#why must they do this why do we need live action remakes WHY

[weirdly-specific-but-ok]

just realised there's a very, very real possibility that there will one day be a Cars live action remake.

so.

that... that sure is a thought.

[skywheeldate]

Analyzing the Skywheel Dates

Unable to wait patiently for the Ultimania releasing next month, I wanted to provide my own analysis of the Skywheel dates between Cloud/Tifa and Cloud/Aerith.

By analyzing Cloud's behavior on these two dates, which are explicitly more romantic than the other four, I aim to understand why the dates played out the way they did and what was going through the character's heads during them.

Tifa Date:

What sticks out in most player's minds during the date is the kiss Cloud gives Tifa while riding the Skywheel, and it's easy to see why! It's the first time Cloud has kissed a woman on screen, after all. But I have seen fans state that this proves Cloud likes Tifa more, and while I hate to get myself involved in any shipping war, I feel there is a more interesting conclusion we can draw based on the timeline of events throughout both remake games.

First, I want to direct you to this caption from the Remake Ultimania:

When Cloud gives Tifa the flower, he wants to "Show off a youthful image of what he himself wants to be like"...

I think this caption is very important to helping us understand why Cloud was able to be so bold as to kiss the girl he was always too shy to befriend as a child. And I think it's linked to his new "ex-soldier persona."

See, the ex-soldier persona Cloud crafted is modeled after a person he admired and wanted to be like: Zack. Although making this new personality for himself was an unhealthy response to his trauma, I think there are good things to it, as well. For one, it allowed him to take action again and thereby begin his first steps towards recovery. In addition, it gives him courage to do things he never could before, such as strutting his stuff on the dance floor:

I don't think it's too far of a stretch to say that this extends to him giving the flower to Tifa.

So this, in my mind, explains how Cloud had the courage to kiss Tifa and why some fans might think it felt a little sudden or out of character--it's because it almost is, in a way. But let me reiterate, I don't think that's a bad thing. I think Zack's influence on Cloud is somewhat natural and, frankly, having the courage to do the things you want and have fun is never a bad thing. I truly believe Cloud is exemplifying being Zack's "living legacy" by becoming more confident and outgoing. It's a good thing!!

And let's not ignore Tifa in this scene. Before the kiss, Tifa brings up that she feels she and Cloud have become closer, but frets that she's rushing to conclusions again. She's giving Cloud a clear opening to prove his feelings for her--and frankly, after all this build up? Giving the flower, all the tiny touches they've shared? Cloud is more than ready to prove it to her, and he does. It's so easy, and he does it the best way he knows how: with a kiss. In that moment, the boy became the man he's always aspired to be.

Aerith Date:

Conversely, the Aerith date isn't quite as simple--at least to me. It's hard to understand what's going on in their heads, and I think they comparatively have more obstacles in the way of their romance.

The biggest obstacle is that Aerith has seen through Cloud's persona, and almost calls him out on it during the date. She tells him she's looking for the real him, and that she wants to meet him someday.

I believe this stops Cloud, subconsciously. While the persona he built around Zack gives him more confidence, it's still a persona. It's not who he really is. By giving into that persona at all, he is not giving Aerith what she wants. Being confident and bold with Tifa was important, because she needed proof he liked her, but here? What's important is being the "real" Cloud, whoever that is. It must have stumped him.

Aerith gives him an easy out though: she asks Cloud to let her snuggle up against him until the ride ends. And that much, at least, Cloud can manage. And he goes even further than that when he interlaces their fingers together. I think this is his way of showing that he'll be there for Aerith--not just till the ride ends, but after. He's showing her that he does, in fact, care about her, and that her selfish request isn't as selfish as she thinks it is.

I also want to bring up the lyrics from No Promises to Keep here since I think they're extremely relevant to the Clerith relationship and the hand-holding symbolism seen throughout the game:

Till the day that we meet again At our place, just let me believe In the chance that you'll come Take my hand and never let me go Take my hand And believe We can be Together evermore

The hand holding symbolizes their shared desire to be "together evermore" and the belief that they will be. The interlocked fingers display a powerful, mutual bond that cannot be so easily severed. I think this imagery is both simple and extremely beautiful.

In summary, although they are not at a point in their relationship where they're ready to kiss yet, I believe this scene is meant to show that there is still possibility for their relationship to grow and get to that point.

.❀。• *₊°。 ❀°。• *₊°。 .❀

Thank you for reading till the end! I hope you enjoyed my thoughts. Feel free to use or reference this post if you found it resonated with your own interpretations of these scenes. And if you have your own interpretations to share, I would love to hear them!

[crystalelemental]

Full tier list is here, breaking down the F-tier. Time to expose my Hater Tendencies.

Red Realistically, Red is not inherently awful, my hate is a byproduct of the franchise itself constantly pushing him as the biggest most importantest trainer ever to live, and I despise that. He exudes nothing to me. I think his challenge in GSC also sucks, the remakes actually made it way worse, and Let's Go's conditions are so annoying I refused to even entertain the idea. I have no respect for him, and think the general fanon perception of selective mutism is giving credit where it's not due. He's just supposed to be strong and silent warrior man archetype, which is boring as sin, and people are out here making him actually interesting. Stop it. I'm trying to be a hater.

Brendan "Your dad's a gym leader so I thought you'd be a guy." "Unlike you, your dad seems tough." Brendan is a piece of shit masquerading as your first "nice" rival and I never got over the bad vibes. Fuck this dude.

Flint He looks stupid, and is in love with Volkner. Atrocious taste.

Thorton He's just kind of a dweeb, and then Masters had a really early event where he's supremely rude to Hilda for literally no reason. His vibes are rancid.

Flannery Every tier has one I look at and go "I am being a little unfair, but I must be true to my feelings." Flannery is that pick. I cannot stand Flannery for entirely unfair reasons, but nothing gets me past it. I'm sorry, it's an ongoing hangup, but I cannot get over how much I hate when they make a female character whose thing is being shy or self conscious, and put her in a revealing outfit. Like come on. I know what this is and I'm mad about it. Consider her my entry point onto some guys being just really skeevy about female character designs.

Volkner "Oh, I'm so bored of battling because no one is a challenge to me, guy who isn't even on the Elite Four." Get over yourself, loser.

Klara/Avery I'm lumping them together. I hate them both equally. Galar is already fighting an uphill battle with its atrocious aesthetic, and these two being petty losers is doing nothing to help their case.

Sordward/Shielbert I mean...do I really need to explain? His head is a penis. Literal dickhead. Worst post-game segment of the series.

Ball Guy Originally omitted, decided to include just to shit on garbage reddit meme culture. Masters, you fucked up putting this thing in here.

Mohn/AZ Okay, these two are the actual, beyond all else, bottom of the barrel losers. Why? Because they are the only inclusions that I think actively harm their games. In the case of Mohn, the only emotional center Gen 7 has is the Aether Fam, and the husband/father is literally just hanging out on an island. We know where he is. He's the bean man. And this angst gets absolutely annihilated over the fact that he's literally just right the fuck here. USUM even has him interact, only to shut down a real resolution with him. Like great Lusamine, glad you've decided to move on, that is a choice, but like. We're all really going to pretend like this wasn't the entire core of the issue and just let it all go in a half-cooked scene? I wish he never showed up.

AZ is much the same. His presence as an eternal entity wandering the earth bothers me, because honestly bro, it's been 3000 years. Do you know how quickly people change who they are? I'll give you a hint, it's fewer years than that. And at no point was there any real attempt to like. Reflect or undo his previous actions? Like you could've dealt with the machine since you knew where it was, man. You could've done literally anything. And his resolution is supposed to be one (1) battle with you where he suddenly feels like he can just let go of the weight of his sins of creating a doomsday weapon that runs on Pokemon life and committing a genocide with it. Hooray. Glad we wrapped that up. He should've just been a cautionary tale that existed in history, not a literal guy who continues to be here. I hate him so much.

[angelosearch]

My initial screaming thoughts on the Avatar the Last Air Bender live action remake on Netflix. Spoilers for eps 1-4 below, will watch 5-8 later today probably.

I want to hug this casting director and also ask them how they pulled the chacters straight out of the cartoon and made them real.

IROH IS SO GOOD OMG

Lol wow the dialogue is really leaving nothing up to the imagination. Exposition exposition exposition. Get why they are doing it this way but it gets reeeeeally clunky sometimes.

We must say the exact number of years that everything has happened and everyone's age

hope line in ep 1 is straight out of Ember Island Players

WOW THE BENDING

WOW THE FIGHT CHOREOGRAPHY

The ostrich horses are chocobos and I am not taking any questions

😭 The airbender genocide is horrifying (as it should be)

Animals are a tad uncanny valley but I am okay with it

I appreciate that they kept so much of the original music even though it feels a little out of place for something live action

The tone is much more mature. The themes are different in a good way - they haven't changed much of what exists in the canon, just shifted focus. Adult side characters are getting more story. Stakes feel higher. Violence! Grittiness!

Firebenders are really fucking evil so they need to balance it with more morally gray/evil earthbenders and more upfront sympathy/development for Iroh and Zuko

This show could be enjoyable to someone who has never seen the cartoon before but it is definitely written for us, those who had our hearts broken by the movie

Sokka is not overtly sexist and honestly I'm okay with it. I like that arc for him in the animated tv show but with the tone of the live action, he couldn't just be funny sexist, he would have to be dark sexist and that just wouldn't be Sokka. Plus I like how they focus more on Sokka's sense of duty because it creates a good foil for Aang.

I was never really a big Sokka/Suki shipper but DAMN.

KYOSHI PLEASE STEP ON ME ALL I REALLY WANNA BE A GIANT WOMAN OMG THEY TOOK STUFF FROM THE BOOKS

I am getting more Zutara vibes rn than Katara/Aang idk

Okay they are condensing the plot but in really smart ways. We aren't losing much.

The set design. The costuming. SO PERFECT. Ohmashu looked great.

DANIEL PUDI AAAAHHHHHHHH

THE. CABBAGE. MERCHANT. 10/10 IT'S THE VOICEACTOR THEY CAST HIM IN THE LIVE ACTION

they mention secret tunnels. Are they gonna do it? Are they gonna keep it in?? YEEEESSSS FUCK YES OKAY THIS REMAKE IS AMAZING

I really like how they made the tunnels about sibling love tbh

Utkarsh Ambudkar disappears into the role of Bumi and it is SO GOOD

Me: *cries as Zuko comforts Iroh at Lu Ten's funeral* My husband: "Wait, listen to the music" Me: *listens* *lays down* *CRIES A LOT*

This show is very focused on showing what a 100 year war does to people and I think that was a good direction to take

Overall I am VERY happy with it. They understood the assignment, there is a ton of love for the show weaved into it, and I am excited to see more.

[thessalian]

Thess vs The Media Machine

There are three upcoming things that I just ... do not get.

Cruella 2: Yes, the movie that mostly only got talked about because it literally established Cruella de Ville's origin story as "Dalmatians killed my parents" and became a meme ... is getting a sequel. Why? How? I mean, I thought a Villain Origin Story Prequel for Cruella de Ville was stupid to begin with, riding on the coattails of Maleficent (who had a much more compelling origin story, thanks), but a sequel? Disney, if you have to give us Villain Origin Story Prequel Movies? GIVE US URSULA THE SEA WITCH FROM THE LITTLE MERMAID! Don't give us a sequel movie of the origin story of a woman whose sole motivation was supposed to be, "I want a spotted white fur coat and snow leopard's too expensive so I'll make it out of puppies".

How To Train Your Dragon Live Action Remake: Oh, come on. Half the beauty of that series was the character design. And you want to make it all just ... live action people? Do you have any concept of how boring that is by comparison? And I still don't get why. Like ... the movie's right there. I have it on DVD. It's still awesome. We don't need live action remakes of everything, for fuck's sake. Half the time, the live-action (or at least photo-realistic) version is just ... this soulless husk of the animated one. See for example ... Aladdin, The Jungle Book, The Lion King... (I'm not sure how I feel about The Little Mermaid but ... lemme put it this way. I don't care what colour skin Ariel's actress has, but if they make Ursula some slender waif, I'm going to be pissed. I mean, I get the issues involving villains being fat or otherwise conventionally unattractive, but the Ursula in the cartoon version owned her deal and made it ... frankly, sexy. So really, no, leave her fat and living her best life.)

Watchmen: The Animated Series: ...dear. Fucking. Gods. The Zach Snyder version was ... okay, but they really did tone Rorshach down. Like, a lot. But from what I saw of the trailer for the animated version? They put him as a centre-stage hero in the style of Batman. Did the jackasses who wrote the premise for this even read the comics? Sure, some guys decided that Rorshach was the GOAT from the comics, but they had a tendency to be ... well, in the same basic family of incel that Rorshach himself was as a character. That got whittled all the way down in the Snyder film, and now they've got Cartoon Rorshach acting like Batman. No one needs, wants, or asked for this. Alan Moore must be spinning in his grave. (No, I know he's not dead, but have you met Alan Moore? He's totally the type to sleep in his own grave.)

Gods, no wonder studio execs think they can replace writers with AI. So much of this seems to be entertainment by marketing committee while good shit gets cancelled Because Reasons. Though I guess they're at least somewhat less obvious about "Give us something that we can get a merch line out of" than they were in the 80s, because no one is getting a line of action figures out of Watchmen because there is only so far they can sanitise it. (I think. The trailer gives me some concerns in the "We animated just enough of the Zach Snyder film to get people watching and then just turned Rorshach into Batman" sort of way.)

[agentemo]

Netflix's ATLA initial thoughts, ep 8: Legends

Honestly love Katara joining Aang in attacking the ships. I still wish he could waterbend too. Oh Sokka is here! Teamwork :')

Awkward CGI ftw. I had to mention it at least once.

Iroh giving Zuko advice makes more sense! That's the kind of thing I wanna see! That said, "Lu Ten woulda been proud" is not as strong as "You are like a son to me." Whack dialogue strike 74.

Bringing in the airship early is...a choice. And oh man Iroh, you will find out what job soon enough.

WHY HAVEN'T WE SEEN AANG WATERBEND

I GUESS WE'LL SEE ALL THESE WOMEN FIGHT INSTEAD I'M NOT CRYING

Sokka and Yuuue sitting in a...on an ice block

Master Katara seemingly as earned in this show as in the OG. Which is extra points against this show lmao you're supposed to improve upon the flaws you stupid remake!

Fucking fire sage traitor ass bitch. I don't mind the sages having this information; makes sense. I also like that the ocean and moon spirits appear rarely instead of BEING mortal. That is the kind of flaw improvement I like to see.

I don't love the super powerful being (Aang) seeing things others don't. It's giving hallucinations for plot purposes, which I hate.

Momo came here to nearly die, I see. I'll allow it. There's a push and pull (heh) between realism and fantasy and they are leaning toward realism. It works if Yue has powers and needs to save someone in an oasis that is not just a 10 by 10 island.

I love seeing the adults act. They're so believable lmao.

Katara Zuko fight! Lmao and Aang telling her to go easy on him. I wish that was earned.

"Yes. You're looking at her." PERIODT! I...wish that was earned.

Zhao wanting firelord is bullshit. Also how do you know which fish is the moon? Must... not... nitpick... final... episode.......

I will say Zhao's actor ate this whole season. He came to the Netflix buffet and had his fill and then some.

Color grading, I kiss you on the mouth.

So many water tribe warriors would have died in the wake of the death of the moon spirit. I'm glad they showed that. It hurts to watch but I didn't sign up for this live action remake to have my hand held.

I finally believe this kid as Aang and it took him about to go kaiju. Maybe because I couldn't see his eyes.

Speaking of kaiju!!! Fuck it up, kings! We BIG mad with the Avatar and ocean spirit!

He's a small man! Who's gonna meet a small end!!!

Okay. I love Azula in this. They made a good choice here. Actually no. They made many good choices here. They brought her forward a season and they made so many compelling choices with her character. Incredible.

Yeah keep throwing fireballs at a water kaiju you dumb fucks.

Sokka and Yuuue... and then just Sokka...

Katara, he can't hear you. Stfu.

I love seeing the aftermath except I don't. Fuck the aftermath. Have I not cried enough?

NOT THE GUY WITH THE DIMPLES

You don't! Have to be a warrior!!! To be a hero!!!!!!

A man needs his rest!!!!!! And a me needs their CRY

Chemistry between the trio in the literal last scene of them lmao.

Azula helping conquer Omashu? Under the shadow of the siege of the north? Brilliant.

NOT AZULA BEING A WEAK SACRIFICE.

Yeah what the FUCK is next, Azula?

G-give...me season 2? Now. I want it now.

More thoughts coming....well I have a lot of work the next few days but this will be front of mind anyway lol

[baggebythesea]

So many good thoughts here, but I'm gonna zoom in on this one

Wendy throughout this whole movie is pretty much just the “I came out to have a good time and I’m honestly feeling so attacked right now” meme

Because that captures my viewing experience of Peter and Wendy 2023 SO MUCH. Every Neverland story gives Wendy the choice between Neverland and London - staying a child or growing up. And she (almost) always chooses to go back and grow up, because that's how the story goes, but she's dearly tempted to stay.

But this adaption... I don't really get the impression that Wendy is all that eager to be in Neverland in the first case, let alone to stay. Apart from being a bit grumpy about boarding school in the beginning, and apart from having a bit of fun flying, she's pretty firmly on board the growing up train and even makes it her project to save the rest of the lost boys and girls from their eternal childhood. No wonder she and Peter don't get along all that much - they are ideologically opposed from the beginning.

Which brings me to something I thought was bit weird the first time I watched the movie, and which annoys me more the more I think of it.

Where are the mermaids?

Granted, I see why they might chose not to include them, because apart from their lagoon providing a scenic location and them setting up Tiger Lily being kidnapped in the book, they don't do all that much plotwise. But they do fulfill one very important thematic function: They are there, because Wendy want to see them. Neverland is a place where there are mermaids, and Peter bring her to them.

In the 2023 movie, there are no Mermaids, and we don't get the impression that Wendy would have been all that keen on experiencing that piece of childlike wonder anyway.

And... all things considered, Wendy choosing against Neverland almost from the moment she got there is not BAD per se, but it does set up a different dynamic than what we are used to. In her big scene when she is forced to walk the plank (and how I adore that they finally remembered that a girl who can fly might not be in all that much need of saving in circumstances like that) her happy thoughts are not about the childish things she might leave behind, but about the adult life she's about to embrace. Wendy has made her choice, and she has no more time for Peter's and Hook's childish games.

Only, that kinda begs the question what she even needs Neverland or Peter for. A nostalgic farewell to childhood? A last hurrah before bording school? A comment on her argument with her father before bedtime ("George Darling was right" is NOT the moral I expected from a Disney Peter Pan adaptation)? A chance to bring the lost boys and girls home? Is this a rescue mission? Are we supposed to read it as a tragedy and a failure when Peter and Hook reunite in the end? (I honestly like what the story does with their dynamic, but alas - their relationship is not all that relevant to Wendy, and this is HER story).

For reasons that elude me, the Disney Live Action Remakes seem to compete in which remake can be most pointless, but I must say I have rarely seen it embedded in the story to this extent before. Wendy doesn't seem to want Neverland. Wendy doesn't seem to need Neverland. And despite a lot of fun moments and gorgeous scenes (Tink covering the ship with pixie dust is such a power move!) and despite great actors, there is not much to take from this movie that hasn't been done better in other adaptations.

Still, I had a lot of fun, and I suppose that is all I need, in the end.

Peter Pan & Wendy (2023) - Thoughts

A little bit of brief background here; I’m a huge Peter Pan fan. I grew up loving the Disney animated film but the 2003 live action has always been the superior Peter Pan adaptation to me; Peter Pan holds a special place in my heart as my late nan who I was close with used to take me to the panto every Christmas, and my favourite ones were always Peter Pan.

So without further ado: I watched the new Disney’s Peter Pan & Wendy that came out on Disney+ this weekend!

First, some live watching thoughts:

This movie is literally carried by Ever Anderson as Wendy, like no disrespect to the other cast but she literally carried this film in my opinion

By the way, anyone complaining about it being Wendy’s story is an idiot because the story has ALWAYS been Wendy’s story, ever since Barrie wrote the play and novels. Regardless of which version you watch, it always starts with her lamenting about not wanting to grow up and ends with her acceptance of the fact she must grow up - it’s HER journey, her development.

I have no idea why Disney/Lowery chose to cast two separate actors as Mr Darling and Captain Hook but I’m NOT a fan of that choice. Even in the animated film, they’re voiced by the same actor - it’s a part of Peter Pan tradition to have the actor play both roles, so it’s baffling that it’s not the case here.

I really wish this film had spent a little bit more time BEFORE Peter arrived to show us more of each of the children and also the relationship between the children and their parents. The film opens with a nice little scene of John and Michael sword-fighting whilst Wendy prepares to head off to boarding school, and then she joins them and their father scolds her for “this is how you choose to spend your last night in the nursery” and “you’re too old for this sort of fun”, which definitely works… but it’s very quick paced and it rushed by so quickly, like the film kind of just spends only a few minutes establishing “Wendy is being sent to boarding school the next morning; she doesn’t want to grow up; her parents want her to be a better role model to her brothers” and that’s it.

Also interesting to note that Wendy is not in a nightgown in this version but some kind of pyjama-ish undergarment outfit, plus a dressing gown

Wendy aggressively reading a book in her bed… same though

Nana appears but only in brief moments 😭 WE DESERVED MORE NANA! In this version she’s kind of more just a pet - they never mention that she’s the Darling family’s nursemaid and looks after the children, and there’s a brief flash where (I think) you see a young Wendy cuddling her as a puppy… like??? She’s not just a dog, she is not just a pet, she is the finest nursemaid on four paws because the Darlings can’t afford to hire one.

“I want things to stay the way they are.” “Perhaps I don’t want to grow up.” — same, Wendy, same

“Just imagine all of the things you would miss out on if you didn’t see where it took you… and all the things the world would miss if you weren’t there to do them.”

Mrs Darling’s lullaby was lovely by the way

Yara Shahidi as Tinkerbell is BEAUTIFUL. I love her facial expressions, and even though there’s less attitude and she’s not jealous in this version, I still love her

I know that the film was supposed to film in 2020 but Covid shut things down so they didn’t film until a whole year later, and obviously children grow very quickly… but Peter’s voice is so deep in this version, you can tell Alexander Molony hit puberty during lockdown. I feel bad for criticizing a kid about it because it’s not his fault, but it can’t be denied that he’s older than Peter is supposed to be. Ever Anderson was also 13-14 when filming actually happened, and while it’s slightly less glaringly obvious with her, she’s definitely a tiny bit older than most versions of Wendy. I think it’s more obvious with Alexander though because of the deep voice.

This version makes it seem like Mrs Darling is the storyteller and Wendy isn’t, which kind of bugs me to be honest but oh well

Let’s be honest, no adaptation will ever top the “Flying” scene from the 2003 version - that was a whole masterpiece in itself. This version does do a nice enough job though, all things considered, even if the CGI doesn’t always look quite right

I don’t want to slam how Neverland looks because I’m aware it was filmed in Newfoundland in Canada, which I don’t doubt is a beautiful place - what I will say is that I don’t know if there was some kind of ultra real gritty filter added on it if it’s something else, but to me it just wasn’t colourful enough. Neverland is supposed to be magical and vibrant and like a dream, not 100% rigidly realistic. They could have made Skull Rock shaped at least somewhat like a skull for God’s sake, just as an example

“Smee, make a note my cabin needs a new door.” “Yes… might I say, captain, that’ll be your third door this month-“ “and it won’t be the last.” — okay, I had a little giggle here, I won’t lie

Jude Law’s version of Hook has heterochromia which is definitely interesting - I wonder why it was included though, like what purpose does it serve the story

Wendy meeting the Lost Boys changed from Tink telling the boys to shoot her out of the sky and them nearly murdering her, to her washing up alone and running into them and Tiger Lily, which is definitely a choice

AHHHHH TIGER LILY SPEAKING CREE, SHE IS ALSO LITERALLY A PRINCESS IN EVERY SINGLE WAY LIKE HOW SHE SPEAKS AND CARRIES HERSELF

I am genuinely still on the fence about the Lost Boys including girls but at the end of the day… whatever. It’s not that big a deal in the grand scheme of things. I still find the “but you’re not all boys” “SO?!?” exchange cringey though, not gonna lie

Wendy’s response to the above being “well I guess it doesn’t really matter”, so true

I think it’s a good thing that the Lost Boys include non white and disabled kids (Slightly has Down syndrome) but also I really hope those kids stay off social media for a while because the absolute nastiness being flung around about them (especially Slightly) is disgusting

The Lost Boys being like “she’s too old” “she’s too grown up” 💀 that and Mrs Darling’s “darling, you barely fit in your bed” comment feel oddly meta and about the actors growing while filming was delayed

Wendy Moira Angela Darling realising her brothers have been captured by pirates: “…oh dear” 💀 the timing of it was perfect though lmao

Tell me that Smee did not just use the phrase “compatriots of you-know-who” in front of a man who played Dumbledore 💀

John: We don’t care about your rules, we came with Peter Pan! // the entire pirate crew eavesdropping outside: *groaning/gasping*

PIRATE SEA SHANTIES FTW

Peter Pan really disappears from this movie at about 20 minutes in (after appearing for the first time only 10 minutes beforehand) and doesn’t reappear until a whole 15 minutes later?!?

“I’ve found you guilty of being a child - and we can’t have children in Neverland” — IS HE FUCKING SERIOUS RIGHT NOW?!?!? (Hook was in fact deadly serious)

NOT TEDDY LOSING AN ARM 😭

Who the hell did Peter think he was tricking with that absolutely terrible disguise, it looks like stuck a mop on his chin for god’s sake?!?

Wendy being shocked that Peter is showing off as if that isn’t his whole personality summed up 😶

“Oh brother, Hook’s singing again” - I CACKLED IM SORRY

“Proud and insolent youth, have at me!” — I GASPED I TELL YOU, GASPED

PETER AND HOOK’S SHADOWS HAVING THEIR OWN SWORD FIGHT OH MY GOOOOODDDDDD

“Oh, Wendy… you’re still alive!” ASDFGHJKL

OH HOOK PLAYED DIRTY AND HE SAID HE LEARNED HIS BAD FORM FROM PETER DIXNDMALZPZOZL WHAT IS GOING ON

“For to die would be an awfully big adventure” - THAT’S THE MONEY LINE RIGHT THERE

“SHE’S A WENDY!!!”, and all that ran through my mind was the Barbie meme:

Wendy finishing Hook’s sentences and cutting him off each time ASDFGHJKL we love a know it all

AHHHH ITS TICK TOCK THE CROC, I was so scared they’d forget about the crocodile so I’m happy he’s here

THE SEQUENCE WITH THE MUSIC AS HOOK IS RUNNING AWAY FROM THE CROC ASDFGHJKL COMEDY GOLD

WENDY FUCKING SLAPPED PETER ACROSS THE FACE AND IT DID A MOVIE MAKER CIRCLE FADE OUT ARE YOU SERIOUS RIGHT NOW WTAF-

“It was an adventure, wasn’t that what you wanted?” “Yes but I didn’t think it meant being shot out of the sky by pirates” — yeah, that’s a valid point I guess

Poor Tinkerbell just twinkling and getting absolutely ignored :/

“You have a magical fairy that makes you fly! And a gaggle of children that do your bidding with a princess that cleans up your messes while you’re off gallivanting with pirates” — OOF, also Tinkerbell and Tiger Lily both smiling and nodding their agreement of Wendy’s words asdfghkl love to see girls supporting girls

Wendy throughout this whole movie is pretty much just the “I came out to have a good time and I’m honestly feeling so attacked right now” meme

You’re telling me the Lost Boys hideout is no longer hidden in a tree but a GIANT tower?!? Not exactly hidden now, is it?!?

Wendy and Tiger Lily together having one of the best scenes in this movie, you love to see it ❤️

So what I’m getting from this adaptation is that instead of the Lost Boys actually getting “lost” and not claimed, Peter waits for them to say “I don’t want to grow up” then whooshes in and brings them to Neverland…

Okay so Wendy is still kind of seen as the storyteller in this version…? The kids ask her for stories so…?

“Wendy can be our mother” “goodness no! I don’t even know if I want to be a mother!” — I have thoughts about this??? On the one hand, I’m a book purist and for me I’m like “she does agree to be their mother tho??? That’s why she was brought to Neverland???” (And also she canonically has a daughter called Jane) but on the other I’m like “fair enough” because a) she’s a child and b) you can’t force people to have children if they don’t want them. Idk

Im 90% sure Wendy’s hair changed from a side parting to a middle parting at some point but I don’t know where or when it happened

Wendy singing a lullaby, which is actually a nice callback to her singing “Your Mother and Mine” in the animated film

You’re telling me Hook and the pirates have never found their huge ass tower hideout and that Wendy’s gentle singing was loud enough to reach the pirates and alert them of their location?!?

JAMES?!? As in Hook?!?

“It’s a kiss - I made it for you” — ITS AN ACORN NECKLACE IM-

Peter and Hook used to be best friends?!? Hook was the first lost boy in this version?!? Lowery doing his own canon at this point, oh my god

This film really missed a trick, like it could have really heavily leaned into the dark side of Peter Pan with the whole “you must never leave” stuff he says 👀

This film really wanted to be the 2003 version so bad, like the moment where Peter walks away after their conversation about Neverland not being what she expected and Wendy calls “Peter!”… it wanted to be the Fairy Dance scene WAY too bad

Imagine walking down their stairs into a room, turning around and seeing your brothers/the whole gang of lost boys tied up and gagged 😳

Hook saying Wendy’s full name and later dragging his hook over the door was creepy ngl

HE JUST SLASHED PETER ACROSS THE CHEST

“Captain Hook… I don’t think I like this adventure” *falls down 20 feet* — EXCUSE ME???

You’re telling me Peter survived a) a slash to the chest and b) a 20 foot drop?!? I mean I know he’s magical and all but…?!?

Eyyy Tiger Lily to the rescue, the women truly run this film

“Then listen… *hums awkwardly*” - I genuinely can’t tell if this film is supposed to be this weirdly hilarious or not

Mr Smee was the one who found Hook and rescued him, I’m-

“This is what growing up looks like.” “No. This is what it looks like when you grow up wrong.” - OOF

HOOK SNAPPING WHEN SMEE CALLED HIM JAMES 😭

“Execute every last one of them” sounds so much worse than “become a pirate or walk the plank” like sir all they did was be kids who haven’t managed to hit puberty yet and you’ve got them all screaming like they’re about to be mass murdered (which they are) 💀

Wendy offering herself instead, “they’re only children, let them live!” - ma’am you are also a child?!?

“Let them live, they’ll be good pirates - especially those two” (meaning John and Michael)… I love Wendy stepping up and looking out for her brothers, especially given at the beginning of the film she full on blamed them for the whole mirror situation

Peter being super injured and unable to fly so Tiger Lily has to help him 🥹

Why does this pirate shanty as Wendy walks the plank actually slap hard though?!?

Tinkerbell lifting her little prison up and smashing Smee on the head so she can help Wendy, we love to see it

The fact that Wendy thinks happy thoughts stepping off the plank and it’s not just her childhood memories anymore (like in the flying to Neverland scene)??? She imagines growing up and the things she could do if allowing herself to grow up?!? 😭

The utter silence after she steps off the plank followed by Hook being like “… hang on, there was no splash?!?”

Tinkerbell damn near used every single bit of fairy dust in existence just to lift up the ship and play what is essentially a huge joke on the pirates is such legend behaviour lmao

��You have the boy’s magic.” “No, this magic belongs to no boy!” — HELL YEAH WENDY YOU ARE ALWAYS THE MAIN CHARACTER

I’ll be honest, for a film where Peter is billed first he has done VERY little besides a small duel, get stabbed and nearly die twice

The depressed pirate who goes “well wake me up before one of them kills the other… again” is such a mood lmfao same

It’s interesting that it’s Wendy with the flight skills as she fights and Peter without the flying I guess??

Wendy and Tiger Lily are literally saving every single other character’s asses at this point, like they’re the only reason anything has happened in this film

Rotating the entire ship was not something I thought I’d ever see and yet here we are

Peter falling off the upside down ship and Wendy catching him?!? And the fairy dust rubbing off onto him??? (Literally what even has Peter done in this film I feel bad for saying it but…)

I kind of like the idea that Peter and Hook intentionally don’t kill each other because both of them live for their battles and it’s almost like a game, a cycle, that Neverland lives off of? Idk if that makes sense lol

“Oh captain… Grow up.” - I CHOKED SHE GAGGED HIM

Peter grabbing Hook by the hook so he won’t fall and saying “I’ve got you James, just think happy thoughts”…???

“Peter… I haven’t got any…” AND THEN HE FALLS, DETATCHED FROM HIS HOOK?!? I KNEW HE DIDNT ASDFGHJKL BUT LIKE THIS?!?

I’ve literally only just realised that the Teddy has a fork as a prosthetic arm 💀

“It’s time to get these lost boys home” - what she REALLY means is “let’s take them back to my place and I’ll tell my parents I’ve adopted ten children on their behalf” 💀😂 that part always makes me laugh in any adaptation/version of the story, I won’t lie

So basically no time has passed in the real world while they’ve been in Neverland? No Mr and Mrs Darling keeping the window open for when their children return???

“Boy… why are you crying?” - IM SHAKING, CRYING, SCREAMING, THROWING UP I HAVE CHILLS

You’re telling me Peter lived in the exact same house as Wendy as her brothers???? That’s why he kept returning to that house, not because Wendy believed strongly in him or he liked her stories but because it was his old home?? 😶

“I’m just a story, told to any child who’ll listen” - oof true. Kids today don’t really know Peter Pan anymore, which is super sad - they know Tink but they’re not as familiar with Peter Pan these days

“You know, Peter… after all this… I think that to grow up… why, it might just be the biggest adventure of all. Just think of all of the things that could be right around the corner that you’re missing out on. Think of what the world is missing out on with you not being there to do them.” 👏👏👏

THE SHIP LITERALLY RIPPED THE CHIMNEY OFF GOOD LUCK PAYING FOR THAT GEORGE

Wendy crying as she says goodbye to Tink 😭 “and please don’t forget about me”

WENDY BEING ABLE TO HEAR TINKERBELL SPEAK ASDFGHJKL BEAUTIFUL… “thank you for hearing me” - I DONT CARE, THATS SO POETIC???

Wendy carving her name under Peter’s so now it says “Peter Pan + Wendy” 😭

Hook is still alive?!? I don’t know why I’m so shocked at this point lol

The way Hook and Pan smiled at each other when Peter returned, oh boy here we go again

The end credit animations are so pretty omg

So, overall… it’s not the worst Disney remake. It’s truly not that bad, at least not enough to warrant racist morons bombing it with one star reviews. It’s definitely not a patch on the 2003 version, at least not in my opinion - that one will always reign superior, at least to me.

Some things:

I definitely feel like this film was carried by Ever Anderson as Wendy, she literally did the most and seemed the most well suited for her part overall

Jude Law was actually better than I thought he would be as Hook, Jason Isaacs is still my favourite but Jude is alright

I think Alexander Molony had the right spirit, I just think that he wasn’t given all that much to do and also it was very noticeable that he was on the cusp of adulthood already. Had the film been filmed when intended and not delayed, I think his performance would have come across better

The other kids and the pirates were super fun too, but not really given a lot to do either, which is sad. Would have loved to see more of Jim Gaffigan as Smee though

Yara Shahidi as Tinkerbell and Alyssa Wapanatahk as Tiger Lily were also amazing and big standouts, shoutout to them both!

Mentioned this above but will mention it again: I don’t understand what the point of casting a separate actor to play Mr Darling was. Yes, as I mentioned, there’s the dual casting thing - but also Mr Darling was in this film so little that there was zero sense in hiring a whole other actor to do the part??? He’s literally got a total of like one and a half minutes screentime?!?

Putting the crocodile in just the one single time was a fucking crime, I tell you! Why was he only in one single scene?!? 🐊

The CGI wasn’t the worst I’ve seen but it definitely could have been a bit better

Here’s the thing: the original animation was 1h21 and this one is 1h46… and yet this one felt way more rushed for some reason? It’s like the film hits the basic plots, like ticking them off, but doesn’t actually embellish or explore them properly. It’s just so rushed and the film suffers for it

I truly think this film would have benefited from letting us get to know the Darling children even better at the beginning before Peter arrived, because the most developed of the three is Wendy and all we know about her is she’s going to boarding school and her parents want her to be a better role model/set a better example for her brothers. All we know about John and Michael is that they’re Wendy’s brothers and they like to play fight - they don’t really feel like proper characters, they’re literally just there

I’m still waiting for a Peter Pan adaptation to just bite the bullet and give us that flash forward of Peter visiting an older Wendy, meeting Jane and taking Jane to Neverland - the 2003 version did film it but it’s deleted and the special effects aren’t done on it (you can watch it online but still)

I want to know where in Barrie’s text it says Wendy wanted to become an airplane pilot or that she actually fulfilled that ambition… ?!?!

The soundtrack was good - not the masterpiece that James Newton Howard’s is but still pretty good

Overall, I’d give it a 6/10 maybe. It wasn’t the worst Pan movie or adaptation out there but it’s not the best either, at least in my opinion. It IS one of the better Disney remakes though, and if it had been a bit longer and had a better budget then I’d say it should have had a theatrical release because the cinematography is STUNNING. It’s just that it very much feels like they rushed the story and had a smaller budget than hoped for.

[echologname]

Repentance

Clearly, God doesn't want us to shy away from our mistakes and wrong doings. It's natural to let fear and shame control us but we still have to be humble and admit our faults, that we're not perfect and we mess up. That's why we NEED Jesus and God's grace. Adam and Eve hid from Him, sinning was bad but then they chose to not even come to Him and separated themselves from Him. King David is famous for being the good shepherd boy, the guy who defeated all of Israel's enemies, and wrote Psalms. But he was still human who lost some battles with sin like sleeping with a married woman and fearing he would find out, had him killed. I suppose hiding our sins makes everything worse, because it's a prideful act, it's covering up sin with more sin.

I think to doubt God's Grace is to doubt His love. When you hurt someone you love, do you give up and not try to make it right? If so, then, do you really love them? You don't even care to mend your relationship with them. God gives us free will because He loves us and wants US to CHOOSE Him just as much as He chooses us. So, asking God for forgiveness and to help us not do it again is a really big thing to do.

God could have destroyed Adam and Eve soon after they sinned and remake humanity that won't bear the curse they brought, but He didn't, He had mercy on them and all of humanity ever since.

So, all you have to do is come to God with a regretful, sincere heart and admit where you took a wrong turn (it's a good learning opportunity for you too). And say you recognize now that it wasn't good, thus, rejecting your sinful actions (it's the first step to rejecting the ways of the world and following Jesus) and ask God for forgiveness and to help you be led by His Spirit away from sin and anything that doesn't please Him. He's faithful and just to forgive, He wants to fix our relationship too, in fact so badly that's why Jesus went through Hell so we wouldn't have to. Once you confess what you are guilty of, God will throw your sins into His bon fire and they'll be destroyed forever.

He loves you and WANTS to forgive you if you'll let Him.

2 Samuel 14:14 (after King David's son Absalom killed his brother, Amnon):

All of us must die eventually. Our lives are like water spilled out on the ground, which cannot be gathered up again. But God does not just sweep life away; instead, he devises ways to bring us back when we have been separated from him.

[nerdyenby]

netflix live action atla reaction

Ep 1

I don’t feel like the opening sequence actually added anything to the story. I mean, it gave the other nations some more agency I guess, but it doesn’t actually accomplish anything, at least not at first glance

Kyoshi voicing the opening is so random what the

I’ve heard criticism about the show starting with Aang and I agree, but I also think that the point of remakes is to give us different perspectives on the same story. I’m not a huge fan but I don’t hate it either

The bending looks so weird, not necessarily bad, just off

Idk how I feel about the southern water tribe seeming so much more built up, it kinda diminishes the first impression of what the war has done to them

Other people have already talked about them butchering Katara’s character so I’ll just say yeah and move on. Hopefully she’ll grow into herself and become more confident and proactive, but I guess we’ll see

Iroh don’t feel like Iroh tbh

Gran Gran reciting the og intro is painful, we already got this info three times in the past twenty minutes queen

Katara, kindly never liken your loss to Aang’s. You just met this kid who just found out everyone he’s ever known is dead, you don’t know him and you don’t know what he’s going through. You can empathize with his grief, but don’t act like it’s the same please

So far my expectation of “mid” has been holding true but the scenery is beautiful and the establishing shots are absolutely stunning

“Protect those who can’t protect themselves” ZANE NINJAGO?!????

Ayo Zuko kinda in character?!??? Who wudda thunk

“Let’s go save that weird kid” Yeah!!!! Sokka!!!!!!

Kick their ass Aang!!!!!

Ok but we’ve seen him fly without the glider several times now, why does he need it?

Ok, yeah, I’d kill for Sokka/Aang bromance

Ep 2

Iron’s saintly patience makes it’s debut lol

MOMO!!!! He’s so ugly I love him

If Gran Gran had the scroll the whole time, why did she only just now tell Katara about it? Her letter just says that it’s dangerous but the fire nation hasn’t come to their village in years

“But most importantly, you must have- sticky rice!” “Uncle, we don’t have time for this” oh, now we’re getting somewhere!!

This show is so stupid, I love it

Suki best character after four lines of dialogue real not clickbait????

Shirtless guy per episode: 2/2

Katara’s outfit is so pretty!!! My irl watched the show before me and said the costumes are good but feel like costumes and I second that but it’s fun seeing how they interpret the og outfits

Suki is playing with him and having too much fun with it, as am I

Aang being afraid of himself is such a good decision, really reminiscent of his reaction to burning Katara in original

Ewwww romance /hj

Obsessed with the discussion of what it’s like being a nonbender and the extra steps you have to take

Yeah ok, they’ve already done Suki better than the original

Kyoshi boutta throw hands with a twelve year old fr

Women win these

Dang, Sukka kinda cute

The cgi is decent but Momo not having a shadow is so distracting

Ep 3

That’s… that’s Azula…

A resistance??? Epic!! I’m sure everything will work out just fine for these kids

I’m so excited to see what they do with Azula

Don’t love Aang teaching Katara instead of the other way around

“What makes you think we’re outsiders?” *Katara and Sokka look pointedly at their bright blue clothes*

Teo my love!!!!!

The inventor’s actor looks so much like him, I didn’t realize he didn’t have a name in the original lol

Ewww stop hitting on her Jet istg

Ok stop, you’ve fundamentally misunderstood Jet as a character. He does not think he’s cool, he doesn’t give a shit. He thinks he’s right. He’s too angry to care about charming people. He’s a boy hardened by loss and war, he’s not a fuckboy for pete’s sake

I really like this take on Sokka: he’s smart as a whip but was born and raised to fight, he’s never had the opportunity to take himself or his ideas seriously

“We don’t need to be afraid of our pain, we just need to decide what we’re going to do with it” that’s the good stuff right there

However, it is not escaping my notice that Katara only improves when guys give her advice

The blasting jelly looks so stupid

Ep 4

Bumi time!!!! I really do wish Aang mentioned him earlier

It’s giving season 2 finale and I’m here for it

Ok I’m kinda into this, the way it’s folding aspects of different episodes of the original together is really making it a distinct story. Still against live action remakes on principle, but it’s at least doing something interesting.

Bumi my love!!!! He’s so silly and unhinged, I would die for him

Katara popping off!!!!!! Love her taking ownership of her power

I really like Bumi getting into how he’s seen all the devastation of the past century and that Aang doesn’t know what that’s like, his rage and pain is so important to me

Oma and Shu lesbians?!????? /vpos

I am so glad their getting into Iroh’s actions as a general, it hurts but it’s something I missed in the original

DAMN lil zuko deserves the world, man

THE ‘LEAVES FROM THE VINE’ MOTIF GOT TEARS IN MY EYES INSTANTLY, WHAT THE HELL???? Atla has me in a chokehold and always will tbh

I really like that we’re getting Sokka and Katara bonding in the cave of two lovers. Romance is OUT family is IN!!

Zuko is kinda crushing it

Platonic love for the win!!!!!

Katara is so quick with it!!!

Bumi getting the emotional confrontation he always deserved my beloved

Aang’s lil “is that really so bad?” I love him so much. The only way the world can heal is childlike hope and an unwillingness to sit back and accept tragedy

“Home? Everything I need is on this boat” AAAAAAAAAAAAAAAAAA

Ep 5

Sokka is a mess this episode, good for him

Heibai my beloved

This whole episode is so fascinating, I’m just along for the ride lol

Ep 6

Roku is so silly goofy and for what

June girlbossin’

Ew why she up in Iroh’s face???

Blue Spirit time baby!!!!!!

Zuko and Aang actual conversation time?????

The boys are bonding!!!!

What the fuck?! They made his scar less severe???? Zuko has a vision impairment, how dare you take that away

Zuko’s crew being the division he refused to sacrifice is everything, actually

Bro I thought there were only six episodes, if it ended there I would’ve lost it

Ep 7

Zhao SUCKS, man gleefully tried to murder a child

I knew the wolf was Yue

Making Yue a spiritual leader is a move I respect, idk how I feel about her being a waterbender now

I don’t know how I feel about Yue’s characterization, her personality feels weirdly unnatural

No one told Kuruk that friendship is magic ig

Kill that man Katara, you can and you should

Rare Aang L

“So no plan?” “… I’m working on it, uncle” love them

Sokka popping off!!

“Go kick his ass” how did I know he was gonna say that lmao

Did her hair fall down lol, that was so forced

Ep 8

I saw it coming but I like the other waterbending women getting a role

General Katara my beloved, I don’t see people putting her in leadership positions post-war very often but she deserves it, she’s a great leader

Don’t think I like the moon and ocean spirits only visiting, feels like an odd and unnecessary change to make

THEY KILLED MOMO?!!??!!? WHAT THE FUCK?!????!??!!!!

Nvm he’s fine

Aang telling Katara to go easy on Zuko!!!!

We’re really ending the season without Aang waterbending a single time lol

Conclusion

It was enjoyable!! Not great but pretty good!!! It starts slow but once it gets going it does some really interesting stuff. I’m not a fan of all the changes they made, but a few of them are ones I’m very glad are there. The effects are decent but whoever is doing the fake beards needs to be fired. Definitely some choices made that I don’t like regarding some of the characters (specifically Katara and Iroh) but it overall is distinct enough from the original to be a worthwhile watch and also pretty fun

[cosmicangel888]

DIVINE HUMAN REMAKING ~ DF NOW

The Respect and Honour of A DF

The weight it carries ~ test this for 1 week and then go within and seek out new levels of self love, self appreciation, and self honour - as a tribe, we must set new self loving knowing of our capabilities after eons of imprints, social mud, and lower vibrational non-existence for who we are in our creative collective make-up.

Whatever situation you are in and are moving through - how may you pull out of whatever is most in front of you - the red flags, the intuition yelling at you - to change and face and move through - not denying, not suppressing but know you are strong enough to let go of and remake. ©

DF our work, our world, our word, our speech, our actions what we intend is so powerful on this planet - who are you

All are unique and this was a part of your #calgary lessons -

I was unique and not like you - I was an easy target - so learn it

I will not return

Nor do I declare any of you my friends - nothing has been offered given freely without a conditions and looking for something out of it - I have received literally nothing but pain, suffering, damage - and a lot of loss. I HAVE LEARNED MY LESSONS and thank you for the soul lessons - I don't love any of the past - I have done my healing - I no longer need validation or permission, or any's acceptance - I love who I am exactly and I am so happy of all my uniqueness -

The past will not be my future

The past people, ex, persons, are not going to be in my new life - all must go away and heal, and level up, and clear up karma and choices of degrading life-styles and why manipulation, deceit, lies, paying people off, nefarious activities and forcing energy, binding work daily, is a 'thing' that seems ok

~ ~ these are highly insecure tactics, not facing who any truly are, and hiding behind false masks, businesses, and fronts to appear one way and entirely not behind the doors; while degrading the only truth in the entire community and running her out of town due to stalking, spying, and blocking abundance, blocking people, and living like a slave ~ 

As long as I did not say anything - all was good - no thank you  It takes years to heal from what I barely escaped -

THE PAST WILL NOT RETURN -  I do not need a 2 yrs late apology of half truth and half stories so you can feel better - it will mean nothing to me. I said NO 1 billion times, do healing light work daily, for all involved to get on track and heal - do the inner work;

I am not anyones saviour nor will I walk and take any's karma and I will not rebuild what I only gave light to - 

I will not be taken advantage again nor placed in a home, with all the 'stuff' and live like a caged harvesting light post for the entire poly coven to suck the life out of me - while still not doing the work and not caring who they hurt. I cut my losses 2 yrs and left and I will keep leaving - 

There has be not 1 penny repaid - same story, same messages, same warning spirit gives and shows the same level of consciousness and I will not waste my life in such - I am highly advanced being and will not be eaten alive by those that simply don't give a fuck unless there is money and stuff to go with their games of spells and manipulation -  ©

Forgiveness to all -  I gave all more than they know  I showed, I offered, I gave so much light and the lessons were to choose new, and choose new ways to go within and reconnect with the higher self and be loved, be loving and do the inner work to not be followers of sick people that only want to herd and manipulate and use you - 

I will not give another ounce - 

Time was up 2 yrs ago - all know that 

My work has not been returned, there is not 1 penny returned and none have sent an apology via email, or my lawyer - and all know the contact details - it is common human sense and none have done 1 ounce of redemption - therefore my life, my damage and my souls wasting timelines, energy, light, the time I could have helped others that do care -

None 'get' any of the damage they have done - therefore - ©

I WILL NEVER SAY YES to go back to what I barely made it out of - 

I have learned and honoured all karmic lessons 

I choose me I choose me  I choose me 

I love myself

That is who I have fallen in love with - it is me.

Self love is keep moving and keep going - never look back and if all want something bad enough they will turn to God and sort out their lack of self issues, woundings, and there over 600 videos on our channel alone to help - 

This week - they still sent spell work, they still put their sick degrading words into the air in hopes I would take that on and be it -

I will not engage and I will not play - it is the same sick game of intimidation to break you and make you run back for more abuse - it is deep psychological abuse training -

love is not manipulative

love is not deceitful

love is overpowering and filled with magic to get your way

love is not persuasive to intend one thing and twist to get another

love is not forceful and boastful and selfish

love is not prideful and arrogant to be better and win over others

love is unconditional and it begins within - how you treat yourself want for yourself and knowing you need nothing outside of you -

love is no co-dependent -

I WILL ALWAYS say NO and spirit, ancestors, God will have no more - and why I am protected - DF should not have to say NO and explain in 1 million different ways why NO MEANS NO I don't love any of the past - the love was lost in all the spell work, and the torturous human testing that many knew and did 0 about and 0 repayment and continued fighting for every right I have - not 1 stepped up and brought truth -

I will not lower my vibration to be in any way involved and their games continue to try anything and everything to keep me bound, staying in their games with false narratives and lies, and spell work - games with those that they might get to play along and pull me back in - ©

NO MEANS NO

Heal your community - you #calgary all broke it - your community needs to redeem you - you all brought so much harm and darkness there -

I need nothing but what was stolen -

Still my accounts sit at 0 - so you can tell where they conscience is at - and has been for years.

NO WILL ALWAYS BE NO - learn the soul lessons and if you love yourself you would never ever ever treat any the way I was treated - basic human and common sense -

When all have made the improvements and shown to themselves they are their own answer - I will be open to discussions of assisting in what ways I may be able - until then, and it will take time, self love, and self compassion - all must show they are enough to do the work - just as the heavens asks of me -

I now ask of you - you must know of your own self love and choose for you -

I will not interfere in the most powerful lessons all have to know GOD is all you need - how to seek IT and how to surrender to IT

Friends don't try to block, bring them down, and bring them into submission or less than, and joke, laugh, and prey upon them - it was literally a horrible horrible experience - I felt it all - ©

Sit in, feel what has been created from years years of manipulated life, spell work, and intentions - all get to choose - so choose anew.

You would believe someone you have known for 30yrs over a false spiritualist that is nothing but a con and thief.

https://www.youtube.com/watch?v=cwpec...

All is forgiven,

Move on

Grow up

Get healed

Damage was done beyond what any know and nor seem to care - Our levels of honouring life are on completely different vibrations and I will not waste any more of my life. LEAVE ME BE - 

Blessings and light

Joanna

More on Creational Realities; Paradigms Shifting of Consciousness ~ Perfection of the Divine Plan for all life; For private sessions, webinars, classes or consulting ~

Email me at JoannaCosmicAngel@yahoo.com

DONATIONs; PayPal link here; paypal.me/JoannaLRoss

#ascension #consciousness #healinghumanity

#compassion #healingourchildren

#GOD #Source #healingcorruption #healingblackmagic #healinghumantesting #healingdysfunction #healinghumanabuse

#Newearth #5Dearth #forgiveness #lovingourself #selflove #selfdesign #selfhonour #selfvalue #rewritinghumanity #trustinGod

#5Dredesign #chakras #philosophy #takinghumanityfarther

People make the world go 'round, money does not - we must truly shift our need for greed, and greed for the need - it has made a sick tortured culture of voting for people like musk, trump, that choose to defile and degrading human loving source -

[ultramaga]

One of the things they really failed to understand in the live remake is SNOW WHITE IS NOT THE MOST INTERESTING CHARACTER. The animals are, the dwarves are. Those are the parts you remember. Snow is sweet, and a joy to listen to, but it is the dwarves you care about, and the dwarves who are ultimately the heroes. And Disney got rid of them because they are politically incorrect.

They had so much personality.

They were fun, and creative.

And I can tell you, their names were in an awful lot of trivia quizzes! 

As a child, I loved this book. The dwarves were perfect for me as a young boy. They were simple, but not boring. I wonder if that is why they are being eliminated from the Disney franchise? Because they appealed to boys?  They were hard workers, they were successful, they were brave but hardly fearless ... They found the gigantic Snow to be terrifying at first. And she became not just their house cleaner, but a mother figure to them, just as Wendy did in Peter Pan - something else that was removed from that live action remake. Women can no longer be mothers, and men cannot be admired. Ken, in the recent Barbie movie, cannot even be loved. He is an unperson, existing merely at the whim of the Barbie, and he can be poofed out of existence when it pleases her. And that’s what has happened to these Dwarves. It does not please Disney to see successful & happy men. Especially not ones that we see benefitting from a woman’s touch. The symbiotic relationship between the sexes must be broken. The female protagonist invariably does not need a man, and lately, doesn’t even want a man. The male can pine for the female, but he is useless and worthless, and could be merely an obstacle to female greatness. The stories now are only about Female Power. She years only for more and more and more ... POWER.... Disney, and the rest of the Leftist studios, have taken stories about heroes and love, and made them soulless reflections of their own wicked lusts. And when I hear Hollywood is on strike, and will make no more movies, all I can think of is that it is like terrorists threatening not to kill your family. Please, please stay firm. Strike until every demand is met, and strike some more, and keep on striking until the last of you useless communists has turned to dust, and is blown away in the breeze. Nobody will miss you. Movies and tv and plays and musicals do not need you, and will go on without you. Hollywood was great, once. 

But it is time for something new.

our followers’ top 10 classic disney films

6. snow white and the seven dwarfs (1937) dir. david hand

[saltoftheao3]

Goodbye + a few words for the road

(Edited to add: The blog will still be semi-active (mostly inactive) as the founding mod is still around. Thank you Mod Salt for taking over and being an amazing force for fandom positivity these past few years ~ Mod Saltiest)

Hey folks, this blog has been inactive for a while now as my life has been very busy and my interests have changed, so here's me offering official closure at least.

First of all: It has been a fun few years chatting, having debates, inspiring and helping each other out around our shared passion for fanfiction. I really enjoyed this form of interaction and was often moved, amused and empowered by our exchanges. I look back to this entire time with you with a fond smile. Thank you for your kindness, patience and enthusiasm.

And since i'm here, i want to use my reach one last time to share some personal thoughts - please indulge me, i won't bore you.

What is it about writing fanfiction that feels so empowering to so many of us?

When i was a child and young teenager i experienced stories as something closed-off, unchangeable, a product of great minds that, yes, i could and did vicariously enjoy, but of which i was forever the passive recipient. I was allowed in the fantastical playground of a storyteller's mind, but i was there as a guest, i could look but not play. I wasn't even aware playing was an option.

But with fanfiction ... somehow my entire perspective on storytelling changed. My relationship to stories moved away from mere consumption to a desire to make it different, to make it mine. Suddenly there was a space for my previously vague, unformed ideas, and an incentive to explore them.

Confronted with polished, glossy professional stories, I now saw possibilities. What if this character fell in love with the same gender, experienced trivial domestic bliss, came to grip with their childhood trauma? And i could make this possibilities reality through my own writing, bend the narrative to cater to my taste and interests. I was an active participant in the process of creating reality through words. And sure, the product was rough, awkward, mediocre at times - but it was mine, it held something of me. And sometimes it entertained and thrilled and moved readers from all over the world that happened to stumble upon it.

Online communities allowed me to realize that we can reach others, relate to each other, move others, that our voices are unique and interesting, if only we care to speak. A pen, a laptop, and we can make as much fucking sandcastles as we want to, tell the stories we want to tell, that are ours to tell. No one can do that in our place.

And if you've nodded along to this trail of thought; if you agree with this logic and can relate to that feeling of empowerment; then i want you to understand that this can be applied to all aspects of life.

This dreadful, gray concrete wall on your street that fills you with gloom? Why endure its depressing sight when you can grab a spray can and remake it into something colorful and joyful, reshape that wall into something you actually care to look at and that may bring others joy too.

Rewrite that story.

The wasteland next to your neighborhood that's currently hosting weed and trash and that the municipality doesn't want to take care of? Why accept it as it is, if you can envision better possibilities? A shovel, a wheelbarrow, some seeds, a few helping hands, the internet to guide you, and you have the first steps to an urban garden beloved by bees, butterflies and birds, and providing fresh fruit and vegs to you and your neighbors.

Sandcastle, build that fucking sandcastle.

Your workplace where everyone is treated like shit and your rights are threatened? Are you going to accept the narrative that things have to be that way? That there's nothing you can do, except maybe vote? What's to stop you from reshaping your workplace so it caters to your needs? Colleagues at your back, help from the union, and you can bargain for better work conditions, modify the entire workplace. No one is going to do that for you.

Transform the narrative.

The local coal mine that is tearing through the earth to dig up tons upon tons of fossil combustible, actively threatening all life on earth? Can you really accept that as a given, as something no one has might on, except maybe some remote politician? Or can you join a group fighting for climate justice and block the shit out of that mine so it's forced to stop the destruction?

Redesign the entire game.

The step from writing fanfiction to blocking a coal mine may seem far-fetched, but at its core it's a matter of how we interact with the world we live in. See how it all ties into each other? How once you've noticed you have the power to actively reshape things around you, whether stories or your real-life environment, you realize that everything can be changed, and that everything probably must be changed, too?

Listen.

Friends, hard times are ahead. Times have been hard for a lot of us for a long while now. With the climate crisis upon us and world governments eager to maintain this deadly status-quo of economic growth and environmental destruction no matter the costs, it's up to us to take action, fight the powers in place and change the lives we lead. We can't rely on politicians, we can't rely on big business, we can't rely on someone more smart and capable to emerge and fix things. No one's gonna come. We have to start where we stand, teach each other and ourselves what to do, and get shit done.

It will be difficult, and it will be tough and it will be scary, but we have each other, we have this wonderful medium that allows us to find each other all over the planet, hear each other's voices and organize on an unprecedented scale. We are creative, and numerous and bold, and we will be reckoned with. Because help won't come from above, and we have to stop waiting, hoping and campaigning for it. Let's invest our energy where it really matters, and that's not a mere cross on a ballot every few years.

Being an active participant in the fight for a better life, no matter how harrowing that might sometimes be, is so much better than enduring crisis after crisis with only the dishonest voices of the powerful to lead you through them. And the crises will come. Covid is only the start. You will not be forever able to keep your head down and abide the rules, not if you want to maintain your personal integrity. I repeat: keeping your head down will not be an option forever. So why not choose to act of your own impulse?

Friends, change is coming and there will be choices to face sooner or later. Questions that will demand answers. Can I accept the status quo? Can I accept the dominant narrative? Can I accept indignities and injustice, carried out against me or sometimes in my name? Can I accept the climate crisis and environmental destruction taking place under my nose?

Talk to your friends. Find your answers. Find the drive for change.

Friends, the world is yours to shape. The story is yours to tell. Be aware of your own power, and use it for good.

Friends, be brave. The time is now. Good luck on your way.

Love,

Salt

[annabethy]

under the mistletoe, watching the fire glow day 13: princess

Character A’s little sibling/child wants to meet their favorite celebrity/writer/person for Christmas. Character B is said “Christmas Present” ,, percabeth. for that one anon

Percy can honestly say that he didn’t think this would end up happening.

When he had sent her a message, it had been done absentmindedly, fully expecting it to be ignored. He’s well aware that celebrities don’t respond to people like him, but it was Christmas, Estelle was on his last nerve, and he figured that he could at least try.

Somehow, all of that ends with him meeting up with a super hot Hollywood actress.

As Percy holds Estelle’s hand, who can’t stop bouncing excitedly, he thinks back to that moment. Estelle’s dramatic cry of meeting the princess in the live action remake of Barbie and the Twelve Dancing Princesses had gotten to the point that he decided he was done and took things into his own hands.

It went something like him sending her, hey so my little sister is being annoying about the barbie movie and won’t shut up so can you come meet her so I can get a moment of peace?

When she responded, yeah sure when and where, he thinks he may have had a heart attack. It was surreal, setting up a mini meet and greet through instagram dms of all things, but it worked well enough because here he was, looking out for Annabeth.

“Where’s the princess!” Estelle demands, and Percy wants to bang his head into a wall. She’s practically screaming, and she’s pulling on his arm so arm that it may fall off.

“I don’t know,” he tells her.

“Find her.”

“Estelle. I don’t know where she is. Relax.”

“I want to see her now!” Estelle is only five years old so it’s understandable that she’s so annoying. Percy loves his baby sister dearly, but sometimes he questions why is mother had a baby so many years after him.

“The movie isn’t even that good. She wasn’t even a convincing princess.”

Estelle stomps. “Yes she is!”

Percy snorts. “Yeah, okay.”

It’s then that he feels hot breath on his ear, and he freezes, well aware that he’s just made a very dire mistake.

“Not a convincing princess?” someone whispers into his ear, a hint of humor in their voice. “You offend me.”

Percy whips around, and of course, there she is in all her glory.

He finds Annabeth Chase staring at him with eyes that look much more vibrant in person. She looks small and shy, and Percy thinks she would be the perfect person to hug in the cold.

He thinks she sure looks like a princess with the way her hair falls in old ringlets down her back, and her eyes shimmer in the sunlight. She’s not even dressed as a princess right now, but he could have been fooled.

“I didn’t mean—”

“Sure you didn’t.” Annabeth tightens her coat around herself, clearly cold, and she leans down to say hello to his sister. “You must be Estelle!”

Estelle gives her a wide grin, and Percy doesn’t think he’s ever seen her so happy before. “I am!”

“You look like a princess,” Annabeth tells her, bopping her on the nose gently. “You could be one of my sisters!”

Estelle’s eyes go wide. “You think so?”

“Of course I do, silly,” and wow, even her voice is elegant. Percy’s starting to think that maybe she really is a princess. He considers bowing to her.

“My brother says he’s your friend and that’s how he got you here,” she says, crossing her arms. Percy shoots his sister a look as she continues saying, “Is that true? My brother is a loser so I think he’s lying.”

“You don’t think your brother is cool?”

“Not to be friends with you,” Estelle says proudly.

“But I think he’s super cool! You’re super lucky to have him as a brother.”

Percy can see the change in Estelle’s demeanor having just got told that her brother is cool. Percy knows full and well that she’s about to suck up to him because her idol told her to, and that’s what children do. It makes him want to stick his tongue out at her as though saying told you so, and he would have if Annabeth wasn’t standing right there to see it.

“I’m kidding,” Estelle swears. “I play with him all the time,” which is a blatant lie.

When Estelle is no longer looking, Annabeth gives him a wink and mouths you’re welcome. Percy feels his face turn red because despite not loving the Barbie movie, he’s still all over everything else she’s been in, which is a lot. She’s practically royalty, and she’s talking to him. He’s breathing the same air as her.

At some point, they migrate over to a set of chairs outside the park they’re in. It’s pretty cold with the snow falling around them, but Estelle is vibrating with excitement to the point that he wouldn’t be surprised if she generated her own heat. Percy sits to the side, letting his sister have her moment. As entranced as he feels by the celebrity sitting in front of him, he knows that he probably shouldn’t show it, risking further teasing from both parties.

Annabeth’s super kind, he learns quickly. She laughs with her whole being and brightens up the room with her smile. She tells amazing stories about the fantasy, and Estelle listens intently. She’s so young that she doesn’t entirely realize that she’s not a real princess, and it warms Percy’s heart.

(And from the look Annabeth gives him, it warms hers too.)

It feels like hours that they’re sitting there before Percy decides they’ve had enough. As pleasant as Annabeth’s been for his sanity, he knows she’s probably getting tired herself.

“I think it’s time to say goodbye, Stella.”

And, of course, this cues the meltdown.

“No.”

Percy sighs. “We need to go home soon.”

“I don’t want to.”

Percy’s temper is beginning to shorten again, and he can tense the temper tantrum that’s about to occur. It’s just a question of which sibling is going to start it at this point.

“We can’t leave Princess Genevieve here without a way to get home!”

Percy almost laughs in his little sister’s face because Annabeth is not a Genevieve by any means. Genevieve is a ridiculous name for a princess anyways. Annabeth is much nicer for a princess. “I’m sure Princess Genevieve has her own ride home.”

“This is why you don’t have a girlfriend!” Estelle loudly blurts. “You never offer girls rides home!”

Annabeth chokes on air, and Percy considers jumping into the Hudson river and swimming away.

“I don’t want a girlfriend anyways, so good,” he says, tugging her hand into his.

“If you were a nice person, then maybe Princess Genevieve would’ve been your girlfriend.”

“They don’t date peasants like us. Come on.”

“Can we please take her home?” Estelle asks.

Percy sighs, dropping her hand. “Ask her yourself.”

He genuinely expects Annabeth to say no, so when his sister walks right on up to Annabeth and stares up at her, he is blatantly shocked as she says, “I would love to.”

It becomes very obvious that Percy ends up losing the fight against a five-year-old as he’s driving the car with Annabeth in the passenger seat and Estelle in her car seat in the back. Estelle’s continuously asking questions, and Percy is somewhat mortified because as time went on, Estelle gets more and more daring with what she asks.

Everything is mainly along the lines of having a boyfriend and pointed coughs in Percy’s direction. Each time, Annabeth would give him a knowing smile and he’d do everything to look anywhere but at her.

Percy can’t be thankful enough when they make it to his mom’s apartment, and he gets to kick Estelle out of the car. She gives a heartfelt goodbye to Annabeth and a glare at Percy before she’s out the door. It leaves him and Annabeth alone in the car, a silence settling between them.

They’ve been together for at least a couple of hours, but they haven’t truly interacted until now, so he’s at a loss as to what to do. It’s as though he’s blacked out during the last few hours, and maybe even the last few weeks, because last he remembers, he was just sitting on the couch doing nothing, and now Annabeth Chase is sitting in his car, looking at him expectantly.

Finally, she says, “Are you going to look at me, or…”

Percy turns his head like a deer in headlights. “I’m sorry.”

“You look like you’re about to pass out.”

“I might. This is kind of weird.”

“What is?”

“Having you in my car.”

“Why?”

“You’re a celebrity.”

She smirks at him. “Do I intimidate you?”

“Uh, yes.”

“Well, don’t be intimidated.”

“I’m sorry, but you’re very famous. I will be intimidated, and you will let me be.”

“I mean, I get that, but there’s really no reason to be intimidated. The other day, I walked past a mirror and actually got excited to meet a celebrity.”

“What? You just forgot your own identity?”

She smiles. “Something like that.”

Percy laughs, slightly more at ease. He’s at least able to look her in the eyes now. She looks back at him and leans against the seat with her shoulder.

“Percy,” she teases. “You can talk to me.”

“Believe me, I’m trying.”

Annabeth rolls her eyes fondly. “Do you know why I’m here?”

“For my sister.”

“It wasn’t really for her.”

Percy frowns, confused. “But you said…”

“I know what I said. The reason I even opened the message wasn’t because of her, though.”

Percy bites his lower lip nervously because the mood in the car has suddenly changed, and he’s certain he doesn’t have tinted windows.

“I opened it because I thought you were hot.”

Percy blinks, a beat passes, and then he bursts out laughing. “You thought I was hot!?”

“You are! I thought maybe it would be fun!”

“You live in LA with a ton of super rich and famous people, and you come after me? The guy that can barely afford his own apartment?” “I mean… it doesn’t really matter if you can’t afford it because I can. But that’s only if, like, this actually goes anywhere.”

“Are you always this forward?”

“Absolutely not, but you couldn’t even look me in the eyes, and I have to leave soon.”

“So you’re saying you want to, what? Marry me?”

“Exactly,” she deadpans.

“Woah, baby, I hardly know you! How could I marry you!”

“Hilarious.”

“It was, wasn’t it?”

“My point is,” she says pointedly, “I like you and would want to see you again. Without a child there.”

Percy’s brain is going bonkers right now because Annabeth Chase just asked him out. It’s even crazier because he’s thinking of saying yes. He tries to withstand, because he knows that he’ll never fit in with everything she’s surrounded by, but something tells him that she won’t mind, so he gives in.

“Fine,” he says playfully. “I guess I’ll take you on a date.”

“Oh shut up. I’ve been around Estelle all day telling me about how much her brother wants me to date him.”

“I didn’t say that, but to be fair, she’s not wrong.”

Annabeth shoots him a surprised look. “You’re not as shy as I thought.”

“Neither are you,” he counters, and it’s true. Annabeth has been making the first moves, and it’s different than what he usually sees. The thing is, he can tell this is exactly the way Annabeth is, and he’s determined to switch things up for her.

“Hey princess,” he says. “I feel like there should be a true love’s kiss before people go on a date, don’t you think?”

“Is that what this is? True love?”

“Isn’t it? You live in a fairytale.”

“I guess we’ll just have to find out, then.”

Percy pouts and whispers, “Bummer,” and then he’s pulling her in for a sweet kiss. It’s not at all him, and he’s sure this is no longer at all her either, but it feels right to both of them. Then, Annabeth bites his bottom lip, lets out a breathtaking whimper, and Percy deepens the kiss.

“These windows aren’t tinted,” Percy jokingly breathes out against her when she unbuckles her seatbelt.

“That’s okay,” she replies, smiling into the kiss. “I’m not one to be shy.”

[thefloatingstone]

Could you explain the "Unless you want to have the same level of writing as the live action Beauty and the Beast"?

As someone who hasn't seen the movie I'm both confused and intrigued-

A lot of the writing in the live-action Beauty and the Beast came across as trying to address “criticisms” that you’d see a lot of bad faith articles and “Cinema Sins” style youtube videos would complain about.

This resulted in making Belle more of a “Feminist Icon:tm: “ by showing how strong and independent she is. It’s not just that she enjoys reading, she tries to teach the other girls to read too! And also now the people in town ALL think women shouldn’t be reading! And also she makes inventions too! See, she’s not just a helpless damsel in distress!

Not to mention trying to explain shit nobody cared about and we need to explain EVERYTHING and point out how weird it is. “Wow it’s so weird I’m talking to a candle!” “Hahaha stupid Belle not EVERYTHING in the castle is alive!” because there’s a bunch of articles and internet think pieces on “is everything in the castle alive?? hahahah what about the toilet then hahahahah”

and also “The beast is an asshole because his father was abusive towards him!” and also “See the servants being turned into items is also punishment for not intervening when the father abused the beast as a human child!” Because there’s like 50 000 articles out there going ‘lol isn’t it messed up the servants got turned into objects for their Prince’s shitty behaviour??” and then the live-action movie tries to go on the defensive to explain “no see there’s actually a perfectly rational explanation for why this is a thing that happened. Here, let’s have the characters sit Belle down and explain every detail to her because we don’t want to audience to buy into the reality that this is a fairy tale and sometimes shit is just magic for the story’s sake.”

the entire movie is over-explained not only in the minor details or world-building but also in larger plot points as well as character motivations. Because rather than treating internet think-pieces like the over-indulgent pseudo-intellectual trite that they are, Disney instead acted like a redditor who gets REALLY bent out of shape if you dare to question his internal logic and instead decided to not only address most of the bad-takes on the original Beauty and the Beast, but to do so in the most condescending and passive-aggressive way possible.

As a result, the live-action version of the movie is less a live-action fairy tale operating on the logic of cinema and magic like the original, but a horrific nightmare blend of self-aware new-age Disney a la Frozen, Moana and ESPECIALLY Ralph Breaks the Internet, where we can’t just have Disney tropes but we have to point OUT the cliche nature of these Disney tropes in a desperate attempt to reassure the audience that you are indeed “hip with the kids” and self-aware, but instead comes across as completely lacking in confidence in your own stories at best or as condescending bitter assholes at worse.

So the Live Action Beauty and the Beast is not a live-action remake of the original as much as it is a debate club where Disney is trying to argue against stupid hot takes from youtube cinema critics who still insist that Belle must have Stockholm syndrome and that Ariel sold her soul for a man she just met. Making it a hollow, joyless, cynical piece of “WELL ACTUALLY” instead of.... you know.... a MOVIE.

just watch La Belle et la Bete. It’s much better.

[leaderintitleonly]

Anonymous asked:

Question for the mun: What do you think is the best or least bad Disney Live-Action Remake?

Haha you came for me too. Other than 101 Dalmatians in ‘96 which I hold to be the standard of Disney remakes... Here’s what you have to realize is my low bar of remakes: Do what you couldn’t do originally. Add something to embellish. Do not do a complete remake that’s word for word. Fix technical errors. Add for runtime if the original was very short. Alright so... Let’s start with what remakes I think are the most dumpster fire. That would be Cruella, Maleficent, and The Jungle Book. BUT GASP. Everyone loves that one. And okay. Okay I hear you. ...The remake removes all of the intentionally placed gay subtext between Baloo and Bagheera. Because you gotta remember, The Jungle Book is actually racist bs that Rudyard Kipling wrote so that white people would be encouraged to keep races separate. The idea is a metaphor to keep the jungle to the jungle and the civilized people to the civilized people. Yes, this is racist metaphor. BTW there’s a bag company called Kipling named after Rudyard Kipling and they use a gorilla as a mascot. Just... think about that for a second. ANYWAY!

Disney... knew this and turned this into an adoption story that is more relevant to the 70s. Instead of that crap, it is “Mowgli is an interracial adoptee and he has a right to know where he came from.” This was a hot topic in the 70s and is still a hot topic today. I would know. I am adopted. My parents saw this film and it convinced them they should become adoptive parents and did not care where that baby came from so... here I am. Rock you like a hurricane. Walt did something decent before he died when he touched this. He didn’t touch it hard and remember, Disney’s black animators (yes they exist holy crap) worked on this film. So. Yeah it’s garbage. That’s all garbage. The remakes either remove queer subtext (looking at you Lion King you took it out) that has been there for years or it adds things that tend to become really offensive when you actually sit down and take a breath (Maleficent sweetie really). A’ight so. So shoving that out of the way. Grudgingly, I pick Aladdin. And I know what happened. What you don’t know is... people are racist and needed Middle Eastern actors to tan because “that’s not dark enough for a majority white audience” so enjoy the colorism that is rampant in the Disney fandom. We could honestly talk about the discourse that happened and the harassment that followed all the actors but... let’s not. And I don’t like the movie because GASP I MUST WHITE KNIGHT. I like it because it’s a dull stick in the eye compared to a sharp one.

Jafar isn’t a pedophile. Rejoice.

Jafar wasn’t woobified. Get wrecked, Cruella. I hope the real Cruella rips out your hair.

Jasmine gets the bare minimal of explanation I needed. She wants to be Sultana. Sultan is too afraid because her mother was literally murdered. Historically, sultanas existed but right now he’s too scared.

Speaking of the Sultan, he’s not an idiot. He’s just afraid. When we’re afraid we can do foolish things and I deeply appreciated it. Like I could have gone for “oh this is why he collects toys” but hey, I got an explanation. Two seconds was all it took.

Speechless is relatable. Beyond relatable. And the scene is very beautiful.

Mena Massoud is an excellent Aladdin. I do love Brad Kane, but at this point I prefer Mena Massoud’s performance. He’s great. There’s an innocence to his voice and yet a very matter-of-fact when he’s living that Street Rat life. Brad Kane just Broadway’s it and while that’s still great since that’s the Aladdin we all grew up with, Mena takes me there slowly.

The first version of Friend Like Me is horrific and feels stiff. The credits version feels much better and as if Will Smith finally makes the character his own. Why we didn’t get that and a Bollywood style dance in the Cave of Wonders BEFORE the credits, IDK! But that’s a better performance.

Will Smith does have scenes where Genie feels like the actual Genie. Problem is... it’s inconsistent. And that’s upsetting because it looks like Will Smith knows what he’s doing so I want to “talk” to the director.

JAMS. STOP TALKING. ABOUT THE JAMS.

Arabian Nights has a much better rewrite. God like that’s such a bop and I don’t feel unclean like the first one always made me feel like that. Also the visuals of the ship coming into the port? Uuuugh. drooling.

I actually didn’t miss Iago. But is it because they didn’t use Gilbert Gottfried for the squawking or...? Hey, I didn’t miss him. You will not miss him at all. Turns out... Unless it’s Return of Jafar, you don’t need Iago at all. Which surprised me.

A little bitter it’s not Eden with Genie but hey, he’s happy and that makes me happy.

Okay but when you mix BOTH A Friend Like Me together it is ear candy having that duet.

And I know that’s the hottest take ever. These reasons are such a hot take... But I consider it a dull stick in my eye compared to a sharp stick. Cause nah really, all the remakes are accepting a stick in your eye.

[jeongyunhoed]

Past-Present-Future Black Dahlia

Two major tragedies bring Lee Mirae closer to the edge as she goes through the stages of grief in a more violent manner that would affect not only her relationships with her boyfriend Jeong Yunho and her half-brother Choi San, but also has her becoming closer with the immortal mutant Kang Yeosang. Fueled by rage, grief, and pain, along with a very rude awakening that has Mirae spiraling out of control and questioning everything she holds dear.

Group: ATEEZ Member: Yunho Pairing: Jeong Yunho / OC Genre: Action, adventure, angst, fantasy

Watch Out! : Violence, blood, death, grief and loss, major character deaths, use of weapons, some jealousy (but no cheating ofc), implied smut (not sure if there is any but i’m putting it out there nonetheless), mental illness (probably?), gambling and alcohol

Anything else? : Mentions of other idols of course as well as other characters. SuperM, Dean, Chanyeol, Zelo, soloist Park Jihoon to name a few.

Author’s Note: Sorry for taking so long to update! Oh, and I thought since it’s my birthday, I’d treat everyone (at least everyone who reads this anyway) with another chapter! Hurrah! Things are happening!

Masterlist

Chapter 8

“So, it seems like one of us is dead,” Ten broke the silence between the rest of them as they looked over the city from where they stood. They were back in the real world, in the conference room of the skyscraper that Mark owned under his own enterprise.

“And one is being held hostage,” Lucas pointed to his temple. “That same one owns this building that we are staying in. Why didn’t we stay in your building? You own the tech company in the first place,” He glanced over at Taemin. 

“It won’t be long before Yunho comes here,” Ino said, seeing Taemin furiously disintegrate the vacant chairs in front of him. “He’s bound to come here since he’s got Mark. Taeyong proved to be a lot more expendable than we thought he was.” 

“How dare you say that!” Taemin disintegrated the chair the elder was sitting on and the table that had their drinks. 

“Taemin, it’s true. Taeyong clearly forgot he was up against someone whose mind he can’t read,” Baekhyun pointed out. “Mirae and San both have a shield. No one can get into their heads. You placed San in the mountains where he stayed with a woman for a while,” He glanced at Ten, who shrugged. “Wrong move.” 

“It was an attempt to get him to soften up,” Ten replied. “I figured if I brought San back to a place he would remember fondly, like that place, where he had quite a...sexually explicit affair with the wife of his mercenary group leader, he would be vulnerable. Apparently not. That was the reason why he fled to look for his sister in the first place.” 

“And what about Yunho?” Jongin asked. 

“Yunho, to the place where his immortality took effect,” Ten glanced at them. “Where he was vulnerable.” 

“So what is our next move?” Taemin fumed. 

Ino looked at the tablet at his feet, laying on top of the piles of dust that was once the conference room table. The tablet unlocked itself and showed the interface of the controls. “This is our next move. We go live,” He replied, some of the features on the interface tapping themselves. “Project Apocalypse is now live.” 

“You know, Yunho made a good point earlier when we visited him,” Ten glanced at them. “We go like this without any leadership, if we need any. Our think-tank will need a face.” 

“Wouldn’t it be obvious by now? I have been looking for mutants under the directions of my father back in the center for paranormal research. I am also far more powerful than any of you in this room,” Ino said. “I’ve waited for a long time to take my place among our kind. I realize that my place is above.” 

“It was my plan to track down Jihoon, Hyuk, and Chanyeol that led us to come up with this think tank in the first place,” Baekhyun interjected. “You only knew of that when you went away after the tall dope and the telekinetic were killed.” 

“But my powers are far more superior than yours, Baekhyun,” Ino repeated. “Are you really going to question my very obvious authority over you?”

“No, you are right,” Baekhyun got up from his chair. “You have a very obvious authority over all of us. Maybe not Mark as he is significantly older than you, but for the rest of us?” He kicked down the wooden floor lamp, making the base snap in two. Baekhyun picked up the two pieces and before he could strike, the two pieces disintegrated and Baekhyun was floating in the air. 

Ino stared at him, shaking his head slightly. “Tsk, tsk, Baekhyun. Even my powers surpass that of Mark’s. You ought to know better than to fight me.” 

“Yeah, because Mirae’s the only one here that can actually do damage to you,” Jongin chimed in. “Don’t think we didn’t see what happened to you. Put Baekhyun hyung down.” 

Ino’s expression stiffened and Baekhyun dropped to the floor. “You’re a fool if you even consider opposing me.” 

“You’re also a fool for assuming you can defeat everybody here, if I do say so myself,” Taemin pointed out, glaring at him. “You just tagged along when you found out what we were planning.” 

“And now I am changing the plans,” Ino countered. “Project Apocalypse won’t just be a think tank anymore, it’s going to be more than that.” 

Particles of dust and metal were floating in mid-air in front of Ino, suddenly taking the form of robots that towered over all of them. “Project Apocalypse will remake the world into our image.” 

Jongin stared at him. “We killed the goblins years ago when they were looking to do the same thing, Jang Ino. You should know this most of all.” 

“I’m not talking about the goblins,” Ino said. “Mutant supremacy at its finest. The diamond of the tree of life will power these robots,” the gem appeared in his hand out of thin air. 

Jongin and Baekhyun stared at the gem. “...You kept the diamond all this time?” said the older of the two. 

“Yes, all this time, the diamond was with me. It made itself known to me shortly after the explosion from the Center,” Ino said. “Have you already forgotten? This is a sentient gem. It could never be destroyed, it simply disappears and reappears to anyone it wants to appear to.” 

“You will need material for that, whatever you are planning on building,” Taemin said, now intrigued by his proposal. “Where do you suppose you’re going to get that?” 

“From you, of course. Your company also specializes in metals, don’t they? The same alloy Junhong uses to fit the cars at the Center come from your company,” Ino pointed out. “They will be indestructible, and they will usher in a new era in the world.” 

Lucas approached the window, staring down at the busy streets below them. “So your droids are going to act as the horsemen of the apocalypse, won’t they?” He asked. 

“Why yes, they will. The horsemen of Project Apocalypse.”

~ 

Mirae looked up at the sky. In the midst of the calm, she still felt some frustration, the seeping feeling of regret that she didn’t finish Baekhyun or Jongin off while she had the chance, Ino even more so. Her eyes began to glow as well as her fingertips. “We’re not where we should be,” She said. “Project Apocalypse is being activated in the city, our real city.” 

“You mean they went back?” Mingi said. 

“I got it from Yunho. Mark told him, he’s telling him everything,” Mirae replied. “If my instincts are right, you should stand behind me,” She was still looking up. 

“What are you thinking of doing?” Hongjoong asked. 

“Don’t ask, just stand behind her,” Yeosang said. 

Mirae channeled everything she was feeling, the glow in her eyes and fingertips growing brighter and brighter as she concentrated on the sky. The more she stared at the sky and at the clouds swirling above them, the more the sky began to turn red, as red as the glow in her eyes and fingertips. “For Hyuk and Chanyeol,” She muttered. “For Jihoon, for Yunho, and for San.” 

The more she concentrated, they started to see that Mirae’s form was beginning to glow as well, and a powerful wave of energy shot up into the skies, causing what looked like cracks in a forcefield. Another wave of energy shot up, but this time, they saw that it was much more powerful than before, breaking out of the cracks and shattering what was above them completely. 

As the sky broke down completely, it seemed to reveal where they really were and to Mirae, it was another familiar place. It was the deserted compound with the empty, partly demolished houses. One of those houses had the passage that led to the goblin kingdom court. 

“Wow, I knew she was powerful, but I never thought she was this powerful,” Jongho muttered, the rest of them looked at her in amazement. The glow in her eyes was fading. 

They saw Junhong get out of the van nearby, looking around in disbelief and almost stumbling as he ran up to them. “What happened? Where are we?” He called out. 

“She broke down the dimension Ten put us in,” Yeosang replied. “Which means Yunho and San would be very close by.” 

Junhong gaped at her. “Now we need to look for them,” He took out the thin sliver of metal that was their communicator and turned it on. “Yunho? San? Where are you?” He called out, hoping for an answer. 

“Hey! Hey!” They looked at a figure running from a distance, and Mirae broke into a run as well when she realized who it was. 

“San!” She called out, the two of them capturing each other in a tight hug. “San, I’m sorry,” Mirae said softly. 

“For what?” He said. 

“For how I’ve been acting these past few weeks,” Mirae said quietly. “I was acting like you weren’t my brother, like you didn’t exist or something.” 

San shook his head. “It’s okay, sis. Are you back now?” He asked. 

“I-I don’t know,” Mirae said. “For some reason I don’t know.” 

They heard a commotion come from one of the partly demolished houses. “That must be where Yunho is,” Hongjoong said, and ran to the house, speeding up to the second floor. 

The rest of them ran to the house as well to catch up. Wooyoung transformed into his shadow form and slithered along the ground and into the house as well. “Junhong, you better stay close to us,” Mirae said. 

“I already am,” Junhong nodded, as they stepped inside the house. “Oh, this is the same place from-” 

“Yeah, where we dealt with the goblins,” Mirae replied, seeing the blood stains on the floors and on the walls. “We always tend to end up in this place.” 

“We’re in a small country, we’re bound to always end up in places we’ve been to before,” Junhong replied. 

“Seonghwa, when I say go, control it,” Mirae said. “I have a feeling that’s how it’s going to go.” 

They heard several thuds coming from the second floor, until the figures of Yunho and Mark appeared and disappeared, both of them engaged in a tussle in front of them. 

The rest of them tried to surround the two that kept teleporting in and out. “Go!” Mirae said the moment she sensed the two would reappear. Seonghwa’s eyes and fingertips glowed green as he broke the two teleporters apart, the two of them floating in mid-air as they were surrounded by the rest. 

When Mark tried to teleport away, Mingi kicked him back, followed by a strike from Hongjoong then Jongho, Wooyoung, Mirae, and San. Yeosang cast another hex towards the immortal, keeping him frozen as Seonghwa dropped him and Yunho to the floor. “I guess this is what happens when we don’t have much of our weapons left,” Mingi said. 

“Excellent, Hwa,” Mirae patted him on the shoulder. 

“Hyuk taught me that,” He said. 

“He taught you well,” She patted his shoulder again. 

Yunho quickly got to his feet, seeing Mark bruised and incapacitated on the floor. “One moment, we were in a village in Casablanca, the next moment, we’re in this...place, whatever this is,” He said. 

“Mirae broke down the dimension Ten put us in,” Yeosang pointed out, Yunho looking even more surprised at the change in his appearance. 

Yunho turned to Mirae, who was still staring at Mark’s frozen form. “Mirae?” He said. 

She looked up at the mention of her name. “Yunho?” Mirae went up to him in a tight hug, Yunho almost lifting her off her feet. “I’m so sorry,” She said. “I’m sorry for the way I’ve been.” 

Yunho shook his head. “It’s okay, it’s okay,” He kissed her cheek as he held her close. “I know how much they meant to you, and for a moment I thought I was going to lose you.” 

“Me too. I was so consumed by how I was feeling, I thought I was going out of control,” Mirae pulled back, staring into his eyes. “I couldn’t stop myself, I was just so angry and hurt and-” 

Yunho shook his head and kissed her. “What matters is that you’re back now,” He whispered. Back to me, he thought. 

“What do we do with him? Any ideas?” Hongjoong asked them, making Yunho and Mirae pull away to look over at Mark. 

“We could prolong the hex, if I may suggest,” Yeosang spoke. “Any other ideas?” 

“Skin him?” Jongho asked. 

“Burn him alive?” Mingi chimed in. 

“Make an example out of him,” Mirae said, her expression falling. She bent down to look closely at Mark. “Where in the city would they activate Project Apocalypse?” She asked. 

“Taemin and Taeyong’s company. It’s a tech enterprise,” Mark replied, seemingly defeated. “I must admit, I have underestimated each and every one of you.” 

“Don’t make that mistake again,” Mirae pointed out. 

“I killed one of yours,” San said, holding up a fragment of a diamond that was in his pocket. “Look familiar?” He said. 

Mark stared at him in horror. “...That’s impossible.” 

“It is, when you’re someone like me,” San replied. “What else can you tell us about Project Apocalypse?” 

“It’s too late,” Mark said. “Ino has activated the project, and it appears that he’s got more tricks up his sleeve, if I can hear his thoughts correctly.” 

“What tricks? What kind of tricks?” Yunho asked. 

Wooyoung stared at him, and then turned to the rest of them, blinking a few times as to what he was seeing. “Robots. Like the ones in the Danger room. Ino’s making robots that can kill,” He said. “Just like the robots you fought.” 

“Then let’s go. Yeosang can take care of Mark,” Mirae said, giving the vampiric mutant a nod. “Tough luck, Mr. Lee. You’ve weakened Yeosang enough to make him hungry.” 

“Should I call you an old friend? You’re not as invincible as you make yourself out to be. Then again, you’re now dealing with me,” Yeosang then bent down as the rest of them moved out of the house. Mark stared at him. “You can read my mind to know how much I need to feed, and unfortunately for you, your time is up,” He pressed his hand to Mark’s heart, shuddering as he absorbed the life out of him. 

~ 

“They got Mark too. This vendetta you have is becoming even more risky,” Taemin glared at Baekhyun. “And now they’re on their way here.” 

“We’re becoming outnumbered, it’s nine of them against how many of us?” Ten raised a brow, also looking at Baekhyun. 

“If they got Mark and Taeyong, that just means they were outsmarted, outmatched, and they’re not as strong as they make themselves out to be. Yeah, I said what I said,” Baekhyun shot back at Taemin. 

“It doesn’t matter if they were expendable or not,” Ino said. “All that matters is,” He gestured to the windows. They could hear a thud followed by the sounds of people screaming in the streets. The robot that Ino had built was walking out in the open. “Action must be taken now. If I were all of you, I’d make sure Mirae and the others don’t stand in the way.” 

“We should go then,” Lucas said, Ten getting up from his seat, followed by Taemin. “They’ve taken two from us, we should return the favor.” 

Baekhyun and Jongin got up, the younger of the two limping as he joined their colleagues. “Mutant supremacy,” Baekhyun said as if to remind them of their resolve. Ten and Taemin held on to Lucas’ shoulders while Baekhyun put his hand on Jongin’s and in an instant, they vanished. 

Ino closed his eyes and vanished as well. 

~ 

“If we’re here, then it means we’re getting close to home,” Mirae said as they approached another familiar dilapidated apartment building that revealed some of the floors. Yeosang quickly reappeared with them, his appearance returning to normal. She glanced at San and Yunho, “I mean, we’re getting literally close to home, the store is a bus ride away.” 

They entered the building, Mirae and Junhong seeing the familiar blood splatters on the doors and on the walls that had peeling wallpaper. Wooyoung gaped at what he was seeing. “Jongin got attacked here, didn’t he? During that time with all of you? He was with another guy,” He said. 

“Sehun, yeah,” Mirae replied as they climbed up the staircase, seeing even more blood spatters, some might even have looked fresh from how red it was. “Looks like some creatures come out to feed here then,” She muttered. 

“Creatures?!” Hongjoong stared at her. 

“Creatures. Non-humans, goblins most likely,” Junhong nodded. “Mirae, you still know the way, right?” He asked. 

“Vividly,” Mirae answered, leading them down the hall to the door at the very end. “You all know what to do in case something happens.” 

“I wonder why this area hasn’t been developed? I could’ve made the way to where we’re going a lot...nicer looking,” Yeosang frowned at the sight of the deteriorating interiors. 

Mirae opened the door, revealing a staircase going down to a dark tunnel ahead. The passage was barely lit, and they could hear the sounds of something scurrying and squeaking. “Oh my god,” Seonghwa muttered, gripping the strap of his quiver tightly while Mingi took out his lighter to light the way from his place, the flames rising up high enough to make it bright for everyone to see. 

“Watch your steps,” Mirae looked over at them, holding Yunho’s hand tightly as they walked through the passageway, seeing rats scurry around them, and making Jongho and Wooyoung squeal in their places, Mingi holding onto Hongjoong who leaned away from the flame in his lighter. 

San gave them a look, shaking his head. “All of you realize we need to be quiet in case someone else is in here, right?” He said. 

More rats were scurrying, making the rest of them, including Yeosang, stick to Mirae and Yunho. “I think we were a lot braver against those rodents while we were under the trance,” Hongjoong said. 

“Clearly,” Mirae nodded as they walked on, seeing the familiar old-fashioned elevator at the end of the tunnel. There were still bits of dried blood on the buttons going up and down as the iron doors opened. “Not all of us are going to fit in here,” she said. “San, Yunho, Junhong, Yeosang, Wooyoung, and I will go in first, the rest of you will be next. We’ll wait for you.” 

“Got it,” Hongjoong said. 

“If something goes wrong, Hongjoong, you better run,” Mirae eyed him, and he nodded again. 

“How about we don’t do that? I’d like to try something, my dear,” Yeosang cast a spell, and the elevator in front of them expanded in size. “It can fit up to ten people now. We cannot afford to separate now, they will take advantage of us being split up.” 

All of them got inside, and Mirae pressed the button, the doors closing as the elevator began to go down. They could feel a cold draft coming from below as they were further lowered down into the dark shaft. “We haven’t been here in a while,” Junhong looked around. “I wonder what’s going to happen to us now after all of this is over.” 

“I suggest we still stick together after this,” Hongjoong said. “It’s clear that we all work well together, including executive Kang.” 

“Aside from that, I mean,” Junhong said. “Mirae’s got the store, Yeosang’s got his company, now that it’s clear that Ino is no longer willing to keep us going, the rest of us are on our own.” 

“What is that smell?” Jongho suddenly spoke, cringing and frowning the further they went down, the rest of them wrinkling their noses at the stench that was getting stronger. “It smells like something died.” 

“Something did die. A lot of somethings,” Mirae said. “I didn’t think it would still stink this bad years later.” 

“Goblins decay slower than humans,” Junhong said.

“Is that what it is? This smells even worse than the camel poop in Morocco,” Yunho said, glancing at her. 

The elevator stopped and Mirae opened the doors, all of them suddenly greeted by the rotting goblin corpses strewn on the floor in what looked like a library with one bookcase pushed to the side, revealing another passageway. “I know I should be used to seeing dead bodies by now, but I’m not used to this,” Seonghwa said as they stepped over the bodies, noticing the glinting gold armor that the creatures wore. 

“Come to think about it, this place seems like a good spot for all of us to stay in, kind of like a headquarters,” San glanced at his sister. “There’s all these cool passageways, we just need to uh, get rid of all the bodies and the blood.” 

“That’s not a bad idea,” Junhong nodded. “This place just needs a lot of cleaning up, an updated security system, and we’d have our own headquarters instead of that safehouse. Where we could really be hidden away.” 

They went inside the passageway into a torch-lit chamber that had a set of two giant doors in front of them, the wood that acted as a barricade had long broken, and some parts of the doors had already been busted through. Wooyoung could feel his senses go into overdrive with all the memories he kept seeing the more they walked on. “So much has happened here,” He said, blinking a few times, as if trying to organize what he was seeing.

Mirae led them down the marble aisle in the middle of the room, the water on both sides of the aisle also littered with rotting goblin corpses and the marble that was once white, had stains of blood. It somehow made sense that they were brought back here, that this place was where she would end up at some point or another. The grudge Baekhyun had on her started here and in what was the Center for Paranormal Research. It only made sense that the way to stop Baekhyun was to go through some of the old ways, whatever it might be. But given how things had turned out, Mirae knew she had to do the same with Ino, which seemed like a battle she knew she was going to lose. 

Mirae led them through the hole on the left, revealing what seemed like a newly built tunnel illuminated with white lights. “This was where Chanyeol passed through when we dealt with the Utopian cult,” She muttered, making Junhong glance at her. 

“Oh right,” Junhong noticed their surroundings the further they went into the tunnel. “Where does this lead to again?” 

Mirae looked up at the tall male. “Where my foster parents kept the bodies of the people they would turn into their followers. And the training room, what was once the training room anyway.”

Yunho squeezed her hand as they kept walking. “You know, I kind of feel naked without having anything to kill or wound something with,” He said. 

“Sooner or later, we would have to rely on our powers alone,” Mirae muttered, opening the door at the end of the tunnel, the red tapestries bearing the symbol of the Utopian cult hanging on the door and on the walls of the warehouse they now found themselves in. 

“And all this time, I had no idea a place like this existed,” Yeosang looked around. 

They soon heard a thud coming from a closed off part of the warehouse. The thud grew louder, almost making the ground tremble beneath their feet. Out from the closed off part, a giant robot appeared in front of them, and alongside the machine appeared Lucas, Ten, Taemin, Baekhyun, and Jongin. 

“Split them up,” Baekhyun said to the rest of them. 

“Junhong, can you protect yourself?” Mirae glanced at the taller male. 

“Don’t worry about me, I’ll be fine, they probably wouldn’t. Remember what Hyuk and Chanyeol taught the rest of you,” Junhong muttered to them. 

“You know, I’m kind of glad Hyuk and that tall dope have now left this earth,” Baekhyun spoke. “All this sentiment, it just makes you weak.” 

“They were mutants too, Baekhyun, you knew them just as well,” Mirae said through gritted teeth. 

Baekhyun smirked. “No, they were nothing to me, and I knew they were everything to you. To the extent that you neglected those people around you right now.” 

“Releasing that robot into the city isn’t going to make you any more or less powerful, you know,” San blurted out, eyeing the rest of them. 

“One is already out in the open, this is just another one,” Ten pointed out. 

Mirae glanced at the males behind her. “Get the rest of them, but leave Baekhyun and Jongin to me,” She muttered. She turned back to the rest. “I’ve got a bone to pick with two of you.” 

“No matter how much we fight, there’s nothing that you can do to stop Project Apocalypse from happening. It’ll start from Seoul, and then to the rest of the world,” Taemin said. 

Mirae shook her head. “There’s always something.” Her eyes began to glow along with her fingertips. San’s and Seonghwa’s eyes and fingertips began to glow with their power signatures as well.