently forgetting that the Goodfellowes are Christians and gave no indication of converting at the end of the film. A look into Wolfwalker lore reveals the legend behind them; they were either blessed or cursed by St. Patrick (and one’s opinion on which it was depends on one’s opinion of wolves in general), who made a bargain with them. He did not want to force their conversion (this is true to the character of the real St. Patrick, who believed faith in God must be a personal choice and not coerced), but allowed them to roam free, albeit as wolves while they slept. Since Wolfwalkers are created not by choice, but by the bite of another Wolfwalker, it is well established that Wolfwalkers can be any religion. In the case of this film, exactly half of the Wolfwalkers are Protestants living in Catholic Ireland, with no indication that they’re going to change faiths, because they see no conflict between their faith and turning into wolves whenever they sleep. The presumably Catholic side character Sean Og even says that St. Patrick made peace with the pagans who became the original Wolfwalkers, and himself sees no problem with a Christian living as a wolf at night. He encourages Robyn’s friendship with Mebh, and cheers her on when she helps Moll escape. Cromwell alone sees conflict in the idea of a Christian Wolfwalker because he hates wolves and he hates anything that doesn’t basically worship him. Cromwell is the god of his realm, and if he says there will be no wolves or Wolfwalkers, then so be it. He will destroy every one of them, down to the last child. This is a story of a man who has deified himself going up against people who understand the difference between true faith and forced compliance. I think it’s safe to say St. Patrick would probably be on the Wolfwalkers’ side.

[gumnut-logic]

Two Birds with One Stone (Bit 6 and The End)

Bit 1 | Bit 2 | Bit 3 | Bit 4 | Bit 5 | Bit 6

I finished it! Yay! Still @godsliltippy​ ‘s fault. I’m just happy to have this one off my plate because yesterday I wrote 2000 words of a new fic! I’m incurable, I have to say ::headdesk:: Like I have so many waiting to be finished ::wails::

But lookie! I finished one ::distracts all with this single finished fic waving it around with glee::

Many thank to @tsarinatorment​ @scribbles97​ and @janetm74​ for all their support through this fic and of course to Tippy for sparking it in the first place with this glorious piece of art!

I can actually archive something cos it is finished! Yay!

I hope you enjoy it...cos it is finished! It’s a miracle!

-o-o-o-

“A combine harvester?!”

“Totally cool sounding, don’t you think? I’m adding it to my list.”

Virgil stared at his brother. “You have a list? Of what?”

“Dramatic stuff. Near misses. Things worth bragging about at the bar.”

Virgil blinked, fortunately with both eyes this time, since the swelling was starting to go down.

He was sitting up in bed, surrounded by flowers. Grandma had gone all out this time with two boys in the hospital. Fortunately, they wouldn’t be in much longer.

Alan had dragged in one of Virgil’s sketchbooks and to Virgil’s surprise, he had found the energy to draw for a little while, though his head wouldn’t take much.

And his head was more than one problem.

He was missing half his hair.

And he looked stupid.

Worse, there was a jagged slice in his scalp where apparently a piece of that combine harvester had made it through his helmet and nearly sliced him in half.

The thought was downright alarming and he shunted it to the back of his mind with not a little terror.

He would examine it later.

Later.

But the problem at the moment, apart from the bandages that conveniently hid the issue temporarily, he only had half a head of hair and it looked stupid.

He had to appreciate that Gordon hadn’t laughed. In fact, none of his brothers had laughed at him. He couldn’t fault them for that.

Though there was a sparkle in Gordon’s eye that foretold at least one comment in the future, even if it was fond and caring.

Besides…

He kept waking up to find Gordon sitting on the end of his bed.

It was done with nonchalance and a smile, but Virgil was beginning to suspect an underlying cause. Not that he couldn’t acknowledge that he was happy to see his little brother and sharing a room with him in hospital was actually a boon to the medical process, but honestly, Virgil was beginning to worry.

“Don’t you have a list?”

Of course, a fish without a pond tended to be a bored fish.

“No, not really.”

“You don’t count successful rescues?”

“John and Scott keep records. I don’t like to dwell.”

His little brother shrugged. “I get that.”

There was silence for a while and Virgil let himself settle back into his pillow. Dosing was a rare pleasure.

“So, you don’t take advantage of being a hero even a tiny bit?”

Virgil blinked and frowned. “What?”

Gordon rolled over holding his injured arm and settled so he could see Virgil clearly. “You know, leverage a little heroism to start a conversation? Get one up on the stiffs at parties?”

He stared at his brother. “Are you having trouble at Penny’s charity functions?”

“Nooo.”

Okay, that meant yes. “You should talk to her, Gords.” He shrugged. “Need a wingman? I could come with.” Though he had to admit, he could see where Gordon was coming from. Some of those attendees were definitely stiffs who had never lifted a finger to help anyone but themselves in their entire lives.

“I can handle it.”

Okay, Virgil was definitely filching an invite to the next one. Could even drag in Scott. Big bro would torch the social scene. He wasn’t a fan, but he could play...to every other man’s detriment.

Or Virgil could ask John. Having a genius brother in orbit who had a daughter who had been told off several times already for influencing the stock market was an advantage.

“Virgil, stop the plotting. It is fine. I’ve got this. I just flex a little muscle, mention a few scars and spin a few tales. Joe WallStreet, or whatever they call it in London, doesn’t stand a chance.”

He eyed his brother. The urge to step in was strong.

Gordon smirked. “It is fine. Besides, you won’t be going anywhere anytime soon with that hairstyle.”

It was an obvious subject change, but it still earned Gordon a blistering glare. “Shut up.”

A snort and Gordon capitulated. “Don’t worry, bro, it’s cool. Shave the other side, get yourself some tatts and no one will ever question you on a rescue ever again.” The second snort was almost a giggle.

If only he could reach Gordon, clap him up the head.

There must have been something in his expression because Gordon burst out laughing, rolling on the bed, holding his arm to his side.

“You’re an ass.”

“And you, my dear artist bro, are entertaining.”

“Shove it.”

But at least Gordon was smiling.

Virgil would take that any day.

-o-o-o-

Gordon was up and about long before Virgil and took to disappearing from time to time into the depths of the hospital, often with one brother or the other and on several occasions, with Penelope.

Virgil didn’t get out much. He still had headaches and occasional dizzy spells, a lead on from a massive concussion and was the reason why they were still in hospital. Virgil had no doubt Gordon could probably have gone home, but was hanging about just because Virgil couldn’t.

If it pinned Gordon under medical observation and not in the ocean after such a serious injury, Virgil wasn’t going to argue. But it was frustrating that he himself wasn’t very mobile and he was sick of staring at the ceiling tiles.

They always bugged him as his artistic brain always constructed designs out of them and they always lacked symmetry.

Grandma, Alan, John, Scott and even Kayo were regular visitors. The Tracy clan had parked themselves in a nearby hotel, no doubt fueling both news agencies and the local economy.

Virgil just wanted to go home.

And Scott was out of sorts.

Scott was always out of sorts when a member of the family was injured, but this was different. And it was bugging Virgil.

Between his own injuries and the inability to pin his brother down due to interruptions and the lack of alone time, whatever it was that was bugging Scott was festering.

Topeka hospital was a familiar place to all of them. It had been their local major hospital for much of their formative years and considering the tornado seasons and IR responses, a regular delivery point for rescuees. There was a rooftop garden that had been sat in on several occasions in the past and it was with some conniving that Virgil spoke to Kayo to arrange for a corner of it to be secured so Virgil could go and sit up there for a bit of fresh air and privacy with his big brother.

He had no doubt that Scott knew he was being railroaded, but the lack of protest just emphasised how troubled his big brother was.

The sounds of the city below were no longer familiar and Virgil found himself longing for the ocean and the quiet of Tracy Island. It was evening, the sun having just set and the sky was a welcome sight after being confined to ceiling tiles for a few days, but the stars were dim, hidden by light pollution and a touch of smog.

It made him even more homesick.

“You okay, Virg?”

Scott had pushed him up here in a hoverchair. Virgil still needed it due to the dizzy spells and it ticked him off to no end. “Just homesick.”

Hi brother sighed. “Won’t be long. A couple of days and I’ll take you down to the beach and you can lay on the sand and stare at the stars to your heart’s content.”

Virgil shot him a glare. “I’m not John.”

“But you miss the stars anyway.”

Virgil grumbled. “I’m just used to seeing them.” He waved at hand at the sky. “It’s not the same.”

“Uh huh.” Scott was smiling in that condescending big brother knows better way he was so good at.

“Shut up.”

Scott didn’t stop grinning, he just dragged the ‘chair backwards until it nestled beside a park bench and then sat himself down beside Virgil.

They sat in silence for a while and Virgil let the soundscape seep into him. It was quieter up here than inside the hospital. There was a breeze with the scent of farmland under that pervasive smell of the city and cooling concrete. The breeze spoke of a possible storm in the distance. Virgil hoped it wasn’t a supercell. He had had enough of tornadoes for some time.

He missed the scent of the sea.

A sigh. He was being pathetic and falling into the doldrums over nothing. He was getting better. He would be home soon.

And screw it, he would plant his butt on a beach and drag Scott with him just to piss him off.

“You okay?”

Huh? Scott was peering at him, that worry ever persistent in the darkness of his eyes.

“It is you who I’m worried about.” So, it was defensive, big deal. Needed to start the conversation somehow.

“Me? I’m not the one who took on a combine harvester and nearly lost.”

“It wasn’t exactly a choice, you know.”

“I know.” It was quiet and Virgil knew he had hit the nail on the head.

“Talk to me, Scott.”

“About what?”

Virgil flat-eyed glared at him. “About whatever has been bugging you the last few days.”

“I would have thought that was obvious with two brothers in the hospital.” Definitely defensive.

“No. This is more.”

“What? There are degrees? I don’t need analysis, Virg.”

Virgil pressed his lips together. “You’re hurting. You’re not talking. What other recourse do I have?”

“Do you need one?”

“Of course, I do! You’re you! Whatever this is, it’s weighing on you and I hate to see you in pain.”

“I’m not in pain. It’s you who was injured.”

“If you’re trying to tell me that doesn’t affect you, you’re either lying through your teeth or I should be even more worried because you’ve obviously suffered brain damage of some kind and are no longer the Scott Tracy I know. Perhaps I should check you for a holographic disguise.”

Scott let out an annoyed scoff and shot to his feet, his actions agitated. “Virg, it’s nothing.”

“Bullshit.”

“Goddamnit, Virgil-“

“Talk to me!” And yelling apparently hurt his head, because it throbbed in protest. He grit his teeth and glared up at his brother. Please, Scott, for both our sakes.

“It was close, okay? Too damned close.”

Virgil swallowed. He knew that. “Not the first time.”

“So, I should be used to it by now?” Despite the darkness, Scott was lit up with internal fire.

“No.”

But he had finally triggered the avalanche and Scott spilled it all over him.

“Do you have any idea how close this was? Millimetres and you wouldn’t be here anymore, Virg.”

“Again, not the first time.”

“But it was so senseless!” Scott’s hands shot out palm up, desperate for understanding. “You weren’t even in the middle of a rescue. The sky just opened up, stabbed down a twister and threw a chunk of farm machinery at you. It lasted mere seconds and it nearly took both of you. Why? If you had landed a few metres further away, if you had been a few seconds later in arrival, hell, the margin for error was astronomical, yet, it still happened. I nearly lost you and Gordy for no damned reason whatsoever!”

“You need a reason?”

“Goddamned, I do! If I’m going to lose a brother, at least it should be for a reason. A sacrifice made for the good of all.”

“You know it doesn’t work that way.” Virgil’s heart was thudding in his chest.

“Well, it should. We do so much, sacrifice so much already, I don’t think it is too much to ask. We’ve already lost...” Scott shoved his face into his hands and parked himself back on the park bench. “Why the hell do you ask me these things?”

Ever so quiet. “Because they need to be asked.”

“I hate it.”

“I know.”

“I nearly lost you for nothing.”

“We were there for a reason. We both went in knowing the danger, you know that.”

“Doesn’t make it hurt any less.”

“I’d be worried if it did.” Virgil sighed. “We survived, Scott. Thanks to you. You were fast enough.”

The grunt and groan that made it out between his brother’s fingers was pain itself.

The hoverchair made it awkward, but Virgil reached out and snagged his big brother with an arm and hauled him in the best he could. Scott, of course, protested, but Virgil’s arms were not injured and he was always smug that he had at least one thing racked up on the achievement scale that beat his almighty big brother and that was strength.

So, Scott was dragged into a hug whether he wanted it or not.

“Still here.”

Scott grumbled something unintelligible.

“Gords is adding it to his story list to tell at Penny’s parties.”

“He’s what?”

Distraction achieved.

“Wanna drop by Penny’s next charity dinner and play wingman to Gords? You get to take a few stiffs down a peg or million. Apparently, a few asses need a big brother kicking. We can break out Johnny and Eos for extra fun, if you like.”

“Who’s been messing with Gordon?” There it was. Exactly the trigger point needed.

“The Joe Wallstreets seem to think they are better than a fish Tracy.”

“Really?”

“Uh-huh. Want to help me educate them? Though admittedly Gords was doing quite well on his own, higher education is always a good thing.”

Scott was staring at him in the darkness. It was obvious his brother knew exactly what Virgil was doing.

“I’ll be there.”

“Great. It will be good PR for whatever charity Penny is supporting. With a bit of luck we can play it to her advantage as well.”

Scott was still staring at him.

“What?”

Ever so quiet. “What would I do without you?”

Virgil swallowed, desperately ignoring all the implications and the reverse of that question. “Here’s hoping we never find out.”

Scott sighed and let his head drop onto Virgil’s shoulder.

Virgil just tugged him a little tighter and returned to trying to see the stars.

-o-o-o-

FIN.

[thewraith8]

Shadow and Bone Netflix Show - Brief Analysis

In this post I am going to break down the things I liked, the things I did not like, and just a general overview of my thoughts on the Shadow and Bone Netflix show. This is coming from someone who has read the Shadow and Bone trilogy about three years ago, the Six of Crows duology about a year ago, and has just recently watched the show when it premiered. I am a big fan of the duology and I did find the trilogy decently enjoyable at the time that I read it. 

I would like to preface this by saying that, as this is an overview, I will not be going into a lot of detail with regards to every scene. I may do something like that in future posts where I discuss each scene or character separately but this is more of a general overview. I would also like to clarify that I will not be addressing anything super in depth about the racism in the show as I am not very educated on the topic. I know that a lot of people have many different views on it and as someone who is Asian, my personal view is that it was fine. Some pieces of dialogue would occasionally feel a little forced but I personally do not believe it was a bad idea to make Alina a mixed race character. I know sometimes it can really feel like the producers and writers are trying to be diverse by adding POC to the cast and having the character face some form of discrimination every other scene but this show did not feel like it was pushing it super hard. There was so much else going on in the show that I did not mind those few scenes where they did address racism. 

So this is going to be divided into three parts. The first is production quality. The second is casting, acting, and character portrayals. And third is the writing and storytelling. So now let’s get into it.

Production quality: 

This was one of the biggest things I feared would be terrible about the show and would greatly impact my opinion of it because in a visual medium it is very difficult to get past bad visual effects, sets, etc. I knew it would be the first thing I would notice upon starting the show and I was very pleasantly surprised to see that money was clearly spent in the production with the incredible effects, costumes, props, set designs, and cinematography. I will say I am not educated on the subject of filmmaking and cinematography but from the little I do understand I think it was done very well.

There were also certain aspects I noticed when comparing the filming of scenes between the two storylines.  Mal and Alina’s scenes such as when they are writing letters to each other or when we get flashbacks of them at the orphanage, are more slow and soothing almost like gentle waves swaying back and forth on a beach. Their voices and dialogue are also soft and warm and this really gives a good sense of their relationship and dynamic. In contrast, when you look at scenes involving the crows, the filming is a lot quicker and snappier and things are generally more fast paced. Their dialogue, which involves a lot of banter or back and forths, is also great in showing their dynamic as well as their own individual character. 

Moving on to set designs and costumes, I think these were done really well. The throne room of the Little Palace was almost exactly as I had imagined it to look and the palace in general with the rooms and hallways did appear to be high quality. The Fold was also very well done though something I found a little strange was the occasional bursts of lightning in the sky. I think that sort of defeats the purpose of it being this completely dark place. Other than that it was exactly as I would imagine it to look. Ketterdam was also exactly as I imagined it to be with the dark alleys and dingy streets. With regards to the costumes, I think they were beautiful. Alina’s costumes in particular were really well done. I loved the way they did her hair and make up in certain scenes like when they go through the Fold that last time. The Keftas that the Grisha wore were incredible and accurate to the books with the different colours of each for the different kinds of Grisha. The crows’ costumes were also exactly what I imagined each of them to look like and felt really connected to their characters. Overall I think the set designs and costumes were fantastic.

All in all I would give production a 9.5/10. 

2. Casting, acting, and character portrayals:

Casting was also one of my fears for this show since the characters for me are the most important part of any story and if the cast is not good then the characters will not come across in the best way possible. I was once again so pleasantly surprised with the actors and actresses chosen for each role. I was worried about cringy acting as well and I am so glad there was no point at which I was cringing at any of the acting. The actors all appeared to have great chemistry and it came across wonderfully on screen. I’m going to briefly go through each of the main characters and the actor or actress that plays them and my thoughts on the acting and character portrayals alone. Later in the thrid section of this long post I will talk about each character with regards to how they were written.  

Alina: I personally believe Jessie Mei Li played a perfect Alina Starkov. She really gave off the vibe of being this important figure, a Sun Summoner, without it feeling annoying or as though she knows she is the main character of the story. I think her acting and expressions were generally well done. 

Mal: Though Archie Renaux was not how I imagined Mal to look, I think he did a great job of portraying the character. His interactions with Jessie Mei Li also felt very natural and they definitely had good chemistry. 

Darkling: Again, I think Ben Barnes was the perfect casting for the Darkling and his portrayal of the character was very well done. There were times where he would get teary eyed when talking to Alina and I understand that it was part of his character in being manipulative but it looked just a bit weird because crying is just something that almost humanizes him which I think does not fit with the idea and aesthetic of his character. You can still have him be manipulative and appear a victim to Alina without him crying or getting teary eyed. I think he would be able to get that across better with a tragic expression and tone of voice. But overall I think he made a great Darkling.

Kaz: Once again perfect casting with Freddy Carter. And really for this one, props to the directors and others who cast him for this role because this was a diffcult character to get the perfect casting for. Kaz’s character is probably the one that I have the biggest problem with but that has more to do with the writing aspect of his character. With regards to the casting and acting, I think Freddy Carter was amazing. First of all, he looks exactly as I would imagine Kaz to look. Second, his expressions and mannerisms were on point. And third, he had really good chemistry with Amita Suman (Inej) and Kit Young (Jesper). 

Inej: I feel like I keep repeating myself but once again I think this casting was perfect. Amita Suman as Inej just felt very right. Her portrayal of the character was amazing, she looked just as I imagined Inej would, and her chemistry with the other actors was incredible. 

Jesper: Once again great casting with Kit Young as Jesper. He got across that charisma and humour that Jesper is known for extremely well through his expressions and body language. He also appeared to have great chemistry with the rest of the cast. 

Nina: Another great choice to cast Danielle Galligan as Nina. I think she captured Nina’s energy or “vibe” perfectly with her voice and body language. 

Matthias: Calahan Skogman is exactly as I pictured Matthias to look so I think he was a great choice as well. 

Overall I think the casting, acting, and character portrayals in this show were spectacular so I would give it a 10/10.

3. Writing and storytelling/ How it was as an adaptation:

This is, in my opinion, the section with the most issues even though they were very few. 

Overall I think the writing was great. There were a few cliche pieces of a dialogue but those were very few. The dialogue for each of the characters felt natural and never felt out of character. As I mentioned previously, Mal and Alina’s dialogue had a warmth to it and their dynamic of childhood best friends came across really well through their dialogue. It did not feel as though they were trying really hard to have that dynamic. I also think it was a great decision to have the letters they wrote to each other be narration for many of the scenes that we saw them in. This was a great method of really getting across what they were feeling while they were apart and allowing the viewer to empathize with them. On the other hand a similar sort of technique was used with the crows. Whenever they were carrying out some sort of heist or mission, Kaz would be narrating the plan while we were watching it physically play out on screen. The dialogue between the crows was generally good and mostly in character. Their dynamic came across really well in a lot of their banter. 

With regards to the storytelling and as an adaptation, I also think the show did a pretty great job. Alina’s storyline was coherent and had a logical progression from beginning to end, following the major plot beats of the book. The main issue I have with it is that it felt rushed. I think adding an episode or two may really have helped with the pacing. It felt as though Alina learns about her powers and is taken to the Little Palace where she’s conflicted for maybe an episode and then suddenly she feels at home and like she belongs. We barely get to see her training at the Little Palace with Baghra or Botkin or see the development of her friendships with Marie and Nadia as well as with Genya. That part of her arc, which was a major part of it, felt rushed. Other than that I think the show did a good job of getting her from point A to B in a cohesive way.  

The crows storyline, I thought, was incredible because, since I am a big fan of the duology, I loved getting to see the crows and how they were before the events of Six of Crows. I think it was fun seeing their lives in Ketterdam and the way they worked before Nina, Matthias, or Wylan joined them. I was worried about how they would be incorporated in the story and that it would not feel natural but I think the decision to make their goal be to get Alina was a great way to tie them into the main storyline. It made sense with their characters that they would do something like that to get money and it made Alina’s storyline even more interesting. Getting to see interactions between the characters of both the trilogy and duology was one of the best parts of the show for me. Think about it. These were interactions we could only have hoped to see in the books and the show brought that to life and gave us those interactions. The crows’ storyline did feel a little less cohesive than Alina’s but this also made sense with their characters and the mission they had to carry out. There were many parts of the plan that needed to be completed, different heists and side missions, in order for them to reach their end goal which was kidnapping Alina from the Little Palace so it made sense that their storyline was a little less straightforward. Overall I think they had a very interesting and captivating story.

As an adaptation I think the show did quite well. Further down in this post I am going to discuss the major issues I had with the show as part of this section where I am discussing writing, storytelling, and the show as an adaptation. But in general I think the show did well in adapting the characters as well as Alina’s storyline. The crows’ storyline was obviously something that was not taken from the books but something that I could definitely see them doing. I think the show also did a great job of adapting the world and all of its intricacies as well as giving off that atmosphere that you get a sense of when reading the books. I also liked that there were many pieces of dialogue taken straight from the books which really made the characters of the show feel exactly like those of the book. 

Okay, now breaking down the few issues I had:

Kaz’s character: I think if we look at Kaz in the books, we can break his character down into two parts, the two defining parts:

His intelligence, wit, and strategic mind.

His cruel and brutal nature.

I think the show got both of these wrong on different levels. One of these can be explained while the other cannot. In the show, Kaz is not nearly as intelligent or strategic as he is shown to be in the books. We see on a number of occasions in the show that he has been taken advantage of or that he is not in the upperhand of a situation. I think that is a major change from his character in the book where one of the things you remembered about Kaz was how he was always ten steps ahead of his opponent. But this is an issue that can be explained and given depth by considering that the crows’ storyline in the show takes place prior to the events of Six of Crows and that at this point in time, Kaz hasn’t become that quick-witted, mastermind, strategist we know him to be in the books. We can see the beginnings of that character in the way he is portrayed in the show and can understand that his natural progression would be to the character from the books in the aspect of his intelligence. On the other hand however, there is still the second major part of his character and that part is a little bit of a bigger problem. That has to do with his completely cruel and brutal nature from the books. This was one of his major defining features and was very strongly rooted in his backstory. It was his past with Pekka Rollins and the death of his brother Jordie that brought about this ruthlessness in him. And what made his character so interesting and dynamic was how he was very slowly becoming a more caring person. It was a very slow progression but it was there nonetheless. You could see it in the way he cared for Inej and the rest of the crew. By the end he was still no where near being a gentleman, but there was still a change in him from the beginning to end. This is where I think the show messed up a little and it is an issue that I don’t really think can be resolved. The show made Kaz more soft and kind in nature. He definitely wasn’t entirely nice but you could tell he was a lot nicer compared to his book counterpart. Certain scenes in which he is talking to Inej felt a little too soft in particular the scene in which it almost seems as though he is about to confess something to her when she rushes out of the room and he calls after her. I don’t imagine book Kaz would ever do that. Or when he tells her that no one is like her. These are all moments where he appears to be much softer compared to the Kaz in the books that was cold and cruel. This is also an issue that cannot really be fixed in future seasons because the natural progression for the show then would be that he gets softer then he already is which means we will not get to see the Kaz from the books at all or with any accuracy.  If future seasons do make him exactly as he is in the duology then there will be the issue of it not feeling consistent with the character he was made to be in the shows. However I will end off by saying that even despite his character not being entirely accurate to that of the books, I still very much enjoyed watching every scene he was in and this issue did not ruin the overall experience of the show for me. I think what they did with his character still worked really well with the story, so overall it was not a major issue for me in changing my opinion of the show. 

Nina telling Matthias why she got him imprisoned as a slaver: This I find to be a greater problem that could have so easily been fixed by taking out just a few pieces of dialogue. I think a big part of what made Nina and Matthias’ story so heartbreaking was this pivotal moment when Nina turns him in as a slaver to save his life. And he doesn’t learn the truth until they reunite in the present day of Six of Crows. He spends that time in Hellgate believing that she betrayed him and that she really was the deceitful and dishonest witch he believed her and all other Grisha to be. Then when he finally does learn the truth, it is this big moment and then he has a slow progression to eventually believing it. The show eliminated the entire part of what made their story so tragic by having Nina tell him the truth of what happened immediately after she has him captured. So there is no possibility of this slow journey that Matthias has of accepting that truth. In the show he almost seems mean now for not believing or at least trying to believe what Nina tells him. Overall this is probably one of my biggest gripes with the whole show.

The Darkling creating the Fold: Another issue that could quite easily have been fixed is how the Darkling created the fold. The show made it to be that he came across a small slip of paper, he read what was on it, and then he gained the ability to create the Fold. That is too simple of an explanation for how something as grand as the Shadow Fold was created. I think this could have rather easily have been fixed so that even if it was still easy it wouldn’t be as easy as just happening upon a slip of paper. They could have done it by showing a montage of him looking through all the books in the archive and figuring out that there is some sort of code that he needed to put together and when he does piece it together and perform some sort of ritual, then he gains this ability to create the Fold. That would have made it more believable and the scene would only have been slightly longer than what it was in the show. 

Crows letting Alina escape: This was another issue I had that sort of adds to how they changed Kaz’s character because book Kaz would never have allowed Alina to escape so easily. Even the Kaz in the show would not have been outsmarted by Alina. This was one thing that felt a little out of character for the crows because, fine, I can understand that Alina blinded them for those few seconds with her light and Inej was not in on the plan of capturing her anymore, but how was Alina able to run out of sight so fast that neither Kaz nor Jesper saw where she went. Then on top of that, they aren’t discreet about finding her, as Kaz is always careful to be. Instead they go around the streets describing how she looks and asking people if they’ve seen her. I am not entirely sure what they could have done to solve this issue but I don’t believe the solution was very difficult. Maybe they could have explained through a short piece of dialogue that Alina used her power in a way that blinded them for more than thirty seconds which gave Alina enough time to get out of sight. Whatever the reason, I think this should not have been an issue because, despite seeming small, I think it says a lot about the crows’ characters. And I definitely don’t think this was a bad scene at all because I loved seeing this interaction and seeing Inej’s reaction to Alina. I just think the issue of Alina escaping so easily should have been addressed. 

For now, after watching the show just once, those were the major issues in writing and storytelling that I had with the show. If I have more thoughts about this after watching it again, I will make another post about it. Now I want to talk about some things that the show added that were not in the books and what was changed or kept from the books, that I liked. 

Mal’s character: The change that was made to Mal’s character in the show was probably the biggest and best change that could have been made. One of the major reasons I do not like the Shadow and Bone trilogy anywhere near as much as the Six of Crows duology is the characters. Sure, I found the world and plot interesting when I read the trilogy a few years back and even at times the characters were good, but a lot of the time I was either annoyed with Alina or with Mal. Most of the time it was Mal because he didn’t really feel like he was a great friend to Alina because of the way he treated her for being Grisha. I think a lot of my frustration with him also came from the story being entirely in Alina’s perspective so we never got to see any of what Mal was going through. The times that we did see him, he was either angry at or overly protective of Alina and there were only few occasions where he was being a good friend. The show really changed that with allowing us to see his perspective and all the difficulty and trauma he was going through to be with Alina. The show succeeded in making him an empathetic character and I think that is one of the most necessary things in creating a likeable character. Through his dialogue and actions, we were able to see how much he really cared for Alina. There were never any long stretches of time where he was angry with her or, on the other hand, where he was being overly protective of her. He was continuously being a good and supportive friend and that made the biggest difference in my liking his character. It is also what made me really enjoy Alina’s storyline as well because there was no point at which I found either Alina or Mal or any other character involved in their story, annoying to watch. 

No mourners no funerals: I was overjoyed when this line came up in the show because it is such an iconic line from the duology that I absolutely love and it was great to see it said on screen. Similarly, I was so glad that we also got to see Kaz say the line, “The deal is the deal.” and say it to Alina. 

Interactions between S&B and SoC characters: This was probably one of my favourite things about the show. It really felt like watching two worlds collide. I loved watching Kaz and Inej posing as guards and trying to escort Alina so they can take her. Watching Inej’s reactions to Alina was one of the best things. Then, Mal teaming up with the crows when they are in the Fold was one of the strangest but coolest interactions. Alina giving Inej the knife that she later names Sankta Alina was one of the best interactions I could have hoped for with the crossing of these two casts of characters. And to end it with Alina giving Kaz that valuable piece of jewelry, an interaction I never thought I would see, was incredible. 

Conductor: The addition of this character I think was a great idea. He definitely added to the storyline of the crows and was an interesting character on his own. He was the cause of a lot of the funniest dialogue and moments in the show like when the crows are crossing the fold for the first time. Overall, I think it was a good decision to add him in. 

Now last but not least, the thing that stole the show and beat everything else by far was:

(Drum roll)

Milo the goat!

And with nothing more to say about that, we’ve reached the conclusion of this very long post. My overall rating for this third and last section, which is regarding the writing and storytelling, would be an 8.5/10, a very good score. 

If I were to rate the show over all, I would give it a 9.3/10 because I think it was spectacular in many aspects. The few gripes I did have were not anything too major, though if those aspects were fixed I think this would be a top-tier show and adaptation for me. 

What do you think about everything that I said? Do you agree or disagree? I’d love to have a discussion so feel free to reach out and comment!

[cruddyborderlandstheories]

so i’d really like to finish my guardian takedown lore analysis, but honestly the game isn’t really fun to play at the moment anymore (even with the health debuffs they added) so I think im going to be taking a break for now because I’m just not having fun anymore.

this game has a lotta mechanical problems i think need to be addressed so im gonna summarize it as bullet points below. I’ll play the new dlc when it drops, but idk if i’ll be on more than that (grinding, end-game stuff) until they make some serious changes. I’ve been playing (near) daily since launch, followed the patch/hotfix notes every single week, and my patience has finally, FINALLY run dry, especially with that really disappointing Phase 1 Patch and then the hotfix this week not adding anything else. What is the balancing team doing??? 😩

tl;dr: FIX THE VAULT HUNTERS!!!!

anyway. That’s all I needed to get outta my system. I might log on to this blog every now and again to post some random shit that pops into my head (probably with regards to my AU), but I’m not going to be actively playing and posting for the time being. Goodbye (for now), and here’s hoping the new DLC is good!! 

guardian takedown only problems:

there’s a lot of waiting around, and sometimes it’s not explicitly stated that you’re waiting for something, so you’ll be lost on what to do next (not sure if that’s a dialogue glitch or not)

the crystal charge insta-death is bull. just. what the hell. at least make it so you just have to start over. killing ur players for failing a “puzzle” that they then have to fight all the way back to is so infuriating.

dying because you fell off a platforming puzzle is also bull. 

i remember playing the first DMC on my playstation in middle school and having a conniption over the part in the observatory(? it’s been a hot minute since I played DMC 1) with the disappearing/invisible platforms. I h a t e jumping puzzles. why are they in a section of the game where death is semi-permanent and a detriment to your teammates. i tried the takedown 2x with friends and both times one friend didn’t make the first big jump to the temple and had to wait for our inevitable deaths. that’s so unfair to them.

there’s absolutely no reason for a boss to have 12 fuckin immunity phases. 4 per health bar with 3 health bars? Who the fuck designed this? *pumps shotgun* i just wanna talk. 

i appreciate a tasteful immunity phase every now and again (the ones in the Valkyrie fight are actually p reasonable), but christ. that is overkill. I don’t mind the main boss fight, since u can end those early through certain actions, but jesus. the mid-boss fight is annoying as hell. you spend more time running from the immunity phases and finding the damn boss than u do actually shooting it.

drop rates are crap, which I guess should be expected given what happened with the Maliwan Takedown and the handful of months it took for them to fix that, but also you think they’d have learned.

in the maliwan takedown there’s a sense of progression thru the facility after you kill each area’s batch of enemies, but in this one it’s... dampened by the crystal charging sequences. you kill all the enemies in an area, press a button, and now you have to kill 3x that number of enemies in the same area, expect you’re just standing there motionless. It’s not fun.

the crystal charging stuff is just not fun in general. standing in a square is not entertaining. it’s worse that it was clearly designed for 3+ players when a majority of people play/grind solo

i gotta admit the boss fights just aren’t as fun as the Maliwan Takedown fights overall. I felt like a real badass fighting Wotan for the first time, but the main boss for this Takedown is kind of a bitch. Wotan’s fight is chaos, there’s so much shit happening at once and you don’t really have time to process everything and I love it. This one is p meh...

This would be fine and I’d 100% not care that much if there weren’t all these OTHER problems

General Issues with the Game

There’s no endgame stuff to play outside of the takedowns. 

I assume they’re working on the first raid given some stuff I found in the Guardian Takedown files, but I really wish they’d keep the seasonal events/areas. They give us the option to disable/enable them while they’re ‘active’, just give us the ability to do it whenever we want.

when i hop on i either run through Athenas (my favorite map), or farm a boss or two. I have all the loot i really need from the maliwan takedown/elsewhere, and the guardian takedown just... isn’t fun atm, so i have nothing to do.

I’ve reset my playthru multiple times to play the main story at m10, but u can only play it (and the dlc) so many times

Mayhem levels and modifiers are a hot m e s s

a majority of the modifiers just aren’t fun to play with

they incorporated like 2-3 fun modifiers (from the community), then added a bunch that straight-up aren’t. I’m fine with the game being more difficult, but at least give us modifiers that make it more entertaining to play at a higher level instead of more annoying. I like the ones that have trade-offs or add new ‘enemies’, but I hate the ones that just straight up reduce your damage output.

a majority of the weapons with the mayhem 10 anointment (scaling) do not work on mayhem 10 (we’ll go more in-depth with this later)

Player Characters (Vault Hunters!!!) are also a hot mess and a lot of problems plaguing them haven’t been fixed SINCE LAUNCH

theyre literally the basis of the game and its balance. why havent you guys fixed them yet. stop adding new content until they’re fixed. no new skill trees until the base 3 trees work ON EVERY CHARACTER.

seriously. Why is amara p much limited to using Phasegrasp. Why does Iron Bear not matter to Moze except to proc anointments. MAKE ALL ACTION SKILLS EQUAL AND HAVE HEFT.

i wrote an essay here about it bc i feel that strongly about this

SERIOUSLY FIXING UR VAULT HUNTERS WILL MAKE BALANCING SO MUCH EASIER PLEASE IM BEGGING YOU THEY ARE THE BASE OF UR BALANCING WOES

ZANE IS STILL UNUSABLE WITHOUT THE SEEIN’ DEAD CLASS MOD!!!!!!!!!!!

MOZE IS SCREWED BC HER DAMAGE IS TOO RELIANT ON ASE ANOINTMENTS!!

AMARA DOESN’T HAVE A FUCKING MELEE BUILD AS THE ADVERTISED MELEE CHARACTER???

FL4K’S HEADCOUNT SKILL IS S T I L L BROKEN EVER SINCE THE RELEASE OF THE MALIWAN TAKEDOWN

ARE YOU GUYS LISTENING TO THE COMMUNITY *PLEASEEEEEEE*

BUFF AND FIX THE GODDAMN VAULT HUNTERS

Anointments were a mistake. Damage end-game is wayyyy too reliant on them

anoints should have a maximum of, like, a 20% damage bonus. the damage necessary to kill enemies *should be coming from the VHs themselves*. i don’t care if you have to revamp every single Vault Hunter’s skill trees and buff them all by 9000%. THEY DESERVE IT AT THIS POINT

at the moment in m10 there really isn’t much build diversity *even between Vault Hunters*. We’re all using the same 5 guns (OPQ System. Kaoson. idk. fuckin brainstormer? is that still a thing? jesus fuck) with the same 3 anointments (100% on ASE, cryo while SNTL, and 300% while 90%).

you want to diversify builds like you said during the gameplay reveal???? you want our choice in Vault Hunter to actually fuckin matter???? FIX THEM!!!! THEY SHOULD BE ABLE TO DEAL DAMAGE WITHOUT STUPID POWERFUL LEGENDARIES AND ANOINTMENTS!!!

Anoints also shouldn’t be common. At all. They should be, like, Pearl rarity. To let that happen, their damage needs to be tuned way the fuck down (again, 20ish % bonus MAX) and ALL ANOINTS NEED TO BE USEFUL IN SOME WAY

NOBODY IS GOING TO USE THE AIRBORNE OR SLIDING ANOINTMENTS JUST REMOVE THEM ALREADY AAAAAAAAAAAAAAAAAAAAAAAAA

obviously these changes can’t happen because they fucked up and buckled down with everything being anointed in m10, but still

imagine a world where the VHs actually did damage on their own without anointments and the damage buff from them was just an incentive to grind for the 100% perfect weapon and NOT A REQUIREMENT TO DEAL DAMAGE

>:(

A majority of gear is borderline worthless at M10

I’m fine with the difficulty of M10, i should let it be known. The enemy health isn’t really the problem IF ALL GUNS ACTED THE SAME AS THE OPQ SYSTEM

ffs.

you know, if you fixed ur vault hunters so they all did damage with just purple weapons (abt the same damage as legendaries w/o special effects) and removed the anointment requirement from late-game play, balancing your guns would be sooo much easier. you know. just saying.

right now only 10% (im being generous) of guns in the game are viable. 90% are worthless. We need AT LEAST 60-70% viable at M10. WHERE IS MY BUILD DIVERSITY. WHY ARE ALL LEGENDARIES NOW JUST “HEY THIS GUN IS STRONGER THAN THE LAST 4 WE RELEASED. HAVE FUN”

how to fix this problem? do as above: BUFF YOUR PLAYER CHARACTERS. MAKE ANOINTMENTS LESS STRONG.

then, at least the 10% already strong weapons would be stupid strong and OP as fuck, BUT AT LEAST WE COULD HAVE BUILD VARIETY!!! I don’t care if other people are dummy strong one-shotting everything in sight. I don’t! so long as they don’t play with me, I couldn’t care less!!! I want to be able to play with the unique, interesting legendaries. instead of the OPQ System. which, by the way, I dislike compared to the normal Q-System. let me use the frozen heart shield and the infiltrator mod. I don’t wanna be chained to the Seein’ Dead anymore :(

honestly at this point im starting to think removing slag was a mistake bc then at least we could use guns that aren’t solely damage-based guns. you know how fucked up you’ve got me that im thinking maybe slag wouldn’t be so bad this time around??? YOU GOT ME FUCKED UP B A D.

FIX THE GAME

IM TAKING A BREAK

MAYBE I’LL BE LESS UPSET WHEN I COME BACK FOR THE DLC BUT HOT. DIGGITY. SHIT.

[thunderjolt]

pokémon black and white

this post might be a little bit different from my usual fare. this is, by my count, my seventh playthrough of this game. it's a yearly tradition for me. and this game means so much to me that i almost can't do that much design analysis; my brain doesn't let me think about it that hard, i just play it and get serotonin dumped directly into my brain. so this time, i think i'll be sharing my history with this game and talking about why it means so much to me. more of a sentimental sienna this time.

i bought pokémon white version on launch in 2011. i actually recently found pictures on my old dsi of me waiting outside gamestop in the morning to pick it up. i had recently gotten back into pokémon after a brief "pokémon is for babies" phase, which ended with me getting heartgold/soulsilver. after that, when i first heard about black and white, my excitement was through the roof. while like many, my first time keeping up with news for a game was super smash bros. brawl, my first time going into unofficial territory and consuming everything i could possibly find was black and white. bulbanews, serebii, gcpm11 videos every single day, absorbing everything so i could excitedly talk about it with friends.

it's important to note that my life situation was pretty fraught at the time. i won't get too deep into my personal trauma, but i never really had stable or consistent schooling. i had trouble functioning and was prone to outbursts, so the district would try to send me to special ed programs that i could also never really function in, and i'd often end up in a limbo of just not being in school for months upon months at a time. this was one of those periods, and it was especially rough for me, as the year before was pretty much the first time in my life i'd had a stable healthy school situation and social life. i think that caused me to be even more absorbed into the whole hype cycle, as i desperately needed some kind of out for how bad i was doing mentally.

in february, i was able to convince my parents to take me to the pokémon black and white mall tour, an event with a special early demo of the game, activities to do, prizes to win, special merch on sale, etc. it was in indianapolis, which is about a 3 hour drive from here, which makes it all the more amazing i actually convinced them to do that. i used my camcorder and filmed everything, then edited it together into a video - i think that might be lost media now. i can tell you it had this starship amazing song in the background, though. the trip was ended somewhat prematurely unfortunately, as my mom suffered an injury while we were there. despite the trip ending on a sour note, i was satisfied - i got to play the game - if briefly - before it released, after all. on the car ride home i found a shiny slowpoke on my heartgold.

now back to launch day. i picked white largely for its exclusive pokémon - i had no strong preference between reshiram and zekrom, but i really wanted reuniclus. as i still wasn't in school, i marathoned the game. it was all i did, all day. i recall playing it while i was out getting my blood drawn for something. i beat it in about 3 days. this started a trend for me, and i'm now always the first person i know to complete a new pokémon game. i enjoyed it a lot. it was probably the first game i'd ever played where i felt truly engaged in the story. things felt like they had real weight and depth. i loved all the new pokémon, all the human characters, all the music... the fire for pokémon i had that had once diminished came back stronger than ever. i started playing on pokémon online, and then, pokémon showdown. i wasn't very good at building teams, but i was pretty decent at the game for an 11 year old who didn't even bother to read anything on smogon. i started getting deeply into the TCG - again, not great at deckbuilding (though not really like i had a choice - my parents were still araid of buying things on the internet, so i couldn't get singles) but still did decently at my weekly league and at prerelease tournaments. i can confidently say that pokémon black and white, and the things surrounding it, changed my life, and got me through some really rough times.

i can't confidently say when i first replayed the game, but it must've been whenever i first got a copy of black. my love deepened on that playthrough, as it did again on my third. every time, there'd be something new for me to appreciate about the story or the world. i continued to replay the game fairly regularly, even after the release of its sequel. speaking of said sequel, about a month after its release, i stumbled onto a certain crack roleplay group that changed my life in numerous ways, and deepened my pokémon fandom. but that's a story for another day.

around 2014 i started feeling a certain way about the female protagonist, hilda, and also started heavily questioning my gender. this certain feeling would later be diagnosed as "kinning." i used it as a weird coping mechanism for constant dysphoria in my middle teen years, and hilda continues to be a character i heavily associate myself with and project onto, as you can plainly see by looking at literally any of my social media profiles.

it was... 2016 i wanna say? when i formally decided i'd play through the game every year. that number, seven playthroughs, is really inexact. i recall playing through each of my three cartridges once, and then i started formally playing through it once a year in 2016, so i just added that up. there's a good chance it's more, and that i've been playing it yearly for longer than i realize. regardless, each time i've appreciated the game more and more. i still cry at all the big moments, and i feel a general sense of comfort just playing it now. my connection to all of the characters, the region, everything strengthens every time.

i thought i had more analysis for you than i do, but i really don't. my sentimental attachment to this game is too strong. i had some stray thoughts, like how the boss battles are better than i remember, and how i desperately wish it had L=A, but ultimately, i don't have much interesting to say about the game itself. i've played it so many times and thought about it so hard that everything about it is just so obvious to me, i don't even know how to pick out what i think is so great. even just talking about the characters and themes is a bit difficult for me.

i can't say that you'll love pokémon black and white if you play it. i can't say you'll feel as strongly as i do about it. it has a lot of notable flaws, and they continue to be apparent or become more apparent as time goes on. but, at least for me, it's a truly special adventure, and one of my favorite games of all time.