#why would you fucking lie

[two-braincells-in-total]

Unfortunately, I'm a jealous person (i should prolly work on that tho), so if I apologized to you three fucking times, you said it's okay, but still don't talk to me and then i see you talking to someone else five fucking feet away from me AND say an inside joke that you have with me, I'm gonna be livid

Unfortunately, I'm also nonconfrontational, so I'm not going to say anything about it, but I'm also not pathetic enough to apologize a fourth time, so I'm just gonna wait for you to get some sense into your head and stop being mad over a petty argument, for fuck's sake

[clownowo]

🤨

bonus:

[theodysseyofhomer]

i straight up do not believe that odysseus did everything he did to get back to penelope and telemakhos. or even that he did everything he could. wanting to return to them is not the whole story. i like the myth about odysseus pretending to be mad to get out of the war for lots of reasons, but one of them is because it's an attempt to escape the narrative, foiled by his love for his son, but also because there is contrast to what we know of him long after the narrative has sucked him back in. odysseus is no less kleospilled than anyone else! he fights for his pride; he makes mistakes; he gets worn down; he delays his homecoming, in ways that are and aren't his fault, all the time. he wants to go home. he doesn't just want to go home.

but he does try. by leaving ogygia he willingly goes back into the narrative one more time, and he never gives up until he finally returns. isn't that compelling enough? do we have to sand it down?

[m1d-45]

renewed

summary: many things have changed in aether's life since he met you...

word count: 2.7k

-> warnings: n/a

-> gn reader (you/yours) + aether as traveller!

taglist: @samarill || @thenyxsky || @valeriele3 || @shizunxie || @boba-is-a-soup || @yuus3n || @esthelily || @turningfrogsgay || @cupandtea24 || @genshin-impacts-me || @chaoticfivesworld || @raaawwwr || @ryuryuryuyurboat || @undrxtxd || @rainswept || @wanderersqt || @rozz-eokkk

< masterlist >

aether isn’t quite human. at least not entirely, not anymore.

it could be argued that even prior to coming to teyvat, he and his sister weren’t entirely human. they were nearly always stronger than the native life wherever they traveled, never lingering long enough for an accurate portrait to be drawn. between their glittering wings and the razor sharp swords at their hips, it could be easily argued that from the perspective of the people they visited they could be called angels.

a few wrote legends about them. the gilded warriors with shimmering swords that blinded as they slashed, so in step with each other that it was as if they were one being. the saviors, the adventurers, the peaceful giants, twin faces atop four wings apiece. lumine always managed to sneak away a copy of these legends, and they privately laughed over the artwork at their camp that night.

“we don’t look that intimidating, do we?”

“i’m fairly certain-… hang on, is that a tail?”

“that’s supposed to my hair, i think.”

“no no, look. it connects lower, here.”

“…by the stars-”

they didn’t see themselves that way, though. they were simply twins, defined by the other in every sense. never apart for long, always stood side by side, trading swords before a dangerous fight as a promise to return them.

‘draw me with courage.’

‘wield me with valor.’

lumine and aether and aether and lumine. they never fussed about the order, so long as they were together. call them whatever you’d like, insults or praise or a simple, tired request to leave, as long as it was both of them. they were all they had left. the other half of their life. to try and pry apart the seam would only result in bleeding hearts, limbs tangling together to at least die by the other’s side. even ‘twin’ was too simple a word to fit the entirety of their lives into. ‘twin’ implied a degree of separation, an impossible gap between them where wind would blow and the world would dig into, pushing them away like waves in a boat’s wake. ‘twin’ was too shallow a word, to bitter, too small to encompass everything they felt.

such fervent devotion could never be considered ‘human,’ for no human would ever live long enough to know the fear that came with knowing everything that swelled would eventually fall. no human would clutch so desperately to the twin pillars in their life—would ever consider basing their world upon two things. they’d call it foolish, even, for what would you do if one collapsed?

aether never liked that question. he didn’t like it when he and lumine first heard it, he didn’t like it when he and lumine heard it a second time, he didn’t like it anytime he and lumine heard it after that. he didn’t like it now, her sword slipping from his hands as he reached, his fingers barely brushing hers.

the unknown god laughed, and he barely had time to feel rage before the world closed in on him and his memory faded away.

aether and lumine. lumine and aether. she was always insistent upon his safety, but just this once he wished she wasn’t. living in whatever stasis she was in within that cube would certainly hurt less than this, bile rising in his throat at his failure.

somewhere in his mind, he knew that it logically wasn’t his fault. he remembered the layer of warmth that had surrounded him mid-battle, saw the reflection of understanding in lumine’s eyes. it wasn’t technically his fault, he didn’t ask to be saved, ignoring that it was his own actions that led to his god’s blessing. perhaps if he wasn’t so strict about the time of his prayer he wouldn’t have to be alone on this beach, though there was no way to find out. the sand stretched on either side, and though it wasn’t infinite, he had not left the immediate area around where he’d first woken up. to move was to move on, to leave, to accept that his world had shattered into a thousand little fragments and to give up on picking them off the floor. he couldn’t leave. to leave was to surrender to this new fate. to leave was to forget about his sister, to forget about his self, to forget about the half of his life he never imagined he could lose.

family and faith. to lose his gods favor was a threat he could live with, as there would only be himself to blame. but his sister?

if he hadn’t fished up paimon, he’s not certain he would have eaten the fish that came up instead.

she was bright, bubbly, at least after coughing up an impossible amount of seawater. she thanked him profusely while wringing out her hair, insisting on helping him in return because “it’s only fair!” as if he wasn’t three times her weight (save her magic) and and ten times as strong.

and he let her. he’s not sure why, but he did. he watched her fumble to catch crabs, ending up covered in sand, and managed a weak smile. it was for her, he told himself, spearing three with a sword that wasn’t his, helping her arrange driftwood into a measly campfire. he hardly felt hungry despite being on the beach for what had to be a few months in local time, but she was so insistent that he have some.. it was for her benefit. he just had to get her somewhere safe, then… then…

“so, where are you from?”

aether looked up from his barely-touched meal, meeting her eyes. they were so wide and earnest, too trusting for someone that just met him.

not that he had any ill intentions. no, lumine would always joke that the day he was willingly rude to another would be the day the sky turned red—something that had been the case on one of the planets they’d visited, much to her delight.

aether turned back to the fire, pushing aside the memory. “another planet.” his voice was hoarse and his throat scratched with salt from attempting to drink the seawater earlier, which was not as potable as he’d hoped. “i flew here with my sister.”

“you have a sister?” paimon looked around, though they both knew she wouldn’t find anything. “where is she?”

aether swallowed salt and bile, taking another bite of his crab just to stall. “how about we talk in the morning?”

she let the topic drop.

he didn’t sleep that night, lending her his scarf as a pillow and keeping watch. she didn’t wake when the moon erased the shadows in the sand, or when the sun first crested the sea, or when the sky fully lightened to a pale blue, birdsong filling the air. one of the remnants from the fire found its way into his hand, reaching out to gently shake her awake. her eyes were heavy and she covered her mouth as she yawned, aether looking away before his own could water.

he drew nothing in the sand as she asked her questions—who are you, where’d you come from, who are you missing, what happened to her, why didn’t you do anything?—sketching out mountains and seas he wiped away as soon as they took form. he spoke for much longer than he meant to, his words pulled out as if they were tied to some invisible string.

when was the last time he was alone for this long?

paimon listened intently, brows drawn and frowning deeply, watching as he carved twin—twin, separated by time and space—stars into the sand. “so… what you’re trying to say is that you fell here… from another world? but when you wanted to leave, to go on to the next world, your path was blocked by some unknown god?”

wow, he wanted to snark, i didn’t know there was an echo out here! but the chance never came. magic gripped him by the throat and his eyes went wide in panic, his mouth shaping words he didn’t choose to say by force. he didn’t want to say what someone else told him to. he didn’t know what was going on. he was being pulled at some ghost’s whims, walking stiffly across the sand. it did not skid from beneath his feet, nor pull his balance one way or another. it was solid as stone, leading him up the beach without warning, without knowledge of why or when it would stop.

when was the last time he was this helpless?

(lumine.)

he stumbled across the shore on uncoordinated limbs, fighting fruitlessly. ahead, slime bubbled up from where the sand met the sea, but the ghost did not stop. mist coagulated into a pale blue blob with hazy spots for eyes, and only then was he allowed to stop. paimon yelped and ducked behind him, a familiar weight sinking into his hand. the slime had barely the chance to turn and see him, jerking up as if surprised, when his arm slashed forward.

a sword. not his sword, not lumine’s sword, but a sword, pulled from nowhere, the dull blade hacking at the blob of its own will until the sludge dispersed and sunk back into the sand. a soft mist lingered above the sand, but he was pulled forward without care or remorse. he didn’t even know if it would have hurt him.

weight hit him between the shoulders, cold spreading over his skin and absorbing into his skin. energy buzzed beside his ear, his earring humming with neither outlet nor conduit. were he anyone else, he would have been afraid, but he recognized the buzz. all at once, he understood. all at once, the weak puppetry was vindicated, his muscles relaxing and letting it happen. your energy sank into him, and he let himself stop worrying.

if you were here, he’d be okay. if you were here, you could fix this.

if you were here, he could find his sister, and everything would be okay again.

aether was not human. not entirely, not anymore, and he knew the people of mondstat could tell. you had stayed to guide his body for a week, alternating between helping the knights with dvalin and exploring the plains of mondstat. he was weak and your grip was frail, his attacks uncoordinated and clumsy, but you were there. you understood. the cavalry captain gave him a long stare as they exited his domain, a mix of curiosity and disbelief swirling in his one eye.

when you finally left, you did so in the middle of mondstat square. a physical weight lifted from his shoulders, the anemo he’d absorbed turning from calm and controlled to pushing at the edges of his form, trying to make him give. the anemo archon approached, soothing the wind with a wave of his hand, pulling him along for a drink and a chat. his knees did not want to bend without your command, his mind fraying a bit from continued exposure.

“how interesting, that you’re still standing after a week without rest,” the bartender remarked, the glass in his hands obviously an excuse to keep them above the bar. “what’s your name, outlander?”

he did not think of his own name. no, when he went to answer, he thought of the name you had given him, the one you whispered as you sheltered him from the unknown god’s wrath. it was not his, but it was yours, and wasn’t that what he was asking for?

it took too long for him to answer. red eyes narrowed but eventually chalked it up to exhaustion, giving him directions he couldn’t hear. the captain led him to a room in the back, but he didn’t sleep that night, sitting at the window and searching for the thin sliver of stars.

he didn’t need to eat anymore. he could, certainly, and it tasted fine enough, but he didn’t exactly need to. he’d thought it odd, at first, that barbatos was healed strictly by the wind, but he understood now. he spent his free time sitting under vanessa’s tree, half-asleep as he waited for your return.

you were his source of energy, of will. you knew answers to problems he’d have given up on, and if you didn’t then you tried and tried and tried again until you got it right. you were the power that purified dvalin’s tears, you swept the wind to fix the holy lyre, you cleared the seals around decarabian’s tower. he was a medium, and he was happy with that. your presence waxed and waned, the lapses without you seeming to pass by in a blink.

a few of the knights worried for him, but he knew your vessels understood. none held as much of your power as him, none were as reliant on you, but they understood. they excused his oddities with a kind smile, paimon always at his side to make sure he didn’t waste away the day simply sitting in one spot. prior to coming to teyvat, the concept of elemental sight was something he was only vaguely familiar with. a few planets had some talented witches that could feel the flow of energy through the ground and grass, who could watch the mist in the air and predict the weather. he’d never experienced it himself before. now, the world lit up as his eyes took on a teal sheen, your power mixing with the anemo within him to grant him insight. the world was so vibrant, even the most mundane sights capturing his attention. how could he not stare? if he had it his way he’d always view your creations like this.. but whenever paimon snapped him out of it he’d come out of it with a headache, not to mention his staring tended to be off-putting to those around.

a lot of his new behaviors were. when within your control, he moved stiffly, with repetitive motions forecast well in advance. you chose what he said, when and how he moved, you controlled the very flow of elements through his body. it was harder and harder to think for himself without you there and though paimon handled most of the conversation, there was only so much she could say.

“who are you looking for?” lumine. his sister. himself. the knowledge was there but his throat was closed, unwilling to move without your order.

“thank you for your help.” you’re welcome. don’t worry about it. it was nothing. all he could manage was a stiff nod, eyes flicking to the sky, counting the days until your return. he’d gotten a good grasp of your routine by now.

“who are you?” yours. a traveller. lumine’s. he could not blame those they ran across for their suspicion, even though he wanted to. could they not feel the remains of your presence lingering around him?

they had to go to the rite of decension soon. liyue was holding off, though, waiting for your arrival. they’d never dare to make you miss it, so aether felt no hurry to leave. he laid in the middle of windrise, staring up at the stars. he used to sit atop the knights’ headquarters, but it took too long for the lights of the city to turn out and he liked picking out the various constellations.

his was up there, somewhere. he didn’t have a vision like your other vessels, but he could feel it. it was written right beside your decision to save him and not lumine, alongside your actions in mondstat and everything you’d do in liyue. fate, you’d called it, well-acquainted and intertwined.

aether fell asleep on wet grass among cold wind. he did not get sick, nor was he attacked or otherwise hurt. why would he have been, anyway? your blood was in his veins; he had nothing at all to fear.

[starwikia]

oopsie-doopsie looks like someone might’ve realized he did a fucky-wucky!

[thelonelynindroid]

His only deanfense

[rawliverandgoronspice]

anyway to end the series on ganondorf tp's writing, my take (which isn't canon but arguable as a valid "death of the author" read imo) is that he is at his most iredeemable AND that's because he has zero things left to lose and no community left and his goal doesn't even make sense anymore he is parasitic and a ghost and pathologically obsessed by his own godlike legitimacy because that is the only thing he still has and it has prolonged his life in a horrible diminished state in a nightmare dimension so SURELY it must mean something right right RIGHT

[necrotic-nephilim]

for the ask game

tim creates a clone of kon, but this is dicktim tim has to carry the fetus or breastfeed it, but dick suddenly gets a mommy kink and immediately falls in love

for the ask game!

DICKTIM MOMMY KINK. how did you know i have such a thing for just about any Batcest ship where the other person calls Tim mommy. i don't even know why i just think that shit is so fun.

it'd have to be Omegaverse for me, that's the only scenario i personally could write m-preg. i like the thought of no one knowing that Tim has gone on this crusade. and after 99 failures, Tim's so desperate and angry he tries in vitro fertilization. the first few times it doesn't work so he doesn't take it too seriously, at this point it's just a compulsion. he gets to a point he stops taking the pregnancy tests. so when about a month later, he's experiencing morning sickness and he's missed his heat, Tim has an 'oh, shit.' moment. and well. telling Dick first is his *natural* answer. (i think he'd also go to Steph, but in canon she'd be "dead" at this point) Tim doesn't know what to do, he didn't think he'd get this far. Dick is comforting and grounding, agreeing to help Tim hide this the best he can. Tim has to time it right, fake a bad injury so it makes sense he's benched and wearing baggy sweaters for a few months.

it's platonic at first. Dick is an alpha but his bond with Tim is more of a pack bond and he's just trying to help Tim through this awkward situation he got himself into. (and not laugh at him too much in the process bc well. only Tim. only Tim could manage this.) the pregnancy hormones have Tim all over the place. he's seeking comfort and Dick is trying to keep it platonic and professional, even when he's cuddling Tim or bringing him weird cravings at 2 am. the trust in Dick and Tim's bond makes Dick Tim's only real support system. (also just bc the Titans were a goddamn mess in this era) maybe at some point they tell Bruce the truth but Bruce is dealing with Jason so. bigger fish. it forces them closer as Dick is the only one who can help Tim with the awkward sides of pregnancy. Dick is basically living with Tim and because Tim can't satiate the itch to be in the field (he's tried sneaking out, it earned him a lecture from Dick and a warning that Dick would handcuff him to the radiator if Tim tried that again) so Tim runs comms. for anyone who asks, but mostly for Dick, to the point he's in Dick's ear even when Dick doesn't need the backup, just to keep each other company.

i think, as the pregnancy went on and Tim's chest started to fill out and his hips are bigger, that's when Dick's feeling shift. one second Tim is just his pack, the next Tim is suddenly a very pretty, very vulnerable omega that's Dick is protecting and his wires get all kinds of crossed about it. he starts dousing himself in scent blockers so Tim doesn't notice the change, can't smell how much Dick wants him. which makes Tim annoyed because Dick's scent has been a consistent calming factor keeping the worst of his hormones in check. it'd lead to an awkward fight where Dick is dancing around the truth and Tim just wants to bite him out of anger. finally, Dick admits it and. Tim kind of bluescreens bc sure he's had a crush on Dick for years, but it's sort of like your celebrity crush calling you up and asking for a date. it makes no sense and he can't wrap his head around it. he almost thinks Dick is making fun of him, because Tim is super self-conscious about the pregnancy and mortified he put himself in this situation. it takes a lot of reassurance and a long conversation, but. well, they do end up having sex.

Dick doesn't *mean* to call Tim mommy the first time. he knows Tim hates being emasculated as an omega, and knows Tim is vulnerable about being pregnant. their sex is gentle, no matter how much Tim insists he can take it because Dick doesn't want to hurt the baby, or Tim. it's when Tim finally huffs with annoyance and flips them over -reminding Dick that Tim is still trained and deadly, even like this- to take control and actually get the rough sex he needs right now, when it slips out. there's something just very pretty about Tim taking control and taking what he needs from Dick, but still being whiny and squirmy on top of him. so the first time Dick calls him mommy is an accident and they're *both* startled by just how much they like it. their sex life goes from soft and caring to *very* interesting overnight, where Dick doesn't hide how much he likes Tim's chest. and well. breastfeeding kink. for completely scientific reasons, of course. just to help the milk flow and make sure Tim's body is adjusting well. definitely not bc of the noises Tim makes when Dick does it no sir.

when Tim finally has the clone baby, they're both smitten with this tiny clone. i think they'd end up mating and either say it's Dick's baby or they adopted it. (the lie only works short term bc well, sooner or later that baby's going to start lifting trucks. not to mention Kon does come back to life and is perturbed by how much Tim's kid looks like him.) it's a very cute, fluffy happily ever after sort of deal, with plenty of mommy kink. i think Tim would be huffy and annoyed at how long he'd have to wait for sex bc in my mind, Tim uses sex as a stress relief and is very annoyed when he's deprived of it so, they'd find creative ways around it.

[dukeofthomas]

Rät by Penelope Scott is so Jason Todd & Bruce Wayne

[the-judicial-assistants-notebook]

jfc, man, stand up

[primus-why]

I Feel TFOne Could've Handled This Better...

Hot take but I feel like folks have been really generous with the take that OP was unable to find ~the perfect words~ in the heat of the moment (and thus should be given some grace) when he told D to stand down and "not be like Sentinel"... namely cuz I don't feel that the narrative supports this?

Like-- after all is said and done, OP doesn't reflect on that part of their split. He doesn't have a moment where he seeks validation or voices his regrets over the choice of his words, it's actually cut-and-dry. The narrative (as it stands) supports that OP saw D-16 acting up, so he called him out and stood on business, down to the last scenes where he's basically like "yeah it's a shame but y'all knew I had to do it to 'em."

It didn't have to be much! I'm not saying to absolve Megs, just show OP looking at things from a different perspective/contemplating a bit on that tough choice and the morality of the moment. Some examples of what I wish we had:

B-127 straight up blurting the obvious by later chatting with Orion like, "Wait so you told your best friend that he was acting just as bad as the guy who enslaved us for our entire lives and was torturing him like an hour ago? Oof. Seems kinda harsh." Then have some of OP's regret show on his face.

OP asking Elita-1 after Megs is banished if he did the right thing. Have Elita back his choice up, saying, "You should have seen what he did after you were... gone. It was terrifying. I know it was tough, but you made the right call." OP is grateful for the support, but a conflicted look still flashes across his face before he steels himself to look out towards the horizon... and the future.

Have OP walk past other mechs/former miners who didn't go with the High Guard saying stuff like, "Wish I could've given Sentinel a piece of my mind!" "Yeah, but I'm glad he's gone for good." "Ugh I miss everything." "Oh, it was crazy! Megatron picked him up and then he rrrrriiipped-- oops, hey there, Mr. Optimus... Prime... sir?" And have OP wave hello, looking a bit sick when they leave.

Post-credits scene with Starscream going on and on, asking Megs when they'll be back to teach the upstart Prime a lesson. Megs grabs his face to shut him up. "Patience, Starscream. The Prime thinks I'm no better than Sentinel... but I'll show him. He wants Iacon? He can have it. In the meantime we'll take the rest of the planet! Then I'll come back, crush Prime under my heel, and we'll take Iacon too. Sentinel's reign will barely be a footnote, because I'm about to become Optimus Prime's worst nightmare." The vocal performance would really need to sell this-- like picture Megs saying something like that from a place of anger and hurt, not so much a place of genuine evil or malice.

Basically instead of Orion's assertion being backed up as black and white/good vs bad, I wish we had some different opinions/reactions from the characters sprinkled in there. Like you can't tell me out of allllll the miners who weren't strong enough/willing to go with the High Guard and ended up sticking around that NONE of them were like "eyyo honestly?? Kiiiiinda glad Sentinel is dead. Wish I could have helped, tbh." like come onnnnn...

And you can't even argue that he's not an active threat-- I don't think everyone would see things that way! It's not just about the threat he physically has, but the threat he represents and is very likely to act upon if given the opportunity! He has a proven track record of not only being sneaky and conniving, but also capable of dealing some serious damage/killing people bigger and stronger than him, plus he has the backing of the Quints. All he'd need to do is wriggle his way out of jail and run off to his sponsors, then he'd probably be back to hurt more people! (If the Quints didn't just kill him out of incompetence lmao). There's a lot of "ifs" here, but I think it's a valid argument that not everyone would agree on what is the right or wrong way to handle Sentinel once he was down long enough to, like, do something about him.

I feel the situation needed a bit of nuance. In some way I wish they had kicked the can and had D and Orion bicker while Sentinel escaped, then have D get frustrated enough by the loss of Sentinel to point fingers (and his fusion canon) at Orion, who then falls and becomes OP. (Megs could still show some of thar emotion/remorse right after he does it too.) Not only would this open the door for a sequel, but tbh the Quint might have just killed Sentinel anyways and sought to deal with the miners uprising themselves lol. (Maybe that could have been an after credits scenes too instead of the B-127 bit??)

Would love to see a moment in a sequel where they have a calmer moment after arguing for a bit. Have OP mention how Megs was out of line, that it hurt and even scared him to see him act that way, and Megs can quietly point out "you said I was as bad as Sentinel... is that really how you see me? After everything we went through?"

Then OP can fumble the bag again lmao like "D, I... I'm sorry, that didn't come out right... but you still took things way too far..."

"Why am I not surprised-- your opinion is what matters the most! Maybe that's why you became a Prime, since you're so good at acting like the world revolves around you--!"

*gets interrupted by someone else before another yelling match ensues*

[katyspersonal]

Lrb dear god, this reminded me of that time when Alfred-chan got sooooo mad at my post explaining why fans should respect bisexual headcanons for Maria and Malenia instead of pretending like they're canonically lesbians and that they get oppressed and erased by mxf ships with them. They kept vagueing that post for like a MONTH in their blog including in tags under reblogs of Maria fanart, passively-aggressively changed their url to character+sexuality to "spite" me and then even made a sockpuppet account to start shit with me in the comments.

They deactivated when me and Val completely obliterated their "you cultivate lesbiphobic following by telling people why they should respect all sexuality headcanons instead of acting cultish or assuming their experiences and stereotypes equal canon confirmation" garbage with actual facts and logic tho but I screenshotted everything fjthfgfj (I learned to document everything the hard way after they've changed the she/they pronouns to they/they pronouns ONLY to accuse me of misgendering, so thank you for making me wiser I guess 😎). Even more vile, as they, a white person, larped as an Arab in that sockpuppet to hold even MORE "privilege" against me in discussion gjtjfh Because for them race, gender or sexuality are just badges of honor and dishonor, they don't see these as traits of actual human beings. And Dr Eugene X, who worked with them and weaponized her race to accuse everyone who disagreed with her of racism, didn't bat an eye at such a terrible act too?? As usual, rules are not for their friends, lol

It is not even the worst thing Alfred did, and yet all of this just, just, JUST because I wrote a point on why bisexual headcanon people did nothing wrong and there is no ground to claim something is canon when it isn't. 🤦‍♂️ Like, they were soooo convinced that I hated lesbian headcanons and that I'd feel angry if they called Lady Maria a lesbian, when what I was angry at is this exact toxic behavior in the fandom. No matter how much you like a headcanon, don't be a bitch about it. Maria doesn't """belong""" to any gender or sexuality, she belongs to anyone who likes her and is invested in her complexity as a character!!!

Yet, apparently, common Malenia simps / Finlay shippers are no better than common Maria simps / Mariadeline shippers. Just, wild how after shit like this, many people have the guts to claim that it is "sexist redditbros" who are the biggest problem of creators in the fandom. 🤦‍♂️ They'd actually blush if they encountered what such self-proclaimed "feminists" do to their own (!!!) over headcanons. 🤦‍♂️🤦‍♂️🤦‍♂️

[triglycercule]

hhhhidea...,,,, CUTE idea (kinda?) dust reading to phantom papyrus during night to lull him to sleep,,,, but really its just a way for him to pretend that everythings not really that shit (as if phantom paps isn't just dust's denial incarnate) and to help him NOT wake up because of a nightmare again or something

(and just because i can't resist now im imagining this with mtt. not that dust stopped reading to paps in place of killer and horror (because he wouldnt he simply wouldn't) but now the two join them for storytime. horror knocks out pretty damn fast and eventually dust falls asleep too after he makes sure that paps is satisfied with the amount he read and then killer's just left to sit there. maybe he tries to fall asleep maybe he doesn't,,,, maybe he picks up the book and continues reading but EITHERWAY,,,,,, this scene in my head so 💥💥💥😇😇😇)

[butwhatifidothis]

(regarding the Fort Merceus scene)

"Claude doesn't know as much about the Seiros faith because he's an outsider" thanks for ignoring the entire point of Claude's route just to insist he doesn't grow as a character

Ohhh wait, no, it's not that he's not knowledgeable, it's just him definitely lying! Because disagreements? Regarding tenets of a religion? Impossible! Claude must be feigning ignorance and lying because that's all he does as a character! He's tricking the diligent Lorenz into thinking things that aren't true, because Church Bad and Claude would never tell the truth!

[spaciebabie]

your friendly reminder ta not be an idiot during this election like the one back in 2016. if you're still thinking/spouting "i wont vote b/c both sides are bad" bs you're at best incredibly ignorant and at worst an actual fascist spreading dangerous rhetoric on purpose.

[hellofastudysession]

am i rlly going to write a death note literary analysis when i could be doing other things

about the discourse going on in the tag abt "death note is acab and thats why the characters couldnt better the world with the note (/written in somewhat jokey matter)" vs "death note is trying to say we all have potential for evil, especially if you get a chance to insta-hurt ppl without repercussions, and it doesnt matter if youre a cop or not", i personally feel like it ignores the things that i like abt death note, which is "both of these things are true", and simultaneously "both of these things do not matter". the first part of this is dedicated to the first point, the latter to the last.

first point. i think its an important part of the message and themes (unintentional or not, and i lean on the former because... come on, can you really say the author intended you to not think of the cops as good people, at least compared to light and l) that light is a cops son, and that almost everyone who gets the death note is cop adjacent/thinks like a cop and is already corrupt/powerful when they get it (mello raised to think hed be just like l, yotsuba group is self explanatory; you cannot look me in the eyes and tell me teru "churchill" mikami, who was hand selected by light out of a bunch of rabid kira supporters, is a normal citizen). i appreciated the cop post bc its rlly important to not gloss over that aspect.

all of this would be an argument for "only someone like them would do something like this, and i am not like them, so im above them and immune to thinking about what id do with it", but... misa is the MOST important outlier in all of this bc her murders are solely selfish in nature and shes not doing any of this for "the greater good"!!! her nature of being an exception and still a very very bad person is really really important...

or it would be if death note gave a shit about her character at all!!! im not talking about her tragic side, im talking about exploring the ramifications of her killing people the way lights murders are (somewhat) explored. that would strengthen the message greatly! but shes dismissed and that weakens it overall. firstly, she's dismissed by the characters when l only sees her as a way to get to kira and basically shelves her the rest of the time. secondly, shes dismissed by the narrative when her character is gradually ground down to a stump and (not to sound perilously close to the bad takes ppl meme about) she never faces repercussions for her actions. every other character using the death note is treated relatively seriously, but misa just dies bc her love is dead. im not saying this isnt a... fitting punishment or that it isnt in character, but it doesnt fit snugly into the theme other people are talking about of "you reap what you sow" at all.

we do have something of an equivalent to misa's grayscale motives. surprise surprise, its light yagami. first is light's characterization in the musical (i will also note that misa never kills anyone in the musical). light's thinking is coplike, yes — he literally starts his first song by talking about "throw[ing] away the key" — but also, oddly enough, could be read as progressive and therefore sympathetic to tumblr ("let the corporations make the regulations / and hold no one accountable when everything gets wrong / let the rich and famous get away with murder / every time a high-priced mouthpiece starts to talk, his client gets to walk"). compare to the anime and manga, where his bigotry and pride and disgust come from a place of lukewarm dissatisfaction and boredom. the musical has much less time to play around with lights character, so it gives the audience something to immediately hook on. more on how that actually plays out later.

in the animanga, none of this is justified from the start. animanga light could say he was just killing people to make humanity way, way worse, and that wouldnt matter, because at the root of it, it was always his boredom that made him pick up the note. of course he actually believes in justice and believes hes doing the right thing (no, he believes he's doing the wrong thing, for the sake of the world... the right thing, because he is god...), but it was boredom at the start. all animanga light says about justice and righteousness and the law is a front in the end, bc he is exactly like l and misa — amoral. selfish. searching for entertainment. hedonistic. we know this. he kills naomi misora*. he kills lind l. turner. everything hes saying deserves to be dismissed from the beginning.

"but doesnt that mean you agree with the discourse post you wrote this post to argue against?" like i said, i agree with both of them! but i... still think its not right to reduce death note to the message of "the power to kill people is bad". because that is not exactly what the story is saying, even though that's literally its whole plot and therefore reaching that conclusion is self explanatory (lmao). let's look at the concept of mu. nothingness. "there's no heaven or hell". The Real Slay The Princess (Death Note Essay) Starts Here.

in light's final moments in the death note manga, while screaming about not wanting to die, he remembers that the first day they met, ryuk told light that "there's no heaven or hell. no matter what they do in life, all people go to the same place. all humans are equal in death". it is retroactively revealed that light knew this the whole time, operated under this knowledge for all the years we watched him — the knowledge that nothing he does is actually bad, that nothing any human does is actually bad, that shinigami are not "evil", that the universe does not care. that no one cares except humans. this oblivion absolutely terrifies him more than anything anyone could ever do to him. its what he thinks of before anything else as he flails there, screaming, dying. one could say everything he does after that day is him trying to escape that fact, or wrest control over it. but it doesnt work.

here are the lyrics of requiem, the musical's final song, sung over the bodies of l and musical light, a light who was at least somewhat good-intentioned at first: "sleep now, here among your choices / then fade away / hear how the world rejoices / shades of gray / gone who was right or wrong / who was weak or strong / nothing left to learn". this is the final message the death note musical and the manga chose to leave us with. there is no judgement. even after all that acknowledged hurt, after all the damage done, there is no judgement.

in the manga and anime alike, the world is just as fucked when light picks up the death note as when he dies. sure, we as readers can guess otherwise logically (and be optimistic, believing the world was never fucked regardless), but that's not what death note wants you to think. it ends with matsuda and another member of the task force noting how the world is worse again even though they killed kira (matsuda is clearly much worse for wear, but still determined), we see the shitty motorcycle band again, it ends with misa and a whole kira cult on a mountain even though kira died a long time ago...

its extremely important that light is never killed by any human or any aspect of the law. he is always killed by ryuk: a chaotic force completely detached from human sensibilities, one that does not care about good and evil. same with l; in the anime, manga, and musical, he is always killed by rems senseless, morally gray love (and you could argue in the kdrama that hes killed by love there too lol). justice is just a set dressing.

this is not just because death note is a tragedy, because good and evil can still matter in a tragedy. the theme of "nothingness" and "good and evil doesnt matter here" is also shown in a situation relatively unrelated to light winning or losing, or being good or bad. and its in fucking lawlight of all things. we all know ls not a good person. we know lights not a good person. this is tip of the iceberg death note knowledge. but the moment they start to interact, none of that starts to matter. textually, their relationship becomes more important than the people theyve killed and hurt. and the thing is? the thing is? THAT WORKS STORY-WISE. THAT'S ENTERTAINING. AND IT'S NEVER TEXTUALLY CALLED OUT IN A LASTING WAY. l and lights relationship, no matter how much i meme it, is genuinely important to the themes and "mu" because it makes it clear that despite all the pretensions, despite everything, this was never about good and evil. and it still works in the story. this is why death note is simultaneously a comedy — isn't the battle of good and evil supposed to matter more? well, fine, i'll keep watching this anyway. that suspension of disbelief comes crashing down the moment l dies, though, and a relationship built on nothingness (the "mu" sort, meaninglessness, not "character development" nothingness, theres plenty of character development) gives way to just nothingness (again, "mu", not light's post-l depression nothingness), forever.

(an aside: there is no one to root for in death note, and the only things to root for are either interesting character relationships, convoluted plots, or complete and total destruction: for everything to end so no more damage is done.)

not to say that death note does not encourage its readers to consider what damage they might do with the death note (obviously.), or that its characters never do. look at matsuda, a much easier heroic figure to latch on to than soichiro because of his unique place in the cast dynamic and because he's willing to consider both sides of the situation and kill light instantly for all he's done. its just that the story's own stance on the subject is... complicated by the existence of shinigami worldviews and by its own insistence that the world cannot change for the better.

also, this is not to say that this is executed well by the death note manga at all. it is a very strong tool, artistically, to establish and then violently remove any emotional connections between characters and make your story only about the exceedingly convoluted lengths characters go to to survive and catch each other so the reader can realize how ultimately pointless all of this is, but like... is that a good story choice if that's all you do? i would say not really. add in a good dollop of misogyny that destroys the second-to-last character who might actually be an interesting contrast to the rest of the cast's dull one-track focus on winning and justice, and youve got yourself a shitty story that... honestly still achieves what it went out to do, just not in a way id ever want to replicate.

anyway, back to the parts death note's actually trying to say. no matter what any human does in their life, no matter how they try to hurt or help the world, they all die in the end. hey, light, they all die in the end. once dead, they can never come back to life. and the seasons turn. and the world rejoices. and you say "goodbye"...

that's all.

no analysis of death notes overarching theme would be complete without nears final monologue, the definitive roast of light, the "you're just a murderer" speech: "what is right from wrong? what is good from evil? nobody can truly distinguish between them. even if there is a god." if we take this as talking about the actual god in the room (ryuk) as well as light, then near admits that humans will never be able to withstand these overwhelming forces and that, using justice and happiness and selfishness, they are just scrabbling to find meaning in things they ultimately have no control over.

but of course, near does not stop there. "[...] even then i'd stop and think for myself. i'd decide for myself whether his teachings are right and wrong." nears alright with not having control over everything, because near can still control nears own actions. these forces can and do exist, but they have no sway over nears own humanity — unlike light, who caved.

one of the creators of death note said they believe its message is "life is short, so everyone should do their best". the first time i learned this, i was like, thats... nice and optimistic, but an awful reading of the story! "life is short, so everyone should be desperate and striving like light yagami", who literally cut off other ppls lives for his own life? what character in death note are we supposed to strive towards when we "do our best"? they all do awful things with their lives! honestly, maybe they shouldnt have tried their best, if this is what their best is!

but with the view of "mu"... it makes a bit more sense. just a little. maybe.

there is no good and evil. there is only what humans think, and no matter what we do, we all die in the end. it is easy to be crushed and terrified by this in the same way light is, but what is more important than justice and righteousness and finding meaning is... doing your best. not being a person that hurts others too much. not letting yourself get swallowed up by an ideal. not going too far. and simultaneously, trusting yourself.

it leaves a few questions, though... was the currently dead l even a little bit right about his blatantly amoral approach, then? was there a point to this pain, and me slogging through this dumbass manga, and all the people that have lost their lives to a selfish teenage cop's son and the whims of everyone chasing after him? was there a point to any of this...?

the manga** never answers this. it stays clinically impartial until the very end. the musical is anything but clinically impartial (and i love it so much for that), and its ryuk that has the last word.

"there's no point at all."

of course theres no point. none of this was ever supposed to happen. that is what matters more than all the hurt and the crimes and the pain.

and that's... actually okay, because it's over now.

yes, death note has many really important themes present in its story, but its viewpoint is nihilism first and foremost. thats why its so fun and easy to play around with all the other messages, because no matter what fun or torment or awful things or righteous justice or absolute nothingness or sentimentality happens in between, there is always an end.

there is always the end.