#wild west series

[master-of-the-game]

Continuation of my oil Wild West idea. If Dukat is a sheriff, Garak must be...? Oil on canvas, 40x50 cm Thank you @jaegermonstrous for help with cards! Fragments and versions with different effects are under the cut.

Please notice that I have open commissions and summer art sale!

[tiny-maus-boots]

Down South pt 3

Stacie:

Stacie peeked around the back corner of their house and took note of where the remaining shooters were located. There weren’t that many but a few had taken cover behind still living tumbleweeds that ringed their courtyard. Without a good line of sight Aubrey would be hard pressed to pick them off. In the end each side would resort to potshots at the other until someone ran out of ammo or they lit the house and barn. 

Well that sure as hell wasn’t going to happen on her watch. They had spent good long hours together, sweating and bleeding to build a home from nothing but dirt and clay. It was the proudest work she’d ever done and the most peace she had ever felt and she wasn’t willing to let anyone ruin it for her. For any of them. Stacie gave a soft bird whistle and smiled when a volley of shots rang out from the second floor. Just enough fire to give her cover as she scooted the exposed span from the house to the barn. 

She ducked inside and closed the door behind her. Shouts from the bushes let her know they’d seen her and they were planning to flush her out. Stacie chuckled and rolled her eyes at the predictability. 

“Men. Always in a rush to get ‘er done.” 

The tall brunette ducked down behind a squat platform on wheels and pushed it forward to center it to the door. She stepped up behind it and yanked away the heavy canvas tarp covering her newest baby. Stacie’s fingers traced over the calligraphy lovingly etched on the side of one of the six barrels of her gatling gun. 

Southern Hospitality. 

 Each piece was crafted by her own two hands with the help of the local blacksmith. It had taken her weeks just to figure out how to get the lock cylinder to work and truthfully she’d hadn’t had the chance to try her out. There was a very real possibility that it would blow up in her face from misfires when she turned the crank. And it was still the sexiest damn hardware she’d ever laid eyes on, making her hands itch with anticipation.

“Hello gorgeous.”

Rough voices barked out orders in short staccato bursts. It didn’t worry her none. Stacie whistled a tuneless melody as she lifted the hopper full of rounds and clicked it into place. The activity on the other side of the door became frenzied when the men had finally made their way past the barrage of bullets from the house. 

“We know you’re in there, woman. Come without a fight and make this easy. Don’t make us have to hurt you.” 

If she had a peso for every time she’d heard that. Stacie snagged a long stalk of hay from the abandoned pile and stuck it between her smiling lips. Well, they’d learn just like the others, she never went down without a fight. 

“Well boys, if ya want me you’re gonna hafta just come and get me.” 

The doors to the barn rattled ominously, a threat of what would come if they had to come in and get her. They would come in with guns drawn and ready, that was for sure. They might underestimate who exactly they were dealing with but not enough to be that careless and stupid. Stacie didn’t intend to give them a chance to shoot. The moment she saw the doors buckle and start to bow out she started to crank her girl up. 

Her lips tugged back wider as her grin turned to a grimace from the loud crack of rapid fire shots blasting through the doors of the barn. Acrid smoke from the gunpowder stung her nostrils, the heat of combustion left her face feeling warm and raw like she’d been too close to a blacksmith’s forge. 

Stacie kept cranking until the hopper was empty and the only sounds left were the echoing clacks of spinning barrels rotating through the locking gear. What was left of the lower half of one of the doors creaked in the breeze and promptly fell to the dirt. From where she stood she counted four sets of legs on the ground and none of them were moving. 

Careful steps brought her around Southern Hospitality toward the doors. The woman cautiously pushed the door open and peeked out at the damage. They’d need to replace the doors before the cattle arrived, maybe a plank or two out of the front wall but the building stood strong. Stacie gave a testing kick to the foot of one of the men and nodded with satisfaction. Movement by the porch caught her eye and she drew her pistol without thought and fired.

He dropped to the ground with a groan and a curse. Gut shot. No bullet wound was a good one but a gut shot was the worst. The man raises his gun and fired back wildly, making her have to duck back into the barn for cover. Now she was pinned until he either bled out or one of the girls came downstairs to deal with him. She was guessing the latter would be happening very quickly.

It wasn’t long before she heard the soft fluttering chirp of their all clear call. Whatever end that man had met it ended silently and likely by one of Beca’s blades. Stacie pushed the door open wider and scanned the area. Nothing moved save for Beca wiping a knife on the shirt of the man on the porch. They shared a solemn nod as she closed the distance to the house. 

“We get all of them?”

“Aubrey says yes.”

“Good enough. Who the hell are they?”

Beca knelt by the man and searched his vest pockets. She sighed and ripped off the badge pinned to his shirt to hold it up. Pinkerton National Detective Agency. Well shit. Stacie holstered her gun and kicked at the man’s leg just out of spite. They looked at each other over the Pinkerton’s body, each refusing to say the smartest course of action. 

They could run. They should run. 

But she just couldn’t bring herself to do it. Stacie couldn’t even bring herself to voice the idea that felt like admitting so much defeat. They broke eye contact when the front door swung open and Chloe and Aubrey shuffled out. Beca silently held out the badge to Chloe and stood back. The redhead shuddered and dropped the badge on the ground as if it burned. 

Aubrey wrapped an arm around Chloe’s shoulders and nodded to the men laying scattered around their property with her chin. Her nose wrinkled daintily as she considered all their options. Stacie hoped the blonde wasn’t about to suggest a Christian burial for any of them. She was far past being done with breaking her back for a man. Any man.

“They’ll come looking when this lot doesn’t come back to the pueblo. If they come here they will burn it to the ground if we’re inside or not.”

Chloe shook off the memory that had prompted her statement and hooked her thumbs in her suspenders. If they ran now it wouldn’t matter, everything would still be destroyed. They’d lose everything but their lives and even that wasn’t guaranteed. Stacie tossed her long locks over her shoulder and looked up at the position of the sun. It would be dark soon enough and that would provide them a measure of cover. 

“I don’t know about y’all but I’m all out of run. This is our home now, we built this, and I’ll be damned if I like some shiny metal scare me off our land.”

Aubrey gave her a long measuring look before nodding her agreement. Her soft voice carried the weight of all their thoughts. 

“For everything there is a season, and a time for every matter under heaven. A time to be born…”

“And a time to die.” 

They finished the verse solemnly. Stacie imagined those Pinkertons would agree. Right up until they realized they would be the ones doing the dying. Aubrey mumbled a soft prayer for them all and placed her hat on her head with firm conviction. 

And so their time for peace was at an end, as they were certain to ride into a time of war. Stacie watched the light that had grown in Aubrey’s eyes dim with cold resignation. For now. For now they’d give up their peace. But Stacie would spend every minute until her last bringing that light back if she had to blow up every single Pinkerton that crossed the border.

[fence-time]

[theworldofotps]

The way I gasped at the end I hope you continue the Wild West stuff because this is incredible and I absolutely love it sm!!

The Hangman | Hangman A.P.

Summary: The Hangman is released from jail during the Wild West period.

Author's Note: Wild West Series maybe? Use of real names but this work is pure fiction!!

@theworldofotps your man has a happy ending for once.

@plentyoffandoms you started the Wild West thing. 😂😂

News of the Hangman's capture took the bustling western town by storm. Their great protector, their Robin Hood, was imprisoned. Men feared for the safety of their homes and families. Women openly wept wondering if their husbands and children would come home safe. The town needed its Hangman. They would do anything for his release.

To get him back, they would need a miracle. Hangman was targeted by one of the most powerful politicians in the West. Governor Khan was tired of the outlaws in Texas for financial reasons. People from the East were looking to move West for better opportunities. They were avoiding Texas because of the outlaw problem. For Texas to be all elite, the outlaws had to be gone. Khan searched all over until he found the perfect guy to eradicate Texas from all the outlaws.

Sheriff Danielson was known throughout Texas for being Governor Khan's viper. A man with humble beginnings he worked his way up to be the Governor's appointed sheriff. He went town by town sniffing out any man, woman, or child that went against Khan's vision. The unfortunate souls that crossed his path were given unfair trials and cruel punishments.

The Hangman knew of the Governor's plan and Sheriff Danielson's arrival. He was never one to show fear or back down. He continued actively helping his town until he was ambushed. Four men under the orders of their new sheriff jumped him one night when he left the saloon. Within minutes, the battered and bruised Hangman was behind bars.

The next morning, you went looking for the crooked sheriff. Not much was known about his appearance since he arrived the night before. The Hangman's friends, the Young Bucks, couldn't get a good look at him in the dark. They only remembered the man was of average height and build. The only distinct feature on him was that he wore an eye patch.

Guards blocked the entryway to the jail from any visitors for fear of someone assisting in the Hangman's escape. While passing through you heard them talking about Danielson's whereabouts. After all his travels, he decided to get new suits from the tailor shop. The Governor was planning on rewarding him heavily for capturing one of the deadliest outlaws in Texas.

The tailor shop was run by an old man who turned a blind eye to the unlawful activities that took place in town. He knew everyone yet stayed in his own business. With almost everyone fearing the new sheriff, it was no shock to find only the sheriff, two of his henchmen, and the tailor inside the shop. Now was the perfect time to demand the release of Adam Page.

"Miss L/N, a pleasure like always. Have you come for your father's suits?" the old tailor asked. The Sheriff turned his attention to you. His eyes looked you up and down. He hadn't seen a pretty little thing like you since he left Austin. The women in these towns looked rough yet you were the perfect little desert flower.

"I have come to ask Sheriff Danielson to release a nobleman. Release the Hangman Adam Page," you demanded. Sheriff Danielson looked at the two men beside him and laughed. A pity the woman in front of him fell for such a ruffian. No matter, he reasoned, every flower has its thorns. He would be sure to clip them.

"And on what grounds would I do that, miss L/N?" He asked while inspecting his reflection in the mirror. The tailor did a fine job given the circumstances of being away from civilization. Maybe he would take him back to Austin with him. Governor Khan did love a good tailor.

"He did nothing wrong. You jumped an innocent man outside in the dead of night," You accused. Your index finger pointed at him. He flinched as if you were pointing a gun at him. His henchmen moved as if ready to intervene. Danielson waved his hands at his men. No woman could bring him down.

"Innocent? I daresay attacking my men while they were doing their duties assigned by the great Governor of Texas was far from innocent," he spoke.

"We were warned about you from the other towns you have destroyed. We aren't like them. We will fight for the Hangman's release," you threatened. His face turned from joy to anger. The women in these towns needed to be taught a lesson. They were too free-spirited.

When Danielson didn't respond you took that as your sign to leave. You turned on your heel ready to leave the shop and find the Young Bucks. They had been watching the jail all day. Surely they must have a plan by now. Someone suddenly grabbed your wrist and pulled you back to face them. You yelped in shock. A rough hand grabbed your cheeks. Your eyes met the sheriff and he didn't look pleased.

"Consider this my first and final warning Miss L/N. The Hangman will be gone by tomorrow morning to Austin to pay the Governor a little visit if he even makes it that far. Should you or any of the other lowly fleas here feel the need to interrupt Governor's business you will have a date with the gallows,"

He noted the slight fear in your eyes as the color left your cheeks. His face lit up at your fear and worry. He released your cheeks with a quick shove and motioned for you to run along. You shot one last glare at him before leaving. Your stomach tied itself in knots at his threat.

Governor Khan was known to listen to Danielson over anyone else. He made rash decisions by allowing his confidant to get in his head. Many times on the way to Austin, Danielson's prisoners didn't make it. He insisted they were attacked but only the prisoners were missing and nothing else was harmed or stolen. You ran from the tailor to find the Bucks.

👢

Sheriff Danielson walked inside the jail in his new suit. He whistled a happy little tune as he made his way towards his desk. His hat was placed on a hook. The jovial man sat down in his chair and placed his feet on the desk. His light eyes looked at the man in the cell before him.

The Hangman sat on the bench looking like a miserable sight. Shackles clung to his wrists and ankles. His head lowered but a black eye and dried blood down his nose was a souvenir of the scuffle that took place last night. Based on his heavy breathing, the sheriff figured he also took some damage to the ribs.

"You know I was hoping you'd put up more of a fight. The infamous Hangman resigning to his fate is rather boring," Sheriff Danielson announced to the wounded Hangman. Adam didn't move. His mind running to figure out an escape plan to get back to her. The girl he had fallen in love with when they were kids. "We could have been friends, you know. We certainly have a similar taste for the ... finer things in life,"

"I got nothing in common with a rat," Hangman spoke yet still watched the ground.

"But that isn't the whole truth, is it? I met quite the lovely little lass today, Miss L/N. Poor little thing is so worried about you,"

The Hangman's head lifted immediately. Their eyes locked on each other. "Don't you dare do anything to her,"

"She came to me, Hangman, at the tailor shop," he informed him. He stood up from his chair and walked towards the cell bars. His arms rested comfortably between the gaps. "I think she liked what she saw. A knight in shining armor to free her from this horrid place. Maybe I will take her to Austin with me. She would make a fine wife. Your head on a silver platter would be the perfect wedding gift. Wouldn't you agree?"

The Hangman lurched forward but he was stopped by his bounds. "She would never marry a man like you,"

"She may not have a choice," he sneered. "I always get what I want,"

"I'll tell you one thing, sheriff. Before you leave this town you will learn why they call me the Hangman,"

"Gentlemen, I do believe that was a threat. Why don't we give the Hangman the Austin treatment?"

Adam tensed as the men entered his cell. He struggled against his restraints to try and fight them off. They easily overtook him once more.

👢

"Is that the only plan we got?" Nick asked looking between his older brother, Matt, and you. "Burn down a building and use the distraction to free Adam?"

The idea wasn't your favorite. After hours of thinking, this was the only plan that didn't involve running into the jail and being shot dead immediately.

"I don't have any other ideas. It is already nighttime. We only have a few more hours before they transport him to Austin. Use some wood, hay if you have to, anything to get the sheriff's men away from that jail. Matt and I will get in and free him. We will meet when we have Adam,"

Nick nodded in understanding and left. There was not much time to spare if their plan was going to work. Matt placed a hand on your shoulder.

"We'll get him out you know," he assured you. "You have my word I will die fighting,"

You pursed your lips and nodded. "I know,"

👢

The fire started by Nick lit the small town in an orange-and-yellow glow. The townspeople went to investigate the fire after seeing the colors and smelling the smoke. Rumors swirled on who could have possibly started the fire. The chaos allowed Nick to sneak away without any incident.

As expected, the sheriff's men left their post and ran to make any arrests necessary for the arson. The jail was now left for anyone to come in or out. Matt muttered how he was shocked the plan worked. He handed you a pistol. You hesitantly took the weapon in your hands.

"Be on the lookout. I will have to be quick. I don't know how much time we have," he whispered urgently eyeing the fire. The fire didn't light as much as the plan detailed. Matt started to calculate the time in his head. "Give a whistle if they come back. I don't expect Adam will be of much help in a fight right now,"

Matt left you outside the jail. You heard the door open and close from the alleyway next to the jail. Time ticked away slowly. Every second that passed felt like an eternity. Worry started to settle in. We were too late, you thought to yourself, the Hangman is gone.

"I thought I told you to stay away," the sheriff's voice called out behind you. You turned around to see him. The whites of his eyes stared into yours. A pistol pressed into your stomach. "Drop the weapon and place your hands behind your back,"

The pistol dropped to the floor with a loud thud. He kicked the weapon away from your reach. You placed your hands behind your back. He turned you around roughly and tied your wrists together.

"Looks like I found the little lady that caused the fire. A shame you won't be seeing the Hangman off. I will make sure he sees you one last time as you swing from the gallows,"

"You have no proof that I caused the fire. You will never get away with this," you threatened. He spun you around to face him. His pistol cocked and pressed against your jaw. He suddenly came to a realization and shoved you to the ground. "What was I thinking? I don't want to get blood on my new suit,"

The sheriff pointed the pistol towards you. You used your feet to dig into the sand to scoot away. It was no use. The sheriff had you right where he wanted you. You closed your eyes and tensed accepting your fate. A gagging sound caused you to open your eyes.

A rope suddenly wrapped around the sheriff's neck. The rope tightened around the sheriff's neck. A pull of the rope caused the man to fall backward. Adam pulled the rope closer to him. The sheriff looked up in fear at the Hangman.

"As promised, sir, you gonna learn why they call me the Hangman,"

[thebadsansbandits]

Dun dun DUNNN!

Well... we did it...

THE LAST PAGE OF THE PILOT HAS OFFICIALLY BEEN POSTED!

I can't thank you all enough for giving the comic pilot so much love, even through the rough patches.

Who knows? Maybe I'll come back to this concept and make it a full on series! I can't promise perfection, but I promise I'll do my best to keep this comic's fandom alive!! So I'll try to post some concept art or planning for the pilot. (And maybe some sneak peeks of where I planned on taking the story after the pilot!)

I hope that one day, I will come back to this comic. But until then, I'll see you all later!

Previous Page / First Page

[leafdoodles]

Dirges in The Dark [Fanart]

Comic/scene redraw based on @twodiamondhoes really cool fic Dirges in the Dark!

I saw it on Ao3 and it's a Life Series western au with Ranchers and you should read it. I had to restrain myself from drawing other scenes (hold me back guys).

[keystonepublishing]

Dirges in The Dark by WixWrites

Before I start, let me just say: Ranchers! Scarian! Hermits and Life Series and Empires characters! Sheriff Jimmy! Sheriff Scar! Criminal Tango! the Wild West! Treebark and Ethubs!

RANCHERS. THE WILD WEST. CREEPING ELDRITCH HORROR.

Whoo, that was a rush.

I'll be honest; I think this book would have come out much sooner if not for my decision to add-in a whole lot of stuff into the text and pages. It got to the point that the original cover would have been a wanted poster at the front and a sheriff's report at the back!

I had to restrain myself, lest this book would never get finished at all. It's already been 59 days since my last post, and doing the original cover would have stretched the days even further. So I had to follow the mantra: Finished, not perfect. Besides, nothing says I can't make another version in the future...

From the moment I finished this fic, I knew it would become a book. But at 143,412 words, Dirges in The Dark by @twodiamondhoes would stretch my ficbinding skills to the limit and would be the second-ever bind that would reach past 250 pages (the first was an MCYT Sleepy Bois fic that predates this blog that I want to redo).

Eventually, the full typeset took up 520 pages! And as such, I finally decided to use extra support for the entire textblock. From an old pair of pajamas, I backed strips of fabric with glue and paper before cutting it into tapes, forming a crucial support for the various weaves along the spine. I then covered the entire spine in brown wrapping paper for even more strength.

For the title and headings, I scoured for and found several typefaces, dingbats, and vector graphics which really evoked the fic's Western and Gothic vibes. I also took some inspiration from fellow ficbinders in the Renegade Publishing group for the style of layout and formatting throughout the book, such as using faded images in the background of these pre-story pages.

I wanted the reader to be immersed in the Wild West from the get-go, so having such images from the start — before the story even begins — felt very appropriate. I tried to make them thematic to the information presented, like a singing cowboy for the music playlist pages, but I think I made the image too faint to be seen!

As for the chapter openers, I experimented with some layouts before finalizing on what you see: photos taking up one entire page on the left with the chapter titles and opening paragraphs on the right.

Just like my last bind, I want to make the reader feel immersed in the story and also bring out the mood of that particular chapter. This, however, led me to entire days of scouting and scouring stock photo sites just to find the right pictures for 11 different chapters. 4/10 would not recommend for sanity.

Given that the story uses a number of foreign words, old slang, and specific Wild West-era terms, I added a plethora of footnotes at the bottom of some pages for extra context and meaning.

I also wanted to be playful and make certain story parts, such as characters receiving letters and notes, really look like they're a part of the story. So I cropped old paper textures and fished out old fonts from the past to make them look as if they're actually there, pasted against the paragraphs!

More importantly, there were some specific parts of the fic that felt super important and I wanted to highlight these passages, especially the Deals made by the characters throughout their arcs. Given DiTD has a certain affinity with eldritch darkness, I decided to highlight such paragraphs by backlighting them against a band of pure black. Besides being thematic as hell, I made the bands have curved edges and decorative lines to add a certain western-gothic touch!

It was from this that I begin to think "what if I can color entire pages to convey the mood and setting?"

...Which led to the madness in these pages. I can't reveal too much because of spoilers, but there are certain times when the characters end up in situations where the very light turns to dark. Or they end up in hellish situations. Or the eldritch creatures began to speak.

It took some creative brainstorming to figure out how to show the mood of such scenes in printed pages, but I eventually figured out that I need find the right fonts, change their colors from black to white, and then change their backgrounds from white to dark to highlight them all! The power of formatting!

There's a lot more pages where I went wild with such shades and fonts, but I ain't revealing in public because spoilers!

But undoubtedly, this is the biggest experiment I have made with this bind. There is a certain part where Grian and Pearl spoke in eldritch R'lyehian / Cthuvian, and I want to convey the sheer strangeness of the speech and it's meaning. Something outside the box.

Luckily, I have an inspiration in fellow fanbinder @mythrilthread, who made an amazing fanbind that used vellum overlays to showcase the speaking of alien languages and what they mean in English. AND IT LOOKS SICK AS FUCK. When I finished reading Dirges, I knew I had to emulate this form of language translation, so I printed the eldritch speech, cut it, and pasted it onto the spine to give a similar effect of strangeness, and IT LOOKS SO COOL!!!

And lastly, I just had to include some of the amazing fanart made by readers into the book! All of these are placed by their corresponding text and chapters, and they all look so cool!

So I want to give a special thanks to @azzayofchaos, @leafdoodles, @hybbart, and @foxyola for granting their permission for me to include their incredible works into this bind! The dark shades and page formatting is one thing, but these works truly make this book feel so much more alive!

All in all, this bind was an odyssey in the making. I experimented with page formatting, layout wizardry, and bookmaking methods that I haven't tried before. While I know I could do better, I am beyond happy to see this work finished!

And once again, a thousand thanks to @twodiamondhoes / WixWrites for crafting an amazing story!

[s-misaki]

the reason I didn’t give Adrian –1 point was because he’s cute

[wildwestlyshow]

Wild Westly - An upcoming indie animated show!

Hey there! I'm Winston (he/him), the creator of Wild Westly and also the one running this blog. I have never used Tumblr before but I am excited to be here!

Why am I here? To introduce you to Wild Westly, an indie animated pilot that (with successful funding) should be coming out by the end of 2024 or the beginning of 2025!

Wild Westly explores an alternate history timeline for the Old West with a diverse and colourful cast of insects. We have already put together a wonderful crew and team of voice actors, including the Gianni Matragrano, who will be voicing Mayor Colt Papillo. With only two VAs left to record, concept art being polished and 3d modelled, and a fight sequence in the works, production for the 25-30 minute pilot is well underway!

The reason we decided to make a Tumblr to promote the show is because of the ask feature, as we believed it would be nice to see what kinds of questions and input people have on the upcoming pilot. We also know that Tumblr has a wonderful community of artists who are interested in seeing indie projects and we wanted to be able to share our progress on the project in places where people were most likely to see it!

If you are interested in helping fund the show, our Kickstarter has 15 days left to reach our 2k goal! We have promises such as giving people the chance to design background characters for the pilot and a Kickstarter-only print that will be available for just this campaign and the campaign we intend to launch closer to the project's completion!

The Wild Westly team would really appreciate your support! Whether it be reblogs, comments, or questions, we look forward to seeing how Tumblr reacts to our show!

Thanks for reading, and we hope you like Wild Westly!! You can additionally follow us on TikTok and Twitter for additional updates!

Sincerely,

Winston, Topaz Animation

[livlaughloveluke]

hopping on the bandwagon and making a cowboy!luke castellan moodboard 🥾

(inspired by @gh0stsp1d3r i love the cowboy series)

[ichayalovesyou]

Why Do Old-School TV Duos Have SUCH MLM Vibes?!

I think there’s something very specific about the formula and writing style of non-serialized/semi-serialized shows from the 60s to 80s that featured two grown men going on wacky dangerous adventures that makes my gay little literary analysis brain go absolutely off the wall bonkers. I’m trying to figure out why!

I’m writing this on my Trek blog because I don’t think this pattern in people actually shipping these types of relationships the way they do if fandom as we know it wasn’t born via TOS in syndication. That being said! I also think it has to do with the way these shows are designed that makes myself and others OBSESSED with a specific character dynamic that feels (to me) damn near impossible to replicate in modern television. In a way that’s more than just fandom, it’s in the way TV like this was written at the time!

Further explanation under the cut!

🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈

I think what it usually boils down to is this. There’s a charming protagonist whom without the series could not operate, frequently top billed or the title character! (See: Wild Wild West, Starsky & Hutch) BUT he doesn’t have anyone to play off of! So what do they do pretty much every single time? Give Mr. Idealized Vision of Time-Period Masculinity For Genre a second guy to rhyme with!

See but the other guy has to play opposite but parallel to our hypermasculine protagonist. So what frequently ends up happening is that in order to play off our “normal” guy, even though he’s also a white dude, is that he’s still somehow Other.

They’re always perfect for each other, and they always get into scenarios that would be written, shot and interpreted by conventional audiences as romantic IF either one of those characters were a woman! Especially at the time these shows were made in.

If the one is aggressive, the other is gentle. If the protagonist is violent, his counterpart is intellectual. If the one is stoic, the other is emotional. Which (while one size def doesn’t fit all) usually makes the second guy come off as much more queer-coded (and sometimes other minorities like neurodivergent/disabled etc) than the other because of the traits associated with masculinity vs gayness at the time! Our prime examples in these gifs are Spock, Hutch, Artemus, and also *BJ!

*(M*A*S*H is a bit of a unique case since the show flirts with queerness more openly in ways that people more into the series have explained better than me but I think it still fits the formula I’m discussing.)

Here’s the thing though right? We’ve got two best friends, and the show NEVER really feels right if one of them is missing unless the focus of the story is how A & B operate without each other while trying to find the other one. They stick with and rescue each other unfailingly in scenarios that might destroy a regular friendship.

Hell, there’s often stuff that would emotionally/physically destroy a regular person/character in modern media. But because it’s not serialized they always seem to pull through seemingly through the power of friendship alone or dealing with it off-screen! Emotional consequences? Yuck! (Unless it’s M*A*S*H or Starsky & Hutch, like I said, not monolithic)

Here’s the thing that some people might say throws a wrench into the interpretation I’m discussing. What about the absolutely non-stop parade of conventionally attractive women the main protagonist (and less frequently the supporting man) goes through?

I would reply: how many of those female characters actually emotionally impact our protagonists as characters long term?

The answer is of course, because it’s NOT serialized, almost none! Kirk can watch Edith Keeler get killed by a car accident and still be making eyes at Spock the next episode. Hawkeye can have a “life changing” romance with a Vietnamese humanitarian woman, then share a blanket with BJ next episode like she never existed!

The Doylist explanation of course is not just the fact it wasn’t serialized but also just, constant, blatant 20th century sexism. Which SUCKS!!! As well as not wanting a long term love interest to throw off the character dynamic of our duderagonists. It’s the 20th century tv equivalent of bros before hoes.

However the Watsonian explanation always seems to result in no love interest EVER being more important than what the two protagonists have no matter whether you think they’re queer or not. No attractive woman could make our reputed babe-hound protagonist abandon his buddy. There’s no earnest romance our more queer-coded supporting man doesn’t end (or get ended for him) often for the protagonist’s sake.

Now some of these women are incredibly well written and straight up GOOD matches for our guys. So why wouldn’t they get involved in something long term UNLESS!! They were in love with each other the WHOLE time?

What if protagonist (frequently the babe hound) doesnt know he’s queer, or knows but doesn’t know he’s in love with his bestie, or any number of similar fruity explanations? The supporting man also runs into this explanation but people tend to believe he’s already aware that he’s queer but either also doesn’t know he’s in love or is keeping it to himself because time-period homophobia and/or thinking (probably not unreasonably) that babe hound is straight?

Between the inherent closeness of being narrative foils. The regularly scheduled life or death drama creating sometimes insanely romantic (in the narrative if not a literal sense) drama between the two. The revolving door of weekly women they never seem to get attached to enough to leave one another. The non-serialized nature resulting in sparse personal information/history about the protagonists as a result.

I think between the very NATURE of the way tv shows were written at the time. Plus the way fandom was shaped by a dynamic that has rippled through how media works and is interpreted by fans for decades upon decades. It’s not hard to imagine getting really emotionally invested in the possibility of the protagonists being in love is a fantastic way to enjoy the media!

In conclusion, it’s really fun and easy to go “these bitches gay! Good for them good for them!”

[master-of-the-game]

Sheriff 40x50 cm, oil on canvas

I know Old West Dukat is what you secretly craved this Tuesday night.

(Best regards to Masters of the West, whose works inspired me to do THIS. Really. It was pure pleasure to paint).

Close-up under the cut

[the-kr8tor]

Rotten Floorboards

Pairing: Cowboy! Hobie Brown x Fem! Reader

Word count: 11.5k

Tags: No use of Y/N, no specific physical description of the reader, Cowboy AU, Wild west AU, CW hallucinations, TW poisoned without your knowledge, CW violence, religious talk, CW guns, TW abuse mention, CW food mention, CW panic attack, CW injury, TW death, TW blood and gore.

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CHAPTER 7 >>> CHAPTER 8

Skinned knees, scarred hands, and venomous words, you've endured it all back home. Survived it all— his tight, firm grip on your hand that only loosened around guests, finger always running along the gold band on your finger, a reminder of your hatred, a different reminder for him. Then your aunt's yelling in your ears until you could only hear her thunderous words at night even when you're alone. Her pen that does more than sign documents, the sharp end pointed directly on your palm, stabbing and cutting along your life line as if it could end your life right then and there— sometimes you wish it could. Then him, your uncle who had his hand in cutting your ties with the man you love, whose echoing footsteps walk outside your door at night, never giving you reprieve from the pain of being awake in that mausoleum of a home. All that pain, all that abuse you've suffered from your so-called kin doesn't compare to seeing Hobie's limp body under the monstrous weight of steel and ash.

Your heart has stayed inside your stomach since then, his green eyes closed, breathing shallow than the well that your uncle threatened to push you inside— you won't drown in it, you'll just crack your neck and your spine while you lay in tepid dirty water. You feel like that now, hopeless, blank eyes staring at the sky, seeing the world pass by from inside the well.

You've never left his side, feeling as if you'd regret it if you did even for a moment. You've regretted a lot of things, letting your parents go on that doomed expedition, and letting your aunt dictate the rest of your life. Never again. So you don't leave, you don't drink, you don't eat while the stranger who helped carry Hobie into the shabby inn treats him.

Your own wounds ache, festering under the heat of the southern sun. The humidity is clinging to your skin, making it all worse, making the pathetic bandage around your ear throb from the pain, tethering from infection. The walls of the small room they've put you in is suffocating, walls that feel like it's closing you in, dark hardwood that sweats from the sheer heat, and floorboards that creak and squeak from your footsteps. But you'd rather stay upstairs than what's below you. It smells there, especially when the day runs hotter than the surface of a boiling pot. It's probably because the whole building is old and moldy. Or there's something dead hiding underneath the rotten bloated wood.

The alligators outside your window hiss and groan, birds you've never seen before get eaten the moment they step foot inside the marsh. It's not fair, you think, for they only wanted to eat yet they ended up getting eaten themselves.

The night gives your nerves a break, the cooler air breezing through your injuries, taking the pain away for only a moment. Fireflies gather outside the willow tree that you've been staring at since you've arrived. Hobie sleeps under it all, from all the noise and the heat. You've held his hand the entire time, even with the bandages around your palms you could still feel him, feel his pulse, feel how he still breathes. Your eyes are dry and red, tears gone from how much you've cried on his bedside, and pleaded to the man to save him whatever it takes. The rickety armchair that has one leg missing has been your home, the room is your land, and Hobie has been your reason to stay.

You held his hand in yours, watching as his eyelids moved about, a sign that he still lives and thinks despite the trauma to the head he endured when the train crashed. The bandage around his head has turned red from his wound. He protected you, did everything to shield you from death. You'd cry if you still had any tears left to give.

Dawn has arrived, and you hear a knock at the door. It's quiet, almost silent as if the sound would disturb Hobie's slumber.

“Come in,” your voice is still hoarse from the noose that wrapped around your neck. It's small, barely there, barely having the resemblance of your former self.

With a creak, the door opens, and a familiar face pops out. “Just checkin’ on ya.” His southern drawl is thick, shaven face illuminated by the lamp he holds. “I need to change his bandages. And yours if you'd permit me.” Entering the room, he shakes his leather bound bag with the initials ‘T.M.’ embossed on it. The metal and glass inside clinks against each other.

You watch him carry himself with confidence, but with apprehension from his gait. “Do him first.” Moving the chair aside, you still don't fully leave Hobie.

“Alright,” his friendly eyes look at you with uncertainty. Kneeling down next to the bed, he examines Hobie's head, gently unspooling the cloth. That's the only time you look away, refusing to see him that way or it might wiggle its way into your dreams. “I’ve realized that I haven't asked for your name, miss.” You hear his bag unzipping while you stare at the outside world blanketed in deep blue. “Not your fault though, Holden brought you in haste.”

“Holden?” You ask, eyes scanning along the marsh.

“That's the big brooding man that carried him in. My name's Thomas, by the way, what's yours?” The smell of putrid ointment hits your nose, you refuse to cover the smell.

You give him a fake name, a name that isn't known to many, a name that isn't plastered in every bounty board across the country. “It's Clementine.”

“What a pretty name, I'd shake your hand but 'm occupied right now.” He chuckles, and you hold your breath while he continues to treat Hobie. After minutes of silence, you hear the rustle of fabric as he closes the bandages around his head.

You turn to look, the sight of Hobie just laying there is sobering. You've always known him as a strong person, always burying his heels in, independent in all the ways, and speaking his mind when he needs to be. The opposite of you, but right now, you have to be the one that's strong enough for him, to fight, care, and protect him if need be while he recovers. You don't know if you can do it, but it comes easily to you because it's Hobie, you've already done so a lifetime ago. You inhale deeply, finally meeting Thomas’ brown eyes.

“Thank you, for helping, you don't know us but you still helped. I promise I'm going to pay you back for the room and…” you look at the room that still bares Hobie's blood all over the floor, and his things thrown in the corner. “And everything else.”

“No, need.” Thomas smiles, eyes crinkling at the corners. Crow's feet evident in his smile. “Just seein’ him get better slowly is enough for me.” You give him a weak but genuine smile. “Your turn, miss?”

“I'm fine.”

“I've been a doctor for twenty years, and you're clearly not fine. Especially that ear of yours. I've seen better ears from pigs in line for the slaughter.”

You glance at Hobie's sleeping face, finally relenting. “Okay.”

“I'll try to be quick, I promise.” You scooch your chair closer, immediately holding Hobie's hand like his skin is magnetized. “I don't want to ask but, this injury doesn't look like it came from the train derailing.” He starts to peel off the shoddy bandage that you hastily put on, your skin feels like on fire. You don't mind it anymore, you've felt worse.

You sniff, eyes glued onto the gold ring dangling from Hobie's neck. “A piece of metal from the train nicked it.”

“And your hands?” He nods at your burned palms hidden under cloth.

“Heat from the metal when I tossed it off him.” A half lie.

“Ah,” Thomas cleans your wound with the same putrid ointment. He tugs at your raw skin, you bite your tongue on instinct. “Maybe I shouldn't ask about your neck then.” The angry mark left by the lasso still stays, you know it'll stay there forever. If not, then in your mind.

You look back at the stranger, eyes pointed and daring. “Don't ask.”

There's new cloth around your ear, muffling the sounds made by the house. “Then I won't.” He seizes his movements, eyeing your hand around Hobie's. “May I treat your hands?”

“It's fine, mister Thomas.”

“It's doctor, actually,” there's amusement in his eyes. “I’ve got a license and everythin’. You should see it, it's very professional lookin’.”

You crack a smile, “sorry, doctor.” With slight apprehension, you slide your hands away from Hobie's before laying your palms on your lap. “Do you own this place?”

“I do, sort of.” He unwraps your hands, revealing the angry skin underneath. Sucking in his teeth, you already know it's healing badly. But he still tries, for that you owe him everything.

“Sort of?”

“It's my sisters’ you see, they went on this business trip to get more funds for the place so they asked me to look after it for a few weeks.”

“I'm guessing that you had to leave your practice.” You flick your eyes over to Hobie's rising and falling chest to check on him. Satisfied, you look back at the doctor handling you with care. “That must've been horrible.”

“Havin’ sisters?” He jokes.

“No, leaving it all behind.”

His smile falters. “Don't cry crocodile tears for me, miss, I'll be back there treating the sick in no time.” His head tilts curiously at the old scar on your palm, ghosting his thumb over it. “What happened to this one?”

You want to say that it was because of her, that she did it. But this is one of the rare times that it wasn't her fault. Yet, when it was, she's good at hiding the evidence. Your aunt wasn't an idiot, she knew how to turn a girl into her personal workhorse that you whip and punch to obey without leaving any marks, without showing the world and causing them any concern for your well-being. So you tell the halfhearted truth.

“It was a long time ago, there's no cause for concern on that one.” It healed, a remembrance, telling you that everything will heal if you give it time— that Hobie will heal. You meet his eyes, finding it hard to read the old man. “How about Holden and the others I saw? I didn't get a good look at them when I entered but I saw a few guests. Are they guests?” You question him because that's what Hobie would do.

“Holden lives nearby who just happens upon the train wreck. He has a small stable in town, in Saint Denis. If you want he can take in your horses? They're mighty fine, I don't want them getting soiled by the marsh.”

“That…” you think for a second. If the horses are gone then you'd lose your only way out. Hobie would say no. “No, thank you, I'll take care of them.”

“You sure? Fine by me, there's hay inside the stable for ‘em.”

“The others? You were talking about them.” You continue to push the subject.

“Ah yes, sorry ‘bout that, old mind and all. Well, there's Eli, he's been stayin’ with us for quite a while. A priest on a mission we call him.” You listen intently, taking note of every single detail. “Then there's Lucy, she's a regular ‘ere, always comin' and goin'. Accordin’ to my sisters.”

You nod as he finishes your hands that's now tightly wrapped with bandages. Thomas begins to stand up, gathering his things. “Will he be okay?” Will he wake up?

He sighs, there's something behind his eyes that you can't quite pinpoint. “It’s hard to tell.” Your heart hammers inside your ribcage. “But he has so far survived the night, I think he'll pull through.”

“Thank you, again. I'll repay you, I promise.” You reach for Hobie's hand, letting your warmth seep through his clammy hands.

Thomas' eyes flick between your hand and eyes. “Don't mention it. I'll bring a basin with drinking water for him. Drip water onto his lips every few hours so he won't dehydrate.”

You nod in understanding. “I will, thank you ”

“Then some food and water for you.” He smiles, opening the door and looking over his shoulder to glance at you.

“No need—”

“How would you care for him when you don't take care of yourself? You need the energy. What would he say?”

You chuckle, squeezing his hand tighter. “He’d call me a wanker for not eating.”

Thomas knits his brows, turning back towards you. “A what?”

“Nothing, it's something profane.”

He chortles, wiping his hand across his nose like he smelled something foul. And you smell it too— the sourness, the moment he opened the door. Maybe a rat died under the staircase. “I won't ask then. Get some rest, miss Clementine.”

The door clicks and you're once again alone with him. It hits you again, how dire your situation is. There's a rock in the back of your mind that keeps rolling about, reminding you how close Hobie was from dying in your arms. But there's another boulder in the pit of your stomach, it tells you of a fate that could befall you now that you're here, close to the person looking for you. You'd rather jump towards the alligators than be back in their hold.

Hobie will wake up, you know he will. For now, you'd stay by his side, play the good nurse and protect him as much as you can because he would do it if the roles were reversed. You hold his ring in between your fingers, letting the cold metal melt into your warm skin.

—

You whisper to him, words that you're afraid of letting go, words that you wish would wake him up. You wonder what he dreams of, is it home? Is it something good? Or is he dreaming of you? You'll ask him when he wakes up, he'll wake up, you know he will.

There's another knock at the door a few hours later. Thomas enters with a tray that smells of something savoury, you've forgotten how hungry you are. But how could you indulge when Hobie lays there like a statue?

“I have some duck for ya, and a loaf. It's not much but it'll fill you up.” He senses your trepidation. “Please eat, you'll get weaker if you don't. ‘sides, no one will take care of him if you fall ill.” The utensils rattles as he places the tray in your hands.

You stare at the food with a blank stare. Guilt eats you alive, grief devouring what's left of you. “C-can you…” you clear your dry throat, “can you check on him? See if his breathing is alright?”

Thomas nods curtly after a moment, placing his fingers above his pulse, timing it on a watch that dangles from his waist coat. You don't touch the warm food until he's done. “His breathin’s fine, he's a fighter.”

You finally feel like you can exhale again. “Thank you.”

“Of course,” standing up, Thomas points at the bowl filled with water where a cloth floats atop it. “That's for him, from what we talked about.”

“I remember.” You're already squeezing the cloth, releasing excess water before you place the tray on his bedside to slowly let the water drip on Hobie's dry lips. With every drop, you pray to whoever is listening to will him awake.

“I'll leave you to it,” the door closes, and you're once again left in your dark thoughts where your fears have come true.

In between eating and playing nurse, your eyes start to get heavy with every bite of the succulent meat. You couldn't help but finish it to the bone, letting it fill your belly, leaving half of the loaf for Hobie when he wakes up. After chugging a whole pitcher of water and emptying Hobie's bowl by slowly but surely letting him drink, you place the tray down on the ground to lay down next to him carefully. There's a headache forming in-between your eyes, maybe you're incredibly fatigued than you thought you were. You're mindful of his injuries but not your own as you lay on your injured ear. It's self flagellation, as if everything that has happened was your fault the moment you stepped foot in the new world. As your eyes get uncomfortably heavy, mind foggy, you fall asleep curled up on his side.

You open your eyes and you're back home. The gilded walls of your room open up to you like a theater curtain. Your chest heaves, eyes filled with tears that you refuse to let go. Chiffon and velvet dress hugging you tightly, too tight, suffocating you slowly like a hand on your throat. Hand upon your chest, you rip it all off as if the garment burns you. But it isn't enough to get rid of it all, so you walk over to your table in haste, grabbing a sharp letter opener to slash and tear at the threads putting it all together. One by one, the once pretty gown is torn to shreds at your feet, from bodice to skirt, it all lays on the ground like discarded meat. In a flash, your eyes see red and bloodied muscle still writhing on the floor instead of fabric. As soon as it appears, it's gone after a beat.

You stand there in your slip, but the heaviness in your chest persists, hands and legs going numb— a testament to your shallow breathing. Your hands glide along your body to find anything tight around you, gasping and still in a panic, your hands stop around your neck that holds a string of diamonds. Without a second thought, you snatch the shiny thing away from your clammy skin, breaking the chain in the process.

Air enters your lungs the moment it's gone. Palms above your chest, you inhale and exhale whilst hot tears flow out of your eyes in a shower of sorrow. Leaning over the table for balance, your eyes meet with a familiar handwriting addressed to you. You're brought back in time the second your hand touches it, brought back to five years ago when Hobie slipped you a note during a party. You read it again, telling you that everything was ready, that he's ready to run away with you, somewhere far away and that you should pack your things.

After you read it, the letter dissolves into dark ink that drips down to your feet. You're holding the new letter again, opening the plain wax seal, you read the contents. Then you read it over and over until you get your mind wrapped around the saccharine yet sorrowful words that are all written in his hand. Hobie, the one you've been mourning since the news hit you.

His address is written hastily next to his own name, you laugh and then sob, hugging the letter to your chest. The scene shifts as if you've entered the fog and into a new world. You're in front of the docks, a large ship looming over you. You're dressed in a pair of borrowed trousers from Peter's wife, whilst the older man himself speaks by your side but you can't make out his words. It's all a garbled mess. For some reason, his hands are dripping with blood, but you don't point it out.

You tell him something, and he shakes his head with a smile, eyepatch moving as he gently nudges you towards the ship. The night hides his face, and all the secrets haunting you, even with the full moon shining down. As you wave goodbye, the ship unfurls its sails, sailors reeling the anchor up, and the captain steering the ship towards your future. You watch as Peter's silhouette gets farther until he's a mere dot in your sight.

You raise your head up to watch the swirling sky, falling stars raining down, and the moon smiling back at you. Someone whispers your name, and you instinctively turn around, expecting a fate worse than death thinking that they've found you. But you're greeted by Hobie himself, still in the same clothes you last saw him in, hair short, and face flat.

“Hobie?” You sound like you're underneath the waves.

“Run.”

You're awoken by the squeak from the rotten hinges. Sitting up, your eyes adjust to the light, seeing a silhouette of a tall, bony man in black and white. Vision focusing, you see him awkwardly stop in front of the doorway, the white square on his collar tells you that this is the reverend Thomas was talking about. He has a patch work of a beard and an aura of weariness.

“Eli,” your mouth speaks before you could think.

“That's me,” he chuckles, clearing his throat right after. His hands are behind his back, prompting you to be more wary of the man.

“What are you doing here?” You sit properly, hand placed on your gun belt, feeling the cold metal of Hobie's gun on your palm.

“I–I was…” his blue eyes flick from your gun to Hobie's sleeping face. “Thinking of p-praying for him.”

“He’s not dead yet, reverend.” Your harsh voice cuts through the man.

“I don't mean any offense.” He holds his empty hands up, you glance at his rough hands and the tattoo on his wrist revealed from how his sleeve rode down. It's something you can't quite get a good look at. Noticing your stare, Eli brings his hands down, pulling down his sleeves. “Praying for his swift recovery. That's what I meant.”

“You can pray for him outside our door. Better yet, pray downstairs.” You stare him down. “Where's your book of prayers?”

“I'm sorry, I should've knocked.” You can't place his accent. “I thought you were asleep—”

“And that makes it alright to barge in?”

He balances on the balls of his feet, your eyes instinctively flick over to his leather shoes that are too shiny, too kept as if he just bought it or cleaned it for the occasion. “We got off on the wrong foot, I'm sorry, miss…Clementine. My name's Eli.” Reaching for you, you only look at his hand without shaking it.

“I didn't give you my name.”

The reverend takes his hand back with a wince. “I–I got it from Thomas.” Your jaw tightens, eyes boring holes into his forehead. Thankfully, he reads the room and your expression. “I should go—”

“You should. Goodbye.”

The reverend doesn't turn his back on you, opening the door with what you could read as a cursory apologetic look. “I'm sorry, again.”

You grunt in reply. With the door clicking close, you stand up, taking a spare chair that Thomas always sits down on to lodge it under the doorknob. Locking the door and battening down the hatches. It's what Hobie would do, it's what he always does when he thinks you've fallen asleep.

“Wanker.” You scoff out before sitting back down next to Hobie. You don't find sleep after that. Your mind is too noisy, too chaotic to find sleep even though your body demands it.

—

Two days in and Hobie is still unresponsive, he breathes, even twitches in his sleep but he's unable to wake up. It's pure torture for you, seeing him lay there while you try your best at taking care of him. You've even tasked yourself at watching the good doctor clean his wounds and replace the bandages so you could do it yourself. You miss his smile, his laugh, and how he holds your hand. It’s just like how you've felt for those five long years, but this time you can see him, touch him, and take care of him but he doesn't speak nor look back at you. You don't know which one is worse.

Thomas says he's getting better, but you still worry. You play his nurse and a grieving widow at the same time. Everytime Hobie's breath hitches or even when his finger twitches you sit up, frantically calling the doctor to check on him. He always says the same thing, ‘he’s just dreaming,’ it doesn't fill you at ease, especially if it's anywhere near the dreams you've been having.

Three meals are brought to you every day, and each meal has brought you to sleep. You blame the trauma you've experienced, the things you've seen, the things you've done— it brings you towards the precipice of life and death each time, and without fail, you dream of him. Hobie still sleeps on the lumpy bed, body lay still, breathing sturdy and true. You don't mind the sleep, but the dreams you've had aren't always good, so you'd rather keep your eyes open than face the horrors that sleep brings.

Sometimes your mind wanders off, vision whirling to something else, something worse than him laying unresponsive to the world outside. In the corner of the dark room, you see a bloodied fountain pen with soiled grain littered around it. You turn around to look away, and you see something worse, his pristine white suit is a glaring contrast to the almost dilapidated state of the room, acting like a beacon of pain for you. He doesn't smile, nor come closer to you, he just stands there, back straight like he owns the place, light green eyes aglow like the fireflies outside but none of the comfort.

The blood in your veins runs cold at the sight, so you turn away from him as he stands guard with his judging eyes. Your eyes land towards Hobie to calm you down and bring yourself back to reality. He still sleeps, bandages wrapped around his head, eyelids twitching while he dreams. With a sigh, you suddenly see a pair of eyes under his bed, you're frozen at the sight of a large hand appearing from underneath, nails dark and rotten, wounds littered around the arm, decaying and sour smelling. You see it give you a crooked smile. Heart thrumming, the hand grabs Hobie's wrist, blackened blood oozing from its touch. With horror in your belly but bravery in your heart, you yank the hand away, finding it bursting into a cloud of smoke the moment you touched it.

“You alright?” Thomas asks, he watches you catch your breath from the doorway.

Your hand is closed around nothing, still held up in front of you, gasping at nothingness. You inhale, clearing your throat and bringing down your trembling hand to your lap. “Y-yeah, I think I'm just too hot.”

Thomas nods, eyes roaming around the room. “You've been cooped up in this room for two days. I think some fresh air would do you some good.”

You immediately shake your head. “I can't leave him. Besides, there's a window here, I get enough air as it is.”

“Pardon my bluntness but, you need to stretch around, get a different scenery or you'll go mad seeing the same walls.” Thomas crosses the gap, tentatively placing his hand on your shoulder. His palm hovers slightly above your blouse, not truly holding you. “I can watch him for you, the worst has come to pass already. I know he'll wake up eventually.”

You glance at Hobie's face, he does look better than before. There's color on his lips again, his breathing stable, skin no longer clammy and his wounds are starting to scab over. And the horses need your attention too, you have no idea how they're faring since they got here. You ponder leaving him for a moment.

“...okay, j-just for a few minutes.” But you still don't trust Thomas enough to leave Hobie alone with him. “You don't have to watch him.”

“Alright, I understand where you're comin' from. Hell, I'll give you the key to the room if it makes you feel any better.” Thomas takes out a ring of keys from his pocket, and then he takes out an old key from the metal ring to hand to you. “Just bring it back after.”

“Alright, thank you, that actually fills me with ease.” You close your fingers around the key, letting the metal press down into your burned palms.

“I'll be downstairs. I promise if I hear anythin’, even a squeak I'll come runnin’ out to get you.” Thomas smiles, back already turned to leave.

Your voice calls him back. “Doctor, you've seen death, do you think there's an afterlife?” You suddenly ask him, Thomas stops in his tracks, chuckling softly.

“I don't know, love.” You raise a brow, head turning immediately to face him. “I think it's best if you ask the reverend that. I'm sure he can provide you with an answer.”

“But you've seen people die, right? From your patients, to just…living. I want your opinion on the matter.” You push the subject, eyes heavy and tired. You can feel every bone in your body as your vision shifts, seeing iridescent light pass through the windows and shine in Thomas' face. When your eyes focus, the light is gone.

Thomas scratches his head. “From what I experienced?” You nod, “I don't think so. I think there's just darkness right after.” He sniffs, hands placed in his pockets. “I really think you should talk to the reverend, he might provide a more comforting answer.”

“Maybe I should.” Your voice drifts off, eyes blankly staring outside.

“You sure you're alright?”

“I don't know.” You don't see how red your eyes have become, or the bags weighing it down.

Thomas leaves without another word. You don't leave the room after that, and the key stays with you to hold onto, letting the metal dig into your palms.

—

Startling awake, you sit up from the whispers that have managed to slither its way inside your ears. You look over your side, seeing Hobie asleep and safe, you begin to sit up, head pounding roughly against your skull as if you've been hit by something in your sleep.

More whispers echo out into the darkness, your eyes wander around the room, finding no one so you listen closely. You glance at the floor, ears straining to hear, you realize the voices are coming out from beneath.

Slowly clambering away from the bed, hand reluctantly releasing Hobie's hand, you make your way onto the floor, laying yourself down on the cool wood. Pressing your ears, you listen in on the murmured conversation.

“She barely sleeps!” A woman's voice exclaims, it's followed by shushing. “It doesn't even work on her. I'm at my fuckin’ limit.”

“We need to be patient—” Someone says.

You press your face down closer to hear better. “We've been patient. We need to—” the floorboards creak from your movement. And they immediately quiet down.

You lay there perfectly still, but no sound from downstairs can be heard. Standing up, you check the doors if you've locked it properly this time, and you pat the gun on your hip to feel if it's still there. The unfounded trust that you've given to the strangers downstairs are wavering by the minute. But you can't leave, not until Hobie wakes up, or you might disturb his healing.

—

You gasp awake, trembling in your seat, the wounds on your palms have reopened from how your nails have dug into your broken palms. It's another nightmare, another nightmare that has kept you awake. Hobie still sleeps, and you're still trapped inside the small dusty room.

The heels of your palms rub roughly on your eyelids, washing away the nightmare and sleep. Laying your head on the back of the chair, you stair at the ceiling and the cracking paint. There's a dark red spot near the middle, it's barely noticeable but it's there. The longer you stare at it, the bigger it gets. You fight a sob as you abruptly stand up, maybe you should take Thomas on his offer by going outside. It doesn't hurt to leave for a few minutes, right? Surely no one is awake at the break of dawn, so Hobie is safe to be left for a moment. And he's comfortable with the window opened, letting the cool early morning breeze inside.

You sit down on his bedside, hands gently cupping his own. “I'll be back, alright? I just need to check on Buck and Cherry.” He doesn't answer. “Maybe they can tell me how they managed to find us. Or maybe what you told me before was actually right, that they can smell us. Like loyal hounds we had back at the manor.” Your words drift away as your eyes lose focus, staring at the raised scar on his neck. You sniff, bringing yourself back to reality. “Please wake up, I feel like— just please wake up. Yell my name when you do and I'll come running back.” You kiss his knuckles, eyes glancing at the pair of white trousers standing in the corner. “I'll be back.”

You stand up, ignoring all the ghostly eyes staring at your back. They're not real, you whisper to yourself. Opening the door and locking it behind you before you could change your mind. The key is safely tucked away in your breast pocket. A headache rushes by, you almost fall on your knees from the pain.

As you stand shakily in the hallway, the floors seem to shift and change. It stretches before you while you walk, as if it won't allow you to escape the place. You close your eyes tightly, grounding yourself by holding onto the wall. When you open your eyes, you see your aunt standing at the end of the long hallway. She's clad in black, a long coat hiding her entire body, from her neck to the tips of her feet. Her hair is stark white against the dark material, strands that are longer than you last saw her. You can barely see her face, but it's odd, like something's amiss.

“Where are your eyes, dear aunt?” You ask in a small voice, as if you've returned to the young age you first met her.

She opens her maw, a deep dark crevice of sharp teeth all lined up in rows. You hear your name escape from her unhinged jaw, it's whispered close in your ears. “You can't leave.”

“I just did.” You say without remorse, and without guilt. “Watch me leave again.” With measured steps you walk closer to the vision, as you get closer and closer, her body turns transparent until you've walked through her. And everything returns to normal. You've reached the banisters overlooking downstairs, hand clasped tightly around the wood. Shaking, but victorious. “Not real.”

You look over the railing, eyes roaming around the small space. There's a small common room where a fireplace that doubles as the kitchen lies. A large man sleeps on the single couch facing the fireplace, snoring softly, arms crossed over his chest. A humble bar is placed across it, where amber liquid in foggy glass sits on the shelves. Leaning closer, you spot a door on the floor that could lead to a basement of some sort. The surfaces have been wiped clean except for the tops of the shelves that are caked in dust. There's minimal decorations, save for a few pictures hanging on the walls. Then it hits you, the smell of the place. From sour milk to rotten eggs, you can barely decipher what it is, only decay.

You can see the place being homely after a renovation if not for the stench.

The wooden bannister creaks when you put your weight on it, you flinch away before it gives out from under you. You walk slowly down the small steps of the stairway, legs shaking from the thrumming headache behind your eyes, feet swaying like you're drunk off of moonshine. You attribute it from the vision you saw and from how fatigued you are. But your shoes barely clack against the floor from your footsteps. Your eyes skim over the photographs on the walls, yellowed paper and old frames of family. You look for Thomas in any of the pictures, but he's absent in every single one.

You finally make it down without waking anyone. The man, Holden, you surmise based on the description Thomas gave you, still snores on the couch. Crossing the threshold, you unlock the front door to go outside.

The entire marsh is bathed in blue, sun barely peeking in the horizon. A breeze passes by, goosebumps rising on your arms from the cold. You should've brought your coat with you, but it's too late now. If you go back upstairs, you think you cannot go back down.

You already feel like you're coming back to your old self. Eyes still weighing heavy in its sockets but at least the air and the greenery have grounded you back to reality. You have no idea what has befallen you, why you've been having visions of your family. Maybe it's the sleep deprivation, or maybe the living has decided to haunt you for all the things you've done to survive.

Walking along the wooden paths that prop you up from the mud, you follow it further down towards the small stable. The birds are beginning to wake up, chirping just above the canopies of tall willow trees. With every footstep, your feet sink slightly into the mud, soil swallowing down the planks of wood laid down as a makeshift path. Flies buzz around your legs, you swat away any that comes near your healing wounds.

You finally make it towards the stable, opening the door with slight force since the hinges are long rotten from the wear and tear of the moist environment. You finally crack it open, seeing seven horses in their little pens on the side. The wood inside is in the same state as the inn, bloated and decaying from age. Light filters through the cracks, dust and bloatflies flying all over the horses.

Bucky peeks his head when he hears you enter, he immediately recognizes you, hind legs stomping in excitement. You smile genuinely at the dark horse, walking towards his stable, still swaying slightly on your feet. Cherry appears from behind Bucky, coat muddy and hair tangled. You guess that they had to share a pen because of the lack of space in the stable.

“Hi, you two.” You reach up towards their faces, Bucky nuzzles your hand while Cherry huffs against your palm. “I'm sorry, I should've visited you earlier. But Hobie needed my attention.” With the mention of his rider, Buckeye neighs, leaning away, almost standing up on two legs. You think that he worries for him. “It's alright, calm down, boy. He's getting better.”

Bucky shakes his head, so you scratch the back of his ear where he always seems to like. You coo at him, whispering kind words towards the horse for finding you and Hobie amidst the wreckage with Cherry in tow. You enter their pen, brushing your hands along his fur and hair. Hobie's canteen peeks from his saddlebag on Bucky, so you take it, taking big gulps before placing it back inside the pack. You feel a lot better already.

Cherry watches you and Bucky interact. When she's had enough of Bucky getting all of your attention, she nudges your shoulder, nodding and huffing like a petulant child. “Alright, alright, I didn't forget about you.” Chuckling, you rub along her snout, you find that she likes to be pet there the most. “Have you been good? I'd give you both an apple or sugarcube but I don't have any on me.” You spot the bundle of hay near the entrance. “Is hay good enough? When we get out of here I'll give you both all the sugar cubes and fruit you could ever want.”

Leaving their side after numerous pets, you grab a pitchfork laying on the corner to grab some hay to place in their pen. Once both horses are properly fed and petted, you look around the stable for a horse brush, but the only thing you could find were more horses looking at you with curious eyes. You're more confused though, you see five horses in each pen, but there are only four guests inside the inn that you know of. There's Thomas, Eli, and Holden that you've already met. Then there's the mysterious Lucy. Whose horse is it that is alone in the corner? Maybe it's a spare? Nevertheless, you feed all of them.

“I'll be back,” you fold your knees to grab a bucket on the floor. “Let me just get some water for—”

“You're speaking to horses.”

“Jesus!” You clutch your chest from the sudden intrusion.

“Just me, sorry.” A woman stands in the doorway, hands on her shiny belt buckle, red corset tight on her torso, revealing freckles dusted on her shoulders and clavicle. She smiles, showing a gold tooth in the bottom row of her teeth. The sun has now fully risen outside, bathing her back in light, shadows hiding her face from you. “I'm Lucy, you must be Clementine.”

You clear your throat before you almost made the mistake of correcting her. “Y-yeah. Nice to meet you.”

“Why are you doing manual labor? Aren't you injured?”

“I am, but I'm feeling a lot better now thanks to the doctor.”

“Thomas?”

“Yeah, is there another doctor here?”

She chuckles, stepping forward out of the shadows. You see her chiseled face, lips full and pretty, more freckles lined around her eyes and cheeks. Her blond hair is tied in a neat braid, cowboy hat perfectly fitted around her head. There's a hunting rifle strapped on her back, and a large ornate knife on her waist.

“I'll take care of the water. Breakfast is being served inside if you're hungry.” She says with a lilt in her tone. “There's sausage, the good kind. I think you'll like it.”

“You've got their water?” You ask, glancing at your horses.

“Yeah, I've got them.” She crosses the small distance towards you, you don't drop your guard even when her hand grabs the bucket away from you. “I've been the one looking after them.”

“Oh, thank you then. I hope they're not too much of a bother.”

“Not really. Especially your Arabian there, she's real pretty.” Lucy eyes Cherry like a piece of meat on the chopping block. “How much for her?”

“Excuse me?” You scoff. “She's not for sale.”

“Alright, understandable. How about the thoroughbred?”

“No,” you stand stiff, jaw clenched. “They're not for sale.”

She grins slowly, brown eyes flat and staring at your soul. Shrugging, she begins to walk outside. “Eh, it's worth the try. Your loss, I would've bought them at a mark up.” Her voice fades away as she leaves.

You stand there with your fists shaking, you're perturbed by the people residing in the inn. You think Thomas and Holden are the only decent ones inside.

Cherry neighs behind you, you look over your shoulder to meet with her eyes. “The nerve of some people, huh?” Buckeye agrees by trotting in place.

Walking back towards the inn already has you sweating from the humidity. Once you open the door, all eyes are on you. Thomas stands behind the bar, preparing a plate. While Holden eats on one of the empty bar stools with a cup of steaming coffee paused on his lips as he stares at you. The reverend was just about leaving the basement when you entered, hand frozen on the handle of the basement door.

The doctor breaks the awkward silence. “Good morning. Did ya have a nice walk outside?”

You flex your hands on your sides, biting the inside of your cheek. “It was…pleasant.”

Eli casually stands up and then sits on the sofa near the fire and the cooking pot. He opens a large book, reading like he didn't just leave the basement as if he owned the place.

“Come have breakfast with us.” Thomas beckons you over, sliding the plate he was just preparing over to you. “I was just about to go upstairs and give this to ya.”

“Thank you, I'll eat it in my room. I don't want to disturb you all.” You come closer to the bar, fingers placed around the porcelain plate. You feel eyes on you, Holden continues to eat in the corner of your eyes. Eli is mouthing scriptures at his seat.

“No, no, come stay!” Thomas hands you a cup of coffee. The smell brings you back home. It's not a good memory. “It'll do you some good to have company, even for a moment. Please stay.”

You nod, clammy palms rubbing along your trousers. “...sure, just for breakfast though.” Rubbing your nose, Thomas notices.

“Sorry ‘bout the smell. We think there's a rat that died in the basement but we can't seem to find it.” He picks at his own plate while leaning on the other side of the bar. “That's why the reverend was down there. It was his turn to look.”

You nod, glancing briefly at the trap door on the floor. “Can I have a glass of water instead? I don't like coffee.”

His fork clangs on the plate as he lets go. “Oh of course!” Turning around he takes a pitcher of water and then he pours you a glass. While he does that, you look at the pictures behind the bar.

“Which one are your sisters?” You gesture towards the frames, Thomas still has his back towards you as he continues to pour you a glass.

“Oh, the picture that's in the middle.” You follow where he pointed at. A photograph of two smiling women in front of the inn when it was still new and shiny hangs in the middle of the bar. Their faces are flat and serious but the way their arms are around each other says that they're particularly happy in the picture. If not for the long exposure needed to take the scene, they would be grinning widely.

You tilt your head at the picture, eyes scanning their features and comparing it to Thomas' face. “You don't look like them.”

He twists around, handing you your glass of water. “I've been told.” Chuckling, he looks back at the picture briefly before turning towards you. “They got my mother's features and I got my father's. Which parent do you look like the most?” His eyes watch the mouth of the glass against your lips.

“I barely remember their faces now.” You don't drink the water just yet to answer his question. “So I don't know.”

“That's too bad.” And yet, he smiles. “How ‘bout you, Holden? Who do you look like?”

“My mother.” He says gruffly, tone monotone and uninterested.

“Ah.” Thomas picks at his plate again.

“I haven't thanked you yet for saving him.” You address the large man. “Thank you.”

“I just happened upon the place. My eyes couldn't leave the train wreck.” Holden stares at the same spot on the bar, you follow his line of sight, once you've reached the end, you see a dark red splatter on a glass of gin.

Before you could ask, Eli interrupts. “As is his will.” He's now in front of the fire even though it's sweltering inside already. “It's very lucky that Holden happens to be riding that way.” Eli says those words with humour, as if the train derailing is the funniest thing in the world.

Thomas clears his throat, “I heard no one else on the train got hurt.” You sigh in relief, knowing the real Clementine and her family are safe and sound. “A few railroad workers were injured but they're fine now, last I heard.”

“Yes, it's good that no one else got severely hurt.” Lucy appears inside the inn, smiling at you. She stalks silently around you like you're prey. Your hand instinctively slides down towards your gun belt.

“Well, except for your lad.” Thomas says, you look at him with wide eyes, blood running cold, gun now fully in your hand. The world swirls around you, your breathing gets faster, heartbeat loud in your ears. The air shifts, everyone except Thomas stiffens. “We know who he is. He's a fuckin’ legend ‘round ‘ere, but don't worry, we won't tell any lawmen. We're not like that.” Thomas continues to speak even with your world crumbling around you. He doesn't know what he just revealed. “Drink your water, we don't want you goin' thirsty now.”

“‘L-lad?’” you almost whisper, but the entire room is silent, a pin could drop and you'd hear it. Your words are thunderous compared to the fire cracking in the fireplace. “You said you're from here.”

Thomas chuckles nervously, you stand up, eyes flicking over towards the occupants. The rotten stench under the floorboards has increased ten fold in your panic, the tiny splotches of crimson on the walls and glass aren't just dirt and grime.

It's blood, and the entire inn is covered in it. Hastily scrubbed off the surface, but the mark of death remains.

They all look at you, Holden stands behind you, his shadow casting over you. Lucy continues to smile while Eli looks on amidst the backdrop of the raging fire behind him. Thomas gives you a look, shaking his head subtly.

You don't miss a beat, gun aiming behind you to shoot. But no bullet flies, you don't hit your mark for the chamber is all emptied out without your knowledge. You don't know when it was taken out but you don't have time to ponder it. Running past Lucy towards the stairs, you yell his name.

“Hobie!” You manage to get to the third step before you fall flat on your face, nose harshly landing on the stair, shoulder oozing something warm. Looking over the source, you see Lucy's hunting knife embedded in your shoulder. “No!”

Lucy giggles, and the reverend joins her side, face downturned, eyes following how your blood oozes out of your back.

“Fuck! They said don't draw blood! What the bloody hell is wrong with you!” Thomas shows his true colours, yelling at Lucy angrily. You continue to crawl up the stairs despite the searing pain. “Fuckin’ grab her! Get the key, it's on her.”

“I'm…” you still fight, elbows pressed on the rough wood, crawling relentlessly up the stairs. “Going to fucking kill all of you.” You say through gritted teeth, ignoring the seething pain as your body trembles.

Eli's voice pipes up. “We just want to get you home. God will strike you down if you do that.”

“Strike me down all he wants. He knows where I am.” With determined eyes, you keep crawling even though your arms are split apart by splinters.

You're about halfway up the steps when you hear loud heavy footsteps walk towards your form. Groaning, you dig for the key inside your pocket. The second you find it, you toss it with all your might, it flies up and then it lands and slides under the bar shelves. It's your turn to cackle. Large hands grab you, turning you over. Holden's scowl looks back at you. Puckering your lips, you spit at his face, laughing as he lets you go, desperately cleaning his face.

“Move over, big guy. Do I have to do everything around here?” Silent steps cross over to you while you try to desperately climb up. You can't feel your back anymore. Suddenly, you feel a cloth press on your mouth and nose. You know this smell, it's sweet and tart, but there's an underlying bitterness. Recognizing it from the description on the botanical books you've read, the ones that they say a proper lady shouldn't read. And you know you're about to black out within ten seconds. You try to fight back but you're weakening.

“Shh,” Lucy coos, arm tightening around your neck as she presses the concoction harder on your nose. Her own arm hits the knife still in your shoulder, you gasp in pain, inhaling more. “Go to sleep, sweetheart.”

The last thing you hear is his voice calling out after you. You're not sure if it's real or not, but you still cling to hope that it is.

—

The rope around your body is rough against your skin, the hemp seems to tighten around you as you move. You feel bandages on your shoulder blade, stab wound aching and throbbing. Entire body covered in sweat, your clothes are drenched from the heat. Your vision swirls, mind tethering between reality and fantasy. You see your aunt standing near the rake you just held, your uncle crouched in the corner, watching you struggle against your binds. And him, who sits next to you, as if he's guarding you. His face crosses your line of sight, it shifts between Hobie's soft smile, and his grinning face.

“I told you, you can't leave.” He says, hand reaching up to touch your face. You know he's not real, that he's a result of what Lucy gave you, what they've been giving you— but you still feel the air around him shift, how his palm sits on your cheek like a hot pan against your skin.

“C–Cross,” you gulp down as much air as you can amidst your state. “What did I do to deserve this?”

He could only grin at you.

“You’re awake, good. Lucy didn't accidentally kill you.” Eli stands near the doorway of the stable with a gold gun in his hand. Fingers yanking off his tab collar.

“Eli, you creepy motherfucker.” You slur your words, but you fight the haze. “How much did they pay you just to bring me back?”

He sniffs, “a lot.” The horses neigh in the background, you turn your head and you see Bucky and Cherry frantically thump and kick their hooves inside their pen.

“You’re not even a reverend are you?”

“No,” He says, turning away from the doors to face you. “I was once though.”

“Let me guess, you weren't cut out to be one.” You lean up, almost folding yourself to squint at him. “Or they fucking kicked you out.” He flinches, it's subtle, but you saw it. “They did, didn't they? What did you do, reverend?” You taunt while you try to ease your wrists off from the rope. Your skin stings from the movement, but it'll be worth it once you get your hands around his scrawny neck. “Oh shit, don't tell me it's—”

“It was gambling. I've racked up a debt.” He was quick to answer, as if he's still trying to protect his reputation. “I used all the donations.”

“That's fucked up.” You scoff, riling him up, playing him like a fiddle. “Seriously, so fucked up. And you decided to what? Scam more people by wearing the uniform?” Eli doesn't answer, you see him bounce on the balls of his feet, anxiety rolling off him in waves. “Is there an afterlife, reverend?” You say in a small, weaker voice to rag on him on more. It works when he turns towards you.

“Stop talking,” He saunters over to you, crouching down to your level. “I've already heard all those words before, you don't get to hurt me back, girl.”

“Was it all of you? Holden looked like he didn't want to be in there.”

“Please, he was the one who recruited me. He knew that Thomas needed more men the moment he heard Hobie's name.”

You chuckle bitterly. “You know that one of you has damaged the goods, right?”

“Thomas healed you.”

“Yeah, but still, you've left a mark. That means the pay will go down, that means your share will go down thanks to Lucy.” You can practically see the cogs in his head turn. Tilting your head, you turn him against his own team. “Tell me, would it hurt if you got someone out? You know, increase your pay.”

“What are you saying?”

“There are plenty of alligators here. I'm saying that accidents happen.”

Eli knits his brows, “but which one—?” The unmistakable sound of a gun going off echoes around the marsh. It's so loud that the horses are startled, panicked neighing fill the stable, birds scramble off the trees to fly away. “That came from inside the inn!” He stands up, you drop your façade as he turns away. “Shit!” More shots ring out, then a dozen more, suddenly, it's quiet in the marsh again.

Eli is in the perfect position for you, his body shields you from the afternoon sun as he stands there in a worried state. His gun is in his clammy hand, hammer pushed all the way down. Without a thought, you sit up in a crouched position slowly without startling him. And then you push him on the back of his knees with your shoulder, earning a pained groan from you and a sudden bang when he falls that has you flinching away.

Rubies pool around Eli's body, and you realize, he has shot himself when he fell on his face.

“Fuck.” The voice by the doorway says, you can only see his silhouette, the setting sun directly at his back. He's hunched over, silver gun in his bloodied hand.

“Hobie, are you real?” You could cry, on instinct, you move to get to him but your binds prevent you. Tears cling to your eyelashes as he slowly makes his way towards you. “H-how?”

You can see his face fully now, blood coats his cheeks and neck, eyebrows contorted in pain but his smile tells you otherwise. “I woke up.”

“You did.” Sobbing, you try to hold him even with the ropes around your wrist. “Are you okay?”

Hobie holsters his gun, wiping the blood off his hands on his trousers, and then he cradles your face. Thumb brushing along the tears. “‘m alright, dizzy and a bit of a headache but ‘m alright.” His viridescent eyes are aglow, trapped tears glimmering. “Are you—? Did they hurt you?” He asks in a small voice, afraid of your reply.

You frown, and he already knows the answer. “I thought you wouldn't wake up.”

“With you waitin' for me, of course I'd wake up.” Hobie lays his forehead against your own. He's real, and he's holding you in his arms again. “‘m real, love. I'll never leave you again.”

You cry in his arms even when he cuts off your binds. Your mind is still reeling from the previous event. Body free, you embrace him, face tucked on the crook of his neck. He holds you, kissing your temple, hands rubbing up and down on your back. He apologizes against your skin a hundred times. And you forgive him a hundred more.

Hobie releases all the horses from the stable, all the now riderless horses gallop out in a rush. He guides Cherry and Bucky out to hitch them just outside on the trees and away from the inn and stable. Coming by to get you, who stands in front of the inn.

“I need to get my things.” He says next to you, pinky curled around your own. “Your letters are still in there.”

“I'll come with you.”

“No, you don't need to see that.” His eyes warn you of the sight ahead.

“Too late for that, Hobie.” You thump your head on his bicep. “I’ll watch your back. Just in case.”

“Stay close, yeah?” He smiles softly, letting go of your hand reluctantly. You nod behind him, gun drawn and loaded.

The door opens, you try not to look at the bodies at your feet but your eyes seem to gravitate towards the violence that was left. There's blood splattered all over the walls, Holden's body is hunched over itself, blood seeping out from his numerous gunshot wounds. You walk a bit more, following Hobie's path. Broken glass crunches at your feet, and you see Lucy laying on the ground with her own knife shoved inside her chest. Her eyes are wide open, mouth agape in surprise. By the stairs, in the same position you were in mere hours ago, lies Thomas with a shotgun wound on his back, making you see through him.

“H-how'd you manage this on your own?” Your nails scratch along the metal of your gun.

“You were in danger.” Was all he answered.

As you stand there, you hear something on the floor next to the bar, glancing downwards even though you've had enough of the sight, you find someone who shouldn't be there.

“Culver?” You ask, and he whizzes out.

“Help. Me.” He tugs at your trouser leg, he's drenched in crimson, from his face down to his boots.

“He was hiding underneath the floorboards with the bodies of the actual owners.” Hobie says, guilt is written all over your face. “It's not your fault, love, you gave him a chance and he spat at it.”

“P-please,” he wheezes out, voice hoarse and broken, “they hired me, I-I was just following orders.”

You sniff, fists shaking. “It was my aunt wasn't it?”

Culver shakes his head, desperate to please you, desperate for you to save him again. “No, it was your h—”

Your bullet cuts him off, he lays there, now unmoving, and the gun in your hand smoking. You feel like you're deprived of air. Hands shaking, tears flowing out freely.

Hobie reaches for you slowly, you don't flinch away so he pulls you in, letting you weep against his chest.

—

The flames ebb away at the building, ashes flying off into the air as the roof collapses down on itself. You let the smoke fill your lungs, watching the fire light up the entire marsh, but it acts as a beacon to where you are. And you can't risk being found, especially when he's back on your side.

You kneel down, placing the framed photograph of the actual owners on the ground, apologizing to them quietly.

“We should go, Hobs.” You softly say, tugging at his sleeves.

He nods, eyes flicking between you and the burning inn. His palm is pointed towards you, waiting for you to reach for him. When your hand slides on his own, all his fears melt away. You're safe, and he's alive— that's all that matters.

—

Midnight comes, you and Hobie rode further north and away from the chaos you two left. Bucky and Cherry sleep next to each other, both tired from the ride. You tend to the fire while Hobie cleans his hands in a nearby river. The murky water turns a dark shade of red as he scrubs his hands clean, there's blood under his fingernails. And shallow crimson slashes on his arms. Once all the blood has been washed away, he sees a slash on his palm, identical to yours, the one he sutured himself. He winces, and you turn around to check on him. The both of you had been quiet the entire journey, preferring to look on whenever one groans in pain or when either one of you shifts on the saddle. You don't want to talk about it, and he doesn't want to either. Both thinking that it was his and your fault for everything that had happened.

He holds up a hand to you, wordlessly telling you that he's alright. Nodding, you turn back towards the fire, your vision shifts from the campfire in front of you to the burning cinders of the inn. A wet cloth on your cheek jerks you awake.

“Sorry,” Hobie flinches, taking the cold cloth away from your skin. “You have soot all over your face.”

You smile softly, hand reaching for his wrist, gently placing the cloth back to your face. He understands, wiping away the ash off of your skin. You stare at him, face unreadable, bandage still wrapped around his head. “Hobie,” he hums in reply, continuing to wipe the grime off. “You said you had to leave but you never told me how you left. Please tell me what happened that night.” Why did you leave me?

Hobie scooches closer to you, knee to knee, hand still wiping along your forehead. “Hicks did it.” You listen, hands fisting his vest to tamp down your frustration and everything in between. “He was the one who found out, told your aunt and got a group from the factory to ambush me in our meeting place.” His voice breaks but he composes himself. “He was the one who slashed my throat and…” faltering, the cloth slid downwards to your neck, rubbing along your skin. “buried me alive under our tree.”

Your heart clenches, imaging him clawing his way out of the dark earth. “Hicks, h-he married my aunt six months after you left. That motherfucker boasted that he killed you, hid your body in the woods. But I knew better.”

Hobie runs his thumb under your eye, wiping away a stray tear. He gives you a brief smile. “Fucker wasn't content in bein’ the factory manager, he had to ‘eliminate the competition,’ he said. I wasn't even participatin’.”

“I'm sorry,” you wrap your arms over his shoulders, hands holding his jaw. You apologize to him like an acolyte asking for retribution in front of the shrine. “I'm sorry, I should've done something— I could've—”

“There was nothin' you could've done, love. Just like how I couldn't fight back.” He pulls you in, face pressed on the crown of your head. “They used you against me. Told me that you didn't want me anymore. Told me I was a burden to you.”

“No, never. I'd never do that.” You pull away, holding him close, meeting his emerald eyes that reminds you of the best parts of home.

“I know that now. I knew it back then too, but my anger and frustration got the best of me.” He presses a heavy kiss on your forehead as you close your eyes, listening to him breathe. “Peter helped me get out, and all he got from it was getting his eye taken out.”

You gasp softly. “He helped me too,” Hobie looks at you, hands still cradling your face. Hands that are warm against your soft skin. “He didn't tell anyone where you were, I didn't know until now, until your letter. He helped me get on a boat.” You remember that day, it was raining, it was also pouring down back when Hobie left. Your nails dig into your palms when your mind gives you the image of him digging himself out of the flooded soil, lungs inhaling in rain water and dirt. “I–I really wanted to look for you, to run after you but I couldn't.” Hobie presses you against his chest while you heave, tears flowing down your cheeks as you feel his own drop on your head. “They had me under lock and key, they guarded my doors for years, until—” You pause, hands bunched up on his shirt. “I'm so fucking sorry.”

Hobie cradles you in place, arms holding your form as he lets his touch calm you down, accepting your apology, and accepting his faults. “You did good, love, you survived. But I'm ‘ere now, you'll never be back there.” You nod against his chest, Hobie hides his sorrow filled face in the crook of your neck, lips pressed on your skin, mumbling apologies. “When I was runnin’ away while I was still bleedin’, I thought I should at least say goodbye to you. But I changed my mind and went towards the docks while Peter hid me in his cart.” He leans away, just like back then, he doesn't want to sink his teeth into you, to bite hard and draw blood. “I thought that you deserve someone who isn't me. Someone who's not broken. 'm broken, and 'm afraid I'll never return to who I was before.”

You reach up to touch his cheek tenderly, head placed on his lap, cradling your body just like he did under your oak tree. “You are not as broken as you think you are. Not to me, never. You are everything to me, Hobie Brown.” You hug him, for you have no idea how to tell him that you know he can't be ‘fixed’, that there's nothing to be fixed. That even if there was, you'd break yourself, break every muscle and bone in your body, tore it limb from limb so you'd be broken together. That you'll fit right in where his jagged edges lie just like before. But you know you don't have to, because you're just as broken as he is.

"Is there still room left in there for me?" You poke his chest right where his heart is.

His yearning has taken a form in you, it has your face, and it has your voice. You are love incarnate.

"Always. you've never left.” He says softly, words that are only for your ears. You nod, smiling, tilting your head up as he leans down. “Let's go home, love.” He wants to carve out your name in his heart, but he'll settle for the next best thing— etching your lips upon his own.

[howlingguardian]

Elisabet Sobeck would be four when The Wild Robot came out

Baby genius seeing a film about a shiny robot learning the value of nature, wildlife, kindness and community.

I like to think that would have had an effect.

[theworldofotps]

He said I’m not done

Excuse me she needs a minute🫠🫠🔥

@melissahausen @new-zealand-chic

Belong | Hangman A.P.

Summary: Adam Page in the wild west. Sheriff turned outlaw. Boxing match with Juice who disrespected his woman, and no one disrespects his woman. Only way to calm down Adam Page after the match is to let him fuck the shit out of her.

Requested by: @magicalbuttertarts

Adam Page Masterlist

AEW Masterlist

Taglist: @theworldofotps @smallestsnarkestgirl

The sheriff turned outlaw was angry. Despite getting his revenge, something was off. He thought a nice bath would calm him down, but nothing. The scene from earlier that night played in his head repeatedly.

Juice with his hand on Y/N. His hand rode up her side and tipped her chin up. She didn't push him away. Instead, she smiled. As if she was loving the attention. When he leaned in to kiss her, she finally stopped him. Her hands rested against his chest to shove him away. When he didn't get the hint, Adam stepped in.

Things came to blows relatively quickly. An all-out brawl just outside the saloon's wooden doors. The sound of flesh punching flesh sounded could be heard along with curses. When Juice was unconscious on the floor, the Hangman walked inside like nothing happened.

The scene started to play repeat, but this time, he focused on the way she enjoyed his attention. A former woman of the night from Toni Storm's Ranch, she was used to being flirty and friendly with men to get money. Adam, of course, was different. They were in a relationship. She belonged to him and only him.

That was it. A light bulb went off in his head. He had to remind her who he belonged to. When he felt his pants tighten, he knew what he had to do.

"On the vanity,"

Three simple words, but the roughness behind it made her realize not to question the cowboy. She sat on the vanity. He grabbed the back of her knees and yanked them apart. Adam stepped inside and stared into her eyes to see if she would challenge him. A challenge never came.

He snaked his fingers in her hair and pulled. Her gasp was silenced by his kiss. His tongue explored the crevice of her mouth. Y/N's tongue met his. When he pulled away, he bit her bottom lip and tugged. Not enough to hurt her, but enough to show her he was in complete control tonight.

Adam planned his next attack. His lips latched on to her special spot. When times called for it, he bit her neck before quickly kissing and licking the pain away. She squirmed. His actions would certainly leave marks, which would be the talk of the town in church tomorrow. His hand gripped her thigh in a warning for her to keep still. She obeyed.

His hand on her thigh slid up her short dress. He bit back a curse when he didn't feel any undergarments. His eyes darkened. Y/N suddenly felt embarrassed. She tried to make an excuse, but before she could think of one, his fingers began exploring.

Adam rubbed his thumb against her clit. She panted and gripped the side of the vanity. He let go of her hair and slid his fingers inside of her. To no one's shock, she was wet ready for him. She had admitted to Adam before she liked him a little rougher. Her walls clenched around his two fingers.

Shamelessly, she thrusted her hips when his fingers slid inside of her. Calls of his name filled the room. Her orgasm washed over her, yet he didn't stop. Quickly becoming overstimulated, she tried to push her arms away from her.

Adam pulled away. His lover starter to catch her breath. He didn't give her a long time.

The angry cowboy removed her from the vanity and bent her over it. Her stomach laid against her juices on the table. Her dress shoved roughly up to her waist. He left a hand on the small of her back to keep her still. Adam smacked her ass. She counted up to ten.

"Who do you belong to?" He asked roughly. He was panting above her. Adam raised one of her legs on top of the vanity.

"You," she answered weakly.

"No, no, who do you belong to?" He repeated. Adam removed his belt. He grabbed her wrists. The belt wrapped around them so she couldn't move. Y/N heard his zipper lower on his pants.

She groaned when she felt him at her entrance. Y/N answered him with more confidence. "You, I belong to you,"

Adam pushed himself inside. Walls stretched to accommodate him. Her eyes closed as her mouth parted. He was the only man that she ever allowed to treat her like this. When he was fully inside of her, he pulled her up by her wrists. Y/N stared at their reflection in the mirror. His crazy eyes stared at her. His hand gripped her cheeks to look in the mirror.

"You think Juice could do this to you?" He asked and thrusted in her roughly. Adam pulled out.

"You think he could make you feel this good? Huh? You belong to me," he grunted and thrusted back in. "And don't you ever fucking forget it,"

Y/N was let go to lay on the vanity. The Hangman grabbed her hips and forced her back on him whenever he thrusted in. She babbled incoherently, trying to insist that she only belonged to him. He chuckled to himself. She didn't have a choice in the matter.

His thrusts started to become erratic. The vanity banged against the walls loudly. Y/N was sure someone was going to come to complain. They would be dead the moment they opened the door.

Y/N's cheek rested against the wooden vanity as she watched him. Adam was looking down at her. His hairy chest heaved as thrusted in and out. He was the most beautiful man in the Wild West.

Nearing her second orgasm, a particular thrust threw her over the tipping point. Her body clenched around him. Adam thrusted one last time inside of her. He stilled as he filled her with up.

Heavy breathing filled the room. She fought to stay awake. Adam released her bindings. On wobbly legs, Y/N stood up properly. The Outlaw fiddled with the belt before looking at her reflection in the mirror.

"Get on the bed. I'm not done with you yet,"

[thebadsansbandits]

Page 20!

Sorry I didn’t post this last week, I was sick

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