#why so much digital work for art college

[timbit-robin-art]

Redrawing old sketchbook doodles: Anakin edition.

[theelvishfiddler]

AN ARTIST'S GUIDE TO HANDS

No, sorry it's actually not an artist's guide to drawing hands. Those are just warmup studies (which I'll talk about in this post.)

This is a guide to Your Hands and how to take care of them when making art.

No one ever sits down and teaches artists how to take care of their hands. They didn’t even teach me this while I was in art college. This is just what I've learned myself through years of pain and scouring the internet for advice.

This is going to be a long one and geared towards illustrative traditional/digital/pen/pencil artists specifically, but artists of other mediums and crafts should take care of their hands too! Well, we all should take care of our bodies in general, but this is about hands.

(advice is below the read more)

First off I'm not a professional or anyone with actual medical advice. I'm just some guy with chronic hand pain who makes art. This advice is free for you to use or discard.

WARMUPS!

Ever sit down in the morning to draw and wonder why your art is so stiff and looks so much worse than what you were drawing last night? It's because you didn't warm up!

You know how for physical sports they all warmup and do stretches before getting into the actual sport. To prevent injuries and all that? Yeah, it's good to do that for art too.

One way to warmup is to just draw lines. Try to keep them as straight as you can. Going up and down and diagonal. Draw squares. Big squares. Small squares. Circles! You are warming up, keep it loose and relaxed! Basically just scribble away.

(examples. I usually keep going until there is no paper white left. This can double as practice for drawing straight lines without a ruler, which is a great skill to have when freehand city drawing.)

Before hopping right into drawing people you can try doing some quick gesture drawings. Line of Action has timed sessions with a large variety of clothed or nude models. I usually do the 30 min class as it has a nice balance of short and long timed poses. The point isn't to draw nice art, but to warm up. Try to get the basic form down, not the details. I find that doing a full class session can really help my drawings feel more loose and grounded in reality for the rest of the day.

Some examples I found in my folders. I suggest looking into what a line of action (not the site) is and giving it a try with some of the studies!

COOLDOWNS!

For sports it's to return your body back to your everyday baseline after a workout.

Example; you are working on a big project! A masterpiece! It's detailed and cool! You have been focusing on this for hours and drawing so intensely. But you need to stop working for the day.

A cooldown is for winding down out of the go go go mindset. Put away the big project and do a couple small doodles and sketches. You are relaxing your hand and letting it stretch out. Keep the sketches loose. Let the art happen slowly. Don't polish anything, that can happen another day. Just ease yourself out of drawing.

...

Cool! Now we get into the meat of this thing.

HAND PAIN

How to avoid it and how to manage it if you already have it.

I love you artists and creatives, I am begging you to please take care of your most important creative tools. I really don't want this to sound like scare tactics like "oooh you better do this or blah blah!" Nope. I just had to learn all this the hard way and I'm extremely passionate about it.

Take this advice or don’t ╮(ﾟ～ﾟ;)╭ I can't tell you what to do, I'm not your dad

Adjustments and Small Solutions

If you are feeling physical discomfort while drawing there are many different solutions to try! Here are some suggestions that may or may not work for you.

Hold your pencil more loosely. Stop gripping that thang so tightly!!! Relax that hand! They make these… squishy pen grip things... I think they are called Adaptive Pencil Grips or Adaptive Writing/Drawing Aids? They stop your hand from being all cramped up by making your drawing tool wider. It's going to take a bit of time to adjust to drawing with it, but it's worth it for those who hold pencils too tightly.

Don't press as heavily. For traditional art, if you find yourself pressing really hard to get darker lines try moving to a softer pencil. Most standard pencils are HB, the B pencils have softer graphite. Experiment until you find the right one for you. For Digital, adjust your pressure settings so you don't have to press as hard to get thicker lines. You should not be pressing so hard all the time, it wears out both your hand and your tablet! It takes a bit of time to adapt to pencil or pressure changes. Try doing some unimportant sketches, they don't have to be good. You are just training your hand and mind to adjust using less pressure.

Draw with your arm and not your wrist! It's small repetitive motions that cause the most strain. You probably hear this one a lot, what does it even mean? It means moving your arm with the motions of your line, and trying not to make too many tiny movements with your just your fingers or wrist. This one is hard! It takes time and conscious thought to change the habit. Tips? Work bigger. Zoom in more. Use bigger sheets of paper.

(Motions exaggerated for a clearer example)

Change the angle of your drawing surface. They make angled tablet holders, angled desks, angled desktop raisers. Experiment, find and angle that is comfortable and the one that causes the least pain. (It's also good to make sure you don't have to hold your head at an uncomfortable angle when drawing. Staring straight down or hunching over a paper flat on the table can cause pain!)

Compression Glove? Wrist brace/tensioners? Some folks use them and I've been thinking of getting one for years now. I can't give advice on this one, because I don't have experience with it. Look into it if you want!

Managing Pain

First things first.

IF YOUR HANDS START TO HURT WHILE YOU ARE DRAWING. STOP! Put the pencil/pen/paintbrush/whatever down. The art will still be there for you to continue tomorrow.

I know from experience that it's extremely hard to pull away when you are hyper focused on an art piece. It's hard to remember all sorts of basic needs like food or bathroom when hyper focused. But you Need to stop when you feel that pain. (Preferably even before the pain…)

Take Breaks! Let your hands rest when you can. Just like a machine, if you don't schedule maintenance, the machine will schedule maintenance for you. Often that means having to wait a few days for it to return to functional. Best to take a day off from heavy usage or take an occasional 30 min break throughout the day to let your hands rest.

Stretching is important! Full body stretches are good; your arms, shoulders, neck, and spine are all connected, but I'm specifically talking about HAND and wrist stretching. There are a lot of stretches and massages for carpal tunnel and arthritis out there. I find they work for hand pain in general. Move into and out of each stretch slowly. Do not push a stretch if it hurts!! Be gentle!!

I am not a qualified professional and I will not be giving out specific stretches (that is beyond my personal comfort level). There are other artists out there who have made helpful stretching info-graphics which are cool, but I will not be because i don't want to be responsible for someone accidentally hurting themself. Ask your doctor for stretches & advice or look some up on your own.

Don't feel bad about forgetting to stretch frequently! Of course it is good to do it regularly and frequently, but I would be a hypocrite if I said that I remember to stretch daily. Setting timers for stop and stretch sessions can work for some people, but also doing stretches whenever you remember is fine! If you are sitting on the toilet you can idly do some hand stretches. On the bus? Laying in bed? At the beach? Do a couple stretches! Even just once a week is better than… nonce a week.

Using Cold or Heat to treat pain. If you really overdid it, put your hands in some cold water or wrap a cloth around an ice pack and apply it to your hand. Cold works best for me, but warmth works for others. This is just pain reduction and reducing inflammation from overuse! This is not a permanent solution.

If your hand hurts a lot! Frequently! Talk to your doctor? Idk mine has never given real advice. Just gently poked my hand and told me there isn't much to be done about it :/ but there are really good doctors out there who will care and give helpful advice!

Again. IF IT HURTS TO CONTINUE DRAWING. STOP DRAWING! This is not a "no pain no gain" type situation. Drawing so much that you hurt yourself isn't noble, it's just… limiting yourself. You only get one set of hands. These things are very handy to have.

Other Advice

Things I couldn't figure out how to fit into the earlier sections.

Your other hand can't handle the strain! Lets say you hurt your drawing hand... the other hand is right there free to use for art. Right? Wrong. Your other hand can't keep up with the demand, it hasn't been trained to the same extent as your dominant hand, it does not have the built up muscle. If you want to use that hand for drawing you are going to have to use it s l o w l y and train it bit by bit over a long period of time. When I tore a tendon in my right hand I decided to just keep drawing with my left and I got Really Good at it. It only took like two months before my left hand hurt too much to move. Then I had 0 functioning hands to pull up my pants. Not fun!!

People who draw on phones. That is extremely impressive! I'm amazed by the things people can create on such a small space. But phone artists are the ones I see most frequently mentioning hand pain. please please please make sure you are taking breaks. Would a stylus work instead of using a finger?

Outside of Drawing. Sometimes it's things outside of drawing that are causing the pain. For me there are multiple sources, but I also have tiny baby hands. Holding a phone too long causes pain. The handheld mode for my Switch causes A Lot of pain. The way my hand rests while typing on my laptop hurts! Playing tense videogames for too long hurts! Find the source of your pain and make some changes. The same things will apply to most; take regular breaks, do some stretches, and find soft things to prop up or rest your arms on.

Change your Artstyle. This one is more of a last resort. You might have to change your art style if you are getting sharp pains every time you draw. I loved drawing tight clean lines and many small fancy details, but drawing like that left me in so much pain at the end of the day. In 2023 I had to take the better part of year off from illustrations just to learn how to sketch and draw more loosely. I had to learn how to be gentle. To stop gripping my pencil so tightly. Learn! Adapt! You might discover a new style that you love even more!

A lot of this stuff gets more complicated in a work setting where you have to draw fast and long in order to get paid. Things like reducing your workload can help, but that can be... financially rough. But outside of that, it’s ok to be a slow artist. Going full steam and hurting yourself is not worth it.

Aaaaaanyway, thats all folks. Today's rant brought to you by me! The guy with chronic hand pain who always forgets to stretch! The guy who got frustrated with a sketch yesterday and decided to push to keep drawing for just one more hour! The guy who woke up this morning and had to spend 2 hours massaging and stretching their hands. The guy who probably shouldn't have typed all of this out because ooww ow ouch

If your hands do hurt, it's going to be ok! You don't need to be a speed demon who draws all the time. It's ok to take your time and take frequent breaks. You are going to do great things! Just be gentle with yourself...

[disillusioneddanny]

If It Makes You Happy (then why the hell are you so sad?)

Tim took a bite of his ravioli and looked around the table at his family. It was Sunday dinner. A monthly tradition where every member of the family adopted or otherwise came to spend a few hours together. It didn’t matter who was arguing with whom, or how estranged from the family you were at the time. You still had to attend the monthly family dinner. However, there were times when Tim wondered if anyone would notice if he stopped attending. If he no longer came to the dinners where he sat mostly unnoticed by the rest of his family. Where he typically sat in silence, having not uttered a single word throughout the entire event. Would they ever realize he was gone? Did they even realize he was there in the first place? 

A part of Tim truly doubted it, if he was being completely honest with himself. Maybe that was why he hadn’t been able to share with the family his upcoming exhibit. 

Tim was in his fourth year of college. Where he was getting a degree in Art, Technology, and Culture. It was a major that allowed Tim to immerse himself in photography, video art, creative coding, and so much more. He had gotten to work in traditional analog and digital photography. Played around with film and art in ways he had never thought of before while also learning about cultural theory, the expression of ideas, and cultural practices which gave him the chance to truly discover himself. It was the first time he had ever chosen something for himself. 

His entire life he had been groomed to run a business. To at first take over Drake Industries one day and then later Wayne Enterprises where he was unfortunately CEO. But then he had learned about the ATC program at Gotham University and he had fallen in love with it.  He had always been obsessed with photography and even film later on as he grew older and spent his days alone in dusty old Drake Manor. And he had always loved to learn about cultures, he ate up the stories from his parents and their trips abroad. Had spent countless nights watching the people of Gotham and how they did things, and had absorbed it all like a sponge to make up for the fact that he was just a lonely boy living in a manor by himself. 

Even when he had joined the Bats and had made his tiny little place with them, he still fell back on his love for learning about others and his desire to tell their stories. It had just become an intrinsic part of Timothy Drake. 

And now here he was, slowly creeping to the finish line. He had his senior showcase coming up. A requirement for all students who were receiving a bachelor of fine arts. He was to show off all of his best work from the last four years. It was a chance for him to show everything he had learned, and to display his work with pride. 

He had toyed with the idea of inviting everyone to it. To let them see the love that Tim had cultivated over the last four years. He was set to graduate in just a few months and the pride he felt for himself was tremendous. And if Tim invited the Wayne family to his senior showcase, then maybe they could come to his college graduation and share the achievement with them then too. 

It was a big time in Tim’s life and he wanted to share it with them. 

He listened as a lull came in the conversation and carefully cleared his throat, drawing the attention of the others. 

“I have a senior showcase this weekend for my BFA. It’s at six in the evening in the Wayne Arts Center on Gotham Campus. I would be happy to see you all there,” he said hesitantly, eyes firmly trained on his plate of food. 

“That sounds nice, Tim. I’ll try to be there,” Bruce said politely before going back to his conversation with Jason and Dick. Tim felt eyes on him, though, and slowly looked up to find his little brother giving him a curious look. 

“What?” He asked, still trying to calm his heart just a bit. He still wasn’t sure why he came to these things, why he was even here. Just talking to the Waynes gave him anxiety. Just being here reminded him how much he didn’t belong. How other he was compared to the rest of the kids that Bruce had adopted? 

Damian tilted his head to the side. “I was not aware that you were getting your Bachelor's in Fine Arts. Will you tell me about your degree program? I have been thinking about getting an Art History degree but have been torn between that and a business degree.”

Tim gave him a small smile and rested his chin on his hand as he started to tell Damian all about his degree and how he was enjoying the program at Gotham University. The rest of the family went on to their own conversations while Damian listened with rapt attention to Tim describing the ATC program at Gotham U. 

The rest of the week was a whirlwind as he prepared for his senior showcase, he had sent out invitations to everyone he wanted to come see his work. The Team had already made a reservation to take Tim to lunch before the showcase before helping him get everything ready. And as the day came to be, they had made good on their word, taking him to his favorite Vietnamese restaurant in Gotham before taking him to the gallery. He blushed as he listened to his three best friend gush over his artwork, as they listened to him explain each piece. They asked questions and made remarks about what their favorite pieces were and even tried to buy a few pieces only for Tim to promise to give each of them prints of his photos. 

The three had left with quick goodbyes, each one giving Tim a hug and congratulating him before they made their way from the gallery. The rest of the evening dragged on as people came by and asked Tim about his photos and the small films that played on the movie screen on one wall. He smiled and explained each photo to anyone who asked. He had wanted to showcase his vigilante photos of the bats and birds but it had been too much of a risk to do so. 

Instead he had shown off his photos that showcased all of his favorite parts of Gotham. From the beautiful gothic architecture, the gargoyles that looked out over the city. He showed the photos from the last time Ivy had thrown a fit in Robinson Park and covered the entirety of the grounds with flowers. He showed the pictures of community from Crime Alley and the beauty of the strength of Gothamites who had managed to survive the worst of the worst. 

He also featured pictures of his family, of Dick hanging from a chandelier, of Damian training Titus to do a trick. He had a picture of Bruce, Alfred, and Jason sitting side by side as they each read a different book. One showed Cass as she posed for the camera in her favorite ballet form. They were some of his most treasured memories, there for everyone to see and enjoy. Tucker between the one of Damian and the one of Dick was a photo of Tim. He had taken forever to set up the camera and get the timer right. Alfred had simply chuckled the entire time as he continued to offer to take the picture for Tim but no one was meant to be behind the camera for that picture. It was the only family portrait of his entire family. Cass, Damian, Tim, Dick, Jason, Bruce, Alfred, they all sat smushed into a single couch together, wide smiles and laughs on each of their faces as Tim beamed from the far side, leaning into Alfred’s side. 

The gallery was meant to showcase culture that was important to Tim. To showcase the life that he loved and treasured. And even if he never felt like he quite fit in the Wayne Family, even though he knew that he was the expendable one, the replacement, he still treasured his family. It was why he had invited them, he had wanted them to see just how important they were to Tim. And maybe they would realize he was important to them too.

Only, the rest of the evening seemed to drag on, and not a single person from his family ever stepped through the door. He waited, shoulders tensed and smile polite. Every bit the gentleman that Janet Drake had trained him to be as he stood with his hands clasped in front of him. He kept glancing at the clock, waiting for Bruce or Dick or someone to walk through the doors, to say hello and look at all the work that Tim had put in the last four years in college. The hours ticked by until it was nearing ten pm and the gallery started to clear out, custodians came in and started to clean up around him. 

Tim cast one final look at the doors before he turned to his photos and started to take one off of the wall. 

“Master Timothy! I am so sorry that we are late,” a voice said and Tim quickly to find Alfred and Damian walking through the doors of the gallery. A small smile spread on Tim’s face as Damian bound forward. 

“I apologize,” Damian said softly, staring up at Tim with disgruntled eyes. “I got into an argument with Father and then Titus scared Alfred the Cat and we spent the last three hours searching for that blasted cat and when we realized the time we came straight here,” he said. “What did the others think of your exhibit?”

Tim’s smile fell and he scratched the back of his neck awkwardly. “They uh, they didn’t show up,” he said quietly. “But if you’d like, you guys are the last ones to show up. I’d love to show you everything.”

Alfred’s face fell at that as he stepped forward and clasped a hand on Tim’s shoulder. “That is their loss, my dear boy. I would love to see your work,” he said. Before he could stop himself, Tim pulled Alfred in for a tight hug, burying his face in the old butler’s chest as he held him close. 

“Thank you,” he whispered before pulling away. He glanced down at Damian and smiled. “How about I show you my work and then if my advisor is still here you can meet her and talk to her about the ATC program.”

The fourteen-year-old nodded his head once. “I would appreciate that,” he said before grabbing Tim’s hand hesitantly. He followed quietly as Tim showed them his pictures of Gotham, explaining the stories behind each one before he showed them his favorite pictures. His pictures of home and both men let out soft gasps as they looked at them. 

“Master Timothy, these are beautiful,” Alfred said, stepping forward to take in the picture of him, Bruce, and Jason. 

“The lighting for this is amazing, I did not know that I even smiled like that,” Damian said softly as he took in the picture of him smiling at Titus. 

“Oh Tim,” Alfred said quietly, losing all strict politeness that Alfred held so dear to his heart as he took in the family portrait. “This is amazing, Timothy. So absolutely perfect. I remember when you took this photograph. It was right after Thanksgiving dinner last year.”

“I was so irritated, Todd had gotten mashed potatoes in my hair,” Damian said with a huff, a small smile tugged on his face. 

“I did not even realize that Master Richard and Master Jason were hugging in this picture,” Alfred said, a soft smile sti on his face as he took in the way Dick had his arms wrapped around Jason’s shoulders, a wide smile on his face as he laughed at something Jason had said. A small smile sat on Jason’s face, his eyes brighter than Tim had seen since the older man had come back from the dead. 

Alfred tore his eyes from the picture. “How much?” he asked. 

Tim blinked. “What?”

“How much for the picture?” Alfred asked him, turning back to the family portrait. 

“For you?” Tim asked, blinking again in surprise. “Free of charge, considering it a thank you for coming to my senior showcase.”

“I would like this one of Titus and me,” Damian piped up. “It would be lovely on my desk in my bedroom.”

Tim sniffed, his chest tightening slightly. “I would be more than happy to give you both the original copies.”

“Timothy,” Alfred said, turning back to Tim, that soft, kind, smile on his face once again. “I am so incredibly proud of you.”

The vigilante’s eyes burned furiously. “I-I thank you,” he said, a soft sob slipped out of his mouth before small arms wrapped around him. Damian hugged him tight, his face pressed against Tim’s chest. 

“I am so sorry that our family forgot to come to your showcase, Timothy,” he said stiffly. “You are incredibly talented and it is their loss for missing out on this.”

Tim pressed a hand to Damian’s back, feeling tears building behind his eyes that threatened to spill over. “Thank you,” he whispered. He took a deep breath and let it out slowly before he looked around and spotted his advisor. “There’s Professor Maheshawen. She’s my advisor. We can go talk to her and you can ask your questions, okay?”

Damian nodded and pulled away carefully, smoothing down the front of his sweater before he followed after Tim to meet his professor. Leaving Alfred to continue staring at the pictures with a kind smile on his face.

Alfred Pennyworth looked at the smiles on his charges faces and let out a breath. One of these days, Bruce and the others would realize just how important Timothy was to their family, how he was the one who held them all together. He only hoped that they would not realize that lesson too late in life. At the very least, Damian was now starting to understand just how wonderful Timothy Drake was. 

[whamgram]

Charlastor Week - Day 7 - Free Day

 An AU where Charlie and Alastor are podcasters. 🎙️ This one has been percolating in my brain for a while! Plot summary under the cut.

Alastor is the OG overlord of true crime. Back in his college days, he and his roommate Vox started what would become one of the first ever podcasts. With Vox’s tech savviness and Alastor’s knack for dramatic storytelling, The Hazbin Radio Program quickly became the podcast playing in every commuter’s car, gym bro’s headphones, and office jockey’s earbuds. Focusing on crimes where the victim “deserved what they got” might be controversial, but Alastor’s jazzy interludes and old timey radio schtick add a certain kind of whimsy to every episode.

As Vox grew their dorm room recordings into a digital media empire, Alastor struggled to remain authentic in a world being rapidly consumed by social media and influencer culture. The two friends had a huge falling out. Knowing it would mean death for his beloved radio program if he didn’t stay, Alastor remained under contract with Voxtek Entertainment. Years later, his listenership is dwindling, his sponsors are dropping like flies, and his desperation is stronger than ever to finally break away and have complete creative control of his show.

Charlie has big dreams, a bigger heart, and a behemoth of a family legacy she’s trying to separate herself from. The Morningstar family name is synonymous with pain and punishment, as their network of for-profit prisons house nearly every incarcerated individual in the country. But Charlie refuses to let her rich and influential father buy her way into the industry. The Happy Podcast’s moderate success was due to her hard work, passion, and the secondhand recording equipment she bought with her own money. Like every amateur influencer, she dreams of landing a contract with VoxTek Entertainment. Not for the bragging rights or all those sweet endorsement deals, but because she truly believes that her podcast can inspire her listeners to be better people.

The Happy Podcast is a mix of self-help, advocacy, social commentary, and whatever else Charlie feels passionate about that week. This can sometimes cause a bit of controversy, like when her strong feelings about prison reform lead to an unhinged rant about why a recently imprisoned axe murderer “deserves a second chance” because “he was a good guy who volunteered at his local animal shelter”. Despite this, she still snags an invite to the annual VTE Summit and is hoping to get some facetime with the media mogul himself.

It’s at the VTE Summit that Alastor and Charlie meet. Charlie is as starstruck as she is charmed by the mystery man behind her favorite guilty pleasure podcast. Alastor finds himself instantly drawn to the bubbly young woman who knows a surprising amount about true crime. In a cesspool of wannabe celebrities and people who would sell their soul for a brand deal, she feels like the only other person who’s in it for the craft and the content, not the clout.

Be it fate, coincidence, or a bit of meddling on Alastor’s part, they continue to cross paths and eventually agree to help each other out. Alastor teaches Charlie the art of presentation and storytelling while she brings his technical skills into the 21st century so he can start producing his podcast on his own.

As the pair dance around their feelings and look for any excuse to spend time with each other, Charlie asks Alastor to be a guest on her show. It goes so well, he asks her to be a guest on his. Even their audiences can’t deny the chemistry between them. No one would have thought this odd pair of podcasts would work so well together, but the sky-rocketed ratings and influx of sponsorships speak for themselves.

They both are soon to get everything they always wanted. That is, until Charlie starts to wonder exactly how Alastor knows so much about the victims he discusses on his show.

[fifarts]

“it’s nice to know you work alone” 🪐⚡️

(click for better quality, more info and alt text below cut)

another jupeter piece and some recommended songs from my jupeter playlist!

I have synesthesia which means my brain associates certain audio and music with different colors and shapes, so I worked a lot with the colors on this piece and especially the background to kind of translate some of the visualizations I get when I listen to these songs together! If you read the lyrics of both you’ll see why I heavily associate them with juno and peter!

I have another piece that I’ll hopefully post circa S3 that goes along with There’s No Secrets This Year (the most jupeter song ever) and a comic for Waltz in E-Major, Op. 15 “Moon Waltz” by Cojum Dip that I really want to work on soon! My playlist is still a work in progress and I’m currently in the process of moving my spotify accounts around but as of right now the full playlist link is here: https://open.spotify.com/playlist/6SP3sUjzSTBCPhouCe4xXY?si=277Hd2pqTGmRzPLcSx6dvQ

I organized it partially by season so hopefully it’s easier to understand the character connections of the songs. (The first song of the playlist is an instrumental guitar piece that my dad’s guitarist is doing as a side project which is super cool and you should definitely check out his stuff (and also please send some streams his way) If you love vocal-like sexy guitar riffs and weird time signatures and video game-esque music, Vision Swords is for you lol)

Alt Text:

A lineless digital art painting of Juno Steel and Peter Nureyev from the Penumbra Podcast. Juno's face is visible in a profile view as he holds his blaster in his outstretched hand. Juno is a short Black and South Asian person with dark brown skin, a scar across his nose bridge, and black hair that is lit with purple lighting. Juno has short locs and a high undercut with a star design shaved in. He is wearing a tan trenchcoat, a white button up, and black tie. He is also wearing a cochlear implant, hot pink star earrings, and hot pink acrylic nails. Peter stands behind him with his face partially obscured. He is a tall South Asian man with medium brown skin and dark shoulder length brown hair. He is pointing his blaster and wearing a black suit jacket with gold details. The background of the painting is hot pink, neon purple, and bright blue. The background colors mix in with one another in a perspective blur from the center of the painting. [end alt text]

Thank you so much for the support while I’ve been on hiatus! I’m going to college this fall for Robotics Engineering and I’ve been dealing with some pretty big health problems as well (I literally just got out of surgery today lol) which has left little time for art (fanart or otherwise) 😅 Love ya!

[sugareey-makes-stuff]

Okay folks! This Beast has been kept under wraps since April, and now it's finally out for the world to see. Hooray! The original idea made for @sterekreversechallenges was a simple palette of blacks, greys and golds with some melty painty thing going on for our fav boys. When @wolfspurr snatched this piece right up, I was super excited because I adore her writing so much. Working with her was fun with squeeing and screaming, but that didn't come without whining and a whole roller coaster of other feels (because Stiles and Derek made us work to get this whole collab to be exactly the way we wanted it). The journey to make this particular Sterek story come to life was such a crazy one, and it was worth the endless hours of enthusiasm and labor of love we put in. And heyyy, I also got to make two more additional art pieces! So, if you want some good ol' college fun, humor, fluff, and angst with some spice, please give this story a read and some love!

Title: Molten (<- read on AO3) Rating: Explicit WC: 28k Tags: Canon Divergence, Friends to Lovers, Getting Together, Fluff and Angst, Mutual Pining, Kidnapping, Magical Accidents, Accidental Bonding, Spark and College Student Stiles Stilinski, Pack Beta Derek Hale, Idiots in Love, Some Humor, Stiles Stilinski is a Mess, Derek Hale Takes Care of Stiles Stilinski, Sharing a Bed, Meddling, Unresolved Sexual Tension, Sexual Frustration, Hand Jobs, Shower Sex, Anal Sex, Coming Untouched, Creampie, Awkward Conversations, Kissing, Feelings Realization, POV Stiles Stilinski, Digital Art, Illustrations

Summary:

"Stiles, is that you?" He recognizes that voice. He doesn’t know why he’s hearing it here though, in whatever cold, dark cave he’s found himself in. The owner of that voice is supposed to be miles away, back home in Beacon Hills. Unless Stiles is the one that’s ended up further from home than he could possibly have predicted. "Derek?!"

[trees-be-drawing]

Okay… so I started reading @annzy-bananzys-corner ‘s “Snettles” as I was scrolling through Snufmin fanfics to read on AO3 back in early December, and… holy cow is it good!!!

Not only did the art cover from one of my favorite artists drew me in, but the writing was just 👌✨ GORGEOUS!!

All the characters written had such good chemistry towards each other, and Snorkmaiden ended up being the funniest to me. I couldn’t stop laughing so hard at her trying to be the voice of reason to the two lovable idiots that are Moomin and Snufkin in the early chapters.

So as typical fashion, I felt a great need to draw it. Cuz honestly, long-haired Snufkin was not something I thought was going to make me go feral but hot damn does he look so pretty in long hair!

Okay so…

SPOILERS TO THE FIC!!!

It’s pretty blurry but 1. I don’t have the best camera quality, and 2. It’s a bit faded since it took me a whole month to do this. (Update: I got a clearer picture. Sorry, I was rushing to get this out for a whole month)

But anyway, I had absolute gender envy every time I drew Snufkin with long hair. And there was definitely a lot more I wanted to draw, and felt bad I didn’t draw Little My especially.

I’m actually glad for the cover art too, it acted as a perfect reference to use but unfortunately I’m not very good at drawing Moomin and I’m envious at how @hanekdrawsmoomins draws them! They’re so fluffy and pretty!!

I definitely had to draw Snorkmaiden calling Snufkin a twink. I couldn’t resist. What I didn’t intend was for it to be right next to Snufkin having a breakdown over the overpowering song in his ears 😅 I also decided in order to differentiate Moomin and Snorkmaiden, I gave Snorkmaiden more rounder and fluffier features like her tail and ears. It’s subtle but I was pretty happy with it.

I get giddy every time I drew Moomin and Snufkin, but Snorkmaiden and Alicia needed some love too. I wanted to try some perspective which… I’ll admit I’m not very good at, but I did my best. I normally don’t draw backgrounds but I wanted to give the scenes more character and it was pretty fun, even if it’s not perfect.

I also thought to myself “maybe the reason Moomin didn’t recognize Snufkin was because he’s never seen Snufkin’s hair deflate in the water” so I drew the comparison to Snufkin and “Snettles” for that one scene where Moomin realized how similar they were. I also imagined his hair gets longer in mermaid form.. hehe! :3

I was also very excited to do my interpretation of the Lady of the Sea but I’ll be honest… I did procrastinate on it for a while which is why it took so long. I know the description said “seaweed green hair” and not the fact it’s actual seaweed but… I hope you don’t mind but I gave her seaweed hair. Made of different types of seaweed too :3 I actually want to colour it at some point but if there’s any changes I should do to her design, you can let me know. I’ve loved to get an accurate idea on her :3 I also used the mermaids from the 90’s as reference to give her fins on her head, although Snufkin doesn’t have any but I’d argue it’s cuz he’s only half mermaid.

It’s a very scattered looking comic kind of page but man! There was so many moments that were genuinely so good I felt tempted to even draw a full comic book on this!!

But no… unfortunately I am very easy to lose motivation and I’ve been and will be pretty busy for the majority of my current life cuz of college and stuff so I’m afraid I can’t draw often.

Good thing I’m on break at the moment :3

But anyway, it was super duper fun drawing these!! I’m actually super duper proud of them :3

Actually…. You wanna know how much I loved my sketch of Moomin and Snufkin on their midnight swim?

I COLOURED IT!! GONE BACK TO MY DIGITAL ART ROOTS FOR THIS!!!

Honestly I don’t think I did that great but I did this on iBisPaint, and there was a version where he had brown hair… until I read a section saying he has red hair so I quickly changed it to how it looks currently.

I also realized too late that the scales on his cheeks weren’t actually scales but freckles… which…. You know what? Fuck it. His freckles turn to fish scales. And they’re shiny :3

I also decided to make his scales glow but then remembered that doesn’t happen till Chapter 13. But hey, I think it gave it a calm feeling with how warm it must feel to be snuggled up like that on the water. Heck even my sister agreed.

Overall, Moomin fanfics have really helped with my art block.

And sorry for the really long yapping session. I like talking about my thought process on these things, and I genuinely can’t wait for the next chapter whenever or if it ever comes. I understand you’re busy so I don’t blame you but… damn you really left it on a cliffhanger huh? Still love it though! :3

Also I’m not sure why the link for the fic isn’t working properly cuz normally it would be automatic but… I’ll see if I can fix it at some point (update, I fixed it!)

[rockybloo]

With it nearing the end of the year, I feel like it's a good time to just have some real talk about why I create art.

At some point during in high school, during those years where you are pressured to figure out what you want to do when you grow up and what you want to major in when you go to college, I had wanted to go to art school after high school. I decided against it ultimately because I just didn't see a true appeal for me. I started to realize that I enjoyed my art so much more when I didn't have the pressure on me to create something for a fancy final product. Yeah, I could go but then I'd have to change aspects of myself I didn't really want to change but had to because that's what the world says I gotta do if I want to be a good artist.

And that's the thing I sort of hate the most about being able to create anything. You have to be good. Otherwise you are wasting your time. You aren't allowed to just make stuff for fun and for a hobby - you have to constantly be striving for improvement at a pace others have set for you. You can't just have it as a hobby. If you make art then it's expected that you make good art.

You're not allowed to be satisfied with being mediocre.

I've been actively posting my art online since I opened a Deviantart account way back in middle school. I'm 26, on my way to becoming 27. And as someone who has spent a solid decade online, I feel more certain than ever that I am a hobby artist. Having a fulltime job DEFINIATELY has helped me come to that conclusion but even before, I knew I liked to draw for fun. I don't like to stress about what I am sharing to cyberspace, I like just having this digital archive of stuff I've made and stories I've written.

I call myself a self indulgent artist because I'm incredibly selfish draw things I want and write stories I'd enjoy.

That's not to say I don't care that people enjoy my work and feel represented at times. I love it when people share how happy they feel when they see my OCs and read my stories. I'm happy I can fulfill some niches for people. Honestly, it'll always be crazy to me when I make something so damn specific that I wanna see and share it just for some other people to get excited. There are benefits to having a public digital archive your art and reactions people may have are one of them.

But ultimately I don't create to make others happy. If I did focus my art on just doing that, I promise you that my online presence and art would look DRASTICALLY different.

I share my stuff online because it's a whole lot easier to archive all my art as well as being able to share my stuff with the world and occasionally make some friends. Posting my art shows I was alive so MAYBE JUST MAYBE I will not be watered down when recalled in memories and people will always know I was insane about my OCs.

I'm pretty satisfied with be a mid artist. My finished work makes me happy, and what I care about is managing to create something of the fellas that reside in my head because seeing my OCs makes me happy...AND I'M THE ONLY SOURCE OF CONTENT FOR THEM SO I GOTTA COOK MY OWN FOOD AND EAT IT TOO--

ANYWAYS I am in no rush to level myself up. I'm 27 and human lifespans are pretty long. Even though it's slow and subtle, I have def been making improvements in my work...but mainly because there are aspects about my OCs that I occasionally realize I am struggling with and pull a "Do it for her" as I work on what I am having a hard time with. SURE they might not be improvements others would like to see but they are improvements that make me happy. And I am excited to see how my art develops over my existence on this planet.

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.

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...I am also excited to see if my black ass can finish any of my webcomics before I die. I KNOW I CAN DEF FINISH ONE OF 'EM I JUST DUNNO WHICH ONE IT'S GONNA BE! IT'S A RACE TO SEE WHO MAKES IT TO THE FINISH LINE BEFORE I KEEL OVER

[squidthusiast]

can I ask how you learned to render as beautifully as you do? I've been trying to learn how to apply colors for a long while and nothing seems to stick;;

Heya Anon :)

Awh shucks! you think I render beautifully? I’m so touched💖

Rendering, painting & color theory have been a bit of a special interest of mine for a while, so i’d be more than happy to explain & give some pointers!

If there’s a specific piece of mine that made you inquire, feel free to mention it in another ask too. I love showing my thought process and workflow c:

I’ll put the rest of the ask under the cut to minimize clutter meanwhile.

I learnt to render both through self-taught methods and during my college art degree (though quite honestly, not much that I didn’t already know or learn by myself).

Rendering in digital painting/illustration is a process that compounds various areas of knowledge. The main ones that come to mind and of which i’ll talk about are the following:

* Values

* Color Theory

* Light & Shadows

* Edge Control

Having a solid grasp on these fundamentals will greatly strengthen your ability to render and understand how other artists tackle their pieces as well.

Values

I always love to start by talking to people about values. It’s something that I don’t always see beginners learn about, yet it’s one of the main things that makes or breaks an art piece.

Values allow you to control & direct the following: Composition, Contrast, Focal Point, Colors, Distance, Mood, etc.!

So what are Values? In short, they’re the range between light and dark when it comes to both neutral greys and colors.

A handy resource to understand this is the Munsell Color System:

Hue refers to the different Colors on the wheel. Chroma is the purity (strength vs weakness) of a color. Finally, Value refers to the lightness or darkness.

Different colors have different chromatic values; that is, how a pure color appears in a greyscale format.

A 100% red will always be at around 50% grey. With this knowledge, we know that we can’t get a pure bleeding red if we were to paint a light shade of white. It would be more pink than red.

Color Theory

Okay, so we know of values, now what?

Color Theory can seem intimidating, but it shouldn’t be!

Colors have a harmony, a flow. They talk to each other, and once you learn to listen to them you can start creating wonderful conversations.

The following are things I take into account when I am thinking theory:

-Color Harmonies (complementary, triadic, monochromatic combinations, etc);

-Warm & Cool Colors;

-Color Psychology (what moods can be conveyed through color?).

-Color Relativity (how a color is affected by other surrounding colors)

I think the best advice I can give when it comes to studying and applying color (once you have a general grasp of the fundamentals listed above) is to analyze art pieces that you love.

“What attracts you to it? Why do you think it works? What does it communicate in terms of colors? Are there fundamentals that the artist applies (OR breaks?) in this piece?” etc.!

Light and Shadows

So there’s values, there’s color.

Light and Shadows could be confused with Values (black and white right?), but in this case we’re actually talking about lighting!

Values are specifically related to the range between black and white AND the lightness/darkness of a color (chromatic value).

Our eyes perceive volume through contrast, lighting and shadows first and foremost.

Understanding the terminology of light and shadows will give you a fantastic set of tools to ground your drawings in reality, and give it volume regardless of whether it has cartoony proportions or not.

There is one thing I want to also mention: it is important to know about light terminology, but it’s equally important to understand how light affects different materials.

The following terms are great elements to keep in mind if you wish to accurately render different sorts of objects (it’s a non-exhaustive list by any means, but a good start)

- Types of Light (soft, hard);

- Light Decay;

- Specularity;

- Roughness;

- Translucency;

- 1-2-3 value read

This leads us to my final note…

Edge Control

This last topic is more-so a bonus, but i’ve found it really brings a painting to another level when you know how to use it. Knowing how to control your edges will help you better define 3D volumes in your pieces without needing to use lines.

We typically have three types of edges in painting: Hard edge, Soft edge, and Lost edge.

I won’t talk about the last one because I’m still researching and practicing it, but let’s look at the other two:

Hard Edges are typically used when there is a sharp change between two planes.

Soft Edges are the more gradual transition, typically on a smoother surface like a sphere or a soft slope.

Notice how different both examples feel?

Organic shapes like bodies are full of hard and soft edges because of the smoothness of skin and fat, coupled with the harder edges of bones and muscles.

Try to pay attention to this, both in real life subjects and in art pieces. You’ll be surprised to find the variety of edges there are in all sorts of objects and living forms. It takes practice and observation, but it’s definitely feasible to learn.

Resources:

GENERAL STUFF

Marco Bucci (he covers most of what I talk about here & more, huge rec!)

Arne Niklas Jansson - (I stumbled upon this one by accident, it’s old but gold)

Values:

Yuming Li (in general)

Bonekrishna/ Roberto Ribeiro Padula

Anthony Jones (his ‘painting like a sculptor’ video is one of my favs)

Marco Bucci (seriously this guy has solid videos)

Orenjikun - (his reels and video tutorials are so insightful)

Color Theory:

Slawek Fedorczuk

Justin Oaksford

Eyecager

James Gurney blog (+ his book Color & Light)

H3m0cyt3 (A fun way to harmonize color palettes)

Iniro/Eskbl (I own this pdf, it’s best used when you apply each concept in your own exercises)

Lighting Mentor (really good vid about color relativity)

Light and Shadow:

How to Render- The Fundamentals of Light, Shadow and Reflectivity [BOOK] - Scott Robertson

(I think this is the most solid resource you can have if you’re serious about studying this subject)

Color and Light - James Gurney [BOOK] (this one’s a classic)

Proko (if i’m not mistaken, he has some videos that tackle this subject)

Edge Control

Thomas Mahon (he has one or two tutorials that touch on this)

Anthony Jones (even just watching his process videos on youtube helps)

Sinix

Unfortunately it’s somewhat hard to find more resources for this section :(

———

I hope this helps with your question! If anyone has other good resources feel free to link them as well :)

This is just what I can think of for now :P

[jccatstudios]

SoC Comic Adaptation and General FAQ

General

Who are you?

Hi, I'm Claire (she/they)! I'm currently studying to become a professional comic creator. I love drawing fashion, expressive characters, and anti-hero action.

Where else can I find your work?

You can find all my work on my website! I'm also on Instagram, Twitter, and Tumblr. You can find my fan art under the handle jccatstudios, and my original art under jcscottart (only on Instagram and Twitter).

How can I support your work?

Besides supporting my work through your lovely comments and reblogs, you can help monetarily support me on Ko-Fi. Your support helps fund my college education.

Six of Crows: A Comic Adaptation

Why are you doing this?

Ever since I read the duology, I always thought it would make a great graphic novel series. When my professor encouraged me to start a webcomic, I took the opportunity to make the comic I imagined into reality. I want to see the whole series illustrated through comics one day. If I got the chance to make the official adaptation, that would be one of my biggest dream projects. I'm also using this project as an opportunity to improve my skills before I graduate.

Will you post it on (insert webcomic platform)?

Probably not. Most online comic platforms are meant for scroll format, and I'm making a traditional format comic. Plus, I post on so many sites already, so I think adding another would take too much time out of actually creating the comic.

Will you draw the whole book/series?

I wish I could! Since I'm not doing this full-time or professionally, that's quite unlikely. It would take years to complete it full-time, who knows how long as a hobby. I'd love to add a six-volume SoC graphic novel series to my shelf, but that of course can't be done without some serious backing. I'm currently working on adapting Chapter 3.

Where's Chapter 1: Joost?

I never drew it! I started with Chapter 2: Inej because I wanted to draw the main characters first. The first chapter of the comic is the second chapter of the book. I name the comic chapters after the book chapters just to make it clear which part of the book they correspond to.

Can I repost your art, use your art for layouts/edits, etc?

Yes, you may with visible credit. If you use it for your profile layout, put my handle in your bio. If you're reposting it or using my art for edits/collages, put my handle in the description. As long as it's for personal use, you can use my art. Do not sell copies of my art, use it in merch, or use it for any sort of monetary gain. Do not use my art for prompting or generating images.

Can I use your character designs and headcanons in fanart, fanfic, etc?

Absolutely! Please tag me if you do. I don't need credit since I didn't create any of these characters, but I definitely want to see what you create. :D

How do you make the comic?

The comic is made with mostly traditional methods with some digital editing. I pencil and ink all of the pages on bristol board. I mainly use the G-pen nib for characters and technical pens for the backgrounds. Once I scan the pages, I do light adjustments to the line art and correct any mistakes. The gray tones come from a single sheet of ink wash adjusted to be lighter or darker. The bubbles and lettering are all digital.

If anything else comes up, I'll add it here! Feel free to send me an ask if you have a question that isn't on this post.

[feyspeaker]

Hi! I made an account just so I could follow your work. Your art is brilliant and honestly and inspiration to where I want to be. I’m an older artist who has all the anxiety when it comes to improving my process. I’m trying to get into digital portraits and I have so many ideas in my head, but it’s frustrating because I’m not where I want to be to make this happen. What are some tricks that help you/software do you use? Of course, you don’t have to share anything that makes you uncomfortable. I currently have procreate and an iPad, but I feel a little lost. Wondering if I need a different writing tablet and photoshop. Not sure. I just eventually want to find that 3D, but also artistic look you are able to achieve.

hey there! thank you so much!!

ultimately, I will sound like a broken record but I always recommend you sign up for local figure drawing or painting classes. have people pose for you at home and sketch with charcoal and paper. go to the zoo and sit down in front on an exhibit for an hour and try to draw the animals in front of you as fast as you can and fill a couple of pages, move on to a new exhibit and do it again!

nothing is more powerful of a tool to learn than whatever writing utensil you have in your purse and the back of a napkin when you see something you'd like to capture. I've spent quite frankly my entire rememberable life doing this. I used to spend every single day in middle school/high school/my brief failed stint in community college with a pack of cheap sharpies and a beat up binder full of old worksheets and homework to draw on the backs of.

drawing/painting from life will teach you better than anything.

I use a very outdated version of Photoshop, and only got a "nice" tablet in the past 7 months.

Also, a huge tip to you and anyone else reading this: do NOT get too focused on a "style" that you want. Obsessing over that just ruined me for years and years. I wanted so, so, so badly to be the next Matsuri Hino when I was a kid. I copied her work religiously and it NEVER looked right. Frustrated me to no end. And you know why my stuff never looked like hers? Because I'm not her! You can't force your art to come out any way that isn't natural, and the sooner you can accept the art your hand wants to create, the happier you'll be and the easier art will get for you.

The past couple of years before I started diving into this more realism based work, I was just shoving myself through trying to make what art I envied of others. Very stylized/textured watercolor comic book style stuff. And I just was NOT getting any better at it. I have always been more inclined toward realism work, but I've hated it and yearned for stylized work. Yoshitaka Amano? God, I just drooled over that artstyle and beat myself up for never being able to capture it in studies or otherwise.

I finally essentially restructured my entire career around making the art that makes me happy instead of what I "wanted" it to look like. I was extremely depressed, my life was falling apart, and I still needed to make art to survive but I couldn't "art" if I was depressed and hated doing it, so I just had to step back and stop worrying so much about what I thought I wanted to make, and started making what felt most natural.

there's no easy way, and art can be a soul destroying path at times, truly. your software and hardware should come very last place compared to practicing from life (it doesn't matter if you want to paint cartoony stuff of realistic stuff, always start from life). naturally you will find what makes your heart sing the most.

I get a lot of messages from people telling me similar stuff "oh your art is EXACTLY what I want to do!" but I promise you that kind of thought process is chasing a dragon that is likely to harm or drag your creative process down. art style is such a deeply personal thing, so of COURSE it's important to find inspiration, but the second looking at someone else's artwork stops inspiring you and starts frustrating you, put it away.

There are some artists who I love, that I do not check up on often because their artwork ignites, like, serious bitter jealousy in me. It's the truth. I get so mad at myself for not being more like them, and it's such a poison. I think more artists should be transparent about this feeling because I KNOW the art community has a lot of jealousy and ugliness in it.

A fact of being an artist is that you will never be completely happy with a piece you make. You are always going to see the flaws, and that doesn't change whether you'd been drawing for 2 months or 20 years. Occasionally, you will get one piece that you are like "how did I make that???" and then get frustrated that you can't recreate it lol! It's a tough beast.

It's just really important to step back and work on yourself and where you are at, because at the end of the day, the way your soul wants to express artwork might be WILDLY different from what your brain wants, and it can be really detrimental to let those two go to war.

I hope this helps. I'm very passionate about this, and when I started out I ALWAYS ignored the artists who gave the same exact tips as above. I thought they were so annoying and unhelpful, but now I /get it/.

[38sr]

Hi! I really love the way you color, and I was wondering If you could make a tutorial about it, I of course completely understand if you Can't/don't want to do it thanks in advance If you decided to do it and have a good day/night.

Hello hello! Ooooh, a color tutorial! I've never done one before so I'm not sure if I'll be any good at it haha. But I don't mind sharing my thinking process when it comes to coloring my works. So when it comes to color, I very much have a traditional painter's approach since that's how I learned color in art college. My painting professor never allowed us to use black or white paint, we could only use other colors to create darker colors or new colors altogether. And you're probably thinking, "What the hell? That's insane." And I wouldn't blame you haha. But this approach helped me a lot to not rely on tints (colors mixed with white) and shades (colors mixed with black) when I color. For the most part, I purely thinking about value and hues when I'm coloring.

Finding the right values:

So for this drawing, I did two different takes (one with direct harsh lighting and one without). The reason why I'm showing this is because when it comes to color it's very important that your values aren't clashing with each other. When I started out, all my coloring felt flat because I was using colors with the same values so there was little to no depth. A lot of people don't realize this but color does have value!

If we put the primary colors on greyscale, you notice how each color has its own value. Blue tends to be a dark value, red has a mid to dark value , and yellow is a much lighter value. This is why if you ever look at my work, the color I use for shadows lean into blue/purple tones. You can also have warm shadows since red does have a deeper value compared to yellow. But these values are when the primary colors are at the highest saturation. What would happen if we knocked down the saturation levels?

The values start to become more similar. Since we're not always using the most saturated colors, it's important to understand the values behind the colors you'll use. Once you unlock that, you can pretty much do whatever you want with color haha. That's why I hardly ever use black or white in my digital art when mixing (also I don't mix color with a brush, I just pick from the color wheel which might be insane).

While it's not wrong to use white or black to create darker/lighter colors, color in real life doesn't always act that way. Shadows and highlights can have color. For myself, letting go of white and black has opened a world of color combinations that I didn't think of before taking my first ever traditional painting class. Now, I can freely pick colors and experiment with palettes since I've blocked out what values I need (like the image below).

Even if I'm using blending modes like in the next image, I'm always thinking about making clear value separations. If I can't understand the image in black and white, then I'll have a hard time seeing it in color.

And when you get very comfortable, you can start placing characters in different color environments and match them (which essentially is the job of a color designer in TV animation).

The right image is the official color palette for my character which already uses a lot of blue/purple for the shadows. But on the left side, she's in a night-time environment so I leaned even more into the cool colors to the point that the white T-shirt is actually a very very light purple/pink color haha.

Or like this example where the left drawing gives a more sunset/golden hour lighting while the right one is more blue hour/night time lighting. But you can read the colors clearly 'cause the values are clear to begin with. While that wasn't really a tutorial this is pretty much my thought process when I'm coloring my digital works. ^^; I very much do follow an academic approach to color theory but even then I think it's okay to break the rules. As long as you have understanding of colors' value, I think you'll be able to unlock any color style you want! I hope that answered your question and was helpful!

[aeneakarts]

‼️ EMERGENCY COMMISSIONS OPEN ‼️

I have my current situation all explained after the cutoff but to put it short, my younger brother has been hospitalized for sudden lung complications and I am across the country away from family trying to finish my final year in college. Tuition + medical bills in America is an absolute nightmare for a barely middle-class family so I am trying to help my family by opening commissions!! Reblogs are very much appreciated <33

All commissions in my carrd are open, from pixels to digital to animated items. If there is something you would like that isn't listed on the carrd (such as ref sheets, customs, phone wallpaper, badges, etc), feel free to inquire about it and I can get you a quote. I am quite desperate and would honestly consider doing nsfw commissions as well for an additional 50% of the original price. Payment will be through ko-fi/paypal!

Carrd with commission prices: https://neacomms.carrd.co/#

Trello for commission updates: https://trello.com/b/pX0vbAXb/owed-art

Contact: Feel free to send me a dm here on tumblr but I would much appreciate if you are able to instead contact me on [Toyhouse]. Feel free to also send me a friend request on discord @/Aeneak if you prefer that as well. My carrd lists my email for contact as well but do note that you might get a delayed response there.

Donations: If you would rather just leave a donation (trust me when I say even $1 can go a long way) feel free to send what you can/are willing to spend through my ko-fi or Paypal. Note that my ko-fi is able to process credit/debit/and other forms of payment as well!! <3

https://www.paypal.com/paypalme/aeneakarts

https://ko-fi.com/aeneak

If you are reading this then thank you for taking the time to do so, it is more than I could ever ask for <33

So just yesterday on Sept. 4th it felt like any other normal day, I get to my dorm to video call family and instead of seeing my parents at home, I see them both in tears as my younger brother is laid in a hospital bed with tubes and oxygen and wires from several medical devices coming out of him. He had a normal morning but as he was dropped off to class he started to have chest pains, not one hour later he had to get picked up from school and soon enough he was rushed to the ER. After some xrays the doctors had said there were some holes in his right lung which had collapsed and had been giving him complications in breathing properly and gave him severe pain. He spent the night in the hospital, and earlier today he was taken for surgery to get a pump installed to help him breathe and get his body to recover and heal. I am so so thankful that things are going smoothly but he will be in bed in the hospital for the next several days, my mom is with him just about every second possible and my dad has also taken the week off of work to spend as much with them as possible. I am stuck across the country barely starting my year in college and have no way home, the best I can do is continue my studies but with no current income, I am opening commissions to work on between classes. I have been here the past two days since I found out about this news absolutely sick to my stomach unable to eat/rest properly trying to go through my day as normally as possible. I am Hispanic so my family is very close-knit and they mean the absolute world to me, especially my brother who has always been by my side and we do just about everything together, hell, he would always look up to me for everything and has been inspired to dabble in art because he saw me doodling all the time.

We still do not know why this happened suddenly, they tell us it can be common for athletes especially those who push their bodies to the limits, but my brother does not do any kind of sports. He is not unfit either, he is the healthiest person I know and always watches what he eats, so to have this suddenly happen was completely out of the blue. My parents will stay with him in the hospital for the next 5 nights until he can hopefully be released to recover at home. During this period we are not getting any income and with everything that's happened so far, the medical bill is going to be a nightmare.

If you are unable to send in a commission request/donation please do not worry, everyone is going through their own struggles and I completely understand, take care of yourselves first!!

A reblog is always very much appreciated to help spread the word but regardless, if you've made it this far thank you so so much for reading everything, I hope you all are having a wonderful day/night and if not, I truly hope things get better for you soon! Please take care and remember to drink water <3

[samwise1548]

I used to have a comkc series about this villains group, where the main character was pressured to become a villain by his dad. But deep down he knew he'd rather have been a hero. (Unintentionally, I wrote the comic strips with the feelings I had while doing CompSci in college when I wanted to do art.)

Anyways, long story short, I lost a lot of the original files for the comic and it made me lose interest in the story as a whole. I'd tried a few times to get back into it but never worked out.

These pages here (from around 2021) are the last pages I had lineart done for. I wanted to finish these ones coloring for nostalgia sake alone. I enjoyed it, but it is finally time to say farewell to "Heroes and Villains."

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[ID: Three digital comics following a sequence of events and featuring a cast of original characters.

In the first comic, a masked man is giving a speech to a crowd. "Great work today Agents! It was a close fight but I am still proud of every one of you." They send the man their praise in return. "Happy to serve Elite Officer Harpy!" David, a blond boy dressed in a light blue costume asks a blue haired girl, "I've been thinking- Mr. Harpy is pretty strong. Why isn't he higher ranked in the agency?" The girl responds "I've heard people say it's 'cause he lost a duel with the current Executive."

The second comic continues the story. Someone speaks from the left of the two, "Elite Officer Harpy didn't lose to Exectutive Officer Crown." David asks the shark that has now entered the frame, "Then why is he lower ranked?" The shark responds, "What really happened was that Crown blackmailed Harpy out of the position." At which point another character joins in the conversation. This one being a short girl with the top of their head fully covered by a helmet. She interject, "Dude that so didn't happen." With hearts in her eyes she rambles, "Obviously the weight of such a high position was too much for our boss. So he humbly stepped down in place of a lower rank commanding us!" The other three look at her incredulously.

The last comic is slightly longer than the previous two. The setting changes to an office room where the man on the stage, Elite Officer Harpy is sat at his desk. He questions the four characters in front of him. "We were wondering why Boss Sam gave Executive position to Crown and not to you?" the shark supplies. "Ah... Well since our skills and strength are almost same- Boss Sam assign our position with Rock-Paper-Scissor." he awkwardly answers. The four agents grimace and think, "That's so lame."

/End ID]

[kiennilove]

ART TAG

thanks to @doshiart for tagging me! so excited <3

How did you start drawing? What year was it that you become more seriously and consciously interested in it?

i don’t really remember, but for some reason drawing was an activity that interested me the most?? i’m not counting playing with toys and imagining things, but it’s about creating something from scratch. one time i made paper dolls, wrote a short scenario (very poorly lol) and kinda made a theatrical play in my head with all of this??

spoiler: in 2021 i’ve made an actual play with my best friend, who’s also an artist, with great paper dolls and a great scenario! it was for a college exam, we got the highest score. :3

i started taking it all seriously in 2014, when i went to my first art school. it was small, literally one room, and there were lots of other classes in the same building, like singing, dancing (i did that too at some point), etc. then i moved to the bigger one, that was solely for arts, but i didn’t make it past the first year due to health reasons. so somewhere in the mid-10s.

When you felt the urge to share your art with other people? When did you start posting your drawings on social media?

when i saw other people around me doing it. it was 2014 when i first shared my art online (got a lot of hate because it looked bad lol), and then it was 2016 when i made my first tumblr acc and posted some anime art with some consistency. now i post here and on another platform, just duplicating the content lol

Your first/earliest drawing. What were your impressions of it back then and what are your feelings now?

i tried to find pictures of these first paper dolls but couldn’t, fuck, so here we have…

some OC i did in 2014, i don’t even remember the name anymore :/

i did this after i watched my first anime 😭😭😭 i made this picture back then too, at my iphone 4, don’t judge me

i was proud as fuck because look he has ✨cool hair✨ and it’s a ✨full body✨ but no hands ofc lol

i mean, it looked great for me back then, so i haven’t change my thoughts about it lol i also have no idea what i wrote in the upper corner, i used google translate 😭😭😭

Your first fanart ever

also couldn’t find it, it was jeff the killer fanart, also somewhere from 2014 😭 but! here i have my first digital fanart… 😭😭😭 i spend i think 6 hours to draw this, i didn’t know about layers or anything really so here it is lol

Your first gallavich fanart

holy shit, it’s from may 2022! old habits never die, 7x10 is always in my heart

When you had bad days and things didn't work out, what inspired you to keep trying?

nothing, actually. if i will try to find any inspiration, i will get angry and irritated as fuck because nothing’s working out SO i’ll relax and go play brawl stars 😎

Show your old piece that you strongly dislike and tell why.

this… spend too much time on it just to realize it wasn’t that good as i imagined, the dress look like it was made out of cardboard, i don’t know, it just… doesn’t work. i had worse, yeah, but i have a soft spot for them. this one should be somewhere from 2018

HONORABLE MENTIONS TO THIS PIECE OF SHIT. IT WAS FUCKING 2019, WHY THE FUCK DID I RANDOMLY START TO DRAW LIKE THIS??? just for comparison, picture underneath is from 2019 TOO.

Show your old piece that you very like and tell why. What's the difference with the previous?

let’s go with this, it was 2017 :3

soft, cute, an attempt to do a new art style. i don’t know, theis pictures seem cozy!

Show your old piece that you were very proud of back then.

ACE ATTORNEYYYY >:333

both are somewhere in 2020-2021

fuck, i love ace attorney

Do you do any practice sketches or warm-ups before you draw something big?

mmm not really, only a quick sketch with some guidelines so at the beginning my pictures look like this

(yes, this is ian filming mickey while mick is giving him a bj)

Sketch vs Final. Show your process.

damn should’ve kept mickey’s face lol

Your most recent drawing.

can’t show the most recent one, it’s for an event, but this one is the only finished one FOR NOW, but i also have this little piece here, idk if i will finish it (aaand i forgot mickey’s tattoos)

Give yourself some praise! Look at what improved in your art!

literally YOU GO GIRL!!! KEEP DRAWING NO MATTER WHAT!! i improved as fuck, went through a lot of shit and breakdowns but here i am, being confident and loved by other people and, most importantly, artist who have a much higher skill! i love that. i did great

Any advice you'd give to your earlier self?

just keep going. don’t be shy and don’t erase everything is one small thing is wrong. don’t start an arguments when somebody says “i’m better at art that you!!”. and, maybe, use a hard drive to save shit-

Set a goal for yourself for the coming year.

i want toooooo… i don’t know! i want to try line-less art style, get into more challenges, etc, everything i can :3 and maybe open commissions

aaand i’m tagging… come on, show us your secrets, don’t be shy 😈

@deathclassic @spookygingerr @gallapiech @heymrspatel

@deedala @burninface @vintagelacerosette

[goldnhourwrites]

HEARTSTEEL COLLEGE AU HEADCANONS

This phrase seized me yesterday and I have not been able to stop thinking about it. Who knows, maybe I'll write a fic :)

inspired by my experiences as a college student in the US!

Yone

Pre-med student with a minor in psychology

Does peer tutoring and notetaking for his biology classes

always doing work. being a pre-med student is so much Work All The Time. this is why Yone is always seen with coffee and dark circles under his eyes.

He manages fairly well for someone with so much on his plate - he keeps an impressively functional sleep schedule (goes to bed at 10pm every night, wakes up at 8am every morning)

Is an RA (resident advisor) for his dorm floor and tries to be a good resource for freshmen

Bikes everywhere, enjoys taking walks/getting outdoors for a break from studying

Likes to make and listen to music in his free time (which is not a lot)

Sett

Majoring in athletic training to be a sports coach

Student athlete on the wrestling team - spends a lot of time training and traveling to meets off-campus, so he's not around much until the off-season

Hangs out with the boxing club when he's not doing wrestling

Part of an all-men a capella group and enjoys singing/rapping

Joined a fraternity in his sophomore year because most of the wrestling team was on it and enjoys chilling with his friends in it

Casually bakes things in his free time and brings them to the wrestling team/his classmates/office hours/his frat brothers

K'Sante

Anthropology major, education minor - interested in becoming a teacher/professor and enjoys working with kids

Also a student athlete, on the powerlifting team

Part of a hip-hop dance group on campus and likes to choreograph

Involved in campus queer life and helps organize/run events

Takes voice lessons - used to play trumpet, but didn't have time for both in his schedule

Also part of a fraternity, enjoys the sense of community it offers and plays an active part in organizing/managing their social events

Seems like he's constantly busy, but always makes time for his friends and enjoys the feeling of being on-the-go

Ezreal

History major with a minor in classics (studies Latin/ancient Greek literature and languages)

Acts with a theater club in his spare time - loves musical theater and plays, especially Shakespeare

Hung out in the history/special collections section of the library so much he got a student job there

Loves wandering around campus to find cool, obscure places that he's probably not supposed to be in

Joined a debate team in his freshman year (Kayn was on it) (they hated each other)

Big on going to parties but can't handle alcohol so instead of getting drunk he goes back to his dorm and falls asleep at like 11pm

Aphelios

Computer science major with a minor in graphic design

Does digital art and traditional art; enjoys taking studio art classes when his schedule isn't full

Occasionally does game design and similar coding projects

In the orchestra and plays the violin!

Enjoys physically making things every once in a while - jewelry, paintings, etc. and often doodles in a sketchbook absentmindedly

Sometimes publishes his art and poetry in a student magazine under a pseudonym

Kayn

Political science or government major with a minor in studio art

Spends a lot of time in the woodworking/metalworking studios, partially for art classes and partially because he just likes hands-on projects

Plays electric guitar and was part of a student band for a while (the one he got kicked out of)

Likes parkour and rock climbing, regularly shows off his ability to climb up things that he definitely should not be climbing on

Member of a fraternity (but it's the kind that throws a bunch of parties and probably has illegal drugs)

Goes out to party every weekend and doesn't wake up until 1pm the next day

Skateboards everywhere and knows a bunch of cool tricks

Alune

Film production major with a minor in biology

Part of a fashion design club and does photoshoots for/with them

Does a capella and loves performing! Does musical theater every once in a while

Active in political causes on campus

Works as a barista in one of the campus cafés

Likes to roller skate around

i have a couple combined/group headcanons that i'll post tomorrow if i have time :3 this AU has grabbed me and is currently shaking me by the shoulders and won't let go